#we have to have breaks or we (I) will go insane!

[neuroticboyfriend]

the way my brain tries to tricks me into doing substances is insane. i was playing videogames. i got bored. suddenly thought it couldn't hurt me to look things up about a substance i used to do. fell down a rabbit hole until i found free samples of it online that are purported to be adulterated to be stronger.

my brain wouldnt shut up so i went to my room to call someone. got scared my family would overhear and i dont want them to, so i decided to go on a walk to call someone. kept finding reasons to not stop walking. next thing i know im a block down from the train station/liquor store, the entire time having known going outside was yet another trick.

as soon as i accepted that if i kept walking my brain was gonna find a reason for me to go cop something, i pulled onto a side street and made phone calls. no one picked up and i know i should have kept calling people til someone picked up, but at least im posting here to just get it Out.

im omw home now and i bought some mozzarella sticks to eat when i get home. hungry and that doesnt help. so yeah. i also wanna share this so people can see just how insidious addiction can be. you can even know it's tricking you and it's still hard to break out of. stay vigilant i guess, and be more understanding of addicts in general. our brains are trying to kill us. even when we genuinely do not want to use or be doing whatever other unhealthy thing we do.

[goodolddumbbanana]

Something about you are fated to be the monster. And something about it is so easy to break a Moon

I just realised something... The main reason why Moon didn't fuck himself over that bad just like Nexus is simply because back then, he had Sun as his hatred burning passion.

He was so focused on tortured Sun while letting his Killcode activated. He had his murder as his outlet, he had Sun as his outlet. His emotions for highest and lowest still in his control because someone helped him to release it.

Because when we look at it, Nexus lost Solar just like how Moon killed these kids, killed Jonathan by accident. They both hold a lot of guilt leading them to their breakdown.

Like how Moon wanted to die to get rid of these guilts, Nexus worked himself in despair with a little sparkling of realised no matter what him do, he couldn't protect and save anyone and then end up pushing everyone away

(He killed Eclipse, Eclipse comes back. Earth lost her body when he wasn't there, Sun got kidnapped multiple times, and died in his dream. Losing Solar just a final hit in his nail.)

Because Nexus, Nexus has no one. Dude just freshed-out woke up and had to face Eclipse right after that, and then a lot of craps too. He didn't have his outlet, always has to be better than the old one. And remember, Creator builds Moon to be a monster, a beast.

And we can unclip the wing of that beast, but couldn't change his nature. We had seeb the Moon who killed his Sun, he got so bottom in his hatred. Also, Moon has left half of his issue for eclipse and kc. He has scraped one piece by piece the thing that makes him insane.

But Nexus. He is a fresh new Moon. All his problems and issues are still inside his code.

And this revives Moon, he still has his Killcode, which means, the potential of him gone bad, once again happened. Which means, if Moon doesn't go Cray Cray, he will do something worse .

So.... Murder good for your health, I guess.

[doomspiral]

ur asks r finally open i wanted to say this for forever but i love whenever a historical gil post comes out and u and a bunch of other gil fans just all flock together and discuss his character and how history plays into it. you are all so passionate about him and its super fun to see!! i was never rlly into historical hetalia until i followed u because u just do it so good

I AM SO GLAD TO READ THIS!!!!

For the most part I've noticed the current Pru fans want to get along even if we don't agree on things, which means we can launch shit back and forth under different lenses. I really do love the varied takes just for this one guy, because so much of it is based in easily accessible, amateur research. That does make us all each other's peers for review though since we all have the same list of books on our shelves LMAO.

We have brainworms for real and every time I think I've settled on a read of the text, I'll see something else and go "ah damn, maybe that's it" and the cycle begins anew.

I know the Historical Hetalia fandom got a track record for getting stuck in the weeds, writing what I've been told is called "wiki fic", and in general being very hostile to each other and other types of fans, and I know this because I got to see the tail end of it and also read some of these fics. A lot of the takes were also deeply flawed, as they tended to erase non-white, queer, non-christian, and non-European histories within the context of Europe as well as simply whitewash the reality of those people into the bland, Hollywood Victorian ideals of etiquette.

What I've seen NOW is a bunch of insane history nerds trying to be as weird as possible while being grounded enough in historical research that nothing breaks immersion for the reader (some kind of mix between Master&Commander and The Great).

[abyssal-author-and-artist]

Brief Little Drabble

Mabel you've made me want to do something again. How dare you/lh

Mabel -- @drifting-stars-mabel Dipper -- @drifting-stars-dipper (me actually, go check it out) McGucket -- @it-is-unseen (sorry for the ping i just got inspired)

Dipper's not sure why he's running or why his heart is beating so fast. He's panicking, and it's a familiar feeling at this point, spurred on by months of wandering the multiverse, months of seeing horrible things and not sleeping due to the pervasive nightmares.

But whatever he's running towards is worse, and he can't explain why it is, but he also can't shake the feeling.

Mabel, Mabel, Mabel, some part of his brain is whispering, the part that tells him when there's a monster behind him or when he's going to have a particularly bad nightmare. Mabel, Mabel, Mabel. She's in danger, isn't she? She has to be. He wouldn't be able to hear his heartbeat in his head if she wasn't.

And she's been so bad recently. So stressed and uncomfortable. She won't tell him what's wrong and it hurts because even if she says she trusts him, it doesn't feel like she does. It briefly crosses his head that she's protecting him, but he shakes that thought away. It's not that it's wrong - it's that he can't afford distractions right now.

