#usually when I get comic ideas that I know I can't draw i know they won't appear anywhere else

[coveredinsweetpea]

not to be a whore........... but imagine making out with Eddie's buldge through his underwear 😩

🥴🥴🥴 tbh I think there are two different scenarios and I wanted to choose only one to elaborate on but I couldn't so here I go: you're both either too lazy to care and this evolves from a sleepy cuddling session OR you're being needy and clingy, begging for his attention - just a whiny mess basically, and this is all that he's willing to give you. Both detailed under the cut 🥴🥴 (the 2nd one is pure filth, humiliation, degradation etc 18+!!!!!!!!!!!!!!)

It's summer, Wayne's not in town and you have all the trailer to yourselves. But it's still early, no one's in the mood to party yet, it's hot and you're both too lazy to move. 

Eddie's starfish on the bed, a comic book having him completely under its spell, while you lay lazily with your head on his tummy, hoping sleep would envelop you. But it doesn't; Eddie's too caught up with a plot twist he didn't see coming, and ideas start coming to you. 

Your eyes fix the outline of his cock and without saying a word, you palm him in your hand, your fingers drawing random patterns on the material of his boxer briefs. 

Eddie doesn't react, at least not to your knowledge, but one eyebrow does pop up. You don't see it however and decide to keep going, moving your hand a bit to the side so you can rub the length of his cock. 

"Sweetheart?" Eddie lifts his comic book so he can look at you, "What are you doing?"

"Nothing"

You don't even look at him, just keep teasing him through his boxers, until he can't help but tense his thighs. "Love?"

"Yeah?" again, you answer without bothering to face him, but this time you do move. Just in the opposite direction, nonchalantly pressing your lips against his bulge. 

The gesture was light, not too sudden or too strong, but the reason he froze for a second is the pure confusion that washed over him. But he doesn't get a chance to ask, because when he feels what you're doing - understands that you're right now literally kissing the length of his cock, he can't help but chuckle. 

"Sweetheart, you know I can take those off for you, right?" Eddie teases, one hand on the top of your head as you keep going.

"Nah" you shrug and wrap your lips around his clothed tip. One of your hands slips lower, your fingers brushing against his balls as you start sucking. 

"Ah fuck" he gasps. But you don't budge.

You keep at it - licking, sucking, grabbing, your teeth lightly grazing the tip of his cock. 

"Baby, damn it" the comic book flies across the room, his attention now fully on you. "You wanna make me cum like that?"

But you don't answer. You just shove your hand up one of the legs of his boxer, cup his balls into your hand, and resume full on making out with his cock. 

The sheer feeling of him getting hard under your lips, the way he can barely control his breathing, how his thighs tense and how his abdomen clenches every time you apply just a little bit more pressure, makes you want to see just how far you can go. 

Brushing your thumb over the wet patches on his underwear, you look up at him, "Yeah, I wanna. Can I try?"

"Try?" he laughs and rubs your cheek with the back of his fingers, "Darling, you're halfway there"

You beam under his praise and resume your quest, eagerly sucking and tugging through the material as his cock visibly stiffens.

"But then you'll take yours off. You can play around all you want, but you know I can't stop until you've made a mess on my face, doll"

Fine by you.

OR

You being clingy isn't anything new. The planets sometimes settle so that some days the only thing you want is his attention and nothing else. And it's usually not a problem, Eddie being more than happy to oblige and give you what you so desperately crave, but there are also days when that is not possible. 

Like this one.

Busy with tasks Wayne left for him, the campaign needing some last minute fixes, Dustin asking for a ride and a Corroded Coffin concert late in the evening - this day is bound to suck for the both of you. 

You manage to compose yourself for as long as you can, but by the time you reach the venue for the show, you're almost out of your mind. Begging, teasing, whining, throwing yourself at other men to get his attention - you do everything in your power to get his attention. But you fail. Miserably. As once you finally get home, things don't play out the way you had hoped - at all. 

"So fucking desperate, like a fucking whore" Eddie scoffs, plopping down on the couch. He spreads his legs and nods, "Do your thing"

Normally, you'd whine and complain, but your brain isn't cooperating so you listen to his command. You kneel in front of him, undo his jeans, and then helplessly look up at him, bottom lip popping out. "Eddie…"

"Do you need help, kitten?"

You nod.

"Do you deserve it? You acted like a dumb slut all night. Why would I help you? You can't even take my dick out, why would I let you suck it?"

"Please, Eddie…" you cry.

"Look into my eyes, doll" he commands, his hand on your chin forcing you to face him. "Apologize for the way you've been tonight"

"I'm- I'm sorry" you sniffle, "Please-"

"Sorry for being such a cock thirsty whore that you can't even function unless you get to have my dick down your throat?"

"...yes"

"Say it, baby. You need to hear yourself saying it. And look into my eyes while you do it, love. Show me how bad you want it"

"Please, Eddie-" you blink, "I'm sorry for being such a whore, but I need it, please. Can I please, please, suck your cock, please?"

And your pleading might have been enough but you'll never know. Eddie doesn't even get a chance to fully strip before he sees the hungry look in your eyes. "Come here" he motions as he stands up, his jeans now pooling around his ankles. "Show me you want it"

For a second, you look up at him in confusion, but the way his cock stretches the material of his underwear has you feral all over again.

So you don't question it, don't complain, you just get to work. He's hard - throbbing almost, the wet patch of precum making your tongue tingle as you make out with his cock as best you can. 

"That's my girl" he grins, patting your head, "My good girl, keep going. Make me cum. If you can do it, you get to swallow it all, baby"

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[punnifullife]

I thought long and hard (and overthinking) trying to tie teen titans 03 to the batfam stuff in my AU. I really wanted to connect the other robins, Dick turning into nightwing, and the relationship with Bruce into this. so below are a combo of rough sketches and written out ideas mixed together bc i couldn't finish this without ripping my hair out. Originally I had it come right after season 5 ending with the weird alien thing (which is what bb and rae are referencing to) but..... anyways:

This gets long so the rest will be under a cut:

just FYI on changes already: Robin's look is more dan mora/og costume. I love Dick in the yellow cape (and i always associate the black cape to Tim so hehe) Like i said the alien WAS gonna be the main bad guy since this comic will also about things changing. but i got too overwhelmed reading up on what the alien was and it was a dimensional being and yadda yadda so it was bare bones and barely even brought up as i lost interest in drawing things out. Continuation:

this is where i didnt feel like drawing a transition to tt packing/traveling to gotham.,.. so it jumps to the meeting:

yess bb jason!! In my AU, this is when dick and jason meet. Dick claims batman hasnt changed, but yet Dick keeps tabs on gotham to know about jason just as much as bruce is aware of the teen titans (and even tho Dick says "oh look, a replacement. the batman cant go without a robin". he knows that isn't really the case. he's just still hurting from their fall out. and NO he does not feel jealous or anything like that towards Jason.) I will say that's where the main drawings stopped. but the story continues! But mostly text bc drawing it out became tiring. So: they work together in an upcoming fight. Batman (and teen titans) call out to "robin" so there's funny miscommunication as which robin responds to what. Jason proves himself to Dick that he can be a robin. Bruce is his usual skeptical self and it drives Dick up a wall. Bruce eventually calls Dick out for being the same way though (altho this is more of egging on to push Dick to make some more changes. since bruce never wanted dick to be like him).

