#tr-06

[4-oto]

(Bumble Noise)

[oldhagstrom]

[yncoreee]

YOU’RE NOT CUTE…..YOU’RE ABSOLUTELY ADORABLE. KIOF X reader

Synopsis— After minutes of convincing your members that you were not cute. They finally agreed……..or so you thought

Warnings .ᐟ Maknae reader, reader is an 06’ liner, use of words like “hot and sexy”, very very very short, Female reader, FLUFF

Note .ᐟ heyyyy! Making some short post before I post 18 again😁

꩜ — ⵌWord count 308

“But Unnie is it compulsory I get pigtails” you whined holding onto the hem of the hairstylist's clothes tightly.

“I’m sorry, but this is what fits you best” she apologized, patting your head. “But it makes you look cuter than you already are” she added in an attempt to cheer you up.

You pouted and looked up at her. “But I’m not cute, I’m 18! Now I’m hot” you smirked proudly.

She chuckled at your expression. “Sure you are” she spoke sarcastically.

She added a few accessories to your hair and sprayed some hair spray. “Done!” She announced.

You got up and made your way back to your members sitting down next to Haneul watching her phone.

Natty was the first to notice you. She squealed lightly. “Oh my God y/n you look so cute!” She said in a high pitched tone gaining the attention of the other members.

“Oooo she looks like a little doll~” Julie cooed.

“Like a baby!” Haneul joined in squishing your cheeks.

“CUTENESS OVERLOAD!!” Belle yelled.

You side eyed them and grumbled. “No I do not look cute, no I do not look like a little doll, no I’m not a baby and NOT CUTENESS OVERLOAD!” You fussed.

“I look hot and sexy” you bit your lips, your index finger underneath your jaw, looking like “Rizz”.

Julie laughed at you. “That’s such a lie” she said in English.

“That’s not a lie!!” You clarified slightly pouting.

“But it’s the tr—“ Haneul argued but got cut off by a glare from you.

“Alright alright you’re not cute” Belle spoke, holding up her hands in defense.

You have a satisfied grin turning to look back at Haneul’s phone not seeing the knowing glances they gave each other. “YOU’RE ABSOLUTELY ADORABLE!!” They yelled in unison, giggling afterward.

You gasped dramatically, shaking your head rapidly . “NOOOOO!!!”

[thekims4]

Preppy Style Lookbook #3

Hair / Skin 1, 2, 3, 4 / Eyebrows / Eyes / Eyelids / Eyeliner / Blush / Lips

Clothing - Top

*Acc Leather Blazer @charonlee

Dumdi Top @plbsims

Cheer-up Knit Top @bedisfull

Puffer with Top @babyetears

Sweater P30 @busra-tr

Jacket with a Top @laupipi-blog

Clothing - Bottom

Pleated Mini Skirt @charonlee

Cheer-up Knit Skirt @bedisfull

Basic Short Pleats Skirt @rimings

Flared Skirt @eunosims

Wrapped Skirt @gorillax3-cc

Clothing - Fullbody

Knit Sweater Dress P25 @busra-tr

Acc

Upstyle Hair Accessories @eunosims

IVE - I AM Earring @rimings

Zinare Earrings @suzuesims

Intimate Necklace @christopher067

Vintage Necktie @tina-sims

Wind Scarf @backtrack-cc

Hair Scrunchie @rimings

Clarity Rings @mlsim

My Phone! @ssiat

Chocolate Rosette Ruck Sack @usamarusims

Goth Backpack @madlensims

Hermes Birkin Bag Scarf Charm @bergdorfverse

Prada Re-Edition 2000 Mini Bag @bradfordsims

Valentino One Stud Nappa Bag @bergdorfverse

Classic Tights @magic-bot

Rib Long Socks @charonlee

Wrinkled Socks @eunosims

Shoes

Double-Strap Mary Jane 02 @jius-sims

Hffsims White Martens @grafity-cc

Logo Padding Mule @sunberry-sims

Low Top Sneaker 06 @jius-sims

Tattoo

Simple Tattoos @thekims4

Pose

Hongzo @nerinsims @poyopoyosim @roselipaofficial @xiuminuwu

[bbygyal123]

my favourite alpha hair creator ♡

i've recently been trying out alpha hairs after swearing i was a maxis match girl in 2019, and i absolutely love @wingssims hairs!! so here's my favourites.. ♡

01. - 02. - 03. - 04. - 05. - 06.

cc creds : @busra-tr @serenity-cc @caio-cc @wingssims

[seulvgi]

lookbook 06

1˖ hair | headphones | necklace (moonlight chic kit) | top | bottom | shoes 2˖ hair | glasses | earrings | top | bottom | bag | shoes 3˖ hair | glasses | earrings | top | top acc | bottom | bag | shoes 4˖ hair | glasses | earrings | top | jacket acc | skirt | boots

N.B.: use adblocker to avoid the +18 ads on the kemono website. massive thanks to all the amazing cc creators x

@thekunstwollen @akalukery @gegesimmer @sheabuttyr @nickname-sims4 @aharris00britney @giuliettasims @/bergdorfverse @arethabee @belaloallure3 @mmsims @b0t0xbrat @babyetears @madlensims @tina-sims @/lumysims @nightingalesims @dream-girl @ikari-sims @bradfordsims @/lynxsimz @busra-tr @sentate

[cattimeswithjellie]

Stream Recap GoodTimesWithScar, 06-23-24

((A note to readers: I am going to spoil the cause of Scar’s audio issues right away because knowing what is going on is going to be very helpful to you in understanding and visualizing the chaos that is about to unfold. Just before going live, Scar attempted to tweet his Going Live message but had a hard time getting the URL to work. In the process, he somehow opened a new browser window that ended up having three tabs that were all running instances of his stream. This window became minimized and Scar didn’t notice it because he had a browser window already up. Scar’s OBS has a setting on it that plays desktop audio, and his microphone noise gate only works up to a certain volume of sound, after which it assumes you mean to be making that noise and broadcasts it (this is a theory). So what you have to picture is that every time Scar says something, it gets echoed several times a second later by the three hidden stream tabs. That desktop audio gets picked up as well and reflected again and again, but will eventually fade off after a few loops, softer each time. If Scar continues speaking, though, and especially if he yells or makes a loud noise, the microphone’s pickup will grab hold of it and the echoes will actually become louder until the result is an overwhelming cacophony of whatever noises have happened in the last thirty seconds. It’s really quite something. For a more coherent narrative of the first forty minutes of the stream, you can also visit the stream recap for ZombieCleo’s 6/23 stream.))

8:30 Scar’s starting stream is still on, but the starting music ends. Sub notifications are active and it is curious how the chime keeps going off even when there is no matching sub message appearing on the screen. Chat does not notice. Before this point, stream audio was apparently normal.

9:05 Scar opens the stream on studio view and welcomes everyone to the stream. About five seconds in, his greeting begins echoing overtop his words, It echoes again, and again, and again, growing gradually louder. Scar looks perplexed, then alarmed, then starts yelling almost inaudibly under the massive swell of “WELCOME WELCOME WELCOME, AND WELCOME TO THE STREAM EVERYBODY.” A chatter instantly identifies that Scar has a stream open, but Chat is moving extremely quickly with this kind of exciting situation. The echoes are getting more crackly and lower quality but also louder as they move further from the source audio. “What is happening?” Scar mouths. The echoes finally die away.

