#truly the best character of the saga

[fuckmeyer]

ok Twilight fam time to do what we do best: ignore canon

[sejanusarchive]

There’s so many layers to Sejanus being devastated by Marcus’s fate. He hates how the districts are treated by the Capitol, hates the cruelty of the Hunger Games, he feels the same emotional pain he would have felt being a tribute himself, if not even more, having to watch completely safe from afar, unable to do anything to put an end to the senseless slaughter, while guilt gnaws at him for not risking getting picked to participate himself, for having escaped. No innocent child deserves that, and it gets even worse when one of the children picked is someone he personally knows, someone he used to share a routine with, someone he used to spend hours alongside in a classroom.

And that child isn’t just someone, that child is Marcus, the kind boy who, while not even being his friend, went out of his way to help him when he got hurt, completely unprompted, just out of the goodness of his heart. That boy is a testament to what Sejanus already knows, that everyone seems to keep forgetting, which is that humanity at its core is and can be better than how it’s currently behaving. Not to mention how that was probably the last time Sejanus ever experienced an act of such pure, unconditional kindness. And that simple gesture was so impactful on him, it was enough to cement Marcus’s presence in his heart for all those years and then the rest of his life, and it no doubt helped shape Sejanus into the person he became. Someone as good as Marcus shouldn’t be going through all of that, and it drives Sejanus crazy. If the Hunger Games were too much for him to handle before, now that Marcus is involved, they're unbearable.

But there’s more to Marcus. He is also a safe memory to Sejanus, one who undoubtedly often comforted him when he was feeling at his worst. And he’s one of the main things Sejanus thinks about when he thinks of District 2, his home. Home, which despite the fact that he lived there during the war, despite all the suffering he witnessed, despite the reality of the current living conditions there, is still Sejanus’s happy, safe place; it’s the place he belongs to, the place that could fix almost everything for him. But he can never return there. It has to exist only as a memory, kept safely locked away and untouched in his mind and heart.

But when Marcus arrives in the Capitol, he brings his home with him too, he is the physical manifestation of it. Sejanus’s desperation doesn’t just stem from the fact that it’s Marcus, the innocent, kind-hearted boy, undeserving of such cruelty; but also from the fact that that’s his Marcus as well, the one whose existence is synonymous to his home, his sweet boy from his memories, his comfort. Marcus being there doesn’t only mean the pointless, unjust death of a good person, Marcus being there also means the death of Sejanus’s home, its image no longer far away, safe and untouched, kept only in his mind. Now it’s here and crumbling in front of his eyes. He already knew the reality of things, but it was just that: knowledge. Now he’s face to face with it, face to face with the fact that neither Marcus or his home are or will ever be safe. And, worst of all, he has no way to save them, or anyone else, he’s powerless and completely hopeless against the cruelty of the Capitol, against their fate; and now more than ever, since he’ll have to witness the death of the boy whose memory so often brought him hope before.

In the end all that’s left of both of them, for Sejanus, is a small chunk of marble, made from the same material as his District and carved into the shape of a heart, because that’s exactly where Sejanus’s own is: home with Marcus. We learn he has carried it to his new life in Twelve, immediately before we learn the only pictures he’s taken with him are of his family and his classmates in Two, of him, home for one the last times, standing with Marcus right behind him. That heart is the last physical object connected to Two and Marcus that he’ll have with him for the rest of his life, the last symbol of what he lost and will never get back, of what he couldn’t save or help. But it’s also the one object connected to them that he brought with him when he regained faith, when he felt like he could finally make a difference and actually help people in the districts; the last symbol that things could still get better and not all hope is lost.

For Sejanus Marcus is a kind and innocent kid; he’s the good in humanity; he’s a safe memory; he’s the marble heart because he is hope and comfort, and despair and helplessness, and home, and because he is deeply rooted in his own heart

[oooohno]

I AM SCREAMING not charmy sitting on the heart queen’s lap when they all show up for training

[elliewilliamsun]

I can feel my brain switching back to hunger games since I saw tbosas lmao

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[mjbarrosart]

My Dragon Prince Boards season 6, episode 602

Before we start, a little words...

Working in The Dragon Prince is for sure one of the biggest privileges of my career as a storyboard artist. I got into the show as a junior board artist during season 4 and was able to stay until the end of season 7.

The quality of the show, the characters the fans, are things that I truly enjoyed and keep close to my heart.

Have been years since my work in Drago Prince - we were boarding season 6 in the Summer of 2022- and to be honest feels like a lifetime ago, haha, my skills and art have change so much during the years, but every time a new season premieres, going back to my old boards and write this little commentary has become such a fun thing to do.

Season 6 is so far one of my favorites. This season was in such a sweet spot for us, with seasons 4 and 5 already done we were feeling really comfortable on the style of the show, and we were able to work without the huge pressure that later we had for season 7 (closing a huge story like this saga is a monumental challenge and that put a lot over our shoulders for sure!) So I have fond memories of my sequences on season 6, having a lot of fun while working on them.

