#what an interesting way to kill someone... what an interesting thing to survive...

[akookminsupporter]

ARE YOU SURE?!: EIGHTH EPISODE

MY IMPRESSIONS

 Preface: This is not an analysis post, and honestly, I don’t want to overanalyse their interactions or everything they said and did—many others are already doing that. My intention with this post is simply to share my thoughts on the episodes, my impressions, and perhaps my conclusions.

Oh man, I don’t want AYS to end. I can't believe it's already over. It’s not fair. I don’t think it is. We should protest.

Yes, this is my second time watching this episode. I’ve been super busy, so I couldn’t watch it again. I’ve survived by watching clips and gifs on Twitter.

Objectively speaking, Jimin and Jungkook are seriously handsome. Gorgeous. Cute. And they look especially adorable without makeup. They look so young too. Jimin looked amazing in that grey sweater.

I’m unsure if Jimin and Jungkook keep track of the charts and that sort of stuff. Based on things they've said in the past, it seems like they’re not too fussed about it, but it’s nice to know that, in one way or another, they do see the results of their work and the fans' support, even months—or in Jimin's case, more than a year—later. When they were in the US, Jungkook also mentioned something about listening to the music charts in Korea, didn’t he? He did the same thing here, and their songs are still on there. They’re really killing it with their solo careers. Jungkook wasn’t lying when he said his favourite part of SMFPT2 was the second half, where Jimin came out half-naked, just saying hahaha.

When they arrived at the restaurant where they’d eat, the video looked like it was shot by a paparazzi or something, hahaha. Jimin looked incredible in that video. I don't know how to explain it, but he looked… famous, hahaha.

One of the descriptions we read a lot when AYS was announced was that Jimin and Jungkook would immerse themselves in the local cuisine wherever they visited. That description couldn’t have been more accurate, hahaha. These guys really travelled just to eat, hahaha.

Every time Jimin said he didn’t look good, or that he’s not handsome, or that his face wasn’t right, I just wanted to jump through the screen and give him two slaps to snap him out of it.

That clip of them waving at the camera through the window is… Jimin looked stunning. His messy, blonde hair at that length was perfect.

The "boyfriend shot," okay. Jimin, I need you to answer a few questions to fully understand that part. I understand what you were trying to say, but why did you say that? I don’t know if it’s a thing in Korea, but when you Google "the boyfriend shot," nothing even remotely close to that photo comes up, so it's not a trend or anything like that. So, that was... interesting. Jungkook’s non-reaction and just commenting on the photo itself was... he wasn’t bothered at all.

I think Jungkook loves to eat. He loves food. I think. It’s not something I can confirm, because it’s not entirely clear. But I reckon he loves eating.

It’s so cute when they mimic the silly things the other one does. They’re just too adorable.

That quirky habit Jungkook has of showing off everything he's about to eat. And Jimin too.

I mean, Jungkook, why did you tell Jimin to take off his pants and underwear? That’s a bit much, don’t you think? Hahaha. Jimin’s response to Jungkook, saying, "loud, repetitive noises make Jimin nervous" is hilarious, and we know he’s said it twice when Jungkook was teasing him. But I wonder what context that phrase has for him. Seriously, I’d love to see a copy of his YouTube watch history and search history to know how they find these videos. It’s clear Jungkook knows the context, hahaha.

Someone on Twitter mentioned that Jimin and Jungkook swap roles in their dynamic or relationship. One day, one acts like the hyung and the other like the younger one, and vice versa. Another day, one is the annoying one that the other just smiles at, and vice versa. And another day, one is the silly, cute one, and the other pretends to put up with it grudgingly, but really, they love it. It’s super interesting, especially when you think about the age difference between them and what that means culturally.

Jungkook in the car watching—or better yet, waiting for—Jimin to notice he wasn’t behind him is just too cute. That happy little giggle when Jimin finally noticed and came to get him was adorable. Jimin pretending to be annoyed about it is funny because we all know that man never gets annoyed about anything Jungkook does or says.

Jungkook was right—Jimin really did love the gimbap option he bought, hahaha.

"Jimin is Jungkook's Jungkook." I saw this in a tweet a few days ago, and I remember making a post about it. Reading the comments, I see some of you gave it a slightly different interpretation to what the tweet explained, and what I realised when I read it. What we mean by that, in this context, is that Jimin does the same thing Jungkook does with the other members’ songs—singing them all the time in a funny, but slightly annoying way, hahaha. The members usually just laugh or ignore Jungkook because, well, he’s Jungkook, hahaha. Jimin does something similar, and Jungkook just laughs and looks at Jimin like he’s thinking, “Cute,” because, to Jungkook, everything Jimin does is cute.

The editors syncing the song with the parts Jimin was dancing—or trying to dance—is way too funny, hahaha. Jungkook grabbing more things while they were already paying is so... all of us, I’m sure, hahaha.

I know there are a few theories—let’s call them that—about which card Jimin and Jungkook used, particularly in Sapporo. But something I noticed is that they always made sure to get the receipt, and at least the times I caught it, it was always Jungkook who kept it.

Why did they laugh when the staff member said the jacuzzi in this last place was bigger than the cold tub from the day before? Not just the laugh, but the tone when Jungkook said, “Ahh, from yesterday”—I didn’t get that part. Why that reaction? Even the staff’s little chuckles were interesting. What did we miss?

I think Jimin likes "Standing Next to You." I don’t know, just a gut feeling, hahaha.

The accommodations where Jimin and Jungkook stayed throughout the show were amazing, but the ones in Sapporo were definitely the most beautiful and impressive. The clip of them entering the house without context would be so hard to explain, hahaha. Did they choose the places they stayed in? Or did the staff show them the options before they arrived? Them walking down the stairs backwards... they’re so alike, hahaha. Jungkook, the fact that you two have different ages didn’t matter at all—you’re practically the same person, hahaha.

Oh? The room they were in when Jungkook was unpacking all the snacks he’d bought is different from the one where they slept, so they left their bags in a different room.

Jimin looks stunning in that clip where he asks Jungkook if he was going to get in the jacuzzi, ahahaha. Jimin and Jungkook bickering over silly things is one of my favourite discoveries about their dynamic in the show, haha.

Didn’t Tae say that this second chapter wasn’t about seeing them naked or something like that? Could he explain to me why that’s exactly what this second chapter has been about so far? Not that I’m complaining, hahaha.

Them in the jacuzzi. Jimin and Jungkook have such enviable bodies. They’re slim but muscular, they barely have any fat on them, and they’re delicate yet masculine at the same time. It’s enviable. And I’m not a man. Seeing them in the jacuzzi also reminded me that they are, after all, men, and like most men on earth, they do stupid things for a good laugh.

The way Jungkook looked at Jimin when he picked up the snowball to take into the jacuzzi was so sweet and innocent, and the way Jimin interpreted it as Jungkook saying ‘Are you really gonna throw that at me?’ was hilarious. What’s even funnier is seeing other fans, especially non-Jikookers, using that clip to say, “This is how Jungkook would look at you if he were your boyfriend” or “This is how Jungkook looks at X member because they’re together.” Like, do they not realise that by saying this, they’re acknowledging that Jungkook doesn’t look at Jimin like he’s just a friend or how you’d look at a simple mate? This also applies when they use clips of Jimin looking at Jungkook. The way Jimin and Jungkook looked at each other in that moment is... yeah.

When Jungkook lost rock-paper-scissors to Jimin to see who had to lie in the snow – honestly, men – and took a little extra time warming up in the jacuzzi before facing his punishment, was funny haha, the way he looked at Jimin was like, “Are you really gonna make me do this?” But what’s funnier was how he looked at Jimin when he said, “Come on, baby,” ahahaha. Jungkook was like, “Don’t come at me with cute nicknames,” hahaha.

Have I ever mentioned that I love Jimin’s tattoos, especially the ones on his back? I don’t think I’ve brought that up before.

Seriously though, do they share social media accounts and watch the same videos, memes, etc.? Wasn’t that song Jimin was singing when he was lying on the stairs the same one Jungkook sang on the first day in Sapporo when he was picking which sunglasses to wear?

What Jimin said – that if we see his trip with Jungkook, we’d know what he’s like at home – it’s no surprise, but is he like this WITH Jungkook at home too?

Kookoo-ah. The different ways Jimin says Jungkook’s name is just too cute.

Oh, it looks like the whisky Jimin bought or brought to drink with Jungkook is the same one Jungkook took with him the second time he went on Yoongi’s show. So, either Jimin bought/brought/ordered it because he knew Jungkook liked it, or they’re even similar in their taste for alcohol.

So, when Jimin said “honey,” he wasn’t saying it to Jungkook, he was talking about the whisky, and I guess that’s why Jungkook responded that they looked alike. That said, I choose to believe he was calling Jungkook “honey,” haha. They’re such drama queens, hahaha. Jimin, are you really gonna leave us hanging for a whole year?

Is it just me, or when Jungkook asked Jimin if he’d had his physical exam for the military, did it not sound like a genuine question? Like, he already knew the answer? Does that make sense? Hahaha. The way Jimin responded was funny, and something I noticed is that when Jungkook brought up the military service, Jimin seemed to avoid the topic, which is understandable.