Dick: You don't know my teammates. Don't act like you do. Bruce: You're right. I don't know them. Nor do I trust them with my son. Dick: Why can't you trust MY judgement. Bruce goes back to working, ignoring the statement. And Dick comes to a realization to how Bruce shuts him out (like what he did to starfire earlier). This leads Dick to reveal his identity to his team because he DOES in fact trust them 100%. There's some closure from that and this would kinda be a turning point in terms of his angst/edgy phase as a robin. As he officially passes the mantle to Jason and where he becomes Nightwing.

team reaction to face reveal:

[ikimaru]

Hi sunny :D I’m a tad nervous to ask questions but you’re one of my favorite artists soo… 😞😞

I was just wondering if you have any tips regarding making a comic :,3

thank you‼️🫶

heey thank you so much! 🙈 I'm sure I've responded to this multiple times before but I can't even find the asks on my own blog so here we go again dksjd

this is for a shorter type comic, for comics that are a lot longer like many hundreds pages it's more complicated!

1 - write down the plot with main things you want to have happen and divide it into scenes revolving around these things, expanding on what should happen in each scene with dialogue, notes etc. This helps making sure each scene connects well to the next and also gives you a general idea of how long the comic is gonna be

2 - sketch out pages as rough draft (thumbnailing) so you will know how the action will be distributed across the page, I usually sketch all the pages in one scene at the same time so you can know in advance where a scene is gonna end it's not gonna be 2 panels into a new page if u don't want it to

3 - when figuring out how a scene plays out you can sorta imagine it like a movie in your head and you choose angles you like or that make the scene flow nicely! (as for panel shapes and other technical things I suggest looking at tutorials or looking through comics or manga you like to see how they do them)

4 - this is just if you want to carry out a comic from start to finish! never underestimate how long it takes to make comic pages, so if you want a finished comic I suggest trying out doing something shorter of a few pages to see how you feel about that first, find a way to draw and color them that's comfortable for you! I think around 50-60 pages is manageable, if it goes in the hundreds it's gonna be a long haul (I kinda never want to go there again lmao) so imo avoid spending too much time on full coloring/details/backgrounds in every panel, it can look good but ur gonna get burned out SO fast (a lot of comics get dropped for that reason) most long running comics have simpler styles and assistants to help with coloring, adding text etc

hope this helps!

[bokettochild]

random LU hcs before I go to church

Legend likes to draw, and while he uses it for practical purposes (he's compiling a bestiary of his own) he also likes to sketch random crap he finds while traveling

Hyrule weaves. Not fabric, since that's a bit legthly and requires materials he can't get or keep for long, but he's very good at making baskets and the like! When the rest go to his cave, it's just full of woven items, including his attempts at weaving a freaking chair. Hyrule is going to become Pier 1

Sky writes poetry but never shares it with anyone. Groose used to laugh at it when they were kids, and so he's very self-conscious about it (and not very good anyways). He does come up with some really, really good pieces though from time to time!

Warriors couldn't read before he enlisted. He had to learn, and did learn rather quickly once he had to, but he still did very much not grow up with books. He is, however, very fond of oral tradition and somehow keeps a library's worth of knowledge in his head, since he never knew how to write it down before.

Warriors loves folk tails and will use any excuse given in order to share them with the younger ones

Wind is a very proficient mapmaker. he's terrible at drawing figures or anything, but he's very good at charting things out and putting them down on paper

Wind has a great eye for photography though! He and Wild sometimes play a game where they have to find a particular item and take a pictograph of it and then they'll have one of the others judge which one is better. Wild's candids are usually better, but Wind has a talent from framing and using the light to his advantage that outshines Wild's.

Wind likes composing little tunes with the Windwaker when he's bored. he has accidentally discovered several magical songs and their effects in this manner. Sometimes Time debates if just teaching his the Song of Storms from the get go would have been better in the long run, since it would have saved them getting soaked so much

Four has a fascination with artistic metalwork. He can't do it himself, and often times can't understand how someone thought up the idea in the first place, but it gives him great delight to see various metal pieces/tools/items forged together into the oddest art pieces

Twilight claims he's no good art of any kind, usually blaming "these darn big paws o' mine", but the secret is that he's a talented embroiderer, he just doesn't consider it "art" in the same way the rest do. Most Ordon folks add stitch-work to things so he considers it standard practice, not exceptional.

Sky is also very good at stitch-work of all kinds

When Sky and Twilight discover their shared skill-set, they absolutely use it for evil (start adding little patterns and things on their brother's stuff). Is this competitive? They're Links, you tell me!

Time claims not to be very creative, but he's actually quite good at art himself! Just drawing, as his paintings have a very childish sort of color combinations and the like, but he's surprisingly very good with shading and proportions!

All the boys play music, but Twilight's a good hand on the fiddle/violin (but only for short periods) and Legend has a surprising preference for the piano/organ. They'd make an excellent duet if they actually managed to know any of the same songs

Wild cannot and should not play instruments, Hylia help your ears if he does. He's also not that great of an artist (look for JoJo's comic of him drawing a new tapestry, it's hilarious). He likes the art the others make, but in general, the best he can do it just making designs and patterns that always seem to resemble Korok puzzles.

[meanbossart]

ASK COMPILATION: LORE, CHARACTERIZATION, AND THE ONE IN WHICH I RUIN A BUNCH OF PEOPLE'S FUN

As usual, this is far from all of the asks in my inbox but I'm trying to catch up 😩thank you everyone for your patience!

For the record, if your ask isn't being answered, that most likely means one of three things:

I am saving it as a possible art prompt.

I sincerely don't have a very interesting or good reply for it yet!

It's a question I have been asked multiple times/the answer is in my pinned post.

Glad you like them!!