10:22 “I don’t know what just happened!” Scar cries plaintively, then puts his hands over his mouth as the new phrase starts repeating just as quickly. Chat is both deafened and incredibly amused. Because Scar was not as loud this time, the echo dies away much more quickly. Scar looks from his setup to his chat screen, ideas clearly filling his head. “If I say anything it just repeats!” he says as fast as he can, then gives into the natural urge to beatbox into an audio loop. The new phrase and the “oontz oontz oontz” begins echoing, and Scar layers more beatboxing on top of it. Chat thinks Jono and/or Cub will have fun with this. Once that echo dies, Scar makes several false starts to say something, clearly not knowing what to do. The false starts begin echoing as well, and he just gives up. He doesn’t know what to do or say, because whenever he says anything it goes crazy! This cry also echoes. Scar is getting better at timing his voice so the loops are, at least, somewhat shorter.

11:55 “Impulse where are you, I need you!” Scar cries to the heavens. ((Impulse is the go-to guy for many of the Hermits when it comes to sound tech issues.)) The echoes mock him ceaselessly and in vain. Impulse is not online. Scar puts his head in his hand and laughs. This one was loud enough that it gets much louder before it dies off. Many chatters are now suggesting the multiple-open-tabs theory. A dono activates text-to-voice, that also triggers the echo sequence. Chat has no way of contacting Impulse, but they do begin soliciting help from Ren and Cleo, who are also streaming. It is unclear what sort of help they can provide, but they both become aware of the situation pretty quickly.

13:30 Scar rests his face on his palm and lets the stream echo. Right now it is mostly “Scar enters his DC phase” from the dono message with the faint echo of “Impulse where are you, I need you!” far below. Chatters are begging him to close his windows/browser and check his microphone settings, but Chat is also going too fast to read most of the time. Scar gives up and sings the Catdog song. Everything is unintelligble chaos. The headphone chatters regret their life choices.

14:30 Silence. Scar mouths “I don’t know what’s going on.” Chat has a lot of ideas but are still moving too fast to read. He repeats the words in a whisper, which echoes and fades. He realizes he is looping ASMR now and makes several more noises, then whimpers “I don’t know what to do! Help please, somebody!” It echoes. He starts talking fast and loud, with predictable results.

17:00 Scar goes all in on Catdog. It gets loud really fast. Chat is both grooving and suffering. ((It should be noted that through this entire audio issue, Scar is averaging 2.8k viewers.)) He waits for everything to quiet down, then says “Well hello there, and welcome to the wonderful world of CATDOG!” The echo is _horrifying._

19:20 Ren’s voice becomes audible on the stream, saying something about how he’s heard Scar is having mic issues and has come to help him. Scar is still in studio view, so this is the first indication that he is already on the Hermitcraft server. Scar calls out to ask if Ren is there and if he’s come to save him. Scar asks chat why sometimes it gets louder and sometimes it trails off. Chat tries to tell him he is muted in game. Ren begins singing an improvised version of Johnny Cash’s Ring of Fire with lyrics about audio problems. ((Ren and his chat are watching Scar’s stream live and so can see and hear what is going on even though most of the audio nonsense is not actually going out on the server.)) Scar sings along and switches to game view. He is on his zoo train and Ren is standing in front of him, wearing his GigaCorp skin and taxi pants. ((The recapper’s child comes along at this point and asks what the heck the recapper is watching, because the sound is just that atrocious.))

20:30 Ren is playing that Scar has a Gigacorp microphone and he is Gigacorp technical support chat. He sings another song, this time Linkin Park’s Crawling In My Skin with the lyrics “Burning in my ears, this mic is echoing, Chat asked me to come and help you, but there is nothing I can be doing. The echoing inside me, is burning my brain! The pain, of my earholes… Maybe you should just restart your computer, that might fix it! Just saaaaying, the paaaaain in my earholes.” He says “Good talk,” and flies away, leaving the song getting louder and more horrifying behind him.

23:10 The audio mayhem finally subsides, so Scar immediately goes to find Cleo for additional mayhem. ((Cleo has a stream rule against talking about what other streamers are up to and has temporarily banned the word “Scar” in their chat at this point, but has nonetheless been made very aware that Scar is on his way and hell is riding with him.)) He finds Cleo at their base. The first thing Cleo says is a cheerful “Hi!” at exactly the tone and pitch that will echo endlessly. Scar can’t figure out how to unmute himself to the server, so she continues to talk in an increasingly incoherent loop. It gets really, really loud. Sensing chaos, Ren returns and starts singing the Burning In My Ears song again.

25:40 Scar flies away, trying to clear the echo buffer. He comes back just in time to hear Cleo yelling “What do they expect me to do?” and Ren say “This feels like a fever dream,” which form the basis of the new echo loop. Ren sings Eminem’s “My Name is” song with lyrics of his own devising. Scar flies away again. He figures out how to unmute and flies back yelling “Help me!” Ren yells “He’s back for more!” and begins hepfully beatboxing. Chat is still making valiant efforts to tech support Scar, who stopped paying attention a very long time ago. Cleo is talking and laughing in the background.

28:00 Scar makes additional communications efforts, all of them similarly useless. He and Ren sing a song about Mr. Kirkland and his four-pound pie, which seems to be a song Scar made up about the virtues of the Costco chocolate-peanut butter pie. Cleo has been trying to pass along some tech-support tips but is quickly drowned out. She joins in the song.

30:15 Scar does something that abruptly cuts the audio chaos. There is a moment of silence, then Ren and Cleo begin talking and looping. The audio is full of Cleo’s intention to eat a sour jellybean. Scar yells “It’s getting worse!” and flies away. He thinks he is onto something, so he lands on a tree and begins playing with his settings.

31:30 Scar changes something in his settings which completely fixes the problem from Chat’s POV. Scar sounds totally normal, no looping. He himself is still getting one echo over his headset. Chat celebrates wildly as Scar interacts with the echo that only he can hear, paying it compliments and having a conversation. He insists he’s going to have a burial ritual for his headset later on in the day and complains that everything in his life is broken. He is not sure how he got things almost fixed but not fixed and decides he will try unmuting, and muting another source.

32:40 Chat’s moment of peace is over. The echo comes back, everything is unfixed again. Scar does not appear to have realized at any point that Chat’s audio was fixed or that he was the only one still getting echo, but now everyone is echoing again. Scar sighs heavily, a sound that repeats again and again as he flies back to Ren and Cleo. Now game sounds are also in the echo mix. Scar flies away again.

33:50 Scar mutes and makes the loop stop. Everything is fixed to chat. He still has the echo for himself. He is still talking to a voice no one else can hear. He mouths something to chat. He unfixes it again. He flies back to Ren and Cleo, who sing Bohemian Rhapsody to him. It immediately becomes overwhelmingly loud. ((It’s much nicer on Ren and Cleo’s streams.)) Scar has given up. His fingers are off the keyboad and he is slumped with his head in one hand. Cleo manages to get through the din to tell him that they are sending tech support photos and information from their partner via Discord. This is ill-timed because it means that they are tabbed out and Ren is absolutely not paying attention as a Drowned sneaks up and murders Scar before he can straighten up and get his hands back on the keys.

36:10 Scar respawns in the zoo train with the echoes of his ignominious demise ringing in everyone’s ears. Chat, at least, thinks this is very funny. Because Scar was yelling his way through his death, it is the sort of echo that gets louder as it goes on, until his screams are nearly deafening as he flies back to Cleo’s base. Scar looks about as done as it is possible for one man to be.

37:10 All the noise stops. “I muted it,” Scar whispers to chat. No echo. He tells Chat that he’s going to get his stuff and then he’s going to look at the troubleshooting info. He tries to follow some of the troubleshooting info and immediately unfixes everything again. Chat didn’t even have time to celebrate. Scar muses that it seems like he’s getting multiple sources repeating themselves. He thinks he’s on the right track, but he needs to get his stuff back first. He returns to Ren and Cleo and asks for his things. Ren is wearing the Poe Poe hat. It looks good on him, but he tosses it back, then starts in with Sandstorm by Darude, a whole new audio hellscape especially once Scar starts throwing in rockets.

