#website development interview questions

[skywebtechnologies]

Website Development Interview Questions.....

Website development interview questions: 

   In such a situation, it is critical to be ready for interviews, especially when entering the web development field. Irrespective of your plan of working with a leading organization such as SkyWeb Design Technologies, an organization that deals in web and mobile applications, or with any organization of your preference, it is important to learn the basics.

1. What is HTML, what is it used for?

 Answer:  HTML stands for Hyper Text Markup Language it’s most commonly used markup language in the creation of Web documents or anything related to the Web environment. It determines the layout of the material posted on the World Wide Web and includes such components as headings, paragraphs, hyperlinks, images, and others. 

 2. What makes HTML5 different from the prior version of HTML? 

 Answer:   HTML5 is the version of HTML that is currently in use. It adds new elements and attributes and enhanced support for multimedia that are <article>, <section>, <header>, <footer>, <audio>, <video> and new APIs such as Canvas, Web Storage and Geolocation. 

 3. Here are some of the frequently used HTML tags and what they are used for: 

 Answer: 

  <p>: Defines a paragraph. 

 <h1> to <h6>: 

 <a>: Defines a hyperlink. 

 <img>: Embeds an image. 

 <ul> and <ol>: is unordered list, and ordered list. 

 <div>:  division. So it defines a division or section. 

 <span>: Sets a block of text, mainly used for applying a style on. 

 4. What is CSS and why should one bother with it? 

 Answer:   HTML is used to create a structure of a web page while CSS (Cascading Style Sheets) is used for appears of web pLAST EDITED: pages. It enables you to use aspects like colors font, space and position to your html elements which in turn creates aesthetically pleasing and more functional website to the users. 

 5. Please also provide me with a definition of what the box model in CSS .

 Answer:   The CSS box model describes the rectangular boxes generated for elements in the document tree and consists of:The CSS box model describes the rectangular boxes generated for elements in the document tree and consists of: 

 Content: The inner content area referred to as Knowledge Creation is: 

 Padding: Margin between the stuff and its visual frame. 

 Border: These are the line on the right and at the bottom of the padding and content. 

 Margin: (h) Space referring to the area beyond the border surrounding an element and other elements.

6. JavaScript is a programming language and web development tool, but how is it defined and what does it do? 

     Answer: JavaScript is also a language used in the designing of web sites to provide flexibility and impressive features on any web page. It lets you to work with HTML and CSS, manage events, verify data in forms, use animations, and work with servers. 

 7. What are variables in JavaScript and how can one declare them? 

   Answer:   In JavaScript, variables refer to the means of storing data values. You can declare them using the var, let, or const keywords:You can declare them using the var, let, or const keywords: 

 javascript 

 var name = "ram"; 

 let age = 25; 

 const isStudent = true;

8. What is the difference between let, const, and var?

 Answer: 

 var: Any variable declared in a function block is either function-scoped or        globally-scoped which even can be redeclared and again updated. 

 let: Local, write-only, specifically they allow updating the variable but not declaring it in the same block. 

 const: declared only in block can’t be updated, or redeclared after the declaration. 

 9. What is an array; Explain how you can define an array in JavaScript? 

 Answer:    An array can be defined as a united variable for storing more than one value. We can create an array using square brackets []:

  javascript 

 let fruits = [‘apple’, ‘banana’,’ cherries’]; 

 10. What is a function and how does one describe or create one using JavaScript? 

 Answer:  Function is a set of statements and instruction used to do a certain job or achieve a specific goal. we can define a function using the function keyword:

 javascript 

 function greet(name) { 

 return ‘Hello, ‘ + name; 

 } 

 11. What is the event handling of JavaScript? 

 Answer:   Javascript as the name suggests is an event driven language; this means that functions can be written that will take actions based on events such as a click, key press or even mouse movements. we can handle events by attaching event listeners to elements:

 javascript  

 document. getElementById("myButton"). addEventListener("click", function() { 

 alert("Button clicked!"); 

 }); 

 12. What is the Document Object Model (DOM)?

 Answer:     DOM is a programming interface for the web documents. It depicts a document as a tree structure of nodes; this assist in managing the content and structures of the web pages by applying JavaScript.