As much as I don't limit what I draw to canonical events, vampirism is so antithetical to DU drow's character journey that I couldn't really envision it, to be honest, but who knows! Maybe I'll cook up some Ascended Astarion scenario someday that is kind of a role-reversal of the Bhaalist DU Drow AU I have going on in tandem to the story.

I'll be honest, this is one of the rare times where I'm really not sure which aspect of DU drow's weirdness this is in reference to. Do you know something I don't? 😅

His masochism is very... Classic, I guess? He's in it for the pain and for the emotional connection, and the process of being pierced wouldn't cut it whatsoever, it's too subtle. The body modifications he has are an incidental result of it, but they were never really the goal.

Also having stuff dangling off his face or body would just irritate him, he specifically only does rings because all other types of jewellery get in the way too much. Pre-tadpole Bhaalist drow obviously wore them by the ton, but only as a symbol of status and because he had a permanent new-money complex🤷 so yeah not a piercing-type of character at all, sorry!

He's smooth from the eyelashes-down and profoundly weirded out by body hair LOL

I don't personally think that whatever Astarion had for a home before would bear my resemblance to it after 200 years - having probably gone through several owners, remodeled, if not completely lost to the destruction of the end-game. I do HC that he used to visit it whenever he could as an enthralled spawn to read his mail, but he stopped after his father passed.

THANK YOU, I THINK? I can't say that isn't a passionate description at least!

I'm honestly surprised that this comes up as often as it does LOL but it's just an stylistic choice on my end!

The latter - for sure. He figured that them dying at each other's hands at the end was a given and took that assumption entirely for granted (and I'm sure daydreamed about it often while Gortash went on and on about political strategy during their dinner meetings.)

;))) way ahead of you and by "way ahead" I mean "eventually and whenever I can figure out when to do it alongside the other 30 ideas I am currently juggling" (but I really do want to make a little comic out of it!)

He used them! Not immediately, but he grew to trust the guardian after some initial suspicion and happily gobbled up those squirmy little things alongside Astarion. Because I made his character on a whim and without any planned backstory, I didn't really put any thought into his Guardian's appearance either, so she's just a human woman with a Joan of Arc look going on who's of no significance to him or his past.

But DU drow did trust her, again not immediately but eventually. It was honestly a big kick in the gut to him when the Emperor revealed himself and it definitely set their relationship up to fail from the get-go.

This is also why he didn't ascend to the next stage of Ilithid power, he just stomped the thing dead right on the spot LOL

LMAO I think Gortash is too proud to chase a tail he can't catch like that

He was probably very overwhelmed by the sudden realization that OH, THIS IS ALL HAPPENING BECAUSE OF ME which naturally didn't come across whatsoever to anyone present since he immediately bottled it up and tucked it away out of sight. However, as the story progressed and DU drow helped his friends get out of their respective pickles he was probably able to justify it to himself as it having been for the greater good - since it led to Astarion being freed from his master and Shadowheart to defying the Sharrans.

As for all of the rest of the ensued destruction and death that resulted from it? Well you can't make an omelette without cracking some eggs, or whatever is the wizard version of that saying. He has essentially turned the entire situation into a net-positive in his mind and sleeps great at night because of it.

[ozzgin]

I can't get your yakuza headcanons out of my mind, Daitou's got me in a chokehold and I'm not complaining, like--

in regards to that doodle you made to show height difference between reader and the boys [I love your art btw (●♡∀♡)] - I can't picture myself in reader's style, I'm currently going through my goth phase in my 20s lmao; picture a big bitch with tattoos and messy hair who's listening to nothing but 2000s hits and screamo bands - so I'd like to request a headcanon of how Daitou would react to a gender-neutral reader like this :D I also like to incorporate the idea of them once being in a famous band that he's a fan of! (sorry if this seems like a lot, I have a huge imagination hehe)

but if he's more into the cute and helpless type, I'll just walk my ass out the door and yeehaw my way into another yandere's arms ✌😔

That's on me for not drawing the reader inserts as cartoonish cinder blocks :') In truth I'm a little bit embarrassed seeing how many likes that doodle has gotten, it was something I put together in a hurry and the clothing was meant to be baggy, shapeless, with not too many folds for the sake of simplicity. I myself am more of a pilgrim goth, just to emphasize the randomness of the choice.

Drawing reader inserts always leaves me a little anxious. If I use a light shade of gray, will people think I'm excluding poc? Will plus sized readers feel like they've been disregarded? What about masculine readers? As someone who's demiromantic I always struggle taking appearance or gender into consideration, because to me it has no influence whatsoever. Which is hard to express when you want to offer blank slate visuals as an extra to the story.

What I'm trying to say is that all of my characters would like you for who you are. Sure, they find your looks cute, but it's not the defining reason. Maybe you have similar traits to them, maybe you're the complete opposite and they find it intriguing. You could be a buff man and Daitou would be just as grateful to have someone who isn't afraid of him. I usually stick to a female reader for bigger stories to avoid messing it up long term, but in the grand scheme of things it makes no difference. I always imagine reader to be a shapeless blob that provides the dialogue I need for the story mood. There's no concrete preference or type for any of my OCs. I mean, ideally you'd like them back and not hang them upside down above a BBQ pit but I feel these are sensible requirements (?).

And now for the actual headcanons since my ramble is over.

First encounter is comically awkward but for reasons you’re unaware of yet. You’re obviously used to people staring at you (more so in a country like Japan), so you were expecting the curious glance every now and then. On the other hand, being under scrutiny, from a man even more unusual looking than you at that, is odd. Mildly uncomfortable. You’re shifting yourself from one leg to another, hoping to be done with the introductions soon.

On his end, Daitou is anxiously fidgeting and trying his best to focus. He’s seen this face before and he can’t shake off the familiar feeling. Where the hell…He obviously can’t downright gawk at you, and he isn’t sure how to politely formulate a question. After several sheepish peeks, it finally dawns on him: weren’t you part of that band he really likes? No, what would the chances be? Then again, how many people out there would look exactly like you? Is it rude to ask? He has no idea. He resumes his mumbled description of the apartment and hands you the papers to be signed.

Back at his place, he finally digs through his merch and sprawls out the available clues. “I didn’t know you were into this kind of music”, Kazuya comments as he looks over the man’s shoulder. He’d come over to ask about the new tenant. “I’m pretty sure it’s them.” He concludes, confidently placing his index over a CD cover. “Huh? Who? The tenant?” Kazuya holds back his chuckle. “Why would a celebrity show up for a shady apartment offer? You’re tripping, man.”

