#where are all these costumes now and Can i have them

[raven-at-the-writing-desk]

imo the glasses on the new guy are a nod to jack’s eye sockets LOL but i def think it would be interesting if his design incorporates elements from characters other than jack because there’s so many cool designs in the movie. also the way i thought he was ace in black and white what with the skeleton costume and that fuckin ass grin haha

[Referencing this post!]

I think that's totally possible too! The glasses could be interpreted both ways, maybe even at the same time. The lenses are definitely big enough to invoke Jack's large eye sockets, but the style just so happens to also invoke Dr. Finkelstein's goggles (albeit the size of them is much smaller). I did see a theory that the new Halloween character isn't twisted!Jack at all, but rather twisted!Dr. Finkelstein, since he could count as a "villain" in the original film. The suit and gloves are very "Jack", but some people have pointed out that the glasses, the headpiece, and the teeth also match up with the doctor's. ashfbaiyldbas THAT WOULD BE FUNNY IF IT WAS TRUE... Turns out everyone was thirsting for the grumpy old man/j The suit and gloves, however, is most definitely more Jack-coded. I think it's still too early to tell right now; we'll have to wait and see how they present him in future content. However, I still do personally think it's more likely to be Jack just because he is much more iconic.

ADLHBAFSOYASIYFA YOU THOUGHT THAT WAS ACE/?????? ? ? ???? ? Ain't no way he got that drip... 😭 (I mean, the new character did drop on Ace's birthday in Japan so I can sort of understand the confusion??) I wonder if the new guy will have a mischievous, kinda cocky personality like Ace?? Aaaah, so excited to learn more about him...

The concept of a white-haired Ace makes me think of an AU where Ace and Deuce aren't knocked out by Styx agents in book 6 and are able to follow Yuu and co. to the Island of Woe. Maybe instead of Riddle getting drained of his energy, it's Ace (and thus he is the one who emerges with white hair, not Riddle).

[spacebagfullofstars]

Evolution X-Men meeting Deadpool for the first time

An idea for the first episode Deadpool would appear in the show. It'd take place during early season 2. I don't have enough ideas to write the whole thing but here's the introduction

After the Brotherhood fled and the old warehouse was empty once more, the X-Men could finally focus on their unexpected guest. Through the darkness where he stood, they could see him sheathing his katanas and stretching his arms.

"Phiii-ew! Nothing like a good workout after a mind-numbingly boring sail home!" He said, rolling his neck and shoulders. "Warms my cold, unfeeling heart to see the streets just as crime-infested as I left them!"

After a second, the man stepped towards them and into the light. The younger members of the X-Men couldn't help, but gasp when he revealed himself to them.

The person who joined their fight was wearing a red and black costume that covered his whole body, including his face. Outside of the twin katanas on his back, he had two gun pouches attached to the sides of a multi-pocketed belt. His white eyes stared at them with unclear intent.

"You?!" While Kitty, Rogue and Kurt were intimidated by his presence, Scott and Jean stood their ground. They appeared to be more disgusted than afraid. Surprisingly, the man seemed to recognise them as well.

"Jeanie! Scottie! Long time no see! Come here and give uncle Deadpool a hug!" He said, spreading his arms. Before he ran at them, Jean used her powers to throw him into the air. His enthusiasm faltered.

"Cold. I guess you don't want all the radical gifts I bough you abroad!" He said, starting to levitate upside down. "Do kids these days still say it? Do they say 'radical'? I hate that word. I hope it'll die out quickly."

"You know this weirdo?" Kitty whispered to them.

"He calls himself Deadpool." Jean stated. "He used to break into the Institute regularly."

"That's all you have to say about little ol' me?" Deadpool interrupted, then traced a line from his eye down his cheek. "You can't see it, but I just shed a sad tear. I thought we were friends."

"We're not-"

"As (I'm pretty sure) my pop used to say, if you want something done right, do it yourself!" The mercenary clapped his hands, interrupting her again. He kicked his legs and pushed himself back up so he could face them properly.

"I go by many names! Deadpool is one, but some prefer to call me the Merc with the Mouth!" He stated, pointing his thumbs at himself. "The world-famous mercenary willing to do any kind of job for a good pay, weapon expert, master of all known fighting styles and three times Champion of Hot Dog Eating in West Virginia! This city used to belong to me, but the merc job is unforgiving and I had to leave it for like twenty years!"

"We haven't seen you in two years." Scott corrected.

"It felt like twenty to me, so it must've been! Now I come back and see that you X-Dorks grew in numbers!" Deadpool continued, then crossed his arms and looked away. "Not that I'm bitter, or anything. I can do so much better than your little rich kid houseclub anyway."

"... Wait, he was an X-Man?!" Rouge asked, baffled.

"Professor tried giving him a chance once." Jean sighed. "He almost blew up the mansion."

"Like that old thing doesn't blow up every other week, am I right, guys?" Deadpool snorted and rose his hand. Outside of the distance between them, no one was willing to give him a high five. He waited a few more seconds and then high fived himself.

"Is it bad that he kinda reminds me of Kurt when he has too much sugar?" Kitty snickered.

"Don't even joke like that!" Kurt didn't like that.

"The only difference is that Kurt isn't..." Scott began, then whistled and swirled his finger around the side of his head.

"I believe the term you're looking for is 'able to think outside the box', three eyes." Deadpool overheard them and air quoted. Without any warning, he disappeared in a small flash of energy.

"What the-?!" Kurt cried out as they all stepped back in surprise. After a second, the mercenary reappeared behind them.

"And who those adorable new faces might be?" His voice startled them all. "No, no, don't tell me! You look like Jessica," He said, pointing at surprised Kitty. "Your super power is shrinking. You look like Bridget and you love being different!" He pointed at Rogue, making her scoff at him. "And you look like Elvis! You have an eternal bad hair day!" He said, pointing at Kurt.

"What?" The blue boy squinted.

"Deadpool, stay away from them!" Scott warned, flashing his visor in readiness. "Whatever you came here for, you're not getting it from us!"

"Look at you all grown up and shouting orders like a boss man! Relax, kid, I have no quarrel with you today. I just wanted to catch up and meet new people! Speaking of..." Deadpool said, then reloaded his gun that he suddenly grabbed. Something darkened in his eyes. "Where's Wolverine?"

The other X-Men could see Jean and Scott getting tense. It seemed that despite their distate, they were scared of the man after all.

Suddenly, Deadpool seemed to hear something and his head perked up a bit. They could almost see a smirk forming on his face.

"Right on the clock." He mused. He spun his gun in his hand, then without any warning, whipped back and fired a single shot.

Wolverine had entered the warehouse and managed to sneak behind them. He quickly released his claws and slashed the bullet mid-air. Before other X-Men could stop him, Deadpool switched, pulled out his katanas and teleported again. He reappeared right in front of Logan and took a swing at him. His weapons and the mutant's claws clashed.

"Kurt, get everyone outta here!" The X-Man shouted. The boy nodded. The kids came closer and he teleported them away, leaving the two alone.

"I had a feelin' I smelled a rottin' brain somewhere!" Wolverine growled.

"You're the one to talk, dog-breath!" Deadpool retorted, trying to slash him again. Wolverine blocked him. "Dog, or bear, or some other animal that smells bad! I don't want to say badger, because I feel like I'd be beating a dead horse at this point-"

"I miss the silence already!" Logan said. He roared and tried to throw a punch.

Meanwhile, the group reappeared outside.

"What does this Deadpool guy want with Logan?!" Rouge couldn't help, but grow concerned.

"They have... history." Scott explained. "I'm pretty sure they hate each other."

"Like he and Sabertooth?" Kitty asked.

"Honestly? We have no idea." Jean admitted. "It's best to just stay out of the way and let Logan handle it. He always does."

As soon as she said that, they heard an explosion that made them jump. Suddenly, Wolverine fell out of a window with a trail of smoke following him. Deadpool jumped after him and skilfully landed on the ground. When he stood up, the kids saw that he was holding a bomb with his face painted on it.

"He has explosives?!" Kurt shouted, tugging his hair. Logan returned on his feet, smoke from the explosion still dancing on his body.

"I thought you were done takin' bounties on me!" He shouted.

"I am, but it's an emergency!" Deadpool said, throwing the bomb from hand to hand. "I need this money more than I need food and water!"

"A sellout through and through!" Wolverine said, then charged back. Deadpool let him get close, teleported, and then tried to throw a bomb at him from the distance. Logan kicked it right into the ocean and it exploded in the water.

The mercenary quickly switched back to his katanas and charged with full force at his opponent. There was a lot of slashing, dodging and rolling involved. Neither of them managed to reach each other for a good while. Finally, Wolverine used an opportunity to pin Deadpool to the ground with one arm behind his back.

"Ow! Ow! Ow! Ow!" He cried. "That's foul play! You're disqualified for being a bad sport!"

"Cry me a river, Wilson." Logan tsked. "Whoever hired you must've not known that you always lose to me."

"Yeah. That might be true." The mercenary said, another almost visible smirk appearing on his face. Little did Wolverine know, his free arm was trying to reach for a hidden pocket in his costume. "By the way, don't think that I forgot to bring a souvenir or two for my bestest friend. Why don't you let me go so I can show it to you?"

"I ain't lettin' you go that easily, bub. You're gonna tell me exactly who sent you and what kinda money made you break your promise."

"Oh, I love to talk! Especially with you!" He quietly unzipped the pocket and reached inside. "But you know I can't talk about my employers. Merc 101. Buuuut, I can tell you all about the crazy places I've been to for the past two years! I learned like three different languages! Do you want me to say something in Chinese?"

"If you're tryin' to make me angry, it ain't gonna work. We've been doin' this song and dance long enough for me to know when you're lookin' for a distraction."

"Awww, you care about me enough to know my strategy! You so deserve that little treat I bought you!"