It was nice how they included the staff too. In a way, it was also one of the last times they’d be travelling/working with them for a while. The staff member who suggested they watch the first episode of the show deserves a bonus, hahaha.

Have you guys noticed that when Jimin and Jungkook are sitting together, they tend to lean towards each other? Especially in relaxed seating arrangements, like when they were watching the first episode of the show. It’s not just that they sit really close, but they lean their bodies towards each other, almost like they’re trying to face each other.

Something I’ve always noticed is that Jimin doesn’t like watching himself on screen, except when he’s monitoring performances or music videos, of course. Even then, he’s super critical of himself. But in videos like the one they were watching, he tends to question or criticise his own behaviour, or he’s just embarrassed by himself. I really wish he’d stop being so hard on himself, so critical. Another thing that’s impossible not to notice is that whenever Jimin does this and Jungkook is around, Jungkook reassures him, saying he did well, or that it’s funny or cute, or he just laughs along with him. They really do have a sweet relationship.

Jungkook really didn’t like falling out of the kayak, the way he complained to Jimin about being left behind is hilarious, ahahaha, and Jimin trying to defend himself, hahaha.

They honestly laugh at the silliest things they say or do. I love that about them.

Even though Jimin told Jungkook he could keep watching the episode without him, Jungkook paused it until Jimin came back.

Okay, this conversation was so interesting:

Jungkook: “We were worried a lot while we were filming it. Is this going to be okay? Will they be able to edit this right?”

Crew: “We were also a bit worried.”

Why were Jimin and Jungkook worried? I know that in the first two episodes especially, they kept questioning whether they’d be able to do the show, or whether certain moments would make it in, etc., but why did Jungkook say they were worried about how it would be edited? What did they get up to? Or was Jungkook specifically referring to Jimin being sick the whole time, or part of their trip in the US? Because in that case, it makes sense why they’d wonder how it’d be edited, hahaha.

Jungkook was right when he said that Jimin just had to look at his face to start laughing, and also those times when he said Jimin was happier when he was with him.

I mean, Jimin telling Jungkook how dare he enjoy the scenery and his coffee while he was dying over there, ahahaha. At least he was looking out for him, haha. So, the stone tower was indeed for Jimin, haha!

Yeah, it was really fun. AYS is a blast. I can’t believe it’s over.

Hey, I wonder if the minutes they cut from the third behind-the-scenes were of them sitting at the table having drinks. Their faces looked a bit flushed by the end, haha, I imagine from the whisky. Not them apologising to each other for snoring from the alcohol, and not the editors putting in and describing their snoring sounds—everyone’s just too unserious, haha.

God, Jimin is so cute. His outfit on the last day looked amazing. Jimin tends to wear oversized clothes like Jungkook, but not as much as Jungkook does. And they look so good on him.

Was Jimin tearing up from the cold or because it was their last day?

Jimin went to wake up Jungkook, but why we didn’t get a clip of Jimin waking him up? I mean, did the editors rob us of that too? Incredible.

Wait, didn’t they sleep in the room they entered on the night they arrived? The one with the camera? Jimin just walked past it when he went to wake up Jungkook and remember Jungkook wasn’t in that room when he was unpacking the snacks he’d bought the day before. Oh, they did sleep in the room they walked into when they arrived, the one with the camera. So, Jungkook must have already been awake when Jimin went to look for him, or he was getting dressed in the other room where they left their bags! Okay, that makes sense because in the clip where they were about to sleep, the bags weren’t in that room.

Jimin, I can’t believe they didn’t get in the jacuzzi one last time. Jungkook walking over to Jimin to touch his head and say Jimin doesn’t like it when people do that, but that he can do it, felt a bit unnecessary. I mean, we get it Jungkook, you have privileges with Jimin that others don’t; no need to brag about it. Jimin looked super cute and fluffy at that moment.

I’ve always found it funny how the guys—not just Jimin and Jungkook, but all of them—are incredibly obvious when they’re promoting a product on one of their shows, ahahaha.

On the last day, Jimin looked a bit sad, nostalgic, and down. And that’s totally understandable. Did you notice that on the last day, Jimin wasn’t using his GoPro? Only Jungkook had one on, at least when they arrived at the restaurant for their last meal in Sapporo. Jungkook also seemed a bit livelier, but only to cheer up Jimin. When they sat down to eat, a GoPro appeared filming Jimin, but when he started eating and showing what he was having to that camera, they didn’t show those clips. I wonder what happened.

When the waiter brought the beer that Jungkook ordered, he put another one on the table but then it disappeared—did Jimin send it back? Jungkook realised that if he drank the beer, he wouldn’t be able to drive to the airport and continued to ponder whether he should drink it or not, even after the staff told him not to worry about it, shows... Jungkook wanted to be the one to take them to the airport. And he wanted it to just be the two of them in the car.

Are there no flights from Sapporo or Tokyo to the US? If there are, why did Jungkook decide to fly to Seoul and then the next day to the US? Wasn’t that way more tiring for him and his staff?

Jimin asking Jungkook which piece of sushi he wanted to eat, even when he won rock-paper-scissors to choose what to eat first, says a lot about the kind of person Jimin is. It’s the little things.

They really do have a peculiar and similar sense of humour.

Jungkook genuinely wanted to be the one to take them to the airport. That’s just too sweet. And now what that person said last year makes even more sense—that they saw them in the airport parking lot, I think, together with no staff around, just their cameras, and that a few minutes later their security showed up.

Jungkook really said: “We’ll enlist together, so even in dreams we should be together,” ahahahaha. God, I love the way they talk to each other. Jimin really did look melancholic that last day. Jungkook did his best to cheer him up.

They really loved doing the show; that was more than obvious. And I love that they had those moments of relaxation and fun before their world came to a halt for nearly two years. I love that they did it together, creating all those lovely memories together. That said, I love that they mentioned it. That they said they should do it again. A reboot, as Jungkook said. For Jungkook to say those were the best trips he’s had in his life is incredible and says a lot about what his time with Jimin meant to him. To them. And yes, they ate a lot during the show, hahaha.

Jungkook: “It’s like we were on a trip but not on a trip at the same time. It was all over the place, and that’s what made it fun.”

I don’t know how accurate that translation is, but what Jungkook said really resonates because, at the end of the day, that was “work” for them, and it didn’t feel like it. They felt at home, but not in a literal or material way; they felt comfortable. They were themselves. Yes, some things were planned, but the way they reacted to those or the unexpected things that happened is what made the trip special for them and for us.

“We’re probably enjoying ourselves right now too.” – Jeon Jungkook.

I want to believe that yes, wherever they are, they’re enjoying it together.

God, the way Jungkook looked at Jimin in one of the clips at the end of the episode. The man was enchanted. Do you know what it reminded me of? The Wlive the group did in 2021, the 210219 live, where Jungkook looked at Jimin with so much adoration.

I won’t lie to you, when I saw the last clip of them on the day they were enlisting in the army, my heart stopped for a second. I never expected that. It hit me with such nostalgia and sadness at the same time. It was a cruel reality check after all that happiness.

I loved AYS, and it’s something I’ll always treasure.

If you’ve made it this far, I’m sorry and thank you—I just couldn’t stop writing ajajajajaja.

As I mentioned a few days ago in a post, I'm going to share my thoughts/conclusions on the latest episode of AYS and the show as a whole in a separate post, which you can read here.

[thecoolerliauditore]

Can you tell us the parallels between the nosy neighbors and the mean gills pls, I'm desperate

YES PLEASE OFC

For starters, they are both partnerships formed by people who have historically not gotten along, but have also not become official enemies. Martyn and Scott have their mutual respect and dislike of eachother going on that I've talked about too much at this point. Bigb stood by and did nothing when Ren (literally) demonized Pearl in DL even though his affair with Grian was partially responsible for Ren spiralling that season in the first place, allowing Pearl to act as his scapegoat.

Scott and Pearl's history is obvious enough but Martyn and Bigb also have had a fairly weird relationship up to this point. They tend to hover around eachother as kind-of-allies, usually it's Martyn actively pursuing Bigb and Bigb reciprocating just enough but ultimately pulling away when things get dicey. Where Martyn gets emotionally attached very easily and is brave to the point of being self-destructive, Bigb is cowardly and flighty with all of his alliances. Bigb is manipulative in all the ways Martyn wants to be without meaning to while Martyn fails again and again to achieve the betrayal he wants by getting too attached.

Mean Gills and Nosy Neighbours are both, in a way, ideal partnerships for the people involved. For Scott and Martyn, they have someone on the same page about surviving in the death game and the transactional way you have to look at people to do that. They communicate very little because they don't have to, they're already on the same page.

For Bigb and Pearl, Pearl is shown that there are people outside of Scott and Cleo in the games who she can trust, and that the "bystanders" of DL are just that, bystanders. For Bigb, he gains an ally who can stand up for him and Pearl's clingyness means he's pretty much forced to communicate his issues (e.g. her continuously checking up on how much time he had left) which means his problems don't have the time to fester and when they do get desperate Pearl is happy enough to sacrifice herself for him.