“I’m sorry, this is getting ridiculous.” You finally exclaim, annoyed by the persistent stares of the now two men facing you. You’re standing in front of the apartment building, arms crossed, huffing at the tall scarred man and his blonde friend. “No, I’m sure of it. Even the tattoo is the same.” Daitou turns to whisper to Kazuya, oblivious to your complaints. In turn, Kazuya lightly elbows him, mouthing something about being rude. “Just ask them, man.” He adds, this time louder. “Ask me what??” You groan. “W-were you…um…in this band by any chance?” Daitou manages to blurt out, searching his pocket for the CD case and ceremoniously laying it under your eyes.

Ah. It finally clicks and you exhale, relieved. You confirm their suspicions and show them some backstage photos to solidify your claim. You ask Daitou if he wants an autograph or something, then swiftly scribble your signature on a piece of paper and hand it out to him. He holds it with a wide, childish grin. “You’re a weird one, you know? You could’ve just asked. I guess I didn’t expect to find a fan in the wild, especially here.” Daitou carefully folds the souvenir, eyes lidded with nostalgia. “Oh yes, it’s great. Drowns out the screams.”

[zarla-s]

Do you get anxious whenever you start drawing comic pages? Is that connected to ending of Handplates? It's like you're trying to find any random activity to avoid drawing comics. And your usual sketches get less and less dialogue. I'm asking because I'm worried and I don't know what's happening. D:

Hmm... I haven't really thought of things in these terms? I was like "eh that can't be right" but then I did a quick look back and it does look like I've been doing solo shots or single/two panel comics for a while, haha. I've just got a lot of small ideas or images I wanted to get out recently. And I've been writing a lot of fic! Which I haven't done in a while, which is nice. Writing a fic (particularly lengthy ones, like the Hell jailbreak or the hanahaki one) is a lot more time consuming than people might think. I started the hanahaki one in early December and only just posted it a few days ago...

I was doing Handplates for such a long time, like seven+ years and all, that I'm assuming the vast majority of you out there never really knew me when I wasn't doing it. The thing is that Handplates is a massive outlier - I never did any project of that scale before, or one that updated that consistently or took that much constant effort. Never! Most of the time before when I'd start a big project I'd get distracted and never finish it, or there'd be huge hiatuses between updates (Vargas). It was super weird to have such a big project I so consistently updated and worked on. It's not common for me! I'm amazed looking back on it all that I was so committed to it when so many other ones fell flat.

Handplates took up a LOT of my time, so with it over I've been doing some other things I wouldn't have had much time for before. Playing some games, taking screencaps, writing fic, web design, little small experiments like all my pixel stuff. Just trying out different things! I don't think I'd say I was anxious about doing a comic page... it's more so that I'm just tired, I think. I was doing these huge elaborate pages that'd take days to finish for so long - now that I don't have to do it anymore, my brain just wants to relax, haha.

The reason for the slow updates on Defrag is really that I keep getting stuck lol. It's not really focused like Handplates and I still don't really know how it'll end. I keep getting stuck on what should happen next, so I keep putting it off. It's just me being a lazy writer rather than having anxiety about doing a page. |D

At least, I think that's what it is...

[sabrondabrainrot]

🌦️Dark Sun and 🔅Servant Sun

I tried my hand at designing Servant Sun and Dark Sun.

I'm getting more caught up on the lore!! Click underneath for art closeups and more Lore rants and AU idea! Plus, I have sketches and a comic WIP I've been working on.

😉

There will be rambly spoilers to where I am in the Lore.

For Dark Sun I was inspired a lot by the thumbnails, they give him red eyes a lot in the thumbnails and I like the smarmy red eyed look of the guy. Tried to capture his 'regal-holier then thou' attitude in his design. He's still Sun though, so I used OG Sun's palette (my first Sun design!) to reflect the fact they have the same beginnings. I don't trust anything he says but I know something has totally happened to his Moon (I'm really banking on the idea he ATE him/ ATE his intelligence chip) so he carries his Moon's bell and he also repurposed the star pattern of Moon to parade it around as like a symbol his Moon is at his heal. I don't know if I like his final look but I think it's because I gave him dramatically darker shading vs the other Suns.

Servant Sun! Here's my take on him. He's been suffering for over 10000+ years under Lord Eclipse abuse. We saw how he was being punished just because Lore Eclipse was bored! I feel really bad for this Sun, it was hard to draw a design for him. I think despite his servant title Lord Eclipse just keeps him around not only to keep himself sane but also a trophy/slave to show off to Moon and the others in the afterlife. I had this like monologue for SSun basically, "The sound of bells long ago stopped ringing for the daycare attendant turned servant but Lord Eclipse still can hear the sound of metallic chimes when the neurotic servant cleans thanks to his fanciful additions." (aka the chime of chains) He's also got an apron that's falling apart and SSun used random old fabric to patch it up (it wasn't random it was his old clothes). I was really inspired by Meagancandraw's design of Servant Sun!

Here's my AU sketches. I'm planning to clean these up and maybe color them? This is basically just the AU idea that I think Sun is going to somehow get reborn but be a being reborn from star power and negative star power? I don't know if it's possible? He becomes a mix of the two in my AU. I know some current spoilers and basically I know he may be immune to negative star energy? He can also hold Star Power uniquely and it 'taste good to him'. I will never let go of the fact he told Moon it taste nice like dried watermelon. His untrained magical outburst was also compared to be as powerful as Golden Freddy's. There's big theory he's going to die or be sacrificed but I have this idea what if he's essentially remade? idk just rambly thoughts. So yeah, he has a cool new look to go with his magical transformation.

BTW he is very sad cause he can't be near his family in this AU my brain cooked up. He's basically radiation incarnate now <3 His eyes are cracked because they're intensely pouring out Star/Negative Star power. Just a constant pull and push of power circulating in him.

this is the comic idea I have currently. I don't have a ton of motivation so any encouragement to finish this comic idea would be super appreciated! I'm not a comic-type artist so this is out of my comfort zone (I've made a few comics but usually they are pretty janky)

ON TO THE RAMBLES - spoilers BEWARE:

NEW MOON MY BOY PLS YOU ARE HIDING STUFF FROM YOUR FAMILY. BOY NO. HE IS GONNA USE RUIN TO BRING BACK SOLAR?

Blood Moon just took Ruin. Also Dark Sun repaired Ruin after Molten took him to die in the dead dimension?? BOY??? Also, Dark Sun did something to Eclipse??? Bro is plotting. I wish I could get a read on Dark Sun but I don't even know how much of the truth he's been sharing thus far. He has no reason to tell anyone the truth and so far he hasn't hurt anyone just stole a bunch of data from Moon and built a bunker to escape total dimension collapse...He's just a big wild card for me.

