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#vintage fas
chicinsilk · 2 months
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US Vogue April 15, 1956
Georgia Hamilton accompanied by actor David Niven aka Phileas Fogg in the film "Around the World in Eighty Days; wears a short jacket suit, cut neckline and waist. By Traina-Norell, in grained beige silk. The bell of Balenciaga for Gardner Pumps by Customcraft, nylon stockings, Vision.
Georgia Hamilton accompagnée de l'acteur David Niven alias Phileas Fogg dans le film "Le tour du monde en quatre-vingts jours; porte un tailleur veste courte, décolleté et taille coupés. Par Traina-Norell, en soie beige grainée. La cloche de Balenciaga pour Gardner. Escarpins par Customcraft, bas nylon, Vision.
Photo Karen Radkai vogue archive
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Fun With Astrology (presented by Carroll Righter), board game, FAS, 1973
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jarofalicesgrunge · 1 year
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Layne Staley at the concert.
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nscdm · 1 year
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〢 ݁ ❀̼ ݂ 🕰 ィ 𓂃 ݂
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𖦹. 𝗉𝗂𝖼𝗍𝗎𝗋𝖾𝗌 𝗇𝗈 𝗆𝗂𝗇𝖾
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ayeshaakterexpert · 2 years
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Q:why digital marketing popular?????
A:Digital Marketing is popular and growing because businesses have identified that “Place” or the best channel to distribute their product or service, is online. Spending on digital advertising continues to grow every year.
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msogavt · 22 days
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Backlit
Sumac with the buds emerging. Spring’s not far off.
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aklapothik11-blog · 3 months
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Last Minute Thriller: England vs Belgium Highlights
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givemegifs · 1 year
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pimentadeacucar · 2 years
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chicinsilk · 2 months
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US Vogue April 15, 1956
B.H.Wragge for Celanese S/S 1956
(top) Carmen Dell'Orefice wears a white sharkskin mid-neck dress by Arnel by B.H.Wragge.
(haut) Carmen Dell'Orefice porte une robe blanche à col mi-haut en peau de requin d'Arnel par B.H.Wragge.
vogue archive
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iajicollection · 2 years
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Checkout our latest collection. This Sets consist of 3 Excellent Gothic Florals and Skull Bridal Shower Collection Invitation https://iaji.net/collection/317
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l-wandering-etranger · 4 months
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hc that jon and gerry met several times when gerry was alive but neither realised it was the other
•back in jon's research days where it was late and everyone had gone home except for jon who was working overtime, exited the institute and realised it was raining and as he was about to go in and wait in his office gerry comes from behind and stops to stare at the rain (he stayed late cause gertrude wanted a report done due tomorrow). jon tells him there is no use staying outside and to wait inside and they make some small talk and Gerry asks jon if he has a cigarette and they share a lighter in the rain and after smoking gerry gives up and runs in the rain to the station while jon just goes back in. neither of them remember this happening because it was dark and both of them were beyond exhausted.
•many fics are done on this but gerry going to a pub where the mechs had a show and he accidently says something out loud while they are performing and jon without breaking character responds in a flirty manner but gerry had to leave when the show ended because The Horrors caught up
•gerry used to ask someone in the library to deliver a really obscure book to the archives and the person receiving the ask used to get really stressed when they couldn't find it and jon who happened to pass by and was friends with them helped them find it because he had toured most of the library or had read the book and later it got delived to gerry by the librarian. this happened a couple more times before gerry gave up and went himself.
•they met in a thrift store where gerry was tracking a lead trying to find a very specific vintage lighter mentioned in a statement and jon was just fa-ing when he found a cool vintage lighter and went to the check out counter meanwhile gerry who was frantically looking for it saw jon casually take it and go out through the door, ran after him in an attempt to stop him only to spot a girl holding a lighter that was exactly like the one in the statement and did a full 180
•a vast avatar attempted to make a meal out of jon by first approaching by hitting on him and proceded to got interepted by a panicked gerry who realised what was happening coming in through the crowded station and slapping the avatar accusing him of cheating on him. the very confused avatar watched a very bewildered jon slowly walk away into the crowd and could do nothing as gerry yelled profanities before also walking away.
jon realises all this happened after he fully comes into his powers and regrets not having enough time with gerry to tell him about this.