During all my time in the show, I was part of the 2nd unit on boards. The show had 3 units, each unit was in charge of 3 episodes. If you check the credits its pretty easy to figure out which unit is which. I had the huge privilege to work with experienced artists like Jae Harm and Lori Allen, who also worked in seasons 1 to 3! My unit director for this season was Mike Jones, hands down one of the best storyboards artist I ever meet.

As the 2nd unit, we were in charge of episodes, 602, 605 and 608.

So lets start with Episode 2 of season 6!!

A little irony about this season is that while in season 5 I was working SO MUCH with Janai and Amaya, in this season we only had sunfire elf plot in this episode, so is my only time on the season working with my favorite ladies. Knowing that, I tried really hard to nail all my parts!

My first sequences is when Janai scolds the remaining sunfire generals. This episode deals with the consequences of the season 5 finale of the sunfire elf plot. Janai is sitting on her throne betrayed by one of her generals and her brother, feeling doubts about herself, but also about is she can trust others.

I think was pretty cool to being able to explore a more emotional side of Janai. I wanted to make this sequences to feel imbalanced and aggressive. Janai is dealing with a lot of emotions that are hard to process.

I read some complaints that Janai in this sequence is not being better than a Karim (yes I read your comments!) and I agree, but I think that that is a good thing. The idea of this sequence, was to show Janai taking things wrong, acting her feelings in a way they are hurting people around her. I don't think Janai is being a good queen here, and I thing that is good, because is good for characters to have flaws to overcome.

Sadly, part of this anger is not only directed to her subordinates, but also to Amaya, but she is a mature person, who doesn't take it personally and keep herself calms in order to be able to support her partner.

My next sequence is when Janai burns the sunseed tree.

This sequence continues working around the idea of Janai's rage and frustration. The sunseed is not there anymore, and she struggles to imagine a future, she is defeated, scared and angry.

The next shot is a fun one. On my first pitch of this sequence, I had her image reflecting in the crown turning into Karim, as a symbol of that both are the same, or that right now she is not being better than him, she is being haunted by him. But that idea was scrapped during revisions. I was happy when I saw the final episode this weekend and I notice that they put him on the crown. I think works really well as a symbol of her struggle and pain.

The Janai's fall keeps goin, the rage overcomes her and starts to burn the sunseed tree, the same place where last season she was talking about hope and future, now being destroyed in frustration, a rage that quickly turns into sadness and despair.

But Janai is a lucky one, she is not alone and has love ones who are there for her, to help her to navigate this hard times. Amaya and Green arrive just in time to stop her. I wanted to make the action of Amaya removing her from the fire messy, they lose balance and end sitting in the floor, it is a desperate move, but a necessary one. Amaya is there holding her, and that mark the beginning of Janai's change of mind.

Next sequence is this cute one when Amaya tells Janai the story about the "king with the thousand eyes". It is a simple one, but i like what Amaya is doing her. She is not telling Janai what to do or what to think, but given her context and tools to work her own thoughts. She needs space and Amaya is giving her something to think about.

As a funny detail, this sequence had a lot of Amaya talking, and that means tons of ASL, and, let me tell you, animating ASL is super hard, ergo expensive. The team had ASL interpreters acting the lines, and used that as a reference. What makes it hard is the fact that they need to be ultra precise with the hand movements, you don't what your ALS to be sloppy, and that takes time, so I got a note from the director to reduce the amount of ALS on screen, and we tried to be creative with the shots, haha.

Next sequence is when finally Janai is able to come to her senses and decides to do the right thing (be the right kind of leader to her people)

I really like this sequence, is soft and tender and emotional, and you can see the growth of Janai. I based a lot of their touches and love gestures on my own relationship with my wife, I always wanted to make this two feel real.

The last shot of this sequences is pretty deliberated. While is true, there is not sunseed anymore, they don't need that, because they are the new sunseed, they, their love, them as a symbol of the union between elves and humans, they are the future, there is hope.

My last sequence of the episode, is the short "let's get married" sequence by the end. A short sweet one, and I think the only time i boarded a kiss between them!!

In my original boards there was a close up to the kiss, but they removed it :( ... but I can show you anyway, haha

Well, that was my work on episode 2 of season 6.

Thanks for reading this long post, I'll write about my work on episode 5 soon!

[deconstructthesoup]

I think the reason that Dimension 20 really scratches all those itches in my brain is that it really shows what you can do with D&D---and TTRPGs as a whole.

Fantasy High, by itself, is an incredibly compelling concept. What would D&D look like in a semi-modern setting? What would a high school that's all about teaching teens how to be adventurers look like? And the way it's done is beyond inventive, especially if you look at all the encounters in the first season---we've got a literal food fight, a high-speed road chase with tiefling greasers, a nightclub brawl with zombies, vampires, and werewolves, a skating match with a bunch of dwarven middle schoolers and a concrete golem, a high-stakes game of football (ish) with undead jocks that give off major teen slasher vibes, a fight done in an arcade where characters can get trapped in the consoles, and the final battle is done at prom. PROM! How cool is that?