39:40 Cleo tells Scar that he is awesome, and that is funny that it’s Ren being the menace today, when usually it is Scar. She asks Ren when he thinks Scar will mute them. Scar asks for more compliments instead. He mutes again. He’s back down to one echo. Chat has no echo. There is no game sound. Scar gets a thoughtful look on his face. Game sound comes back. Cleo reminds Ren that they are trying to be nice to Scar, even though it is difficult. Ren doesn’t know from being nice, he is trying to make loop tracks here. “Oh, this is your Woodstock, got it,” Cleo jokes. “What about wood?” Scar asks, and immediately regrets everything as it begins looping back on him. Cleo is amazed that he recognizes what he just said, Scar says yes, because it is playing back to him over and over. Cleo is amazed and sees the potential of Scar’s conscience being simply “Play back every out of pocket thing he says”.

41:50 Cleo gives Scar more advice, he drops back down to one echo and no in-game sound or voices audible to chat. He moans an “Oh no.” He tells Ren to keep going with what he’s doing and unfixes everything in time for chat to hear Ren’s rendition of the “How much wood would a woodchuck chuck” chant. He is dancing. Scar is firing rockets. Everything is echoing. It is chaos.

43:30 Everything stops. Scar admits that he may have figured out what is wrong. If someone were to have three open sources of their own stream running in the background, would that be enough to cause this? Cleo pointed out that was literally the first thing they asked. Chat is melting down with YES and laughter. Laughing, Cleo yells at him as he tries to explain that he had a second set of tabs behind his main tabs and that secret second set of tabs had three extremely sneaky instances of his stream that he’d accidentally created while trying to do a Go Live tweet.

44:40 Ren tells Scar, very sincerely, that he is easily in Ren’s top ten favorite humans. Scar cannot hear him because his headphones have taken this opportunity to fall apart again. Ren types it in the chat instead. Scar realizes that Ren’s mic is quieted in his audio mix and tells him that he is pumping him up. Cleo says Ren does not need pumping up, Ren comes fully inflated at all times. Chat has a lot of feelings about that phrasing. Scar tells everyone that this has never happened before. Cleo says at least they know what the problem was: ineptitude!

((I will not be recapping the next section because it is functionally the exact same as what I already recapped in this section of Cleo’s 6/23 stream. It’s a very long but entertaining podcast-style conversation that eventually encompasses Joe and Cub as well as they discuss Scar’s headphones, Ren’s traumatic boarding school memories, Scar’s history as an archer and whether or not Scar may have helped himself to a “layaway” plan at Cleo’s book shop after he fell into some lava and lost all his stuff again. Eventually the topic turns to possible identities for the Ore Snatcher, and after a long run-through that provides no concrete evidence or conclusions, they all fly over to the armor trim shop.

1:55:50 Scar follows the others to the armor trim shop, taking several potshots as he goes. He pulls out his Poe Poe horn and begins playing it to signify that this is the official Chief Investigator on an official Investigatory Visit. He is immediately distracted by a Wandering Trader who has blocks he wants, including gilded blackstone miniblocks. The others are already inside though, so he follows them into the shop. Ren thinks the redstone looks very scary, but Joe knows enough to be pretty sure that most of the blocks in the circuitry would be easy to replace so long as the machine was not presently active.

1:57:10 Cleo groans as they look at the armor stand work, which Doc spent a long time on because he has alienated his best source of armor stand sculpture work. Some of the statue postures are pretty tortured, especially under the hood, and nothing is locked. Joe and Scar cheerfully tell Cleo to go ahead and fix it, Doc definitely won’t mind somebody messing with his stuff, especially in this shop! Cleo begins working on the armor stands, declaring confidently that Doc won’t even know.

1:57:20 It occurs to Scar to ask if the shop is even open yet. The machine seems complete, but there’s no obvious mechanism by which to buy anything. Joe chooses to deliberately misinterpret the question and points out that of course it is open, look how easy it is to walk in and out of the wide open portal! Cub lays down several magma blocks in the doorway, presumably to prank Joe, but Joe has already gone back inside. As Ren checks the redstone for more missing blocks, Cub takes down the magma blocks he placed, thus triggering the alarm and jumpscaring everyone. The Hermits do not know exactly what set off the alarm. (Ren has helped with testing for the alarm and should know that blocks breaking set off the machine, but he presumably did not see or hear Cub break the blocks.)

1:57:50 Ren warns the others not to go down into the circuits, there’s an alarm system. Scar peers into the guts of the machine and catches a glimpse of said system. “It’s a Warden, what the heck!” he yells. Chat is already gleefully predicting how mad Doc is going to be about all this nonsense. Scar is reduced to sputtering, Cleo is cackling. Ren proudly announces that he has been killed by this Warden before. Ren tells them that the Warden is coming up the stairs now and they’d better leave before there is chaos. Just as he says that, the whole world goes dark. The Hermits make a run for it.

1:59:00 The Hermits regroup on the grass outside the shop. Ren points out that if the Warden is going to get out and wreck Doc’s shop it should be on a video and not a stream, because the content would be much better. Scar’s just glad he already finished his shop so he won’t have to listen to the alarm until Doc comes to turn it off. Cub and Scar worry about the Wandering Trader, but there is no sign of the Warden so far. Cleo is not afraid of wardens. Cub and Scar think about investigating, but the sound is terrible. Joe goes straight in but only stays for a moment. Scar shoots at him anyway. The Hermits wonder what triggered the alarm. Chat knows and informs Scar that it was Cub’s fault. Cleo realizes it is going to be _so easy_ to annoy Doc and is thrilled to death. Scar wonders how anybody is supposed to pay for anything if nobody can get their wallet out in the shop.

2:01:10 Joe returns and Cub decides he’s going in. Scar is having Decked Out flashbacks. Cub says in chat that it’s fine. Cleo and Ren never got far enough down into Decked Out to be scared of wardens. Cub returns and proudly declares that he got blasted. The hermits discuss whether they should leave signs explaining what happened or just leave the alarm running and Doc wondering what happened. Cleo points out that now The Glitcher can do whatever they want. The other Hermits have not heard the name “The Glitcher” before (except Scar has and has forgotten.) Cleo thinks The Glitcher is a very Cub name. Scar gets out his Darth Vader breathing horn to attempt to intimidate Cub into an immediate confession. It is super-ineffective. Cub accuses Scar and Grian based on history. Ren plays Etho’s “What’s going on” horn.

2:04:20 Ren sums up that the group has been at it for an hour and fifteen minutes and are literally no closer to determining the identity of the Ore Snatcher. Scar points out that at least they found there’s a warden in the trim shop. It seems bad for business. Cleo doesn’t think Doc cares about business and it’s all about the drama. Cub makes a little show of not remembering the name “Glitcher” and asks if they left a sign. Scar gets Chat to send him one. Ren suggests the possibility of a copycat. He wants to put up a sign that suggests a new villain on the scene, for the “rascal energy.” Scar suggest Wells and/or Hypno, but they haven’t been around. Ren thinks the new fake villain could be “The Pincer,” but he can’t put up the sign himself because he is Doc’s husband. Cleo is happy to do it. Scar insists that he is the investigator and can’t allow this to happen, but is effectively powerless after Cleo, too, proves impervious to the power of Darth Vader Breathing.

