I hate that Kevin is still in the same that he was in when we met him. The writers have done nothing for him, and they should actually be so ashamed, as well as the people who defend it.
They only use Kevin for crappy performative storylines which never go anywhere or when they want him to interact with Burzek and Makayla. And yes, when it is a police show, and the lead police officer is Hank Voight, with people like Ruzek (I think Adam has somewhat improved, but it was just in season 8 where he went off at Kevin when Kim was missing where he told Kevin to put aside all that crap when referring to racism and take a day off from being a proud reformist. He also threw the first punch. There is no justification for the way Adam acted).
The treatment of Kevin in terms of what he does and, usually, doesn't get is something I feel SOOO passionate about and I'll always get on my soap box to talk about the injustice.
But saying that, I do think it's a little unfair to say the writers haven't done anything for him - they haven't done much and honestly it's under the bare minimum in a lot of ways and I'll never deny how fucked up that is, but they did give him his building and showed us how he was being a force for good in his neighbourhood. Which, especially as i rewatched season one recently and he always had that entrepreneur streak to him, I do think is one of the best plot points they could've given him, imo. That, and his father's storyline because I truly do adore that storyline.
The problem is that now going into eleven years of plot lines and a very recent plot point is the only thing I can talk about positively without any disclaimers or annoyances is just so very wrong. Because really, it does feel like often we've barely seen him have ANY character growth. Which in one way isn't neccesarily bad because he's always, from the very start, been a Good character. Raised his siblings, had aspirations, a good friend and a hard working cop, so he didn't have any 'bad' traits to grow out of. But there's still ways to give characters development (for example, his building) and in these ten years, that has been extremely lacking.
And I will forever be mad about that the only plot points for character development has been race based and not even most of the time in a good, non performative way so I'm with you on that.
But finally, I will say I did LOVE Kevin and his treatment in season ten. He got multiple episodes, we got to see more of him just being him, we actually got to see him in burzek's stories which as their best friend he should be and he felt like, for the first time imo in a very long time, a multi dimensional character who wasn't just there to be black.
Obviously one good season doesn't erase all the injustices been dealt to him, or even remotely balanced the scales and the season still had it's deeply problematic aspects that I will never shut up about (i.e. Kev being the one to shoot the racist bastard) but it does make me optimistic that we're heading towards a time where Kevin will be treated more as a multi-faceted character, ESPECIALLY as this season will be Tracy's last.
I'm just hoping we'll continue to get more fleshed out aspects of his life, beyond the building, his siblings and father. And more stuff that could have been formed for anyone, white or black, because Kev is also just a human and not just a black human.
Also voight can go fuck himself, my feelings for the character may be complicated, but that's one thing I will always feel.
Thank you for sending me this ask!!
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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(concept art of young taigen - source ; art credit: @abigaillarson)
i cannot get over this concept art of young taigen. god.
just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!
he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.
taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.
because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?
we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.
but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.
and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.
because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.
because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.
and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.
the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.
and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.
it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.
everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.
it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."
the words follow him, and he follows the words.
as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."
what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.
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my friend invited me to go with them to a show tonight
and the thing is it was not good. it was a cabaret with some amazing circus acts but each of them got like. 5-10 minute slots. and were interspersed with 20+ minutes EVERY TIME of some of the most tedious standup work I have ever seen from the MC and the same 5 physical comedy bits repeated ad nauseum. this guy literally did a Borat bit. in the year of our lord 2024. he sang 2 entire rounds of the Family Guy theme.
and it just KEPT GOING. it was meant to be a 90 minute show, which imo is already a slog for a show starting at 11:30PM but within the bounds of reasonable. it finished. at fucking 1:50 AM. ALMOST TWO AND A HALF HOURS OF THIS SHIT. and it did not help that the 5 bits were all of the 'OH NO SOMETHING HAS DISRUPTED THE SHOW' variety which is funny for a bit, less funny when you're literally 45 minutes past the end of your scheduled finish and still fucking going.
HOWEVER. what I did not realise was that this was in fact. my friend's favourite comedian. and if I had known this I might not have gathered up my stuff and walked out during the curtain call and probably would not have announced on the way out, 'that was the most tedious fucking thing I have ever endured.' and I almost certainly, when someone overheard me complaining about the length and tedium and said 'yeah it ran a bit long huh,' have replied, at the actual near-shouting top of my voice, "I AM GOING TO KILL MYSELF."
I feel. bad for spoiling the show for them.
in my defence I have been very tired this week, I got home at 2:30 AM, and raked seating really hurts my hips so I was in agony by the end of the first hour. but mostly I'm just a bitch who loves to hate tbh.
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