"Logan, look out!" Rouge shouted, but she was too late. Logan felt a sharp sting in his leg. He gasped and quickly pushed himself off Deadpool. He looked down and saw a dart sticking from his thigh. The X-Men were ready to intervene.

"Do not get involved!" Logan snarled, sensing their intent. His head was already beginning to spin.

"Yeah, you better listen to Papa Wolvie! This is between us adults!" Deadpool shouted, looking at them as well. The mutant suddenly fell to his knees, trying to fight whatever Deadpool injected into him, but it seemed stronger than his healing factor. His eyes started feeling heavy, and finally, he fell lifelessly on the ground.

"Logan!" The kids yelled. Jean was already floating whatever she could to throw at Deadpool.

"Don't worry, X-Kids! I promise to give him back as soon as I get my money! Follow your dreams and stay in school!" Deadpool gave them a peace sign before he kneeled in front of Wolverine and teleported away with him.

[respectthepetty]

The Loyal Pin - Episode 8

¡Sorpresa, cabronas! Blue Beauty Anin is back in the palace, and she is already causing issues for her color-coded brothers!

And for her Pink Person Pin!

So as much as I appreciate Anin being so focused on her studies, because she wanted to graduate early, I'm glad Pin called her out for not communicating and thinking this surprise would make her forget that she was basically ignored FOR MONTHS!

But thankfully Anin knows how to make it up to her (in bed) (THAT'S WHAT SHE SAID!)

And now they can be color-coded girls in love and live happily ever after! Yes? YES!

Well, that's until Anin's color-coded brothers tell her she needs to start thinking about getting married . . . to a man.

But because this a GL, like queer magic, all the girls start showing up to Anin's yard for her milkshake like her sister-in-law with her sister, who just happens to be the girl who tried to assault Anin in her bed.

But nobody cares because Anin's color-coded brother and aunt (WHO IS WEARING PURPLE!) are planning a formal welcome back party for Anin which will literally bring all the girls to her yard for her milkshake (and other treats).

Anin is less than thrilled believing this is a ploy to get her to meet marriage prospects, but her brother promises that isn't what is happening.

All color-coded royals do is lie.

But our boy Pranot is going to make this party spectacular even if he has to hot glue and duct tape everything together by himself, and this is not me stereotyping the gays, but . . . . . . he has to be gay because only a gay man or a pageant mom could turn it out like this with such short notice.

So Pranot creates a party fit for color-coded royals overnight.

And the aunt, who is in her color (finally!) has the food covered.

But she can't stay, because she has a guest, in her house, waiting for her. *whispers* lesbian shenanigans are afoot

And to nobody's surprise, marriage prospects are at this party and lined up IN RED to greet our Blue Beauty. I know Pranot sent them a detailed document outlining the dress code, so if they were paying any attention, they would've known to wear BLUE to impress the princess and not RED to impress her siblings. Who do they want to marry?! Apparently not our lesbian!

Then Aon shows up looking like her and her sister thought this was a costume party and they are an orange and a cherry, which means the only time we have seen Aon is pink is when she was trying to slide into Anin's bed, and now she is on my list!

Sidenote: Is the brother's fiancée May from My Marvellous Dream is You and The Sign?! How did I miss that?! Obviously the outfit is doing it's job because it made me notice her in a room full of other beautiful women, so I'll quit hating on these fruity outfits now.

Actually, I won't because it's clear to me the two oranges from the orange tree belong together, so if Kuea really doesn't care about marrying a lesbian since he wants to Pin so badly, why not just marry another lesbian named Aon? Makes color-coded sense to me!

But then there is the issue of my babygirl Ueangfah who also showed up to Anin's yard party for her milkshake.

But I think I have someone for her too! It's not a color-coded match, but it could be a lavender marriage!

The queers have been doing it for centuries. Just getting married and throwing amazing garden parties. Fun times!

But Anin, in her pretty blue dress had too much fun being possessive of Pin because she was getting a little unwanted attention from a man when ALL OF THESE WOMEN WERE BASICALLY HAND-FEEDING ANIN FOOD AND THEIR BODIES ALL NIGHT! (I'm a little peeved at Anin, pero whatevs). So Pin, in her lovely purple and pink dress, has to drag her girlfriend home which is luckily across the lawn.

And because Anin is westernized now, she is white girl wasted, meaning she wants to make out with her girl anywhere and everywhere because eff decorum!

So Pin has to tie her up with a blue piece of fabric. (Where did this come from?!)

But it isn't for safety reasons. No! It's for ~kinky~ reasons.

And in the midst of some delightful girl-on-girl action, we get the rudest flashback to Anin's older brother checking on Anin since he was worried about her drinking, yet stumbling upon her exchanging colors and tongues with Pin, you know, like the French do.

So the episode ends with him finally realizing the big secret that everyone has been keeping from him including the servants -

He was the only straight person at that party tonight.

[thirtysomethingloser92]

If you don't take requests that's so fine please ignore me but if you do can I request a plus size reader/ Gambit. I'm just feeling a little insecure today and i feel like he would be a thick person enjoyer. Thank you, you're my inspiration

My Darling I'm so sorry you're feeling like that today. I hope this cheers you up.

You stared at your reflection, frowning as you tugged at the hem of your shirt for the hundredth time. No matter how much you adjusted it, it still didn’t sit the way you wanted. The fabric clung to your stomach, revealing every curve and bump you didn’t want to see. Your jeans, which had once been your favorite pair, now felt too tight, pinching at your waist and making you feel like you were bursting out of them.

With a frustrated sigh, you yanked the shirt off entirely and tossed it onto the pile of rejected clothes on your bed. The mirror reflected your bare skin now, and you couldn’t help but notice the way your stomach rounded, the way your thighs touched, the fullness of your hips. All of it felt too much. Too much body, too much space, too much of everything.

You wrapped your arms around yourself, as if you could shrink away from your own reflection. It was one of those days where nothing felt right. The clothes that usually made you feel confident and comfortable now felt like costumes, ill-fitting and awkward. The little voice in the back of your mind, the one that whispered cruel things about your body, was louder than ever today.

"Why did I even agree to go out?" you thought, staring at the mess of clothes around you. Remy had asked you out earlier that day, suggesting a casual dinner in the city—just the two of you. He had looked so excited, flashing you that irresistible grin of his, and you had agreed without hesitation. But now, standing here in front of the mirror, you felt like it had been a mistake. You didn’t feel like yourself. You didn’t feel worthy.

Another sigh escaped your lips as you sat down heavily on the bed, burying your face in your hands. You loved being with Remy—he was charming, kind, and always made you laugh. But sometimes, it was hard to quiet the voice that told you he could do better. That he deserved someone who looked like the women he’d been with before—slender, toned, effortlessly beautiful.

A soft knock at your door pulled you from your thoughts.

"Chère, y' ready?" Remy’s voice was warm, but there was a hint of curiosity in it. "We gon' be late if y' don’t hurry."

You froze, your heart pounding in your chest. You didn’t want him to see you like this—not when you felt so exposed, so vulnerable. A part of you considered pretending to be sick, making up some excuse not to go. But you knew that wouldn’t fool him. Remy was too perceptive for that.

"I… I don’t think I’m going to go," you called out, your voice shaky despite your best efforts to sound casual. You hoped he’d drop it, that he’d understand without asking too many questions, "Maybe we can just do something here?"

There was a long pause, and for a moment you thought he might have walked away. But then the door creaked open, and Remy stepped inside. He shut the door behind him quietly, his eyes immediately scanning the room before settling on you. His brow furrowed slightly in concern.

"Now, what y' talkin' 'bout, chère?" he asked, his voice soft but firm. "Why y' don’t wanna go?"

You avoided his gaze, staring at the floor instead. "I’m just… not feeling up to it, that’s all."

Remy wasn’t a man easily fooled, and you could tell by the way he crossed the room to stand in front of you that he wasn’t buying your excuse. His eyes flickered to the pile of clothes on the bed, and then to the way you sat hunched over, arms crossed protectively over your body.

"Somethin's botherin' ya," he said quietly, crouching down so that he was on eye level with you. His red-on-black eyes, always so intense yet gentle, searched your face. "Talk t' me."

You swallowed hard, fighting back the tears that were threatening to spill over. You didn’t want to admit it. You didn’t want him to know how insecure you were feeling, how much you hated what you saw in the mirror today. But the weight of it all was too much to carry alone.

It had been building for a while, this gnawing pit of self-doubt that seemed to grow larger whenever you caught a glimpse of yourself in the mirror. You couldn’t remember exactly when it started—maybe it had been creeping in for years, little comments here and there, comparisons to other women who seemed to glide through life effortlessly, their bodies molded to perfection. Or maybe it was something deeper, an old voice that had always lingered in the back of your mind, whispering that you weren’t enough.

And today, that voice was louder than ever.

Your chest felt tight, your throat constricting as you tried to hold it together. The last thing you wanted was for Remy to see this side of you—the side that felt small, fragile, and vulnerable. He was always so confident, so sure of himself, and you didn’t want to burden him with your insecurities. You didn’t want to be the one who cracked under the pressure of something as trivial as your reflection in the mirror.

But gods, it didn’t feel trivial. Not today.

Every time you looked at yourself, all you could see were the things you wished you could change. The way your clothes hugged your body a little too tightly, the way your stomach wasn’t flat, the way your thighs touched. It was as if every part of you was magnified, exaggerated, and you couldn’t escape it. You had tried—tried to brush it off, tried to focus on the things that you liked about yourself. But those thoughts were drowned out by the louder ones, the ones that told you that you weren’t enough. That no matter how hard you tried to convince yourself otherwise, you would never quite measure up.

And the worst part? Standing in front of Remy, with his eyes on you, you couldn’t shake the feeling that he must see it too. He had to. How could he not? He was gorgeous—dangerously handsome—with that smirk that could weaken knees, and a body that looked like it was sculpted by the gods themselves. He had been with women who were stunning, women who looked like they belonged on magazine covers, and here you were, feeling like you didn’t even belong in the same room.