13. How do you select an element by its ID in JavaScript?

Answer:

   I can select an element by its ID using the getElementById method:

javascript

let element = document.getElementById("myElement");

14. What is responsive web design, and why is it important?

Answer:

    Responsive web design ensures that web pages look good and function well on devices of various screen sizes and resolutions. It is important because it improves user experience and accessibility, and it is favored by search engines.

15. What are some basic steps to create a responsive web design?

Answer:

     Use flexible grid layouts: Utilize relative units like percentages instead of fixed units like pixels.

Media queries: Apply different styles based on screen size, orientation, and other characteristics.

Flexible images: Ensure images scale appropriately within their containers.

Viewport meta tag: Set the viewport to control layout on mobile browsers.

html

<meta name="viewport" content="width=device-width, initial-scale=1.0">

    These questions and answers demystify basic facts which a fresher that wants to join the web development team should know. 

Thanks for visit us……

For more Information to visit our website: skyweb design Technologies.

Address: 15th floor, manjeera trinity corporation ,kukkatpally , HYDERABAD.

[learntechsolution]

Deploying a Node.js application to Heroku is a straightforward process. Heroku is a platform as a service (PaaS) that allows you to easily deploy, manage, and scale web applications. Here's a step-by-step guide to deploying a Node.js application to Heroku

[learn-techsolution]

Deploying a Node.js application to Heroku is a straightforward process. Heroku is a platform as a service (PaaS) that allows you to easily deploy, manage, and scale web applications. Here's a step-by-step guide to deploying a Node.js application to Heroku

[learntech-solution]

Deploying a Node.js application to Heroku is a straightforward process. Heroku is a platform as a service (PaaS) that allows you to easily deploy, manage, and scale web applications. Here's a step-by-step guide to deploying a Node.js application to Heroku

[learn-tech-solution]

Deploying a Node.js application to Heroku is a straightforward process. Heroku is a platform as a service (PaaS) that allows you to easily deploy, manage, and scale web applications. Here's a step-by-step guide to deploying a Node.js application to Heroku

[yuurei20]

I see you mention Magical Archives a lot. Is that like an official artbook? Can I get it in English somewhere?

Hello hello! Thank you so much for this question, I have been hoping to write about this for weeks 🥳

The Magical Archives Game Guide vol. 1 (full name: 『ディズニー ツイステッドワンダーランド』公式ガイド＋設定資料集 Magical Archives ) is maybe the single-most informative Twisted Wonderland resource available!

It includes a huge amount of extremely detailed information, from gameplay to the characters to early-stage development illustrations to a multi-page interview with Toboso Yana herself, only one of two that she has ever given on Twisted Wonderland.

While it may be described as an artbook it is also much, much more, and if you are only capable of purchasing one piece of Twst merchandise in your life, it is absolutely the #1 thing I would recommend.

First published in 2020 it is still available for purchase from outlets such as Square Enix's Online Store, Amazon, Rakuten, Animate and more.

It is not currently available in English, but for a brief while Aniplex USA was releasing "Player Guides" for free via social media:

These were multi-page PDFs that were, visually, quite similar to the first 1/3rd of the Magical Archives game guide, but with updated gameplay information.

These game-guide-inspired PDFs combined with how out of date the gameplay information in the original guide has since become makes me wonder if maybe there not are any plans for any official translation of the original Magical Archives :<

There has since been a second volume of the Magical Archives released (in September 2024), but it is not quite as detailed as its predecessor, including gameplay information and a huge library of game sprites but very few sketches from Yana and no interviews.

On the subject of translated art books, there actually is an official English-language book being released in December!

While its English-language title is "The Official Artbook," this is actually one of four books of a series called "Visual Books!"

Much like the magical archives the first volume is the most detailed, including pre-colored base art and the occasional messages from Yana to the colorist (re: a comment that there is no need to put any light in Rook's eyes for his labwear vignette groovy ww).

The Visual Book Series is not really comparable to the Magical Archives, consisting of pre- and post-groovy card art.

The "Design Note" might be the closest to the usual definition of "artbook," consisting of insight into event outfits worn by various characters and even including a few sketches of unused designs.