And then we get to the Unsleeping City, which takes the urban fantasy elements that Fantasy High already had and elevates it. The way the D&D lore and magic is interpreted in a modern New York setting is excellent, as is the whole take on the "American Dream," magic literally coming from dreams, ideas, and the imagination. I know that I need to actually finish the UC saga, but from what I've seen and experienced, it is truly fantastic.

And the same energy carries through to the other seasons---my personal favorite outside of Fantasy High being A Court of Fey and Flowers, just because I'm a sucker for any Fey Realm content and I've been raised on Jane Austen---where the genre mashups shine through in the best way possible. I'll admit, I haven't seen A Crown of Candy, purely because I know how heartbreaking and devastating it is and I don't think I can physically handle it, but the concept of Candyland Game of Thrones is so beautifully bizarre that I totally get why people love it so much. Escape from the Bloodkeep hitting that workplace comedy vibe that we love to see in villains. Misfits & Magic being a love letter to the "magical boarding school" genre while also calling out all the weird contradictions inherent in it. A Starstruck Odyssey literally being an homage to Brennan's mom and exactly the kind of madcap and unhinged energy I need from my sci-fi. Neverafter perfectly encapsulating the true horror of fairy tales. Mentopolis hitting my noir-loving heart and personifying hyperfixation in the best way possible.

I'm not even kidding when I say that, if it weren't for Dimension 20... I probably wouldn't have even started my own campaign. I'd had snippets and ideas ever since officially getting into D&D and joining a game with some old friends (and getting back in touch with them in the process), but after I saw the Mentopolis trailer, I realized just how much variety TTRGPs had to offer. I could do a time-blending, history-meets-future campaign. I could go out-of-the-box. I could have endless amounts of options available to my friends and still tell the story that I wanted to tell. And when I sat down and watched Fantasy High---and when I got that Dropout subscription so I could consume whatever I wanted---it felt like the show was actually giving me advice. It's fantastic.

Also it helps that the episodes are usually only roughly a couple hours instead of being, like, an entire afternoon long. And that each season is 20 episodes, tops. No offense to Critical Role, but the sheer amount of content literally makes it impossible for me to get into it.

[starsinmylatte]

Malum in se

Pairing: Higuruma Hiromi x Fem!Reader

Warnings: None! There's only fluff here :)

Word count: 1.1k

A/N: A lovely anon originally requested this of @pseudowho, but she's asked me to fill it (for those of you not following the saga of Lyria's snow week™️.... I've been completely snowed in and WIPs have kept me sane).

Join my taglist here! (18+ only, this blog is mostly pure filth)

Higuruma Hiromi knew he was truly in love when you successfully convinced him to watch horrifically cheesy reruns of Law and Order while he was the one stuck at home sick. He groaned dramatically at every exaggeration or incorrect legal quote, but he enjoyed how you snuggled into his side too much to actually complain about the situation. After all, you were kind enough to take care of him, and his mild illness had not deterred your affection in the slightest. 

He had almost fallen asleep on the couch when you cocked your head at the antics on the television, murmuring under your breath, “Wouldn’t that qualify as Malum in se, though?” 

Hiromi blinked once, twice, and then a third time before speaking, “I’m sorry, what?” 

You turned to face your boyfriend, tone slightly teasing, “Yeah, Malum in se, right? Things like assault, murder… or wearing white after Labor Day.” 

Hiromi arched an eyebrow at you and treated you to the lopsided grin you adored so much. “You’re going to have to tell me how you know what that is.” 

He snaked his arms around you, pulling you even closer against his warm chest. Before you could answer, he took the chance to nuzzle his nose against the column of your neck, sending you into a fit of giggles.

“Well, pretty girl?” He teased gently, and you dropped your head back against his shoulder, humming contentedly.

“Do you remember when I mentioned I used to do community theatre a few years ago?” You questioned, and you could feel Higuruma's grin grow wider.

“Indeed, I do.”

“Well…. There was one time when I played a character who happened to be a law student.” You pursed your lips, trying to keep laughter from bubbling up. 

Hiromi broke into a barking laugh that became a short coughing fit. “You played a law student? What kind of musical involves lawyers?” he wheezed. 

“It’s called Legally Blonde, and it’s not just a musical… It’s a masterpiece.” You insisted. “I loved the movie when I was a young girl, and getting to play Elle- the main character- was an absolute dream come true.” 

Your eyes lit up as an idea sparked into your brain with the strength of a thunderbolt, “Omigod, you’ve never seen the movie, have you? We absolutely have to watch it.” 

Hiromi chuckled weakly, running his hand through your hair, “I’ve got a better idea… There have to be clips of your performance somewhere, right?” 

“Oh….” you paused for a moment, “It was a few years ago, and I’m sure it wasn’t my best work, but-” 

“There’s nothing I’d rather see than you enjoying yourself and doing what you love,” Hiromi interrupted gently, stroking your hair again.

