#until you hate me

[dailymanners]

Always use "excuse me" if you have to get into someone else's personal space.

Someone at the store is standing in front of the shelf where there's a can you want to grab? Don't just reach into their personal space without warning, say "excuse me" or "pardon my reach" first so that they at least have a warning that someone is about to reach into their personal space, and most importantly, so that they have a chance to move before you get into their space.

Or if someone is standing on a walkway or in a doorway you need to get through, don't just silently shove past them or squeeze past them, say "excuse me" so that they have a warning that a someone is about to squeeze or shove into their personal space, and they have a chance to move out of the way before you do you.

People deserve a fair warning if someone is about to squeeze or shove or reach into their personal space. A lot of people are not okay with having someone, but especially a stranger, randomly shove or squeeze or reach into their personal space without warning. They also deserve a chance to move out of the way first for the sake of their comfort.

Try to avoid just staring at people who are in your way and expecting them to read your mind that you want them to move. Most people cannot, in fact, read minds, so having someone stand in front of them and stare at them often only leads to making them feel uncomfortable and frustrated.

But also more importantly, if you are standing somewhere someone needs to get to, and they say excuse me, you should move aside for them even if just temporarily, so they can avoid the discomfort of having to reach into your personal space or squeeze past you.

If someone is saying "excuse me" it's because they would like you to move because they don't want to have to get into your personal space, whether it's out of respect for you, or just because they themselves are not comfortable getting in your personal space.

All of this goes double for people with trauma and/or people who are neurodivergent. If someone has trauma related to abuse or assault they may find it more upsetting or possibly triggering to suddenly have someone shoving or reaching in their personal space without warning.

Or, many types of neurodivergence can make it especially disturbing and unpleasant to have someone else in your personal space, especially without warning.

You can never be 100% sure who is and isn't traumatized and/or neurodivergent, so always practice respecting other's personal space by giving them a fair warning with "excuse me" or "pardon my reach" before getting in their personal space, and moving aside when you hear those magic words. Or, even if someone isn't traumatized nor neurodivergent, it's still fair to not like someone in your personal space without warning and not being given the opportunity to move first.

[sepia-stained-sunset]

Duke, Jason, Damian and Cass who only knew Kon and Tim during their "I would burn down the world for you" era asking the rest of the family how Tim missed their obvious chemistry, how he's been oblivious to the person he's been in love with since the day they met.

Steph, Dick, Bruce, Alfred and Babs, who all got a taste of their initial Young Justice years where Tim was one second away from framing Kon for murder, just exchange amused looks.

[mazeyphaedra]

was rewatching fabian’s baron moment on account of it being the most delicious piece of pvp in my recent memory and ally beardsley’s growth as a player just shone through so brightly and with such clarity. after dusting off their shock they immediately asked about the nemesis ward, had enough knowledge about fellow pcs stocked to remember adaine’s ac with such like frustrated confidence and certainty, suggested to siobhan to dimension door out of adaine’s room, like. they came into this making a character with 4 dex. and now the dice deity offered to roll a check to sense if adaine was in danger. making decisions, asking questions, getting invested in the story, trying so hard with the tools they have to save characters from danger; ally beardsley is an incredible d&d player.

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[andy-clutterbuck]

The Ones Who Live - 1x01 - Years

[kingofattolia]

Honestly I cannot overstate how much seeing Hayden as TCW Anakin changed EVERYTHING. Matt Lanter's Anakin is a frat dude. He wears a backwards baseball hat and says vaguely offensive things without realizing, while being a fundamentally chill and outgoing guy at heart. Hayden's Anakin is... not that. His voice. His expressions. His physical presence. It's off somehow. It's just left of normal. It's completely unremarkable and yet deeply uncanny for reasons you can't quite describe. TCW Anakin was always a flatter, blander portrayal, but I don't think I realized until now what exactly was missing: the serial killer energy. The inarticulable conviction that SOMETHING unhinged is going on behind those eyes.

[actual-changeling]

i LOVE crazy meta posts and wild speculations, i write unhinged interpretations myself, and fandom is first and foremost about having fun.

but i am very, very tired of seeing serious theories that constantly call the final fifteen fake/a conspiracy/a magic trick/etc. retconning that scene would take away the ENTIRE emotional weight and the importance it has for both their character archs.

[spaciebabie]

not bad considering i havent drawn him since september guaguhaghhehaga

[lowkeiloki]

here's a hot take

i love gwen stacy BECAUSE of all the dumb shit she does in ATSV when she meets miles again. for opening his collectable, going through his sketchbook and all the other (admittedly) horrifying stuff she does because it shows her socially awkward side. she isolated herself from everyone after losing her peter, she doesnt really know how to act around her peers anymore, then she starts warming up to miles, but had to leave him too and then when she got to see him again she got overly excited bc ofcourse she did. she opened the collectable probably thinking its a harmless tease, possibly as a "revenge" for him ripping his hair, she goes through his sketchbook potentially wanting to show interest in his hobby, she calls his parents by their first names bc maybe she didnt wanna sound overly formal or because its just a normal thing in different cultures (and gwen is from a whole other dimension so god knows what the culture is like there)

in so many movies (especially action movies) in teams where there is one woman, that woman has to be the collected and serious one that rolls her eyes at the boys screwing around and i cannot stress enough how refreshing it is to see a female character who is not that, a female character who is allowed to be awkward and silly and cringeworthy and genuinely wants to show affection but doesnt quite know how, ESPECIALLY in a marvel movie

[eggsploded]

mutant kids

[kristalijah]

HE'S CHECKING OUT GARY!!!! I REPEAT, HE'S CHECKING OUT GARY!!!!

