#where the whole world thought of him as a monster

[dimonds456]

Billford and Abuse: An Analysis

Honestly, as someone who ships both Billford and Fiddauthor, the thing I like about the toxic yaoi ship is the fact that it IS toxic. Like, the jokes are great, but its depiction of abuse is so, like... genuine. Without getting personal, I've been in a really fucking bad toxic (platonic) relationship before, and Billford deadass helped me come to terms with it.

Cuz here's the thing: most fictional abusive relationships just start with the abuse itself. It shows the victim and the perpetrator at the height (or almost at the height) of the abuse, and we see as either one of them is destroyed by it or the victim becomes free. But Billford actually shows the WHOLE timeline.

Something that bothers me about a lot of fictional abuse reps is the fact that you cannot sympathize with the victim aside from "aw that's horrible :(". Cuz it just starts AT the abuse. We don't see how they got there or what's causing the victim to stay. We just know they need to escape.

But with Billford, we see EVERYTHING. How it started out as something Ford genuinely loved, seeing Bill as a friend and someone he could trust, how it made him feel better because he was actually making progress on his research and he wasn't lonely anymore.

To Ford during those early days, Bill was the highlight of his time in Gravity Falls. We can follow his train of thought exactly to where he let Bill possess him with basically no strings attached (pun intended).

That's what makes it all the more devastating. Bill isolated Ford from everyone. He sabotaged his friendship with Fiddleford by planting that seed of doubt in the engineer and pulling Ford further and further into his plans. Then the thing with the portal happened and Ford had NOWHERE to go. Plus, Bill kept trying to get Ford to stop thinking about Stan, to move on and let him rot. So he kept planting seeds of doubt in his own brother as well, causing Ford to further and further slip away.

Then Ford confronts Bill. And the monster is unleashed.

Once Bill realizes he's lost control of Ford's devotion and the illusion has shattered, Bill just LEANS into it. In order to take control back, he started tormenting Ford and just being horrible to him, to try and make him fall in line. Love and fear ARE right next to each other in the brain, after all. And there's NOTHING Ford can do but just fall further and further into paranoia.

Bill demonstrates many real-world abusive/manipulative tactics on Ford, the big one being isolation, since that allows the rest of the everything to even happen, but the way he turns Ford against LITERALLY EVERYONE using paranoia is really true to real life.

Now obviously your toxic boyfriend cannot possess random strangers irl. But you know what he CAN do? Start spreading rumors behind your back. Stalk you. Harass you. Make you feel unsafe everywhere except home (which isn't safe either, but it's better than the outside world). He can spend your money or break your things. Slash your tires. In Ford's case, LITERALLY abusing his body. There's the sticky notes, the threats, the roof incident, all of it just piling one atop the other.

I cannot imagine how fucking terrified Ford must have been to finally send that postcard to Stanley. He was at a point where he assumed Stan would hate him, or at the very least wouldn't respond so why even bother, and he'd just gotten the "steal your eyes" threat. He was out of options, and was absolutely sure he was putting Stan in danger by getting him involved (another irl abuse thing that happens).

He was scared to reach out for help because 1) he didn't want others getting hurt (like Fidds had), 2) he was ashamed he'd let this happen, and 3) he, on some level, felt like he deserved this.

Justified? To a paranoid, scared, abused, irrational brain: Absolutely. In reality? Never. But HE'D built that portal. HE'D allowed Bill to possess his body basically freely. HE'D basically helped start the apocalypse. And that shame would have lead to SO much self-hatred and despair.

His reaching out to Stan was his last resort, his only way out. THAT'S what intrigues me about the ship so much.

I do not want them to make up and get back together. They're horrible for each other. But I do enjoy exploring the dynamic of it, fully seeing the cycle and how it happens, and seeing a whole new side to Ford that we only caught a glimpse of in the show and Journal 3. Plus Bill but his side is more comedic and sad to me I do not take him seriously FSDGHJ

The jokes are great and I love it here, but if I ever write a fic or draw art for these two it's going to be toxic as hell man. And not in the fun way fgsjd

[crimsondinnerparty]

In Aperitivo, there’s a scene where Will envisions helping Hannibal cut Jack’s throat, which has a lot of interpretations. Many see this as Will fantasising about committing murder alongside Hannibal, but I think it goes deeper than that. By the time Will hears Hannibal’s voice on the phone, he admits that a part of him has fully sided with Hannibal. So, this vision? It’s more about Will contemplating what might have happened if he had made a different choice, rather than just indulging in a fantasy.