2:07:30 Cleo and Ren approach the sand pile to create sign-based mischief. Grian signs in. Chat sends Scar a message with the Glitcher$ sign, Scar remembers it now. Ren and Cleo return, arguing because Cleo thinks “The Pincher” is dumb and won’t put it on the sign. Scar is affronted remembering that Doc thought he was the culprit because the sign was misspelled. He objects to being accused just because he’s “the dumbest one in the crew.” He is paying so much attention to Doc’s accusations, in fact, that he misses Joe mentioning that there is another sign up there that looks like it comes from Scar (that Joe put there.) The Hermits retreat from the sand pile because the noise is terrible. Cleo says she would feel bad about winding Doc up, except he completely deserves it. Ren agrees that even though he is Doc’s husband, he has to admit that a price must be paid for pig murder. Cleo hears “price” and remembers it’s time to spread a little bribery around. Ren tries to double-dip and winds up getting Joe accused of diamond-snatching and chased away by Cleo. He deserves it though because he actually does steal Scar’s diamonds while Scar is distracted by his Chat.

2:09:40 Scar asks why his Chat is convinced Big Salmon is the culprit. He doesn’t even know what that means. As he looks around, he catches sight of a very tiny figure far away, hopping up the side of the sand pile near the goat statue. It disappears before he can zoom in. Scar says he swears he just saw Grian, except Grian’s not even online. The others tell him that Grian is indeed online. Scar flies over to the shop to investigate, but Grian has disappeared. He was not near to the door and so probably could not have gotten into the shop, but where he did go is a mystery. Scar blankets the shop with Darth Vader Breathing, just in case.

2:10:40 Scar returns to the others and reports no luck. Cleo thinks Grian is absolutely the perfect fit for this crime. Ren objects and says Grian wouldn’t incriminate himself in front of four Hermits, Cleo says that is exactly something Grian would do if he thought he could get away with it. Ren sees the sign Joe put up on Scar’s behalf and everyone is confused and suspicious until Joe scolds them all for not paying attention to the fact that he told them he was putting up that sign ten minutes ago.

2:12:20 Cleo sighs and says she loves it when a plan comes together, she just wishes it were hers. The others give her weird looks for that and say that if she doesn’t want to be perceived as the villain, maybe she should say fewer villainous things and possibly praise the villain a little bit less. Cleo says that whoever did it is awesome, but that she would’ve told everyone if she’d done it. Joe points out that he just told everyone he was putting a sign up and got ignored, so Cleo could easily have told everyone and nobody remembered. Cleo tells Joe that it is different because people listen to Cleo. Joe is not so sure about that. Scar brings up the Big Salmon thing again and Cleo reminds him that all the Hermits present know it was not Beef because of Reasons that she very clearly is not sharing with the Chats. ((This is one day before Beef announced publicly that he and his partner are expecting a baby in October, making him way too busy and preoccupied to be doing much in the way of Glitchering.))

2:14:00 General consensus is that whatever feud happened between Big Wood and Big Salmon, it is old news now anyway. Salmon lives peacefully in the hourglass, after all. Chat is convinced by Cleo’s certainty and no longer thinks it is Beef. Ren and Scar both know it’s not Mumbo, but they wish it were. Cleo and Joe would like it to be Joe. Everyone names one suspect (Cleo names Cub, Cub names Scar, Joe names False, Ren names Joel, Grian does not answer). Scar thanks them and tells them that was entirely unhelpful. Next step is to get a search warrant and look through everyone’s storage. Doc can look through his storage. Cleo laughs at the idea that turning up some deepslate diamond ore in someone’s storage room would prove anything. A chatter says Xisuma, Cleo is super unconvinced, Scar is also not enthusiastic.

2:17:40 Joe says that his favorite best-ever theory is that the SciCraft folks are allied with Doc’s partner Karin to steal the diamonds via Karin accessing Doc’s account. Everyone thinks that idea is very funny. Ren asks if that means Karin needs to come to court and testify. Karin may or may not have a Minecraft account. Scar muses that his brother would absolutely do something like this. One of Ren’s chatters says that, as a wife, they would totally do that. Cleo jokes that this was all a ploy to jumpstart Karin’s YouTube career. Joe thinks it would be an amazing Hermitcraft spinoff, Karin and Mrs. T and Lizzie, but they’re thieves… Ren thinks it might be Lizzie pranking Joel by pranking Doc. That’s a little complex, though. Cleo accuses “Everyone else’s spouses” and says next seasons somebody needs to have their spouse start pranking. Joe warns that now that Cleo has said this, Joe’s fiance Badgerspanner is going to demand to be allowed to do it. Chat pops up with the name “Desperate Hermitwives,” which Scar thinks is very funny. Ren adds “The Real Housewives of Hermitcraft.

2:21:20 Ren has a Bdubs theory: The best way to create business for your brand new courthouse is to create a huge story arc that involves crimes and gets Hermits suing. There is a brief argument over whether court cases cost anything (tips are welcome, according to Bdubs, and there’s definitely been some bribing involved.) Cub points out that the police stand to benefit from an increase in crime. Scar protests that he is the judiciary! Cleo laughs and says of course cops cannot be corrupt. In any case, Scar goes on, he touched Doc’s boring machine, he blew it up, he banged it too hard, and he’s not interested in banging Doc’s redstone anymore.

2:23:20 There is a long moment of silence. Cleo says she is leaving, that it’s been lovely, they should do this again never. Cleo, Cub and Joe leave. Scar confesses to Ren that he’d said the worst thing he could think of to get rid of the others, and it worked! Ren is impressed. Chat is impressed, once they stop losing their minds over what he said in the first place. Ren and Scar have a conversation about who might really be the Ore Snatcher and who is playing “third impostor.” ((Third impostor is Scar’s favorite way to play Among Us, someone who is not a real impostor but who plays like they are in order to sow chaos and confusion.)) Ren makes a reference to the movie The Usual Suspects that Scar does not understand, but it boils down to “the best place to hide is in plain sight.”

2:25:00 Scar and Ren proceed to have the same conversation the large group had earlier about who is a suspect and who is not. They come to no conclusions and eventually realize they have wasted half a Sunday on accomplishing nothing. Grian says in game chat that it’s pretty obvious but then immediately logs out. Joe flies past, right to the door of the armor trim shop and logs out midair. Ren finds this behavior wildly suspicious and accuses Scar of being the worst poe poe for not noticing. Scar admits he’s not very good at being Poe Poe, but he works hard.

2:30:00 Scar tells Ren that he really did have plans today, but the echo threw him off right from the jump. Ren agrees, but the echoing thing was really way too much fun. He is already nostalgic about the fantastic amount of noise that was generated. Scar says again that he can’t be the Glitcher because is so busy, with wheelchair appointments, surgery appointments, and trying to build the Poe Poe HQ. They decide to go look at the new build. Ren tells Scar that he believes Scar is innocent. Chat asks if Scar is okay. Scar says he hopes to be okay by the end of next week. ((Scar has an upcoming surgery scheduled to correct issues in his implanted feeding tube that are causing illness and pain.)) Chat notes that Joe logged out and on quickly again, suspicious behavior!

2:32:00 Scar is too tired to be an investigator, he’d rather be the third impostor, but a good impostor would be making lists of potential suspects (or rascals, as Ren calls them). Ren encourages Scar to start an investigation board with red strings and stuff. He tells the Chat to make one for Scar. Scar shows Ren the countdown clock but won’t let him look at the redstone. He promises Ren that the redstone is definitely doing things, even though he hasn’t decided what he is counting down to yet. Ren suggests eliminating any store that took less than five minutes to build. Scar agrees that’s a good idea and he will run it past Permit Officer Grian, who is a different character than Regular Grian. Now that the POE HQ is done, it’s time to enforce some laws. Chat agrees too, nearly unanimously.