Then there's New Moon, He's just actually going crazy after meeting Old Moon. Sun can tell something is wrong with his brother!!! I hope he can help him but spoilers tells me otherwise. The family is trying! Earth heard out Eclipse and Eclipse is getting Earth proof that Moon is currently cray-cray. Lunar is kind of hanging near Sun and Earth because the creator is now actively trying to kidnap him. So much spicy drama.

I don't pay attention much to the Freddy side of the plot but he's also dying?? bro??? What about Francine? The missing mom/wife? Poor Francine's suffering, she needs her mom and dad! I like that Puppet is hanging around her grandchild more it is very sweet. Foxy also got his 'bestfriend' Puppet a house/condo. hmm-Mmmhmm. Definitely no romantic tensions there. Definitely not.

(side bar, I don't ship Kidscove but I do ship the Foxy and Puppet do they have a ship name? Also no hate to Kidscove I just think Foxy treats Sun like a kid a lot. I like the gooseworld Kidscove. Sun laid eggs, so wholesome.)

Lunar is just waiting for news on his trial and I am in suspense hoo boy...Then the stuff with FC being put in a new body and Frank is not happy about it. I def can tell there's big lead up to the astral bodies making a big move I just wonder what the move will be. I feel like now Lunar and FC are going to end up being more intwined then they might think.

Also I love Dazzle!!! AAAGH! She and Jack are so cute! I loved the ep Sun took Dazzle and Lunar to the store that was so sweet. Can't wait to see more of them! They're such a cute dynamic! I like seeing Lunar put his best foot forward to help Dazzle too.

I can tell Moon is slowly distancing himself from the others but it's like this odd thing where he's no longer obsessed with Solar being back per sei...but he's obsessed over how HE has to be the one to bring Solar back in his way because HE promised and he wants to be better then Old Moon and yeah...he's got a very warped perspective I feel like? But Molten and Ruin BOTH pointed out Moon is being possessed by something so I think he's definitely sick? Or something is keeping him from seeing the error of his way.

Rambles over :)

I do plan to draw Solar and Eclipse and Lord Eclipse next but I'm stuck on what I want to do for Solar's design :P I might make a poll in the future!

[comicaurora]

Hello! I wanted to send my appreciation to you as a longtime fan of OSP and Auroura! I am an English Major with ADHD and your content always makes me inspired and my English Lit. Brain very happy with how good your storytelling is.

My question is what stories inspire you to write or make you want to sit down and tell a story? Your content makes me want to work on my projects, but my Adhd only last as long as I am not disturbed (i.e. need to eat or get up and move). You have always been upfront about your Adhd so my second question is how do you keep focused on your story and not burn out? (Talking as someone who is writing a novel as their thesis)

You have been a great inspiration over the years and someone I look up to as a storyteller! I wish you focus and luck! => 💝

Woo! Interesting questions!

When it comes to inspiration, I haven't really found a pattern for what works and what doesn't. The majority of the time, only new experiences/stories I haven't seen or read before work for me - rewatches and re-reads, while much more comfortable for my brain, don't tend to translate into creative inspiration for me - but it's not like a specific genre, or even a specific kind of relaxation, consistently work for me.

The way my brain works is a bit "no take only throw", as it were. I want to just sit down and make solid, steady progress in a predictable environment with a routine, but what I need is to try new things, go outside, take risks - because all those things give me new material to work with and refill the creative gas tank. When I'm stuck, I can't just hit the gas and punch through the block - I need to back up and try a new angle.

The good part of all this is that whatever engine that's running my subconscious is actually pretty good at signaling what it needs. The ADHD brain will be repelled by activities that aren't working for it and drawn to the things it needs at the time, whether that's creative energy or exercise or cleaning or doodling or listening to music or suddenly binge-watching a show that's not even all that great, and once it's got what it needs out of it - whatever that is - it'll be repelled again, either spitting out a sudden burst of creative energy or retreating to its den to chew on whatever it got out of the experience for a more slow-building reward. Little bursts of motivation and creativity pop up all throughout the day, and if you can pivot to the activity in question - or at least note down the idea you just had - you'll be able to harness that pretty nicely.

This "system" really only works for me because I have an extremely unstructured schedule and nobody relying on me to be consistent moment-to-moment. If I'm following the creative needs of my inscrutable Better Writer In The Back Of My Head, I can't be worrying about things like a consistent lunchtime or classes or a 9-to-5. All of my observations are caveat'd by the fact that I am ridiculously lucky to have the kind of freedom of movement and schedule that I can focus entirely on getting to know my brain better.

When it comes to staying focused on any one project, I've reluctantly concluded that the only way to win is not to play. Creativity needs time and diversity to recharge, and when you stall out in any given work session, it's usually because you're out of gas. This is why I maintain several projects in varying stages of "for my eyes only"-ness - a sketchbook, private writing projects, patreon doodles, music practice; even in the large-scale projects like the channel and the comic I have multiple angles of attack at any given time, where I can as needed switch between scripting, research, drawing frames, storyboarding more plot onto the end of the comic's current draft and lining/coloring/background-ing the finalized pages of the comic chapters earlier. This lets me maintain semi-steady progress on average, even if any one facet of the process is left by the wayside for potentially even weeks at a time.

If you're working on one writing project, one novel, I'd recommend giving yourself some time to do small-scale side-hobbies. It won't feel like they're helping, but they are.

I've started to think of inspiration rather similarly to the way I think about nutrition and digestion. It's a somewhat arcane process that, despite being a part of me, I don't exactly understand what's going on under the hood. If you eat only one thing, no matter what that one thing is, you're going to end up sick because you're lacking all sorts of niche micronutrients. If you parcel out a specific space of the only things you're allowed to eat, you might not get sick (as quickly) but you're likely going to become increasingly miserable as you think of the things you're not allowing yourself to try, or slowly build up highly specific forms of malnourishment by avoiding certain things entirely. But if you start listening to your body and try eating what it says it needs at any given time - oh, I could go for a rice bowl right now, oh I don't think I'm feeling something sugary today, man I could really go for some grapes - you're likely to hit a broadly good balance of health because you're hitting a broad range of things your body needs, even if you don't know all of their names or calorie counts, and your body is putting those resources to good use without your conscious input. Between my brain and my stomach, I only trust one of those to actually understand what a stomach needs to do its thing - and between me and my creative brain, most of the time it feels like I just work here.