Unlike the Magical Archives, however, there are no behind-the-scenes notes such as "He has a black-hearted side, so he may laugh with a hint of that often" (about Trey) and "He has vertically-slit pupils that become round in dark places" (about Leona), which can only be found in the game guide.

There are also volumes 1 and 2 of the Art Gallery! These are collections of artwork by artists that are unaffiliated with Twisted Wonderland, depicting Twst's characters, much like Square-Enix-branded fan art (no contribution from Yana involved).

Lastly, there are the fanbooks! Contrary to their titles they do not consist of any fan-made content.

Volume 1 of the Fanbook mostly consists of character/story overview, but it also has some fascinating etymology information and exclusive interviews with several members of the voice cast!

The second fanbook focuses moreso on events, and also includes detailed recipes of Master Chef cuisine, a report on the since-concluded Twisted Wonderland Exhibition, a look into a Twst-themed hotel room in Tokyo Disneyland's Ambassador Hotel, and more.

And a third fanbook was just recently listed 🥳 (Amazon link), said to include event, card and story content from the 2nd to the 4th anniversaries.

I hope this helps! ^^

[deception-united]

Online Writing Resources

YouTube:

Abbie Emmons: A published author. Her videos have great tips and advice for plot and character development.

Hello Future Me: Mostly worldbuilding tips, but very in-depth, with specific examples.

Ellen Brock: A professional freelance editor who provides help with all aspects of writing—outlining, worldbuilding, character writing, plot development, publishing, and generally answering any questions writers may have.

Terrible Writing Advice: Great writing advice, if you can handle the sarcasm.

Podcasts:

Writing Excuses: Albeit fast-paced, the given writing advice is quite useful. There's multiple seasons addressing topics such as story structure, characters, and genres, amongst many others.

The Creative Penn: This podcast is run by author Joanna Penn, who shares the lessons she learned in her own journey and advice for writing and publishing your novel.

I Should Be Writing: Interviews with various authors, and encouragement for aspiring writers.

Story Grid: Outlining methods, writing tips, editing advice, and analysis of various works.

Blogs:

Creativity Portal: Author interviews, creativity generators, writing prompts and templates, and various other writing resources.

Now Novel: Aside from writing tools, this website has multitudes of posts about characters, dialogue, narration, plotting, editing, and story structure, as well as writer motivation.

Helping Writers Become Authors: Tips on dialogue, characterisation, outlining, plot development, structuring, character arcs, and common writing mistakes to avoid.

Almost an Author: This website is great help for aspiring authors, with advice that ranges from genres to motivation for writers to guidance for making writing a career.

Hope this is helpful! I'd love to hear any other resources you use or are familiar with. Happy writing ❤

Previous | Next

[pannman]

Fix it

Platonic Alastor x tech savy/graphic designer reader

He didn't quite understand you

In fact people never expected you to be friends, and it certainly didn't start put that way

You started out working at Voxtech, you spent hours designing advertisements and editing commercials but when Vox told you to start working for Valentino and editing his porn videos you refused. Vox gave you an ultimatum: work for Valentino or be fired. So with no job you decided to try your hand at redemption

You didn't count on Vox's greatest enemy being the facility manager

At first Alastor threatened you. Suspecting you might be a spy since you were associated with Vox but Charlie convinced him to give you a chance

So he mostly ignored you. Keeping conversations short. Especially since it seemed you guys had absolutely nothing in common

Charlie wanted to find away to put your skills to use for the good of the hotel. You suggested creating a website

Charlie loved that idea so you got to it. You designed and developed it. You made it simple but eye catchy. And you decided to regularly upload edited videos of the shenanigans going on the hotel to attract new patrons (and to give yourself some fun).