No wonder these two alliances don't get along when you consider not only Scott and Pearl's history but also the fact that everything about them - the people involved, the ideas behind the alliance - clash severely.

In a way, both partnerships are built on selfish reasons. For Martyn, survival. For Scott, the illusion of control. For Bigb, stability. And for Pearl, companionship and redemption. Neither are built around wanting to be with the other person, but on what the other person can provide. This also is why neither partnership really struggles with "loyalty", their interests are always being met (I don't really consider Martyn killing Scott a true betrayal since it's what Scott wanted, but I think Martyn would).

This is not to say they don't actually care for eachother, they very much do. Pearl especially is heartbroken at Bigb's death, but I've always read it more as Pearl being upset at herself for being unable to save him rather than his death itself (she did show in LL that she doesn't.. exactly have the most normal grasp on people dying, after all). That is another thing -- when Nosy Neighbours are torn apart, Pearl whimpers. When the Mean Gills are torn apart, Martyn laughs maniacally.

tl;dr they're both ideal death game partnerships but because of that no deeper connection can be established since neither party is interested in challenging the other's perspective on things.

[science-lings]

I love the potential of how fucked up Phoenix could be/ is. He's got no mention of a family, not even when he was on trial for murder, he's been the potential victim of poison multiple times by someone who he was very in love with, (which leads to some very interesting flavors of trauma which could affect how he reacts to being sick and even getting medicated for being sick and explains his reluctance to getting romantically involved with anyone ever.)

He faints when under very sudden intense amounts of stress like a woman written by a man in a historical work of fiction (Maya channeling Mia for the first time, getting whipped a whole lot, etc) He gets hit in the head so hard that he forgets who he is and that's just fine apparently.

He found his mentor's dead body and has been threatened by the mafia and fell through a burning bridge into a death river, and his best friends keep getting accused of murder or kidnapped or going mysteriously missing or leaving him behind. All of this has to leave some scars on this man's psyche and that's before he was tricked into losing his purpose in life and adopting a kid right afterward.

I feel like so many characters and their traumas are based on the violent acts they've witnessed or have been done against them so it's kind of fascinating to me how different Phoenix's experiences differ from that kind of thing. He isn't bothered by loud noises like gunshots but he could refuse to take over-the-counter medicines or get paranoid over his things being poisoned or otherwise tampered with. Maybe his complete lack of mentioning any romantic relationships since he was in college is because that one just messed him up so badly that he's afraid to try again, even after so many years.

I guess I'm just so used to characters being traumatized by violence and abuse that it's really interesting when that deviates, especially among the fanbase bc you know the companies making these fucked up little guys aren't going to delve deep into the consequences of the things they put them through.

[monty-glasses-roxy]

Ah fuck it whatever

There's something I love about the new Consequences AU and how it compares to the AUs and music it's come from.

Where things like Roxy's old kingdom being destroyed and her being almost drowned as a baby are metaphorical, there's a lot of things that strangely aren't. Roxy specifically denying the gods and the powers that be is something she does in most of my interpretations of her. The gods in most situations, isn't a spooky green rabbit, it's the people in the Fazbear boardroom making the world's worst decisions ever. To the animatronics, they are the gods. There's no higher authority than them, and they can have them destroyed without ever having met them, at just a moment's notice, for seemingly no reason.

Bonnie once believing in the gods and turning against them works like it does for most of the animatronics too. Even just questioning Fazbear isn't something many of them have been able to do, but all of them will eventually learn to. The more they learn through Roxy, despite what they might have known before, the more they realise what kind of company they've been forced to be a part of.

And Roxy's attitude towards these gods is always the same. She won't pretend to be nice to people she knows don't care about her. She won't put any extra effort into maintaining social etiquette if there's no point, if there's nothing for her to gain from it. Fazbear CEOs and board members have hurt her so much already, she doesn't give a flying shit about them, she's not wasting her time on them unless she absolutely has to. In this universe, the same can be said about the gods. She doesn't care for them and they don't care about her, so why bother? They've told like six people to assassinate her already, why would she choose to listen to them?

Roxy's relationship with the Minis and DJ? That's the same as it is across the board with most of the AUs I have. The attempt on Roxy's life when she's barely been born is shown differently in the new AU, but is still the same concept. Some things have been shifted around, such as the specific motivations, but not by a lot. I suppose Bonnie's dad in this fills the roll of Vanessa if Vanessa was also actually Mimic? He doesn't have an exact match here in terms of scale, but the comparisons are there.

The whole kingdom being destroyed, Roxy finding out that that's where she originally came from, that she was the newborn prince with a wholeass family she's never known, all lines up so well with everything else too. The pizzeria, scrapped storage, the old attractions there before her racetrack, it's all gone and she knew nothing about it. She's once again found out the truth in possibly the worst way imagineable, and she doesn't know what to do with this information, but honestly, who would?

The biggest difference there is that in this new AU, Roxy has the choice of what to do. In what's basically canon to the game, Roxy doesn't have that choice and likely never will. Where she's had to sacrifice her Raceway and Salon, sacrifice the vast majority of her life and her purpose for the safety of everyone around her, in this universe, she can choose not to. She sacrifices certainty this time, something she can regain as time goes on but in any other universe, there is never any certainty to get back. There will always be a Mimic threat and she can't get any of her old life back until it's dead and gone. She has to pay a price to keep Mimic contained, and while the Afton/Glitchtrap gods scramble to convince her otherwise, the Roxy in this new AU does have the choice whether she pays it or not.

But she will always still have to deal with the consequences of those with power. Every single time. And every single time so far, her entire existence is the consequence for them. Her life overall has not been the result of her own choices, but rather, the choices of people that never cared about her to begin with...

At least in this new universe she has a good childhood to fall back on and a cool ass horsie. And can actually do something about this shit. She can't normally do that :(

[lightdancer1]

See the further irony is:

That in using 'Mall Goth Sauron' as the take on Dark Willow over 'misogynist has character randomly killed for LULZ' it also allows for greater accountability on the one hand and for Season 7 to thematically focus on repairing all this damage in the midst of facing an enemy of shadows reliant on lies to further itself. The only way to break the Druj is the absolute Truth in a very Zoroastrian sense. Characters don't get to neatly skip past accountability for their actions, and this would spiral over into further later seasons with the essential reality that in an otherwise lower-level setting this one random girl from California is a Dark Phoenix-tier reality warper and the most powerful person on the planet, or the universe.

And the questions of how that power could and should be employed on the one hand and that Willow is essentially a Doctor Strange type who beats up Gods and Eldritch Abominations for her regular line of work where her counterparts deal with the more 'street level' crises would in turn be the logical conclusion of where the show ends. She doesn't do as much physical fighting for the same reason that Stephen Strange never uses magic to go punch the Hulk in the face, her narrative role is ultimately that of Sorceress Supreme of Earth, with literally nobody in an ancient established war anticipating that this one random ginger from California was and is the new Sorceress Supreme and that if they had had such awareness the realities are that this power would and could have taken worse forms.

Unfortunately for the world, the reality too is that it is a shy computer geek who has a not at all subtle dark side and the usual teenage anxieties and insecurities given the equivalent of being able to reliably actually do things other people might dream of but can never do.

But again as long as Dawn Summers being a good thing is a narrative convention that's established memory magic is a poor choice to show the corrupting effects of reality-warping. It's a case of 'yes as established in canon all of this is true for that one season but then they decided to retcon it, so the fans are not obligated to care about it any more than the canon does about this itself.'

[omarwolaeth]

thinking 'bout how the lads interact with what the bracelets represent, especially in their decks

[amberautumnfaebrooke]

i think i could design a better death arena for children than those hunger games amateurs.

the whole premise of the games is all pageantry. every year you get a crop of 24 candidates around whom the entire state media apparatus dedicates an entire year to building celebrity narratives. this candidate is the younger sibling of last year's winner - these candidates are young lovers forced to compete - he's smart - she's fast - root for them, care about them, watch them, form opinions on them, bet on them. and then they stick them all in an arena to kill each other, which is a great entertainment premise, except that they make the arenas themselves really boring and generic. ooo, they're in...a forest.

it's not even an interestingly designed forest. imagine if the game designers treated their arena like an actual video game designer treats level design. discrete zones with multiple paths between each room, creative use of lighting to guide players to points of interest, points of interest scattered across the map, discoverable resources hidden to encourage exploration. instead they just have a generic outdoors location and if you get too close to the edge they throw a random fireball at you.

the 75th games are especially bad about this. the arena is laid out radially into 12 wedges, and each hour one wedge becomes especially dangerous in a 12-hour loop. as a mechanic, this is genius. it forces everyone to keep moving, making "survival by hiding" an engaging and tense viewing experience instead of someone sitting in a tree for three days. plus, it encourages players to return to the center of the arena, where travel time between wedges is short, which creates a high-value zone for players to regularly return to and conflict over. in other words, it's a mechanic which incentives players to adopt dramatic, dynamic, exciting behaviors which are entertaining to watch (not to mention it communicates geography to the audience well). but it only incentives those behaviors if the players understand what's happening, and they go out of their way not to tell the players anything! when they figure out what's going on, the showrunners spin the arena to disorient the players, like they're intentionally trying to get them to just. randomly wander the jungle instead.

this isn't even to mention how often they create undramatic, boring deaths. they plant poison berries around the arena. they supply no fresh water and no way to get it. they roll poison clouds over sleeping victims. these happen to work out in the books themselves but you have to imagine that extremely often these just result in players dying unexciting deaths.

the cardinal sin though, of course, is that nothing is done to personalize the arena for the crop of contestants that year. if i'm designing the 75th hunger games and two of my most beloved contestants famously had to cancel their wedding because of a return to the games, i would OBVIOUSLY give them a trail of, i don't know, wild game which conveniently leads directly past a well defended wedding chapel. will they hole up there for a while? hold a mock ceremony for themselves? do or receive ironic violence here? stare wistfully and move on? any of it is better television than getting attacked by generic attack monkeys. you should have a dozen of these things on the map for every single candidate. but the game makers are more interested in doing the same thing every other game has done than in telling a compelling story.

it makes me second guess enjoying the children's murder arenas at all.