I hope there was something helpful in all this!

[sneeperspoi]

One of my favourite aspects about Sniper and Spy's relationship (platonic or romantic) is how they both have a mutual understanding of like, quiet time and what it's like to genuinely feel this certain flavour of solitude:

Sniper has a lot of his work done completely alone; hiding, playing the waiting game, and all that jazz, while Spy has a somewhat similar experience. Sure, his espionage lifestyle has a more active role at times, but his job still requires maintaining distance (physical and emotional) from both clients and targets. Both are dedicated to their work enough that they'd avoid getting genuinely personal with people altogether— even if they wanted to, they know it'd negatively impact their abilities to perform. Sniper having the mindset of having "a plan to kill everyone you meet" and to just "take the shot", and Spy being described as a "puzzle, wrapped in an enigma, shrouded in riddles" is telling of how much of a wall either can put up and any given time.

Now, I'm not saying that the other mercs don't know what it's like to be isolated or that they could never relate to Sniper or Spy in that regard, but their roles aren't necessarily fundamentally built around it, y'know? They aren't required to hide away or to work solo (you could make the joke of "then why are there always 5+ snipers and spies on my team at any given time??" but shhhh this is more in the context of the lore/comics lolol).

I feel like this concept of them realizing their niche similarities and how "hey, maybe I'm not really alone in this world" has so much potential. Like... the idea of them not really participating often in team activities or usually hiding away (in a van and smoking room perhaps?) is great, but to add on the angle that they now have someone who finally understands?? To finally have someone that you don't have to explain anything to?? It hits differently. They could have a smoke together, not saying a word the whole time, and consider it a successful hangout— they don't expect anything from the other, or feel the pressure to act differently because they just get it, and know why things are the way they are.

There's so much angst potential too, forbidden friends/lovers who both know the consequences if things go sour. Maybe they've suppressed so much of that desire to have a relationship (platonic or romantic), that when they finally admit that this is the case (realizing they both feel the same way), something clicks and they try to make it work. Don't even get me started on the potential "hey, maybe I can trust you" aspects either lmao. Regardless of what direction you take though, their relationship growing feels special and unique.

The media too often depicts the whole "can't get close to no one. I don't need friends" attitude as mostly negative and something that needs to be fixed... but with these guys, they're just allowed to be like this. Not saying that there are no cons to this attitude ofc, but it's not necessarily a thing they have to change about themselves or each other or anything. I guess it's refreshing to see that there are still characters out there who can be loners and just be content about it. Unless of course, you want to go down that route. Love that type of angst, but it's nice to have that option without it feeling too OOC. Ugh, there's like so much to explore and deconstruct and so many directions to take this fr fr

((Also, I realize now it's kinda like being an art kid and that moment when you finally meet someone where you don't have to explain why you keep drawing the same old soggy men who shoot each other cuz they just understand. Artist to artist communication lol))

[yeehawpim]

What's your process in making comics

And how do you make something so good with such a simple art style!? 🥺

(if this has been asked before could you send a link to the post?)

Alright so ive been sitting on this ask b/c I already know it's a long answer aflskdjf

Write dialogue/text down in my notes app Sometimes it's just me sitting there like hghghg as music plays and I stare at my phone for 10min. Usually it's 12am thinking about stuff while I'm in bed and I type some piece of dialogue down real quick. I'm nowhere near as comprehensive as comic script I've seen online that they give examples for, like there's no direction on what's happening in panels or anyth because it's just for myself and I just sort of remember composition ideas if I have them on the spot

Literally start drawing 😂 As previously said I sometimes go into comics with comp ideas already, like for this one I knew I was going to divide the page going in. Or like I know this is gonna be 4 panels and pretty static. Other stuff I fully wing it sentence to sentence because I can't bother with thumbnailing 😅 sometimes this bites me on the ass because I spend forever drawing smth I have to toss, but I've gotten better at doing stuff fast

I use photoshop, so for vertical comics I've been following this tutorial for years

Vertical comics are a lot easier to structure composition-wise for me, I started out making those because it was less intimidating

The red arrow is your eye direction as you read it. For me it's always the bottom of a page is one less boundary to worry about. You can be less precise if the reader is automatically drawn to looking down b/c they're scrolling and never sees a full page laid out. 😂 Also if I want to pace something slower/further down I don't have to worry about having to cram it in y'know?

This might be a weirdly specific thing to mention but I'm always thinking about it when I make comics because...

lol I gotta make up for being too lazy to spend more than 30 seconds drawing a character

jkjk but yeah my interests are more in slapping the story in my head on the page. I like doing compositions and writing stuff that interests me. I get tired when I spend too much time fiddling with stuff, so if I can get smth across with a rough estimation I'm happy. This does limit the type of stories that can be told cuz certain more rendered styles just work better when you're trying to convey certain things but! there's lots of things you can do drawing simply too!

there's defs more stuff out there that doesn't follow what I'm doing, lots of different styles. Eg American superhero comics are super text-heavy and boggle my mind. This is just what I like to do cuz I like reading way too much manga/webtoons lol

you don't have to be super technical to make comics! go out there and make one if you've got an idea!

if you want to of course haha

hope this explains my process a little (thank you for the compliment it means a lot 🤠🙏)

[iztea]

dy have any tips to make your art look less lifeless? I stare at my rendered digital art and everytime without fail i start to rot from the lack of soul in it

ok first of all, I think you might be judging your art too harshly. The only quite literal soulless art is AI art so as long as you create something, there's soul in it. But I understand what you mean. Honestly, I'm not sure if I'm best suited to answer this since it's something I struggle with myself, but since you asked me, here are my two cents on the matter

A lifeless look in your art may come from two places: a lack of skills or a lack of message/delivery

Skill-wise, there's a looot you can do and improve on : gesture, dynamic poses, more expressive faces, better color language, strategic line expression, shape language, using color theory to better express a certain mood of a piece etc.

i could go into detail for each point but it would take too long so I'll leave it up to you to google and research things on your own ( or you can shoot me another ask if you want me to yap about a certain technical approach and I'll gladly do so)

but honestly, these are just skills and tools that you master in time. A first step is to at least acknowledge their existence. I want to talk more about the second aspect of this issue: intention. The intention behind your art is more valuable than you think. Art can feel soulless if it doesn't send any message, if it's generic, if there's no emotion behind it or if there's nothing to be interpreted. I'm not saying all art should be super deep or profound to hold value of course, but i often feel like this is a rather neglected part when discussing art. We sometimes get so tied up in the technical aspects like rendering or anatomy but the truth is, a general audience (aka the people who will see your art) doesn't give a crap about the technicalities. They judge something at face value and the first thing they look for is the /message/. What is this painting about? Who or what did you draw? The second thing they will look for is connection. When they can relate to the emotion conveyed or the subject matter, the experience becomes more rewarding and engaging. The same applies to the artist. Creating something meaningful and personal often leads to a greater sense of accomplishment. Honestly, skill comes second.