His lopsided grin turned wolfish,  “Besides… I am sick; I think this is exactly what I need to heal.” 

“If you insist.” You smacked him gently with a pillow to punctuate your words as you left the couch to rummage through the DVDs on the shelf. You even took the time to make another mug of tea for your boyfriend, but eventually, you were back and snuggled up against Hiromi, who gratefully accepted the mug you offered him. 

His nose wrinkled unintentionally as he took a sip, “Thank you… but what is in this stuff?” 

“It’s helping your throat, isn’t it? You poked his stomach playfully, and he groaned in response. 

“Yes, but at what cost?” Hiromi huffed, but the slight twinkle in his eyes told you he wasn’t being serious. 

“It’s throat coat tea, yet another remnant from my musical days,” you giggled. “I never liked the taste either, but it certainly gets the job done.” 

With another flourish of the remote, you pulled up the recording of the show, and you swear you could feel Hiromi smiling behind you as he nursed the warm mug. As soon as the video started, he broke out into another laughter-induced coughing fit. 

“Dear god, I’ve never seen so much pink in my entire life.” 

“Oh, just you wait.” You threatened teasingly, “You haven’t even seen my character yet.” 

Hiromi grasped his mug in one hand and used his other arm to pull you back against his chest, wrapping a blanket snugly around your body. You leaned fully against him, partially because you enjoyed the intimacy and partly because you wanted to see his reactions out of the corner of your eye. 

His reactions did not disappoint, even though the video was grainy and clearly meant to be viewed through the rose-colored lenses of someone who was in the show. Hiromi grinned widely when you appeared on stage, murmuring almost too quietly for you to hear, “Cute…” 

You blushed happily, and the show continued. He had many comments on how the Delta Nus seemed to share a hive mind and how much of a prick Warner was. He also very nearly choked on his tea when your character’s father proudly declared, “Law school is for boring, ugly, serious people!” 

Hiromi glanced down at you after that line with a slight pout, and you took the opportunity to cup his cheek and pull him in for a soft kiss, tasting the tea and honey on his lips. “Mmm, don’t worry… You’re not boring, and you’re certainly not ugly. You can be rather serious… but I like that about you.” 

Hiromi kissed the top of your head with a low, contented hum, absolutely convinced his heart was full enough to burst. He fell more in love with you with each passing day, and these past few days had only further sealed his fate. Even now, he was watching you sing and dance your heart out, and you were shining in the roll. The sassy, playfully cute, but deceptively intelligent lawyer was such a perfect role for you, and he quickly became frustrated with Warner. Seeing you so upset over such a stupid man hurt his heart, even though he knew you were acting…. and then Emmett was introduced. 

“Now, I like that guy. He’s got the right idea, actually treating Elle decently.” Hiromi mused, playfully twirling a strand of your hair. 

“Oh, really?” You grinned slyly. “He reminds me of you, you know.”  

“It seems we share the same excellent taste in women.” 

–

The movie was over a short while later, but Hiromi insisted on letting it play through curtain call so he could properly applaud your work. You rolled over to lay against his chest, peering inquisitively into his dark, beautiful eyes, “So you really liked it?” 

“I loved it,” He assured you, pulling you in for another tea-flavored kiss. Suddenly, you could feel him grinning against your lips, “And I may buy you another one of those pink tweed skirt sets… it was cute on you.” 

His deep chuckle only grew louder as you smacked him with another pillow.

Tagging some friends: @saradika @thefact0rygirl @babygirl-leon-kennedy @hereforthesunrise @ashotofspotchka @ironandglass @amyroswell @cassandrablacker @lady-valtieri @justanothersadperson93 @orangecremepuff @khaleesihavilliard @belle-smith07 @outspokenbrat @enchantedsylveon @spam-love @silverliningsandstorms @msniks @panteramarron @eldritchbeauty @unoriginalidea @gabbyburgers @its-chickenwing-450 @luneariaa @pseudowho

[karaspal]

here is a reading guide for post-age up jon, including the good parts only so you guys could appreciate him more.

THE UNITY SAGA

superman (2018) #7 - 10 this is the story that started it all. jon goes on a space journey with his grandpa and comes back seven years older with enough trauma to last him for the rest of his life and more.

THE ONE WHO FELL

superman #29, action comics #1029, superman #30 - 32 during his time in the future, jon discovers his father might not have much time left in the present. worried about his dad, jon tries to warn him and prevent the inevitable. this story is cute and shows clark's love for his son and how proud he is of the man jon has become.

WARWORLD RISING

action comics #1030 - 1035 follows up the pervious story. clark and jon find refugees who escaped warworld. while clark is ready to help 100%, jon thinks it's a trap to lure his father and is vocal about his suspicions. this story lets jon have flaws, and they make complete sense for his character. while he isn't the main main character, it's a great read to help you understand his character.