The thought made your chest ache, the tears stinging behind your eyes. You didn’t want to cry in front of him. You didn’t want to break down and tell him how ugly you felt, how unworthy you felt. The shame of it was too heavy, too raw. But it was getting harder to hold it in, harder to pretend that everything was fine when it clearly wasn’t.

For a moment, there was silence between you. You couldn’t bring yourself to meet his gaze, your eyes fixed on the floor as if it could somehow swallow you up and save you from having to confront the truth. You could feel the weight of his eyes on you, though—steady, patient, waiting. Remy wasn’t the type to push if you weren’t ready to talk, but you knew him well enough to know that he wouldn’t let this go. Not when he could see how much it was hurting you.

And that was the thing—Remy always saw you. He saw you in ways that you sometimes wished he didn’t. He saw past the walls you tried to put up, past the bravado you sometimes used to hide your insecurities. He was always watching, always noticing the little things, the things you thought you were hiding so well. And that scared you, because it meant you couldn’t pretend with him. Not for long.

The silence stretched, thick and heavy in the air, and you felt the dam starting to crack. You didn’t want to say it. You didn’t want to admit how deeply the insecurities had burrowed into your heart, how much they weighed you down. But the burden of carrying it alone was suffocating, and Remy was standing there, waiting, offering you a lifeline without even saying a word.

"I…" Your voice broke, and you hated how small it sounded, how fragile. You took a shaky breath, trying to steady yourself, but the tears were dangerously close now, and you knew there was no holding them back. "I don’t feel good, Remy. With me."

It was such a simple sentence, but it felt like you had just ripped open your chest and laid bare everything you had been trying to hide. You could feel the tears gathering in the corners of your eyes now, and you quickly turned your face away, not wanting him to see. You hated how emotional you were getting over this, hated that you couldn’t just shake it off like you thought you should.

But you couldn’t. Not today.

You felt Remys hands on your thighs, his thumbs drawing small circles on the skin, the warmth of his presence wrapping around you like a protective shield. He didn’t say anything at first, and for a moment, you wondered if he even understood. Maybe he didn’t get it. Maybe he couldn’t. How could someone like him—so effortlessly confident, so sure of himself—understand what it felt like to look in the mirror and hate what you saw?

But then you felt his hand, warm and gentle, on your arm. His touch was so soft, so cautious, as if he knew exactly how fragile you were in that moment. He didn’t try to pull you into a hug or force you to look at him. He just crouched there, his fingers brushing lightly against your skin, grounding you with his presence.

"Chère," he said softly, his voice like a soothing balm. "I’m right here."

And that was all it took. The dam broke, and the tears spilled over, silent but heavy as they slid down your cheeks. You felt your shoulders shake with the effort of holding it all in, but it was too much. The weight of your insecurities, the fear of not being enough, the shame of feeling this way—it all came crashing down at once.

Remy didn’t say anything. He didn’t need to. He just stayed close, his hand never leaving your arm, his presence a steady, unwavering comfort. He didn’t try to fix it or offer empty reassurances. He just let you be, let you feel what you needed to feel, and somehow, that made all the difference.

After a few moments, when the tears had slowed but the ache still lingered in your chest, you finally found your voice again, though it was shaky and weak.

"I just… I look in the mirror, and I don’t like what I see," you whispered, your voice barely audible. "I don’t… I don’t feel like I’m enough."

Saying it out loud felt like admitting a terrible secret, something you had been holding onto for too long. But the moment the words left your lips, a strange sense of relief washed over you. It was out now. The truth was out, and you couldn’t take it back.

You half-expected Remy to brush it off, to tell you that you were being ridiculous, that you were beautiful and didn’t need to feel this way. But instead, he was quiet for a moment, his hand still resting gently on your arm. Then, he stepped in front of you, his gaze soft and unwavering as he looked into your tear-filled eyes.

His brow furrowed even more, and he reached out to gently take your hands in his, uncrossing your arms. His touch was warm and reassuring. "What y' mean by dat, chère?"

You hesitated, biting your lip. The words felt heavy in your mouth, but you forced them out anyway. "I don’t look like the other women you’ve been with. I’m… bigger. And today, I just… I don’t feel good about it. I don’t feel good about me."

There. You said it. The ugly truth that had been gnawing at you all day. You braced yourself for his reaction, for him to say something dismissive or to tell you that you were overthinking it. But instead, Remy’s grip on your hands tightened slightly, and he pulled you gently to your feet.

"Come here, chère," he murmured, his voice soft as he wrapped his arms around you. He held you close, his chin resting on top of your head as he stroked your back soothingly. "I been waitin' t' say this for a while, but y’ve never given me the chance."

You blinked, surprised by the tenderness in his tone. "What do you mean?"

He pulled back slightly, just enough to look down into your eyes. His expression was serious, more serious than you were used to seeing on his face. "I don’t care 'bout that. I don’t care 'bout what other people think. Y' beautiful, cherie, jus' the way y' are. And I need y' to believe that."

You opened your mouth to protest, to tell him that he didn’t understand, that it wasn’t that simple. But he silenced you by placing a finger against your lips, his eyes soft but unwavering.

"I know y' don’t always see it, but I do," he continued, his voice low and sincere. "Y' think I’m wit' y' because I want someone who looks like everybody else? Non, chère. I’m wit' y' because y' one of a kind. Ain’t nobody else like y', and that’s what I love 'bout y'."

Tears welled up in your eyes again, but this time they weren’t from sadness. They were from the overwhelming warmth of his words, from the realization that he truly, deeply meant what he was saying. You had always known Remy was kind and compassionate, but hearing him say these things to you, looking at you like you were the most precious thing in the world, made your heart ache in the best way.

"But I don’t always feel beautiful," you admitted, your voice shaky. "I don’t always feel like I’m enough."

Remy’s expression softened even more, and he cupped your face in his hands, his thumbs gently brushing away the tears that had fallen. "Then let me remind y', every day if I have to. I’ll tell y' a thousand times if that’s what it takes. Because y' are enough. Always have been, always will be."

You let out a shaky breath, leaning into his touch. His words wrapped around you like a warm blanket, soothing the raw edges of your insecurities. It wasn’t as simple as snapping your fingers and feeling better, but with Remy’s arms around you, it felt like a weight had been lifted off your shoulders.

"You’re too good to me," you whispered, resting your forehead against his chest.

"No, chère," he murmured against your hair, pressing a kiss to the top of your head. "I’m jus' tellin' y' the truth."

For a moment, you stayed like that, wrapped in each other’s arms, the world outside your room fading away. Remy’s presence was so grounding, so steady, that you felt the storm inside you begin to calm. The insecurities were still there, lingering in the background, but they didn’t feel as loud anymore. Not with him here, reminding you that you were more than enough.

After a while, Remy pulled back just enough to look down at you again, his signature roguish grin returning to his face. "Now, how 'bout we go out, eh? I promise y' gon' have a good time. An' if not, we can come right back home, no questions asked."

You managed a small smile, the warmth of his words still lingering in your chest. "Okay," you said quietly. "Let’s go."

Remy’s grin widened, victorious but gentle. "That’s my girl." He leaned in, pressing a soft kiss to your lips before stepping back and grabbing his coat from the chair. "An' for the record, chère, y' look damn good."

You rolled your eyes, but you couldn’t fight the smile that tugged at your lips. "You’re unbelievable."

"Maybe," he winked, shrugging on his coat with a flourish.

As you followed him out the door, hand in hand, you couldn’t shake the warmth that spread through your chest. The insecurities were still there, lingering at the edges of your mind, but they didn’t feel as overwhelming anymore. Not with Remy by your side, reminding you that you didn’t have to be anyone else. You were enough, just as you were—and that was more than enough for him.

[zahri-melitor]

Not that I would ever write a Titans Tower fic because of so many reasons but, if we gently massage the timeline just a lil bit here I can make such a better set of starting conditions than your average fic. That actually, you know, recognises when the story is set.

Teen Titans #29 is a December 2005 story, the same month that Dick agrees to work with Slade to train Rose (and proceeds to 'train' Rose as a villain by pointing out all the ways she needs to learn how to fight against the various members of the Society of Super Villains for the inevitable occasion they betray her dad. Oh Dick. You are so bad at being a villain. Anyway). The following month Roy shows up to go "what are you DOING DICK" at the request of Oracle and Dick kicks him around a bit in Nightwing #114.

But what if we shift events in Nightwing just a little forward, ahead of Teen Titans.

So then we can have this Roy-Dick-Rose are fighting Venom-pumped mooks fight scene...and Roy gets an emergency override from Oracle in his ear, letting him know that Titans Tower has gone into lockdown for some reason, setting off an alert.

Now, Mia's on the Teen Titans at this point. So Roy freaks out because Mia's supposed to be there and tells Dick who ALSO FREAKS OUT because the first information about the lockdown Oracle passes along has some detail about the alert giving very bad vibes (hinting that it's one of Jason's codes or something like that, or Tim's managed to set off a distress call or why am I overthinking this, it's a Titans Tower fic).

And Dick (still dressed as Ravager, I might add) turns around with Roy to go storm the Tower and figure out what has gone on, telling Rose "you wanted practice being bad? We're going to go break into Titans Tower".

And given it's Roy and Dick, they are immediately in agreement that they take Rose with them for a fun and educational trip (also Rose knows how to sneak around the Tower just as well as anyone, she's lived there before too while she was Lian's nanny, even though she's recently had her mental breakdown and stabbed out her eyeball an extra body who knows how the Tower works is helpful right now).