The communicator in his vest screeches with feedback, and he follows it, turning it down slightly as it gets louder and louder, more staticky and more staticky, more and more persistant and keeps just getting loude-

Mabel.

She's standing in front of a man who looks like Fiddleford McGucket when he was younger. On the memories they watched. He's holding the memory gun to her head.

"Ready to forget, little lady?" he's asking, and Dipper's running, he's pushing himself as hard as he can go.

Mabel swallows audibly, or maybe she doesn't and he's just imagining it based on the little lump in her throat and the minute bob of her head. Her hands are shaking so badly he can see it as he runs towards her.

"Y-yeah. I think I-"

"MABEL," he's screaming, wedging his body between her and the young man McGucket, batting the gun away with one hand. His chest is facing her and he turns slightly to fix McGucket with a glare with all the rage in his tiny little body. So, so tiny, so helpless, so pathetic.

"Dipper?" Mabel asks, her voice breaking in a way that her voice never does. "W-what are you doing?"

"What am I doing? Mabel, what are you doing? That's the memory gun. Were you really gonna go behind my back like that? Just wipe your memory?"

"Dipper, you weren't supposed to be here, I-"

"

I wasn't supposed to be here? Oh, so you're upset at me for stopping you from wiping your memory? Mabel you know what that thing does to people. You were there when we got McGucket's memories back. That- that thing drives people insane! It does the same thing that drugs in movies always do. Do you wanna end up like Old Man McGucket? Mabel, I-I can't believe you. You went behind my back to do this. To wipe your memories. Would it have stopped here?"

"What are you-"

"Would you have just wiped this? Would you have wiped something else next?"

"No, Dip-dop, I was just gonna wipe this one thing."

"Oh, really? And you wouldn't wipe anything else? Bill possessing me? Gideon kidnapping you in a giant robot? Anything?"

"No, really."

"I don't believe you."

"Dipper, you don't understand," she pleads, her voice cracking. "I'm a wreck over this. I-I can't sleep, I can't eat, I can barely think." She lifts her shaking hands. "I'm a mess, Dipper, I need this. I just, I just need it this once. You don't understand what I've been through, what I'm struggling with."

"I don't understand? Mabel, I've seen shit too," he says, cursing without even thinking. Her eyes go wide but she doesn't stop him. "Do you know what I've been through? I haven't slept in literal months. Sure, I've tried, but that's no excuse for actually doing it. Mabel, I can't even touch you without being terrified you'll turn to bugs in my hands."

His hands shake as he lifts them, nearly as much as hers do, and a flash of panic rushes through him, the intrinsic fear of her dissolving into a mass of wriggling creatures, writhing in his hands.

He grabs her shoulders, holding her arms as steady as his own trembling ones can manage.

"We're both suffering, Mabel. I may not know what you're going through, but I can. I can learn. I can listen. Just- just tell me, Mabes. Let me into your messed up head."

"I..." she glances behind him, and belatedly he remembers that he shoved McGucket to the side to get to her. He glances at him to see McGucket with his arms crossed, tapping one finger on the memory gun.

"Are y'all done yet?" He makes a pointed expression. "I offered to help, not watch whatever this slop was. Little lady, do y'all want yer memory wiped or not?"

"I..." she glances back at Dipper. He's so close to her, and it's terrifying him but he does nothing but hold her closer.

Mabel stops shaking.

"Thanks for offering, Mr. McGucket. I... I think..." she takes a deep breath in. Her arms wrap around Dipper and he's so happy she's chosen him.

Then she's pulling him to her chest, one hand on the back of his head.

"I think you should do us both."

The memory gun hurts. He forgets it in seconds.

[iolaussharpe-24]

Barbie in the Mojave - Chapter Two

Thank you to everyone who supported chapter one! You're all lovely!

❤️Taglist❤️

(Let me know if you want to be added or taken off for chapter three. No feelings will be hurt.)

@waywardrose, @my-secret-shame-but-fanfiction, @lunar-ghoulie, @ominoose, @reallyrallyauthor

@steven-grants-world, @clemdango04, @have-you-seen-my-sanity, @missdictatorme, @angelitawings

@outey-spacey, @autismsupermusicalassassin, @mandytrekkie

Feel free to ask questions about anything as well. I'm happy to talk about my process with anyone that's interested.

Chapter Two: Bad Smells and Worse Ideas

Barbie and Ken stopped and sat down, exhausted. Both of them were tired and panting. Both of them had sore feet (though Barbie’s were considerably worse because of her heels). Both of them were soaked in water despite never being anywhere near water. Both of them were mourning their perfectly styled hair. Ken’s was drenched and stuck to his forehead, dripping in front of his eyes. Barbie’s had gotten frizzy and wild, sitting on her head like one of the dried out brown bushes they walked past. Her headband wasn’t doing much to keep it under control either. Each and every blonde strand had gained sentience and turned against her.

They had walked a long way. The car wasn’t anywhere in sight anymore. It hadn’t been for a long time. The sea of sand had slowly but surely started to become solid rocky ground with dry plants sprouting from split stones and small animals and bugs scurrying into little holes at their feet as they came near.

The sun was setting behind them, making their shadows stretch out several feet in front of them as the air turned cold and the sky began to change colors overhead.

“Barbie, shouldn’t we have found the speedboat by now? This place is like an endless beach without the beach!”

