Let’s chat about the facts ✅
Plastic pollution is a global issue affecting the health of humans as well as the ocean. Plastic and plastic additives contain many harmful chemicals that can have negative effects on human health.
We believe this complex issue needs to be addressed from the local to the global scale. In just the past two years, our Conservation & Science team has worked with multiple organizations, including the Environmental Law Institute, the Minderoo-Monaco Commission on Plastics and Human Health, and the State of California, to bring awareness to the intersection of plastic pollution, human health, and ocean conservation.
Check out this link for more info on the impact of plastic pollution on human and ocean health–as well as ways that you can limit your exposure to plastic pollution.
Together, we can ensure a healthier future for all, one action at a time! 🌊
527 notes
·
View notes
"Sex is biological fact, NHS declares."
Fuckin FINALLY.
The article's behind a paywall, so I had to grab a screenshot fast. It's not the clearest picture, and I may have cut some off.
Here's the article, if you can get around the paywall.
From BBC News via Yahoo News:
NHS England charter to stress biological sex when placing patients in wards
Transgender women should not be put on single-sex female NHS wards, the government is proposing.
The measure is part of a raft of changes to the NHS Constitution for England, the charter of rights for patients.
The proposals stress the importance of biological sex for the first time when it comes to same-sex accommodation and intimate care.
In both cases, the rights are available only where possible.
For example, same-sex accommodation rights, which have existed for years, can and are breached where there is a clinically urgent need to admit and treat a patient and do not extend to areas such as critical care or accident and emergency.
The guidance also means that trans men should not be housed on single-sex male wards.
Under the proposals:
transgender people, whose gender identity differs from their biological sex, may be provided single rooms, where appropriate
patients will have the right to request a person of the same biological sex delivers any intimate care
Health Secretary Victoria Atkins said it was about making it clear that "sex matters".
"We want to make it abundantly clear that if a patient wants same-sex care, they should have access to it wherever reasonably possible," she said.
"By putting this in the NHS Constitution, we're highlighting the importance of balancing the rights and needs of all patients, to make a healthcare system that is faster, simpler and fairer to all."
'Trampled over'
Maya Forstater, of the Sex Matters campaign group, said the changes were "excellent news".
"The confusion between 'sex' and 'gender' in official policies like the NHS Constitution is what has enabled women's rights to be trampled over in the name of transgender identities," she said.
But Cleo Madeleine, of Gendered Intelligence, said robust policies were already in place and the government had its priorities wrong.
"After 14 years of austerity, medical professionals are crying out for more funding, more resources, and better conditions for staff and patients," she said.
"The government seems hell-bent on pursuing its obsession with the transgender community instead of addressing these longstanding needs."
'Martha's rule'
The changes are part of a wider review of the NHS Constitution, which the government must complete every 10 years.
They also include a plan to embed patients and their loved ones' right to access a rapid review from outside the care team if the patient is deteriorating.
This is the right behind "Martha's rule", which is being introduced in the NHS, to ensure patients know they can ask for a second opinion, with the government providing funding to hospitals for posters and leaflets informing patients and their families.
Martha Mills died aged 13, after being admitted to King's College Hospital, south London, in 2021, having injured her pancreas slipping on to the handlebars of her bike while cycling.
She later developed sepsis - but with better care, could have survived, an inquest found.
All the changes will be consulted on over the next eight weeks, before the constitution is updated later this year.
Labour's shadow health secretary Wes Streeting said: "Rights on paper are worthless unless they are delivered in practice.
"The NHS constitution already pledges that no patient will have to share an overnight ward with patients of the opposite sex, but that is not the case for too many patients."
500 notes
·
View notes
In that vein (hah), I just have to take a moment to gush about the costuming in The Lost Boys because. Have you seen the costuming in The Lost Boys. Like each costume standing on its own without anyone in it still gives you a sense of a whole character, which is important because some of these characters don't get, uh, lines. We have to be able to distinguish them immediately by visuals, and the thing is, we can, because they're not just dressed to look attractive, they're dressed with the purpose of establishing character.
Like, consider Michael. They kept it very simple for him, on purpose, he's a regular everyman kind of guy thrown into a Situation. But also, he's trying too hard. The white t-shirt, jeans, and leather jacket call back to James Dean, Rebel Without A Cause, but the leather jacket's brand new without a scuff or a crack, not broken in, and it sits uncomfortably on his shoulders. The earring doesn't suit him - it belongs to somebody else, a funhouse mirror version of himself that he's tempted by, but also it literally belongs to somebody else. Who gave him that earring? Star's implied to have done the piercing, for him, which also tracks - the earring's a little piece of someone else, someone darker and wilder, that's been dug right down into his flesh by his association with Star. It's tasted his blood.
It's also a little piece of the boys' uniting aesthetic bleeding over onto him. There's a magpie sensibility to all of them, but then each of them are visually distinct as themselves within it.
Star's clothes have 80s cuts but form a 60s hippie silhouette, solidified in time. She's the most colourful of them all, her white tops signifying a flash of innocence, but at the same time as she climbs on David's bike, she pulls on a big black jacket that almost envelops her, a little piece of his shadow falling over her and devouring her light. Again, it doesn't quite fit her, like she's playing dressup as a darker, wilder self just like Michael is.
And speaking of David. That boy is chin to toe wrapped up in black. The coat references batwings, which is a great detail. And those gloves! He doesn't touch Star; he doesn't touch Michael; he doesn't touch the world, except through a layer of darkness. It's real Old West, white-hat-black-hat level symbolism. Except.
The real villain of the piece isn't the dangerous, sharp-edged boy in black - although of course you need to look out for him, they don't call him 'dangerous' for no reason. The real villain of the piece is the most perfectly conventional, middle-class, unassuming, don't-look-twice take-him-home-to-mother normal guy imaginable. Grey and beige. Business casual.
It's the perfect camouflage for a predator.
(And then also like. I can't wax as poetic about it right now because my brain cells are otherwise occupied. But please consider how much character is there in, like, the Frogs' army-surplus duds and Sam's terrible, incredible shirts.)
457 notes
·
View notes