Charlie being the person that she is wanted Alastor and you to get along better so she came up with the brilliant idea for you to interview him and create a page on the website for first hand accounts

Alastor agreed and as long as it was not a filmed interview

You had prepared a list of questions

Q. Why did you decide to join the hotel?

A. I decided to help the pathetic princess in her silly little dream to watch others fail miserably in attempt to change their already determined fates as entertainment for myself

Q. What has been your favorite moment here at the hotel?

A. Possibly when Niffty released an entire colony of roaches into Angel's bed. That was quite hilarious!

Q. What progress do you think you or someone else has made thus far that's worth mentioning?

A. I finally managed to get my new radio tower to look exactly like the old one. It was nice gesture really. But I do have preferred place for everything

After that you didn't know if Charlie was still going to be for this idea

You really didn't think you and Alastor would ever see eye to eye until one night you woke up to a knock on your door

You jumped out of bed still in your pajamas and opened the door to see Alastor standing there

You were... quite surprised. He told you he needed your help and it couldn't wait till morning

You followed him to his radio tower to see his system short circuiting. He warned you not to get to close or you'd get a nasty shock

"You're the one who deals with this technology stuff, fix it!" You thought to point out the two issues here

1. You don't fix technology, you utilize it to make things

2. This radio recording system is really old and you only knew what you were doing with MODERN technology

But you could tell he was very agitated. You wondered how it even got broke in the first place

You decided to do the only thing you could think and you Voxtubed it

You found some weird guy with obsession for fixing ham radios and old vintage tvs and watched a few of his videos. After assessing the broken system there were a lot of similarities. And after one boring audio book and online purchase of some parts you fixed it

Alastor was impressed. He tried very hard not show it but he couldn’t help it.

Before he could get back to it. You decided to listen to last chapter of the audio book one last time to make sure it was up to code. Unfortunately you forgot to connect your Bluetooth

Alastor standing in the tower with impatiently tapping his foot waiting for you to give the ok so he can give his listeners a much delayed broadcast stiffened at the sound coming from your phone and static buzzed loudly in the air

"Lovely I imagine the imagery to this is just flashy and distracting as it always is" he says rather annoyed

"Actually" you replied "it's an audio book. There is no visuals. It's just sound. Someone reads aloud a book and records it for people to listen to" you pointed out

It was not that much different from radio

You apologized and told him you would connect back to your headphones so he didn't have to hear it

"You may leave it on" he said surprisingly. So you did

Finally when you were done you went about your business. Everything went back to normal. Except... Alastor kept calling upon you before every broadcast demanding you play your audio book again to look over his system to make sure it won't crash on him mid broadcast

And each time he told you there was no need for your headphones

You finally decided to grow a pair and challenge him

"Once again I'd like you to check it over and make sure it's up to code. Play your dumb sound book again and get to it" he spoke as if the audio book did not matter at all but you knew better

"Oh I have it memerized by now. No need to play it again" you responded mischievously

His eyes narrowed and you could hear the sound of a record scratch. "Now, now. I won't allow for any mistakes that would not end well for you. Now play it again" he demanded

"You know if you liked the audio book you could just say so. Also you don't have to listen to the same end chapter over and over again. I have other probably more exciting books" you proposed

He acted offended. "How dare you insinuate that I would enjoy something as pointless and boring as that." Of course he didn't want to admit that anything that came from technology could possibly be good in any way and he could never ACTUALLY like it. No way

"You know its not a lot different from radio. Telling stories with just your voice. Like any kind of art this is just another medium. Another way of expressing oneself. You don't have to suddenly be Mr. Technology guy to like audio books" you said

Alastor seemed to pause in thought. "Hmmm... fine. I guess... it wasn't too horrible to listen to literature being read aloud in a soothing voice. Maybe I'll give some other pieces a try"

And after that you were at the radio tower all the time. Playing audio books for him. You eventually showed him your art skills and showed off the new website. He taught you a lot about his Era and about radio. You guys even redid the interview live on his radio show. Though the results were still quite similar

Though Alastor still hated technology he respected that it was something you enjoyed. And he did listen to the occasional audio book, although it was more like he made you play it for him

An unlikely friendship had formed. And nobody saw it coming. But you wouldn't trade it for the world

[postpunkindustrial]

Pink Noises: Women on Electronic Music and Sound by Tara Rodgers

Get it from my Google Drive HERE

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.

Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.

Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)

[sgiandubh]

Wonder if Sam will take his new legal American bride to Italy? He will be married, although unlike Caitriona's it will be a fake marriage, by 31 Dec. He needs the residency.

Dear Married Anon,

Three possibilities on this one: a) you watched 90 Days Fiancé for way too long and with no attention to details; b) you think I am an idiot, with no legal knowledge or experience; c) you are an idiot, with no legal knowledge or experience.

