#what she really needed. her FATHER

[doridraws]

beginning my descent into my Bode Surrendered On Tanalorr au because i need healing

[lgbtlunaverse]

Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intend to accidents, try to convince everyone that this is something they did instead of something that happened to them.

[miekasa]

when your children are still babies, they get so so upset when gojo comes home and doesn’t immediately pick them up. your baby has recently learned that the sound of the front door opening and closing usually signals the return of their father so tonight, when the door opens, your baby’s head perks up. when he finally takes his shoes off and makes his way into the home, he spots his little angel on the couch. “hi baby!” he coos at them with a smile on his face and his hands full with some packages. “let me go put these down and i’ll be right back!” he tries to explain, to which your baby just obliviously smiles at, just happy to see their father and know that he’s giving them attention. but when they realize that he’s leaving their sight and didn’t immediately pick them up… oh have mercy. it becomes a shit storm because who does he think he is?? to not give his baby all his time and attention! gojo comes running back into the living room confused as to why they’re crying but as soon as he picks them up, they stop crying and start giggling. what a dramatic little baby you’ve been blessed with. the apple doesn’t fall far from the tree ig

— doc dad levi anon

SHUT UPPPPP because you know Satoru loves the attention too, they’re a perfect match together bye. All you can do is stand, bemused, as Satoru picks up the baby and almost instantly quells his crying, rocking him back and forth before stretching his arms to hold the kid at eye level with him and cooing, “Oh, I’m sorry my love, I missed you too, soooooo much,” Satoru bends his arms to brush their noses together and grin at the giggles the baby emits, “You missed me too, yeah? Aren’t you the sweetest little thing, missing me like that? So precious.” Satoru covers the baby in kisses and sweet words for nearly five straight minutes and they both love to bask in each other’s attention (you have the videos to prove it).

Something kinda funny tho is… you’re 98% sure your son can tell that Satoru will give into quickest lmfaoo. Your baby cries sometimes when you have to leave him, sure, and can definitely throw a fit when he wants your attention—but he seems to know to cry (or squeal, or babble, or screech) on demand for his sucker of a father. Nanami, Shoko, Megumi, and Yuuta (your on rotation band of baby sitters) have noticed that the kid loves to be held and has no shame gesturing for it—but they’ve never experienced the baby crying when they so much as step away for a moment, unless he’s hungry or needs to be changed. You don’t have the heart to tell Satoru he’s being played tho, so you just let them have their moment <333 (not that it would matter, Satoru can’t stand to see your kid cry in any capacity, so he’d go right back to giving in; plus it’s a win-win in his book anyway: baby stops crying, and he gets cuddles from his son).

(Then again, you think the need and love for attention might just be genetic, because Satoru has cried big tears a handful of times just leaving you and your baby at home for a few hours).

[itissadbutitsmy-artblog]

lemongrab (Starts vibrating so hard i explode)

i do think pb is calm now but i dont think she likes wizards. i dont know. i dont know. and i saw how she treated lemongrab, she didn't really like him either. like. you all saw that. peps didnt want to see that he didnt want to think about it at the time, how they were treating the actual literal heir to the throne and also just how they were treating this man, he didn't realize. he didn't. and now. and . dont .get me talking about lemongrab. or i will talk. for ever

pep: you ate your brother lg: lg: you won't have that problem pep: i could eat you lg: try it

[sammygender]

trans headcanons of the winchesters are always extremely fun to play around with and i can see most of them. but one that always rings slightly false to me, despite a love for it due to self-identification and the fact it’s definitely interesting, is transmasculine dean. simply because if you’re going according to canon this would require him to have transitioned at some point prior to johns death, probably much prior, probably as a youngish kid. and i genuinely do not think that ever could’ve happened. he values johns approval too much and is too scared of demanding too much of him.

like even aside from whether john is Actually transphobic (i doubt he’s like Cartoonishly transphobic he probably would be annoyed by it slash not care much, interpret ‘not caring’ however you want) just the whole Thing of coming out where you’re like. “Hey dad im actually a human person who has an internal sense of self and such that doesn’t happen to be You 2.0 and am not the gender you thought i was and i feel emotions to such an extent that i actually like need to transition”…….

no fucking way dean would ever be able to do that to john while he’s still alive. please. teenage transmasculine dean would be like Well yeah sure i want to be a guy but that’s not an option for me whatsofuckingever. and crucially he’d be like that even if he knew entirely about trans people. now this is why transfemme dean works so well. because you just know it would take her at least thirty years to even consider it for a singular second.

on the other hand transmasc sam works so well because you can picture teenage transmasculine sam realising he’s a boy and promptly making it part of the whole entirely justified and very cool and fun teen angst rebellion FUCK YOU DAD thing. he could let spite carry him to the point of coming out. dean? he is burying that shit deep.