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preservationofnormalcy · 10 months
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[The office is crowded when I make it in. A few dozen people in the waiting room of the simply-furnished building, weary eyed. Some waiting patiently, some not so patiently. As a slender man speaks tersely with a receptionist, I am unsure where to go. After I hesitate a moment, a man at the end of the desks waves at me. 
He is short, barely over five feet tall. He is bald on the top of his head, with bursts of frizzy hair on either side above his ears. His eyes inspect me from behind huge and thick glasses rimmed with a brassy metal, above a  brown corduroy suit with a green tie. When he speaks, he has a slight lisp and a heavy stammer.] 
F] Hello. Uh. Yes, h-hello madam. 
M] Ferdinand Mills? 
F] Yes. Yes, co-come here. May I have a word?
M] Yes, of course. 
F] I ch-choose the word, uh, ‘interview’. 
M] What? 
F] Nothing, nothing madam. Come, come.
[I am led back behind the counters, past small cubicles and offices. It looks like any other office building I’ve been in, if furnished a little more…vintage. Kelly greens and dark brown woods dominate the furniture, and brassy metal fixtures catch the somewhat dimmer light. I’m led into Ferdinand’s office, and immediately I see piles and piles of paperwork, stacked almost impossibly high in some places. His computer is buried in it, and for a moment I wonder about the heat. He sits at his desk and laces his fingers together.] 
F] I, umm. Was told of your c-coming, madam. What….what is your purpose here? 
M] I’m here to conduct a….to….. 
F] Mmmh? 
M] To….conduct a….what is happening, why can’t I—
F] You may, uh, have it back. 
M] Interview. Interview, interview. What the hell, I….oh. 
F] A p-parlor trick. Nothing, uh, more, Ms Hendricks. 
M] Why did you do that? 
F] Some, uh, new agents don’t quite understand the ru-rules. Think it’s a g-game. Until they’re uh….
[He gestures with his palm down and fingers wiggling.] 
F] On the end of a…string, madam. M-marionette. 
M] So you just…take something from them? 
F] B-better it be me, than, ah. Something else. Please. Y-your interview, madam. Your questions? 
M] As long as you don’t do that again. 
F] Queen’s, uh, honor. On the Court. 
M] ….what is your name and position?
F] I am called F-Ferdinand Mills, and I am the director of the Legal Extranormal Persons Office, as well as, ah, liaison to the North American Seelie Court. 
M] What do you do in either position? 
F] In the f-former, I am a social worker, ah. Mostly. We oversee the process of g-gaining legal personhood under the Office and the work that entails. It’s a little like….im-immigration. 
The latter position is m-mostly ceremonial. I help the Office train its staff on issues related to the Fa-Fair Folk and…perhaps the, ah. Challenges. 
M] What is legal personhood? 
F] B-before the 1937 Tom-Tommyknocker Accords, it was Office policy that non-humans were not g-giv–ah, extended the rights and privileges afforded to h-human citizens by the US constitution. Not, not that they applied to humans equally either…b-but I digress. The Accords provided a legal f-framework for providing citizenship and thus legal p-protection to non-human or sufficiently str-ah. Abnormal persons. 
M] Why is it called the Tommyknocker Accords? 
F] The camp-cam….effort was led by Tommyknockers, an ethnic group of Fair Folk that w-were among the first to im-immigrate with Cornish humans and took up residence mainly in m-mines. Their presence was, ah, of course never officially re-recognized by American authorities, but they often had union cards, paid for by their human c-coworkers. This s-sort of solidarity led the Tommyknockers to seek some kind of rights from the g-government, which gained the ear of the Office in the nine-ninetee-ah. In the 30’s. In return for the local S-seelie Court’s cooperation in protecting humans from the actions of r-rogue fae, fair folk would receive legal p-protection and citizenship, and c-considerations for those that can, ah, pass as human.
M] And this has been extended to…more than just fae?