So the upshot of this and Dick using his very not-supposed-to-be-used JL transporter codes he nicked off Bruce, probably assisted by Dinah given she's an Actual JLAer at this very point in time and standing right next to Babs during all of these shenanigans, is that Jason Todd, in full weeb 'I'm not having a tantrum about no longer being Robin, honestly I'm not' costume turns around from fighting Tim and bearing down on him is a chick in what looks like a Deathstroke costume knockoff, a creepy red vigilante he's never seen before, and a fuming mad Roy Harper.

We go from there. Jason is having a very bad day.

There's also this angle where Dick's just been explaining to Rose exactly how bad news Talia al Ghul is almost immediately before all of this occurs, so if you want some dramatic irony there is another line to exploit...

[ruinofchimera]

Hi, I really like your posts, just out of curiosity, what do you think about Sirius Black?

Your curiosity could very well unintentionally land me in a Flynn Rider situation—cornered with a dozen sharp knives pointed at my throat, and for that, I’m more than ready to kiss you on both cheeks, anon. My recklessness be damned; let’s unfold this matter.

Sirius is an entitled arse, no two ways about it. He’s got that privileged, arrogant swagger of someone who’s always had things handed to him, even if he spent half his life rejecting it. He’s all rough edges and volatile intensity, the kind of man who’s survived more by luck and sheer defiance than by any real plan or sense of caution. Characters like him, they’ve got a way of sinking their claws in me, whether I want to or not. Because here’s the thing: Sirius’s short appearances in the books pack more emotional depth than some characters got in entire arcs. In just a few scenes, I saw a man constantly wrestling with his own worst instincts, fiercely loyal but destructively so, and trapped in a past he cannot—will not—let go of.

But let’s get something clear from the outset: I refuse to acknowledge the fever dream version of Sirius that certain corners of the internet have conjured up. You know, the one where he’s some delicate, ethereal twink who twirls his hair and faints at the sight of Lupin. What even is that? That’s not Sirius Black—that’s like trying to shove a feral dog into a tea party dress. It’s laughable, but more than that, it’s a betrayal of who he really is.

His bite, his bike, his relentless defiance—it’s not a costume or an aesthetic; it’s who he is, deep down to his bones. That raw, untamed energy, that edge—it’s woven into the very marrow of his bones. The Sirius Black from the books exuded raw masculinity. He was all bruised knuckles and fiery glares, a man who looked like he could break you in half but might settle for a well-placed punch instead. Unpolished, angry, and unapologetic to his last breath. Stripping all that away to turn him into some hysterical femboy with fluttering lashes doesn’t just miss the point—it actively distorts the very essence of the character.

So, no, I won’t acknowledge this fanon revisionism—or more accurately, fanon distortion. That’s not Sirius Black. And with that out of the way, we can return to the real Sirius Black—the one built from book flesh and bones, the man we actually know.

What intrigues me about Sirius is that he’s constantly at war with himself. The guy stormed out of his aristocratic, silk-sheeted home and straight into the muck and grime of rebellion. And rebellion is a funny thing—it’s loud, it’s violent, but it’s not always about breaking free; sometimes it’s just a different way to cage yourself. He chose to reject his family’s ideals, but the methods, the temperament, the sheer ferocity—that stayed with him. In his desperate attempt to be their opposite, he becomes just as volatile, just as dangerous. He’s trying to kill the part of himself that was shaped by his family, and yet, you can see it, can’t you? That same cruel streak, the same hunger for superiority. Only now it’s turned against anyone who dares remind him of where he comes from. It’s a brutal thing to watch, someone trying so hard to break the chains, only to forge new ones from their own fury.

Then there’s Severus Snape. If there’s anyone who can drag Sirius’s demons out into the open and force them to dance, it’s him. Sirius looks at Snape and sees everything he despises, everything he’s spent his life trying to drown, smother, burn out—the shadows of his family’s poison. Snape is like a living relic of the Black family’s cursed bloodline, a walking monument to what Sirius could have been, should have been, if he’d just bent the knee and stayed in line like a good Black boy. There’s no escaping it. Snape is a mirror that shows Sirius all the worst parts of himself, twisted into something cold, bitter, and unrelenting.

And Severus? Every time Snape looks at Sirius, it’s like staring into a mirror reflecting everything he’s ever wanted but never had. There’s that deep, gnawing resentment—the kind that comes from watching someone like Sirius, a privileged boy born into power and status, toss it all aside like it meant nothing. Sirius had everything Severus spent his entire life yearning for: a sense of belonging, the kind of respect that comes with a name, the freedom to be reckless without consequence. To see someone carelessly discard what he, Severus, would have fought tooth and nail to possess—it’s like being taunted by the very life he’s always dreamed of, but could never reach. Every time their paths cross, it’s not just personal hatred fueling that rivalry—it’s the bitterness of watching someone waste a treasure Snape has been denied his whole life.

They despise each other because, at their core, they’re fighting the same battle. They both want to escape their pasts, their pain, but they’re both trapped by it. Observing their dynamic is like watching two men rage against the same storm from opposite directions, and both of them lose in the end.

For all of Sirius’s darkness, there’s one light that never flickers: his absolute, unwavering loyalty to James Potter. James wasn’t just a friend—he was the family Sirius chose for himself, the anchor Sirius wrapped his entire identity around. Black would’ve followed James into the jaws of hell without a second thought, no questions asked, no hesitation. Sirius’s rebellion wasn’t just against his family’s twisted values; it was a revolt in the name of the bond he shared with James, a bond stronger than blood.

So when he finally clawed his way out of Azkaban, broken and ragged, it wasn’t just freedom he sought—it was the ghost of the only person he’d ever truly cared about. James was dead, but in Sirius’s mind, that bond was still alive, and he clung to it like a drowning man to a piece of driftwood. But the world had moved on, and Sirius—stubborn, proud Sirius—hadn’t. He was trapped in the past, unable to let go of the life he had lost. He smothered Harry with his expectations and projected James’s image onto him. In Sirius’s eyes, he wasn’t just mourning James—he was still trying to save him. Still trying to fight a battle that had ended long ago. Shackled to a memory, a ghost, Sirius was living on borrowed time. His desperate need to relive those days with James blinded him to the truth—that Harry wasn’t James, and the past couldn’t be resurrected. And in the end, Sirius’s death wasn’t a tragic loss; it was inevitable. A man like him, still fighting ghosts, still raging against a world that had moved on without him, was always destined to fall. His death wasn’t the end of a life—it was the final note in a song that had been playing since the day he lost James Potter.

As I said, Sirius Black’s depth far exceeds the number of pages he’s given. He’s the kind of character who burns bright and brief, leaving just enough of a mark to haunt you long after he’s gone. His short appearances were cut off far too soon, but twisted enough to make me take notice. And I’m nothing if not an admirer of the twisted. He’s the kind of man who’s always teetering on the edge of something dangerous, dragging his demons behind him like shadows that never quite leave his side. For all his flaws—his recklessness, his impulsiveness, his Peter Pan syndrome—he makes me feel something—whether it’s anger, sympathy, or that strange, grudging admiration you have for someone who keeps charging headlong into the storm, even when it’s bound to destroy him. The kind of character that makes me want to punch him square in the face and then buy him a drink right after. That’s a rare kind of magic, if you ask me.

[orpheusilver]

may we once again hear it for the dress

[icewindandboringhorror]

Some fantasy traveler inventory details (like what they would carry in their bags), based on two of the recent costumes I did.. love finding random little scraps and items and putting them together lol

[completeoveranalysis]

[8]

Well that’s the Clone Soldiers confirmed. Absolutely wild that we technically saw a bunch of clones in Chapter 1 and just didn’t have the context to know who they were yet. We saw the Sakura clones with Evil Wolverine and now we know the army is made of clones as well. 

But WHO are they clones of? 

I suppose they could just be Miscellaneous people, but I kind of hope that they’d be failed Syaoran clones, just for the parallels of it all. Or maybe they just spare souls that he had no use for and so sloppily shoved them into -

OH

OH WAIT. 

When he says “Souls that I gathered” does he mean in xxxHolic?

When he was harvesting souls from random people?

IS THIS WHAT THEY WERE FOR? DID HE JUST TURN THEM INTO RANDOM BATTLE PAWNS?

If that’s it then, wow, what a weird set up and pay off. 

Wait, no, I’m a bit ahead of myself. He also says they’re failures. So he harvested people’s souls and once they FAILED he turned them into this instead. 

Which is recycling! Very environmentally friendly of him. 

Does this mean when he makes a clone he uses other people’s souls as, like, the base-material? Is he taking random peoples souls and trying to use them to clone Sakura, and then when they mostly fail he reuses them in other roles (like this) instead? 

I might just be thinking aloud here but do we think the Failed Sakura Clones he keeps lounging around his base are Also the soldiers? Are these all Sakura clones, perhaps? Or did he fail to clone Syaoran a bunch of times as well? Or do they become formless and identity-less when he reshapes them for soldier duty?

[mulders-too-large-shirt]

s4 episode 5 thoughts

i’m back. i’m back and i’m intrigued. because i'm reading the episode description, and if we get more mulder ex lore here, which the episode description makes it sound like we will, i am… not sure how i will feel on the subject. the term “reincarnation” makes it sound like whoever it was… died. did an ex of his die? and that is a lot of mulder marked by pain and suffering. and maybe i’m getting ahead of myself. but the writers KNOW we want our agents to smooch, so focusing on an ex might make me, the viewer, feel weird. i just need to get all these thoughts out in writing before we begin.

how is he gonna tell if someone is a reincarnated lover? or am i misunderstanding this entirely. 

only one way to find out

author’s note: oh my gosh…… nothing could have prepared me for this. at all. here i was thinking it was ex lore time, but it was past life time, and there are TEARS in my eyes.