[skoulsons]

“Joel was wrong it should be Ellie’s choice”

Yeah, it should be Ellie’s choice. Because she’s a child and this is everything her journey has been building up to. She should know all the risks that could come with and what it ACTUALLY (apparently, considering they did no scans or nothing???) takes to make a cure. She should be told everything. But if they kept her alive, she’d probably ask questions that the fireflies would not be willing (or able) to answer, hence keeping her under and not telling her. They were scared. They didn’t know what the hell they were doing

But think, for a second, that he’s the not the one who ‘took it away’ in the first place. The fireflies took Ellie and knocked Joel out. They did not tell her what this would entail. They got her under, somehow, and had no intention of waking her up again. They took away her choice and any agency she had WAY before Joel did. They were going to murder her in cold blood with NO certainties

Is what Joel did morally wrong? Yeah, I mean he killed a ton of people, that’s terrible no matter what way you slice it

But that is his child. I have little kids in my life that I love more than I can comprehend. You know what I’d do if their life was on the line like that? Whatever I had to to save their lives. You expect Joel to just sit there and say “yeah, go on ahead”??? Joel would not do that, not after what they’ve gone through and what they’ve become. He wouldn’t do it because he is a father. Because his child means more to him than some world that’s already twenty years deep into the infection. He loves her more than a world full of raiders, slavers, and cannibals that a cure couldn’t change the ways of

Marlene wouldn’t have compromised with him. He wouldn’t have compromised with Marlene unless they woke Ellie up and were able to run scans and things and Ellie agreed to let them do things that would NOT kill her. But that’s not how it went, so it came down to the extreme. Kill them all to save her. And really, you can’t blame him

[maddymoreau]

I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.

How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?

I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.

The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"

Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"

I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.

But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?

I COULDN’T STAY!!!!!!!

I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!

WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!

Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.

It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!

It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.

[shoezuki]

the essay i got due tomorrow n barely done is like. its good i like it im excited to write it and im so upset that i have no time and am sick like.

its in my fairy tales n folklore class n im writing on the subject of taboo topics in perrault's 'donkeyskin' and specifically the symbolism/metaphors of the donkey hide she wears n how it symbolizes her trauma haunting her long after she escapes her fathers attempts to marry her n like. i like the story a lot n how its kinda fucked up but perrault really watered down the father-daughter incest topic n tried to make it more 'safe' and less taboo. but he fucking failed and i wanna argue bout it so bad. but my head hurt

[corfisers]

i really need to finish this one day

[atopvisenyashill]

not an f&b aegon ii fan, not a hotd aegon ii fan, but a secret third thing (a fan of the aegon ii that only exists in my mind)

[imperial-agent]

coop becomes lucy's step father. no, i dont take constructive criticism

[carefulfears]

do you have a headcanon of when mulder caught feelings for scully? i’m on the same page w you that scully has had it bad since day one, but i can never make up my mind about mulder

yeah i’ve always said that i think he was aware of the connection between them since her abduction, but i think specifically 3.

ascension is very frantic, it’s rooted in so much trauma and desperation. very few moments are about scully, as a person, really. it’s about getting there in time. it’s about rewriting history. it’s about failure, and standing alone in the end.

in 3, he is surrounded in her absence. her badge. her file, marked with her name. her necklace, which he slips around his own neck, carries with him.

dana scully was farrrrr gone from day one, humming against him in the rain and telling her friends how cute he is, but mulder is more single-minded.