Case in point: why does hyperrealistic art get shit on? It's very impressive technique-wise, yes, you can't deny the artist isn't skilled, but does it express something? Nope, they do the job of a printer which again,. it is impressive but not from an ~artistic pov, just from a skill pov. On the flip side, why do poorly drawn sob stories get so much attention and praise? Because the art triggered a certain emotion (that has overwritten an already untrained eye) and emotions are extremely powerful for humans as we all very well know and it basically makes them ignore or neglect the execution

So, my piece of advice is to draw something that has personal meaning /to you/, that ignites a certain feeling you can't shake ( it doesn't have to be something #deep or sad, laughter and joy are equally valuable so keep that in mind), a certain situation or scenario and I can guarantee your art won't feel as lifeless to you as before. To better express this idea of yours that you now possess, you can now think about the technical side of how you'd express it. For example:

~deliberately messy brushstrokes and textures -> create chaos.

~maybe you're feeling something lovely dovey and soft -> warm colors to express that + brushes with lost edges

~maybe you want to tell a story in a comic format -> focus on calligraphy; shaky lineart gives off the impression of vulnerability; leave whitespaces etc

~something funny? -> goofy facial expressions or lowkey downgrading the quality usually makes something funnier

~Colors ! colors ! colors !!! pretty self-explanatory blues and grays for depression pinks and rainbows for the happy ( or NOT if you're feeling adventurous winkwink)

BONUS TIP: hiding/blocking out/blurring the face of your subject makes the painting feel more immersive. The viewer can relate to the person you're drawing ( "oh he's just like me fr")

There are artists who are insanely skilled but make kinda "boring" art and then there are artists with cool ideas but with maybe an underwhelming execution.

Ultimately, it's a combination of BOTH awesome skills and intentions. Those are my favourite artists. When i find someone who draws something that makes me stare and wonder how tf they drew that while also appreciating how cool the concept is I knoww I hit jackpot. And if they draw fanart of my fave?? bonus points

okkkkkkkkk i yapped for too long sorttyyyyy hope it helped maybe idk

!!!!DISCLAIMER!!!! this is all my personal interpretation and how i view things I'm self taught I've never been to art school or taken any art classes so i might be completely wrong !! take everything with a grain of salt !!

[the-patrex]

hi!! can we know more abt your companionsona? also i get confused abt [insert fictional universe here]-sonas. is it like a self insert or just an oc? i looked it up but i was curious to hear from a person actually making one :) okay tyyyy have a good one

ohohohoho I thought you would never ask!

First off, big thanks to @starryeyedgazer for helping me make up that guy! His name is Rafael Ramos, but usually just goes by Ramos. He was born in Brazil but moved to the UK with his family when he was a teen because of a job opportunity of his fathers. When he was attending uni his father lost his job so his parents moved back to Brazil. He never got to use his degree in History, landing a better paying Data Entry job. Years later by the time Ramos is in his early 30s, he feels stuck in Data Analysis. He think its pointless and hates every minute of it. He can be snarky and bit cynical, but he also can't help his kind side.

Idk yet if I'm gonna draw short little comics to flesh out the travels yet. Maybe! maybe not if I'm honest! But I'm still having fun doodling some things here and there for the fella.

And answering about the -sonas/oc, honestly I have no idea about what the consensus is. But for me its like a bit of a mix of both? In the sense where its absolutely a character I made up based on some aspects of myself and to fulfill escapism daydreams about running away and traveling in the TARDIS.

But a lot of him, like his background is just made up because what I think would be interesting to explore in a plot/story perspective!

[creeperchild]

Okay about the asks

I have a few ground rules that I thought that are understandable, but I suppose I need to lay them on the table here. I make this blog because my love and appreciation of the cult of the lamb game/books/content. But some asks makes me scratch my head why and how you guys think about stuff. I have some points that really bother me and I think every ask blog thinks the same about that.

Spamming: I know I have a bunch of ask and people can get excited to have their question answered. But spamming me with the same question over and over again for the hope to get picked is really not smart. It doesn't matter if you asked them a few months apart. I will notice it (looking at you shamura-back-kicker.) I am no robot that picks ask by random chance. I pick them on how I see fits.

Forcing your opinion on me and my au: I know my au can be whack but it is my au. Of course I am all ears when you guys have some super cool ideas. But forcing, for example, the idea in that Freddy, my sona, is funtime freddy and ALL the other sister location cast need to be in there is complete rude. Freddy is his own character. so no bonbon and stuff! It also happened with religion. No, the old faith would destroy every non believer, I am sorry. I would not allow my blog to be covered in religious/politics and other worldly issues that we have here. I just wanna draw frog and cute comics maaan.

Lude questions: I know that you may like a character from my cast and trying to get some fanservice here, but asking that weird stuff and stuff that downright is nsfw is NOT allowed. No, I am not drawing Heket in a lude position for you. Go touch grass. I know that I draw buffmura but usually it is just for the fun of it. BUT I WILL NOT DRAW HEKET GIVING BIRTH! Like, are you nuts? (and yes that question got asked 3 times)

AND BOY THAT PERSON THAT MENTION THAT GAIA LOOKS HOT WHEN SHE GETS OLDER!!!!!!! I HOPE YOU KNOW THAT YOUR ANONYMITY DOESN'T HIDE STUFF FROM ME!! GO GET SOME HELP, CREEP! SHE IS ONE YEAR! A TODDLER! SHE CANT EVEN SPEAK!!!

ahem. That also counts in my comments. I dont know who you are and how old you are, but it makes me a bit uncomfy to lust after the cast. Like, you can say they are pretty but don't say stuff that you gonna have intercourse with them and what way.

Asking your oc to be in my story: This one is a more tame one. I get it that some of you guys like my art and look up at me. And well who doesn't like free art?? But I can't just answer them, because it's mostly characters that has somehow a connection with the bishops in some way (example: leshys child or a spouse) and that will destroy the natural flow of my story. I have characters of my partner and my best friends in there because we talk about what goes where. So it doesnt work like that with strangers characters and sometimes you just expect me to find a ref sheet of them on your blog too? If you want art from me than I prefer to do an art trade or something.