[canisalbus]

I really appriciate how often Machete is depicted struggling and feeling like a burden, while still being loved and supported by Vasco. It gives the top tier angst of "i'm not good enough, I'm not worth it" but you frame it in such a way where it's clear that's just how he *feels* and is not how things really are, but also it's so nice to see someone who struggles quite often in a loving and unique relationship that suits them. The narrative of not being able to love or be loved unless you're consistently healthy is really tiring lol.

.

[yharnamsnewslug]

Heads up - transandrophobes are gonna get much, MUCH worse before this all settles down. We went from barely known to "transandrophobia truthers" to now being just openly called "cuntboys" and "zippertits". I've been sent anon hate for the last three days and I've blocked them all and not responded, and YOU SHOULD DO IT TOO.

I was there when the acephobes and arophobes were foaming at the fucking mouth and this is transandrophobes getting fucking pissed that their shallow ass feminism is being called out. Keep posting, block liberally, do NOT be afraid of stepping away and taking time for yourselves. You don't owe any fights in expense of your mental health.

Have a good day, y'all, especially those in the spotlight such as black and jewish trans men ✌🏻

[littlelightfish]

Something I loved from the anime adaptation on episode 5:

They made a summary about Mick's and Kuro's characters and relationship from what they saw in this two panels on the few seconds this scene taked place.

Just this. Kuro and Mick both surprised on the first. Kuro looking at Mick like he's worried about something, and Mick eating bread in silence, looking in distrust at the guy.

The anime makes it so rich on subtle expressions, I'm in love here. They're just on the background of the scene. But what they do says really a lot about them.

When the guy first comes to scene, Mick looks a bit confused but nothing else. "Who tf this guy?" They're not planing on paying him any mind.

When he sits besides him, he gets uncomfortable, you can see it on his face he doesn't want to sit beside a stranger. He wants to get up and change places. "What's with this guy? What does he want? Why is he so close?" Kuro notices this and looks at him. He saw him flinch (off camera because guy is covering him). Mick is scared of this guy.

Mickbell is a naturally untrusty person because of his backstory. He gets uncomfortable when new people starts acting friends because "well that can't mean good, can it?" Kuro knows this because they share a life together and proceeds to try and calm him the best he can in this situation.

Kuro puts his hands on Mick's back. He already has them there when the camera changes angles. "I got you. I'm here. Nothing is going to happen to you. Calm down." Mick now looks confused at the guy, but it's still clear he's very uncomfortable there. He leans towards Kuro a bit "I feel safer by your side and this guy is wierd".

In seconds, as soon as he sees him grab food from their table, he changes his mood. He jumps in surprise at the audacity. He's now annoyed and pissed. That's their food! How dares he... But he isn't the one to say anything, and from this alone you could tell he's quite introverted outside of their friends group (or that he didn't pay for the food idk). Kuro keeps his hands in there, knowing he's nervous.

Mick just looks at him eat, annoyed, maybe angry, and silent. He isn't probably paying any mind to what this guy is saying. He is stealing food. He should go get food somewhere else. Kuro seems to think something alike, but he is a bit surprised this guy has the balls to steal food so openly (he isn't paying atention either ot he doesn't understand)

He thinks a lot of thinks but says none, eating in silence. Kuro is staring with no good intentions behind those eyes. Only murder. Food robber. Mick disturber. Deserves death.

[andy-clutterbuck]

1x04 - What We | The Ones Who Live

[haunted-xander]

Respectfully, anyone who believes that Roxas shouldn't have come back in kh3 is wrong and also doesn't know how to make a satisfying end to a characters narrative.

I could maybe forgive thinking Naminé or Xion shouldn't have returned, as they at least got to make the informed decision to return to their counterparts themselves. It would still be wrong but I can at least forgive it.

But Roxas? His entire story is about being allowed to be yourself regardless of what anyone else around you says you should be. It doesn't/shouldn't matter if he comes from Sora, because he is someone else entirely. It's his life, not Sora or anyone elses. Having a story like that end with him being violently forced to return to Sora when he doesn't even know anything about what's going on is flat out bad writing.

Did he accept that he had to die for Sora? Well, sure, but only after getting to beat him within an inch of his life. Only reason he accepts it is because he literally has no other choice but to. He can't keep clinging to the anger and misery at his circumstances forever.

And, you know, it probably helps that the person this was all for also fucking hates it. In no way is Sora happy about what happened to Roxas. Of course he'd bring him back, it's Sora. The situation is so unfair and tragic that having it end with him just staying in Sora forever would literally go against the essence of the entire series.

Kingdom Hearts is, at it's core, a series about bonds. Roxas was established basically immediately as having very important bonds! His best friend literally died for him! He has friends that don't even know it because it was another version of them, but they still feel that bond to him anyway! You really think they should've just thrown away a character whose bonds transcended the boundaries between data and reality just like that? Get real.