Your question comes with two strong biases, too: a) that you somehow are privy to such nonsense and b) the old & stale fake vs. organic marriage refrain, regarding C (that, by the way, proves that I did hit a nerve).

I am not very sure to whom exactly do you think you are talking, here. But if I do know one thing is that you, honey, are a Mighty Twat. If you wanted to be consistent with the crap the Gay Crowd spreads around, you could have gone for 'he needs a more solid/credible beard than that', instead of the completely inane 'he needs the residency'. What is he, Burmese? Oh, FFS. And by 'Burmese', I mean exactly this: are his life/personal safety in clear and present danger, in his home country, because of his ethnicity and/or political views? The answer is no, and he could still use his right of asylum. Does he need the US residency in order to secure a better paid job for himself? The answer is no: lots of other avenues can be explored and are routinely being used by thousands of foreign actors/performing artists, in order to legally work and reside in the US. I have even mentioned it before:

(Full October 2023 post, here: https://www.tumblr.com/sgiandubh/729979831079649280/mordor-says-he-returned-only-for-visa-reasons)

But let's suppose even a nanoshred of what you wrote could technically be correct. When you are an US citizen and you want to bring your significant other to live with you there, you basically are offered two options:

Scenario One: you want to bring your fiancé(e) to the US and get married there. You will need the K-1 visa, as anyone even remotely familiar with that reality show I mentioned knows. That doesn't exactly click with a hastily cobbled 'new American bride' he would marry until December 31 and this is why, according to the US Citizenship and Immigration Services (USCIS) own website:

[Source, LOL: https://www.uscis.gov/sites/default/files/document/guides/A2en.pdf]

'You have met each other in person within 2 years before you file this petition'. Who is it, then? The whore? She is French. The chatty influencer? She's 'so over him' (FFS, LOL). Alice 'he's mine and will never be yours'' Panikian? If you think so, you are aff yer heid on cheap gin. Hm? Ashley Hearn? Met her too late and you all know it. A secret lover? ROFLMAO. And psst: Raya girls are just for fun, they don't think homestead. Cross my heart, Anon.

Current and official USCIS average processing time for fiancé petitions at their (logically) California Service Center is:

But it could be as long as 26 months and a half, if he decides to settle for a Vermont beauty (LOOOOOOOL).

You should also know a couple of other things, Anon. First thing is he will not be able to enter the US under the type of visa he currently more than probably holds, in order to do so - that would be a heavily punished immigration fraud:

Mhm. Restrictions on his ability to future immigration benefits/permanent residence, fine and imprisonment. I hope I do not need to further develop, on this one.

Last thing you should have taken into consideration before writing this bullshit is that the fiancé visa would restrict his ability to go back to his own home country during all the waiting time. Why would an actor refuse work opportunities in the UK or in Europe for the sake of a fake marriage, as you called it yourself? Oh, if you only had a brain!

Need I say more about the grueling in-person cross-check interviews ? You should watch a wonderful movie starring Gerard Depardieu (a pig alright, but he is perfect, in there) and Andie MacDowell: it's even called Green Card, LOL. Few things changed since 1990, and if anything, the screw got only tighter. Not to mention the fact he will be unable to work in the US during the waiting process and she will have to prove she can sponsor/provide for him! ROFLMAO.

Scenario Two: you get married abroad and want to bring your spouse to the US, afterwards. You will need to file the Form I-130 (Petition for Alien Relative):

[Source: https://www.uscis.gov/sites/default/files/document/guides/A1en.pdf]

All this does, in reality, is put the spouse in line with thousands of other similar applicants. Residency will be granted only after extensive background checks and this is where I would like to stop for a while, Anon. You are with the Gay Crowd, right? Then how does this logically click with your long established talking point about his 'once very public gay life? Ah: he isn't gay? ROFLMAO. You see, being gay is a bit like being pregnant, Anon: you can't be 'just a little bit pregnant' and you certainly can't be 'just a little bit gay', either. Spare me the drivel 🙄. Kindly note those background checks are dead serious and could result in deportation - thought you should know, before you spew idiocies again.

