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#we're going to end the season with at least one of them knowing they're in love with the other
sunflowerdigs · 5 months
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Apparently people are panicking about Marisol being on set again? I haven't seen much so I guess I follow the right people.
Anyway, it's important to remember that Taylor stuck around until the end of s5 (literally until almost the last minute). So even if she appears to be in episode 10, it's possible that's Marisol's last episode. And even if it's not, I very highly doubt that Tim is closing out the season with both Buck and Eddie still romantically interested in other people. He would be shooting himself in the foot big time with that because of the amount of Buddie promo put out for this season. He's gotta give us a clear path forward to Buddie or people are going to call him a queerbaiter and drop the show before s8.
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hedgehog-moss · 11 months
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Last Sunday in October, a story in five parts :)
i. The guy who owns the pasture next to mine took his cows back to their winter lodgings the other day, and told me I could let my llamas eat what was left of the grass if I wanted. That was sweet of him but his pasture's fence is cow-proof, not llama-proof, so I had to wait for a sunny day, so I could sit with a book nearby and keep an eye on the llamas Pampe. Today was the day!
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Pampy looked happy about this unexpected change of scenery and started grazing peacefully, meanwhile Pampe started with exploring the whole pasture, including the patch of woods at the back, hoping to find a flaw in the fence.
(Note Poldine below, desperately running after her mum so she won't be left behind if Pampe does find an opportunity to escape)
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ii. I found some impressive coulemelles in this new pasture (I don't know any mushroom names in English sorry.) I cut one to take to the pharmacy and ask if they're the good kind (here with my hand for scale)
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They're also known as nez de chat, cat's nose mushrooms, in some regions...
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I found some girolles nearby last year, but not this time. The llamas seemed to be on their best behaviour so I thought after lunch I'd go look for mushrooms farther away in the woods, down by the torrent, instead of watching them all day.
Poldine, watch your mother.
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I asked Merricat if she was volunteering her services as a llama-sitter (it looked like it)
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—but she suspected I was going home where the fire is, so she followed me. (I don't make a fire on sunny afternoons, though... she had to nap in my cardigan instead. Not as good, but a tolerated second-best option.)
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iii. I took Pan with me after lunch so he wouldn't encourage Pampe in mischief, and he was uncharacteristically audacious in his frolicking! He doesn't like water and he's usually quite prudent when we're near the torrent, even scolding me if I climb on mossy rocks, but today he was jumping from one slippery rock to the other very boldly.
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As I was taking this nice waterfall photo, I heard a very dramatic high-pitched squeal followed by a dramatic splashing sound, and when I turned around Pandolf was dragging himself out of the torrent, looking, as we say in french, honteux et confus.
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I'm sorry that his bout of audacious frolicking had to end this way :( Back to frolicking gingerly for at least a couple of years... (His fur is magical though, he looks like a drowned rat at first but then shakes himself twice and is immediately back to a normal volume of floof. So his dignity doesn't suffer for long, at least.)
iv. I found no mushrooms but something even better!
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I love chestnuts so much, I've been hoping to find chestnut trees for years but was starting to think they just don't grow at this altitude... But I suck at identifying trees so it's very possible I walked past them dozens of times and never recognised them when it wasn't chestnut season.
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You really have to earn every chestnut, even with the crushing-under-your-boot method to squeeze them out you still have to extricate them from their burr going ow ow ow the whole time. The worst thing is when you kill your fingers opening a reticent burr and it resentfully spits out a bunch of sad deflated worthless chestnuts.
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Still, I ended up going home with chestnuts in every single one of my pockets. When we got out of the woods and back on the road Pandolf and I ran into a woman we don't know (so, not a close neighbour) and we started talking about foraging and I wondered if I should tell her about the nearby chestnut spot. But those things are private. No one told me about the chestnut spot even after I made increasingly heavy casual hints about how much I love chestnuts. After a while though I started suspecting this lady knew about the spot and was on her way there. Or on her way back, through a different path. She looked shifty. So did I. It's very possible that we were both standing there in the middle of the road with our coat pockets crammed with chestnuts, making pointedly non-chestnut-related small talk.
v. I went home and started making chestnut-pumpkin soup while dodging constant coordinated chicken attacks. At first they act like they're napping on a conveniently-nearby chair, or looking the other way, and as soon as you stop distrusting their intentions, they pounce, often from two different directions.
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Side plot: Pandolf spent this whole time desperately trying to catch a cat, to restore his self-confidence after falling in the torrent.
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Morille went from strolling casually on top of the fence to lounging casually in the hazel tree above my head, making it look like she hadn't even noticed she was being chased, which was very frustrating for Pandolf. Nothing wounds a dog like going unnoticed.
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I told Morille it would make him happy if she let him catch her, and she was like eh, fine, and elegantly jumped from the hazel tree to the top of the stone wall.
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Pandolf immediately followed, poked her a bit brutally with his big nose, and then he didn't know what else to do with her once he caught her so he just wagged his tail like "Well played, cat!! It was nice chasing you" and left.
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v. bis (or ter) I want to reassure Pirlouit fans (who might have noticed that he wasn't allowed to graze in the neighbour's pasture with the llamas) that he knows he's entitled to fair compensation as a donkey, and he stood behind the fence the whole time I was preparing my soup, patiently waiting for his pumpkin benefits. Which he did get.
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I found some leftover chestnuts in my trouser pocket tonight, that I'd forgotten about, so I'm having stove-roasted chestnuts for dessert after the chestnut soup! Chestnuts were 90% of my dinner and were also the reason Pandolf got dinner. I ran out of dog kibble and I was thinking of giving him a hard-boiled egg and some rice tonight, and go buy kibble tomorrow, but on our way back this afternoon we stopped by our closest neighbour's house and I humbly offered a handful of chestnuts in exchange for one serving of kibble. The neighbour's dog didn't look enchanted with our offer but his human agreed. I usually trade with my chicken's eggs but this woman has hens so I'm glad chestnuts are also accepted as valid currency.
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whirlybirbs · 6 months
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BEYOND THE VOID — !
1. THE BEGINNING OF THE END.
( MASTERPOST   |   AO3  |    SPOTIFY ) summary: torn from time yet again, it's thursday. six months pass. while you grapple with a newfound uncanny ability to premeditate, loki grapples with the fact he's slipping back into his old self without you. enter brad wolfe. now playing:  a whole lots gonna change by weyes blood word count: 3.3k pairing: loki / f!reader, established in from the void, with love tags: enemies to friends to lovers, soulmates, we-are-in-love-in-the-future but how did that even happen, angst & comfort, redemption arc, lots of time travel, loki season 2 (2020) spoilers a/n: finally, they return in "beyond the void". i can't thank everyone enough for the unending enthusiasm for this little project of mine. it's fitting to have the first chapter release with an eclipse. this is for all of you :) the beautiful gif for this chapter is from this set by @tomshiddles.
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"Okay."
"Okay."
There's a long stretch of silence between Darcy Lewis and Jane Foster. 
In the liminal stretch of the apartment building's hall, there's little sound except the loud drone of some horribly, desperately sad song beyond the door of Unit 1131. The two women share a long look with one another, and then Darcy gestures urgently to the door.
"Go ahead," she nudges her colleague. 
"What?" Jane asks in a harsh whisper, "No, you knock." 
"You were the one that said we needed to do an intervention—" Darcy argues back in an equally low tone.
"Oh, so now this is on me?" Jane fires back, "She's our friend—"
"Our friend who has been babbling nonsense about things that have not happened and has been seriously obsessing with that Low-key dude—" Darcy rushes out, bringing her face closer to Jane's, "I don't even know what we're walking into here!"
Jane inhales. She pinches her brow. With a long rub of her face, she exhales. Then, she knocks.
She gives Darcy a 'happy?' look before stepping back and crossing her arms.
Almost immediately, the music stops. There's the sound of a shuffle. A meow. And then, the door opens only wide enough that one exhausted eye can peak through the chained gap.
"Heeeeeeeeeey, girl!" Darcy chides, waggling her hands in the air, "Surprise!"
On the other side of the door, your heart clenches. 
It feels a little bit like a cruel joke, y'know?
All that wishing, begging, clawing to go home and — well... you are. You're home. You've been home. For six months, you've been home in New York City. You're back in that little studio apartment, with Sigurd, with your research, with your doctorate. 
ALL I WANT  TO DO IS  GO HOME.
You try your best to give both Darcy and Jane a smile, but it comes out mangled and exhausted and not quite right. You've been crying. Sort of par for the course these days.
"Oh, uh... Hi guys."
Sigurd meows.
"You got a sec?" Jane asks, raising a folder in her hands, "We, uh... Erik gave us some new anomaly data to look over and we figured... you're the one for the job! Y'know? It's... kinda... your thing... have you been crying?"
Your eyes dart between them both. You wet your lips.
"No. Nooo, no. It's..." your mouth hangs open as you search for a reason, "...Allergies."
There's a beat of embarrassing silence, and then Darcy moves fast as lightning. She wriggles her arm through the gap and unlocks the chain — almost as if this is definitely something she's mastered before — before pushing her way through the doorway of your apartment. Jane follows close behind, and Sigard squawks as he scurries away from underfoot. 
The infiltration is almost immediately regretted because... woah. 
Like, big woah.
Darcy has seen crazy. Like, she has an Uncle on her Dad's side who is totally in on the whole "they're coming for our thoughts" thing and does not leave the house without at least six layers of Great Value tinfoil stuffed under his baseball cap. She knows crazy. She works for Erik Selvig. 
But this?
This is, like, soooooo above her pay grade. 
Jane's jaw is slack. The folder is immediately forgotten on the kitchen island in favor of the wall-to-wall documentation of... whatever the hell this was. 
LOKI MISSING? in the center of it all, with string and equations and runes and news articles and tabloid pages. There's an alarming amount of photos of the God in question pinned up beside ramblings on... Time? And... Quantum mechanics...? 
There's another loooooong stretch of silence. And then, Darcy and Jane both turn slowly to look at you pressed against the door.
You swallow.
Your face is set in horror.
"It's not what it looks like—"
"Uh, dude, it totally is what it looks like—" Darcy starts, stepping closer to the board and pointing a black, manicured finger at a paparazzi photo of Loki being carted off from the now-Avengers Tower, "What's with all the Loki paraphernalia?! Need I post a lil' throwback Thursday to when he tried to kill us all?"
IT'S THURSDAY AGAIN.
You wince. "You wouldn't understand—"
Then, it happens.
The same thing you've experienced dozens upon dozens of times these last six months happens again: A rush of chatter in your mind, a cacophony of whispers that claw at your thoughts and flood them with has-beens and will-be's. A million things all at once, a little bit of everything from all of time, and then— one thread. One thread that stands out against them all. 
"Jane, don't."
Across the room, Jane's fingers pause on the contact number for that pretty S.H.I.E.L.D. agent they've met once or twice now — the one who is managing the Asgardian anomaly cases. With Loki missing, S.H.I.E.L.D. has been desperate to track him down. If this is a lead... If you know where he is...
Jane's face freezes.
Her brows knit.
Your face is split in panic. "I know you think calling Agent Hill is the right thing to do, but—"
"...How did you know I was...?" Jane's voice falls off, her eyes searching your face.
Your voice splinters as you step forward. "If you call Agent Hill, she is going to section our entire division within the week. Thor will be exiled from Earth on conspiracy four days later. We will sit in a cell for five years until they decide we have nothing to do with Loki's disappearance from Asgard."
Darcy's eyes bounce between you and Jane.
"Why are you saying all that like you know it's going to happen?" Jane asks slowly, putting her phone down and closing the gap between you. "Doc, what's going on?"
Your eyes flicker with fear. 
And then exhaustion. The walls you've built to keep this away from the others crumble with one worried look from Darcy, and you crumple against the kitchen counter. 
Your voice is far away.
"It all started that Thursday."
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You thought it would be better now that someone knows. 
Truth be told it might be more trouble than it's worth if not to soothe the burden of secrecy — because Darcy keeps treating you like a Magic 8 Ball that, when shaken, is going to spit out readings on the future. 
It isn't that easy. I mean, if it was, you would have definitely done everything in your power to avoid the commute traffic this morning. 
You don't know why it happens. Or how. You have a theory it has something to do with Alioth, but... without any sort of control, there's no way of knowing. All you know is that in those moments, you're presented with a weave of potential sequences. And in those moments, you can choose to act. Or not. 
So far, acting seems to be the best course of action. 
But, yea, no. No fortune-cookie-level stuff. No crystal ball, no tarot cards. Just... weird time-whispers. And a migraine that seems to never go away. And dreams. Really vivid dreams. Dreams that happen? And dreams that don't.
If it was a horoscope sort of thing, maybe you wouldn't have missed your morning bus after waiting in line at that coffee shop three blocks down. They always make your coffee a little too bitter, but the girl behind the counter is an NYU grad student you recognized from a mechanical engineering lecture you sat in on three months ago. You've got a soft spot for her. She's always nice to that guy in the baseball cap who seems unhoused. 
You hope it all works out for her in the end. 
But, Christ this coffee is bitter. 
You buzz into Stark Labs at 9:37 am, and you're setting your stuff down at R&D by 9:43 am. 
Bruce Banner looks up briefly from his work to slide you a welcoming smile. You return it gently as you settle down on your stool and reacclimate yourself to last week's work. 
Mondays, man.
Tony is, as always, later than anyone else. His entrance is followed by the usual boisterous chatter meant as a morale booster. More often than not it's a genius-level comedy routine built on absolutely torturing Dr. Banner. You opt, more often than not, to refuse to enable the bad behavior. 
Any laughter is buried deep into these readings from the Tesseract. 
And so this has been home for the last four months. 
Avengers Tower. R&D. Erik Selvig's Research Team. Theoretical Physics and Quantum Mechanics. Day in, day out.
No TVA, no TemPads, no Sylvie, no Mobius, no Capybaras. 
...No Loki.
But, plenty of whispers. 
It rocks you out of your focus, iced latte halfway to your lips as you're rooted in this little pocket of voices and threads and whisps of time. There's a thousand, then a hundred, then one. 
Your voice is soft.
"Bruce, try the equation again."
From across the room, Tony's voice dies down and Bruce's eyes rise to meet yours. He points to himself, with a questioning raise of the brows.
You nod, then continue to take a sip of your coffee.
And so Bruce does. Wordlessly. And, after a minute, he looks up with a grin.
"So it was right."
"Woulda never known if Iron Dick over here didn't shut up for one second."
Tony's grin is bigger than Bruce's as he meanders over to your lab table and throws an arm around your shoulder. He squeezes you gently. You avoid his eye contact — and in doing so, you miss the momentary grace of concern. 