2:36:30 Ren and Scar explore the SD and look at how the pop-up shops are taking up beautiful prime real estate. They definitely need to go. A chatter asks if Keralis has been considered as Ore Snatcher. Ren says Keralis just isn’t enough of a rascal. Thinking about Keralis makes them think of the crab rave though, so they go to see it at Keralis’ base. Cleo made the little crabs a while ago, but now Cub has added the crab rave music and it is pretty great. They spend some time appreciating K’s base, which is gorgeous. Scar wants more airport, but it looks like Keralis does have plans for more of an airstrip. They see the birch forest in the distance and start talking trees. The number and quality of custom trees this season is amazing. Scar is self-conscious because he’s having so much trouble making a redwood tree. Ren admits that his custom trees are actually just copies of Scar’s custom trees, and he’s sure Scar will get it right.

2:41:30 Ren learns that Scar has never seen The Mummy. He is appalled. Chat is appalled. Scar gets really confused when Ren gets confused about whether The Rock was in The Mummy (he was) and also is confused about who The Rock is (Dwayne Johnson). They get super-distracted talking about the movie The Rock, which they both love. Scar had to watch it in secret because his mom thought he was too young. Scar has not seen True Lies, but now he remembers The Mummy, so that’s something. He has not seen The Whale, and Ren has not seen House of Dragons. They talk about how expensive streaming services are. They agree not to talk about VPNs on stream, then do talk about it, but just a little bit. Ren canceled most of his streaming services a few months ago because they were so expensive. YouTube Premium is Ren’s favorite stream service.

2:49:00 The inevitable happens and Scar and Ren start talking about Star Wars. In chat, Grian advises Ren to flee for his life. Scar protests that Ren loves Star Wars and wants to talk about it. Grian is deeply unconvinced, especially when Ren reluctantly admits that it’s 11pm and he does need to sleep. But… he’ll stay just a bit longer. They run around Keralis’ base, looking for a bed and talking about Star Wars. Grian realizes he’s getting sucked in via stream sniping and logs out immediately.

3:01:20 Star Wars talk continues, Hermit Podcast style. Grian logs back in. He has clearly continued his stream sniping and wants to say something about the Jedi wookie. They encourage him to speak his truth. Star Wars talk continues. Grian’s hatred of Star Wars talk has suffered a severe credibility blow, even though he logs off again.

3:25:00 A brief detour out of Star Wars and into Dune. Scar talks about storytelling in Hollywood and the lack of innovation for a few minutes. Some Disney ranting, and a discussion about how sometimes it’s okay to scare kids. It’s good for them. Time to talk about old Disney movies from the golden age of animation. Scar reveals he’s never seen The Land Before Time. Chat is _so_ upset. Ren talks about how he lost his dad when he was six, and cartoon movies that had sadness and loss helped him come to terms with it. It’s important not to take that kind of thing out. The deeper stories and lessons aren’t really there so much anymore and it hollows out the films.

3:40:30 Ren admits that it is almost midnight now and he really does need to go to bed. Scar laughs and agrees that Grian is probably out there somewhere screaming at him to go to bed. Scar compliments the way Ren talks, always interesting and with good things to say. When Ren talks, people listen. Chat loves Ren and the Ren and Scar podcast. Scar promises he’s going to watch Dune. Ren is happy until he realizes that Scar, who does not have access to a TV, will be watching on his iPad. Ren thinks that is criminal. He nearly swears. Scar adds that he will be using airpods. Ren is so sad. Scar holds forth for a minute about how Airpods are just not as good as a headset with a jack. Ren points out that there is also a difference between an iPad and a cinema screen. Scar laughs. They do a bit of old-man complaining about how movies don’t look good on computer screens. Ren asks if Scar really doesn’t have a TV in his house. Scar explains that it’s inconvenient, either he’s stuck in his wheelchair or he has to go through the entire process of transferring to a chair or couch, getting strapped in there, it’s a whole thing. His headphones fall off mid-description. Ren suggests he could stay in his wheelchair, get a blanket, get some popcorn, wait, no popcorn, and just enjoy the film. Scar points out some more logistical concerns involving bathroom breaks and says it’s much easier to watch in bed on the iPad. Ren admits he is a hypocrite, he watched Hermitcraft videos on his phone in bed. (Chat feels very seen.) They talk about the high price of iPads. Chat calls Scar an iPad kid, to his protests. Ren is mad that his old tablet is bricked because of lack of software updates. They agree that should be illegal.

At least they get to live in Minecraft, where things are nice.

3:47:40 Ren really needs to go to bed. For real this time. Scar follows him back to his base, still talking until Ren insists that he stop talking and go away or he will never get any sleep. Scar flies back to the train and thanks subs and donos. He did not get everything (anything) done that he planned to this stream, but he will probably try and stream tomorrow as well. Surgery is definitely planned for next week and hopefully a little less intense than originally planned. If things go well, it will not be under general anesthetic and that should keep him out of the ICU. The surgery itself is not such a big deal, but the sedation is the issue. Hopefully this surgery will correct what was done wrong in 2021 and 2022.

3:51:20 A chatter donates $100 for Scar to buy some new headphones and let the old ones go to the farm. Scar promises that this is the last time Chat will see the old headphones. They’re getting buried in the backyard. He’s just weirdly sentimental about a few things. The sunglasses he lost last year and these headphones. But it is time. Scar’s goal is to get the surgery done and then get the new wheelchair (which he has finally been measured for). It will be smaller, lighter and more comfortable. Chatters send in dono messages of love and support. They also have opinions on movies.

3:56:00 Scar reassures Chat that this surgery will not be like last time when he was out for months. This surgery is much smaller. A chatter sends a dono message with train talk. Scar is enthusiastic about train talk. He reminds Chat that he lives near a real-life permit office and shows off the dig progress on Magic Mountain. Every scrap of dirt has been removed and saved for later. Beyond IRL things, Scar has to do the POE HQ interior, Doc’s investigation, landscape the area around the train, and add the caboose, which will be floated in on balloons. The mini-mountain needs to come down and Magic Mountain needs to be dug out. The zoo must be built and Scar has several shops to build. He has so much to do! Some chatters mention the Jellie plushie and Scar admits inflation has made it really hard to make merch. Anything good costs so much money these days!

4:00:00 A chatter asks for names for their dark oak forest. Scar throws it open to the Chat, who are full of ideas. Scar likes “Mythwood.” He shares one last thought: Universal’s Monsters Land is so cool. Scar is very happy about it and thinks it is great. He switches back to studio view, says this is probably the weirdest stream he’s ever done, and that he hopes to do more streams this week. Nobody Scar knows is streaming so he doesn’t raid, just ends his stream.

[skxtchyghost]

Rogues! The Podcast is so fucking good thank you so much for the info,,, may I ask where they mention Meister so I can draw the ‘be flat’ scene accurately (and a hundred times)

I HAVE HUNTED DOWN THE EPISODE FOR YOU!!

S01E29 | TRS 0114 - Coffee, 1:06

[imasallstars]

The cover art for THE IDOLM@STER SHINY COLORS ECHOES 05 album has been released and the album is set to be released on September 11th 2024. It will feature two new unit songs, a special drama, as well as their version of Migratory Echoes

The crossfade of the album is located here

Tracklist:

Tr.01　Cyber Parkour 　Lyrics: Yu Shimoji　Music&Arrange: GAK-amazuti- Tr.02　LIVE LIVE LIVE! 　Lyrics: Yu Shimoji　Music&Arrange: GAK-amazuti- Tr.03　Migratory Echoes (Straylight Ver.) 　Lyrics: Yohei Matsui, Yu Shimoji　Music: Takao Yanagawa 　Arrange: Katsumi Onishi (Blue Bird's Nest) Tr.04　Special Audio Drama “Gentle Reverbrations” Tr.05　Cyber Parkour (Off Vocal) Tr.06　LIVE LIVE LIVE! (Off Vocal) Tr.07　Migratory Echoes (Straylight Ver.) (Off Vocal)

[saturninemartial]

I'm a casual listener. Why does everyone hate Panic? Or rather Urie?