F] V-very soon after it was started, work began on expanding it to lycanthropes, the undead, demons…by now there are art-artificial intelligences, homunculi, extraterrestrials…
M] Do you think the department is successful in its goals? 
F] Our g-goals are to help promote a culture of protection for those who may not have had it in the past. It’s a matter of civil rights. The astoundingly vast majority of people that come through here….all they want is to live p-peacefully and be left alone, more or, ah, less. 
I hope you-you can agree that people of all stripes should have a fundamental right to exist without legal d-discrimination or fear. Of course, given the Office’s secrecy standards, certain concessions have to be made. 
And, to be cyn-cynical, there’s also the goal of providing those people a route of, ah, legal redress. If we didn’t ex-extend certain protections to the extranormal population, they’d riot. And they’d be justified in, ah, doing so. 
M] That seems like an important point. What about your position as fae liaison. How did the Office’s cooperation with the NASC begin?
F] As the Accords were being f-formed, it was determined, primarily from the T-Tommyknockers, that enough Fair Folk had, ah, immigrated to North America that they had formed their own C-court. This would allow the local f-fae to determine their own law, culturally influenced by but separate from o-older Courts. The culture of this court was still diff-different than many in Europe and elsewhere, of course, and this probably contributed to the success of the Accords. M-many wanted a fresh start, for them-themselves, and with mortals. Some of them were half-human themselves. My f-father was among those present at the Accords, ah, in fact.
M] And this has been a successful relationship, in your opinion?
F] I know s-so. The country would be a very different place if we had powerful groups like the NASC opp-opposed to us.
M] I did want to ask about the, uh. Recon team—
F] I won’t s-s-speak on that without an ethics r-r-representative being p-present. 
M] I just wanted to know what their—
F] If LEP is imm-immigration, Recon is immigration en-enforcement. I have my i-issues with how the R-r-recon team conducts its— no, no, no, I won’t speak on it further. 
M] Are they the main enforcement and security agency in the Office?
F] I said I wouldn’t— nnnhf. F-first line. F-first contact. If it seems like too much for them, we call O-Sec. Then it’s out of our h-hands. Now if you please, if you’d like to kn-know more about R-recon, speak to someone in Recon. 
M] Do their operations bother you?
F] Ms Hendricks, I–
M] Or are they a necessary evil? 
F] N-n-no evil is necessary, Ms Hendricks. I won’t speak f-f-further on it. In fact, ah, I, uh, I believe we are done t-talking. Reschedule another interview if you m-must. 
(Buy the poster here!)
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danskjavlarna · 2 months
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From The Old Line, 1947.  He's perhaps gesturing the weeping tone "Lah," as we learn in The Standard Course of Lessons and Exercises in the Tonic Sol-fa Method of Teaching Music by John Curwen, 1901.
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My collection of vintage dandies is looking sharp.
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halfway-happyyy · 1 year
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into gold III {rooster bradshaw}
synopsis: rooster bradshaw’s emotional baggage could fill a cargo container ten times over. he is the single father of a precocious and bubbly six-year-old, and despite his best efforts, has fallen head over heels for someone arguably more damaged than him- his daughter’s first grade teacher.
characters- bradley ‘rooster’ bradshaw, frankie bradshaw, female ooc scout wallis (she/her pronouns)
word count- 3200+
or- the one where rooster can't cook, and lays everything out on the line for scout.
read part one and two
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An aluminum wing catches a ray of flaming sunlight, rendering her momentarily blind. The moment passes and she catches sight of the plummeting aircraft expecting to see the words ‘LT Beau Wallis “Atlas”’ painted across the side, but what she sees instead is ‘LT Bradley Bradshaw “Rooster”’. A strangled scream tears at the tender flesh of her throat as she watches his FA/18 explode into the side of a mountain before he can safely eject from it. Another precious life snuffed out like a candle in the night. Another love lost forever. Her scream never materializes.
Scout Wallis jolts awake from her nightmare, her entire body covered in a slick sheen of perspiration. To steady her erratic breathing, she studies the movie posters that adorn the walls of Jake’s bedroom. Most of them are westerns; vintage, gun-toting shoot-em-ups that make her long for the simplicity of her grandfather’s cabin.