Chilton’s conversation totally sets this up. When he hits Will with the whole “this is your best possible world, Will. You’re not getting a better one” line? Yeah, that’s some heavy truth right there. Will is a pessimist, and what he’s really doing in that moment is thinking: "What if I had sided with Hannibal?" Somewhere, in another universe, Will went full dark mode and betrayed Jack, and Jack ended up dead. But here’s the thing—Will isn’t fantasizing about the act of killing Jack. He’s thinking about the consequences — the inevitable betrayal, horror, and pain Jack would have felt.

Let’s talk about that dinner scene. Will is flashing back to the “sacrificial lamb” dinner, right before the big showdown. Remember when Hannibal was like, “We can spare Jack, feed the dogs, and leave Alana a note”? If Will had dipped with Hannibal that night, Jack would’ve been fine, technically. But the betrayal would’ve still hit the same, and Will’s soul? that betrayal would have left him irrevocably changed, soulless.

This is why Chilton’s words carry such weight. The reality where Hannibal attacked, but they all survived, is the best outcome for Will. Hannibal made the choice for him — by stabbing him and leaving him for dead, Hannibal prevented Will from becoming the monster he wanted him to be. Ironically, Hannibal saved Will by keeping him from crossing the point of no return.

We all know Will becoming Hannibal would’ve been the worst version of reality for him. So yeah, this reality? As messed up as it is, it’s actually the least bad. Will’s vision of Abigail in Primavera is all about his desire to run off with Hannibal, but Chilton is there to remind him that there’s no “better” world out there for him. It’s bleak AF, but Will’s choices all suck, and he knows it. The idea that doing the “wrong” thing might actually have been the “right” thing? That’s a thought too dark for him to even process.

[velveteenprayers]

11:11

pairing: percy jackson x gn!demigod!reader

summary: percy stumbles into your apartment at 11:11

word count: 1k+

a/n: none! first fic pls be kind 😔

The neon green casts an eerie glow over your room. Frustration grows within you as you realise how late it is. Beneath him, you shuffle, clearly trying to make an escape from his hold, to soothe him, to no avail. You grumble and sigh. And again. And once more, for good measure. Until a weak groan of “Percy….” finally escapes you. The sound of your voice seemingly breaks the spell cast on him by your Hello Kitty digital clock. 

“What are you doing up so late?” you ask, exhaustion laced in your voice. 

“Nothing Bug,” he responds, burning holes into a dark corner of your room. His index finger is tapping against your arm in a way he knows makes you drowsy. “Go back to sleep.” 

It’s not been that long ago since he walked into your bare downtown apartment, nothing with him but his skateboard. He provided no explanation, and you didn’t ask. 

You groan again, and look up at your ceiling. Your ceiling creaks under the steps of your upstairs neighbours, going about their evening.

 “Well, I can’t sleep unless I know you’re sleeping, so…”

A few minutes pass, nothing to be heard except the sound of your fan whirring and a few hoots outside. New York, the city that never sleeps. His city. Sometimes you wonder how you used to think of it in any other way.

Finally, he relents, and collapses next to you, quite a feat for your small mattress, disturbing your toothpaste green sheets, but you find a way to make it work. You always do, for him. A few beats of silence. You reach for his forehead, and he leans into your touch instinctively. Finally, he relieves himself from his ever-busy mind, “Where did you get that clock from?”  

An innocent question, truly, but you know better

“Don’t ask questions you won’t like the answer to.”

He sniggers, and rolls his eyes, and warmth fills your chest, golden and all-consuming. He’s back, your boy, and at this moment that’s all that matters to you.

“And the saying is “Don’t ask questions you don’t want the answer too.””

You frown, mentally cursing yourself for growing up in a pagan military camp as though you had a choice. Your fingers delicately run through his locs, through those cursed grey strands. (Maybe you would despise them less if you had the other matching half.)