I was an OG fan back in 2005/06 but tapped out after the second album, so I wasn't fully aware of all the drama, so I had to look some of it up.

P!ATD was started by childhood friends Ryan Ross and Spencer Smith; Urie wasn't invited until later. The original lineup was rounded out with bassist Brent Wilson, although he was later replaced by Jon Walker. It was Smith, Ross, Urie, and Wilson on their first album; and Smith, Ross, Urie, and Walker on their second. In 2009, Ross and Walker decided to leave the band, mostly on creative differences with Urie. So there goes one founding member, Ross, and another core member, Walker.

Dallon Weekes, whom you might know from IDKHOW, joined as bassist after this; with Ian Crawford on guitar. Smith, Urie, Weekes, and Crawford recorded and released an album in 2011. During the recording, Crawford left bc he wanted to create "real, genuine music."

Smith, Urie, and Weekes recorded another album that was released in 2013 and soon went on tour. Smith left for a bit for addiction reasons; and in 2014, Urie said it didn't look like Smith was coming back; and in 2015, Smith confirmed he wasn't coming back. So Ross and Smith, the original two creators of the band, are now gone; and Urie is the only one left from the original lineup.

In 2017, Weekes announced he was leaving so he could focus on his own band, IDKHOW. That's the final "replacement" member, and from then on, it's just Urie. Since then, Urie has used the Panic! name for what is essentially a solo career, creating music that is so far gone from the original vision and slapping someone else's name on it. The creators of Panic!, Smith and Ross, left a long long time ago, and Urie has essentially acted like nothing happened and hasn't really given them credit. It's been the Brendon Urie Show for ages; more than one person left because of creative differences with him specifically. The Panic! name was never his to use yet he kept on using it, I guess for clout?

Then we get into the allegations against Urie. I'm on mobile and at work so I don't really have time to add receipts, but googling Brendon Urie allegations will bring up a ton of links. Basically, there are allegations of him sexually abusing fans, possibly minors. He's also publicly made some nasty rape jokes, and used the word tr*nny. I think I'm just scraping the surface here.

Overall he's an intensely unpleasant person who's been happily profiting off someone else's concept and name without credit for years. He's used Panic! as a vanity project, and the shit he's put out isn't even good.

[slttygeto]

MOON’S TR MASTERLIST—

HANMA SHUJI

you are shuji’s exception [nsfw]

11:06

pretty boys use their words [nsfw]

MITSUYA TAKASHI

mitsuya has an oral fixation. [nsfw]

RYUGUJI KEN

prompt list game: #3 DRAKEN [nsfw]

SANO MANJIRO

SAVE MY LOVE FOR YOU [fluff, nsfw]

prompt list game: #2 MIKEY [nsfw]

SHINICHIRO SANO

whispered promises [fluff, nsfw]

KAZUTORA HANEMIYA

prompt list game: #8 KAZUTORA [nsfw]

THE KAWATA TWINS

six thirty [fluff, nsfw]

bodyguard

MIXED

how they initiate sex! [nsfw]

I put vegetable oil in my car!

no nut november [nsfw]

“if there was a strawberry field…”

you gotta hide! my boyfriend’s coming part 1 | part 2

if i broke up with you, i’d go back to my ex.

[mostlysignssomeportents]

Enshitternet

Going to Burning Man? Catch me on Tuesday at 2:40pm on the Center Camp Stage for a talk about enshittification and how to reverse it; on Wednesday at noon, I'm hosting Dr Patrick Ball at Liminal Labs (6:15/F) for a talk on using statistics to prove high-level culpability in the recruitment of child soldiers.

On September 6 at 7pm, I'll be hosting Naomi Klein at the LA Public Library for the launch of Doppelganger.

On September 12 at 7pm, I'll be at Toronto's Another Story Bookshop with my new book The Internet Con: How to Seize the Means of Computation.

This week on my podcast, I read "Enshitternet: The old, good internet deserves a new, good internet," my recent Medium column about building a better internet:

https://doctorow.medium.com/enshitternet-c1d4252e5c6b

As John @hodgman is fond of reminding us, "nostalgia is a toxic impulse." It is easy for an old net.hand like me to fall into the trap of shaking his fist at the cloud. Having been on the other side of that dynamic, I can tell you it's no fun.

When I got on BBSes in the early 1980s, there was an omnipresent chorus of grumps insisting that the move from honest acoustic couplers to decadent modems was the end of the Golden Age of telecommunications:

https://en.wikipedia.org/wiki/Acoustic_coupler

When I got on Usenet shortly thereafter, the Unix Greybeard set never passed up an opportunity to tell us newcomers that the Fidonet-Usenet bridge allowed the barbarian hordes to overwhelm their Athenian marketplace of ideas:

https://technicshistory.com/2020/06/25/the-era-of-fragmentation-part-4-the-anarchists/

When I joined The WELL in the late 1980s, I was repeatedly assured that the good times were over, and that we would never see their like again:

https://www.well.com/

Now that I'm 52, I've learned to recognize this dynamic, from the Eternal September:

https://en.wikipedia.org/wiki/Eternal_September

to the moral panic over menuing systems replacing CLIs:

https://www.eff.org/deeplinks/2020/02/gopher-when-adversarial-interoperability-burrowed-under-gatekeepers-fortresses

to the culture wars over what would happen when the net got a normie-friendly GUI:

https://www.dejavu.org/1993win.htm

And yeah, I've done it too, explaining "Why I won’t buy an iPad (and think you shouldn’t, either)":

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

But there's a key difference between my own warnings about the enshittification that new "user friendly" technologies would engender and all those other AARP members' complaints: they were wrong, and I was right.

As Tom Eastman reminded us, the internet really was better, back before it became "five giant websites filled with screenshots of text of the other four":

https://twitter.com/tveastman/status/1069674780826071040

The underlying pathology of that enshittification wasn't the UI, or whether it involved an app store. As the Luddites knew, the important thing about a technology isn't what it does, but who it does it for and who it does it to:

https://locusmag.com/2022/01/cory-doctorow-science-fiction-is-a-luddite-literature/

The problem wasn't which technology we used. There is nothing inherent about touchscreens that makes them into prisons that trap users, rather than walled gardens that protect them.

Likewise, the problem wasn't who made that technology. We didn't swap wise UUCP Monks for venal tech bros. The early tech world was full of public-spirited sysops, but it was also full of would-be monopolists who tried – and failed – to get us to "stop talking to each other and start buying things":

https://catvalente.substack.com/p/stop-talking-to-each-other-and-start

If it wasn't the technology that killed the old, good internet, and if it wasn't the people who killed the old, good internet, where did the enshitternet come from?

It wasn't the wrong tech, it wasn't the wrong people: it was the wrong rules. After all, the Apple ][+ went on sale the year Ronald Reagan hit the campaign trail. Consumer tech was the first industry born after antitrust was dismantled, and it created the modern monopoly playbook: buying and merging with competitors. The resulting unity of purpose and anticompetitive profit margins allowed tech to capture its regulators and secure favorable court and legislative outcomes.