“It’s called a desert.”

“Are you sure this is the right way?”

“I think so.”

“Well what did Weird Barbie say?”

“We’re doing what Weird Barbie said.”

“Wandering aimlessly?”

“For the last time, she didn’t give me directions! I was told to drive a sports car to a speedboat to a rocket ship to a tandem bike to a camper van to a snowmobile to roller blades and then I’d be in the real world where I’d find my kid by equally unspecified means! I don’t know what I’m doing or how I’m supposed to do it, but I want to get it done so that we can go back home and everything can go back to normal.”

He contemplated that for a minute, then smiled brightly. “And then, when we can do boyfriend girlfriend things together. Right?”

She nodded, just to make him stop asking questions. “Sure Ken…. It’s getting late,” she added with a sigh. “We should probably camp out… somewhere. Get some rest so we can keep walking in the morning. I was hoping to be done and home by now, but nothing’s been going right, has it?”

It was annoying. Very, very annoying. All of it. She felt like she was going crazy. She knew that there were going to be differences between Barbieland and the Real World. She did. It was a logical inevitability that only made sense. After all, they are two different worlds. Different realities that were affected by one another, but still very much separated from each other. It sounded absolutely insane, but it did, for some bizarre reason, make a weird amount of sense. Like old sitcoms with a supernatural or otherworldly element that everybody treated like a completely normal thing.

Ugh.

Ken was crouched down with a pile of sticks in front of him, hitting two rocks against each other repeatedly. Trying to start a fire. Fair enough. Just like how the sun had seemed hotter than they were used to in Barbieland, the night air, in turn, was colder. Even in the winter, when everyone tended to bundle up in thick coats and fuzzy boots, the cold never really affected them. This did. It was making Barbie’s skin break out into a thousand tiny bumps that gave her a weird tingling sensation as they appeared.

Must be another human thing. Another problem to fix. Like the cellulite on her legs. She shivered at that thought. Would this spread too? At least the cellulite was easy to hide. It was just on her thighs and was easily covered up as long as she wore longer shorts and skirts.

Their clothes sat in a heap near the place they’d decided to call their campsite, despite not having a dream camper or a tent or a backpack or even a sleeping bag – which was the absolute barest minimum of camping gear they could have possibly had on hand. They’d been forced to carry everything while they walked who knows how far for who knows how long and when they finally decided to stop, they’d just dumped everything unceremoniously in the dirt and used their skates, pads, helmets, and Barbie’s hairbrush to hold down their clothes.

She reached up and felt her frizzy tangles. Felt like a bird’s nest. Probably looked like Weird Barbie’s hack job of a haircut. So, just to feel like she had some control over something, she picked up her brush and started trying to tame the beast on her head.

“I think I saw a spark!”

Ken did not see a spark.

Barbie didn’t have it in her to tell him though. Instead, she praised and encouraged him to keep trying. Saying, “You’ll get a fire in no time,” and genuinely hoping that he would. Maybe that was what was so wrong with everything. Fear and negativity. Maybe, if she just tried to keep a positive attitude, and kept smiling, and tried to go on like her world wasn’t turning upside down, she’d manifest that reality and everything would go back to normal on its own. Or, at the very least, they might get lucky.

It took hours before either one of the two dolls could start a fire. And, by the time they did, it had already gotten cold. To keep warm, the two of them mixed and matched the clothes they brought to cover up as well as they could since they tiny flame they made wasn’t providing them with any kind of warmth whatsoever.

Barbie was in a pair of hot pink ankle boots that didn’t match her pants, and a baby blue long-sleeve shirt that didn’t match anything. Ken had closed his jacket, put on a pair of low waisted jeans, and swapped his sandals for his neon yellow roller skates, though he removed the neon pink wheels from the bottom to make it easier on him to walk in the morning.

After a few moments of sitting side by side to keep warm, Ken lifted his head and sniffed the air. “Do you smell that?” he asked, his brows furrowed.

“Smell what?”

“I don’t know. Something smells… bad.”

Automatically, Barbie turned her head away from her friend, breathed into her hand, and sniffed. Not great. Not terrible. But not great. Think that this wasn’t what Ken was smelling, she lowered her hand and sniffed as well. That’s when she noticed it. A sour smell in the air.

She scrunched up her nose at it at first.. and then realized that it seems awfully close.

For no real reason at all, Barbie lifted her arm and smelled the underside.

Oh. My. God.

She retched and lowered her arm so fast she was impressed that it didn’t snap clean off at the joint. Ken looked at her, confused, and she forced herself to smile and pretend that it was nothing. Even as she dug her nails into her biceps just to make sure that he arms stayed down in an attempt to keep the smell from coming out.

She didn’t understand what was happening to her. Why was her body doing all these things it wasn’t supposed to? First, she was leaking water, her hair was messed up, then she started getting bumpy, and now she smelled?! And that wasn’t taking the fact that she got lost or the wrecked car into account, or any of things that happened before she left Barbieland. This was all in the past few hours.

What could possibly be going on in this little girl’s life to change her like this? It didn’t make sense. How could anything be so wrong with a human that it punched its way through to another world just to drastically alter a Barbie in so many awful ways? It was like time and space and fate had it out for her or something! Worse than Raquelle at her most infuriating. Worse than-

Her thoughts were cut short by a sound in the distance. It was loud and shrill and, like so many other disembodied noises in the dark, was both familiar and strange. It sounded like a dog’s howl in the middle of the night, but it was twisted. It was wrong. And it wasn’t alone.