“What difference does it make?” You ask, trying to hide the soft desperation in your voice. To no avail, as it always seems to be with him. Your ugly heart pulled from your chest and displayed for him, always.

“It’s nothing.” He shakes his head, and stares at the ceiling. Irritation gnaws at you, but most of all, a sense of hopelessness, one that stirs within you more often than you’d like to admit. You want to swallow him whole, encase him in your ribs, and never let any monster or God get to him ever again. You want to know him inside out, for it to be indistinguishable without you. But most of all, you want him, in any way he’ll let you have him. You want to be to him all that he is to you. Everything. But you’re only half a god, and you will have to live with whatever you can get. (You think of all you don’t know of him. Bile rises in your throat)

He glances at you, sharp eyes softening. You’ve always thought Pecry had the prettiest eyes you’ve ever known, like waves meeting the sun, the forest marbles you used to play with the Hermes cabin. When camp was different, and you were too. He reaches for your hand, and you let him. He squeezes it. 

“I’m sorry, that was mean. I guess, I just get paranoid sometimes.” 

And you understand, because you’ve seen time and time again how he gives himself to the world and is met with cruelty in return.

“Of what?”

He shrugs, a distance between the two of you reached instantly. “Of, I don’t know, you. You’re just kinda a mystery to me sometimes.” (You wanna laugh at the irony. But you’ve never been as cruel as the world.)

“Me?”

“Yeah, you.” 

Your eyes meet his for the first time this evening. You're grateful you’ve always had this in-syncness that seems to be innate. Why did you even worry in the first place ?

“I mean,” he begins, “why did you and your sister stop talking?” The question hits you like a knife to the stomach, conjuring the enraged face of your half-sibling in your mind.

“You see what I mean?”  His voice is gentle, like the sea dying down to meet the shore

“Oh.” Is all you manage to say, burying your face in his neck. He smells like generic lotion and the cologne you got him for his birthday, peppermint and lavender. “I see.”

“Why do you steal so much?”

“How else am I supposed to get the things that I need ?”

“Name, no-one on Gaia’s Earth needs that many porcelain statues.”

You frown at that, but with a newfound myrth. “Don’t talk about my collection like that. It’s very impressive.”

“Whatever Grandma.” he says, grinning, shaking his head in disbelief

You gasp “Grandma. Really. That’s the best that you, Perseus Jackson, saviour of Olympus, could come up with?

You continue, “But it’s the same with you, What was your life like before camp? You never tell me.”

He frowns, before he laughs softly, a sound like rain on pavement. 

“Wow, I guess we’re both bad at this.”

You nod, face still hidden within him.

He just grins, shark teeth on full display, a sight so lovely you have to turn around to fight the feeling in your stomach. You can feel his arms snake around you from behind.

“Let’s make a deal? To be more…open with each other.”

You look up at him, fingers gently contouring his face,  (The world is cruel to him, so therefore you won’t be.)

“Yeah?”

“Yeah.”

With that, the tension in your body gives, the knots in your stomach untie and you lay next to him. His hand finds your back, rubbing soothing patterns.

“But stop robbing aunties in Chinatown of their antiques.” “Screw you.”

His laugh is the last thing you hear before you doze off again, a sound you hope you can hear until the end of  your short, cursed life.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[lgbtlunaverse]

I've seen a good number of people ask a question along the lines of "why do characters like Falin and hate Laios when they're so similar?" and i've also seen good analysis on the differences in how the touden siblings carry themselves that would, despite their shared traits, make a person gravitate to one more than the other.

But i feel like we've overseen one very central thing here.

People don't like Falin

Like... the average person in dungeon meshi doesn't like Falin. She was deeply ostrasized by her home village, in magic school she had zero friends before Marcille and the others generally saw her as strange and a bit offputting.

Characters like Namari and Chilchuck like her well enough but not necessarily more than any other member of their party, including Laios. Neither Kabru nor his party think much of her. The canaries don't give a fuck about her. Toshiro's retainers don't see her as anything else than the weird foreign girl their boss has a crush on.