(serious author's note: i ask for some grace in this episode recap. there may be some things i word poorly. i am familiar with the terminology used to describe DID, and did my best, but acknowledge that i may have come up short. please understand that this is intended to capture my live reactions to what i was seeing for the very first time. at times here, there are no reactions, just a sort of a nebulous recapping of what i saw because i was feeling So Many Things. so this one might be messy, and i hope that is okay. i don't understand what i am feeling, but i am feeling a Lot of it, and humbly ask for your patience in my clumsy wording as well as some helpful discussion on what just went down)

let us begin, i type as i sniff up some tears

we open with mulder in a field… is he reciting poetry? and looking very sad. 

wait, is he not actually reciting poetry and he just talks like that? while holding two pictures of old timey people. i’d guess civil war era.

okay. so now we jump right to the intro. that was quick. i’m still processing what we just saw because we were really dropped into that one with no context whatsoever.

federal agents break into a temple in tennessee. they’re looking for illegal firearms! and a guy named ephesian.

but mulder sees a window… and he is staring at it… walking out the door as if led by some sort of spiritual quest while scully yells his name and wonders wtf he’s doing. he is not responding to her at all, but she’s chasing after him because she is a good friend.

so he’s hearing things while scully is pulling her gun out, and it does appear that he found a trapdoor!

he busts in, and slaps some poison out of the hand of a woman who was taking sips, and then grabs the dude who i assume is the cult leader. whew… that was close

now they’re at some sort of meeting, listening to tapes, and skinner is here!!! hiiii skinner. everybody say hi skinner!

so, someone on the tape seems to be whistleblowing on this cult- the seven stars or something- saying that the leader is hurting children and stockpiling weapons. mulder looks incredibly pensive during all of this.

oh! someone refers to mulder as “our man spooky”, which is kind of hilarious, while complaining that the reports were weak. scully leans in and asks yeah, how did he know that? while the men are fighting.

and skinner yells KNOCK IT OFF!!!! because the folks at the compound were somehow able to hide all the evidence before they got there, and now they’re forced to hold ephesian and “his wives” on “BS charges”. so now the agents MUST find evidence of firearms and who the informant was NOW because they will try to get an arraignment fast.

woah. no pressure.

skinner comes over talk to mulder and scully- they must look into this ephesian fellow's claims of supernatural abilities. scully says he can use the book of revelations to manipulate his followers, but seems to suspect no real powers. 

they to talk to this ephesian fellow, who says he knew for 9 centuries that scully was coming, and starts going on about the bible, quoting stuff. very scary behavior.

mulder comes in with the fact check. jesus said that at smyrna, not about some church in tennessee! (his knowledge…. it always impresses me)

this dude is being super creepy, telling them to put aside their investigation “for your own souls”, because soon all unfaithful shall “be destroyed by God’s mighty men”. so this is some pretty standard cult rhetoric here. if you've studied religions, you've heard this one many times. it seems that ephesian thinks he and his people shall be the ones doing this violence. a tight zoom in on mulder’s troubled face as he quotes more scripture.

they have 6 wives to question, and mulder says to start with one in particular. interesting… i wonder why that one. is it because she was the one they caught ephesian with in the hidden area... or something more?

her name is melissa, and she says she’s 25 as she smokes a cigarette and dodges their questions. she’s been at the compound and married to ephesian for a year. 

mulder asks if it troubles her that ephesian has so many other wives, and she just recites scripture instead of answering. so scully comes in with the “i’d have a tough time if my husband had so many children with other women”. this seems to begin to get her to crack, as she tears up.

wait... it’s so wrong to hear scully call someone else, who isn't her sister, melissa :(

melissa she doesn’t have any children with ephesian yet... because he has to wait for God to tell him that the right soul is ready to be reincarnated, which is why his children are the most sacred members of the temple. naturally, of course /s

things get quiet when they ask if he had been hurting the children until melissa starts talking with a very different voice and set of mannerisms, and she no longer replies to the name melissa. so scully scrawls “multiple personality” in her loopy handwriting and passes it over to mulder. oh! is this sydney?

(at this point, i shall begin to refer to sydney with he/him pronouns, as this is what mulder does. normally i would stick to my journalistic integrity and keep reporting the things i wrote down incorrectly while watching the episode, but i'm trying to be very respectful- i hope you understand)

but mulder writes back to scully no, this is not a multiple personality case, it's a past life case! his handwriting is very blocky. to prove his point, he asks sydney who the current president is, and he responds that it is harry truman. ah. so, he's a few years off.

mulder claims that “somehow he just knew” sydney was melissa's past life, which doesn’t reveal a lot, but his eyes are very soulful and i want to hold his hand.

skinner says they need to find something to get this case moving forward, and mulder is like dude, we found sydney, the voice matched! i would agree with his judgement that this in fact a sizeable discovery.

mulder is saying that what they have seen matches the criteria of DID in the DSM4 (woah, need to look up when we switched to 5), but scully is saying that some people don’t even think it exists as a condition, and skinner thinks it could be a trap to buy more time for ephesian. so no one is in agreement here.

but mulder is going into his psychology expert mode and is making a very compelling case that this is an example of DID, particularly in the fact that sydney emerged when the topic of child abuse came up, which fulfilled the protector role. scully wants to know more before giving any sort of diagnosis, but she doesn't seem opposed to the hypothesis.

(skinner seems to fumble over which pronouns to use for each personality here)

skinner says to go ahead and take her back to the compound and see if it gets any results in prompting memories that could be useful to the investigation, but scully is mad at mulder! he didn’t even have the courage to tell skinner he thinks they're dealing with past lives here! mulder, who is usually so brave!!

he mumbles that skinner wouldn’t believe him. which is true.

woah, i don’t know how to interpret this line here, so i’ll just write it down for further analysis:

“i don’t believe that you feel responsible for those 50 lives. or melissa reidel. you are only responsible to yourself, mulder”

(is she saying he doesn’t care about those 50 people?? is she saying he has an ulterior motive? is she calling him a liar, and that he is using this case to gain support for his supernatural ideas?? is she calling him selfish? or is she trying to tell him that he can only be responsible for himself and control his own actions, that he cannot place the burden of saving everyone upon his shoulders? is she berating or reassuring him or both? does she think he isn't serious about the lives in danger?)

i can’t figure it out, but he gets up and leaves. (after watching the episode, i still can't figure it out- what did you think?)

so they take melissa back to the temple, and scully asks her to recall the painful memories so they can keep herself and others safe. it is very tense as she walks into a bedroom and sees many photos on the wall of ephesian and his wives. she knocks some of them over and starts crying.

scully still looks furious with mulder. it's as if she thinks his desire for supernatural entities to be proven comes ahead of his desire to save actual lives, and it's recalling her comparison to ahab during the conversation on the rock. she must feel that there is no time for this, that they need to get concrete answers right away or horrible things will happen; perhaps she thinks he isn't focused, is being fanciful. and i understand the pressure of a ticking clock, but after so long, this rift between them, it doesn't feel right.

oh my goodness, we see some horrific artwork on the wall by the kids at the temple. woah. shoutout to the set design team.

melissa is in the playroom sobbing, but asks why she is being called melissa. scully asks what she should call her, and that is how we meet lily. but lily isn’t there for very long before sydney comes back, saying to “leave the kid alone”. mulder says they can all be safe if they just are told where the guns are. then melissa seems to come back, and she goes back out the window where mulder was staring earlier!!! what does this window know?!?

and the score here is really pretty as she walks outside, scully following behind her. mulder is clearly unwell, though, and scully asks what is wrong, which he ignores and walks past her. typical him.

a new alter of melissa's seems to front, now with a southern accent, saying the guns are in a bunker. but… it’s the civil war she’s talking about. she was a nurse, looking for someone who was staying in tennessee. and she found that someone here, dead. then she was hidden in a bunker while the battle raged above her. it is very horrific, what she is describing.

she clarifies that she was there in november 1863, then turns to mulder and says “as were you”. he doesn’t seem shocked by this, but scully is, as this new southern belle proclaims “this is the field where i watched you die” OH!

(mulder, a confederate in a past life… this is deeply unfortunate)

mulder is trying to make a phone call to a hypnotist while they drive melissa back to the police station, but scully figures out he’s trying to do past life regression on her and says not to. and that her life is in shreds, and that is too much for her to handle. i hate to say it, but i agree with her. melissa has been through so much, and with such a tight deadline, i don't know if they have time for such a journey.

OH! mulder is angry. his voice is all growly as he yells “YOU WERE THERE, SCULLY! you saw it, you heard it, why can’t you feel it?” oh my gosh… the way he slammed his hand on the wheel... why can't she see it, it seems so obvious to him... how infuriating it must be...

scully asks why ephesian is a paranoid sociopath for claiming to be in greece years ago, but he isn’t for claiming to have died in that field……. damn…….

(idk what’s going on here between them exactly but i’m stressed. they are stressing me out)

(at this point, we begin a sequence in which i am so enraptured with what is going on, i have no reactions to all of the things i am seeing, and just recount them to you, with occasional interjections of "oh my god"- but i think if you've seen the episode, you get why it had this effect on me)

so they do get a therapist, who is talking to melissa. she begins to answer the therapist's questions about seeing anything upsetting at the compound, talking about a woman named elizabeth and her son scott, who came to live in the temple. and ephesian took the son away. but ephesian caught his mother visiting her son, and “the mighty men” beat her, which brings melissa to tears as she recounts this. and he hit the boy, calling him garbage, beating him.

scully looks very stressed in the background to hear all of this, but sydney is now fronting at this point, saying to leave melissa alone, and that the guns are in the bunkers… somewhere. where they are is a mystery, though.

scully leans down to mulder and says that maybe there is a map somewhere, but mulder says she knows where to find them. and at this she says “mulder…” in a very breathy fashion and i still can’t quite articulate what is going on between them…. but he’s going in.

he says it’s me, melissa, and asks her to go back to the field. “your eyes may have changed shade, but it cannot color the soul behind them”, she says. that they are only to meet in passing in this life. and she misses him. he just stared and stares, before his head falls into his hands

scully is trying to explain to him that this is a product of melissa's illness, and she can’t give any specifics- no names or locations, and they don’t have time to do this, because ephesian’s arraignment is in two hours.