“Bad dream?”
Jake’s voice catches her off guard before she nods her head. He moves from his spot on the chair in the corner of the room to the bed, taking a seat beside her.
“Must have been out a little while,” She yawns. “Are you almost ready? What time did Rooster say to be over for dinner?”
Jake moves to brush a strand of hair away from her face. “Before we do anything, you and I have some unfinished business to attend to first, Wallis.” Scout suddenly feels the end of their time together looming close, like the ticking hands of an invisible clock. Silence settles a little too long between them before he finally sighs, “This isn’t going to work out between us, is it?”
And it breaks her heart a little bit because in every lifetime apart from this one, she can see herself with Jake Seresin.
She shakes her head, piteously. “I’m sorry, Jake.”
He lifts her hand from beneath his duvet and kisses the back of it gently. “No apologies, Wallis. Frankie’s crazy about you,” A sobering realization sets in behind those beautiful viridian eyes, a flash of something sorrowful passes through them and then it’s gone. Jake swallows hard and shrugs his shoulders. “Rooster is too.”
Scout watches him leave the room, wishing with a pang, that there were something she could do or say to make herself feel a different way, but if there was anything that losing Beau had taught her, it was the importance of letting go when the time came.
They meet on his front porch fifteen minutes later, both regarding each other with a thoughtful intensity. Jake’s the first to break the silence.
“I meant what I said the other night.”
Scout cocks her head in question. “What did you say?”
Jake sighs and squints into the waning daylight above. “That he’d take good care of you. He will take good care of you if you let him, Scout. And you deserve it.”
The inexplicable sting of looming tears pinches behind Scout’s eyes as she opens her arms for a hug which he reciprocates. They stand entwined for a couple of minutes, neither one of them wanting to part just yet.
Jake breaks away first and clears his throat. “Alright Wallis, get outta here.”
She steps down off the porch, walks the few steps toward her car, and then turns to face him. “I’ll see you around, Seresin.”
He grins. “Not if I see you first.”
~
Scout stands poised before Rooster’s front door. She considers setting the mason jar of shells down onto the frayed welcome mat and making a run for it, but no sooner has the thought crossed her mind that the door is opening, and Frankie is standing on the other side of it. She’s dressed head-to-toe like Jessie from Toy Story: cow print, a hat, boots, and all.
“Miss Wallis!” She grins and then excitedly follows that up with, “Papa they’re here!”
Scout hears a pot bang in the kitchen followed by a choice curse word and stifles the giggle that tickles the back of her throat.
“Well, let them in Frankie!”
She herds Scout into the living room and then peeks back out into the growing darkness of the late May evening.
“Where’s uncle Jake?”
Scout swallows hard; fumbles around for something appropriate to say when Rooster appears from out of the kitchen, his cheeks flushed.
“Hi.” He breathes out.
“Hi,” Scout's gaze drifts to the youngster. “You look spectacular Frankie. If I’d known, I’d have brought my Buzz Lightyear costume.”
Her eyes widen in delight. “You have a Buzz Lightyear costume?”
Scout nods.
Rooster rests a large hand atop Frankie’s head. “We’re going through a bit of a Toy Story phase at the moment.” He too, cranes around in search of Jake. “You by yourself?”
Scout nods slowly. “Yeah, Jake couldn’t make it.” Their eyes meet then, and somehow Rooster understands everything without a single word being uttered between them. “But I made sure to stop by to drop these off for you.” She hands Frankie the jar of shells and turns towards the door.
“You’re not staying?” Frankie asks.
Scout doesn’t miss the disappointment in the little girl’s tone. She turns back. “I don’t want to be a bother…”
Rooster shakes his head adamantly. “You could never be a bother. Besides, we’re having Frankie’s favorite.”
“Pancakes!” Frankie squeals and makes a beeline for the kitchen.
Scout sighs happily. "How on earth can I say no, then?"
“It wasn’t supposed to be pancakes,” Frankie licks a glob of maple syrup off her finger. It had been twenty minutes since they’d sat down, with Frankie being the first to break the silence. “But papa had an accident with the steak.”