SON OF KAL-EL

superman: son of kal-el #1 - 6, annual 2021, #7 - 8, nightwing (2016) #89, superman: soke #9 - 18, action comics #1050 after clark leaves for warworld to help the people there, jon is left in charge as the main superman on earth. with his dad gone, his identity being public and the weight of the world on his shoulders, jon tries to figure out the kind of hero he wants to be. this series also introduces jay nakamura, a journalist and a freedom fighter jon falls in love with. the final three issues is jon's reunion with his dad.

DARK CRISIS ON INFINITE EARTHS

dark crisis #1 - 7 with the whole justice leauge dead, jon tires his best to keep the world spinning and the people in it hopeful. he goes around, trying to form a new justice league. this story shows how jon truly is his father's son and that he deserves the title "superman", as well as his strengths, and his undying spirit.

RISE OF METALLO

action comics #1051 - 1056 clark comes back from warworld with twins, whom he and lois later adopt. jon struggles seeing his parents raise the kids in a way they couldn't raise him because of the time they lost. still though, jon tries his best to be there for his new siblings.

this is jon's main timeline since he came back from his space trip. those are the required stories. bellow, i'll list some comics that aren't necessary to understand him, but are nonetheless good.

THE SUPERMAN OF METROPOLIS

future state: superman of metropolis #1 - 2 this is a future state story that isn't canon. jon bottles the city of metropolis in hopes of saving it. the story follows the consequences of his choice.

OUT THERE

dark crisis: worlds without a justice league - superman #1 do you wonder what would've happened had jon grown up with his folks? do you wonder what he would've been like had he not spent his formative years in a volcano prison? well, this is a story for you. this is clark's perfect world, and in a perfect world, he gets to see his boy grow into a man.

NIGHT AT THE CIRCUS

nightwing (2016) #101 - 104 (back up story) nightwing investigates a mystery in the circus and calls jon for help. the story is a cute team-up between the two.

A HEART IN METROPOLIS

action comics #1059 - "a heart in metropolis" (back up story) jon and jay struggle to find time to spend together, with life getting in the way. finally, the boys find the time to go on a date.

MAGICAL MYSTERY CUBE

superman & robin special #1 cute jon and damian team-up. if you like the super sons, this is a story for you. it shows that their friendship can still work, even with jon being older now.

ELECTRIC

lazarus planet: assult on krypton #1 - “electric” during the lazarus planet event, a common criminal gets powers and decides to join jon in helping people. their dynamic is fun: a righteous hero and a flirty villain. even though i don't particularly ship them, i still enjoyed their interaction.

this is it, guys. this is the list. happy reading! :)

[sassylovermongerbear]

Polites is one of my favourite characters of Epic, even if he barely is in it, cause he is such a genuine kind soul and loyal friend. He is a free spirit that see the good in the world even after years of war and he is trying to help Odysseus to relax and enjoy life after the war. He is his best friend and he does his best to make him happy.

He is so kindhearted that even in death he's still trying to tell his best friend to see the good in the world. In the underworld saga we hear him sing open arms even if it's in a sadder way than the upbeat version in the first saga. All while the rest of his men trash him and blames him for their death when his only fault was to give his name to the Cyclops.

Meanwhile the man that actually betrayed them all, including his captain that he dare called his brother, get to go blame free ? And then keep betraying them over and over, telling Odysseus to leave them behind on Circe's island and opening the bag with the storm cause he was greedy and wanted to get his hand on the supposed treasure. He didn't believe in Odysseus, not once, only listening to him when he got them out of the shit Eurylochus put them in. Even in the cave with the Cyclops Odysseus clearly had a plan but Eurylochus kept punching to ran away when Odysseus proved many time, especially during the war, that he was smart and could get them to win.

And I think Odysseus knew that. He knew that the only person he could actually trust was Polites and he tried to honour his memory by trusting others, by revealing his name to the Cyclops and letting them live. Because that's what Polites would have done, he would have spared the Cyclops. It was his way of remembering him. He tried to go keep an open mind all along but things just never works out cause while he trust his crew, they don't trust him back.

That's why in the underworld saga seeing Polites and his mom hit the hardest cause, while his other crew members blames him for their death, wrongfully so, he is already eaten by guilt, but those 2 don't blame him at all. Sure they are sad but they don't blame him. Which make it worst for him cause he realised that those person that believed in him completely still do even in death, but they are dead and that's the only time he'll be able to see thel again befire he dies himself and he cant even stop to talk to thel properly. Plus his mom being here just show him how long it actually has been since he left which feel far more than it actually been for him in that instant. Yet she still loves him and doesn't blame him, while the 599 other men he brought in war, he lead them and didn't let a single one of them die for 10 years, blames him for their death when he always did his very best to get everyone home safely.

Out of all the 600 men under his command only one was truly loyal to him even in death. Odysseus realised that in the underworld and I think that's what pushed him to turn into a "monster" and putting himself first after this because everyone blames him for everything when he just wanted to get home with all his soldiers.