he’s so very fond of her, in the beginning. he knocks on her door to invite her on his run, when he knows she’s just supposed to be discrediting him. he lowers himself beneath her every time he has bad news or a vulnerable conversation. he says “dana,” softly, and checks in on how she’s doing. he believes she’ll be head of the bureau someday.

so much of that is just who he is (trusting, passionate, kind), and she’s the only person who has ever valued that, taken him seriously.

but he’s also internalizing who she is, the consistency and the curiosity and the quiet intensity.

that moment in the rain, before she laughs, before she asks where they’re going and follows: he says “you think i’m crazy,” and turns away. it’s the first time in the series (and remains rare) where you can see that there is a weight to it all. he plays into being “spooky mulder,” but part of him is really disappointed to think that this new partner won’t believe him either.

she thinks about what he said, and she meets him on his level. she questions it, she combats it, she adds to it.

when they both burst out laughing, it’s in pure joy and excitement. it’s the moment that spurs the rest of their lives.

that means a lot to him, to be listened to. to be held to a standard, not just dismissed.

but mulder only knows how to conceptualize love in absence, in the search, so when he’s left listening to her scream: he knows. it feels like the worst thing that could ever happen, because it feels like his closest person disappearing, and that’s the experience he’s most familiar with and enmeshed in.

i believe there’s a script note in ascension that mentions that he’s doubting if he had failed his “closest friend.” it’s the loss being so great, so unbearable, that makes it unavoidable.

(thinking of him smiling at diana, telling her, “i’ve done alright without you.”)

i see a lot of people describe msr as a “fell first/fell harder” trope, but i think most things just hit mulder harder. it’s their natures.

but by the time he hangs her cross around his neck, by the time he abandons the truth to sit and hold her hand, he knows.

[murkybu]

q!quackity is my enemy

[crow-in-springtime]

You know what? Fuck this, fuck you *aromanticizes your classical heroine*

[softquietsteadylove]

Baby olympia stole my hearth, their little family is soo cute 🥹, if it's okay with you love, could you do one where Thena is doing something with baby olympia like feeding her or dressing her (in a super cute outfit 'cause thena is a fashion icon) and Gil is watching them, falling more in love with his girls, feeling grateful that he came back to Thena and that their little her was born. Just Gil being soft for his girls. 🩷

Gil keeps an eye on them - his girls - in the corner of the room.

Thena calls it 'feeding', which it is in some ways. She sits in the rocking chair Phastos constructed for them, and she holds Olympia, and both of them enter a dreamlike state as Cosmic Energy slowly leaves Thena and is absorbed by their little supernova.

Their little miracle--Gil still can't believe it.

He can't even believe that he's alive, for starters. His last memory is of him on his back on the amazon forest floor, looking up at Thena (much to her dismay). But he remembers she was smiling until the moment he closed his eyes.

Next thing he knows, he's alive again, Sersi has saved the world, there's a Celestial sticking out of the ocean and he and Thena have catching up to do. And then Thena is pregnant.

No one saw it coming, of course. No one could have. They all thought of Ajak often during the process of it all, but they were on their own for it. Thank all the stars in the sky for Sersi, and Phastos. All their siblings, of course.

Druig and Sprite are most wary of the baby, no matter how they love her. Sprite excels at entertaining young Olympia, if nothing else. She does seem amused by Druig, as if his constantly reading her young mind has established a somewhat two-way connection.

Kingo says he doesn't like that, because he should be her favourite. He and Phastos argue on that often. But, although Makkari bouncing and jogging her (gently!) around the Domo is fun for them both, Sersi is of course Thena's chosen second mother for their child.

And there could be no better, he agrees. Sersi has always been the most human, and the most connected to the ways of the heart. She's sweet, and warm, and has an awareness of the soul that none of the rest of them possess.

Gil admits this freely; he has only one soul to which his is linked.

It's strange to think that his wife has now lived part of her life without him, and yet to him he has spent not even a day without her. But he can see how she's worn out by what she's endured. He wishes he could take it on for her; it's not fair.

Gil walks into their shared room. It's still just his personal quarters in the Domo--far from luxurious. Phastos did do them the kindness of engineering an expansion, just into the next room, but the extra space was still appreciated.

There is also a small crib for Olympia, mere steps away from the bed.