(Tony has known you for a few months now. He knows you adequately enough to gauge that your triple-shot espresso should have been a sextuple. The bags beneath your eyes are dark. There's an edge there. Something jumpy. You're exhausted.)
"Now, that was mean."
"You're torturing him," you fire back lightly, non-the-wiser to his scrutiny. 
"It's called exposure therapy—" Tony croons, leaning back and thumbing through some of the notes on your desk. You allow it. 
Good. Still sharp. Still better than anyone else at what you do. 
"Exposure to workplace terrorism?" You rib back with one cocked brow, "No offense, Bruce, but I like you better not green. Okay, Tony?"
"None taken!" Dr. Banner calls lightly from across the room. He's working on the second part of that equation now. 
"Sure, sure, alright, Doc," Tony heads your words, raising both hands and stepping back, "I guess someone hates fun."
"Absolutely," you say blankly, chewing your straw; you point at him, "No laughter."
"None," Tony waggles a finger.
"Not a peep," you remark causally as you spin in your stool and snag your pen from the drawer behind you. 
"Any news on the other green guy we hate?" Bruce asks slowly, eyes bouncing between you and Stark. 
Your blood goes a little cold. Just like always. It's hard not to react — especially when that other green guy is all you think about day and night.
WHEN YOU LOSE HIM YOU WILL DO ANYTHING TO GET HIM BACK. 
You wordlessly shake your head. You shrug. Bruce turns to Stark. Tony is hunched over his bench. His words are a bit muffled by the soldering project he's turned his attention to. 
"None. According to Thor he just up and poofed. He was in the middle of atoning before the Buckingham of Asgard and... just warped on out."
So you've heard.
"Hill has been working every lead she can but... the Asgardians are a little touchy-feely on the whole 'earthlings in the domain of the Gods' thing."
"Understandable," you mutter absently.
Tony sits up. "Only time will tell."
...Indeed.
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Home.
Unit 1131. 
Lonely.
It wasn't before all this... It was full to the brim with contentment. It was comfort, it was bliss. It was indulgent mornings slept beneath the covers and bright music in the kitchen. Cheap wine from the liquor shop on the corner and homemade meals. It was "I finally made it". 
Now, it's none of that.
Because he's out there — and you know that you don't belong here anymore.
You drop your bag by the door. 
Your boots follow in a trail. 
Sigurd mews expectantly, and you scoop him wordlessly into your arms as you weave through the chaos of papers and books. Your carpet is hidden beneath a layer of obsession masquerading as research.
But, there's one thing that pulls you back in each time.
It's that photo. 
The one Darcy had pointed at earlier.
Loki is being carted off from the now-Avengers Tower. He's looking back at something, and his expression is broken.
It's you.
You know he's pleading with Thor at that moment through a muzzle, desperate to call your name. He's looking at you, being whisked away by S.H.I.E.L.D. as they clear the area, and your voice is silenced by grief. 
You wish you had called out to him then — told him you'd find him again. 
Regret is a hell of a thing.
Grief, too. 
How do you mourn something you never really had? Not here, not in this timeline. 
So you stand there, in the dim lights of your apartment, staring at the photo. And you cry. Just like every night, for the last six months.
In your desk, that magical little daisy made of grass waits.
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If they find Sylvie, they find you.
That's the mission.
Mobius M. Mobius thinks it's funny — back then, man if only he would have known that lil' hunch of his was right. Maybe a part of him did. And... Now? Things are different. I mean, everything is different. The TVA is different. 
Loki is different.
They say to be loved is to be changed an' all that. 
The first thing out of Loki's mouth was your name when Mobius finally saw him again — and then a word vomit of panic, induced by the death of He Who Remains and... time-slippage as OB called it. Lotsa moving parts. Lots to keep track of. But, ultimately, they're in a better spot than they were yesterday. 
1.) Loki is no longer falling through the metaphorical cracks in time. 
2.) Mobius did not get toasted alive when standing before The Loom.
3.) He never, ever, ever has to do that again.
And now!
They're in London. 
1977, huh. Zaniac. 
If they find Sylvie, they find you.
...Unless you find him first.
Loki isn't exactly thrilled. 
No, Loki knows better than to get his hopes up. Sylvie isn't here. He already told Mobius that. It's too safe. It's a damned movie premiere. There are no radiation burns, no falling stars, and no rampant gunfire. It's too quiet. 
It's a movie premiere and you're out there, somewhere, alone. You're... you're lost. He can't protect you here. He can't protect anything. You... You're all he has and you're gone. 
And he's here, wasting his damn time. 
Brad Wolfe is about to waste more of his time. 
Loki's gaze is sharp. His strides are long, and as they approach the fray, the God stands amongst the tallest of guests. He cuts a mean profile. It's times like these that Mobius remembers he is a God.
(It's times like these that Mobius can also see the ever-increasing edge in his partner-in-time. It's a little... worrisome. But understandable. I mean, rip a God's soulmate from his hands and see what happens, right?)
"So, he's an actor now?" Loki comments off-handedly, his irritation grating his heartstrings in a way that reminds him of who he was before all this. He hates it. But, he's angry. He will get you back. Without you...
Without you, he doesn't know what he'll do.
"Or he's undercover."
As they weave, Loki's brows knot in distrust. "Looks pretty real to me."
It smells like cigarettes and perfume, and the flashbulbs bite sharply into Loki's peripherals. The raven-haired trickster winces, tucking his hands into his slacks. 
On the red carpet, X-5 moves from interview to interview. Occasionally his laughter rises above the clamor. Each time, Loki's nostrils flare and he rolls his eyes. 
It's when he reaches the end of the line that Mobius moves in. 
"Will there be a Zaniac Two?" 
The look on Brad's face says enough for Mobius to know there's more going on here than just an undercover bit. Brad's laugh, as equally pained as his smile, just cements the fact. 
"Mobius! Woah!" A clap on the shoulder, a big hug. "I used to work with this guy!"
Still a show. Still a weasel trying to survive on his little slice of time. 
"We're going to need to catch up," he begins, backing up slowly, "You know, why don't we chat after the show?"
"How about now, maybe?" Mobius counters just as Brad turns on his heel and comes face to face with Loki. 
The God sneers.
"Woah. Okay, ha, whole gangs here!" he chirps, "Isn't that... great? Wow. I mean, you look — you look great, Loki."
"Why thank you, Brad."
Brad's eyes are manic, and he's searching the crowd quickly — no doubt looking for an exit. Then, they catch something. When Brad claps his hands together and pats them on both Loki and Mobius' shoulders, the two TVA agents pause.
"Everything alright?" Loki asks, head tilting in faux concern.
"Everything is great, actually, because when I was here," he begins, words quick and anxious as he tries to weave some sort of story, "I met a mutual friend!"
"Sylvie?" Mobius asks tightly.
"No, no, uh, better—"
Loki's jaw tightens. Enough of this. "We have some mutual friends back at the TVA who would like a word, as well—"
"Doc!" calls Brad after finally finding her in the sea of people, turning on his heel and calling out over his shoulder, "I got people I need you to meet!"
And just like that, it's like Loki's whole world splits wide open again.
In the fray of photographers and journalists, in the fray of drinks and the haze of smoke, there's you. You're smiling at Brad, positively beaming. You're bright as a star and Gods, there's no one in the room when you step forward with a laugh.
Your dress is green. Your hair is different.
There's a beauty mark on your left cheek. His version of you has a scar that lies there. A mistimed gift from Sylvie before their period on Lamentis. 
"Doc, these are some of my friends from work," Brad points, his hand falling along your waist in a way that makes Loki's blood boil; the ex-TVA Hunter leans close to your cheek, "They're the real deal."
You laugh into your drink, then extend your hand to Mobius. He's trying his best to hide his growing dread. "It's a pleasure."
Mobius takes it and shakes it gently. "And how do you have the pleasure of knowing our starlet, Brad?"
Damn it. He's losing Loki in real time here.
"Doc here did all the practical effects on set for Zaniac," Brad's eyes connect with Loki's — but the God is focused on only you... Her. Until Wolfe digs in with a low murmur meant to do just what it does, "She's a real wiz with her hands."
The God's face snaps. He will kill Brad, he decides. But, then this other-you moves to offer her hand and he can't help but melt. 
His fingers are trembling when he touches her skin. 
"Have we met before?" comes the soft lilt of her voice — this Variant's eyes are brown. They search Loki's face for a shred of recognition but all that's there between the two of them is raw attraction. A law of time and space unhindered by meddling hands. No matter where, no matter when, you will find one another.
Loki's mouth is dry. Your lipstick shade is a dark rogue. He thinks about that kiss back in the Void. He's stuck there, with your hand in his, when Brad bolts.
Her face contorts in confusion. She pulls away. But, Loki lingers. 
He has to... He...
He needs you back. 
Now. 
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ericshoney · 27 days
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Forgotten ~ Brothers!Sturniolo Triplets
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Summary: Nick, Matt and Chris are home in Boston, which means you get pushed to the side slightly, resulting in them missing your biggest ice hockey game of the season.
Warnings: possible swearing, nicknames, mild neglect, reader is ignored by her family, shouting, crying, angst with a fluff ending.
a/n: I'm not saying that MaryLou and Jimmy would neglect/ignore their children.
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It started the last time the triplets were home in Boston. You knew them being home was special and you loved seeing your older brothers. But it seemed when they were home, you were invisible.
You had turned sixteen a few months ago, around the same time the triplets came to visit. It was the last time you were really looked at by your family. Since then, all your parents seem to focus on is how Nick, Matt and Chris are doing.
You thought it was just because they were away from home and YouTubers, but they still focused on Justin a lot too, always texting and calling him, talking about him too.
It was just you they didn't seem to focus on anymore. The youngest Sturniolo. You told your parents stuff and it didn't seem to matter. You were also on your school's ice hockey team, but every time you mentioned it, the conversation would be brought back to the guys.
Nick, Matt and Chris were home now for a while, but you just went to school and when you got home, stayed in your room. You weren't really asked how your day was or if you wanted anything, so you gave up trying.
However, you had a big ice hockey match coming up. It was part of the championship within the schools and if your school won, you'd get a big trip to see the Boston Bruins play. You really wanted to win, since you loved the sport and your home team a lot, so you hoped with the trio home, you'd get at least one to hear.
You walked in from school and kicked off your shoes quickly, dropping your bag and rushing into the kitchen, where Nick, Matt, Chris, Justin and your parents were eating pizza. You looked and saw there wasn't much left, but luckily you had already eaten at school.
"Hey." You called.
"Hi honey." You mum called, something she really only did now.
"So I have some news! On Friday we're playing in the finals for the schools ice hockey championship, if we win, we get to see the Boston Bruins play at home!" You exclaimed excitedly.
"Sounds fun kid." Chris called, before going to fuss Trevor.
"Your all coming, right?" You asked.
"Oh yeah for sure." Justin answered.
"Okay, Friday at six. I got coach to save you all seats!" You cheered.
"Alright kid." Nick replied.
"I'm off to do some homework!" You added, before skipping off to your room.
That was the first time in a while you got a lot out of them. It made you feel happier and better, knowing your family was going to be there to cheer you on.
~~~~
When it came to Friday and half five, you were suited up in your gear, seeing many families roll in and take their seats. You looked over to where your family seats were saved, but nobody was there. You quickly sent a message in your family group chat, hoping they were on their way, but got nothing back.
"I'm sure they're coming, probably traffic." One of your teammates said.
You nodded, as your coach called you over for a pep talk. You really wanted to win and really hoped your family would show up.
But an hour later, as you cheered with your team, winning the championship and the trip to see the Boston Bruins at home, you looked over to where your family was suppose to be, to see empty seats still.
You felt upset. Angry and disappointed. They said they would be here and they aren't.
After a small celebration with your teammates, you shared your goodbyes and started to walk home. The team medal hanging around your neck made you feel slightly better, but not much.
When you walked into the house and saw your whole family sat around watching a movie, you lost it. You threw your bags down, your stick making a loud crash as it hit the floor. The tears fell freely down your face as you blocked the TV.
"Hey, woah what's wrong?" Matt called.
"What's wrong? What's wrong! Do any of you have an idea where I've been!" You shouted.
"Honey calm down, don't shout." You father said.
"No! I'm pissed! My team just fucking won the championship and none of you were there to see it! Next week coach is going with us to see the Boston Bruins play at home since we won! And what are all of you doing! Watching a fucking movie!" You shouted through sobs.
"Honey, calm down." You mum said, getting up to come over to you.
"No! Don't do that! Don't sit there and pretend it's all okay when it's not! None of you haven't bothered to actually see if I'm okay in months! All you care about is your sons!" You exclaimed.
MaryLou's face dropped and she felt the guilt instantly. She knew it was wrong and realised what she, along with your dad and brothers, had done.
You picked up your school bag and opened it, pulling out a certificate, throwing it on the coffee table.
"I also have had straight A's in every class for the past month, got an award for how well I've been doing too, but it's not like any of you care." You spat.
You placed your championship medal down as well before running up to your room. Your door slamming with a loud bang, as your family shared a look.
Nick grabbed your school bag and took some more stuff out of it, your mum went to stop him, until he pulled out a few more achievements of how well you had been doing in school.
"She's been doing amazing in school and at hockey." Nick said.
"Must be if she's getting all these achievements and the team won the championship." Matt mumbled.
"I feel terrible." Chris said, a frown etched on his face.
"She told us about the game, didn't she?" Justin called, making everyone nod.
"And we forgot to go." Your dad replied.
"What do we do?" You mum called, a few tears falling down her cheeks.
"Let her cool off for a bit, whilst we go to the store and get a shit tone of stuff to celebrate." Nick answered.
She nodded and the triplets left to the store, knowing they had to make it all up to you.
~~
An hour later, your brothers and parents had set up many decorations, got a few congratulation and apology gifts, a massive cake and ordered pizza, whilst you relaxed in your room.
You walked downstairs, thinking they had probably all gone to their rooms, only to enter the kitchen and see everything.
"What is going on..." You muttered.
Hearing your voice, your family turned around and saw you, giving you massive smiles and hugs.
"We wanted to say sorry, sweetheart." Jimmy said, kissing your head.
"Why? It's not like I matter." You responded.
"No honey, that's not true. We're sorry we got so wrapped up with your brothers and didn't take the time to give you what you needed and wanted." MaryLou apologised.
"We're sorry too, as your older brothers we should be looking out for you." Justin added.
"We wanted to make it up to you, so we got you loads of stuff." Chris said.
"Thank you." You said, a small smile appearing on your face.
"You can smile bigger than that, petal." Matt said.