Scout’s gaze travels to the charred piece of meat in a cast-iron pan at the back of the stove and giggles.
“Thanks Frank.” Rooster rolls his eyes and reaches over to pinch the apple of her cheek, playfully.
Scout swallows her bite and shrugs. “I tend to prefer breakfast for dinner over steak anyway.”
“Me too.” Frankie agrees.
While she’s in the washroom, Scout watches Rooster push the last of the bacon from his plate onto hers. “You full already?”
Rooster shakes his head no with a small smile. “But Frankie loves the stuff and that’s enough for me.”
Scout doesn’t allow herself much time to reflect on the things she looks for in a significant other, but watching Rooster sacrifice the last of his dinner to appease his girl, she can’t help but feel endeared to him more.
As soon as the eggs and bacon and pancakes have been devoured, Frankie turns to Rooster and asks if she can grab the ice cream.
“Why don’t we wait a little bit? Scout might be a bit full of dinner still.”
Frankie falters in confusion. “Your name is Scout?”
Rooster’s cheeks redden and he scrambles to explain himself, but Scout gives her head a soft shake.
“It’s simple Frankie. When you and I are at school together, you need to call me Miss Wallis because I am your teacher. But when we’re like this- or, if you see me at the beach,” She throws a wink Rooster’s way. “You can call me Scout. Does that make any sense?”
Doubt clouds her beautiful green eyes, but she nods her head regardless.
“And I would love you to grab the ice cream. My dessert tube is far from full.”
Rooster watches her head for the basement and then promptly apologizes.
Scout waves it off. “Not at all. It was bound to happen at some point. I’ve just found that it’s best to be as honest with them as you can- as is appropriate.”
Rooster watches her and she feels naked under his gaze but it’s a vulnerability that she doesn’t immediately shy away from. She reckons she could get used to it; likes how it feels akin to standing under a warm shower, or letting sunshine warm your frozen bones on a cold day.
“You do well with her.” He concedes after a while.
Scout allows herself thirty seconds to remember the seedling that had once grown in her belly and smiles. “She’s a wonder, Rooster. Truly.”
“Papa, can you help me please?”
“I’ll be right there sweetheart,” Rooster pushes himself back from the table with a happy sigh. “Frankie has helped prepare a very special dessert this evening. We’ll be right back.”
Scout takes this opportunity to fully drink in the beautiful space around her. The kitchen opens onto the living room which is all whitewash and navy-blue accents. A pair of sliding glass doors lead out onto a half wraparound porch, where a rope swing bench hangs from the second story awning. Open windows give way to the calming staccato of waves crashing against a shore nearby, and she decides then that her favorite part of the house (minus her two dinner companions) may just be its proximity to the ocean. It is entirely charming in its coziness. From her spot at the table, Scout can see that most of the wall space in the living room is hung with pictures Rooster collected during his time in the Navy, and of different stages of Frankie’s life. Her, as a fresh and endearingly wrinkly newborn, next to one that shows him and a toddler Frankie next to his beloved plane. Beside that picture is one of Frankie and Maverick at her kindergarten graduation. A warmth that had felt foreign to her for so long settles in next to her heart and refuses to budge.
“Are you ready Scout?” Frankie’s lilting voice, brimming with excitement, knocks her from her reverie and makes her smile.
“I’m ready, Frankie. Your dad said you worked extra hard to put this dessert together.”
Frankie, suddenly unusually shy, nods her head.
“Alright Frank, you grab the ice cream.” Rooster gestures to the rapidly melting tub behind him and carries a steaming dish of apple crumble to the kitchen table. He tops her plate with a heaping spoonful of the crumble and two healthy scoops of vanilla bean ice cream.
Scout takes a bite and lets her eyes fall shut, savoring the slightly tart taste of the warm apples on her tongue. “This is delicious, Frankie. You did a fantastic job.”
Frankie’s lips turn up into a toothy grin. “Thank you.”
They finish their dessert in silence, and when it’s over, Frankie tugs on the sleeve of Rooster’s t-shirt and leans up to whisper something in his ear.