The reason we think everyone loves Falin is because, despite all the indifferent side characters, the 2 most important and central characters of the story are Laios and Marcille. Who are NOT representative of the average attitudes to Falin! But necromancy georg number 1 and 2 are our main eyes into the story and they love Falin so much that it colours our perspective of the whole world.

The only side character who qualifies as liking Falin and not Laios is Toshiro (at least at first, as he ends the story on much better terms with Laios) and that says a lot about his character, with him drifting to the quiet Falin precisely because of her oddness but being both uncomfortable with and deeply jealous of Laios' much more open expression of that oddness. Because he's a repressed guy from a culture where etiquette is incredibly important.

But like I said, that's a specific aspect of him, not to the world at large.

Because there's also people that click more with laios than with Falin.

Kabru, for one, who is initially distrustful of laios but clearly also deeply fascinated by him and drawn to him.

Minor spoilers, and you don't have to read too deeply into this, because I don't think Kabru particularly dislikes Falin or anything. But it's interesting that when he talks about his distrust of the toudens in ch.32 he's talking about them both. But his big friendship declaration in chapter 76 is aimed squarely at Laios, he doesn't say "you and your sister" he says "you"

And Senshi!! He instantly clicks with Laios, well before he does so with anyone else in the party– who he also becomes friends with, it just takes a bit longer– specifically because they bond over their shared special interest in monsters!! Senshi is kind towards Falin and cares for her wellbeing, but he also... doesn't know her. The reason he is even here, helping to save her, is because he and Laios bonded over monsters and he wants to help his new friends out!

Of course, the theme of neurodivergent isolation is very present in Laios' story. I'm not denying that. He does turn people off, without meaning to and unable to fully understand why! But so does Falin. And just like there are people who like her despite of or even because of those traits, there are people who do the same with him.

In conclusion: "Average person loves Falin and hates Laios" factoid actually statistical error. Average person is neutral on both Falin and Laios. Georcille, Laiorg and Geoshiro, who live in the dungeon and think over 10,000 Falin-loving thoughts a day, are statistical outliers adn should not have been counted.

[malewifesband]

it is insane, crazy, nuts how good for kabru being friends with laios is on multiple levels

he has to be honest and direct with laios to communicate. laios is so so earnest and thoughtful to him, and genuinely shows him affection thru food (and kabru cant cook or care for himself) with the harpy omelette (despite the um. misunderstanding between them), promising to take him to a restaurant as a sign of how sincere he is about being kabrus friend now, and kabru returns that favor by not just helping the faligon, but eating it, and staying to eat it until its almost done even though laios assured him he didnt have to. he can get angry with him and not feel like hes fucked it all up by showing his real emotions. something about laios puts kabru more in touch with his deeper desires--he acts in ways he doesnt understand around laios, betrays himself to his conscious mind, because he wants to badly to put his faith in laios and laios did not let him down, not where it mattered. he gets to take on a job laios cannot do for himself as prime minister in training where his skillset is valuable and he can indulge in work that really interests him and it will always be appreciated deeply by not only laios but the whole nation theyre building. for as long as laios is around, he never has to worry about monsters hurting him or his home--and laios is actively working on building a world where monsters can be made tamer through knowledge about them, and has already defeated kabrus biggest fear, the dungeon. laios gives him a safe context to conquer his fear of monsters at his own pace rather than forcing himself into traumatic situations where he dies all the time

[fordaryl]

REMEMBER.

minors dni. 2.6k words. smut. daryl dixon x fem!reader. protective daryl. hint of size kink. strength kink.

It's easy to forget his strength when his touch is always so gentle. When you're safe, he lets you forget everything he's capable of; the reason you've both made it this long.

Safety lets you forget.

And then—when it inevitably all it all goes to shit again—you remember.

"Get in!" he calls through the wall of bodies separating you. He keeps the attention of most of them, but there's a few stumbling in your direction—too many for you to handle alone. "Now!" he shouts as he takes another growling walker down.

It goes against every instinct you have—to leave him to fight this alone. But this was his domain. This was when you did whatever the fuck he told you to do. It was how you survived.

You drag the door of the container open, grunting as the heavy metal fights back. It's a makeshift prison cell, one that was supposed to be filled with live bait for the walkers. It would be if it weren't for Daryl. He was almost single-handedly dismantling whatever fucked up enterprise you'd both stumbled upon.