[ziracona]

The Darkness really is the best song in the show.

[orphiclovers]

The first scenario of ORV has always fascinated me. "Kill another person to survive." It might be the most common plot point in apocalyptic stories.. Pretty much all of them feature some discussion of morality and how to define it, good and evil, played out by deeply morally grey characters who have to make a choice to kill.

But ORV is a story about stories.

The Star Stream is trying to tell 'the story of an apocalypse' and it does! But in the most crude and unpolished way.

It's almost cynical. 'We are telling an apocalypse story, what's a common plot beat in apocalypse stories? 'No one is innocent and everyone has killed to survive'. Okay, let's make it a literal requirement for everyone to have killed someone to proceed.'

It's robotic, taking a story beat and stripping it down to it's bare essentials, then forcing the incarnations to adapt to it or die.

But the thing is. That's what all writing is. ORV just pulls back the curtain, exposing the internal circutry that makes a story work. Orv doesn't lie to you about the inherent artifice of it all.

The scenarios are perfect little plot arcs, designed to test the limits and reveal the strenghs and weaknesses of incarnations - 'the characters' of the story. It's not some cruel torture, it's literally just the act of storytelling. Writing 101 is put characters through hardship to reveal certain qualities in them or to make them go through character development.

Only difference is that writers usually camouflage the 'scenarios' they give their characters until the circumstances seem 'realistic' and like they happened on their own, like the author isn't forcing their reality to bend this way at all.

Oh, one character didn't lock the door in time due and got bitten by a zombie. And so inevitably this other character has to make the choice to kill them or not. There's as many explanaitions as the author can cook up as to what lead the characters to this moment. How the zombies got there, why these two were in the same vicinity, etc etc.

But, it's all set dressing the author has added to make the audience forget that this is too a 'scenario' given to the characters to test them. There's a time limit and a description and a reward and a penalty for failure, but all of these are cleverly hidden. The time limit can be until the last helicopter leaves in 10 minutes. The unspoken penalty is death. The author arranged how the characters find out some or all of this information in convienient ways.

Star Stream just lays it all out in front you you, straight up. States 'Kill another incarnation or have them kill you' and doesn't attempt to justify the circumstances, because of course, the real reason all this is happening is because the story demands it.

It's a universe that does not hide the author's hand in every tiny little event that happens.

So this too is the question "What if the characters knew they were in a story?" asked yet again. Every single being in the ORV universe knows they are in a story. The system itself makes it obvious - you can look at your own character sheet, you obtain 'stories' when you do something impressive but are constrained by 'probability' and what the audience finds interesting. You're body is literally made up of words written about you're life!

That's why the worldbuilding is so cohesive and so so good. All of it is telling you 'the world is a novel.'

[perfectlyvalid49]

On being Jewish, and traumatized (It’s been 5 months and I want to talk):

Judaism is a joyous religion. So much of our daily practice is to focus us on the things that are good. I know that there’s a joke that all our holidays can be summed up as “they tried to kill us. We survived – let’s eat!”, and you might think that holidays focused on attempts at killing us might be somber, but they’re really not. Most are celebrated in the sense of, “we’re still here, let’s have a party!” When I think about practicing Judaism, the things I think about make me happy.

But I think a lot of non-Jews don’t necessarily see Judaism the same way. I think in part it’s because we do like to kvetch, but I think a lot of it is because from the outside it’s harder to see the joy, and very easy to see the long history of suffering that has been enacted on the Jewish people. From the inside, it’s very much, “we’re still here, let’s party” and from the outside it’s, “how many times have they tried to kill you? Why are you celebrating? They tried to KILL YOU!”

And I want to start with that because a lot of the rest of this is going to be negative. And I don’t want people to read it and wonder why I still want to be Jewish. I want to be Jewish because it makes me happy. My problem isn’t with being Jewish, it’s with how Jews are treated.

What I really wanted to write about is being Jewish and the trauma that’s involved with that right now.

First, I want to talk about Israeli Jews. I can’t say much here because I’m not Israeli, nor do I have any close friends or family that are Israeli. But if I’m going to be talking about the trauma Jews are experiencing right now, I can’t not mention the fact that Israeli Jews (and Israelis that aren’t Jewish as well, but that’s not my focus here) are dealing with massive amounts of it right now. It’s a tiny country – virtually everyone has a friend or family member that was killed or kidnapped, or knows someone who does. Thousands of rockets have been fired at Israel in the last few months – think about the fact that the Iron Dome exists and why it needs to. Terror attacks are ongoing; I feel like there’s been at least one every week since October. Thousands of people are displaced from their homes, either because of the rocket fire, or because their homes and communities were physically destroyed in the largest pogrom in recent history – the deadliest single day for Jews since the Holocaust ended. If that’s not trauma inducing, I don’t know what is.

And there is, of course, the generational trauma. And I think Jewish generational trauma is interesting because it’s so layered. Because it’s not just the result of one trauma passed down through the generations. Every 50-100 years, antisemitism intensifies, and so very frequently the people experiencing a traumatic event were already suffering from the generational trauma that their grandparents or great grandparents lived through. And those elders were holding the generational trauma from the time before that. And so on.

And because it happens so regularly, there’s always someone in the community that remembers the last time. We are never allowed the luxury of imagining that we are safe. We know what happened before, and we know that it happened again and again and again. And so we know that it only makes sense to assume it will happen in the future. The trauma response is valid. I live in America because my great grandparents lived in Russia and they knew when it was time to get the hell out in the 1900s. And the reason they knew that is because their grandparents remembered the results of the blood libels in the 1850s. How can we heal when the scar tissue keeps us safe?

I look around now and wonder if we’ll need to run. We have a plan. I repeat, my family has a plan for what to do if we need to flee the country due to religious persecution. How can that possibly be normal? And yet, all the Jewish families I know have similar plans. It is normal if you’re Jewish. Every once in a while I see someone who isn’t Jewish talk about making plans to leave because they’re LGBTQ or some other minority and the question always seems to be, “should I make a plan?” It astounds me every time. The Jewish answer is that you need to have a plan and the only question is, “when should I act?” Sometimes our Jewish friends discuss it at play dates. Where will you go? What are the triggers to leave? No one wants to go any earlier then they have to. Everyone knows what the price of holding off too long might be.

I want to keep my children safe. When do I induct them into the club? When do I let my sweet, innocent kids know that some people will hate them for being Jewish? When do I teach them the skills my parents and grandparents taught me? How to pass as white, how to pass as Christian, knowing when to keep your mouth shut about what you believe. When do I tell them about the Holocaust and teach them the game “would this person hide me?” How hard do I have to work to remind them that while you want to believe that a person would hide you, statistically, most people you know would not have? Who is this more traumatic for? Them, to learn that there is hatred in the world and it is directed at them, or me, to have to drive some of the innocence out of my own children’s eyes in order to make sure they are prepared to meet the reality of the world?

And the reality of the world is that it is FULL of antisemitism. There’s a lot of…I guess I’d call it mild antisemitism that’s always present that you just kinda learn to ignore. It’s the sort of stuff that non-Jews might not even recognize as antisemitic until you explain it to them, just little micro-aggressions that you do your best to ignore because you know that the people doing it don’t necessarily mean it, it’s just the culture we live in. It can still hurt though. I like to compare it to a bruise: you can mostly ignore it, but every once in a while something (more blatant antisemitism) will put a bit to much pressure on it and you remember that you were already hurting this whole time.

On top of the background antisemitism, there’s more intense stuff. And usually the most intense, mask off antisemitism comes from the right. This makes sense, in that a lot of right politics are essentially about hating the “other” and what are Jews if not Western civilizations oldest type of “other”? On the one hand, I’ve always been fortunate enough to live in relatively liberal areas so this sort of antisemitism has felt far away and impersonal – they hate everybody, and I’m just part of everybody. On the other hand, until recently I’ve always considered this the most dangerous source of antisemitism. This is the antisemitism that leads to hate crimes, that leads to synagogue shootings. This is the reason why my synagogue is built so that there is a long driveway before you can even see the building, and that driveway is filled with police on the high holidays. This is the reason why my husband and I were scared to hang a mezuzah in our first apartment (and second, and third). For a long time, this was the antisemitism that made me afraid.