More howls accompanied the first like a choir singing a chaotic chorus together. One by one they sounded off, the noise echoing in the distance. Barbie looked out into the darkness ahead, unable to see anything at all. Ken did the same, though for a very different reason. He started walking away from her.

“What are you doing?!”

“Dogs! I want to pet the dogs!”

She stared at him, incredulous. “Ken! We don’t know anything about this place! And that doesn’t sound like Skipper walking a group of dogs to me. There’s no one around. We’re out in the middle of nowhere! This is a bad idea.”

“Hey, when it comes to petting dogs, there are no bad ideas.”

“If we were still in Barbieland where we know all the dogs!”

He wasn’t listening. He was just marching off blindly into the dark, his silhouette growing darker and darker. Blending into nothing.

“Don’t go too far! I don’t want you to get lost!” she called out desperately.

Ken didn’t answer. He might have been too far already.

Despite how annoying he could be, Ken was still her friend. She cared about him. Didn’t want him to get hurt. As of right now, he was the only piece of home she had with her. Well, him and a small pile of stuff she had been forced to carry since the car crashed, but she couldn’t talk to a cute skirt the way she could Ken.

She hoped that he had enough common sense to stay close.

Despite poor Barbie’s warning, Ken couldn’t see any harm in wanting to pet a dog. Or a cat for that matter. Or a horse. He loved horses. More, he suspected, than Western Stampin’ Ken did. Animals in Barbieland were always friendly and cute easy to handle. Always. And the Real World counldn’t be that different from Barbieland. It just couldn’t. Their world was made to resemble the Real World. To fix all of the problems the humans faced. That’s what the Barbies and Kens were made for in the first place. An unfriendly animal, especially a dog, felt nothing short of unnatural to him.

She was just being paranoid. Had to be. He’d never known her to be paranoid before, but he’d never known her to have any malfunctions either. This must be one of them. Yeah, that made sense to him. In fact, it made so much sense that it might have just been the reason why Barbie wanted to do this alone. She didn’t want anyone to see how bad this problem could get! He could understand that. If there was a chance that she could end up like Weird Barbie living away from everyone else in the Weirdhouse with all of the recalled Barbies and Kens, it only made sense that she wouldn’t want anyone to see that. In her position, Ken wouldn’t want that either.

Another howl sounds as he walks. That’s a good sign, right? Means he’s getting close. Like how being far away from something made it look smaller. But in reverse.

Excited, Ken walked faster. He thought about all the dogs he’d met in Barbieland and how cute they were. With their big eyes and black noses and little smiles. He even loved the old Taffy dog with her three puppies. Two of them had bobble heads, and the third one needed to be potty trained. That’s why the Barbie that owned them all always had a few newspapers in her dreamhouse. She always let him pet and play with them when he saw her.

Just as he was starting to smile from the memory, he stopped in his tracks. There was a dog in front of him. A little puppy.

It had tan fur and a cream colored underbelly. Big black eyes that stared straight at him. It wasn’t smiling though, that was weird. But the same black nose he always loved nuzzling his own against. It stood perfectly still, watching him as he watched it.

“Hi there,” he said softly, sinking down to his knees. He slowly held out his hand and cooed, “It’s okay. I’m not gonna hurt you. My name’s Ken.”

The puppy stared at him, then stepped forward, sniffing his hand. It yipped at him and two more puppies came out from around the corner to join the first.

In that moment, he just knew that Barbie was going to be jealous. He’d tell her that he found puppies and that he got to play with them, and she was going to look at him and say, “I wish I’d gone with you.” He just knew it. What else would she say? He was right. There’s absolutely no way that petting a dog can be a-

Grrrrrrrr…

That wasn’t a good sound.

Looking up at the rocky side of the plateau, Ken saw two more dogs. Fully grown ones. Their teeth were showing as they growled at him. The blond stood up straight, still smiling. “Hi! These little cuties must be yours.”

One of the dogs jumped down, still growling at him, it’s ears low, teeth bared. Then the other dog jumped down to join the first. And a third came from behind him.

His smile fell at bit as he watched. They reminded him of something… unpleasant. Something he’d seen in some of the older movies while at the theater with Barbie. Maybe she was right… maybe this actually was a bad idea. He hadn’t thought that was even possible until now.

Oh no.

Ken took a few steps backwards as one of the dogs started to snap at him, still snarling while it did. He raised his hands, showing the dog his empty palms. “Woah, woah, easy. Easy. I’m not going to hurt you. Or the puppies.”

A loud BANG! sounded from the darkness, echoing through the valley that Ken had been walking in. Almost immediately after, one of the dogs let out a pained whine unlike anything Ken had ever heard in his life. The others turned and ran away while the one that cried fell to the ground, a thick red liquid soaking its fur on one side. He’d never seen anything like it before and… wow… he was thinking that a lot lately, wasn’t he? The Real World was so different from Barbieland. Even the things that were familiar were different.

He looked down at the dog lying at his feet. It wasn’t moving. Wasn’t making any noise. It was more like the dogs back home that way. But in a bad way. A way that made him… not happy. Very not happy. It was like how he felt when Barbie turned down his attempts at doing boyfriend/girlfriend things to have a party with the other Barbies but it wasn’t that. This was different. Like everything else in this world.