“wouldn’t you, scully? wouldn’t anybody?” <- oh my god…. is he compelled by a terrible sense of duty or by his own curiosity? is she scared to watch him go down this path he cannot return from?

okay, so now he is going back into his past lives. this sequence is almost entirely a close up of his face, for minutes on end, which adds to the intensity. he's really panting as he remembers. “ghetto streets. shattered glass. bodies of the dead. a jewish woman. poland.” oh my god…… 

he says that he is samantha’s mother in this life; “in this life, she is my son”

his father is dead, and… HIS FATHER IS SCULLY? WHAT? i didn’t see that coming. she’s troubled by this, all of this, not just learning he believes her soul to have been his father before.

but he says that his father is waiting now for their souls to come back together, different, but always together, again and again, to learn.

and he is crying. he can’t go to his father. a gestapo man is there, and he is cancer man; “evil returns as evil, but love… souls mate eternal”. and his wife is melissa, who is taken away to the camps. and he’s crying, and scully is watching with great concern.

now, he’s rising above the field, near the bunker. and his sergeant is also dead, and “he is scully”, and we cut to her face of increasing sadness. sarah holds him, who is melissa. she is sarah kavanaugh, and he is sullivan biddle. she doesn’t know that he’s waiting for her, that they will live again. 

scully tries to ask if he sees any bunkers, but he keeps saying his soul is tired, and he wants to rest.

and this is devastating. it was if i was the one undergoing the hypnosis here. i couldn't look away, i couldn't react, i was so entirely absorbed and confused and busy feeling things.

scully is consulting a map in the town records to try and find this bunker where the weapons are stored, and then she looks up the names he mentioned. sure enough, they are in the county records. then she reaches for some photos, where she finds one of sullivan and sarah. 

a lot of things are being processed in her brain, so we might need to give her a minute. i think we can see some long-held systems of belief being challenged in her mind.

but she brings him back the photos of their past lives, even as she is telling him that ephesian is going to be released soon. why would she do this? to comfort him? to validate him without using words?

oh my god, mulder just called her “dana”. wait. hold on. oh my god, hold on.

“dana, if, um… early in the four years we’ve been working together… an event occurred that suggested or somebody told you that… we’d been friends together in other lifetimes- always- wouldn’t it have changed some of the ways we looked at one another?”

“even if i knew for certain, i wouldn’t change a day”

WAUGHHHHHHHH (ripping my clothes off in grief) WAOUGHHHHHH wouavhhhghhhh……… she wouldn’t change a day….

(and what event was it that he is referring to? is there a certain one...? am i forgetting something from early s1...? damn you, my obsessive note-taking impulses, for not kicking into gear until s2...)

“well… maybe that flukeman thing, i could have lived without that just fine” HDHJSNSME he smiles as she leaves….

(i had to google what that even was because i was like ??? but the flukeman was the season 2 sewer baby!!! for those of you who are going into this whole thing blind and also don't know what the fandom calls stuff! i think to me he was "baby sewer mermaid" or something along those lines... but now we know)

so now he and melissa are in the room together, trying to recall. she says she wants to believe (!!!), and he’s rubbing her hand, but ephesian comes in, saying it’s time to leave. so she rips the photo in half and leaves crying. 

does he know he was supposed to love her? is he mourning that he hasn't? is he wondering if he has time to?

mulder gets up, and leans his head against the wall. scully comes in to say that they are still searching for more bunkers as the temple people return to their home. there is a deep sense of grief.

ephesian seems suspicious. 

mulder is talking to skinner, saying that those in the temple believe that the FBI are the devil’s army, prophesied to be defeated by the armies of god. but ephesian must not really believe that, because he hid the weapons. mulder emphasizes that he may “deny himself”.

back at the compound, all the members are being called to worship. the music is getting scary, and guns are being pulled out. 

scully looks up some bible verses and realizes that ephesian is calling his members to the end of times, which gives skinner the go ahead to launch a raid.

back at the compound, the poison is being distributed to the members of the temple. and a few are shooting at the agents outside, and mulder and scully pull up as the sipping of the poison begins inside. 

NO! mulder puts his hands up and begins to walk into the compound!!!!! WHAT IS HE DOING!!! scully shouts out that he is dead. as we see inside there are piles and piles of bodies, including melissa.

but wait! is she still alive???? she’s getting up!!! 

but no! ephesian is still there watching her. giving her poison to take. mulder is running in as fast as he can, trying to figure out what is going on. and he finds the room full of the bodies while gregorian chanting is in the background. 

he finds melissa, with no pulse, holding onto the photo she had torn. 

scully sees him touching her arm, raising his eyes and crying. 

we end where we began, with him in the field, holding the pictures of his and melissa’s past lives. 

end episode. 

what…..

first thoughts: i don’t quite know what to make of this, but i can tell it is going to tear me apart for the rest of my life.

second and third thoughts are also variations of my first thought.

i feel so sad? to know that mulder has (or thinks he has) lived these horrific past lives, and that he is reunited with the same people over and over again, to learn and lose them. and that scully was there with all of them- but so was melissa, and he said that soulmates are eternal, so if that is true he lost his for this life. and he said he was so tired, so tired... how can he escape the eternal cycle of samsara?

and scully, watching all of this- what did she mean when she said that he wasn't responsible for anything but himself? was it an insult? was she begging him? what was she feeling when she heard him talk about her being there in his past? was she trying to hurt him in their conversation in the car? will they ever actually be able to see eye to eye? does she believe him? can she? how does hearing all of this shake her own faith?

can you have many soulmates that come with you again and again, just in different forms? so would his soulmates be scully, and his mother and father and sister, and this melissa figure? and what are the implications of losing a soulmate in this world? is that a life of feeling that something is missing, until death? do they shuffle roles, but come again and again? is that comforting or horrific? are we to believe him?

and that terrible, terrible ending, him finding the bodies... how are we supposed to interpret that? just more grief on top of already endless grief? or are we supposed to see the poetry moment as an answer to a question that provides relief, even if it is bittersweet?

why did he want to know so badly? was he driven by duty to save? duty to find the Truth? duty to protect his loved ones and seek cosmic answers? are these separate things, or are they all intertwined in him?

i'm... really going to have to think this one over. i would really appreciate hearing your thoughts, as well. i wish i had a solid interpretation. it was very serious and sad, and it was bittersweet but filled with grief. i once again echo my earlier request for fluff. but how do you go back to the way things were once he says she was with him in every life? how does scully rationalize that? what are they to each other?

i'm pondering. it feels like something has shifted. and you can't go back now, even if i can't pinpoint what it is that changed.

i want to go back to daydreaming about apple cider dates. but it feels like you can't, you know? huh.

[arolesbianism]

I thought abt Wormwood hcs for like 5 seconds before it spiraled way out of control and now I have a whole hypothetical mod in my head with Wormwood as the final boss help

[batwynn]

I know a lot is going on in the world right now but this kind of loss of art is breaking my heart in two.

The Valentino’s Costume Group in Hollywood has lost everything after the death of their co-founder, the pandemic, strikes, etc. and is now being forced to do a very quick liquidation sale before having to send all of their years of hard work to be turned into rags. (Yes this is a real thing)

These people have crafted thousands of costumes over 20 years to rent to everyone and anyone who needed one. They’re sex worker and queer friendly. They’re also being accused of being “fast fashion” while being one of the few places in this world actively working against fast fashion with their work. They don’t want to have to turn their hard work into rags. It’s the only option for them with the enormous amount of costumes/fabrics they have to remove from the building very quickly.

So, Californians and anyone willing to travel to Hollywood: YOU can save a costume! (or two?) YOU can save someone’s art from being destroyed! YOU can own pieces of Hollywood! YOU can save so much sewing supplies and fabrics!

Where: 5535 CAHUENGA BLVD, N. HOLLYWOOD

Phone: 818-427-5248

Special hours for Influencers: May 20-30th 9:30am-4:30pm MON-SUN

What: Vintage, designer, menswear, historical, specialty, children’s, shoes, jewelry, vintage hats, show packages, racks, fabric, etc!

Important note: Please be kind and patient with the folks managing this sale. There’s maybe 2-3 people working at the most, and they all just suffered the death of someone close to them and the loss of their dream.

Please, please signal boost this. Their hard work should not go to waste and this terrible loss is already hard enough on them.

[david-watts]

I will not fall into the trap of rewriting everything because my writing skills have improved since starting the work

[mommypieck]

⌗︙・brothel owner geto ⸜⸜・

brothel owner geto says he doesn't have a favorite worker... until it comes from you. his whole face lights uo when you come running to sit on his lap. he opens his arms so you can jump into them, showing geto how much money you made. as much as he wants to listen to you rant about different costumers, he's more interested in that bra you are wearing. his hands cup your breasts and he squeezes them together, few bills falling from your bra.

"is that a new set?" he asks with his hands still groping your tits. you don't mind, you love when mr. geto touches you.

"mhm," you nod your head, throwing your arms around his neck, "i picked it because it's your favorite color." suguru almost melts when you say that.

he takes your hand, leading down back to the apartments where you take care of the clients. when the door closes, he has his mouth on yours. he kisses you hungrily, opening the bra to let your boobs free. he puts pressure on your shoulders, telling you to kneel in front of him. you smirk, knowing exactly what he wants to do. you pull his pants down, his cock hitting you in the face. it's your favorite cock.

"how much do they pay you for blowjob, 30$?" he asks you and you not. he sends you a sweet smile, "i have to raise your prices."

he thrusts his cock in your mouth, making you choke a bit. after all, he's the biggest cock you take at this job. you lick at his base, loving how heavy he feels in your mouth. geto sets his own pace, thrusting in and out of your mouth just like he likes it.

all those dirty man always wait for you to do something but geto is confident and he knows what he wants. that's what you love about him.

your hand cups his balls, stroking it while he uses your mouth like a toy. you close your eyes, something about him just using you is so calming to you.

geto thought about it a lot and maybe it's town to do what he wanted to do for a long time.