But the left has a problem with antisemitism too. And it has always been there. Where the right hates the “other”, the left hates the “privileged/elite/oppressors.” It’s the exact same thing, just dressed up with different words. They all mean “other” and “other” means “Jew.” It hurts more coming from the left though. A lot of Jewish philosophy leans left. A lot of Jews lean left. So when the left decides to hate us, it isn’t a random stranger, it’s a friend, and it feels like a betrayal.

One of the people I follow works for Yad Vashem, and a few weeks ago she mentioned a video they have with testimonies from people who came to Israel after Kristallnacht, with an unofficial title of “The blow came from within.” The idea is that to non-German Jews, the Holocaust was something done by strangers. It was still terrible, but it is easier to bear the hate of a stranger – it’s not personal. But to German Jews, the Holocaust was a betrayal. It wasn’t done by strangers, it was done by coworkers, and neighbors and people they thought were friends. It was done by people who knew them, and still looked at them and said, “less than human.” And because of this sense of betrayal, German survivors, or Germans who managed to get out before they got rounded up, had a very different experience than other Holocaust victims.

And I feel like a lot of left leaning Jews are having a similar experience now. People that we’ve marched with or organized with, or even just mutuals that we’ve thought of as friends are now going on about how Jews are evil. They repeat antisemitic talking points from the Nazis and from the Protocols of the Elders of Zion, and when we point out that those ideas have only led to Jewish death in the past they don’t care. And if someone you thought of as a friend thinks of you this way, what do you think a stranger might think? Might do?

The Jews are fucking terrified. I’ve seen a post going around that basically wonders if this was what it was like for our ancestors – when things got bad enough to see what was coming but before it was too late to run? And we can see what’s coming. History tells us that they way people are talking and acting only leads to one place. I’m a millennial – when I was a kid the grandparents at my synagogue made sure the kids knew – this is what it looked like before, this is what you need to watch out for, this is when you need to run. I wonder where to run to. It feels like nowhere is safe.

I feel like I’ve been lucky in all this. I don’t live in Israel. I have family and acquaintances who do, but no one I’m particularly close to. Everyone I know in real life has either been sane or at least silent about all of this (the internet has been significantly worse, but when it comes to hate, the internet is always worse). I live in a relatively liberal area – there’s always been antisemitism around anyway, but it’s mostly just been swastikas on flyers, or people advocating for BDS, not anything that’s made me actually worry for my safety. But in the last 5 months there have been bomb threats at my synagogue, and just last week a kid got beat up for being Jewish at our local high school. He doesn’t want to report it. He’s worried it will make it worse.

I bought a Magen David to wear in November. At the time it seemed like the best way to fight antisemitism was to be visibly Jewish, to show that we’re just normal people like everyone else. Plus, I figured that if me being Jewish was going to be a problem for someone, then I would make it a problem right away and not waste time. I’ve worn it almost constantly since, but the one time I took it off was when I burnt my finger in December and had to go to urgent care. I didn’t think about it too much when I did it, but I thought about it for a long time after – I didn’t feel good about having made that choice.

The conclusion I came to is that the training that my elders had been so careful to instill in me kicked in. I was hurt, and scared, and the voice inside my head that sounds like my grandmother said, “don’t give them a reason to be bad to you. Fight when you’re well, but for now – survive.” It still felt cowardly, but it was also a connection to my ancestors who heeded the same voice well enough to survive. And it enrages me that that voice has been necessary in the past. And it enrages me that things are bad enough now that my instinct is that I need to hide who I am to receive appropriate medical care.

I wish I had some sort of final thought to tie this all together other than, “this sucks and I hate it,” but I really don’t. I could call for people to examine their antisemitic biases, but I’m not foolish enough to think that this will reach the people who need to do so. I could wish for a future where everything I’ve talked about here exists only in history books, and the Jewish experience is no longer tied to feeling this pain, but that’s basically wishing for the moshiach, and I’m not going to hold my breath.

I guess I’ll end it with the thought that through all of this hate and pain and fear, we’re still here. And we’re still joyful as well. As much as so many people have tried over literally THOUSANDS of years to eradicate us, I’m still here, I’m still Jewish, and being Jewish still makes me happy.

Am Yisrael Chai.

[ceruark]

DANCE WITH THE DEVIL.

synopsis: yan! hsr men as slasher movie killers… and “love interests.” [blade, boothill, aventurine, sunday] words: 3.1k cw: yandere themes: obsession, stalking. slasher elements, gore. a/n: happy friday the 13th to all who celebrate

BLADE is already pretty much like Michael Myers from Halloween: large man, terrifying presence, unfathomable kill count, and cannot die. No matter what you do, no matter how many times you or the other survivors find a way to kill him, he keeps coming back, and with renewed vengeance every time.

The first time you’d been subjected to his knife was at a summer camp. Having gone there every summer for years growing up, you grew attached to the place and decided to pick up a role as a counselor in the summers following your high school graduation, and they passed peacefully. However, in the few months leading up to your college graduation, misfortune befell the small town where the camp was located. Someone’s grave had been dug up, and just weeks after that, people started turning up dead, their bodies littered with so many stab wounds that some were unrecognizable.

Given the ongoing investigation, the counselors and other camp staff requested that the summer camp not reopen, but the owners and even some parents insisted they stay open, and so despite your better judgment, you returned. You needed the money, and you knew how to defend yourself— if anything happened, you could keep yourself and your kids safe.

At least, that’s what you believed. When the man appears in the doorway of your cabin, his stocky figure silhouetted by the moonlight and leaving two red eyes gleaming down at you, you know there’s not a chance in hell you’re making it out of there alive.

You’d thrown yourself at him, yelling for your kids to escape through the back. He’s been merciless, sinking his knife into your flesh over and over again, but you persevered and fought back until you were sure every single one of your kids had made it a good distance away from the cabin. At some point you’d collapsed, from exhaustion and blood loss.

The doctors said it was a miracle you survived. They had your house guarded since he hadn’t been detained, but once word of his death by police gunfire got around, things calmed down significantly. You relaxed over the years, letting your guard down and believing that things could return to normal. Serial killings all over the nation popped up, but you worried not—after all, the killer you were concerned with was dead.

One of the survivors reached out to you five years after that fateful night, wishing to get together with the others who lived to get drinks and properly move on from everything. It was, of course, a set up; Blade had returned, and the man who invited you believed he’d be spared if he got the rest of the survivors together in one place.

He’d been the first one murdered that night. 

Once again, you narrowly dodged death, just barely managing to get yourself to a hospital before you received one stab wound too many. Time goes on, and no matter how many times they put a bullet through his head, he manages to come back. The list of survivors has grown, but the list of victims is now countless.

You’re in your thirties when the police reach out to the adult survivors. There’s a new survivor: a five year-old girl by the name of Yunli. Her parents had been ruthlessly slaughtered, but he hadn’t touched even a single hair on the young girl’s hair. She didn’t have any living family, and so, you agreed to take her in. 

Life is easier with Yunli in it. A bright, spunky little thing, she brings joy to your days and some semblance of a family that you’ve been too scared to seek out. It’s nice to have the sound of laughter filling your home.

That same laughter has you smiling tonight, the girl’s giggling floating down the hallway and into the kitchen, where you’re washing dishes. A quick glance at the microwave’s clock tells you it’s close to her bedtime, and she’s far more energetic than she typically would be at this time. You wipe your hands off on a dish towel and walk down the hall toward her room, wishing to find out what’s working her up at this hour and wanting to tell her to wind down before bed.

You knock lightly before turning the knob. You get the door open a crack before the sight on the other side of it leaves you frozen, horrified.

He’s in Yunli’s room, kneeling before her as she shows him the many dolls you’ve bought her. His knife is on the floor beside him, and the eyes that have haunted your dreams for years pierce into you, pinning you where you stand.

The girl seems… happier with you, than she had been with her parents. Perhaps he’ll have to be kinder to you this time.

BOOTHILL gives me Texas Chainsaw Massacre vibes in terms of how he kills and the brutality of it all, but not personality-wise. No, I actually think he’d be quite personable with that southern charm of his— so of course, no one would ever expect him to do anything unspeakable.

You and your friends are on a road trip when the car breaks down in the middle of nowhere. There’s nothing but fields of crops as far as the eye can see, and the only sign of civilization is a barn, some stables, and a few coops with two houses near them about a mile away from where you’re standing.

You all make the trek, hoping to be able to get some help from the people living there. Worst case scenario, if it’s all been abandoned, you can squat there and look for tools to help you fix the car. But to your surprise, when you knock, a kind-looking man with wild white and black hair opens the door, and after hearing about your situation, is more than happy to be of assistance.

He tows the car onto his property and takes a look at it, determining that the entire engine needs to be replaced. Given his distance from the nearest auto shop, he says he’ll leave for town Sunday afternoon and get the part on Monday morning. It’s going to be an all-day trip, so he likely won’t be back until early Tuesday morning.

You’ve got a couple days to get to know him, in the meantime. Your friends absolutely adore him, pointing out how good of a guy he is, some even pointing out how attractive he is. You scoff one night as he’s making dinner away from where you’re all sitting, as one of your friends starts a bet on if any of you will be able to sleep with him before all of this is over.