He knelt down beside the dog and put his hand on it’s snout. It didn’t react. The fur was coarse and warm. But… it was getting cold. Fast.

He didn’t know what to do. He didn’t even know what was happening. All he knew was that he didn’t like the way it made him feel.

Dirt crunched under heavy boots behind the blond while he knelt over the animal. He looked up to see a man wearing a long coat and a hat standing there. The first person he’d seen aside from Barbie since they left home.

“You lost, brother?”

[rose-morose]

I've been on a superhero kick since finishing The Boys season 4 finale and I finally got around to watching the Harley Quinn animated series, or at least the 4 seasons that are currently out as of writing

a bit heavy on the meta comedy for my taste, but over all I enjoyed it, and I have some thoughts, so I'm here to bring you the amateur analysis nobody asked for or wanted

(very long Harley Quinn spoilers below cut)

(seriously it's so fucking long don't hit the cut if you don't want a wall of text on your screen)

at its core, Harley Quinn is a show about relationships, and I don't just mean romantic relationships, I mean human, and occasionally non human, relations of all kinds: family, friends, coworkers, lovers, enemies, nemeses, etc. it's an exercise in the concept of the social and how each person interacts with and relates to other individuals and groups

I think it would be fun to take a closer look at some of these relationships and analyse them from the perspective of a confused aroace loser with exactly 6 friends so here we go

the show centers on two individuals who, by the beginning of the show, have quite literally never had anything even remotely resembling a healthy relationship in their entire lives, which is not hyperbole in the slightest, and again is not just referring to romantic relationships, but relationships of all kinds

the focus is on DC's titular Harley Quinn, and her only friend turned best friend turned girlfriend (minor spoiler but not really) Poison Ivy, and the evolution of their relationship, as well as the relationships of many prominent DC characters around them, and also Kite Man

this is going to be quite a long one with many parts, so you'll have to bear with me for awhile or just give up now you have been warned

part one

the (toxic) insane clown posse (duo)

the show opens with the infamously toxic romance between Harley Quinn and the clown prince of crime, the Joker himself

episode one opens with a showcase of the well documented abusive relationship between Quinn and Joker and just how abusive the Joker truly is as he leaves her for dead yet again

Poison Ivy, powerful supervillain and only friend of Harley Quinn, goes to great lengths to help Harley see that her relationship with Joker is not as perfect as she believes

it's clear there is already a lot of love between Ivy and Harley, and despite the fact that Ivy is a well known misanthrope with a burning hatred of humanity, she has made a singular exception for Harley due in part to her tenure at Arkham as a psychiatrist during one of Ivy's stays

Harley spends season one attempting to escape the telltale psychological hold of a manipulative and abusive relationship, which is easier said than done and not simple in the slightest, but by the end of the first season she has made a considerable amount of progress

part two

emancipation, the crew, and new friends

of course breaking off her romantic relationship with the Joker does not free Harley of his hold, the process is far more strenuous and takes considerably more time, but now she has an opportunity to start some new positive relationships in her life to help her through, and that takes the form of her new crew which consists of Dr. Psycho, Clay Face, King Shark, and Sy and she befriends Ivy's plant Frank and the Queen of Fables as well

as I've mentioned Harley has no experience with healthy relationships, and her initial transactional attitude and emotional neglect towards her new friends is quite telling, but she is in the process of learning how to truly connect with people, a challenge her background in psychiatry seems to lend a foundation to help with

each episode of the first season follows her uncovering a new facet of how a genuine friendship is formed and maintained, all the while battling her own selfishness to be the best friend she can be

the friendships seem to fall out of touch over the course of the show, but there remains a rapport between the crew even after their professional split

the later seasons spend a lot less time exploring friendships, a decision I'm not too thrilled with, but the exploration of relationships continues regardless

part 3

Ivy, Kite Man, and the most baffling romance I've ever seen

I genuinely hate this relationship so much that I made an entire other post about it here

it's really god damn long, probably not as long as part 4, but fuck I just want to throttle Kite Man to death with my bare fucking hands

it's less the relationship I hate and more just Kite Man himself, he's not even necessarily a bad character he just fucking sucks and gets away with it every time and it pisses me off

though I do still hate the relationship

part 4

Harley, Ivy, true love, and possibly the best written romance I've seen on television

Harley's season 2 meeting with Mr. Freeze tells us a lot about what she thinks of love

she sees Mr. Freeze's affection towards his cryogenically frozen wife Nora as creepy and exploitative, and when Mr. Freeze gives his life to save his wife, Harley comments that his actions are 'insane'

admittedly Freeze's expressions of affection do seem very creepy, but Harley's subsequent outburst on how love is bullshit indicates that Freeze's behaviour isn't her real issue

Harley seems to believe that true love was a lie that the Joker sold her to keep her under his control, and, having no other experience, assumes that everyone is just like her and the Joker, and are only trying to get what they want from a relationship without consideration for others

but Nora's reciprocation of Mr. Freeze's affection when Harley unfreezes her quickly begins to cast doubt on her previous notion and challenges her perception of love itself

and then she finds her own true love and everything changes

enter the beautiful mess that is Harlivy

"I love you, in a very odd, hard-to-articulate way." - Ivy to Harley in episode 1

it seems clear from a writing standpoint that these two were going to be together romantically from episode 1 and on, the build up to which is noticeable yet sufficiently subtle, and I do think Ivy fell first and by first I mean before the show even begins, and if these two aren't the fucking definition of the fell first/fell harder trope

and Harley falls HARD

early on, her true feelings for Ivy, unexpressed, seem to take up every waking moment of her mind, and she struggles to avoid ruining her relationship with Ivy, while also desperately wanting to take a risk that could ruin it for good, after all, Ivy is marrying and committing to a hetero monogamous relationship with fucking Kite Man for some fucking reason