He came over and poked your sides where you were ticklish. You whined and tried to move back, only for Nick to grab your waist and pick you up, running into the living room and throwing you on the sofa.
Your brothers ran in and started ticking you as your parents stood by and watched, smiling as your giggles and shouts filled the house, suddenly making the place feel more like home.
When the guys had decided you had enough, they let you up, laughing at your messy hair.
"We're really sorry we pushed you aside, kid, we promise it won't happen again." Chris said, holding his pinky out.
You smiled and hooked yours around his, making him smile. You had a good feeling things would get better from now on.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tags:
@lgbtq-girl @mattsfavbigtitties @onelesslonelygirlbieber6 @riowritesitall @sturniolo-fann
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arkhammaid · 7 months
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— ˚₊‧⁺˖ THE LIGHTNING ON TRACK | THE STRATEGY CALL
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fandom. formula one & mcu
about. in which the stark racing f1 team talks about the 2025 strategy and beyond
content warnings. written in 3rd person
word count. 1.4k words
notes. with this chapter i wanted to involve a bit of politics and 'realistically' explain why stark racing won't immediately win a wdc (because with the whole set up, it would be possible). f1 are politics and no matter how many drivers say cash is king, connections have sometimes more worth
"welcome, everyone. thank you for tuning in", greets tony with a big smile on his face, spreading his arms as if going in for a hug.
"as you can see, i'm not currently with any departement, i'm doing the finishing touches in my own lab back in new york... since i don't want to drag anyone here to the US for meetings, we will proceed like this until january next year."
"now, i know it will be annoying with dragging your equipement with you and it's also unsafe, since you know... data secrets bla bla- so, in the next few days, each stark racing employee will receive the so called 'tactical intelligence glasses', which you can see me wearing. it's voice activated and can only be used by the one who sets it up, which will be you!" while speaking, tony fiddles with a pencil in his hand and starts walking around in his lab, showcasting it to every viewer.
"to cut things short, you'll receive a tutorial on how to use these glasses and set them up once you receive them. if you ever lose them, don't worry, we can track them. destroying them is pretty hard, but please don't try to make it a challange... our plan is to use them not only during meetings but also during the race, to keep our data from the cameras. with netflix, paparazzi and other cameras from the news, it's easy to steal data that shouldn't be accessible."
"alright then", he ends his ramblings with a clap, "we're going over the interesting part now. let's talk strategy..."
y/n let's her father's voice wash over her, her own glasses perched on her nose and feeding her constant information. in front of her are two holograms, projected by the hologram table in the meeting room she's currently in. the standing figure of her father and the presentation he's currently rattling off, all of it in a glowing blue.
next to her sits kevin, her future teammate, exhausted from the long 24 season but still paying attention. the rest of the room is filled with their team, the race engineers and trainers- each of them having their own glasses on.
to outsiders it looks like they're clowns, but it's a common sight in stark industries. decades ahead of the general public, stark stands for the future. of course they're trying to push it to the outer world, selling hologrammic equipement to both the industry but also private customers, but it's a slow progress.
the marketing team of SI hopes with their public use of the glasses and other devices they'll attract more customers, leaving the age of apple and samsung behind and instead welcoming the age of holograms. powered by starkanium, the production of phones, tablets, computers- anything really, is much cheaper and enviroment friendly than what's currently dominating the market.
shaking her head, y/n focuses on the presentation again. of course she knows it by heart already, she helped writing it, brooding over the strategy with the team ever since the team got announced.
"... the plan is to finish between 5th-3rd on the construction championship. not higher, not lower. we don't want to place higher, because this is our testing season. we will be practically sandbagging from the beginning, not revealing our true power for 2026."
yes... the construction championship. it will bring in money, not that they would need it, but it will justify the expenses they're going to make during the season to prepare for their second one. y/n is under no illusion, if they want, they could go all out and snag at least p2, if not p1. maybe she would even get her world championship- only then for everyone to say she won because she's driving a stark machine and not because of her own skill.
it sounds arrogant, she knows. but y/n believes, no, she doesn't only believe, she knows, she is one of the best in the whole world. if she can go against her father in an iron man suit, who can be only piloted by less than ten people in the world... winning in an f1 car is nothing.
but they've already made enemies for not waiting until 2026 like audi, 'enemies', who have much more pull within the motorsport world than them, simply because they're already established. christian horner is one, followed by toto wolff, the iconic red racing team not far behind.
with they're entry, they didn't make friends on the paddock, so for their first season... they can't be too good. or else their future seasons will be ruined.
it's stupid, to think like this, to think so far ahead, to think of others, in a sport where winning is everything. but it's not. cash and connections influence everything you do, how far you succeed. they have plenty of money, but are practically poor in connections. heck, even haas is better established than them.
they won't be, not after they're done after their first season. they will show the world, what stark racing is truly made of. and y/n will prove, that a woman can win.
"-bought data packs from previous seasons, dating back a whole decade, from mercedes and aston martin. cost a pretty penny, but data is everything. not to mention, after the big leak that happend in the middle of the season, we managed to grab enough data on all teams to calculate 3523 outcomes to this season. points, standings, anything." kevin wheezes at the number, which is followed by several data sheets. he gapes at the calculations, which predict another world championship for max 2064 times. all from the data they managed to collect.
"insane, right?", y/n whispers to kevin, who turns his head to her. his wide eyes make her snicker.
"welcome to stark racing, mate. just you wait until JARVIS and FRIDAY start feeding in new numbers and information." a muttered 'holy shit' is the only answer she gets and y/n has to snicker again. toto wolff once said something about formula one being war planning... well, he should know that stark industries and it's most brilliant minds know everything about war. be it on the market, by income or an actual alien invasion.
"we want to achieve at least one win, be it in a proper race or sprint, three podiums per driver and at least two fastest laps. and it will be possible", her father continues, pointing at a hologram of their car. it spins lazily in a circle, showing off it's aeorodynamic curves.
"this car is faster than the rb19, goes on par with the rb20. we don't know the upgrades from red bull, but another year and we can pretty much predict their stats for 2026. newey is predictable, all his upgrades point towards the perfection of the car, he focuses on what to make better and not invent something completely new. and if he does, he takes ages to prove it's better than what they had before. newey is brilliant, but he's no stark." there it is again, the facts of their rivals, taken apart and put back together to summerize their data in a few simple words.
"so, our motto for this season is testing, collecting data and improving for the next season. we're sandbagging, we're restricting ourselves. so if we ever do bad... we all know we could do much better. the engineering team will send first comparisons between the SR-1 and SR-2 out next week, y/n has already tested both cars in the sim, so we will have some data to read off."
"so, with that, we're pretty much done. thank you everyone for listening, i know for some it's very early right now, so if you have to read over the spark notes- JARVIS has put a summary of the most important information together, you'll receive the mail right after this converence. thank you again and welcome to stark racing, everyone!" claps fill the room and y/n takes off her glasses. it's exhausting to play mindgames like this, to calculate the desired outcome, but it will all come together.
hopefully, with her as a world champion, with the bold stark name on her back.
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taglist. @lilypadlover , @adorablezhui , @peqch-pie , @keyz-writes , @obsidianjewel , @aimixx , @themercyverse , @lem-hhn , @akiraquote , @kiiyoooo , @nichmeddar , @nothingfuninthislife , @minkyungseokie , @fionaschicken , @lyrasconstellation , @spideybv28 , @keii134 , @starssfall , @tpwkstiles, @fangirl-dot-com , @nichmeddar , @lady-laura-speaks , @nikfigueiredo , @hinamesgigantica , @brakingboundaries , @almostjollypizza , @yoremins , @raizelchrysanderoctavius , @celesteblack08 , @watermelon-sugars-things , @lighttsoutlewis , @radiantdanvers , @vellicora, @sterredem , @hiireadstuff , @jolixtreesunn , @mypage-myfandoms , @nelly187 @greeneyesandsunshine , @fulla02 , @welovediaaxx , @whyamireadingthis , @67-angelofthelordme-67 , @blueberry64857959 , @winchesterwife27 , @six-call , @skywalker1dream , @mellowarcadefun , @cherry-piee , @peterholland04 , @motorsportloverf1 , @renarots , @msbyjackal , @woozarts , @leclucklerc , @yl90
crossed off tags mean i can't tag you!
DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!
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ARKHAM MAID 2024
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madlori · 5 months
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On endgames and Buck
So when I read posts about Buck and Tommy, I see a theme often repeated:
I know they're not permanent, but I love it.
Who knows how long it'll last, it's great to have it now.
I don't know if I want it to be forever, it's just fun while it lasts.
It's not endgame.
Well...
I think I want it to be. Like, seriously. What if it is? Why can't it be? They're certainly positioning it to be at least long-term. It could be the one that sticks for him. No, on second thought, I don't think I want it to be, I definitely want it to be.
And my reasons have very little to do with Buddie. It's about Buck.
In a nutshell...I want Buck's character development to not center around his love life.
I want his love life settled, so he can develop in other ways. Professionally, personally. So he can gain confidence, decide how he wants to deal with his family and the Daniel spectre, work on his insecurity, his pathological people-pleasing, decide if he wants to further his career and try to become a captain (this was touched on last season and then dropped). I want him to have plot arcs that aren't about the looming question of his romantic life.
I want him to develop from a base of stability in his relationship. And Tommy's the best candidate we've had for that yet. And before you say "Eddie," if that were to happen, we're talking another year or two of...stuff happening to get there. I'm tired. I just don't want him to have yet another relationship end so he can go through whatever sturm und drang would have to go down for that to happen. It's not worth it. I'm convinced now that it would not be worth it. (that's putting aside my utter belief that they're never gonna do it anyway)
So yeah. I'm saying it. I think they might be permanent and I hope that they are. Let them move in together, get engaged, get married. Let Buck become a father (to his own kids). Let Buck work towards more responsibility in his career with a committed life partner at his side. His character can't just be about romantic drama.
Anway, Eddie seems to be throwing his hat in the ring for king of romantic drama anyway, so let's let Buck leave Buck 1.0 behind for good and upgrade himself for the last time.
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apomaro-mellow · 9 months
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Every Baby Needs a Daddy 4
Part 3
"And you said yes?", Robin said, her voice impressively even.
"I did", Steve said, phone on speaker as he got ready for work. "I figure, if he's going to have a sugar baby, might as well be me, right? I think this is the universe giving me a break."
"Okay, yeah, sure, until he takes you out and gets you involved in like drugs or something, or takes his anger out on you when he doesn't win a Grammy or something. Or worse, you're a mistress and his actual spouse comes for revenge. OR you actually get really involved with him, help him get even more famous, have very talented children, but then his drug running gets you arrested and when you get out of jail he acts like he doesn't know you and estranges your children!"
Steve paused in putting on his shoes, grinning. "You've been watching Empire."
"Terrence did Taraji so dirty Steve."
"But not enough to learn their characters' names. I need you to catch up so we can watch season 2 together." It hurt being away from her. Before, whenever one of them started obsessing over a show, they could literally sit down and put aside one of their days off to binge a bunch of episodes.
"Sorry, let's get back to you dating a rockstar? Steve? Steve."
"We're not dating. He's just gonna text me whenever he wants to fuck. That's it. He might buy me something nice from time to time." Steve grabbed his keys and went out the door, nearly stepping on something left on the floor in front of it.
"Okay, yeah, sure, but isn't this the reason you cut your parents out? Did they want this exact life for you?", Robin asked.
"No, this is totally different. For one thing, Eddie doesn't want commitment. He doesn't want kids out of me. And even if I attend events with him, I'm just arm candy, but you know, in a good way."
"There's a bad way to be arm candy?"
Steve thought back to the functions he had to go to when still under his parents' thumb. There was definitely a bad way to hang off someone's arm like a decoration. He looked to the little box in his hand. No note, but it had clearly been placed in front of his apartment.
He opened it and found an expensive looking watching inside. The face was a cool navy blue color. He didn't need a card to know who it was from.
"Eddie's different from the guys my parents wanted", Steve said. "And when it's over, I'll at least have something to show for it."
"Just don't be stupid about this, dingus. If this goes sideways, I won't be close by to save your ass."
"Noted", Steve said as he closed the box and continued on his way to work.
-------------------
The next time Eddie texted him, it was to go to lunch. It was a more casual setting than before, but still a pretty high end sushi restaurant.
"I must admit, I called you here under false pretenses, Steve", Eddie said as they sat in a booth.
Steve smiled at his serious tone. "I gathered, given our whole arrangement." Being taken out somewhere was typically a prelude for something intimate later, even in a normal relationship. When Eddie asked him out, Steve full expected sex. He wasn't complaining, last time had been very nice. He wondered how long until Eddie sent a simple 'u up?' booty call.
"I have to attend some fancy lunch meeting in a couple days and they're taking us to a sushi place", Eddie started to explain. "Problem is, I hate sushi."
"...Did you...are we here to train your taste buds or something?", Steve asked.
Eddie nodded. "These are some pretty important people and I can't sit there and tell them my favorite fish is whatever they use for fish sticks."
"Pretty sure it's cod."
"What? Nevermind. I just need to get one of everything and force myself to acquire a taste for it", Eddie said, eyes narrowing in focus at the menu.
Steve smiled. It was cute how serious he was being. He thought back to previous gatherings when some alpha would try and force a drink on him or when the hors d'oeuvres being served weren't to his liking.
"Want some advice?", he offered, continuing when Eddie nodded with his big Bambi eyes, "Instead of forcing yourself to like something, you should be able to say why you don't like something."
"Sounds like complaining", Eddie said, putting the menu down.
"No, you sound cultured", Steve clarified. "Watch." He cleared his throat and held up his glass of water. "Thank you for offering, but I only drink water from a natural spring. I prefer Canadian or Icelandic, but I'll take Swedish if you have it. Nothing from Switzerland though, it has this horrid mineral after taste to it." He set the glass down, adjusting under Eddie's wide eyed gaze.
"I don't know if that was bullshit or not but it sounded legit."
"It's legit what some girl said at a party once. I've never sourced where my water came from, but it works for just about anything. If you can articulate why you don't like something, it comes off better than just saying you don't like it."
"What kind of parties did you go to?", Eddie smirked.
Steve shrunk a little. "Just, you know, parties. So what's your experience with sushi?"
"Supermarket stuff", Eddie said simply.
"....You're kidding. How long have you been a rockstar?"
"I didn't realize this was an interview."
Steve tapped the table as he considered something. He looked to the other part of the restaurant. The bar where chefs were preparing the food. He almost asked Eddie a question directly, but remembered his role as a sugar baby. It wasn't his job to ask how much something would cost or even to ask Eddie to spend the money. All he needed to do was ask for what he wanted.
So he moved over to Eddie's side of the booth and leaned in close to his space. "I think you need something a little more...fresh."