Sunday afternoon comes all too soon, though, and none of you get very far with him before he’s heading off in his truck toward the nearest town. You’re a bit shocked that he would so willingly leave a group of strangers in his house unattended, but you chalk it up to his kindness that seems to be boundless.

You should have been far more concerned.

You’re all woken up that night by the sound of a chainsaw revving, shortly followed by one of your friend’s horrible shrieking. The room devolves into panic and chaos as you watch her get torn to shreds by the very man who invited you into his home, now donning a mask of what you hope is animal skin.

You all flee in different directions, but he knows the property better than you do, and sure enough, your friends are picked off one by one until you’re the last one standing. You narrowly dodge some of the traps he’s set up and take refuge in the stables, struggling to keep yourself together as you hear your friend’s cries in the distance. 

While looking for something to defend yourself with, you find a box hidden in a pile of hay. It’s locked, but you force it open, dumping its contents on the floor. A pistol, a few handwritten letters, and pictures of a woman and a young girl. You place the pistol beside you before your curiosity takes over, causing you to slowly go through and study the pictures.

In your distracted state, you failed to notice that he’d gotten into the stables. You jump to your feet when the chainsaw revs just a few feet in front of you. You turn off the safety and raise the gun, your hand steady and your shot clear.

He’s lost so much in his life, and it’s driven him to madness. And you, you remind him of something— someone precious who he lost to illness, to the cruelty of life.

He can’t lose you again. He won’t allow you to leave.

And that’s not something you’ll realize until he’s staring at you from the barrel of a gun you believe is loaded, laughing for a reason you can’t understand.

AVENTURINE stepped right out of a Scream movie. He’s a classic Ghostface-type killer, phone calls and everything. He’s certainly got the charisma needed to make the intimidating phone calls, and I feel like he would enjoy stalking and toying around with his prey a bit before going in for the kill. 

You could probably argue that he’s not the type to want to make things messy, but I feel like in this case, he would be using this as an outlet, meaning all his kills are brutal and gory. (Creative, at times, too. The police will give him that.) There’s just something so comforting about being covered in blood, the warm liquid almost serving as a warm embrace.

For him, there aren’t any better targets than his close friend group. He knows all their darkest secrets, and has no problem using his knowledge to torment them and easily back them into a corner, too panicked to see him coming until it’s too late. These people have always been fake, anyway, and he knows they’ve always looked down on him. Can you really blame him for taking out the trash?

And then, of course, there’s you. You’re not a saint by any means— no, you’ve got your fair share of skeletons in the closet, and each secret you divulge to him because of the trust you foolishly placed in him is sweeter than any death he could imagine giving you. Maybe that’s what draws him to you so much; where everyone else wears a mask, there’s something about you that’s genuine, and it’s a side of you that you’ve entrusted to only him.

So when the killer finally shows up on your doorstep, he’s the one you turn to. As you’re on the phone with the killer, responding to his taunts in an attempt to figure out where exactly he is in your house, you’re texting Aventurine on the side and sending him what you believe is your last goodbye. 

“Do you want to be forgiven?” The disguised voice on the other line croons into your ear. “Do you think you should be?”

You’ve just pressed send on your message when a hand seizes you by the back of the neck and throws you to the ground. The impact of hitting the hardwood floor distracts you from the sound of a phone buzzing nearby. You scramble backward, attempting to get to your feet as you do, but the masked man grabs onto your foot and sinks his knife into your calf, ripping a pained screech from your throat.

He drags you back toward him before settling on top of you, his legs straddling your waist rather suggestively. He sinks his blade into you and drags it across your skin slowly, the scorching pain leaving you writhing and crying out in pain.

He flees once he hears sirens in the distance. The police find you on the floor of your living room with four stab wounds and multiple cuts. Aventurine shows up not long after them, disheveled and worried and flashing the police the text you sent him. They allow him to ride in the ambulance with you, admiring his intent to endanger himself if it meant saving you.

You’re so frazzled that you don’t even notice he showed up at your house way sooner than he should’ve, as though he was already nearby. You just blindly turn to him for comfort, clutching onto him for dear life. It’s cute.

He runs his hands through your hair soothingly, shushing you and gently rubbing your back as you sob into his shoulder. You shouldn’t worry so much, dear. He’s here now, and he’ll make sure no one else lays a finger on you ever again.

You don’t realize your grave mistake until you’re standing in Jade’s basement, her brutalized body at your feet and a metal pipe in your hands. You can defend yourself all you like, but it’s far too easy for the masked killer to evade your swings and land his blade in your shoulder, your stomach, your thigh. All places that won’t kill you, of course.

When you finally collapse to your knees, sobbing hysterically and succumbing to your fate, the killer unexpectedly drops to his knees beside you. He wraps his arms around you and presses his chest to your back, trapping you in his hold. You shudder as he runs his blade along your face and neck, smearing your own blood across your soft skin.

“It’s okay,” he coos, and the familiar voice makes you freeze. “I’m here. I’ve got you.”

The mocking laughter that follows makes your heart drop, and the rest of your hope vanishes.

SUNDAY is definitely involved in some Children of the Corn type of shit. Some supernatural slasher stuff where there’s a cult behind everything, and he’s at the head of it all.

Ena is not a kind god. Countless generations of Oaks have tried various methods of worship and offerings, but none work quite as well as the human sacrifice. This is something Mr. Wood had taught him from a very young age, explaining to Sunday their history as he methodically cut up whichever poor soul had wandered into their humble, hidden town that week.

As head of the Family, he’s exemplary. No one has ever wielded a blade quite like he has, his hand always steady and unflinching. His blessed hands bring prosperity to the land that has never been seen before, Ena’s favor raining down on him and his people. He is as revered as their god at this point, and there is nothing his people would not do for him.

The road trip you make every year to your parent’s house for Thanksgiving was a long one, and a sudden downpour along the way has you rolling to a stop in the nearest town. You plan to just take shelter at a restaurant and grab a bite to eat while you’re there, then fill up on gas and be on your merry way once everything clears up. 

Everyone is so kind, though. The locals in the restaurant make conversation with you, asking about your life and cooing at you once you explain that you’re on your way to visit your family. You spend most of your time talking to the people at the table next to you, a man and his sister, and you get so lost in conversation that you haven’t even realized night has fallen. You pay your bill and are ready to head out when the man stops you.

“You should stay the night at one of the inns,” he advises, a delicate hand placed on your shoulder. “There are still storm clouds, and it could start pouring again at any moment. It would be unfortunate to have to travel through that, especially at night.”

You check the forecast, and to your dismay, he’s right. With his help, you check into a hotel across the street, and you thank him for his assistance before you turn in for the night.

Your peaceful sleep is soon disrupted by a rag being held over your mouth and nose, startling you awake. At this point, you’ve already breathed in the chloroform, and you barely have time to register the formless figures around your bed dressed in shades of white and navy blue before you pass out.

You wake up in an underground cellar, stone walls encasing you in cold nothingness. There are four other people in the room with you, also bound and gagged and staring back at you with wide-eyed terror. There are screams of pain echoing down the stairs from somewhere above you all, the sound of synchronized chanting doing little to mask it.

It’s not difficult to guess what fate awaits you.

Young children dressed in extremely formal clothing bring you all food and water. They’re sweet to you all, terribly so. You’re not sure how long you’re down there, but the time you have left is counted down with each person that is taken out of the room. There are new people brought into the cellar, but once the original four you were with are gone, you know your time has come.

The next time the shapeless people in robes descend the steps, they reach for you. You’re injected with some kind of sedative before you even have the chance to lash out at them, and the blindfold they place over your eyes seems pointless, since you black out, anyways.

When you wake, your arms and legs are bound to some kind of marble slab that you’ve been laid on. You’ve been stripped, and your skin is covered in some kind of oil. It’s cold, and the vulnerability of being exposed just makes your situation all the worse.

Your breath hitches and your pitiful, muffled cries for help stop when you feel something sharp prick your skin. Sunday lightly applies pressure to the knife in his hand, carving beautiful patterns along the surface of your skin. With his free hand, he traces a gloved finger over the beads of blood the blade leaves behind, his touch so devout it’s downright sinful. The sight of you brings him pause, the knife stopping all too suddenly.

It is the first time he has hesitated during a ritual.

Perhaps… you’re not meant to be sacrificed. No, surely something as divine as you is meant for much more than that. Perhaps Ena has lured you here just for him, a reward for his unwavering faith, steady leadership, and all he has done for their people.

“As the highest among us,” Mr. Wood had said the day he named Sunday the new head of the Family, “you have first pick at reaping Ena’s blessings.”

Ena is not a kind god. But perhaps, just this once, they would allow him to be selfish.

[aethon-recs]

Themed Rec List | Tomarrymort Recs by Horcrux ⚡👑🏆🔒💍

I wanted to put together a rec list of Harry/Tom fics with a core focus on horcruxes outside of Diary Tom (the most popular horcrux) and Voldemort himself. Please enjoy these 22 fics that feature one of Tom's horcruxes and their special relationship with Harry.