Polites is my favourite characters cause even if he doesn't stay in the story for long his impact goes far beyond. At least in my opinion, that's just my interpretation of it

[kirbybecomesastarwarrior]

Once again I thank you all so much for supporting me during the Kirby OC Tournament. Especially all my followers & mutual who humored me with all the poll reblog stuff.

As promised the lore. (And I've been cooking this turkey for a while and it's ready to come out of the oven.)

Fair Warning contains spoilers... I will not be explaining all the details of what happening. This is incredibly vague & via musical... so I won't spoil that much (since this does take place during the final arc... Void Termina Saga). The events that are being shown do not happen exactly how they are portrayed, however the essence of what's happening is the same.

Morgan shall be singing "Last Midnight from Into the Woods,"

Spoiler warning, (More drawn content is contained below)

(OH NO WHAT'S HAPPENING TO KIRBY...Sorry, I can't explain it just yet... Nor why Meta Knight's mask is broken in half... maybe he got into a fight or something, hold the phone I thought Galacta was trapped in insanity... what happened... Sorry if I tell anything of that it'll spoil the good stuff)

Dame Morgan: It's the Last Midnight

So in summary: After they refuse to hand Kirby over, Morgan reveals there's a traitor in their midst... Fumu is the reason why Kirby is in the state he is in (Fumu is currently regretting her life choices). Leaving Meta & Gala shocked, and scared to death at Kirby's current state, while Kirby is sad, and betrayed again...~

And Morgan just having herself a time, living her best life~

In the KBASW series, she tricks three major characters:

Namely: Queen Ripple, Hyness, and Fumu/Tiff. (the most devastating one she tricks)

Dame Morgan is basically a mixture of: "The Witch" from Into the Woods, Morgan from (Merlin's 2008 TV series), Eris from Sinbad (she has the voice of Eris), and the Joker from Batman.

Morgan represents the opposite of Celestine... (via Morgan vs. Merlyn wizard rivalry) The Anti-Celestine so to speak~

The one person she hates more than Arthur is Merlyn/Celestine.

Celestine sees magic as a tool, not a solution or the answer to your problem... promoting true self-improvement comes from within. For there will always be...: another bridge to cross, another monster to slay, another woods to go into. The only way to ever truly be prepared in this world is to learn from each other... and to be kind to one another & share the experience. If you cheat your way throw life will just get harder and move with you... Being better and leading a good example will inspire others to be better along with you.

The change starts within, with us...

While Dame Morgan:

Life is unfair, you play by their rules, you follow the system, sacrifice everything to fit the mold, and yet you can still be cheated out of what you deserve...

And you're telling me I should just "hang in there," "hold on", "it's gonna be okay eventually keep smiling".... nah? Let's stop "pretending to be good", everybody is just in it for themselves so... if you do that you're just a fool waiting to be tricked.

Why not live just for yourself... why not cheat back... why not be the bad guy? That's why her theme is "Stella Jang(스텔라장) _ Villain(빌런)

Morgan represents the easy way out, a quick fix... to blame someone else...an escape. How did she obtain this dark magic... The Jamba Heart...Granting everyone's selfish desires... the reason why everyone falls for it is because she has the charisma to make the offer far too tempting and to pass it up, no.

And guess who was her first customer... Hyness~

The biggest change I probably did the to mix anime & game lore. (Kirby Star Allies) In KBASW AU... Morgan the one who convinced Hyness the Jamba Heart was what he needed to restore his clan. It's the reason she's able to stay hidden for a long while...Allowing the negative to naturally corrupt him and use him as a figurehead...

Despite giving him the Jamaba Heart... she did not tell him exactly how to break the seal on Termina... (Whoops she must have forgotten, how clumsy of her...) Purposely having him fail~

However, the secret to this lies with... FUMU!? Due to the reincarnation of the first ruler of Dreamland... she holds the key to unsealing & controlling Void Termina... She throws them to the wrong person. She's very much tricked into thinking she's helping "Kirby," but... yeah this happens instead.

And of course, there's always a price... though once you do realize you've been bamboozled, she'll remind you that she gave you a choice... Ultimately making you realize it's your own fault at the end of the day. Very much rubbing your head in the mess you've made for yourself. (which is exactly what she's doing to Tiff/Fumu right now.)

In summary, she pretty much invites you to be your worst self; she's the villain but deliciously so! :3

[katamaricule]

What is dmbj? I've googled it but idk if it's one of those 'I love it and recommend it' shows or a 'I love it - pls never watch it <3' kinda show yk lol

Is there an answer somewhere in the middle? Because that's where it should go.

DMBJ is a franchise based on a set of novels by an author we'll call NPSS. These are mostly first-person tales narrated by a spoiled little dipshit named Wu Xie, as he and his friends go on tomb-raiding adventures, encounter supernatural obstacles, and learn about all the ways snakes don't work. The series has several giant holes in it, as NPSS tends to get bored and wander off mid-story. Several dramas and movies have tried to adapt various pieces of this gap-ridden, wholly unresolved saga, to varying degrees of success.