"Fresh?", Eddie echoed as Steve led him to stand.
"And flavorful."
"Uh-huh."
"And satisfying", Steve whispered the last part before sitting down at the bar.
Eddie didn't know when Steve got him here but he did and he ordered something called 'omakase' and suddenly the chef's hands got really busy. He put a little filet of something on rice and then took a blow torch to it.
"I didn't know you could cook the fish..."
It was placed in front of him, but Eddie was still skeptical, which Steve noticed.
"'Omakase' means you're trusting the chef to pick out the best for you", he said. Then Steve took his chopsticks and picked up his piece. He ate it in one bite and Eddie subconsciously swallowed as he watched it pass his beautiful lips and then slide down that gorgeous throat. He wasn't even eating sexily, that was just how far gone he was.
Then Steve picked up Eddie's piece and held it to his lips. Eddie didn't even hesitate to open up and let it in. Tender rice, delicate fish, a total opposite to the sushi he'd experienced before. And it didn't stop there. The chef served cut after cut and each time, Steve asked him what he liked or didn't like.
Eddie was no slouch when it came to language. So he was able to come up with that on his own. He had just never considered respectfully refusing food and to do so with a haughty air deserving of a celebrity.
"Mmm, great choice on the shrimp", Eddie praised the chef. "Texture is superb. Sweet on the tongue too. Nice one, Tatsuro-san."
"Better than the crab?", Steve asked.
"I'm sorry, but nothin' beats an old fashioned crab boil for me. It's the only way I can eat crab."
"You've got opinions and you know how to voice them. I never imagined that be an issue for you, but I think you're ready now."
"Oh I've got opinions out the wazoo. I was just taught to never complain about food."
"Good boy", Tatsuro commented as he prepared something else.
"Very good", Steve agreed as an oyster on a half shell was put in front of him and Eddie.
Tatsuro winked at Eddie and he tried not to think about it as they finished up the course. He was absolutely not thinking about how oysters were an aphrodisiac, or how he'd had a great time, or how this felt like a date and not an outing with a hot piece. He wasn't doing a good job of being a sugar daddy, was he?
Time to fix that up right away. He paid for the meal, leaving a generous tip and led Steve out the restaurant, arm around his waist.
"You were extremely helpful. I can honestly say I like sushi now", he beamed. "And I think excellent service deserves a reward."
"You gonna give me a tip too?", Steve teased. And there was certainly a tip Eddie wanted to give him. Really the whole thing, but he had another idea in mind. And thankfully the appropriate place wasn't too far from here.
"You're buying me a suit?", Steve realized as they walked into a tailor's.
"I've got an eye for these kind of things. And you need something to match your new watch", Eddie said. He had a feeling Steve knew what to do, so he let him free.
Steve gave him a look and Eddie made a 'go on' motion. So Steve went, picking out different pieces for himself to assemble a new suit. There was a man awaiting any need of assistance and did so once Steve came out of the dressing room and stood in front of the mirrors.
Eddie was sitting before him, watching as Steve appraised his reflection and the tailor took some of his measurements. The suit was in silver, with a black shirt underneath. He finished of the look with a dark blue handkerchief in the chest pocket. It already looked great. Eddie knew he'd be breathtaking once it was bespoke. He ached to put his hands on him but public decency kept him from doing so.
"You look good enough to show off", Eddie praised.
"You look like you have somewhere in mind", Steve said, looking at the other man through the mirror.
"There's a shindig goin' down that I wouldn't mind having a date to."
Eddie put in the order for the suit to be done the day before the event. "Let's head back to my place."
This time, as they traveled, Steve was the one who couldn't keep his hands to himself. His hand stroked Eddie's thigh, getting close to where he wanted but never actually touching.
"What're you thinking about?", he asked when he noticed how hard Eddie was holding the wheel.
"Oysters. And you." And how he really should get a personal driver on hand.
Steve laughed softly and let a finger do circles on his crotch. "I think our chef was trying to be subtle. But I know what oysters are supposed to do."
"Oh?"
"And I don't need any culinary suggestion to get me in the mood." Honestly, he kind of felt like blowing Eddie now and probably would have chanced it if it wasn't still light out. "Can you be a good boy like he said?"
Eddie nodded.
"Good. Because we still have to take the elevator."
They didn't get as far as they did the first time they took this elevator but Eddie did attach himself to Steve's back and kissed at his neck. Once again, Steve could see their reflection in the wall. Eddie's eyes roamed his torso, wanting to go further but holding back. He only got bold enough to pinch a nipple through his shirt when the doors opened to their floor.
Steve only moved because of Eddie's prompting, finding it very easy to melt in his hold. They got about two steps out of the elevator before Eddie pushed him against the wall, kissing his lips and running his hands up under his shirt.
"Saw you lookin' at yourself in the elevator. Pretty baby likes how he looks?"
Steve's only response was to moan against his lips and rub against his leg. The closest camera was all the way at the end of the hall, though they'd be screwed if anyone opened up their door. He knew he looked good and liked looking good. And he'd seen the way Eddie's eyes were glued to him at the tailor's. That was a good feeling too.
Eddie took out his key card to open up his door and pulled Steve inside. They migrated to the couch, just needing to get horizontal. Steve lied underneath, Eddie's leg in between his again and providing friction as he rutted up against it. It was so hot, Eddie wanted to watch him get off just like this. If he got his pants off he could watch that sweet pussy drag-
Steve nearly jolted off the couch when a loud guitar riff sounded from Eddie's back pocket.
"Shit", Eddie hissed when he realized who was calling. He could ignore it, but he knew they'd just keep it up until they got to his door.
"You need to take that?", Steve asked, voice a little breathless.
"Just-just gimme a moment, it'll be quick." Eddie answered and Steve could be patient. He just couldn't be good and patient. He rubbed at Eddie's arm before taking his hand in his own. He brought it to his lips and swirled his tongue around his index finger, keeping his gaze down at first and then looking up at Eddie.
The man above him was speechless, up until whoever he was talking to shouted at him from the other end and got his attention again. Well, half of it anyway. The other half was on Steve sucking down two of his fingers now. Eddie groaned both in frustration and the beautiful man under him. Steve was only half following the conversation but it sounded like their time together might be cut short.
Eddie hung up with a sigh. "Baby...baby I gotta go."
"Right now?", Steve asked.
"Yeah but...but if you could, I mean you can stay here until I get done. It'll be quick, just a couple of hours tops. And I can take you out to dinner too."
"You want me to stay?"
Eddie's hair shook as he nodded. He stood up, glad he had a bit of time to calm his boner down. Then he saw Steve lying there on the couch, lips kissed wet and certain his lips farther down were just as glistening. He leaned over to cup him between the legs, feeling the warmth through his clothes.
"Don't forget who this belongs to", he growled when Steve whimpered.
"Okay." And because this man was sent from above, he whispered, "Daddy."
Eddie couldn't hold back then, kissing him hard, tongue marking his insides while rubbing Steve through his pants. He unzipped them, thinking he could just get him off quick when the ringtone sounded again. Pulling back was the hardest thing to do.
"Keep it nice and warm for me", Eddie said before fully removing himself.
"Hurry back."
And then Steve was alone. In a rockstar's hotel room. He thought about what a sugar baby might do when their daddy went off for what must be a very important but impromptu meeting, especially when it stopped such a heated moment. It became very obvious what he needed to do and so he headed straight for the bedroom.
Part 5
I need you to know that when I first envisioned this fic it was literally just supposed to be smut with connecting scenes but it somehow turned to "don't catch feelings" and "oops we're accidentally dating" the fic so here we are.
Tag Team
@awkotaco24 @lingeringmirth @littlewildflowerkitten @estrellami-1 @tartarusknight @velocitytimes2 @mrsjellymunson @trashcanniballecter @marklee-blackmore @dragonmama76 @paintsplatteredandimperfect @a-little-unsteddie @sllooney @starman-jpg @oxidantdreamboat @xxbottlecapx @chaosgremlinmunson @newtstabber @tiny-enthusiast @desidrarry-wolfstarshipper @y4r3luv @hello-fellow-nerds @anonymousbandgirl @alyelf @potato-of-the-lord @beckkthewreck @greatwerewolfbeliever @croatoan-like-its-hot @pluto-pepsi
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tealvenetianmask · 1 month
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I rewatched the Helluva Boss trailer today and tried something different. Instead of looking for upcoming details or clues about what might happen, I looked for a narrative. I tried to imagine what the editors were thinking as they chose clips (both visual and audio) to include, and why.
I thought that MAYBE in light of having seen two of the episodes (and weeped over them, and analyzed them into the ground) most heavily featured in the trailer, I might learn something from doing this.
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My conclusion is *drumroll* that the clips were chosen to introduce problems. AND NOT TELL US ANY OF THE OUTCOMES SO WE WOULD FUCKING SUFFER. Not too different from a movie trailer really.
So there are four main problems set up. Each of them are set up to make us ask questions.
Villains: Oh, what an array. Cherubs, Dhorks, new John Waters villain, Andrealphus, shadowy figures in hoods, Mammon flipping off the camera, etc. We're given very little information about how any of these confrontations will go. We just know there will be conflict/danger.
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2. Blitz vs. self: "you always take from those around you . . ." "do you feel any kind of remorse for what you do?" "I make everyone's lives worse." "I don't want to be this way, not forever." One could argue that we've already seen tremendous growth with that last quote appearing in Apology Tour. I think that if I saw this group of quotes together without the context of the episodes so far, I would have assumed it would come last. But I think it's the beginning of a journey. We haven't heard all of these lines yet. And the ones we haven't heard might get closer to the self-loathing Blitz is dealing with than anything we've seen yet. These lines are telling us about a problem- again, the outcome is left blank. How will Blitz transform once he discovers that he wants to change and starts confronting the truly scary things living inside of him.
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3. Stolitz: Okay so ALMOST everything in the trailer that has to do with their relationship is from either The Full Moon or Apology Tour. And in retrospect, it was pretty spoiler heavy. Maybe this is my shipper delulu speaking, but I think the writers/editors were okay with the trailer giving this much away from these two episodes BECAUSE these episodes set up the problems with their relationship and do not reveal the outcome.
The problems are ones we knew existed but have now seen tear them apart: Stolas wanting someone to care and Blitz wanting to be respected, the fact that they both love each other and want to be together but each think they're not wanted. Then there's the cruel as fuck framing where the trailer puts together Blitz looking at Stolas in awe and Stolas smiling as if they're in the same moment, only for us to find out in the actual episode that someone else is making Stolas smile.
Anyway, this is all to say that yes, I think that narratively they will get together at or near the end of the season. The trailer tells us that they both love each other despite the problems that are laid out. The solution IS for them to come back together somehow. And the trailer gives us that split second clip of Blitz defending Stolas to . . . I don't know . . . stop heartbroken shippers from rage quitting the show altogether after Apology Tour.
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4. Stolas and Octavia: when it comes to the first two episodes in this group, this one has been visible in the show only through Octavia's absence . . . But if we look at the trailer as setting up problems, the problem is clear. "You never loved mother and you don't love me. You love him." Shit is going to hit the fan. And again, we have no idea what the outcome is going to be.
So conclusions?
Trailers are a cool art-form. They have to be narratively cohesive without giving away any outcomes. They have to make us want to see more. They can scare us but they can't be so depressing that they make us give up.
We didn't get random parts of the upcoming story. We got the earlier parts. At least, the earlier parts of each conflict (likely to be spread out somewhat), but please notice that the trailer has told us VERY LITTLE about Mastermind and Sinsmas.
There's very little reassurance in the trailer. It's supposed to be that way. But we do have hints that stolitz will be okay. Trust.
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leviscolwill · 1 year
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glue song
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pairing: trent alexander arnold x reader
summary: after going picnicking with your little cousins, you feel like your relationship with your boyfriend has taken a new step (wc: 1k)
contents: established relationship, talk abt having kids, so fluffy you might die in it, suggestive ending i guess ??
note: i'm in a trent mood lately, just look at him being so babygirl. i want to be his controversially young gf so bad (gasly core)
reblogs and feedback are very very much appreciated 🫶
now playing: glue song by beebadoobee and clairo
when your cousin asked you to babysit her kids for the afternoon, you immediately accepted. you were very close to your family but still felt like you didn't see your cousin or her twin daughters enough so you jumped on the occasion.
trent had already met your family quite a few times but when you told him the news, he was already planning the whole day ahead wanting to make the most out of the afternoon you'll spend with olivia and amalia.
he'd prepared custom sandwiches for them according to their taste and he forced you to bake cookies with him for them.
"come on it'll be fun." he practically pleaded.
"but trent you know that we can't bake to save our life."
"we ? who is we ? i'm a great baker." he replied side eyeing you while grabbing every ingredient needed. it was the truth, sort of. trent was not a great baker but he was definitely better than you, his cookies were edible (most of the time) and even good, sometimes.
but baking with trent was always a hustle, you tried to focus on the recipe while he wanted to wing it, saying it would taste better this way.
"you should listen to the real chef here love, it's not a big deal if we don't put the exact same amount of vanilla you know. now, be a good sous-chef and grab the whip for me please" he told you with a cocky grin, he knew how you would react to his words, exactly how he wanted you to.
you grabbed the whip only to playfully hit his shoulder with it while trent dramatically whined that you wanted him injured for the start of the season.
it didn't surprise you that your boyfriend was this excited about spending his day with actual kids, the way he was behaving like one right now.
after at least an hour of battling with trent, and cleaning your flour-maculated kitchen, your cookies were ready. and after tasting one (for research purposes, of course), you could say they were good, 'probably the best thing ever baked' in your boyfriend's words.
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after a while, your shared house's doorbell finally rang, and trent nearly jumped out of his seat to open the door, you followed him and welcomed your cousin and her 7 year old daughters.
"thank you so much for babysitting them today, they're very happy to see their favorite aunty and uncle." your cousin beamed while giving you their bags, heavy with toys.
"we're also happy to spend some time with them, we have a great afternoon planned." you replied with a smile. trent who had his hand on your waist was quick to agree with you too.
after olivia and amalia hugged their mum goodbye, trent was already grabbing your bags full of sandwiches, sweets, and freshly baked cookies.
"uncle trent did you know my team won the school's football competition in may." amalia beamed at trent while she told him how she scored the winning goal for her team, thanks to her sister's brilliant assist. seeing trent and your little cousins get along this well made your chest feel warm at the scene, you almost wished for today to never end, although it was far from over.
once you settled your large blanket in the park, your boyfriend chose. you gave olivia and her sister their sandwiches with a kiss on their forehead. you turned around to take your own when you met trent eyes and his lovesick smile.