Rooster frowns. “Why don’t you ask her yourself, Frank?”
Frankie turns to Scout, her expression bashful. “Scout, can I show you my seashell collection?”
Scout passes a napkin over her mouth and nods emphatically. “I would love that, Frankie. Lead the way.”
The rest of the house is just as charming as the main floor, and Frankie’s room is somehow exactly how Scout would have imagined it would be. A white, wrought-iron bed sits beneath a powder blue mosquito net, the top of it crowned with twinkling fairy lights. Behind the bed, a large whimsical rainbow takes up most of the far wall, and a sneaking suspicion tells her that Rooster had something to do with it. A lamp in the corner of her room emits a soft yellow glow, and an array of random wooden furniture takes up the rest of the quaint space. Frankie cradles her jar and points to a blue, paint-chipped shelf beside her bed.
“Mav made that shelf for me for my shells.”
Scout walks the short distance to the shelf in which she’s referring to and drops to her knees in awe. She’s sure Rooster had a hand in helping her organize everything, but even still, her collection is immaculate. There must be over a hundred shells on display- some ranging from the size of a quarter to some the size of a dessert plate.
“These are incredible, Frankie.”
The little girl carefully unscrews the lid on the jar and begins to add them to her collection, ranging in size and color.
“Thank you for helping me, Scout.”
Scout swallows back the sudden tide of emotion and smiles. “It was my pleasure, Frankie.”
“Do you have a favorite one?” she asks.
Scout sighs. They’re all so beautiful. After a while, she points to a small red starfish. “I think that one.”
Frankie grins. “That one’s my favorite too. It always reminds me of Patrick, from Spongebob.”
She’s not sure how long they spend huddled in front of the myriad of shells, but Scout reckons she could listen to Frankie talk about them for the rest of her days and never grow tired of it. A knock at her bedroom door pushes her from her daydream. She glances up to meet Rooster’s gaze, his head leans against the door frame.
“Hi.” Scout smiles.
“Hi you two.”
“Come look at the ones I added, Papa.” Frankie insists.
Rooster pushes himself from the frame and crosses the short distance to where they’re crouched down, planting his hands on her shoulders and leaning in to take stock of the priceless new additions. “You’ve outdone yourself this time, Frank.” He murmurs after a few moments. “But I regret to inform you that it’s time for bed.”
Scout doesn’t miss the exasperated groan that emanates from Frankie.
“Just a little longer, Papa?”
Rooster laughs. “It’s already past your bedtime, sweetheart.”  
Scout rises from her crouched position and places a hand atop Frankie’s head. “Goodnight my friend. Thank you for showing me your wondrous collection.” A thought crosses her mind. “When we do our last show-and-tell before year end, why don’t you bring some of your shells in? I’m sure the other kids would love to see some of them.”
Frankie’s eyes light up. “I would love to!”
Scout grins. “It’s a deal, then. Goodnight Frankie- and sweet dreams.”
She wanders back downstairs, not entirely sure if she should stay. She figures the least she can do is wait to say goodbye to Rooster. A picture on the mantle above the fireplace catches her attention. It depicts a very young Maverick, with his arm wrapped around someone who bears an uncanny resemblance to Rooster. Scout studies the photo; the smiles of the young men speak volumes of excitement and adventure, of youth, and the ability to believe that they would be safe in anything they set their hearts on. Rooster joins her then.
“Is this your father?” she asks, though she reckons she already knows the answer.
Rooster nods before clearing his throat. “Yeah, that’s him.”
Scout smiles. “He looks like you.”
Rooster shifts from foot to foot, as if crafting his next words with care. “I never really thought so, but my mother was adamant that he and I were cut from the same cloth.” He hooks a thumb over his shoulder. “Would you like to stay for a drink?”
Scout wants to say no. She wants to thank him for dinner, and for the companionship that he and Frankie had gifted her this evening, but she just can’t shake the feeling that she’s supposed to be here.
“Yeah, I would.”
“Is there anything you’d like? I’ve got wine, beer, whisky…”
Scout shrugs. “I’m easy. Surprise me.”