The simultaneous drawdown of antitrust enforcement and growth of tech meant that tech's long-standing cycle of renewal was ended. Tech companies that owed their existence to their ability to reverse-engineer incumbent companies' products and make interoperable replacements and add-ons were able to ban anyone else from doing unto them as they did unto the giants that came before them:

https://doctorow.medium.com/let-the-platforms-burn-6fb3e6c0d980

The pirates became admirals, and set about creating a "felony contempt of business model":

https://pluralistic.net/2022/12/03/painful-burning-dribble/#law-of-intended-consequences

They changed the rules to ensure that they could "disrupt" anyone they chose, but could themselves mobilize the full might of the US government to prevent anyone from disrupting them:

https://locusmag.com/2019/01/cory-doctorow-disruption-for-thee-but-not-for-me/

The old, good internet was the internet we we able to make while tech was still realizing the new anticompetitive powers it had at its disposal, and it disappeared because every administration, R and D, from Reagan to Trump, yanked more and more Jenga blocks out of the antitrust tower.

In other words: the old, good internet was always doomed, because it was being frantically built in an ever-contracting zone of freedom to tinker, where technologies could be operated by and for the people who used them.

Today, the Biden administration has ushered in a new era of antitrust renewal, planting the seeds of a disenshittification movement that will tame corporate power rather than nurturing it:

https://www.eff.org/de/deeplinks/2021/08/party-its-1979-og-antitrust-back-baby

In other words, we are living in the first days of a better nation.

In other words, rather than restoring the old, good internet, we should build a new, good internet.

What is a new, good internet? It's an internet where it's legal to:

reverse-engineer the products and services you use, to add interoperability to them so you can leave a social network without leaving your friends:

https://www.eff.org/interoperablefacebook

jailbreak devices to remove antifeatures, like surveillance, ink-locking, or repair-blocking:

https://pluralistic.net/2023/04/17/have-you-tried-not-spying/#coppa

move your media files and apps from any platform to any device or service, even if the company that sold them to you objects:

https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate

A new, good internet gives powers to users, and takes power away from corporations:

https://doctorow.medium.com/twiddler-1b5c9690cce6

On a new, good internet, companies can't practice algorithmic wage discrimination:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

They can't turn search into an auction between companies that match your query and companies that want to sell you fakes and knockoffs:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

They can't charge rent to the people whose feeds you asked to read for the privilege of reaching you:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

In fact, a new, good internet is one where we euthanize rentiers:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

On the new good internet, your boss can't use bossware to turn "work from home" into "live at work":

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

And on top of that, you have the right to hack that bossware to undetectably disable it (and hackers have the right to sell or give you that hack):

https://www.eff.org/deeplinks/2021/08/tech-rights-are-workers-rights-doordash-edition

On the new, good internet, we stop pretending that tech is stealing content from news companies, and focus on how tech steals money from the news, with app taxes, rigged ad markets, surveillance ads, and payola:

https://www.eff.org/deeplinks/2023/04/saving-news-big-tech

The new, good internet is an internet where we seize the means of computation. It's an internet operated by and for the people who use it.

Hodgman is right. Nostalgia is a toxic impulse. The point of making a new, good internet isn't to revive the old, good internet. There were plenty of problems with the old, good internet. The point is to make a new, good internet that is the worthy successor to the old, good internet – and to consign the enshitternet to the scrapheap of history, an unfortunate transitional stage between one good internet and another.

Here's a link to the podcast episode:

https://craphound.com/news/2023/08/21/enshitternet-the-old-good-internet-deserves-a-new-good-internet/

and here's a direct link to the MP3 (hosting courtesy of the Internet Archive; they'll host your stuff for free, forever):

https://archive.org/download/Cory_Doctorow_Podcast_448/Cory_Doctorow_Podcast_448_-_Enshitternet.mp3

and here's a link to my podcast's RSS feed:

https://feeds.feedburner.com/doctorow_podcast

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/08/22/the-new-good-internet/#the-old-good-internet

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[bacusdraculacape]

I was discussing with @misskattylashes about what our big ideas about what people in the AM-verse seem to be teasing about or whatever. Then I got a Brianstorm of Big Ideas admist it...

First things first. Some relevant history; Arctic Monkeys first formed in 2002. They’re first live gig was 13th June 2003 at The Grapes, an Irish pub in Sheffield, UK (where AM are iconally from and formed). In 2004, some other icon stuff happened:

> 14th of August 2004; marks the first known live performances of: I Bet You Look Good On The Dancefloor / Bigger Boys Stolen Sweethearts / Choo Choo! / Dancing Shoes.

> 8th of October 2004; marks the first known live performance of: Fake Tales of San Francisco.

> 3rd of November 2004; Marks the first known performances of: When The Sun Goes Down / A Certain Romance.

> 12th of December 2004; Marks the first known performances of: Stickin’ To The Floor / Settle For A Draw.

AM’s demo album: Beneath The Boardwalk first surfaced in 2004 also.

As well 17th of October 2004 marks the official debut date of Am’s first ep / single: I Bet You Look Good On The Dancefloor.

Moving onto the next iconic year of 2005:

AM’s first ever global tour started and happened in 2005. Introducing them to stages all over: UK / Ireland / Europe / and a couple stages in US.

23 October 2005; AM’s debut single IBYLGOTDF went straight to No.1 on the charts.

In 2005 more live debuts to Am singles were:

> 7 (22 Jan ‘05) /

> The View From The Afternoon / Perhaps Vampires Is A Bit Strong But.. / Mardy Bum / From The Ritz To The Rubble (4th Mar ‘05)

> Red Light Indicates Doors Are Secured (5th Apr ‘05)

> an unknown new song (23rd April ‘05)

> You Probably Couldn’t See For The Lights But You Were Staring Straight At Me (26th Jul ‘05)

> Wavin’ Bye to the Train tr the Bus (23rd Aug ‘05)

> Still Take You Home (11th Oct ‘05)

> When The Sun Goes Down (21st Oct ‘05)

> Leave Before The Lights Come On (22nd Oct ‘05)

> Riot Van (3rd Nov ‘05)

> Fake Tales Of San Francisco (15th Nov ‘05)

Onto the most iconic year for AM: 2006

Their first world tour continued in 2006

Other songs saw their live debuts such as:

> AM’s cover of Love Machine by Girls Aloud (19th Jan ‘06)

> Who The Fuck Are Arctic Monkeys? (27th Jan ‘06)

> Cigarette Smoker Fiona (1st March ‘06)

> Despair In The Departure Lounge (13th March ‘06)

> No Buses (24th Mar ‘06)

As well as the debuts of:

> their debut album: Whatever People Say I Am, That’s What I’m Not (21st Feb ‘06)

> When The Sun Goes Down SINGLE ALBUM (17th Jan ‘06)

> I Bet You Look Good On The Dancefloor SINGLE ALBUM (14th March ‘06)

> Who The Fuck Are Arctic Monkeys? SINGLE ALBUM (25th April ‘06)

> Leave Before The Lights Come On SINGLE ALBUM (14th August ‘06)

Music Videos:

> Leave Before The Lights Come On (4th August ‘06)

> Fake Tales Of San Francisco (14th August ‘06)

(info above sourced from setlist.fm)

As i’m penning this it’s currently the year is 2024, next year is 2025, and the year after that is 2026. Currently, AM have been a band for 22 years. They started playing at giggs live 21 years ago. They began performing their original songs practically 20 years ago. I BET YOU LOOK GOOD ON THE DANCEFLOOR is gonna be 20 years old 17th October 2024. So this ongoing train of thought starting thus metaphorical ball running in my mind:

What if the AM are working on an AM 20th anniversary thing? To celebrate 20 years of still being a band and to celebrate two decades worth of fans, and remarkable once in AM-verse lifetime memories, and everything fabulous that came about because of AM forming 22 years ago? Maybe that’s the mysterious thing that they have been planning at?