"You're here, and you're queer. Get used to it!" - Harley to Ivy after Ivy cheated on Kite Man with her

did Ivy already know that she is queer? based on her Catwoman anecdote, yes, and it seems like Harley was also aware of her own queerness, it is odd to see a queer relationship in media where no one involved is overtly struggling with their own sexuality or gender, it's not necessarily a bad thing, nor is it something completely new, it's just unexpected

unfortunately, we do have to talk about the giant kite-shaped elephant in the room, except, just kidding, no we don't, fuck that guy go back to part 3 if you care, his whole relationship was nothing but an obstacle in my opinion, but I should bring up the infidelity

in a monogamous relationship, when one partner engages in sexual or romantic pursuits with a third party without the other partner's consent or knowledge, that is categorised as 'cheating' and is widely seen as a profound breach of trust and a betrayal of the highest order, I think this is because monogamous relationships are built on exclusivity and trusting that your partner will not break their vow of exclusivity that they have sworn to uphold under any circumstances (sometimes there are exceptions I guess whatever)

to my understanding infidelity is often indicative of a want that falls beyond the boundaries of monogamy and is often not communicated properly for lack of courage, lack of will, or simple adversity to change

Ivy's want seems to be Harley, and her challenge seems to be adversity to change and a lack of self confidence/courage

from what I understand, it's the same as someone you thought you could count on more than anyone else in the world breaking an important promise that they made to you with utmost sincerity, and that shit sucks for anyone regardless of sexuality or circumstance

I have already spent way too much time on probably unnecessarily explaining adultery, but I'm aroace so I am just trying to work through it and understand it myself and am not actually certain if my understanding is accurate so please correct me if I'm wrong this is all third hand information

moving right along, we can finally watch the romance begin, enter the eat bang kill tour

Harley and Ivy have, up till this point, still not had a single healthy romantic relationship, and it really shows, but quite crucially they are improving every episode and trying their best to work it out

Harley, having never really experienced real romantic love before, is desperate to feel as loved as possible, and once she has felt it for the first time, she never wants to let go

she prolongs the eat bang kill tour as long as she possibly can, showering Ivy with gifts and doing crazy stuff that only serial killers would find fun, just trying to keep that high of the 'honeymoon phase" alive for as long as she can

Harley does not want to exist without Ivy if it means potentially losing the amazing feelings that she is experiencing for the very first time in her life

on the other hand, Ivy is very reserved and submissive, she has trouble voicing her true feelings to Harley and suffers for it, a similar pattern of behaviour that she exhibited with Kite Man

Ivy just can't say no, she also does not want to lose that high, but has a different approach to maintaining it

"A big part of being in a relationship is not always telling the exact truth. And that way, you can get what you need without hurting anyone's feelings." - Poison Ivy

this line is incredibly telling of Ivy's past relationships, and it will become a challenge that she must overcome if she wants any hope of actually forming a healthy relationship

and hey, maybe a little lie here and there isn't so bad for a relationship, that's not for me to say and I honestly don't know, but Ivy seems to use the technique excessively to her own detriment

but I mean, what would a compelling dramatic romance be without serious communication issues?

and all these little minor contentions and miscommunications finally build up to the first major conflict in Harley and Ivy's relationship, Edin

it turns out Harley and Ivy might not be on the same page about the whole extermination of humanity, and their failure to communicate that ends in horror as, despite Ivy's wishes, Harley makes a sacrifice that forces Ivy to choose between Harley's life and her own dream

Ivy chooses Harley of course, but this moment rattles their relationship dynamic dramatically and Harley panics, deciding that she wasn't being very supportive of Ivy, and still being desperate not to lose her newfound happiness, she lapses back into her behaviour from when she was with Joker, Harley goes right back to doing exactly what she's told without question and with great enthusiasm in spite of her own personal opinion, because that's how she has handled conflict historically, that's what has worked and she will do anything to hold on to that feeling she has had being with Poison Ivy

Ivy mistakes Harley's new found enthusiasm as genuine, and it takes the Joker himself to point out that she is doing exactly what he did to Harley so long ago, so Ivy asks Harley what she really wants

and now comes my favourite part, the very problematic Valentine's Day special

in spite of the many problematic events of the episode, there will never be a sweeter moment than Ivy sharing her favourite Valentine's Day with Harley, it just melts my heart every time I watch it

as for the problematic part there's nothing new, it's some standard self aware hijinks that affirms that the writers are aware of the unhealthy behaviours exhibited by the two leads and exploring that dynamic is all part of the story, mostly centering on Harley's fixation on being the best partner possible mixed with lasting psychological damage, all from her time with the Joker, but the resolution is adorable

I can't really describe Ivy's favourite Valentine's Day, you just have to watch it, it honestly is the most wholesome and genuine moment in the show, and I can hardly think of any other moment in any other show that can top it either

entering season 4, Harley and Ivy's latest challenge is to set up professional boundaries and segregate their own personal lives from their work lives seeing as they are now each working on opposing sides of a conflict

it's a struggle to be sure, and each partner is terrified that without their shared proclivity for villainy, a rift may form in their relationship

the fear is certainly justified, but despite the challenges presented by their professional split they manage to find other ways to connect

that's pretty much all I have to say on them so far, I think their romance is by far the best part of the show, and I personally believe it to be incredibly well written in spite of what others may think, but it's time to move on