"open your mouth." he tells you, tapping his cock on your tongue before he shoots his cum deep inside, some of it landing on your face.

that's it, he decided what he wants to do with you.

"baby, do you want to only work for me?" his question confuses you a little, you're working for him right now.

"but i am working for you." he chuckles at your response.

"i mean only for me. i would be the only one fucking you."

you furrow your eyebrows. does he mean that he wants you to be his personal escort?

"but im gonna miss the sex." you whine. he smiles at you, "don't worry, baby. we're gonna have a lot of sex. maybe i'll even get you pregnant. you're gonna understand once you're with me."

[ranboolivesaysstuff]

HEY! Just because I am now 20 I think having something to kind of re establish boundaries would be good! Considering the ones I put all those times ago have changed :D GENERAL RULES! Do not be racist, sexist, homophobic, antisemitic, ableist, or discriminatory against anyone for any reason. Please if someone is calling you out for things you have done or said, please self-reflect and take the proper steps to change or remove yourself from the community. If you see something you do not like, and it IS MADE WORSE BY BRINGING ATTENTION TO IT, THEN IGNORE IT! Bringing attention to problems that just arent really problems with either the community or me in general are not worth it! Please use common sense when thinking about what/what not to engage with! I personally wish that people in the community do NOT engage with people who just obviously do not like me! Chances are they want a reaction from it so it is MUCH better to just not argue with someone whos mind you will not change! ALLOW CRITICISM OF ME AND MY CONTENT! IF YOU DONT AGREE OR DONT LIKE THEN DO NOT ARGUE ABOUT IT!!!! ALL IT WILL DO IS CAUSE UNESSICARY DRAMA!!! DO NOT make ANY comments or content about me that is explicitly sexual. I completely understand that lately there have been bits due to the changes in how I’ve been presenting myself and how I’ve been presenting more femininely, but that does not allow anyone to use that as an excuse to sexualize any features and such that are more feminine or masculine. Remember that femininity is not sexual and should not be seen or created as such just because its there! (for example, the Vtuber costume and chat being overly weird over the added boobs where there was no need for it). DO NOT draw me in ways that are sexual either, such as highlighting any aspects in a sexual way, or making the content something sexual. I am completely okay with being drawn as any body type, masculine presenting or feminine presenting, as long as you stick to this! PLEASE DO NOT SPECULATE ABOUT MY PERSONAL LIFE!!! Making jokes about certain topics CAN be fine, but a line is crossed when it becomes a legitimate speculation or if a joke is said when I have expressed my discomfort! RESPECT MY FRIENDS!!! All of my friends are their own, incredible people. And they do not deserve to be lumped in or referred to as JUST "my friend". Be respectful in their chats even when im not there, and be respectful to all of them everywhere else! IF SOMEONE IS TRYING TO INFORM YOU THAT YOU MAY BE DOING SOMETHING WRONG PLEASE LISTEN!!! There has been a lot of times in which I have seen people be unwilling to change in the face of a genuine discussion, and that is not something I want in the community! I should NOT have to police every single thing because it should NOT take me saying something in order to change your mind! As my words are not worth more or less when it comes to a lot of subjects! And lastly, do good. Whenever you have the ability to. BE POSITIVE!!! The hater mindset is very draining and can be very toxic to both you and the people around you, so highlight the good instead of the bad if you have the ability to! I am so incredibly proud of how far this community has come, and I cannot wait for the future!!! I have spent some time writing this, but it may not be perfect, so I will update this as time goes on and I think of more, or if something needs to be SUPER cleared up, but for now these are the main ones! I will NOT be updating this after every little thing however, as I do not want you guys to feel like the only way that something is wrong is if I talk about it! As you guys should be able to sustain yourself as a community without my consistent input! Imma go enjoy my birthday by eating a pizza :) thank you all!

[omgeto]

☆ THRILL (h)ER! — SATOSUGU X READER

summary: when watching a scary movie with your two best friends, you cant help but hold onto them tight every time you get jumpscared. but as the night goes on and your fingers roam... wait, what movie were you watching again?

wc: 3.3k (its alll smut guys so give me a medal)

cw: double penetration, praising, slight degradation, gojo and geto bickering, fingering, dirty talk (?) and some fun loving you're their pretty little princess. afab!reader, MDNI

an: guys look I finally posted a fic for kinktober, yay me, I hope you like it since Id say the smut on this one hits different sooo give it a chance. also only big brains will understand the fic title.

KINKTOBER M.LIST.

your best friends, gojo and geto always have a way of making you feel right at home, especially when you find yourself in your favourite spot on the couch – sandwiched between them. geto's embrace is a gentle yet possessive one, his arms wrapped around you in a tender hold that radiates warmth, his fingers lazily tracing patterns on your lower back.

to your side, gojo's long limbs seamlessly entwine with yours. your legs stretch over to meet him, creating an intimate tangle of limbs. his fingers trail leisurely up and down your thighs, their teasing caresses sending delightful shivers through your body. it's a familiar and electric sensation that's become an unspoken language among the three of you—one that hasn’t fully been enacted upon… yet.

"i don't know why you insist we watch this movie every year," geto complains, his gaze locked onto his b est friend, a playful frustration in his tone. "you're so predictable."

"oh, don't be a bore," gojo retorts, matching geto's glare before shifting his attention down to you. his voice is laced with mischief as he speaks to you. "you find it fun, don't you?" 

“what? do i like crappy slashers from the 80s with big titted damsels running from a shitly costumed killer?” you deadpan, your sarcasm evident. you could feel the vibration from geto as he lowly chuckles. gojo’s face forms a pout that prompts you to quickly add, “but i love them.”

gojo’s pout transforms into a triumphant grin as your admission earns you a playful nudge from him. “that’s my girl,” he exclaims, giving your thigh an excited rub as he turns on the movie.

geto, still chuckling softly, leans in closer. “well, i suppose if toru enjoys it, we can endure it one more time.” his words carry a hint of tenderness, his arm around you tightening ever so slightly, puling you closer into his embrace.                                                                            

you watch the movie in a comfortable silence, the only noise coming from the tv and gojo's oddly placed screams that you've come to expect every year. his over-the-top reactions to jump scares and gruesome scenes never fail to amuse you, and it's a source of endless entertainment for both you and geto.

geto, on the other hand, watches the movie with a more stoic expression, occasionally shaking his head at the implausible plot twists and unrealistic gore. His hand continues to rest on your thigh, his fingers now tracing soothing patterns as if to counterbalance the tension on the screen.

as the movie progresses, you notice how both gojo and geto steal glances at you when they think you're not looking, as their innocent touches progress into heavy petting. but there's a moment where you all pause, their movements stop, and you all look at each other as the loud sounds of exaggerated moans blare from the screen.

“i always forget this scene is in there,” gojo lies, with a snicker, an appreciative smile forming on his face as he watches the scene.gojo's arm remains draped around your shoulders, his fingers lightly tracing patterns on your arm, while geto's touch has grown increasingly intimate, his hand resting on your hip, his thumb making slow, deliberate circles.

“oh don’t bullshit satoru,” geto accuses, taking his hand off of you for a second to send a jab into gojo’s side, “i know you’re getting off on watching this ditzy blonde getting laid.”

“not true,” gojo retorts childishly, “i think there’s better sights to get off on, isn’t that right?” he finishes casting his eyes, not so subtly, over to you.

“well i can’t lie and say the sights aren’t… appealing,” geto grins his hands coming back on you, toying with the hem of your shirt.

“you two are such guys,” you laugh, trying to remain nonchalant even though on the inside the pace of your heart was quickening, and every touch of their fingers sends jolts straight to your core. “you’re focusing on the wrong things here.”

“and what should we be focusing on here?” geto murmurs at you, you couldn’t see his face but you knew a smirk was plastered across it. his challenge hangs in the air as you pause, hesitating as you scan the room, your eyes meeting gojo’s trying to gauge if they are thinking what you are. geto can sense your hesitation as he feels your breathing still as you lean against him, so he pulls his finger under your chin turning your head to face him. “let us focus on you, come here.”

you lean in, his lips enclosing on yours in a deep kiss, you turn your body almost straddling him so you could get better access. his tongue enters your mouth, as his hands work down your body, and as the kiss intensifies, you’re aware of gojo’s gaze on you. you extend an inviting hand toward him, flashing him a smile as you pull away from geto and set your lips on your other friend.

gojo groans as your lips work with his, and his hands go straight into his pants, fisting his dick that has been hard all night just at the sight of you. geto cascades kisses down your neck as he starts to pull your shirt up off of you, you gasp at the feeling of both of their hands and lips all over you.

“h-how long have you two been planning this one then, huh?” you grin, a laugh escaping through your moans, as you let geto get rid of your shirt, assisting gojo with taking off your pants. 

“how long have we known you?” geto responds rhetorically, and gojo nod in agreement, as they both take off their jogging bottoms, leaving you all sitting on the couch in your underwear. there is no more hesitation, or uncertainty between you three—you all know exactly what you want.

“so who gets to have me first?” you joke, your eyes darting between the two of them, their lustful eyes are unmistakable as they stare at your body, their dicks straining against their boxers ready to be suffocated by your tight pussy.

“i get to!” gojo sputters out quickly, but he’s not as swift as geto who’s already pulled you back onto him, his fingers pushing into you without any warning. your mouth parts, as you let out a whine, as his long digits give your pussy fast, relentless strokes, he adds another finger, smirking as your body buckles against his. “hey no fair!” gojo pouts, side eyeing geto, but he can’t help biting his lip as he hears your cunt squelch everytime his best friend shoves his fingers into it.