Rooster smiles and nods his head. “Alright. I’ll fix us something if you want to find a seat on the porch.”
She does as she’s told and settles onto the swing, reveling in the sound of the ocean nearby. Rooster joins her a little while later, offering her a tumbler of whisky which she gladly accepts. He takes a seat at the opposite end of the bench and raises his drink to her.
“I’m sorry to hear about you and Jake.”
She snorts around the rim of her glass, takes a sip, and shakes her head. “No, you’re not.”
Rooster’s expression is suddenly sheepish. “You’re right. I’m not.”
They’re silent for a moment, Scout already feeling the whisky warming in her belly, causing her cheeks to flame and a flush to start at the base of her throat.
“Can I ask you a question?”
Rooster gazes at her, his expression unreadable, and nods his head. “Anything.”
“Frankie’s mother, what’s the story there?”
A puff of air escapes his parted lips as if he’d been holding it all in. “Not much of a story at all, really. She, uh, left when Frankie was about a year old.”
Scout can barely fathom it.
“Her and I were young when we met. We figured that marriage and children were the next obvious steps, so we took them together and when life got real, she hit the road.” Rooster takes a deep sip and continues. “She tries to get a hold of Frankie every now and then. Always spews some bullshit about coming to visit her, but she never manages to materialize. Fortunately, Frankie and I do alright on our own.”
“You do better than alright, Rooster.” Scout murmurs.
“How about you?” He asks. “You ever been married?”
Scout hesitates before nodding her head. “Yeah, actually. I was married for five years before he passed away.”
It sometimes still feels surreal to her when she says it out loud. That someone could be so close to her for so long and mean so much to her, and then gone at the blink of an eye, keeps her up most nights.
Rooster’s face drops. “I’m so sorry, Scout.”
She swallows back the building emotion and offers a half-shrug. “It’s one of the costs of flying fighter planes for a living, isn’t it?”
Rooster’s eyebrows raise in surprise. “Your husband flew planes?”
“There’s a reason I told you I didn’t date men in the military.” she simpers.
They’re silent for a while, the only noise between them the calming sound of waves against sand.
“You’re lucky you live so close to the ocean.”
Rooster smiles, but there’s pain in the depths of his burnt-honey orbs. “My old man perished over the ocean in 1986, so I think I did it to feel closer to him.”
And Scout, maybe more than anyone, understands that completely.
“It’s fucked up, isn’t it?” He muses.
Scout shakes her head. “There’s no right or wrong way to grieve, Rooster. You do what you can.”
It is not lost on her how perfect this night has been, but she knows her time to go is fast approaching. She tips back the rest of her drink, favoring the way it scorches the delicate lining of her throat as it goes down and gets up from her spot on the swing.
“I shared more of myself with you tonight than I have with anyone in a long time.”
Rooster gazes at her. “I'm honored.”
“It’s time for me to go, though. I wanted to thank you for this evening, it was wonderful.”
“It was a pleasure to have you join us, truly.” Rooster follows her to the front door and leans on the frame for support. “I want to take you out, Scout.”
And there it is again. No bullshit. A man who tells her exactly what he wants, and it causes butterflies to take flight in her belly. She thinks of Beau and Jake, and the hell of it all is that she likes Rooster. God, she likes him so much. So she says the only thing that she can think of in that moment, and then regrets it immediately.
“I want to be friends, Rooster.”
And there’s so much more that she could say to him. I want to be friends to get to know you. I want to be friends before I scare you off. I want to be friends before we get in too deep. But the right words fizzle and fade before she can voice them.
Rooster walks her out to her car. He hasn’t said anything in the wake of her admission, and she wonders if she's already fucked everything up. But then he simply tells her, “I’ll take what I can get, Scout. Frankie and I aren’t going anywhere.”
And despite everything, she believes him.
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msogavt · 28 days
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Rust
There’s a farm field near where I live, part of the route I take with my dog on our daily walks. A guy who lives in the neighborhood has taken to collecting the stones and detritus dredged up by the plows and making field sculptures out of them, kind of a monument to the land’s long history under cultivation. I’m not sure what this is, a part of some piece of machinery, now textured and pitted…
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