"why are you looking at me like that ?" you asked him with a shy smile as you felt the blush creep up your cheeks.
"do i need a reason to stare at my girl now ?" he answered, quickly pressing a kiss on your lips.
"ewww." olivia covered her eyes in disgust, while amalia pretended to throw up.
you laughed at their dramatic reactions and took a bite of the sandwich prepared by trent.
after the girls finished their sandwiches, they tasted the homemade cookies and absolutely loved them.
"of course they're perfect, they were made by liverpool's best baker." trent beamed pointing at himself. you rolled your eyes while olivia and amalia laughed at his ridiculous claim.
when it was finally time to go, you cleaned up everything while your cousins started walking to the car holding each other's hands.
"come on let's go home, my three princesses." he said, while bringing your hand to his lips to kiss the back of it and kiss the side of your head while you started walking, holding hands like teens.
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after your cousin picked up olivia and amalia, and thanked you again, the house seemed oddly silent. not the awkward kind of silence but a comforting one, the kind of silence you often shared with trent when words weren't needed.
"i really had fun today you know." trent broke the silence, stroking your hair.
"yeah, i noticed that, i'm glad you get on well with them."
"i think you'd be a great mum." he said almost in a whisper. you did not expect this. trent and you have been together for over a year already, but you've never had this talk.
"are you trying to tell me something ?" you asked, looking up at him.
"i don't know, not really, i was just thinking that maybe-" you put an end to his suffering quickly when you noticed his stammering.
"i'm joking trent... i think you'd be a great dad, the best actually."
he looked at you lovingly and kissed you in a manner that was definitely different than when the girls were here.
his kisses started trailing down your neck as you moved your head to the side, implicitly telling him to keep going.
"should we start practicing then mmh ?"
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princesscolumbia · 1 year
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Star Trek Captains, A Review and Categorization
Star Trek is a show about a Neo-military organization that has rank structures, ships, and fights wars, so naturally there's plenty of captains to talk about, but for this post I'll be highlighting specifically the main cast captains, in something resembling chronological order. (But, I mean, this is Star Trek, so even that's kinda up in the air)
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Captain Archer
That Guy who had to hand crank the warp engine up-hill both ways in the blinding ion storm. We don't need no stinkin' Prime Directive! Remember The Alamo Pearl Harbor 9/11 Florida! But...uh, maybe don't be dicks about it, not everyone who looks like the ones responsible for that thing we're never going to forget actually wants us dead. Got transformed into an alien, got possessed by another alien, slept with a couple more. Never got pregnant, though (that was his chief engineer)
Scorecard
Ships commanded: 1
Wars started: 0
Wars ended: 3
Times on screen naked: 1
Nazi facilities destroyed: 1
Category: Grampa
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Captain Pike
Midlife crisis? What midlife crisis? Everything's fiiiiine. Now eat something, it'll make you feel better. I'm not mad, I'm just disappointed. Number One, don't tell me I can't adopt more kids, I don't care that they're from the future they're mine now. Besides, we've already got a whole ship-full, what's two more?
Scorecard
Ships commanded: 2
Violations of the Temporal Prime Directive: -3 (yes, it's an irrational number, we're talking time travel, people!)
Musical Numbers Participated While On Duty: 3
Hair: Really Great
Category: Dad (or DILF if you swing that way)
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Captain Georgiou
You will be captain when you can snatch the stone from my hand.
Scorecard
Ships commanded: 1
Protege's who required a redemption arc: 1
Awesomeness: Transcendent
Category: Gone too soon, also, MILF who can kick your ass
(Edit: Courtesy of @cheer-me-up-scotty for pointing out an oversite on my part)
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Captain Burnham
Cosplays as a Vulcan 'cause she's jealous of her adoptive brother. Accurately called an audience-stand-in-self-insert-mary-sue (shut up, Star Trek fandom invented the Mary Sue, it was a term coined by women fans, so shut up!), but by season 2 she actually gets interesting.
Scorecard
Mommy Issues: Has a subscription
Moms: 4
PTSD inducing life events: Like, all of them
Ships commanded: 3
Mutinies led failed: 1
Category: That One Cousin who married surprisingly well and made something of herself in spite of all expectations
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Captain Kirk
Golden retriever energy, would be the Useless Bisexual Himbo if he didn't have so much game. Probably smarter than he lets on. Polyamory King and certified Alien Fucker. Boyfriend is a half-space-elf, main sometimes-girlfriend will go on to create the deadliest super-weapon ever built by humans by accident.
Scorecard
Number of Klingon Bounties on his head: [CLASSIFIED]
Number of women he's slept with: [CLASSIFIED]
Nazi regimes toppled: 1
Number of times he should have had a test that determines if you can stick your dick in it that got named after an upstart from that other science fiction show instead: 1
Ships Commanded: 3
Ships He's Stolen: 3
Category: Slut(affectionate)
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Captain Kirk (the other one)
Golden Retriever that got left behind when his family moved away and had to lead a ragtag team of a crotchety older dog and a wet cat on a journey...
No, wait, hold on...
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Right! That's the one!
Scorecard
Times he should have been kicked out of Starfleet: At least 4
Ships commanded: 3
Ground transport destroyed: 2 (that we know of)
Number of middle fingers given to Admiralty: 2
Category: Bad Boy
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Captain Picard
You know that guy who you see going to the library all the time and always seems to have his nose in a book and always seems to be telling people off for breaking the rules and doing dangerous shit? You'd never know it but he used to be That Guy in college who got, like, ALL the girls and is going to be the Hot Grampa that you don't know how he has that much game, but he got it.
Scorecard
Ships lost in the line of duty: 2
Number of times he married and then estranged his best friend's wife who named their son after her dead first husband: 1
Number of toxic omnipotent and omniscient boyfriends who are obsessed with him and spends their spare time playing with ponies: 1
Category: Inexplicable Sexyman
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Captain Badass Sisko
The Cool Dad with baggage. He's got game, but he's got priorities as well, and DON'T mess with his son or you won't even exist anymore to regret it. BLM before it was cool. Led a civil rights riot two centuries before he was born. Space Jesus who can make the best jambalaya you've ever had. Fought and won a war, punched a god, then became one.
Scorecard
Civilizations saved: 4
Native Cultures Treated With the Respect They Deserve: Many
Times He Bent the Rules so his CMO could get some nookie from a Cardasian spy plain, simple tailor: The counter broke
Successful black-ops assassinations completed: 1
Category: BAMF
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Captain Janeway
THE single most decorated captain in Starfleet history. Successfully dropped the hammer on dozens of petty tyrants, oppressive regimes, roaming mass murderers, and the Borg. What Prime Directive? Your Mom. Also, probably slept with your mom, that's how much she is the Domme-est of Dommes. She told the Borg to use the safe word...and they DID!
Scorecard
Borg Daughters: 1
Times she told the Borg to step off: 3 (or 4...or 5? Honestly, with the time travel shenanigans it's hard to know for sure)
Nazis she's personally shot: 1
Category: Mistress, but it's "Ma'am" to you
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Captain Freeman
She's angry AND disappointed! She's just as good as all the other captains in the fleet, and the good ones know it, but all the rest? They see "cali class" and assume all they're good for is the jobs nobody else wants. But jokes on them, because thanks to that attitude her crew are the flippin' Jacks and Jills of all trades and are more capable of fixing AND fucking AND "fucking" shit up than damn near anyone else!
Scorecard
Times the ship has nearly been destroyed but she and her crew got through it: ...uh...how many episodes are there? And then there's the times that get casual mentions that we never get the details on!
Daughters who should probably be captains now if they were at least a LITTLE more respectful and didn't actively try to piss off Admirals: 1
Times the Cerritos has had to be rebuilt to the point it might as well be called "The Ship of Cerritos Problem": At least 4
Category: Your mom...get back here, I'M NOT DONE TALKING TO YOU!
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Captain R'El
Cinnamon Roll, just let m'boy into Starfleet! He just wants a home and a family! I'd like to see full-grown captains who can keep up with half of what this Best Boy is capable of!
Scorecard
Number of species his genetic code is made up of: All of 'em. Even the GODDAMN Q!
Number of Janeways he impressed the socks off of: 2
Quality of his Janeway impression: Bad
Number of Ferengi he out-Ferengi'd: 1
Nazis punched: Give him time...
Category: Teenage Boy Who's NOT GOING THROUGH A PHASE, MOM!
Should I do Captains Shaw and Seven? How about Alternate Timeline Tripp or Future Chakotay? (Going too far down that rabbit hole will eventually lead to Imperial Kirk and Captain Spock from the movies.) Let me know in the comments.
Next Post in this series
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thefirstlioveyou · 14 days
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"The Last Lie," as the final variation of "The First Lie," why it would be the perfect title
+ the importance of the the songs
(before anything: yes. i know. "it's literally just a song title." but obviously the song is important to the duffers if they wanted multiple versions to put in each season. this song is insight to what's not always being verbalized. the series of this song contains themes of queerness, romantic love, self-discovery, honesty and acceptance. all of it is meaningful and that includes the title pattern that's going on.)
ok so this is gonna be very much a rambling post.
but i was thinking of all the variations of "the first lie," and how the final one is most definitely gonna be for byler, or related to it in some way.
so far we've got... The First Lie (jancy) // The First I love You (mlvn s3 kiss, robin's coming out) // Being Different (Will's Monologue, 3:20-4:29)// Jopper scene S4
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(yes. jopper has their own variation! you can tell by the lack of bass, extra added synths and different build up that it's a different version... i'm just not sure why it wasn't included in the soundtrack.)
i got bored and began thinking what the title would be if it were to be for byler.
i've noticed many people suggest to capitalize the 'L' in 'love' to prove that mike's love for will is something real, where as it wasn't for el.
i guess they could do that.
but... that requires them to say that phrase. and i really don't think mike and will are gonna say that to begin with, nor would i want that.
in the stranger things universe, "i love you" has only been a phrase used platonically or by failed relationships. the show really loves to depict love by actions or with other words. they enforce the theme "actions speak louder than words" with their relationships.
in real life, it's important to hear those words 'i love you.' however this is a fictional story that's crafted with precise choices to send an underlying message to the audience. so going by that this means that in this fictional world, el shouldn't need to hear mike say it. no other couple in the show had this issue other than stancy, and well.. you know how that ended up. bullshit.
mike and el had this issue because they don't love each other that way. the desire to hear it comes from none other than their codependency. they rely on each other to have some form of identity or purpose, slowly destructing who they really are in the process.
so while i understand why some may want mike to say 'i love you,' the point is he shouldn't have to say it. his actions should be enough to prove it, if we're following along the themes this narrative is trying to display.
his actions fall flat, and will continue to. although his actions ARE signs he CARES about her, their relationship has no chemistry and especially compatibility. there is no actual romantic love. just unhealthy attachment.
will feels better about himself, he feels loved as a whole, not just as mike's potential partner. mike makes him feel better for being different... but when has mike ever said anything specifically like that? he's never sat down and said, "hey, it's okay to be different." it's mike's actions that make him feel that way. mike's love for will is already being said without actually saying it, just like the other endgame ships. it's following the active theme.
and yeah it can get confusing.. because we're in the pov of will, who thinks it's unrequited... we lost mike's pov... mike's with el.. but the show is deliberately trying to make the audience (at least the heteronormative-blinded part) MISS it, so it can be a whole twist and all that and continue to enforce the theme they're going for.
and let's say the word 'love' is used, i think it'd be used in the context of a letter (ex: love, mike). i just really don't think they will make them say "i love you" if no other endgame couple has before. it disrupts the theme.
now, if not "The First I Love you," then what would be a good title?
personally, i like the idea of "The Last Lie."
why?
because mike needs to stop fucking lying to himself and denying his homosexual desire for his childhood best friend and stop pretending like that dragon poster isn't gay as fuck
no but, THINK ABOUT IT. (this is about to get severely cheesy and probably cringe inducing and i'm sorry)
imagine it. thee byler kiss scene, or whatever it ends up being (but it has to be related to them in some way). this is the moment in which mike finally confronts his truth and accepts it. he isn't bullshitting who he is anymore - being gay, his interests, his true personality.
the 'normal' boy who he tried so hard being... the 'normal' boy he risked his friendships and the love of his life just to be... the 'normal' boy that doesn't enjoy nerdy games... the 'normal' boy who he masked behind just to live a lie.
whether it's by words or a kiss, he's finally letting that lie of a boy go the moment he shares his love for will. and in those seconds of time, it's almost like a promise to himself that 'normal' boy would be the last lie he'll ever try to live again
i fucking love characters who break their own moral code. that's mike - the character that enforced telling the truth and being honest to those you care about, and still ended up being a liar all along.
and it's not even that mike's relearning "friends don't lie." no. he already gets that. we already get that. you're free to disagree here, but what i personally get from mike's overall character is that there will always be an inability to be truthful to others if you can't be truthful to yourself first. mike must live his live authentically and stay true to who he is and what defines him if he wants happiness. otherwise, the lie he digs himself into will only get bigger and bigger, and inevitably will destroy what's important to him (his relationships in this case) and himself.
all this... it already fits the themes the other song variations have been displayed in:
acceptance of a love and finally letting it in -> jancy/jopper
coming out and speaking your truth -> robin
queerness -> robin, mike, will
self-discovery -> mike
just imagine all of those themes just smashed into one title and scene. that track would carry so much meaningful weight.
Ok
maybe this post was just my secret love letter to those songs. but am i really crazy for caring about them? soundtracks in film/tv deserve more love! that little melody is clearly so important to the story, the way the titles it transitions through and what it tells us. i just think it's genuinely brilliant how they managed to do that with one instrumental. that's storytelling!!
ok i'm done now thank you kyle dixon & michael stein. ur my fave bylers
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anxresi · 4 months
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I Beg To Differ.
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Okay, now just because I'm about to embark on an epic rant does NOT mean I think anything bad about you as a person, OP. It's just on this one teensie-weensie most minor of points, I happen to think you're 100% wrong. Just thought I'd clarify that, so no offense intended. Anyway, on with the show...
Nah, they did us SO dirty with Chloe. I hear your above argument a lot, and it WOULD be a fair point… if it wasn't for the fact that there are SO many clear signs this wasn't what was intended from the beginning that it makes your reasoning completely null and void. Chloe's 'arc' was the most blatant case of in-show character assassination I've ever had the displeasure of witnessing, and I'm about to explain why. Read on! (If you want to, that is.... no pressure).