He chuckles, looking at the little mobile above it. It's a simple thing, but Thena did whittle and paint it herself. There are dinosaurs and pegasi and also regular birds. A whole history's worth of creatures.

They all guessed he would be the one who would be unable to bear being away from Olympia. And they are right, but it's Thena who has the most acute anxiety about it.

Only by his and Sersi's convincing did she allow them to install the crib at all. If it were up to Thena, she would be holding their child in her arms until the day she was Sprite's height.

Gil kneels down in front of his beautiful girls. Olympia is sleeping soundly, absorbing little dewdrops of Cosmic Energy from her mother like a meadow receives the rain. Sersi reasons that human children often need extra vitamins and nutrients besides in just their food; perhaps this is the same.

He brushes his fingers over his daughter's tiny head; she really does look like a tiny Thena, although he thinks her hair is getting a little darker just at the roots. He kisses her little forehead. She scrunches her face. "I'm sorry, my little sunburst."

"You're here."

He smiles up at his wife, her enchanting green eyes affixed to him. She looks even more stunning since bringing Olympia into the world. "I'm here."

It's become a kind of greeting for them. Thena will voice those words as if one day he won't affirm them. But he has no right to worry about that when it's very possible that she has experienced that in some form or another.

He leans up, capturing her lips against his tenderly.

Thena sighs as they part, her head tilting lazily as she relaxes that last little bit. Her eyes shine at him, "she's strong."

The connection between Warrior Eternal and her progeny is one that brings tears to his eyes. He moves the back of his knuckle against his daughter's cheek, "I know. Look who her mother is."

Thena lets him kiss her cheek with reverence. "To say nothing of her father. Two of the galaxy's deadliest--she will be a force to be reckoned with."

"She," Gilgamesh pats the soft of his palm against Olympia's head, "will never have to know battle, so long as we live."

"Yes," Thena sighs, letting herself believe his reassurance. She inhales, adjusting her arms, "here."

It's a simple thing, but it moves him that she trusts him so completely with their daughter. Of course she does, he is her father. But he knows Thena--knows the way she twitches and flinches and watches. She is made to be vigilant, after all, and even with their own family, she is always keenly aware of their daughter's whereabouts.

But with him, she hands her over. Thena has no question about his ability to prioritise and protect their child.

He makes room as she stands from the chair. She wobbles faintly and he moves so she can lean into his side. "Easy."

He isn't entirely sure what takes place during the 'feedings'. Because he also makes her regular old milk and feeds that to her. But Phastos and Druig alike cannot fathom what takes place between mother and child and their connection of energy.

Thena nuzzles her face into his shoulder.

"You're tired," he chuckles, holding their daughter in one arm and his wife in the other. "Nap with me."

Thena mumbles faintly. And while he doesn't hear it, he knows it's because she wants them to have Olympia in the bed in between them, instead of in the crib.

"We talked about this," he reminds her as he oh-so gently lays Olympia down on the little cot within the high walls. "You trust Sersi."

"Of course I trust Sersi," she grumbles, as if she is not grinding her teeth in her head to distract from her separation anxiety.

"She needs to learn to sleep on her own," he says gently, pulling Thena with him to the bed. "You can't hold her forever, sweetheart."

"We live forever."

He chuckles, careful not to be too loud with his little sunflower in the room. But he tucks some of Thena's hair away from her face and kisses the corner of her amazing lips. "As will she. And that's a long time for her to sleep in her own bedroom."

He can practically hear his wife's feelings about their infant daughter sleeping in a completely separate room. He presses his nose to the sculpted hollow of her cheek. "I will want you all to myself again someday, you know."

That makes her smile. She laughs faintly as he kisses her cheek and pulls them to lie down together. She settles into his chest, his arms wrapped around her, their daughter's tiny breaths reaching their inhuman ears. "You have your priorities I see."

"I do," he answers honestly, rubbing Thena's back and burying his nose in the hair at the top of her head. "It's my two girls, always. My new little star and the sun of my galaxy."

"Hm," Thena allows him to relish the contact with her. "I shall pretend that's sweet, instead of you being eager to bed me again."

"I can be a sweet and loving father, and also your husband, y'know."

[nashvillethotchicken]

I'm think about claudia and louis again. 79 dead 1903 injured