#very sharp!

[wantonlywindswept]

Corrie Guard: Fox & Patches

@megneato​​ did two more AMAZING commissions for me (the first was Ma Dong-Seok as Paz Vizsla, he’s beautiful, go look at him), which was to help get my headcanon down for what Fox looks like, and a design for my Corrie Medic OC, Patches! (I belatedly realized that is a common medic OC name. I am. Not sorry. ...or original.)

CC 1010: FOX

tired

like, so fucking tired

Constantly Vibrating Ball of Rage

hair gone white from stress and torture via Evil Sith Shenanigans

lightning scars around his neck, continue below armor on the right side of his torso

no tattoos so that he could pass as some of the other clones (this works up until the scarring and the trauma hair)

CT 9113: PATCHES

MASSIVE baby bro/vod’ika vibes, is from one of the more recent batches

very gentle and sweet and smiley

name comes from his patchwork scars, which were the result of being yeeted through a pane of glass (exact scenario as of yet undecided)

does actually have a kind bedside manner, but do not be fooled: he will also use the big sad eyes RUTHLESSLY

‘i’m not mad, just disappointed’ except instead of disappointed dad it’s your little brother who looks up to you and thinks the world of you and now you let him DOWN

that said, if he’s visibly angry, you should probably run.

[tarnussy]

Nokstella, Eternal City

[clouvu]

Cooking up an older Clervie outfit design so I don't have to keep drawing her looking like her child self but Long

[poorly-drawn-mdzs]

I know those eyes.

[First] Prev <–-> Next

[zephyrchama]

I wonder if humans and demons in Obey Me! might have different taste receptors and experience taste slightly differently. Not for all things, but for really random stuff, like how some people irl enjoy cilantro and others think it tastes like soap.

Lucifer trying to pridefully power through the dinner MC made for him and failing because he's already gone through five drinks trying to mask its taste, and MC is getting suspicious.

"What is this incredibly sour vegetable? I've never tasted anything so... acrid."

"You mean the sweet potato? Are you saying this sweet potato is what's making your lips pucker?"

"There's absolutely nothing sweet about this potato."

[pcktknife]

twyleen based on old drawings of them i cant find but! have memorized

[redpapercraness]

some fuutas from da sketchbook

[kdramamilfs]

Star Trek DS9: 5x06 Trials and Tribble-ations

bonus:

[littlewinnow]

Been having werewolf draco brain rot for the past few days 😭

[persephonesque]

sharp objects, interview with the vampire, & hannibal + yumi sakugawa

[emil1863]

the dude.

(flat color version below)

[dragonskulls]

made this for oomf but you can have it too. a little breakdown of my process with bird wings if anyone finds it useful

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[theonewhowails]

Golden Fleece

[calciferstims]

senshi stimboard

if you’re seeing this, then senshi wants you to take care of yourself and go eat some food <3

sources: 🧡🧡🤎 | 🥘🍲🥘 | 🤎🧡🧡

[cloffmoff]

someone has totally already said this but I've been thinking about it nonstop so here I go,,,

so it's a popular aphmau fandom theory that the characters are predisposed to have similar things happen to them in most lifetimes/universes (aph getting into intense relationship drama, zane and garroth - plus vylad - being troubled brothers, travis getting possessed by a demon)

and if you think about it, dante's 'thing' is getting left behind while everyone goes on a big adventure and they come back different. in mcd, obviously, aph tells him to stay and watch over the village, and Dante waits for 15 years while aph's group is in the irene dimension. When they come back, they are scarred and dante is 15 years older. there is a rift between Dante and all his old friends.

but the thing I don't see many people talking about is how THIS REPEATS IN MYSTREET! everyone on the street (but laurance, however Dante ignores him) leaves to Starlight and tells him they'll be back in no time, just 3 weeks. And they end up getting locked down, hunted, controlled, everything. Dante sits on a deserted street just waiting for his friends to come home while he gets more and more stir-crazy.

That's just dante's fate, to be left behind, waiting, while his loved ones get themselves killed and changed.

In season 7, I would love for there to be Dante angst (FINALLY) around everyone leaving him and coming back different. Especially Travis, his best friend and roommate, coming back absolutely traumatized.

If you like this observation, I would recommend 'Meanwhile On Mystreet' which is a rly good ao3 fic about Dante, laurance and friends trying to keep themselves occupied while everyone is on Starlight during Season 6.