is lyney the first character who actually is at a disadvantage in rainy weather. first character from the water nation is the first character in the game who doesn't like rain
The LAYERS needed in a modern/human Dreamling au. Some level of Endless family dysfunction, obviously. Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?
Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.
(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.
Desire: it's your one-month anniversary, what do you do?
Dream: [hesitantly] NOT propose?
Desire and Death, conferring, because that's technically correct but the delivery was suspect.
Death, encouragingly: Good start. And?
Dream: a nice dinner and maybe a walk?
Desire: well done!
Death: and for a three-month anniversary?
Dream: give them a key to my flat.
Desire: [airhorn] NO. RED CARD.)
Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".
(Death, rubbing her temples: so you met this guy--
Dream: Hob
Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?
Dream: NO.
Death: oh thank go-
Dream: Hob SUGGESTED this.
Death: . . .
Dream: are you going to be a witness or not?
Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?
Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.
Death: fuck
Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.
Death, brightening: Is Hob that bad?
Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"?
Death: yeah.
Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.
Death: [hmmmmmmm'ing approvingly]
Johanna, morose: the bastard.
In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)
...SO. Hermitcraft Lifeline AU trailer I made for a class last semester.
Does contain spoilers but they're left vague-ish? Vague enough that I don't think it spoils the experience at all. Go read SlashMagpie's Lifeline AU. Please.
Now crossposted to Youtube!
Notes about stuff under the cut :)
Okay so. I know there are some inaccuracies to the actual fic, major and minor alike. However, this took me around 60 hours to make, and I wasn't able to work on anything else in between because of my deadline. I am not going back to fix things now. I spent the entire latter half of my winter break pretty much just working on this, because, like I said, I was doing it for an assignment.
It was a film studies class, and we had to create a pretend cult classic and then create some creative representation of it. I chose to do an adaptation of Lifeline AU for mine! That's why there are the black frames near the start–originally there was some pretty typical movie trailer text, I just didn't feel like including it here.
I'm going to be real, I would not have been able to get through that project if I wasn't doing it with LLAU. Lifeline AU was my lifeline, in a way. If I had stuck with my original plan, then I wouldn't have come up with such a GOOD final product. I probably would have quit the trailer and settled for a poster. With this, that never crossed my mind. I wound up with a product that I had genuine creative passion for, based on a story that I have immense love for.
@slashmagpie , thank you so much for writing this fic. I have said it before and I will say it again; this is my favourite thing I have ever read. Between its plot, characterization, worldbuilding... EVERYTHING. It's such a beautiful story. It's one of few works to actually make me think, to make me consider what's right and wrong, in a sense. Every time I reread it, even if it's just a small little section (or all of Asking for a Miracle. I'd say that that one has the biggest chokehold on me of the llau fics), I feel myself experiencing the fic all over again.
Going to be honest, I wasn't going into LLAU with any expectations. I found Lost Boys bc i was looking for fics with aliens, and so i decided Empty Oceans would be my "last fic before sleep." I ended up not sleeping that night, spending the next few hours reading through all of the series (aside from Twenty-Eight Days of Delirium, but I did go back to that one later that day), listening to the same song on loop the entire time. I was so engrossed by the story I didn't even notice until I was halfway through Asking for a Miracle.
I rambled on about the fic to anyone who would listen. My best friend, my cousin, my younger brothers, my older sibling, everyone. Eventually, when one day my cousin came over to have a sleepover, I was like. I know you're not going to read it. Would you like me to tell it to you? And she said yes. I expected it to take maybe a half hour. She expected it to take one hour. It ended up taking two and a half. By the end, she said "this sounds like it would make a great movie", so we ended up writing out the script for the very trailer you see above.
My cousin is actually the one who drew the beautiful clock seen at the beginning and on the monks' robes! She gave me permission to use it. I would tag her, but she doesn't have any public social media accounts.
At some point I'll come back and list all the small details, bc I put in quite a few, but for now I'm tired of typing up this post so you'll have to wait :)
Song used is Imaginary Worlds by Tyler K
I forgot where exactly I got the clock ticking sound effect but I will try to find it and link it eventually.
As stated before, this is entirely based on Lifeline AU by SlashMagpie. Go read it if you haven't already, I'm begging you.
Dame Aylin spent a hundred years in the dark dreaming of her dead lover, being killed over and over, and seething with deific rage.
One kind touch frees her, and then she gets up and the first thing she wants to do—the only thing, in fact—is to soar through the sky to go cleave a bloody path through her enemies.
And, you know, there could easily have been a version of this character, a more ironic and cynical and hashtag relatable version, who would have been like, "Ha, but first I want a bath." But we didn't get that. We got Dame Aylin in her armour, with her wings, blasting through the sky as this earnest picture of ecstatic divine wrath instead.
What is she like, now that she's free? What is she like with Isobel, now that Isobel lives again? I want her to be this towering, sincere, mighty figure for real, but I also want her to be soooo fucking damaged about it.
hgnang hgnang hngang *sounds of gnawing the furniture continue*
You have an uncanny ability to attract the worst people
it’s bc ppl love to “Coolsville Sucks” my posts and spread them around among people who don’t question why someone would want a jewish trans man to look bad. my favorite was when someone took a screenshot of a post where a trans woman in my inbox said she believes she experienced some instances of male socialization and part of my response where i said i’ve heard other trans women say that too, then cut off my actual post where i said i don’t believe male/female socialization exists and would never label a trans woman’s experience as “male socialization” unless that’s how she wants people to refer to it, and then went “LOOK HE BELIEVES TRANS WOMEN ARE SOCIALIZED MALE AND HAVE MALE PRIVILEGE!!!!!!!!!!!!!” like. THE definition of Coolsville Sucks.