There’s a ton of interesting variation that can be explored within a Harry and horcrux Tom ship — from where the horcruxes are located and when Harry can conceivably meet them in canon (for example, the Cup horcrux is harder to access than the others); to what age they were made by Voldemort and how that would shape their personalities and interactions with Harry; to the different magical properties that they might embody, depending on the vessel that was chosen.

Finally, it looks like Scarcrux and Locket are the most popular choices (after Diary Tom), and we absolutely need more Cup horcrux fics!

*

⚡ Scarcrux

Amensalism by @cindle-writes (E, 6k, complete)

Scarcrux becomes sentient after the encounter in the Ministry in Harry's 5th year and takes Harry for an adventure.

Bolide by @vdoshu (T, 3k, complete)

On October 31, 1981, a tiny piece of soul attaches himself to Harry Potter in order to survive. This is his story.

Creatures of the Dark we are by @hikarimeroperiddle (M, 28k, complete)

Banished to his cupboard at age 4, Harry learns to listen only to the Voice in his head. Its teachings warp all Harry could have become until no more than dark magic and devotion remains. Visions of a wraith with red eyes complicate matters, especially when Harry and the Voice follow it to Hogwarts so Master can get his hands on the Philosopher’s stone.

Eulogy by @meles-merrivale (E, 6k, complete)

You run through the things you have to do for the day. It is, admittedly, a very short list. Wake up. Be clean. Be ready. An empty life, some might call it. You don’t. It is the life He has given you, and so it is what you deserve.

last rites by @cindle-writes (E, 5k, complete)

Harry has an hour before he walks to his death in the Forbidden Forest. The horcrux in Harry’s scar decides to take matters into its own hands.

Look at me. by @crowcrowcrowthing (M, 1k, complete)

A dark night of the soul.

Pitch Black by @kagariasuha (E, 2k, complete)

The proximity of Horcruxes can influence anyone - especially Harry.

sandpaper kisses, paper cut bliss by @xodahafez (E, 27k, WIP)

Harry Potter survives the Killing Curse, but so does the horcrux within him. And this horcrux has been dangerously infatuated with Harry for seventeen years.

saw you in a dream by @duplicitywrites (E, 2k, complete)

Harry has had this dream before.

*

👑 Diadem

A peculiar way of fitting together by @being-luminous (T, 2k, complete)

“Aren’t you going to ask me why I’m wearing a diadem?”

Dance Me On and On by @duplicitywrites (E, 19k, complete)

In his first year at Hogwarts, Harry overhears Quirrell interrogating Binns about an artifact from over a thousand years ago. Five years later, Harry uncovers Rowena Ravenclaw's Diadem in the Room of Requirement and finds himself pulled into a kingdom in the throes of a mysterious masquerade ball.

In Just a Moment, You’ll Be Mine by @dividawrites (E, 34k, WIP)

Tom has been stuck inside the Ravenclaw's Diadem for decades, alone, with nothing but his slowly fading memories. One day he feels a pull towards someone and gets interested. And then he gets obsessed.

Death is not an Escape by @whitepinkdandelions (T, 2k, complete)

The Lost Diadem of Ravenclaw is full of endless wisdom, so it only makes sense that it gets its hooks into Harry much faster than the rest of them.

*

🏆 Cup

Thirst by @obsidianpen (E, 27k, complete)

Things go awry when the trio beaks into Gringotts. Harry finds himself trapped, locked in the Lestrange vault, wandless and alone... With a horcrux.

*

🔒 Locket

Arson by @rudehellion (M, 8k, complete)

The hunt for Voldemort's Horcruxes is going poorly. In need of some space to think, Harry offers to take the first watch over camp and slips out into the snowy night. Unable to shake his dark thoughts, Harry finds himself drifting and he begins to dream. What he sees changes everything.

knock it off (part 1) / crave gets slaked (part 2) by @theonceandfuturequeenoftarts (E, 6k, complete)

At some point during Harry's time with the Dursleys, pain got crossed with affection. A kick from Dudley or having his arm yanked by Uncle Vernon at least means they’re acknowledging his existence. It’s not love, but it’s something. Too bad for Harry he carries that through to his less dysfunctional relationships.

The Cost by Blood_Stained_Fingers (M, 8k, complete)

The cost of making a horcrux was steep and when Voldemort manages to kill Harry, destroying the horcrux within, Harry finds out the exact price of losing a piece of your soul. It made a cruel joke that if Voldemort loved his horcruxes, Harry should love them too.

The Dead of Night by @cybrid (E, 6k, complete)

An empty house. A glint of gold. A dream. Or: running away from Privet Drive goes terribly for Harry.

The Ties That Bind by @mosiva (E, 8k, complete)

Harry finds the locket at Grimmauld Place, but it has a curse laid on it. When Harry triggers it, he finds himself trapped with the locket version of Tom Riddle, both of them stuck within the enchantment until they can find the way out. Or so Harry thinks.

Whole by Emriel (E, 20k, complete)

The horcrux hunt goes wrong and Harry fails to destroy the locket horcrux. Tom Riddle hands him over to the Dark Lord as a present for they know he holds part of their soul. In their care, Harry learns that feelings, no matter how toxic, are hard to get rid off.

*

💍 Ring

Personal Assistant by @phantomato (E, 10k, complete)

“And that’s it? I call ‘Tom’ and you show up?” “Yes,” Tom answers.

shelter from the storm by @cindle-writes, @duplicitywrites (E, 7k, complete)

After being left behind by the Dursleys, Harry stumbles upon an empty shack in the middle of nowhere, where he finds a mysterious ring underneath the loose floorboards.

*

[blue-blue-blooms]

A Little Crush   

Eddie Munson x Henderson!Reader

Part 1

Summary: In which Eddie develops a crush on the Henderson sister.

You weren't sure exactly when your life had gone to absolute shit. Was it when you found a strange, superpowered adolescent girl living in Mike Wheeler's basement? Was it when you walked in on a baby demogorgan eating your cat? Or was it when you were drugged by evil Russians operating under Starcourt Mall? You couldn't even remember a time when life was normal. If someone had told you that you would become best friends with Steve 'The Hair' Harrington and fight literal monsters from an alternate universe alongside Nancy Wheeler and Jonathan 'The Creep' Byers a few years ago, you would've laughed in their face. Now? You'd survived the most traumatising events of your life alongside these people. You were bonded for life.

The last few years had also made you closer with Dustin. You loved your baby brother and his weird friends, especially since you'd spent so much time babysitting them. But no amount of love could make you say yes to what they were asking of you.

"Please?" Dustin begged, following you down the hallway as you made your way to Ms. O'Connell's class.

"No! I have, like, three essays due this week, Dustin. I don't have the time to sub." You respond.

"It's only for tonight! Lucas can't make it and we really need a sub. We're nearly done with the campaign and Eddie will kill us if we make him reschedule!" Dustin pleads.

You were really happy that Dustin and Mike had found a safe space in high school. Lord knows those two idiots needed it. Freshmen year is probably the toughest of them all. You're new, scared, and lonely. You were really glad that they'd found friends, a place where they could be their nerdy selves and feel accepted. Hell, even you'd dabbled in their interests when you'd babysat them. DnD wasn't half bad, and not nearly as hard to undertand as you once thought. You'd spent many nights in Mike's basement playing with them. The first few times, you'd get your character killed in the first fifteen minutes. But after a while, you started making progress (even though you're convinced that the party was exceptionally lenient with you after you once burst into tears over getting killed off).

"I'll do your half of the chores for a week!" Dustin exclaims.

That makes you stop.

"A week?" You turn around to look at him, "Make it two weeks and I'll sub."

"Two? Are you insane!?" Dustin yells, making a few people lingering in the hallway turn and look at you both.

"Two or no deal, Dusty Buns," You tease, "And be quick, I'm late for my class."

"Fine!" Dustin says, "And stop calling me 'Dusty Buns'"

"Why? Is that nickname just for Suzy Poo?" You tease.

Dustin glowers at you as you walk off.

♡♡♡

"So, who's the DM?" You ask as you walk alongside Dustin and Mike.

"It's Eddie, Eddie Munson. He's a senior. Long hair, wears a hellfire T-Shirt, I talk about him constantly. God, do you ever listen to me?" Dustin claims exasperatedly.

"Oh! Eddie as in your new favorite older male best friend who Steve's weirdly jealous of?" You ask, "I've seen him around. Is he the one who jumps on lunch tables and yells a lot?"

"Yup." Mike responded, "He's a bit scary when he's revved up. Just warning you beforehand in case he comes off...a bit intimidating."

You nod.

"Hasn't he been held back, like, three times?" You ask.

Before either of the boys could answer, you reach the room. The first thing you see is the table where the game is set. There are three boys sat around, all with Hellfire T-Shirts on. Your eyes fleet from one to the other until finally landing on Eddie. You recognise him immediately from the amount of times you've seen him yelling in the cafeteria.

Dustin and Mike failed to mention how cute he was, you think.

His hair was long and wavy. He was wearing multiple rings. And he was covered in tattoos. You're pretty sure you saw a few bats peeking from under his sleeve.

"Who's this?" One of the guys asks, making all three turn around and look at you.

"This is Y/N! She's subbing for Lucas!" Mike says, the words spilling out fast and nervously.