"I mean man. You know me better than anyone." - Ivy

"You're easy to celebrate." - Harley

"And you're fun to celebrate with." - Ivy

part 5

found family vs blood relatives

"You people are not my family, and you know what? You're not even worth it." - Harley to her parents after they tried to murder her

there's no doubt that Harley's family fucking sucks, and you'll be hard pressed to find a family that doesn't anywhere in this show

Ivy's parents were abusive, Harley's were manipulative, Kite Man's are assholes, Batman's are dead, as are Nightwing's, Dr. Psycho is intentionally a terrible father and unintentionally a terrible husband, Sy locked his sister in a basement, Barbara's father is an alcoholic deadbeat and her mother left, King Shark hates his asshole father and killed multiple of his brothers, Robin's father is an emotionally repressed billionaire playboy and his mother is a sociopathic assassin that wants nothing to do with him, the list goes on

every blood family has fallen apart and some of the members have scattered to various found families

the show initially centres on one found family in particular, Harley's crew, but later shifts much of the focus on the bat family as well

both of these families are as dysfunctional as the next, but there is a sense of love and belonging that they bring to each member that families are known to have

what really makes a family? it's hard to say, I think it's like a sort of community that always has your back, even when you're wrong, and maybe you don't like each other all the time, but there is still a sort of love between everyone

families spend time together, but if they live together they're always trying to get away from each other, they support each other, but they will rescind their support if they think you're doing dumb shit that they don't like, they love each other, but may not often express it, sometimes they get along, and sometimes they don't, there is a certain dichotomy to a familial relationship that doesn't really exist in most other relationships

where as you might need to like your friends in order to stay friends, families can maintain a bond in spite of quarrels and disagreements, not everyone will like it, but it's what you've got

in this sense, families are the only relationship that you can never really seem to escape, Dick came back to Gotham, Robin left with his mother, Ivy tore the city apart to rescue Frank, Harley always rescues her crew, and they always rescue her

but the familial aspect does not define a relationship, other relationships will exist between family members that are not inherently related, you can be friends with your family, mere acquaintances, even enemies, or something else entirely

Batgirl and Harley are both new to the bat family, but despite their short tenure, both are given a sense of family from people they know very little about

in my experience, found family often comes from where you least expect it, Batgirl was probably the only person not absolutely shocked to their core to see Harley Quinn herself joining the bat family, and Sy was just Harley and Ivy's landlord before he sacrificed his physical body for them, Frank is a fucking plant, who would expect that their best friend would be a sentient fucking plant?

at some point Nightwing seems to heavily backtrack out of nowhere and stops treating Harley as part of the family, this, to me, seems to be just a poor writing choice seeing as Nightwing was previously very enthusiastic to have Harley in the family

while his concerns may be justified, it's weird that they are only just now being expressed

part 6

Nora Freeze, Batman, Bane, Jim Gordon, Batgirl, Alfred, Poison Ivy, and loneliness

Catwoman is the only lonely character that can tolerate being alone, she even prefers it

whereas Nora, Batman, Bane, Jim, Barbara, Ivy, and Alfred on the other hand each contend with their own particular brand of loneliness and each cope with it in their own unhealthy ways

Nora is grieving, Batman is reluctant, Bane is desperate, Jim is self sabotaging, Barbara is insecure, Ivy is traumatised, and Alfred is purposeless

but for this part I want to focus on Nora

in light of her supposed incurable disease, subsequent coma, and the loss of her husband, Nora has never been more alone

she has no one to turn to, and no one to support her as she grieves for all that she has lost, and I don't mean to imply that Nora's husband was what gave her life value or meaning, in reality it's only a small part of the life she left behind

Nora expressed that her fundamental life changes have left her alienated from all of her previous relationships, her friends and family all expect her to be someone that she no longer is

Nora seems to turn to drugs and alcohol for relief, she seems lost and doesn't know what to do, she just kind of eventually stumbles into her new job working for Ivy, and doesn't take it very seriously

she is understandably put off of serious relationships, and seems to just engage in sex for fun, which is not actually a problem though some characters may disagree

the people of this world have never been lonelier than they are now, and Nora is hardly alone in her isolation

Batgirl's earnest demeanor and nerdy vibe make it difficult for her to make friends, and her deadbeat parents don't pay any attention to her, though things seem to be even worse on the occasion that they do

Jim is married to the job as they say, though this is largely comedic he shows no signs of improvement

Bane is just not very bright and no one takes him seriously, though he does find someone in the end