If it is an AM anniversary thingy here’s a list of theories of what it could be if that ever is in the cards for our beloved Arctic Monkeys:

> An AM greatest hits album. With B-sides from TBHC & The Car. Sorta similar to AM Live at Royal Albert Hall album that dropped in 2020. Cause sure if it was a new album it would likely be reported already. Also during The Car Tour Alex would have wacky beautiful moments playing random stuff on the piano and making Alex sounds sometimes before playing: Why’d You Only Call Me When You’re High?

> An AM documentary. - AM photographer: Zachary Michael I think it is, has been seen tagging Alex Turner around in a number of Alex Turner recents post the finale of The Car Tour. What if that’s to get shots for the AM documentary?

> An AM book / photo album. Think Alexa Chung’s IT, but if it were AM recounting their career with lots of snapshots and stills of them over their career being fabulous? Also, I can so imagine physical photo album books are still Alex Turner’s thing. I say still because Alex Turner was born in 1986, so he probably grew up with the likes of physical photo albums years before digital camera roles came into place.

> Also for either of my documentary or photo album thing; what if the AM recents with Nick, Jamie, Alex etc have been teases to them visiting iconic AM hotspots / venues etc that AM became and are famous for and that they’ve lots of gratitude towards those locations for giving them that boost in their career/ E.g. Mojave Desert & New York City & Los Angeles where AM recorded Humbug / Yellow Arch Studios in Sheffield UK where AM recorded some of their first ever songs at. / Vox Studios LA, La Frette Paris France where AM recorded Tranquility Base Hotel & Casino / The Grapes & Leadmill where they played they’re first ever gigs? -Jamie was spotted attending a concert in Yellow Arch Studios the other week for a Sheffield originating band.

> Strings added to AM songs. Think Glastonbury 2013 where’d AM had a whole orchestra add strings to Cornerstone and Mardy Bum. Exactly. Also, think back to the last four The Car Tour gigs. AM played in Ireland all 4 days with James Ford and an orchestra doing strings on a few songs. What if those four last gigs were the foreshadowing / prelude of Alex’s and AM’s big ideas of what's to come?

Also, Alex isn't seen much public-wise these days at all. If he’s working on an Anniversary thingy it would make so much perfect sense for his ‘hibernation’ / disappearance. Whatever you wanna call it. What if he’s just hardcore hyper focused on getting that right if that is what him and the band are working on?

Another wild thought I have: What if AM bring back songs in the Anniversary thing from Beneath The Boardwalk etc like songs that we’ve never heard the light of day of yet??!!

Thanks @misskattylashes your help and contribution 😘

[thepringlesofblood]

the summoning choreography chart

lads the autism got me again. we're in npmd lockdown.

I finally managed to figure out which little 'dance' belongs to each Lord In Black in "The Summoning" bc its hard to tell and it was bugging me. here's a vid for reference.

wiggly - space invaders lookin shit probably meant to be emblematic of his mouth tentacles (0:58, 1:52)

nibbly - licks his lollipop - when others do this they mime licking their hand or any other prop they're holding (1:06, 1:15)

blinky - makes a little triangle w his fingers and looks through it (when pokey does this he looks through his mask) in a sweeping left to right motion (his left). (1:12, 4:53)

tinky - both arms out front and then both arms back cross-country skiing vibes (4:58)

pokey - alternates one arm up one arm down giving drama, michael jackson, disco vibes (1:01, 1:09, 1:19, 3:01)

they each start 'out of the depths of hell and back' doing their own dance and then switch around doing each others dances until 'you summon us once, you summon us twice'

when I compared it to the digital ticket version and I was able to determine the exact order of each Lord's choreography

so i made a chart for yall who wanna learn the summoning choreography under the cut.

i need to sleep

glossary of dance moves and the shorthand i used for them.

im not a choreographer. i am bad at describing how people move in space. so. I used timestamps from the reference video from before. please god do not follow my mediocre descriptions - watch the people in the video do it and copy them.

W - Wiggly (0:58, 1:52)

N - Nibbly (1:06, 1:15)

B - Blinky (1:12, 4:53)

T - Tinky (4:58)

P - Pokey (1:01, 1:09, 1:19, 3:01)

SS - shoulder shimmy (1:21, 4:05, 5:12) (the lords in black-ah, the lords in black-ah)

JN - jerky nod (1:25, 2:26, 5:06) (the devil has won it can't be undone)

KK - karate kid (wax on/wax off) (2:29)

KKT - karate kid tree edition - there’s one wax on for each side and then they do a thing in the middle that looks kinda like a tree. Idk how else to describe it thats why i add timestamps. (5:00)

WW - whatever we want (2:57)

TR - tra la la la (the skip they do on Stephanie has got a gun) (4:31) (it's hard to see in this version, i highly recommend checking out the digital ticket version if possible. they show this move first in the proshot bc they focus entirely on steph for the next line, but it does go second in order behind KK - you can see jon start to do KK at the transition into chunk 5 in the ref video, and at the end of the chunk he's bent forward bc he just got done doing the bowing part at the end of TR (you can see pokey doing that like 3 seconds earlier after nibbly does the skipping part)

i divided the song into chunks based on when the singing/dancing starts & stops.

Chunk 1 (0:58-1:31)

Chunk 2 (1:52-2:00)

Chunk 3 (2:26-2:32)

Chunk 4 (2:57-3:04)

(they don't dance on 'we don't give a shit about your phone' but it's b/w these two chunks in case you're interested)

Chunk 5 (4:31-4:37)

Chunk 6 (4:53-end)

The dance changes every two lines-ish, and each time they all change together. they all do the same thing for chunks 3-5 so I only included it on the first one (Pokey)

each lord in black does each move a lil differently so don't sweat if you can't do it the exact same way as the one (1) example I was able to find of x move in the proshot lol

Pokey Chunk 1

P

W

N

B

P

KKT

SS

JN

SS

Chunk 2

P

W

Chunk 3

JN

KK

Chunk 4

WW

P

Chunk 5 (Stephanie has got a gun)

KK

TR

Chunk 6

P

W

KKT

SS

JN

SS

Nibbly Chunk 1

N

B

P

W

T

N

KKT

SS

JN

SS

Chunk 2

N

B

3-5 are the same Chunk 6

N

B

KKT

SS

JN

SS

Wiggly Chunk 1

W

T

N

B

P

W

KKT

SS

JN

SS

Chunk 2

W

T

3-5 same

Chunk 6

W

T

KKT

SS

JN

SS

Blinky Chunk 1

B

P

W

N

T

B

KKT

SS

JN

SS

Chunk 2

B

P

3-5 same

Chunk 6

B

P

KKT

SS

JN

SS

Tinky (curt ATE in this role lets be real)

Chunk 1

T

N

B

P

W

T

KKT

SS

JN

SS

Chunk 2

T

N

3-5 same

Chunk 6

T

P (ooh a break w tradition rip nibbly tho)

KKT

SS

JN

SS

[thecozysimmer]

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[trevlad-sounds]

Invisible Waves 36.

08.09.2024

Intro 00:00

James Bernard–Watching Clouds Form 00:08 Los Padres National Forest

Chapter 1 04:06 Navaja Opinel–Will The Chinese Be Open By Now, He Wondered 05:59 The Tin Box–Two One 08:16

Chapter 2 10:05 Futuregrapher–Sunnutorg 12:37 Veryan–Lift Hands 18:45 Tai Chi Prophet 5 V Mellotron Koto

Chapter 3 23:09 Sankt Otten–Angekommen in der letzten Reihe 26:18 Roland TR-808 Neil Cowley Trio–Grace 32:47 Thought Bubble on Wyrd Daze /Tak Tent 2024

Chapter 4 36:15 Christian Fiesel–There Are No True Meanings 39:10 Stanisław Lem