Onwards with that residency thing:

If S were in Scotland/the UK when the 'legal fake bride' would file in the petition, he would not be allowed to come visit or work in the US: why would an actor be forced to turn down lucrative opportunities in Hollywood or elsewhere in the country, for the sake of bearding or circus only? And while S could technically apply for permanent resident status if he already were in the US at the time of the application for I-130, he would still not be able to work and therefore must be sponsored by the 'legal bride'. ROFLMAO, again.

I mean, this is so ridiculous I could cry. He would be invited to come to the US only after the petition is approved, which does not click with your suggested timeline and the seeming 'emergency situation' ('he NEEDS the residency', your ask shouts at the Entire Universe) . Why the haste? Just because you wanted to somehow shoehorn it in, somewhere before Inauguration Day? I have no words, but my paunch hurts with laughing right now.

Finally let's have a look at processing current times:

But it could go as long as...

I cannot stress enough that permanent residency will be granted only after the processing time is completed.

Why, oh, why would someone so inextricably complicate his entire existence in such an idiotic fashion, Anon? And finally, give me and yourself a break and read the damn political room, here, too. I will not elaborate, but I surely hope you do not live under a rock.

I rest my case, thank you, fuck off.

[callaei-researches]

Summary of results - Intercultural and cross-linguistic perspectives on the whump genre

Here is a summary of the results from the research thesis, "Intercultural and cross-linguistic perspectives on the whump genre"! This was part of my studying a Master of Contemporary International Studies. The research aimed to explore how whump-interested people connect with the whump genre cross-culturally and cross-linguistically.

Back in June/July this year (2023), I sent out a questionnaire open to any whump-interested person, and also invited interviews for bilingual whump-interested people. I've finally finished my thesis, and overall was awarded an A- for it!

The full thesis is available now to read on Academia.edu, and will also be available on IPU New Zealand's library website in January 2024.

The research isn't available on Academia.edu or IPU New Zealand library website anymore, however you can access it via Google Drive here!

This research was approved for Human Research Ethics Clearance by the IPU New Zealand Research and Development Commitee on 3rd May 2023 (HREC-2023-05-03-01).

----

(NB: Due to there being an extensive amount of results, I've only summarised the key findings of the results section and a brief conclusion here. I've referenced page numbers for the full thesis if you'd like to read the extended version.)

-----

Summary of results (Questionnaire)

233 respondents | 92 different cultural/faith-based identities

The questionnaire was used to answer Research Question 1, "How do the aspects of Hofstede’s cultural dimensions and Schwartz’ universal human values reflect in the characteristics of whump genre identity?"

The questionnaire explored four themes associated with whump genre concepts - “agency,” “comfort,” “stoicism,” and “knowledge” - and found (p. 87):

For the theme of “agency,” questionnaire participants tended to perceive a greater importance for agency for the caretaker and whumper roles. This may be related to the caretaker and whumper role characters’ abilities to carry out their roles of caretaking and whumping respectively. While the cultural dimensions did not appear to be factors inherent to the theme of agency for the whumpee role in a whump genre story, this appeared to work towards supporting the cross-cultural enjoyment of whump. For the theme of “comfort,” hurt comfort, physical comfort and long-term recovery may be more accommodating of cultural dimension dynamics and have a greater capacity to fully realise the goals of Schwartz’ values. For the theme of “stoicism,” the way in which these dimensions can so diversely be applied to this theme suggests a cross-culturally applicable ground. For the theme of “knowledge,” the balance between the certainty of a known whumpee and the uncertainty of an unknown whumper indicate variable tolerance of ambiguity within the whump genre. This suggests a cross-culturally applicable ground.

The full results section for the questionnaire can be read in the full thesis (pp. 61-87).

-----

Summary of results (Interview)

31 interviewees (15 spoken, 16 written) | 24 different languages

The interview was used to answer Research Question 2, "How do bilingual whump-interested people perceive the ability to convey themes of hurt comfort (a subgenre of whump) in different languages?"