So to answer your question: There are installments of DMBJ that are a hoot that you should watch, and then there are installments of DMBJ that are also a hoot but you shouldn't watch before you have an affection for the franchise as a whole, and then there are installments of DMBJ that you should not watch even if you are a fan of the franchise because they are just not worth your time.

The problem is, not everybody agrees on what goes in which category. But if you're interested and want to give it a go, these are my personal takes on what's what, in chronological order of events as they happen in the series:

The Mystic Nine

Good starting place: Yeah, actually!

Requires prior knowledge: Nope

Actual ending: No resolution whatsoever

Wu Xie: He's not in this one

Best part: Charming characters you love or love to hate

Warning: Very cheaply produced, with cuts that render significant parts of the story incoherent

Worth watching: Yes, if you're willing to accept the jankiness

The Lost Tomb

Good starting place: Weirdly, no, considering that it's the first series they made

Requires prior knowledge: Not really

Actual ending: Oh, heavens no

Wu Xie: Cardboard twerp, kinda cute

Best part: There's ... some antics, I guess?

Warning: Makes some bizarre additions, condenses several books, just ... isn't very good

Worth watching: Not especially

The Lost Tomb 2

Good starting place: You could do worse

Requires prior knowledge: Some, but who knows if it helps?

Actual ending: Ha ha ha you're funny

Wu Xie: Breathtaking idiot twink street-parking a Maserati

Best part: Wu Xie and Pangzi are in love

Warning: Interminable bronze tree plotline, incomprehensible timeline especially at the ending

Worth watching: Sure, but bring a book for the long stretches

The Lost Tomb 2: Explore With the Note

Good starting place: It doesn't matter, because you're not going to watch this one

Requires prior knowledge: It can't save you

Actual ending: Nothing of the sort

Wu Xie: Shove that whiny nerd in a locker

Best part: There is no best part

Warning: Don't do this to yourself

Worth watching: What do you think

Ultimate Note

Good starting place: It seems like no at first, but it actually is!

Requires prior knowledge: It helps, but you can get by without it

Actual ending: Complete cliffhanger

Wu Xie: Precious muffin

Best part: Everyone is so cute, also heihua

Warning: Tonally way goofier than the other series

Worth watching: Yes! This one's so fun

Tomb of the Sea/Sand Sea

Good starting place: If you like things on Hard Mode

Requires prior knowledge: The main character doesn't have any, so why should you?

Actual ending: It thinks it does, but it's stupid and slapdash and leaves a million loose ends

Wu Xie: Mafia widow (also he's not the main character)

Best part: Seeing from the outside how fucked-up the whole Tomb Raiding Industrial Complex is

Warning: A hot mess, but occasionally a beautiful one

Worth watching: Yes, but maybe save it for later

Reunion: The Sound of the Providence

Good starting place: Shockingly, yes

Requires prior knowledge: No, though it recontextualizes everything once you know more

Actual ending: Yes! Holy shit! We got an ending here!

Wu Xie: Consumptive angel with a gun

Best part: Some truly impressive performances from Actual Actors, Wu Xie and Pangzi are married

Warning: Honestly, just watch this one first so you don't know what you're missing, because once you do, you can't unsee it

Worth watching: Definitely

I hope that ... helps? Or at least doesn't make your confusion worse?

[ffverr]

Any suggestions on getting into Storm centered comics? what should i read if i wanna understand her upcoming solo? thank u so much !

So you're looking to get into Marvel's greatest character? I got you 🤝

Ok so this is a very daunting question because 1-Storm's character very organically develops all throughout the Claremont run which is like...300 issues of "old" comic books. 2- I'm not all that caught up in the 2000s and 2010s comics so I have a huge gaping blind spot.

But if I were to suggest important issues to get her deal as a character and to prime yourself on her inner conflicts for Storm (2024) here are my suggestions (mostly 70s-80s focused because that's when she has her most major character arcs):

(in blue the ESSENTIAL reads, remember these are team comics, so not always 100% Storm)

My quick Storm (ororo Munroe) reading guide:

Giant size X-Men #1 (1975)

Classic era:

Her first comic book appearance

Uncanny X-Men (UXM) #113

It's got a quick Ororo scene that personally, made me fall in love with the character

UXM #102

Ororo's origin story revealed!

UXM #145, #146 and #147

Her first meeting with Doom who will appear in her solo and her "Rogue form" that will also be explored in the solo!

UXM #150

Storm being essential to Magneto's character development and overall a badass! Storm and Magneto have a very interesting relationship which begins here.

UXM #154-#155

Read this if you want insight into Storm and Cyclops' great friendship (they're siblings your honour!) and their relationship to being leaders of the X-Men! Cyclops is set to appear in her solo, so I'd say it's good to know that they're great friends.

UXM #165

Ororo has a VERY cool moment in this issue and it earns her the title "she who swam with Acanti". It's badass, it shows her inner strength in the face of defeat, it's great Storm content. Read the Brood saga (UXM #154 to #167) for more context of this alien space adventure.