Ivy hates humanity, but she still seeks companionship from those few she deems worthy, the only trouble is how few she deems worthy, and it's difficult to say whether this is her fault, or theirs, but she does find people she can connect with, and is definitely happier for it

why she deems Kite Man worthy will forever be a mystery to me

part 7

the Joker takes a stab at healthy relationships

after season 1 the Joker is presumed dead, but Harley and Ivy soon discover that he survived, as a basic bitch white suburban amnesiac with no memory of his true identity

his confusion provides the catalyst through which the Joker begins a romantic relationship with the totally unsuspecting Bethany, and by extension he becomes the step father to her two children

the relationship continues for a short number of months until Harley, in a desperate bid to save the city, violently reminds Joker of his true identity

this time around Joker remembers his own life as well as the life he had lived as an amnesiac and is immediately disgusted with himself

he breaks off his relationship with Bethany because she challenges his perception of his own identity and that scares him

however, upon realising how much happier he was as an amnesiac living with Bethany and her children, he decides that maybe he can give the whole true love thing a shot, after all, lots of dads are serial killers

and thus the true romance of Bethany and the Joker finally begins, it's honestly kind of surprising that Bethany still wanted to date the Joker and not the other way around, but I suppose it's understandable if you've already spent so much time together, plus Bethany and her kids were excessively eager when Joker announced to them his return to crime so maybe they were kind of into it the whole time

part 8

Jim Gordon and his (seemingly) one sided friendship with the Batman

Batman is self admittedly "not good with feelings" and by extension, personal relationships

he is incredibly insistent that he "work[s] alone"

he is dismissive of Jim's constant insistence that they are friends and not just coworkers, but in spite of this attitude Harley is able to convince Batman that Jim Gordon is not just a coworker, but might just be his one and only friend

the idea that they are friends is further compounded by the comedically timed screen saver of Batman's computer that shows him and Gordon together celebrating

after Harley's intervention their friendship remains very one sided with Gordon constantly seeking Batman's validation and approval, but Batman at the very least has acknowledged the truth of their relationship

part 9

can people change

can Harley become someone reliable and dependable?

can Ivy count on and trust someone other than herself?

can the Joker become a suburban dad?

can Psycho stop calling women cunts?

can Kite Man do anything right ever?

can people change?

according to the show, the answer is yes

Nora Freeze spent years in a cryogenic coma, and upon her revival, lost the love of her life

her friends all expected her to be the way they remembered, but the experience had a deep impact that spurred a fundamental change within her

she didn't just lose her husband by waking from the coma, she lost her entire life as well, she feels like an entirely new person, and it leaves her lost and lonely, but it wasn't her husband's death that left her all alone

Harley and Ivy are both forced to undergo changes in order to make their relationship work, but they don't just change for the sake of each other, they change for their own sake as well

these changes are what allow them to form all kinds of new positive relationships, but failure to change promises severe social consequences

Jim Gordon's failure to change guarantees the continuation of his misery, he could have had a loving family and admits that he loved being a father, but he ultimately decides that change is scarier than loneliness

part 10

Ivy and Swamp Thing, the end of friendship

"You never let me express myself, Ivy! This is why we stopped being friends." - Swamp Thing in a fit of rage

many of us have had that one friend that would whinge for hours on end about their problems, but would suddenly have something better to do when it was our turn to complain, unfortunately some of us have even been that friend

it can be incredibly frustrating for the listener, and the whinger often doesn't even realise that they're doing it

Ivy was that friend to Swamp Thing, and until now she never even knew the true reason they stopped being friends in the first place

it's tough to know when to give people a chance, and when to cut a toxic friend out of your life for good, Swamp Thing had to make that call for his own sake, and it seems to have paid off

their hiatus apart allowed Ivy the time she needed to grow, so that she could be a good friend for a change

it's also an example of the idea that the end of a relationship doesn't always have to be for good, people and circumstances change, and sometimes reconnecting can lead to a better relationship than you ever had before

so it's finally done, I have been writing this post for fucking ages now even though no one will ever read it, but at this point it's mostly for me anyway so no harm done, this blog is basically my diary as it is

I didn't even talk about everything I wanted to but it has been months so I'm finally just going to post it

[antigonenikk]

Eugene/Merriell

"We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown."

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[buck2eddie]

2x12 / 6x11

[lollytea]

Huntlow situationship gives me such intense brain termites you don't get it

[sophfandoms53]

Nah i just remembered how fast everyone fell off the wall last night and how the comp was probably at most 45 minutes again

Why does production hate this endurance comp so much in recent years??? Like goddamn, the wall comp is usually the most anticipated one every year and yet they do everything they can to make sure they don’t pass an hour ever AND WE DIDNT EVEN GET TO SEE WHO WON IT ON THE FEEDS THIS YEAR

[tenaciouslyobsessed]

Chat, I crave violence

[a-compass-without-a-needle]

Gotta love when you can tell that a character has absolutely been through/witnessed a form of The Horrors when the metaphorical light leaves their eyes.

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[whoviandoodler]

one of the things that makes mdzs SUCH a great story is the fact that it's a tragedy with queer protagonists, but their queerness isn't the cause or the center of the tragedy. it's not even related, really. it's a story about love and loss and wrong and right, about what we owe each other and what we owe ourselves, about how you can find joy even amidst chaos and grief; its complexity and tragedy is what makes it so profound and touching. sure, there's 'casual' queerphobia in the story, but with everything else going on, it's not really relevant- wwx's mostly like, 'oh, i like guys? i like lwj? i love lwj? fuck, what if he doesn't love me back? am i being presumptuous to think he returns my feelings? what do I do now?' followed by 'wait, he loves me back??? we're getting married IMMEDIATELY', and that whole attitude is very refreshing because sometimes you just want to read a queer story that isn't about queer suffering but that's still incredibly miserable, and i think we as a queer community deserve it

[shima-draws]

Because I started rewatching PnF it was inevitable I would eventually start rewatching MML too. And just. Just,,

Dakota,,

DAKOTA,

DAKOTA!!!!