They strung us along for at least three seasons with various hints about her 'traumatic past', her problems with her often absent mother (which Marinette didn't help by encouraging them to bond because 'they're both such awful people'), showed her genuinely apologizing to her victims, protecting Sabrina from akumatization and having times when she treated her as a real friend, sacrificing herself to save the day occasionally, hugging Miss Bustier in a moment of genuine emotion, telling Ladybug how 'useless' she felt in a teary rooftop encounter, saving lives both as a superhero and a civilian (check back if you don't believe me), giving Adrien a moving speech on his phone about how 'she'd always be there for him', sharing a really close bond with her father, telling her butler Jean it was time she started doing things for herself, loving Mr Cuddly, adoring Pollen… I could go on. Not the best person in the world, true.... but a promising start. Green shoots, and all that. Her name literally means that.
S4 simply forgot any of this happened, and literally pushed her burgeoning development off a cliff with Sisyphu's boulder tied to it's big toe. There was NO build-up, NO foreshadowing, NO precedent for Chloe suddenly becoming a one-dimensional total-sociopath irredeemable-monster AT ALL, they simply made her that way on a whim. They had her start acting like a complete psycho for the evilz, made her the most stupid person in the show BY FAR, severed ALL of her few close relationships, wrote AN ENTIRE FLASHBACK EPISODE in incrimate her newfound nastiness even more and 'punished' her by sending her off exiled on a plane in tears with her abusive mother to… what else? Get abused, of course. GREAT MESSAGE TO ALL THE VULNERABLE TEENAGE GIRLS OUT THERE. (I won't even get into how utterly useless and blandly boring her 'replacement' of a plot device Mary S... oops, I mean Zoe is).
And we're supposed to believe the former corrupt mayor Andre, the terrorist Gabriel Agreste and Thomas Astruc (you know him) are the GOOD guys here? Well, I'd like to tell you what I'd like to do to them… but for fear of censorship, I'd better withhold that particular information for now.
The upshot of it is… if Chloe had been bad from the beginning and terrible at the end, I'd have accepted it. Heck, if her so-called damnation arc was even halfway well written and gave us an accurate and compelling look at the moral descent a person who's capable of redemption could take to the light but ultimately chose to stay on the Dark Side, this would've been highly disappointing to me but fine from a storytelling perspective.
But they didn't give us anything like that, did they? It was just… 'pretend the last three seasons never happened, develop amnesia, hit yourself repeatedly on the head with a shovel… we don't care. Just accept this is the NEW Chloe without question despite past evidence, because you won't be getting any answers. Now let's go back to what we're REALLY here for… Marichat, Ladynoire, Adrinette and that other stupid ship name. SWOON!'
Thanks, but no thanks. Did I ever tell you how much I HATE this stupid show? Apologies if I didn't make that clear enough.
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remidyal · 4 months
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Outstanding antagonists after Junior Year
This post is as much for myself for fanfic purposes as it is for any speculation regarding a Senior Year that may never happen and even if it does would be I think at an absolute minimum three years and more likely 4-5 down the road, but I wanted to round up the known potential antagonists remaining out in the world, roughly ranked in order of known hostility:
Chungledown Bim. Certainly the MOST hostile of opponents, we know he's not dead post-Boy's Night (whenever Boy's Night is supposed to fit into the Quangle) because he's on Fabian's nemesis alert.
Arianwen Abernant. Evidently she has recovered her magic, probably while Cassandra was corrupted into a more Nightmare King-ish state. She was pretty pissed at Aelwyn and Adaine the last time we saw her over the whole death of Angwyn thing; I somehow don't think being chased around Sylvaire by the vand will have improved her mood.
Bobby Dawn. The full extent of his involvement in the Junior Year plot is uncertain, but he sure as hell wasn't helping things. Also some real potential hate between him and the party over the Sandra Lynn thing; while Fig might be gone in a Senior Year I'm going to ignore that for these rankings and in any case Sandra Lynn still lives with Kristen and Adaine regardless, so I think that conflict would be born out. I also think there's a strong case for a clash of pantheons style story going on in the background, and Bobby here would be front and center on the Sol-Helio-maybe Galicaea side.
Kalina. I don't necessarily think Kalina actually IS a traitor to Cassandra the way that Kristen thinks and Ankarna thinks; I almost believe that her turning up at the end of Junior Year was a reaction to them deciding to hunt her, in fact. That being said, while I think Kalina is fully team Cassandra, I also think (and even understand!) that she is most definitely NOT team Kristen, who did let Cassandra kind-of-die and now is splitting her attention. So what's Kalina's play now? I think she's going to try to push for Bobby Dawn to add Cassandra back to the Sol-Helio-Galicaea pantheon, which would be to her a much more stable foundation to keep Cassandra alive on than Kristen.
The Automatons that are going to be hunting Fig. Yes, these are self-evidently a way to excuse that Fig won't be around to help out if there's a senior year and Emily chooses to not play Fig. They're also kind of hilarious, especially since they open up all kinds of questions like 'wait did Sandra Lynn spend her first year of adventuring fighting off killer statues of Arthur Aguefort?' They'd be higher except they're only hostile to 1/6th of the Bad Kids.
Gertie Bladeshield. Also only hostile to 1/6th of the Bad Kids at present, though Cassandra knows if any of them speak up in Kristen's defense she'll probably swear a vow of emnity to them too. Could probably be made up with via a sincere apology, or at least by setting her up with someone.
The Court of Stars and Princess Nara. Now we're into the dubiously hostile territory, because this might not lead to actual conflict, but if there IS a clash of pantheons between the Sol one and the Ankarna-Cass one then the most obvious fight other than Cassandra is over where Galicaea ends up. The members of the Court of Stars we met this season seemed much more, um, I'll use the word chilled out than Angwyn and Kir of last year, but it still feels like a mercurial thing.
Arthur Aguefort. I've been saying for a very long time that the only boss fight that makes sense for a Senior Year IS to have to fight Arthur Aguefort himself; it doesn't even necessarily have to be a 'he's evil' sort of thing, but could just be a 'you're the best party we've had in centuries and I wanna throw down'. He dropped some hints at it in the finale, of course, too!
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misc-obeyme · 9 months
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You know the drill.
Spoilers for Lesson 40 below, including locked and hard lessons.
Just to clarify: when I say that it’s “the end” in my rantings, I am referring to season two, not the entire game. ☺️
Hmm.
I'm confused. And... underwhelmed? What even just happened?
I mean, we had lovely moments with the side characters and we got to kiss them all and of course I'm incredibly pleased I got to kiss Barbatos and Solomon, but aside from that we just... went back?
Most of the lesson was about the RAD founding ceremony. We say good bye to the side characters and they even address how we told Solomon his cooking was bad (more on this later).
But just as the ceremony is about to start, a dark rift opens in the sky. It's a rift in space and time. Barbatos straight up asks Solomon if he did it. Solomon says he didn't, but that he wasn't expecting it to show up so soon. (So who did create it? Nightbringer? And if so, doesn't this prove Solomon at the very least knows enough to know when Nightbringer is going to open a portal back through time??)
We miss the ceremony because we have to go through that rift if we wanna get back. The brothers come with us because we need their power. Just like when we summoned the white dragon, we call upon each brother for his power. Then Solomon adds his. Then there's a bright light and..
...roll credits.
Yeah. That's it. That's the end.
There's a locked lesson where Diavolo gives a speech at the ceremony.
And then the HARD lesson... is us returning to the House of Lamentation in our time. The brothers are all like oh hey MC good morning like nothing even happened. They say it's weird because it feels like it's been a long time since they've seen MC but that can't be right because it hasn't been that long at all.
AND THAT'S IT.
No Nightbringer. No further insight from Solomon or Barbatos. Not even sad angsty brothers who have been missing us.
It was like they didn't know we were gone.
So either we went back a little further in time or there was never a point where they decided as a group to send Solomon back to help us.
We didn't even get a Michael appearance!
THAT WAS VERY ANTICLIMACTIC.
I am confused because it wasn't bad, it was kinda cheesy, there were some sweet lines and like I mentioned previously I got to kiss my malewives but WHAT THE JUNK.
I'm not suffering, more like I'm just left hanging???
My one consolation is that we're back in our timeline now. So maybe NEXT SEASON we can FINALLY get some ANSWERS.
I really thought they couldn't drag it out any further and yet...
I didn't take a whole lot of screenshots this time because again, it was kinda just... underwhelming. Overall this lesson was just me going that's it?! And being baffled.
First I'd like to present you with these lovely Barbatos moments.
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As sweet as this is, the man knows. Not that I ever thought anything else, but he's so subtle about it. I'm onto you, Barb.
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My HEART. If I wasn't going back to another version of him, I would just be like nope staying by your side forever the end I don't care about anybody else.
But before all that, there was also this:
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I'm glaring at you because you let Solomon into the kitchen.
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I DIDN'T WANT TO.
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OF COURSE I DIDN'T.
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GOOD. SOMEONE ELSE CAN SUFFER WITH ME.
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OHHhhhh Barb I love when you get all threatening and smile like that 💕
But seriously, then Barbatos and Luke help Solomon make a lunch that's actually delicious and we eat it with everybody and they're all amazed. I was like OKAY WELL I do feel a bit better about that whole fiasco now. But still, was it even necessary to begin with? No amount of sweet kitchen buffoonery with these guys is going to make me forget the pain.
At least we had a cute Solomon moment, too.
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Yeah but I'm still wondering about the past version of you, Sol. I'm just saying, where is that guy?
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I mean you don't have to look so sad about it.
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Ah. Your jealousy is showing, Solomon. (I don't mind.)
Hard Lesson bits because I'm still just ????
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YEAH BECAUSE YOU HAVEN'T.
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YEAH IT'S BEEN TWO WHOLE SEASONS.
Once again, I am left with more questions than what I started with. Will MC tell the brothers what happened? Will we just never see the past brothers again? Will we return to the past in the next season? Will we ever see Nightbringer again, the being for whom this game was named?
At the very least, we still have Mephisto being himself and man I can't believe I ever disliked this guy.
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THAT'S MY BOY.
I'm feeling extremely unsatisfied but it isn't like that's anything new.
I will say that it wasn't as bad as I expected. I was expecting them to do some really terrible things that made me freak out and scream and scare my cat. But no, I was mostly just ?? the whole time. And confusion is preferable to suffering in this case.
But I am also ANNOYED. We have waited long enough for the Nightbringer reveal, please give it to us now Solmare!!!
I fear we only have a short time before we are dragged further into this game that has truly become a hell of its own when season three is upon us... (I'm being deliberately melodramatic but still...)
225 notes · View notes
thecoolerliauditore · 10 days
Note
I need your thoughts on Martyn.
Jesus Christ in heaven where to start.
I was planning to write massive essay posts about each of the winners sooner or later, I guess Martyn can skip the queue. As a treat.
BAD traffic series martyn analysis post don't read. LONG POST
note: rules I'm operating by are to keep the analysis primarily traffic-based (although this one's kind of an exception because. mr watcher lore) and I'm not rewatching entire POVs so stuff might be wrong so on so forth
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Why is he... Like that?
So before I even start talking about 3L I feel the need to address Martyn's background first because, not unlike alot of the other members of the cast, Martyn's previously established relationships from series like Evo have a significant impact on how he behaves.
This is kind of difficult for me to talk about because it breaks my "no material outside of the traffic series" rule for these essays specifically, but I think it's honestly just more fun incorporating Martyn's off-series lore drops and such into his character instead of leaving them out.
So here's the basis I work from -- Martyn is the most unreliable narrator in a full cast of them. His lore is his character's version of events, not an unbiased retelling.
Whether the Watchers exist and whether they're the same entities present in Evo doesn't matter all that much, since all we know is that they are very real to Martyn, at least. Taking the lore as Martyn's POV also helps iron out some of the more awkward creases it creates when viewing the series as a whole (e.g. Grian's involvement with the Watchers surely means he would reference them himself, yet he doesn't) and lays the groundwork for some really interesting things about Martyn himself when you try to put the dots together on how he arrived at these conclusions. I'll be referencing these as they come up chronologically.
So, without over complicating things, here are the rules I'm playing by when it comes to pre-3L Martyn:
Evo did really happen with the same people, however the exact details are muddy.
Martyn knew Jimmy prior to the games and the two already had some sort of personal connection going in.
We're not trusting a word out of his mouth. Especially if he says them on stream. But we are going to acknowledge what those words are.
With those parameters set, let's move on:
Third Life, and the guy who gets a little too into it
Like Grian, Martyn immediately acclimates to the game's survival-based mechanics. Martyn spends a good chunk of the first session of 3L seemingly aimless, but he makes observations and choices throughout that show he has survival at the back of his mind (e.g. him quickly establishing an alliance with Grian and Bigb while sneakily putting them in his debt through the diamonds he finds early -- even if this doesn't end up paying off to anything).
Unlike Grian however, Martyn less desperately clings onto a need for an edge to survive and seems almost comfortable in playing the game. A running theme for him throughout all the seasons will be that he seems to feel most comfortable when he has some amount of unspoken power over others, whether that be something as silly as testing the waters with his creeper soundboard or later when he starts playing 4D chess with himself in regard to his loyalties.
"Power" might be not exactly the right word for what Martyn yearns for, but it's the best word I can find to really describe it. He's always the one with a card up his sleeve or a plan B or, arguably most importantly, the one with control over the situation and responsibility over his own and others' wellbeing.
In my mind, at least, I think it might be a consequence of Martyn actually being quite sensitive in terms of relationships and having this very deep-seeded need to protect his loved ones from harm but lacking the emotional intelligence necessary to allow himself to be vulnerable about those feelings and communicate properly. So instead he finds some way to protect himself emotionally (usually overdramatic and makes him way worse) and treats everyone including himself with a level of un-seriousness that alleviates the tension for him.
If I were to dig deeper into this specific point I must say Martyn seems to have chosen to perform a very specific breed of masculinity, with his constant agonizing need to protect and lead while not having to confront his own perceived weaknesses, and alot of his insecurities and frustrations come from being denied that husband-y role to play.
His interactions with Jimmy early on in 3L portray this side of him quite plainly. After seeing Scott hit him around at Renchanting, Martyn gets Jimmy alone and asks him if he's okay but after Jimmy dodges the question, Martyn quickly becomes frustrated and starts acting very overdramatic (e.g. threatening to cut Jimmy off, "I can't look at you", so on) even as Jimmy keeps insisting they keep talking.
In my humble opinion, it's clear to me from how he speaks to Jimmy in this scene and further on, and from his referencing of their Evo relationship, that this is these two's established dynamic - the way Martyn dramatizes everything feels almost as if he were making a joke of it, teasing Jimmy, almost akin to how an older sibling or very old friend would act. It's possible that Martyn didn't expect Jimmy to take any of his threats seriously (although he definitely was laying on the pressure to try and get him to agree in the moment) and that's why he's so taken aback when Jimmy does act almost afraid of him from this point forward.