One of them reaches you before you'd manage to push the gate open enough to slip through.

One is fine. You can handle one.

Turning around to deal with it gives you a split second to check in on Daryl. He's making a dent in the mass of bodies, but it's not enough. Not with the shouts of the living making their way closer.

You kick the walker you've knifed back into the mass of bodies approaching, giving you just enough time to slip through the crack you've made in the sliding door and slam it closed behind you.

Locking it is another story.

You have no hope of accomplishing that.

Still, it's enough for now. It's enough to let Daryl keep his focus where it needs to be as you deal with as many as you can through the bars.

Then one gets shot down. Daryl, is your first thought. But then two are shot down at once. And then the voices reach your ears. Voices are bad. Walkers you can handle. The living was another story. Nothing stoked the fear constantly simmers in your gut like the voices of the living.

They shout over each other, calling directions as they pick off the mass with a spray of bullets. You can't see Daryl anymore. He's either dead or hiding.

Hiding. Hiding. Hiding.

You shift back into one of the dark corners of the container as the shouts draw nearer.

“What the fuck happened?! Don't shoot them you dumb fucks! Get any you can back into holding!”

Any second now... any second they'd find Daryl and your world would end. The living were different. The living were monsters of a different kind.

"They're bunched up around this one!" someone shouts.

You hold your breath.

"Well check it out then!" another demands.

Oh, fuck. You grip your pistol. Your aim was decent. You could take one out, maybe two. But there's a whole group... and they were coming for you.

You scramble to the other far corner as the last of the walkers are cleared from the entrance, hoping to take advantage of the darkest shadows. Daryl would be watching... waiting. Any extra moment you could give him could be vital.

"You better come out now," a man calls from outside. He's just out of your sights, prepared for you to be armed and ready to fight. You'd hoped to have the element of surprise. "I ain't asking."

You know what'll happened when they find you. It's the same thing each time. You're prey to people like these—something to hunt in a world without consequences for that kind of thing.

Your silence buys you less than a minute before the first of them are dragging the metal gate open. If you shoot, they'll shoot back. It's not something you'll survive cornered like this. So you bet on them being the same as the rest. You let them know you're prey.

"Please," you call, as meek and afraid as you can manage—vulnerable. Not a threat. "I'm—I'm unarmed."

Then a bright light blinds you.

"What the fuck?" one of them exclaims. Then, "Where'd the fuck this little thing come from?"

There it was. Little. Thing. You were nothing. You're not a threat. You'd bought Daryl more time.

"Come on out, girl. Come on." They call you like you're a dog, something less than human. That's how they see you. Something to use.

You take a small step forward, still blinded by their flashlights. Daryl was alive. He was alive and hiding and he was waiting for something.

You just had to stay alive.

"What do you... want with me?" you ask, still taking tiny steps towards the light. Weak. Vulnerable. No threat.

You get muffled laughter in response. Guards down. Distracted.

"What do we want? We want a little fun, honey. That's all. Just a bit of fun."

They're flash lights drop as you approach the entrance. They've pulled the gate all the way across.

Five. You count five. If you kill two...

"Why is she alone?" one of them questions. He's younger, a little less distracted.

The rest ignore him. Then one of them has you by the arm, dragging you the rest of the way out of the makeshift cell. They're hands send a wave of repulsion through your body as they grab at you, pulling you around and shoving you in front of them. They may as well be the undead the way their touch feels against your skin.

The young one doesn't move out of the way when you reach him. Instead he stares into you, suspicious and angry. "Who are you with?" he asks. Even then, his gun is lowered. Even to him you aren't a threat.

"Get the fuck out of the way," the man gripping your arm says, clearly irritated and impatient.

"But—"

"Now."

His eyes narrow, but then he steps aside—his back pressed to the wall to let the rest of the men past. It's now that you get a look down into the pit of walkers, the one's they've managed to recapture rather than take out. They reach up towards you, hands grabbing for you.

Then, only a few steps later—you're stopped. The man with his hand wrapped around your elbow leans over your shoulder, his rancid breath invading your nostrils as he speaks. "You alone?" he asks. "You tell me right now."