Why the hell are they so jittery?

"Yeah, she's my sister! The one I mentioned a couple days ago." Dustin adds.

"Does she even know how to play DnD?" The other boy asks.

"Okay, excuse me, I wouldn't have come if I didn't know how to play," You finally speak, waving your hand a little to get their attention.

"So, this is your infamous sister?" Eddie finally speaks, his eyes landing on you, "You know, I thought he made you up. What's your class and level? Level One Elf?"

Elf? Is he mocking me?

"Are you mocking me?" You ask incredously.

"Is he mocking me?" you turn towards Dustin and Mike who immediately start gesticulating, probably asking you to shut up.

"My name is Aeren Sirenfall and I'm a level 14 chaotic good half-elf rogue. I will sneak behind any monster you throw my way and stab them in the back with my poison-soaked kukri. And I'll smile as I watch them die a slow...agonising...death." You say, your voice slow and hard as you glare at Eddie, "So, are we gonna play this stupid game or not?"

You're pretty sure you hear one of the boys mutter a 'she's terrifying' to Dustin.

You watch as Eddie's eyes slowly soften and a grin emerges on his face, "Welcome to Hellfire Club."

[bumblebeeappletree]

Every once in a while I’ll see some posts about everyone should become vegan in order to help the environment. And that… sounds kinda rude. I’m sure they don’t mean to come off that way but like, humans are omnivores. Yes there are people who won’t have any animal products be it meat or otherwise either due to personal beliefs or because their body physically cannot handle it, and that’s okay! You don’t have to change your diet to include those products if you don’t want to or you physically can’t.

But there’s indigenous communities that hunt and farm animals sustainably and have been doing so for generations. And these animals are a primary source of food for them. Look to the bison of North America. The settlers nearly caused an extinction as a part of a genocide. Because once the Bison were gone it caused an even sharper decline of the indigenous population. Now thankfully Bison did not go extinct and are actively being shared with other groups across America.

Now if we look outside of indigenous communities we have people who are doing sustainable farming as well as hunting. We have hunting seasons for a reason, mostly because we killed a lot of the predators. As any hunter and they will tell you how bad the deer population can get. (Also America has this whole thing about bird feathers and bird hunting, like it was bad until they laid down some laws. People went absolutely nuts on having feathers be a part of fashion like holy cow.)

We’re slowly getting better with having gardens and vertical farms within cities, and there’s some laws on being able to have a chicken or two at your house or what-have-you in the city for some eggs. (Or maybe some quails since they’re smaller than chickens it’s something that you’d might have to check in your area.) Maybe you would be able to raise some honey bees or rent them out because each honey tastes different from different plants. But ultimately when it comes to meat or cheese? Go to your local farmers. Go to farmers markets, meet with the people there, become friends, go actively check out their farm. See how the animal lives are and if the farmer is willing, talk to them about sustainable agriculture. See what they can change if they’re willing. Support indigenous communities and buy their food and products, especially if you’re close enough that the food won’t spoil on its way to you. (Like imagine living in Texas and you want whale meat from Alaska and you buy it from an indigenous community. I would imagine that would be pretty hard to get.)

Either way everything dies in the end. Do we shame scavengers for eating corpses they found before it could rot and spread disease? Do we shame the animals that hunt other animals to survive? Yes factory farming should no longer exist. So let’s give the animals the best life we can give them. If there’s babies born that the farmer doesn’t want, give them away to someone who wants them as a pet. Or someone who wants to raise them for something else. Not everyone can raise animals for their meat. I know I can’t I would get to emotionally attached. I’d only be able to raise them for their eggs and milk.

Yeah this was pretty much thrown together, and I just wanted to say my thoughts and throw them into the void. If you have some examples of sustainable farming/agriculture, please share them because while I got some stuff I posted from YouTube, I’m still interested to see what stuff I might’ve missed!

[strangelittlestories]

Something interesting about archaeology is that it’s actually not that interesting: even when you’re on a dig, most of it is dirt and logistics and fragments.

Something scary about ghosts is that they’re actually not that frightening: even when you have a haunting, most of it is ectoplasm and low-key longing and echoes.

The fascinating bit about both is that, sometimes, when you piece all the boring bits together, you get a story; a story of how people used to live. It will probably be a story about something mundane, like how people cooked or what their bathroom solutions were.

For example: at this particular dig, we found fragments of large cooking pots in a few larger buildings. The smaller buildings that seemed to be individual homes did not have *any* surviving cooking pots (not even any copper remnants); however, they did have at least one well preserved earthenware bowl inscribed with runes.

These runes turned out to be a close match to an early rune of co-locating folk magic, seen primarily in the Katabasic region. The bowl was also adorned with a slate inlay, of a kind that was often used to write upon in chalk.

The apparent conclusion? This settlement operated a communal cooking operation that delivered food to order. We would assume the recipient would write their request in chalk on the slate inlay of their bowl, and the runes would briefly trick reality into thinking the inside of the bowl and the inside of the pot occupied the same space. Thus, the bowl would magically fill with food.

So, yeah. These folks had invented magical Doordash.

I briefly considered trying to replicate their system on my travel mug. The coffee on the dig site was *dreadful*, so I figured I could have my husband make some nice single origin cold brew back home (or maybe a nice pot of darjeeling second flush?) and teleport it in. But as it was likely tied to local hospitality folk magic, this would likely run across three problems: 1. Range limitations. 2. It may only work for community members. 3. Folk magic sometimes used local deities or spirits as intermediaries and popping a new request in the inbox of a dormant god was usually a bad call.

Oh, and reason number 4: the bowl we’d excavated was extremely haunted.

This may, in fact, explain why it was so well preserved. Theurgic suffusation is the term - if the spirit is clinging tightly enough to the atoms of the object, then time starts to think the material is just as undying as the soul.

You know how I mentioned the scary thing about ghosts is that they’re not scary? They only persist as fully ensouled beings as long as their unfinished business can feasibly *be finished*. Even with generation blood debts, they still tend to become unviable with a couple of centuries. Then the soul slowly starts to move on, leaving only an imprint on the umbra. That’s what’s scary about ghosts: even that which is undying will be eaten by history.

Except this blighter apparently.

So I ran a chemical analysis on the trace molecules left on the lining of the bowl. Then I ran the runes through a penumbral simulation matrix.

The bowl contained traces of calcified aconite. The runes showed an exploit in the magic; the teleportation could be hijacked by holy petition or speculative conjuration.

The ghost had been poisoned. Murdered.

And if they were still a ghost, then whoever killed them was *still around*.

I really really hope that I never meet whatever person or creature is apparently still alive close to a millennia after they murdering someone in a way that is both *really clever* and *really nasty*.

But oh buddy, oh pal … what I want may be immaterial. For surely do intend to figure out the whole of this story.

---

With thanks to Ellie for the submission of the Archaeologist (fearless, frightened, fancy) to the Character of the Month club.

Want to submit your own characters for my stories? Consider supporting me on Ko-Fi with a recurring donation https://ko-fi.com/strangelittlestories

[signedkoko]

Orders Up!

Looks like someone requested a.. squints eyes at notepad Vox xReader who’s VERY out of touch with technology! They BARELY know what a ‘phone’ is, and have absolutely no idea what his head could be other than an oddly shaped box. Maybe they lived in the Forrest in their past life?

Vox X Reader [Romantic]

In which you don't get what this whole fuss about technology is, but you'll try it for Vox. Reader is genderneutral.

When you first arrived in hell, a lot came as a surprise

Going from the snowy mountains of solitudal living to the middle of the first city you'd ever been to was a lot to handle

Overwhelming, really

You know about the world and what's outside; you've seen photos in books, but you were never interested in it

So here you were, surrounded by the humming of electricity and the loudness of cars—music blasting at every corner

It was a lot

You and Vox met many years later, though you'd found yourself a quieter place to settle, you were still close enough to the bustle to run into people, and run into people you did

Well, he kind of forced it- Vox thought you were just the most beautiful thing he'd ever seen, so he ran straight into you and played it off as 'clumsiness' when he caught you

You'd seen a lot of things in hell, but whatever he was wearing on his head was just strange

He'd meet with you frequently outside of his work hours, and he's probably blown away at how you don't know him or anything about the Vees!

" I mean, not to brag or anything, but I kind of run all of television. "

" Tele...vision? "

" No fucking way. "

Hes then asking what you thought his head was, and hes almost crying from how hard hes laughing when you can only answer with shapes

Though I think he enjoys the refreshing feeling of meeting someone with no expectations about what or who he is

Even when he tries to give you his personal number, he's surprised when you say you don't have a phone

Jesus, you really weren't kidding.

He will set you up with everything you need—I mean, who better to give you tech assistance than the very CEO himself?

You get only the newest, the best, although you don't really get how to make use of it, which kills him at least a bit inside

Probably makes custom shortcuts for you so you don't have to navigate too much because, Jesus, are you ever bad at it?

God forbid you ever move in, Vox is actually stressing so hard on how you'd cope with all the smart home features his building has.

Author's Note - You may be dumb but he love syou so very much...to be fair he couldn't survive a day without tech so thank god you're adapting to him!