“don’t worry, ‘toru,” geto reassures, his fingers curling up into you before he pulls it out swiftly, spreading your pussy apart and giving gojo a knowing look, “there’s room for the both of us.”

gojo eagerly drives his fingers into you from behind, his body pressing against yours as he charges your fingers into you. your moans increase as you feel a flurry of digits explore your pussy, gojo’s hand grips on his shoulder and geto hand holds your waist as they both tug your body back and forth in an attempt to get you closer to them.

“s-shit” you cry out, as you clench around their fingers, trying to keep them inside of you. you grind down against both of their fingers, your whimpers encouraging them to twist and push their fingers deeper into you.

“you see how much of a mess she gets for us?” geto asks gojo with a low chuckle, and gojo nods, smiling as the wetness of your pussy allows for his fingers to slide into you with ease, “press down on her clit. hard.”

“don’t tell me what to do,” gojo mutters, but he does it anyway. his thumb going straight to your clit, pushing down on it, smirking as you groan your back arching right into him. 

“see i told you,” geto chimes, laughing as gojo glares at him. geto’s focus shifts to you, as he pulls his fingers out of you, bringing them to your mouth, he holds your chin, placing his thumb on your bottom lip as he raises his eyebrows at you for permission. you nod lazily, opening your mouth, accepting two of his fingers —which are drenched in your juices. “‘toru, you gonna finish her off for me.”

gojo smirks, his fingers working in overdrive, as he adds another digit inside of you and you could feel yourself about to release. geto can tell you're close from the way you bite down on his fingers. “you close? you gonna cum on satoru’s fingers as you taste yourself?”

you couldn’t even respond, as your cum sprays all over gojo’s fingers and geto’s stomach. the boys both smirk at each other, as they hear your high pitched moans and see heaps of your cum spilling out of your pussy running down your thighs. gojo is in awe, his fingers still remain in you and he pushes them up lazily, trying to keep you plugged with your cum. you relax onto his fingers, letting him do as he pleases, as you try and catch your breath your body slumping onto geto’s.

“you did so well,” geto praises in his air, lifting up your head off your chest, pecking your lips softly. “you took both of our fingers letting us stretch your tight pussy, it felt good didn’t it?” 

“y-yeah it felt so good sugu,” you sigh, turning your head to face gojo, as you pull him closer into you, “you both felt so good.”

“you wanna let us stuff you further?” gojo questions eagerly, his hard dick resting on your ass, as rocks against you.

“satoru,” geto reprimands, shaking his head at his friends over excitement. but gojo shoots him a look shrugging as he presses his face into the crook of your neck, practically inhaling you.

“but suguru, she wants us both to stuff her,” he argues, as fingers already go back to your sobbing cunt. “you want that dont you?” he whispers, directly in your ear, slowly coaxing your pussy with soft strokes as he murmurs in your ear. “you want me and sugu to shove our dicks right up your pussy, together.”

“i don’t know if i can…” you hesitate, your voice faltering, but you pull your lip between your teeth, closing your eyes as you think about taking both of them.

“c’mon pretty girl,” geto persuades you, forcing you to open your eyes and look at the teasing smirk on your face, “don’t think we don’t know how slutty you can be. you know your greedy little cunt take both of us with ease, and you want it to, don't you?” you nod your head slowly in agreement, but geto shakes his, “no, we need to hear you say it. use your words. tell us what you want.”

“i want your dicks to stuff my pussy,” you admit, feeling your confidence grow as the smirk on geto’s face widens and you can hear gojo lowly growl in your ear. “i need it.”

“well we have to give our girl what she wants, right sugu?” gojo taunts, pulling you off of gojo and onto his lap, his dick slaps against your pussy. “suguru got to see your pretty face, before, so this time you’re all mine, okay?” gojo says to you, and you could hear geto kiss his teeth, but he obliges letting gojo have his way this time. 

“you ready for me?” gojo asks, waiting for your approval as he lifts you up slightly over his dick, he even looks over to geto he leans back against the couch, with his dick in his hand. you don’t even answer gojo, sliding down onto gojo as you moan together.

geto fists his dick at the sight, “go on satoru, fuck her,” he orders, his strokes increasing as he watches as gojo begin to thrust into you. your hands press down on gojo’s shoulder’s as you start to bounce on him, you lean forward whining straight in his ear, causing him fuck you harder.

gojo plays with your bra strap, pulling it and letting it release against your shoulder, “i don’t know why you’ve still got this on,” he complains, as brings his hands to the clasp of your bra, undoing it. your tits bounce as he pulls off your bra, and both boys smile at the sight. gojo’s fingers pull against both of your nipples, twisting and pulling at them causing you to cry at every tug. “so sensitive,” he mutters to himself, touching your tits inquisitively as he continues to toy with them, loving how with every touch your cries grow louder.

“it’s crazy how we stretched you so well earlier, but your pussy is still tight as fuck,” gojo comments, his words punctuated with every thrust. “i had all my fingers inside of you already, but your cock hungry cunt just can’t seem to get enough.”

“is he fucking you good?” geto calls, feeling himself about to cum, as he rubs against his dick hard. you look over to him and smile, nodding quickly as you wrap your hands around gojos neck, clinging to him as his dick drives into you. geto stands up, coming up behind you pressing a kiss on your neck, “you need me to help get you off?”

“she doesn’t need anything from you, i’m doing just fine,” gojo mumbles, but he lets you slightly raise up off of his dick and he smirks as he feels geto join him, geto’s dick presses against gojo in excitement as they wait in anticipation for you to enclose them with your pussy. 

“don’t be nervous,” geto coos from behind you, nipping at your ear. you look at gojo and he gives you an encouraging nod, and you slide back down onto them hissing in slight pain as you feel them both enter you. “it’s okay pretty, you’re doing so so well,” geto continues to reassure you, pressing soothing kisses down your neck, his lips sucking at your flesh. you all pause as you fully take them both in, and you feel the pain subside smiling at gojo giving him permission to move. 

geto follows suit, and you all move in tandem, fucking against each other. gojo places his hands on your ass, pushing your cheeks in pace with his movements whereas geto’s hands cup your tits, holding them firmly as he spreads his fingers over your nipples, rolling them.

“fu-fuck you two are too big, you can’t” you whine, clawing against gojo’s chest. they were both drilling into you relentlessly, you couldn’t catch your breath as every second you were being double stuffed with dick. tears spring to your eyes, as you cry out in pleasure, grinding down against them trying to get as much as them as possible. 

“if only you could see how slutty our girl looks,” gojo says to geto, as he watches your head fall back, another moan escaping your lips. “her eyes are all glossed over, she’s fucking crying, all slutted out on our dicks right now.”

“is that so?” geto mutters, he forces himself into you deeper, his back hitching up against yours, his clench on your tits tightening as he inches himself in your pussy, his hips slapping against you. “she’s such a good slut, i knew she’d be able to take us well, and look she’s loving it, already creaming all over us, isn’t that baby?”

you nod, your hand coming up to hold geto’s head as he nestles into your neck. you were losing your train of thought, you wanted to tell them how good they felt, how their dicks rubbing against each other in you was all you needed for the rest of you life, but when you open your mouth all that can leave your lips is incoherent words and moans. 

both of them smile, watching as you come undone on their dicks. gojo gives geto a nod, and their hands trade places. gojos fingers coming back to your tits, rubbing and pushing them apart before lowering his head to your chest, nuzzling your boobs. gojo and geto were so close that some things between them didn’t need to be spoken, and they were so close to you that they knew your body in and out. they knew when to push and pull, and where to suck just to get you cumming their lap.

“i’m s-so close, i’m gonna cu—” you try and speak out, but your mind is too far gone for you to finish. their dicks slip out of you as your bounces become sloppy, the pleasure too much for you but geto forces you back muttering reassurance in your neck. and the sudden contact causes you to cum, you release all over both them, but they don’t stop their movements, their dicks driving into you still, pushing back in all the cum you were letting out.

“satoru, we gonna give our girl one final stuffing?” geto prompts, and gojo nods, they both give you one final push and you could feel your pussy stretch as their cum sprays your walls. you wail out, the tears streaming your face as your body jerks forward, feeling their dicks go limp inside of you as you all pant in pleasure.

“that was fucking amazing,” gojo praises, a blissful smile on his face as he leans back his head resting on his arms. you return his smile, your lips meeting his in a quick kiss, that he groans at as you pull away. you come off his dick slowly, all of your eyes staring at the ropes of cum that immediately spill out of your pussy as he unplugs you. 

geto turns your head to face him, his dick still lodged deeply inside of you, he pulls you into a long kiss, his mouth smothering yours. he pulls your bottom lip between his teeth, roughly biting down on it before releasing you, his hand cupping your chin, forcing you to stare up at him “you’re mine, my pretty slutty mess.”

“um she’s ours,” gojo chimes in, but geto shrugs, not caring to listen to your other friend. geto, finally pulls you off his dick, and your pussy clenches around nothing, already missing the feeling of their dicks.

“you too always know to take good care of me,” you exhale, exhausted your pussy sore about being stretched open by the two of them. geto pulls you back into his original hold, leaning back against his chest, and your legs stretch over gojo’s lap. but this time instead of innocent gentle touches, geto’s hands lazily tug at your nipples, and gojo caresses your naked thighs, his fingers flicking at your clit every now and again.

“that’s what friends are for,” geto muses, pressing his lips against your cheek before saying, “now satoru, are you gonna press play on this shitty movie or what?”

AN: ight so there you have it my FIRST FIC of kinktober, what do you guys think I need to hear all your thoughts since Ooooof this took me so long to write. so I hope it is worth it. also if you see my bias towards geto during this then LOOK AWAY, im sorry gojo stans but im a geto lover foreverrr. but yeahhh lmk ur thoughts stay tuned for my other kink tober fics which WILL be on time I promise smooches.