You blink away the burn threatening to pool tears in your eyes. Were you alone? If you were...

The man's grip tightens, the only warning you get before you're forced to your knees and staring down into the pit of hungry walkers. "Speak," he demands, nails carving into your skin. "I'd hate to waste you like this."

There's two other men behind you. Three surrounding you in total. You could take one out for sure. They hadn't even searched you for weapons. They expected nothing out of you at all.

But then there'd be two, only counting the ones in reaching distance. How long would it take the other two further away to aim their guns in your direction?

You were dying tonight if Daryl was dead, that was certain. Your only hope was that he was waiting and watching... but what would he be waiting for...

Your pistol sits at your hip, a comfortable weight.

You take a deep breath. You could wait to die. Or fight now and hope that's the moment he's waiting for... if he's waiting at all.

The man holding you drops to one knee behind you. He leans over to speak in your ear. You wouldn't need to rely on your aim for the first kill, only any that followed. It was a headstart you weren't likely to get again. You reach for your pistol and before the man can open his lips and taint your senses with his rot once more, you shoot him through the underside of his jaw.

Your ears ring as his body drops. But you were ready. The men behind you aren't.

You were nothing. Prey.

The few seconds that affords you are priceless. You manage to shoot one more through the head before he can get hands on his own weapon.

The third is another story. His gun is pointed at you for what must be milliseconds. They drag though, those moments with an enemy weapon pointed at your head always do.

But then Daryl is there, strangling the man with a rifle and shoving his body into the ground with a force that reverberates through the metal. It's only when he snaps the man's neck you spot the bodies behind him.

He'd been waiting for you.

You watch him stand, hair hanging in his face and his chest rising and falling with his deep breaths.

Then his eyes are on you.

Then his hands.

Those hands... the same ones he'd used seconds earlier to break a man's neck. His fingers are feathers across your skin as he brushes the hair back off your face. "Okay?" he asks, soft and a little shaky.

You nod.

"You did good," he says, that deep gravel back in his voice. "So good, sweetheart." His hand makes a trail down to your neck, gentle and slow over your pulse point to rest at your clavicle. "We gotta go," he says. "Stay close for me, yeah?"

—————

The first time after is always the same—after you're forced to remember. It adds something to the way his gentle hands feel as he reaches over your hips to dip between your legs. To the way his body feels pressed up behind yours.

His thick fingers slip between your slick folds as he holds you tight against his chest. Heat. It's an overwhelming heat. He crowds you, practically curled around you.

"You like that sweetheart?" His voice is almost sweet as his lips graze your ears and his long hair tickles your skin. "Huh? You like that?"

You nod with a small whine, pressing your hips back into him—desperate.

He sighs, finger prodding over and over at your swollen entrance—a teasing little hint of what's to come. He dips in slightly, his calloused fingertip pressing into your slippery, spongy entrance just enough to have you whimpering his name.

"Fuck," he grunts. "You need me here? Huh? You all fuckin' empty?"

"Yeah," you whine with a desperate nod. "Empty."

His grip around your ribs tightens for a moment before he's pressing you into the ground—cushioned by the few blankets you carry. He's rolled you onto your belly as he covers you completely, his warmth seeping into your skin from his calves to his hot breath on your neck.

"What do you need?" he asks. As if he doesn't know; as if he didn't always know.

"You."

"Hm?" he hums, sweet and coaxing. "How?"

You reach blindly to find his wrist, gripping it firmly. "Hold me tight," you gasp between jagged breaths. "Please... Please."

His weight is heavy over you as he drops his lips to your neck, a silent acknowledgement of your pleas.

Then he's scooping you up, lifting you and rearranging you exactly the way you want him to. Because he fucking knows.

He has you pressed to his chest with your tits against his skin as he lays back into the makeshift bed you've created for the night. His arms wrap around you, one across your shoulder blades and the other around your waist—secure and firm. His fingers press sporadically into your skin a little more than needed, like he's testing his grip on you; like he's testing he has you in his arms good and tight.

Then he hooks one leg under yours, a gentle guide to part your legs just the way he needs.

"You ready for me, sweetheart?" he breathes against your temple as one of his hands leaves you. It's temporary, you remind yourself. He'd be wrapping you up securely as soon as he'd buried himself deep; once his cock was guided safely into your throbbing cunt.