Not once does Martyn ever verbalize his own feelings regarding the matter. He never says that he's scared or worried for Jimmy, or even makes any sort of subjective judgment on Scott's character for hitting Jimmy in the first place. He makes it all about Jimmy, never communicating *why* he is doing what he's doing which ends up giving off the impression he thinks he knows what's best for him, which of course never communicates to Jimmy that Martyn cares for or loves him and ends up pushing him away as a result.
Speaking of Scott, despite Martyn clearly not approving of the way he treats Jimmy (judging from the aforementioned conversation and his later lore streams where he essentially calls Scott and Jimmy's marriage a sham), he does not ever act antagonistically towards Scott. Which I think is indicative of another key trait of Martyn's - an almost uncanny ability to push aside his own feelings at least momentarily for the sake of the game.
Martyn does not speak badly to or about Scott. He even explores the nether with him very early on and the two literally joke about trapping the Flower Valley and killing Jimmy together.
I think there's an understanding and perhaps a level of respect, on Martyn's end, towards Scott. One of the first observations he makes about Scott's base, after all, is its defensive location and Scott, like Martyn, values his own competency and likes to pretend he's more emotionally unattached to his partner than he really is (the parallels between Martyn/Ren and Scott/Jimmy are even somewhat lampshaded by Martyn himself when he refers to them as "my red" (Ren) and "your red" (Jimmy) later).
It seems that Martyn doesn't dislike anything innate to Scott's nature, and even has love for his manipulative traits. If it were anyone other than Jimmy Scott was hitting, I'd argue, Martyn wouldn't have raised a fuss about it. Not to mention, there's also a sense of "keeping your enemies closer" when it comes to these two, as both seem acutely aware the other is useful on their side and a threat anywhere else.
I'd argue despite the fact he's able to push his dislike towards Scott aside, he definitely still feels spiteful towards him, as he ends up hunting him down pretty mercilessly come the end of the series (after Jimmy dies too - so perhaps there was also a level there of feeling the need to put up with Scott beforehand as he was Jimmy's only ally, but now that Jimmy's gone there isn't any need to be friendly with Scott anymore.)
Now onto the heavy-hitter Martyn 3L relationship - his dynamic with Ren.
I'll be honest I think most treebark shippers have summed up their relationship way better than I could. You could probably go into the tag and see thirty eight analysis posts more indepth and accurate than mine. However I will say that one thing I see rarely mentioned is this very obviously being Martyn's first time meeting Ren (I'm talking about characters here but here is your acknowledgement this is definitely a result of this literally being the case for the CCs).
He's not used to Ren's mannerisms -- during their first meeting, Ren says his usual "ex-squeeze me" (instead of "excuse me") and Martyn responds "no thankyou, I'm married". Not to get too into it as this is The Martyn Post but Ren's POV would imply the same since he sees Martyn's name in chat and he immediately starts theorizing about what kind of player he is.
I think Ren essentially being a stranger to Martyn at the start of the series makes it easier for him to act manipulatively and keep him at arm's length, as well as be in denial about the whole emotional attachment thing. For so much of their alliance during 3L Martyn is acting, performing to match Ren's vibes, except he's not.
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^this quote and the concept of freudian slips informs like 88% of my worldview, if anyone's wondering why I'm. like that.
"The Hand" is very much not how Martyn naturally acts or behaves, down to the change in speaking patterns. It's a persona that I think both Ren and Martyn never take too seriously or mistake for Martyn's authentic self, but it's also something Martyn uses to express his innermost feelings he disallows himself from usually. Yes it's all silly even in-universe but I think there's something special about how he constantly expresses his devotion as The Hand, even if he's doing it with a layer of irony. Plus, I think it says something that, jumping later in the timeline, his flashbacks in LimLife are much more true to the character of The Hand than Martyn himself.
This section is already long enough but I do have to mention Bigb, Grian and Scar or I'll explode.
Earlier on, I touched on Martyn giving Grian and Bigb diamond swords early and it being an attempt to leverage an alliance between them. This I admit might be a slight reach however the reason I say that is Martyn continues to pursue Bigb and Grian as allies throughout the season.
Bigb is cut and dry enough, he ends up floating around the outside of Dogwarts as a not-quite-member after the siege in which pretty much half the sever were antagonized by Grian and Scar. I'm probably not the person to thoroughly dissect Martyn/Bigb but there's something interesting there about how alot of people tend to have this general fondness towards Bigb and Martyn is no exception.
As for Grian, Martyn acknowledges that Grian is responsible for the siege, possible moreso than Scar, but keeps questioning how "gone" he is, worded as if he believes Scar is manipulating him. I've seen people compare this to how he acts towards Jimmy and Scott which I can definitely see the throughline. However, I think while both are an example of Martyn's protector/saviour complex, they are innately different due to Martyn's relationships with both the perceived victim and captor in each case.
Despite Grian also being an ex-Evo member, Martyn does not act towards him with the same familiarity he does with Jimmy. He also brings up Grian's welfare with Bigb and not Grian himself, with Bigb being the other person involved in their earlier established sword alliance. To me, it feels as if Martyn is more testing the waters for if he can still get Grian on his side than out of any genuine concern for Grian, although it is possible he's projecting some of those leftover feelings regarding Jimmy's situations onto Grian and Scar.
The other reason is, I think, Martyn might genuinely be afraid of Scar himself and villainizing him as a result. Everytime Scar shows up in Martyn's POV he's paired with tense music and sporadic editing that makes him appear more unhinged. Martyn has also said on tumblr he found Scar intimidating at the time, which is of course a dubiously canon source but I find it applicable enough.
It makes sense, too. When you compare Martyn's treatment of Scar vs his treatment of Scott. These are both people he has recognized as real threats and he assumes both are manipulating their respective partners, but while he remains friendly (at least outwardly) towards Scott he's constantly wary of Scar, drawing weapons on him pretty much on sight even before the siege.
I think Martyn fears Scar because he doesn't understand Scar. Scott is someone like him who he knows the inner workings of, or at least that's what he believes, so while he doesn't care for him he doesn't feel a need to keep him away. Martyn always assumes a level of coordinated malice from Scar that is more than often either completely unfounded or a result of something originating from Grian (my favourite example of this is, right before the siege, Scar wanders over with his bee on a lead and Martyn starts yelling "he's got a bee! what does that mean?!" as if expecting the bee has some pvp reason behind it. when scar just wanted to have a bee).
That isn't to say that Scar isn't malicious - Martyn is right like 90% of the time that Scar's not-so-subtle friendly hellos have some sinister plan behind them, but he doesn't ever truly get that Scar isn't the evil mastermind he thinks he is.
I'd argue this fear is what also makes Martyn not pick up on the fact that Grian is the more manipulative one out of the two - something that even Scott seems aware of - because he never spends enough time with them on friendly terms to be aware of that dynamic.
Last Life AKA big brother syndrome in full blast
Okay that was a long ass section sorry lmao have to establish everything there. Everything from here on is gonna be a lot cleaner I swear.
The Southlanders could honestly have their own ultra-long post about how they're the perfect disaster team-up lord of the flies esque situation the series has to offer.
Impulse, Grian and Martyn are all similar in that they understand they have to play the game a certain way through keeping their loyalties dubious while Mumbo, as a newcomer, is extremely naive and goes along with whatever the more assertive members of the group say. And Jimmy is Jimmy.
Martyn takes on a leadership role within the group, being the one to constantly spearhead their humour and come up with new often disruptive plans (usually targetting Scott because he totally isn't spiteful still, albeit in a very playful way). After Joel traps their base with tnt minecarts, Martyn is the one to keep everyone else back and disarm them, a huge contrast to 3L's siege.
Their group embraces the rules of the game - if you turn red, as Grian does early on, you are kicked out from the group as a threat. There's this sinking feeling throughout all their spyglass shenanigans and life-trade trust exercises that this is still an alliance in a death game and if you prove yourself to be a detriment, you will be kicked out.
It's no wonder than why Jimmy, who gets his usual bottom of the barrel treatment, tries to run away with Martyn's life during one of their trust exercises. He's been shown at this point he can't fully trust the Southlanders to protect him forever -- how could he, when Martyn, again, never slips in any sign of affection between the teasing?
To Martyn, however, this is a betrayal of his trust. His plea to Jimmy to return sounds a lot like their conversation back in 3L on the snowy mountain regarding Jimmy and Scott, except this time Jimmy accepts Martyn's offer and Martyn tells him he was lying, calling him an idiot for believing him in the first place. This is probably the harshest Martyn acts towards Jimmy in the series, but it's worth mentioning that to Martyn the timeline of events goes he offers Jimmy his protection and alliance--> Jimmy refuses--> Jimmy dies (which Martyn probably sees at least partially due to said refusal) --> he gets Jimmy back and does everything in his power to keep him safe --> Jimmy does the equivalent of *killing him* and tries to get away with it.
Martyn still obviously cares about Jimmy despite being upset at him, as after his usual dramatics and declaring a trial for Jimmy in which each of the Southlanders vote on his fate, Martyn still votes to keep Jimmy in the group (again, something Jimmy is never made aware of).
Possibly partially because of the Jimmy incident and the overall dog-eat-dog culture of the Southlanders, Martyn does to them what he never managed with Dogwarts - betrayal. At least, on some level.
Ironically, it's Ren he betrays them for, forming the Shadow Alliance and even giving the life Jimmy had attempted to steal from him to Ren instead. My read of this has always been that it supported Martyn truly being happy enough for Jimmy or someone else to have his extra life, but Jimmy's act of betraying him itself being what hurt him.
I think now's a good time to start mentioning the Watcher Lore, as here is where it starts kicking into gear. Martyn's claims of emotional bonds not carrying over from previous seasons is not only a very natural progression from his emotional distancing in a coping mechanism sense, but also enables him to betray Ren too later on and not have to confront the guilt that comes with that when he tries to lead him into a tnt trap in the final 1v1v1v1. However, he still cheers for Ren as a ghost and even says that he would be happy to see Ren win, indicating he really does not hold any malice towards him.
I've seen people make jokes about the watcher lore being Martyn schizoposting and I'm sure I've made similar jokes in the past but. Speaking very genuinely here Martyn's questionable sanity is a big part of his character to me.
His Episode 8 of LL literally begins with him acting out the usual running joke of him stealing Mumbo's intro, except Mumbo and Jimmy are dead at this point and he is doing their voices and talking to himself. When the illusion is broken, he panics and the video immediately cuts to him running around obviously distressed with a disembodied voice demanding things from him.
I'm obviously not authorized to diagnose every single one of Martyn's many mental illnesses, but I think mentally breaking down in a timeloop death game is a fairly average thing to happen to someone, and Martyn might be especially susceptible due to his aforementioned need for power and responsibility in every relationship (i.e. I'd like to think he feels some helplessness/guilt over Jimmy and Mumbo's deaths, leading to this sequence).
Not to mention, someone who is emotionally vulnerable coming up with a nebulous Group of Evil People who are the source of all the bad things in a helpless situation of violence is. Something that happens historically quite alot. To try and find reason in the madness is just a human instinct, I think.
One thing I feel like I should mention is his "marriage" with Mumbo which. I honestly don't see as anything more than a gag. Not that Martyn isn't a massive hypocrite but "marrying" Mumbo would be very much contradict what he has to say about Scott/Jimmy's situation. I do think he cares for Mumbo and potentially Mumbo's naivete served as incentive for Martyn to put on the usual assertive/provider role but I don't think there's much more than that (no hate to the shippers, tho, if they knew eachother for like a week longer they would've kissed)
Double Life. Oh no
Double Life Martyn is one of my favourite POVs in the series because it is. Hilarious. Unfortunately.
To start off, he is one of the players who almost immediately accepts the soulbound system as romantic and his views on Cleo/Scott's relationship are heavily based on that (I love that one clip where he mocks them in front of Jimmy).
Him acting flabbergasted at Cleo rejecting him despite pretty much having no relationship with her prior to this season is a really funny contrast to Scott and Pearl, especially when he continues pursuing her like they're recently divorced and Cleo's just like. rolling her eyes. It's all very performative on Martyn's end and why I mentioned his sense of masculinity at the start, because in theme with DL being The Feminism Season TM this is when it comes full throttle in display with the way he treats Cleo.
Martyn keeps referring to himself as a "provider" and refers to Cleo's relationship with Scott as "childish" -- Martyn trying to win over Scott's partner to his side, assuming he knows best for the partner and calling their relationship a sham? Does any of this sound familiar?
Cleo is not like Jimmy, however, and is very clear to Martyn in terms of what she wants from him - which is an apology, no diamond swords or heart-shaped houses, but Martyn in all his emotional denseness can't understand this and keeps assuming there must be some hidden strings attached.
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I couldn't find the original meme I had in mind but these are within the same genre. The one I remember had captioned something like "dads don't say "i love you" but they will buy ten boxes worth of the fruit they overheard you say you liked once", which pretty much sums up Martyn's emotional intelligence to me. He would much rather give you way too much of something he thinks you need (e.g. with Jimmy the playful teasing, with Cleo the acts of service) than just say "I love you".
Cleo's blunt honesty serves as a stark contrast to Jimmy and brings something out of Martyn that we rarely ever see -- a genuine, vulnerable interaction in which he has to admit he's hurt. Cleo immediately denies him the role of rescuer he wants to play by telling him directly that she, not Scott, was the one who came up with the idea of teaming up and even gets Martyn to verbalize he's hurt by their actions and cares for her.
Once that illusion is shattered for Martyn and Cleo even admits she's acting manipulatively towards Scott, Martyn realises he and Cleo are more alike than he initially assumed and that he doesn't need to take care of her like he always tries to with his relationships. Ironically, the one relationship he has that is born almost entirely out of government mandated performative romance, is the one that gets him to examine how he views people especially his romantic interests the most.
This is, of course, all said with the fact that following this very heartfelt moment, the next time he speaks to Cleo he pushes her off a fucking cliff and kills her in mind. And the fact that he was very much beating the shit out of her and even called their relationship "toxic" himself early on in the season.
It's kind of hard to gauge Cleo and Martyn's relationship from this point forward but Martyn definitely chills on the namecalling and cooperates with Scott and Cleo for the main part going forward.
I think it's also worth mentioning that, despite Scott once again being the object of his spite, Martyn is once again friendly with Scott all season. When he catches Cleo and Scott mid-axe crit, it's Cleo he starts hitting and not Scott, despite them both being responsible. Behind his back, Martyn will claim Scott is "ruining" Cleo but to his face Martyn is always respectful. He actually even calls Scott "pretty"/"hot" in the last episode, which has some implications I'll talk about more in the Limlife section.