Storm's main character arc! :

If there are ever storm comics you gotta read, it's truly these ones.

Before the fall:

UXM #169, #170!!!, #171, #172, #173

In these issues Storm knows change, and she is rattled by her own ruthless actions. This will lead her through a path of transformation and self reflection that is what makes Storm such an incredible character to me.

UXM #179, UXM #180

To see her with the morlocks again and to get an idea of her unstable mental state at this point before her BIG depowered arc. She also has a very touching moment with kitty (they have an older sister/younger sister relationship 🥺)

Depowered Storm (the fall AND the rise):

Unarguably her most iconic arc. Storm losing her powers gives us incredible and touching insight into who she is as a person beyond the picture of a perfect goddess. A MUST read

UXM #184 (for context), #185!

The loss of powers

UXM #186!!!!

AKA. Life death part 1, widely regarded as some of the best X-Men comics ever along with life death part 2 that you will see later on.

UXM #187 and #188

Full no powers badass Storm.

UXM #198!!!

Aka. Life death part 2, a religious experience. Storm excellency. This is like no other X-Men comic you'll ever read!

UXM #201

It isn't the Storm centric issue everyone makes it out to be, but her being asked to duel Scott for X-Men leadership is still very iconic.

UXM #211 and #212

The mutant massacre is a very interesting and tough challenge for Storm who finds herself again at her lowest despite life death part 2. Important reads!

UXM# 215-216

Fun storm centric action!

This is pretty much all I'll recommend of classic stuff for the moment as I am also reading through the insane amount of bronze age issues.

To hop onto Storm (2024):

Planet size X-Men (2021)

Here are the modern age issues I find relevant to get her current state of mind:

Ororo's role during the Krakoa era truly kick-starts here with helping Terraform Mars, which will become the planet Arakko that she rules along a council of mutants. This era is important to understand Ororo as she is in her solo and shows how she navigates many challenges.

The full series X-Men Red (2022) by Al Ewing! *Read Immortal X-Men #11 along with X-Men Red #11 (I can't remember in what order)

This is the most recent Storm-lead book, it's great Ororo stuff!!!!

Resurrection of Magneto by Al Ewing!

Despite the name, this is a BRILLIANT Ororo comic that is extremely recent, extremely good and explores her character in beautiful ways.

I think it's a great primer for her solo if you only wanna read four issues. (Chronologically it comes after X-Men Red)

That's about all I would lay on you! Good reading! And remember that Storm (2024) is written with new readers in mind so, no pressure at all to know everything <3 🌩️

Wanna read some recent leader of X-Men Ororo? X-treme X-Men by Chris Claremont is made for that. (In between the classic era and the modern era chronologically? It's not that good, but it's something.

Avengers (2023) by Jed McKay.

Storm will be in the avengers as well as her solo! She is introduced into the team at issue #17 so you can pick up from that and read in synch with the solo!

[chasing-caws]

Furiosa: A Max Max Saga has literally ruined my life in the best possible way. It’s wormed its way into my psyche and is just festering there.

I think about Furiosa and specifically furyjack basically every waking moment. Every post I see on social media, whether it be sad quotes, sad poetry, a sad quote about missing someone, a happy quote, a romantic quote, my mind turns it into being about Furiosa or furyjack. Every song I listen to becomes about either or both.

This wonderful, gut wrenching film has worked its way into my heart.

I’ve never felt so deeply for a ship like this before, to be honest. I’ve shipped plenty of characters, but Furiosa and Jack truly feel like they elevated one another, pushed one another above what they are.

Jack seemed the type not to rock the boat, but at the oasis and Bullet Farm he seemed to throw that out the window, that calm also finally evaporating when he thought Furiosa was dead, immediately slamming the War Rig into the tower Dementus was on, not caring if it killer himself so long as he avenged Furiosa.

And Furiosa. She found a shoulder to lean on after so long, a shelter in the storm, a brief respite before being set fresh upon her journey for vengeance and justice.

They compliment one another so beautifully and elevate one another amazingly, this movie is perfection.

[scribblesandink]

Don't get me wrong, I absolutely adore the new Epic: The Musical songs, both the ones included in the Thunder Saga and the previous ones that were re recorded.

But....

One thing I will genuinely miss about the old recordings of the Troy and Cyclops Sagas was how Jorge's voice goes from light, young, and happy (Both him from 2-3 years ago and his voice maturing) to deeper, more exhausted sounding, and gravely (Jorge now as he is a bit older and more developed as an artist).

I thought it communicated not only Odysseus aging from the young king he was but showed his character development from an optimistic man who just won a 10 year war to a hardened sailor and soldier who had to do truly horrific things just to see his wife and son again. The progression of Jorge's vocal development communicated his growing desperation and anger at the gods' unfairness in using him as a toy and pawn for their entertainment.

His slow and natural vocal progression communicated this better than any lyrics ever could, and the best part was it was completely unintentional

In this Essay I will.....