Potential character interactions are okay in dms or in the comments tho!

Please follow these rules and we are in the clear. I am getting tired of this and I wont hesitate to confront your butt and potentially block you! Yes even the anonym ones can be blocked too! That means, no more stuff for you, bucko!

Thank you guys for understanding by the way. Im just getting frustrated on how some people overstep boundaries of mine.

[residentialsinyomakai]

Obligatory refs + Info of my Yokai Watch Ocs (*＾▽＾*)

Under a cut because there's gonna be a lot of yapping and art stuffs....explodes +□+

Caspian Hernandez || Any Prns || Watcholder

Basics:

The 15 year old 'basically Nate replacement' of this universe!

Lives in Blossom Heights mostly alone, parents are gone pretty often for one reason or another.

In addition, she lives with Baddinyan who is the only reason they're always out of Chocobars

Can see yokai through their glasses (ability can't be deactivated, but he has to focus on yokai for a few seconds in order to actually see/identify them)

Summons them w/ the Yopple-Brand summon band :'] (Customizable! That's why it looks like a disc attached to a Brute Bracer; because it basically is.) Insert disc into a slot in the side!! Whoopie!!!

Not very socially aware due to doing online school up until the age of like 12 (EVIL CAT interactions early on are constantly like 'lol that thing they said actually meant this you dork ahah you fool' 'hush weirdo I'm trying to focus')

((^ i mean in addition to that hes also based on me so like. Neurodivergent canon?? Maybe?? Idk i unintentionslly write characters like me sometimes

A bit goofy and switches moods easily. Some days can be pretty apathetic if she's in a slump.

Gameverse Friend Team of 6: Baddinyan (duh), Badude, Casanuva, Babblong, Tut'n'K'mon, and Rawry

VC: Unbearaboy! from the 'Yo-Kai Watch!' Sub (the blue one in this scene) ((yes I know it's goofy but it's the only clip I could find, skip past the beginning flashback 😭));

☆☆☆☆☆☆☆☆☆☆

Kerosque || He/Him || Formerly-Alive Yokai

Basics:

Water-Attributed Rank-B yokai of the Tough Tribe

Phrog is about in his upper 40's.

Inspirit; is kinda like when people tend to be kinda cold/curt in the mornings for seemingly no reason.

Runs a ramen stand someplace on the outskirts of Yo-kailafornia. (He's a pretty good chef too)

((He also has little custom pins you can get for free depending on who you are ^u^ a few of his customers/friends tend to.))

Uses his ladle (however you spell it) as a bit of a weapon thing. Comically large goofy ahh 😭

Doesnt go to the human world more often than he needs to. Too much everything

This man HATES stepping foot in downtown he does NOT wanna be there ever-

Kinda perpetually grumpy, resting mildly angry face. He tries to be polite but isn't very talkative at all lol

He does in fact croak. I love frog

Not pictured cause I forgot but like. Has a little swirly stomach pattern

Reoccurring yokai at his stand tend to be: Roughraff, Sick-Kun, Quinn, Ebi, Caspian, Master Oden, and occasionally Bruff.

VC: No clue yet, something along the lines of a higher version of Walrus Captain from A hat In Time, or a less enthusiastic Captain Caviar from Cookie Run? (If you got ideas, feel free!)

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Dread || He/They/Xe || Human-Born Yokai

Basics:

Drain-Attributed Rank-S yokai of the Shady Tribe

Inspirit; kinda similar to intrusive thoughs. Worse case scenario stuff, things that make you think you're an awful person, dreading situations or overthinking anything, etc etc

Is sighted quite a bit around high-schools. Hormones+anxiety+prime place for embarassment? Makes his job too easy

He has low empathy, but isn't completely incapable. Doesn't make a lot of friends and honestly he could care less either way.

Rather flippant, dry humor kinda guy, kinda similar to Jax from tadc for reference

He does have hair under there (i thought thatd be obvious but then again you'd probably also expect him to have skin and a chest/stomach under his hoodie so aifkwod), but it's usually kinda greasy.

Heart is a weak point in battle. If he ever let's it be exposed in the first place, that is

Cannot be seen by Caspian earlier in the story. Around the point I'd expect him to be in most of my drawings, he's at 'watch' Rank-B

Likes to taunt people, the easier to provoke the better. He feeds off of negative reactions and emotions for both entertainment and soul food nom nom

Usually a sad reaction is better than an angry one for him. If he finds someone's emotional weakness he most likely Will Exploit it XnX

While he doesn't care for anyone, he tends to harass Fuwhirl and Negatibuzz the least.

VC: Dont kill me but Raggedy Andy from Raggedy Anne's Musical Adventure

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Swiss || He/Him || Human-Born Yokai

Basics:

Electic-Attributed Rank-C yokai of the Eerie Tribe

Inspirit; is why people (usually kids) are picky eaters. This can look like randomly losing an appetite/ just finding several things repulsive/I'm bald/nuance/ref

Wanders around wherever. Lives in one of the Tranquility Apartments officially tho.

(Fuwhirl lives w him after they reunite <333 long story short they know him)

Has pretty poor eating habits himself tbh

Is edible!! Technically!!! He would not reccomend it (he's cake roll flavored :'])

The swirl in his hair can be dyed different colors.)

Going off of that, he can regenerate. Useful, but kiiiinda painful

He's a bit of an a-hole, and absolutely doesn't know when to shut up. He doesn't like to fight tho surprisingly (°>°)

Sarcastic and quick to snap back at someone =u=

(There's a strange old man he helps with experiments concerning his odd biology....he hasn't been posted yet but he belongs to my friend @sketchdeath22)

VC: lol idk

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Fuwhirl || They/Them || Object-Born Yokai

Basics:

Wind-Attributed Rank-D yokai of the Mysterious Tribe

Inspirit; Makes people dizzy either randomly or after standing up ×□×

Lived at a circus for a while, but eventually it moved out of town. After a bit of aimless wandering they found their way to Blossom Heights 🌸!!!

Kinda stumbles when they walk, it's worse when they're distressed but a bit more easy to navigate when they're happier &u&

Naive, likes to think anyone's nice under the surface +▽+

Is kinda like Tattletell's in the way he had to be latched on to you to be effective. Typically via a backpack

Has one of those build-a-bear hearts inside him!!! Whoopie :)

VC: Uhhh I forgot atm but I will come back and edit lol

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Anyways, that's not including my like 'ocified versions of pre-existing characters' agsgydirofor I love yapping about ocs!!! Wahoo :)