Martyn, like everyone else, is weird about Pearl. Uniquely in his case, Pearl isn't a witch nor demoness, but rather a non-factor he seems to have had written off and her triumph in the end comes as a shock to his system.
He dismisses her concerns over and over in the first episode as they are exploring together and, instead of seeing her as a natural source of allyship, doesn't value her enough to keep her around as an alliance even after Scott and Cleo dump them. In his heart to heart with Cleo, he even very randomly speaks badly of her, although he immediately seems to feel a bit of guilt over it.
He never seems to view Pearl through a sympathetic lens despite the two being in the same circumstance and, again in the same conversation with Cleo, they both agree that she could act as essentially a pawn (an "extra healthbar") for them like Cleo uses Scott.
I feel the need to clarify that while, yes I do believe Martyn is Weird About Women, I also do think he's honestly above average and sees them more as people than some other men in the series (note: my standards are not very high)
He sees most people as nothings that can be manipulated or competition that also can be manipulated, it just so happens that all the women in the series so far land squarely in the former and it took Cleo saying to his face "I'm taking advantage of Scott" for him to realise she wasn't a victim. However, even afterwards, he never treats her with the same competitiveness he has for people like Scott and Scar (albeit it makes enough sense in this season since she's attached to his healthbar, but this remains the same for future seasons). And as a reminder, he holds respect for those he deems as threats, which might have something to do with why he feels comfortable hitting Cleo but not Scott.
As for Ren and the Broken Hearts Club, they didn't get a lot of time together this season since both were preoccupied with their own soulmate dramas and being awful to Pearl but what we do see of them ranges from heartwarmingly nostalgic to a little bit hollow. Martyn saying to Pearl that they're the same at this point doesn't really read to me as him being truly sympathetic since this is post the "you should go use pearl as your second hp bar" conversation and Ren is way too busy to deal with the emotional turmoil of what's going on between himself and Bigb to really pay attention to Martyn.
Ren is still very kind to Martyn, especially considering the last time he saw him in LL Martyn was trying to kill him, but there's an emotional gap between the two that's very noticeable at least to me when compared to 3L and LL.
I think Martyn, at this point, convinced of his own "emotional bonds don't carry over seasons" logic, might be a bit too comfortable on relying on Ren. In both DL and LL he runs to Ren when his current alliance gets shaky and Ren is a source of definite comfort for him (as he said so himself on stream). Ren, as a source of comfort, is not a threat to Martyn aka not someone he needs to keep tabs so when said source of comfort falls through the gaps, you get:
Limited Life. The one where he compares himself to Joffrey from GOT
I don't think I have much to say about LimLife Martyn that hasn't already been said.
I will say I don't necessarily think Majorwood is purely his rebound relationship from Ren, the Mean Gills forming is very much not OOC for either Scott or Martyn (this is pretty much how they acted with eachother at the start of 3L) and their resulting give and take coworker-esque dynamic is a very natural place for them to end up from their previous interactions. Scott, like Martyn, tries to shed his emotional attachments with each new season so they are, in a very literal sense, making eachother worse by reinforcing that habit by normalizing it to eachother.
However, the parallels to their respective 3L partnerships I can't blame people for pointing out, right down to Martyn killing both Ren and Scott in the seaons he was teamed with them and the latter being happy about it.
I think it's time to say what I've been implying with Scott and Martyn throughout this whole thing and that is that they are eachother's ideal ally. They are both aware of the game, play the game, emotionally distant, manipulative and make themselves suffer more for that mindset. I don't think there was ever a moment in their allyship where either assumed the other wasn't going to stab them in the back later, despite the mutual respect they have being very real.
Martyn spends a lot of time this season just wandering around talking to various people, alot like how he acted in 3L before he and Ren became an official thing. It's almost as if, without Ren there, he loses his default go-to guy and is once again sizing up the competition around him.
The one exception I would say would be his interactions with Cleo, who he seems genuinely friendly with, even offering himself up as a "godfather" for the Clockers before the whole server became some form of extended family. You'd think this alliance would also have some basis in the ever present Scott/Cleo alliance but Scott's constant sacrifices for the Clockers are never discussed between him and Martyn, in fact the two of them rarely talk about anything ever past base-building and dolphin-wrangling, and the Clockers seem to treat them as two seperate entities rather than an alliance (e.g. Bdubs seems almost entitled to Scott's life after a certain point, but none of them ever even consider asking Martyn for time).
That, and of course the fact that Martyn kills Scott very unsympathetically towards the end, really point me in the "Martyn is still spiteful towards Scott" direction -- after all, alliance or no alliance, I don't think Martyn would want to be in the conversation with Scott where he tells him about his "love you back" exchange with Jimmy. Martyn certainly respects Scott, loves Scott I'd even say, but I don't know if he actually likes Scott.
I think it's also interesting that it's this season where Martyn's Watcher Lore interludes make a return, just in time for his source of comfort (Ren) to be missing.
Re: the watcher lore the comment Martyn makes about swapping out souls of players who are too "damaged" is very in line with his DL seeing women (and "weaker" men like Jimmy, Mumbo and, of course, Ren) as default victims as, knowingly or not, he implies through this that all the women in the series have souls too weak to withstand the horrors. This also in turn implies that he himself is not broken, which I think he'd like to believe.
Secret Life. It's happy again :D oh wait no
Secret Life starts with Martyn kissing Jimmy. I feel like we moved on from this way too fast in general I mean on the cheek or not he did kiss him he did literally kiss him.
I'll be honest I think the Big Dogs POV is the one I'm least familiar with out of all of these but from what I do remember it's very nice to see Martyn and Jimmy settling back into what seems like their Evo dynamic or even their pre-horrors LL dynamic.
Unfortunately Jimmy is not Cleo and thus cannot get Martyn to be the slightest bit vulnerable, so their dynamic remains stagnant and neither acknowledge the awkwardness that still resides between them.
Jimmy is at least very clearly holding onto some discomforts, judging by his behaviour late in the series when he acts aggressively towards Pearl and celebrates Lizzie dying. He even chases Scott down with a sword on horseback earlier on and, very early in one of Pearl's episodes, he quickly switches between sounding sad and angry.
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It's clear to me at least SL Jimmy has reached some sort of breaking point, and this never gets acknowledged by Martyn (I like to think he just lacks the EQ to deal with it). This all cascades into Jimmy attempting to kill Martyn and running away before dying.
SL Martyn feels almost like, to me, the 3L Martyn who successfully convinced Jimmy to team with him and the disaster that comes with that. Martyn certainly has continued to be his survivalist self, not trusting outsiders to the point where when the Wither/Warden combo is unleashed, he immediately assumes they're picking off reds and goes to hide.
Weirdly enough, his protective tendencies towards Jimmy are pretty much gone. It's almost as if when he doesn't see an active threat (e.g. Scott) he assumes things must be good enough and leaves it at that, which also implies he can't comprehend that He might be detrimental to Jimmy himself.
Obligatory. Yes he still misses Ren. Him literally basing his alliance concept off of dogs is. hilarious. I'm so sorry babygirl.
Real Life is, again, non-canon to me but turns up the "dad who buys you 45 mandarins" energy to 11 with him being Ren and Skizz's pseudo-dad. I love Ren having a crisis about his own RP btw it's the funniest thing and he does it like. Everytime.
Uh yeah I hope that's long enough
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picnokinesis · 4 months
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Thoughts on Different Types of Representation in Doctor Who (and how fandom responds to it)
So I watched Rogue last night and - okay first, oh my days, absolutely ADORED it, this is definitely my favourite episode of this season, it was just so much FUN and it hooked me right from the start. And then the queerness! I was actually thinking to myself whilst watching it how wonderful it was because it felt like a queer story in a way that wasn't like, showboating about how progressive it was? [editorial aside: this is not comparing it to anything in particular, just a general observation]. The characters were just queer, within this wild and wonderful sci-fi story, but also their queerness wasn't the Only Character Trait they had and their story didn't resolve around their queerness, but their queerness was crucial to the plot in a way that was just lovely to see - and as a writer myself, it's personally the way I love to see our stories being told.
But then I made the mistake of going into the tag - always a foolish thing to do, because for some reason everyone loves to praise this era by criticising the previous era (as if it hasn't been criticised enough...like we know most of y'all hate Chris Chibnall for committing no worse crimes than Moffat and RTD before him...we know). And I found a couple of folks talking about how this episode alone did more for queer representation than the entirety of thirteen's era, whiiiiich at first really Peeved Me Off - like didn't these people understand how important Yaz's arc (especially Eve of the Daleks) was to a LOT of people? But then I was like 'well actually this is interesting', right? Because I think there's two very different kinds of representation going on here - and they're both very important in different ways, but one tends to get lauded as brilliant rep and one always gets put down as not good enough, or even bad rep. And what's the main difference? Whether the characters have a gay kiss or not.
So I just thought I'd share some of my thoughts and feelings on this, and why I think both these kinds of rep are equally important! To be clear from the get-go though - this is definitely not me ragging on anyone who likes more about one than the other (in fact, I think everyone likes one more than the other). This is merely a personal essay about it and the frustrations that comes when people in general do lift one up over the other. I'm gonna put it under the cut though, because it might get a bit long!
So, back when Eve of the Daleks aired, I remember having a lot of conversations about the representation in that episode - in particular with a very good friend of mine, who is a lesbian. And we realised that when it came to rep, we both actually wanted pretty different things. I'm aroace and genderfluid, and so a lot of what I saw in how thirteen was written - especially in terms of her gender (or lack thereof), and also her apparent lack of attraction (at least, in how I read it) was just incredibly affirming to me. I've never EVER seen a character on screen that I could see myself in both in terms of sexuality and gender. Whereas my friend saw things quite differently - thirteen was a lesbian, and they wanted to see that kiss between these two characters, because for them too, it was so rare to see that, and, in their words, they wanted to have their cake and eat it too. And we both realised that the reason that queer representation can feel so intense and important is, simply, because there isn't enough of it. We're all desperately reaching for the same small portion - and none of it is ever going to please everyone, or resonate with everyone. The stakes are too high.
So then, when there wasn't this dramatic romantic ending to Yaz's story, when there was no queer kiss, I was very sad for my friend, who didn't get that representation, but so painfully relieved for myself - because I got mine. So then it sucked a lot to see a lot of people getting really angry that this wasn't queer representation, that this was even homophobic - I even had someone tell me that aromantic representation in this regard was always going to be homophobic, because no-one would ever write it to be aro rep, and would instead only ever write it to avoid writing a gay kiss. And the thing that got me the most was that, REGARDLESS of whether they kissed or not, regardless of how you read either of the characters, there was one thing that was certain:
Yaz was queer. In text. Her emotional plotline centred around her realising that she was attracted to the Doctor (who was presenting as a woman - although, again, I don't think she really identified as such). The fact that she and the Doctor didn't get together by the end does not erase that fact.
They didn't kiss - but so what? Are queer people only queer when they're kissing someone of the same gender, or having gay sex? Are queer people not queer in their day to day lives, when they're not doing any of those things? Are queer people not queer when they're not dating? Are queer people not queer when they're trans, when they're ace, when they're aro, when their queerness doesn't resolve around attraction to the same gender?
And, to be honest, I think a lot of my feelings around this stem from the sort of exclusionist rhetoric that we saw a LOT of towards the ace/aro community back in 2012 that we still see now, that we're seeing towards the trans community now, that we're still seeing towards bi people, for pete's sake. It's this in-community infighting, pushing each other down to try and get up to the top, to keep all the "resources" for "the people who really need it", and it causes a serious amount of harm - but the truth is (and to bring this back to doctor who) that it all comes back to what me and my friend were discussing. We're all scared, all desperate to be seen - and when we are seen, it's the most incredible experience and the idea of losing that (or having someone else undermine it) feels inexpressibly awful. Having the thirteenth doctor...I suddenly realised this is what all the straight cis white dudes get all the time. She was like me, and that was indescribable. And then losing her - and having RTD not even be able to have a man wear her clothes because he was too worried about what the tabloids would say to be able to show a gnc person on tv...and then constantly described her as The Woman Doctor for the next entire episode - that hurt. A lot.
I've spoken to other friends who felt so seen in the character of Yaz - those people who realised they were queer later in life, those who fall in love with people and it doesn't end up going anywhere, those who don't get the whirlwind queer romances that people often call 'good representation'. Myself and many of my aspec friends have felt so seen in thirteen's almost entirely romance-less arc, and myself and my trans/genderqueer friends felt very seen in the way that thirteen's character would have been exactly the same if she'd been a man - the only difference was how the other characters around her interacted with her. Gender was something that happened to her. And when I watch episodes like Rogue, even though I don't relate to that representation, I just feel overwhelmed with joy because I know how important it will be to others that I care about. I think my sadness then comes from the fact that the way Thirteen and Yaz were written are just as important to me and many people that I know, but because they didn't kiss, it's not considered queer enough. Am I not queer enough, then? Are my friends not queer enough?
We need more episodes like Rogue, like The Parting of Ways, like Praxeus, like The Doctor Falls, because they are unquestionably and unapologetically queer, in a way that can't be avoided. We also need more episodes like Eve of the Daleks, like The Haunting of the Villa Diodati, like the rest of thirteen's era where the representation is an undercurrent throughout the whole story - but also undeniable, in a way that Yaz's story arc is, even if it doesn't end in a kiss, even if it doesn't end neatly and happily. Personally, I definitely would love to see more stories focused on aromanticism and on transness (especially ones that are written by trans people for trans people, rather than by cis people for cis people), but that's probably going to be down to people like me and other writers that I know actually getting into the script writing industry - and that depends on the people who are already there letting us in. One thing that I've always appreciated about Chibnall is that, after leaving Doctor Who, he began a programme for training up new showrunners with ITV, because: "showrunners are the gatekeepers and too many of the gatekeepers look like me."
Anyway, I probably have more thoughts that I've forgotten, but that's generally the gist of it. I think the more we fight over whether rep is 'good' or 'bad', relating to whether we see ourselves in it or not (rather than 'is this genuinely harmful or unhelpful', which I think is a more crucial question) the more the waters get muddied. We have different needs and wants, and no single episode is going to represent every facet of our community. But each episode, each story like this is a step in the right direction - and even rep that isn't perfect (I have thoughts about The Star Beast, for example) is still extremely positive and important, and definitely something that should be celebrated, even as we keep looking to the future for what we would like to see done differently, done better. And some day, I hope, there'll be so much queer rep, it'll be so normal, that those stakes won't feel so high anymore. It won't feel like everything hangs on how a certain show or storyline or episode is written. We'll all be seen. And that will be absolutely fantastic.
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