The interview questions were categorised into themes:

Theme 1: Preferences for language when interacting with fiction

Theme 2: Comparisons of different languages’ abilities to convey physical and emotional pain

Theme 3: Limitations or difficulties experienced when conveying whump in, and across, different languages

Theme 4: Cultural, social, and/or linguistic reasons influencing pronunciation of “whump”

Following transcription of the interviews, a thematic analysis involving examining code co-occurences found (p. 123):

For “Theme 1: Preferences for language when interacting with fiction,” preferences tended to be associated with the availability of media, the ability to connect with the author’s intended meaning, and the level of ease and comfort with which interviewees could engage with the fictional media. For “Theme 2: Comparisons of different languages’ abilities to convey physical and emotional pain,” interviewees’ comparisons highlighted differing ways of presenting and conveying pain in language, for example, through language features and words. Overall, interviewees felt that the languages which they were fluent in were generally equally capable of conveying physical and emotional pain, although different languages tended to approach the communicating of pain in different ways. For “Theme 3: Limitations or difficulties experienced when conveying whump in, and across, different languages,” the perceived limitations and difficulties experienced across languages tended to be associated with difficulties in conveying semantic, pragmatic and cultural meaning across languages, and tended to stem from the differences between sociolinguistic approaches to communicating ideas in languages. For “Theme 4: Cultural, social, and/or linguistic reasons influencing pronunciation of “whump,” common cultural, social and linguistic reasons for interviewees’ pronunciations of “whump” included how interviewees expected the word to sound based on their expectations of the letters in the phonological environment, the impact of a lack of having heard the word spoken aloud, sociocultural influences, intuition and language education.

The full results section for the interview can be read in the full thesis (pp. 61-87). Interview transcripts (sensitive details filtered out) can be read in Appendix H (pp. 177-399).

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Conclusions (brief exerpt from p. 130)

Research Question 1 explored cross-culturally applicable aspects of the whump genre. The findings suggested that themes of the whump genre accommodate variations in cultural social orientations and values, thereby enabling an interculturally common ground among whump-interested people.

Using qualitative research (interview), Research Question 2 explored how bilingual whump-interested people perceive and connect with hurt comfort themes across different languages. The findings suggest that multiple factors contribute to how bilingual whump-interested people engage with the whump genre, including but not limited to first and second languages as a tool to experience closely or otherwise distance the subject with, the availability of whump media in different languages, and manner of conveying aspects of pain and comfort through lexical, phonetic, grammatical and cultural aspects of language.

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Thank you to everyone who participated in the research - the questionnaire and/or the interview! Your voices are all important in this kind of research, and are all very much appreciated!

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[learntech-solution]

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[learn-tech-solution]

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[celuere]

Modern Au Arlejuno but it’s just Juno as the overworked chief of neurosurgery and Arlecchino who‘s doing research for her next blockbuster, sign me the FUCK UP.

Arlecchino is known as THE thriller author of her time with her „Rise of the Balemoon“-Saga having sold over a whopping 400 million copies, the woman announces the comeback from her five year long break with a film adaptation of her bestseller and a groundbreaking prequel to the first books events. The news are exploding, social media and the book world are literally on fire as sales go through the roof yet once again for the renowned king of psychological warfare.

Little personal information is public about the author besides of her pseudonym and her own publishing house „Hearth‘s Ashes“, which is known for its famous thriller and horror writers. She announced her break shortly after the release of „Ignis Purgatoris“, the fourth addition to her series which shook Teyvat‘s very core of the thriller genre with nothing more than a short announcement on her publishing houses official website. The sudden news firing up a chain reaction of theories and rumors about her possible reasonings- a family death, writers block, legal trouble- even talks about bankruptcy circled around in various forums but nothing ever got truly confirmed.

And then we have Dr. Juno C. Whitlock. Head of the department of neurosurgery at Teyvat‘s best hospital set in Fontaine. Known as the prodigy of her field with numerous awards underneath her belt for developing the „Celian-Method“ at the ripe age of 27. The youngest doctor to ever graduate from medical school and create her own treatment plan within the same year. That’s her. And six years later she‘s dominating her profession as Teyvat‘s most requested neurosurgeon with the highest success rates in her treatments. But behind the kind-hearted workaholic is just a woman in her early 30s that is too scared to get out of her scrubs, having never experienced anything outside of relentless studying and researching- until one evening when she receives an Email from the Hearth‘s Empire, asking for a personal interview and a few questions signed by… Arlecchino.