You nip at his neck in response, chasing with a delicate lick at his salty skin. "Please," you ask softly.

Then he's adjusting you against him a little, ensuring you're exactly where he needs you to be. "I got you," he says as his leaking tip prods at your entrance. "Got you," he repeats. He mumbles this way as he teases; as he plays. This was what he did: pushed you to the brink of desperate sobs as he guides his cockhead over your slippery, throbbing cunt... over and over.... and over...

Saying he liked you needy was an understatement.

Then, eventually, he slips inside. Just the tip.. and not far. Just enough so that he can wrap his arms around you again. Just enough that he can have you whimpering his name as he prevents you grinding down to take him deep inside.

This is when he gives you a hint of his strength. It's easy to keep you from your goal, his strong arms pressing you into his torso a little harder each time you attempt to resist.

He keeps you there, just with a taste of that fullness—a taste of having him as close as it was possible to be. "Kiss," he says, simple and a little croaky.

You obey, pressing your desperation between his lips. It's messy and interrupted by moments where you simply need to breathe, heavily—his lips chasing yours as you attempt to catch your breath.

"Daryl," you gasp eventually. "Now. Please."

His grip around you tightens a little as you drop your face to his neck.

Then he pulls you down to meet his cock, to fuck himself deep. It's hard, exactly like you need it—exactly the way he knows you want it. You bite into his neck weakly as he keeps you there, stuffed full—the thick throbbing length of him stretching you out so completely.

Then, "Like that?" he asks, that sweetness back in his voice—like he's offering you a gentle back massage instead of holding you down on his cock.

You nod weakly in response.

His fingers press into your skin moments before he's moving, fucking himself with your cunt as he pulls you down to meet his messy thrusts. You're completely pliant like this, all control relinquished.

He's got you.

His breathing is quickly transformed into uneven pants as he attempts to grunt broken sentences into your ear. "Sucking me in... sucking at my cock with your messy little cunt... aren't you, baby? Hm?"

One of his hands moves to your hair occasionally, a temporary and seemingly subconscious attempt to get a better grip—or just to hold you closer. His fingers tangle in the strands, never tugging hard—never hurting.

"My girl," he grunts. "My needy little girl."

It's only when he's nearing his end that he flips you onto your back and you get a real display. He grips your hips and tugs you down to meet him as he uses you, each thrust a slapping of skin and punching a helpless sound from your lungs.

Strength. Everything you've been forced to remember.

"Daryl," you gasp. "Daryl, fill me. Please."

His fingers dig a little more into your skin, his hair falling over his eyes. Then his lips part, a grunt... a broken, "Fuck."

He falls over you as he floods you, his cock twitching and pumping you full—just like you asked. But even then, even as he loses himself, he catches his fall—arms landing either side of your head to cage you in. "Got you," he gasps out between desperate lung fulls of air. "I got you."

[aenramsden]

The following is not my idea; it was the original brainchild of a friend of mine named Omicron, with help from various others including EarthScorpion, TenfoldShields, @havocfett and ShintheNinja:

So, you know what I want to do one day? Run (or play in) a D&D campaign in which the Big Bad Super Dragon that is fuckoff ancient and unfathomably powerful and whose actions have shaped history and bent the course of nations and had repercussions on the whole culture and society in the region where it's set; the Bonus Special Boss for some endgame optional quest after you defeat the direct BBEG and win the campaign...

... is a white dragon.

To explain this for people not deep into 5e monster lore; D&D dragons are sapient beings, and known for their instincts and tendencies, and whenever you meet an big evil dragon that's really old it's usually this ancient creature of terrible intellect Smaug-ing it up all over the place.

Except white dragons are fucking stupid. Like, they're still capable of speech and thought! They're just… feral, hungry morons. And you almost never see them portrayed as ancient wyrms for that reason; they lack majesty. Critical Role did it, yes, but even then, Vorugal is explicitly the most bestial member of the Chroma Conclave, and the others are the more intelligent planners and long-term threats. An ancient white as a nation-defining endboss, though; not a thug for a smarter master but as the strongest and biggest threat around is just not the sort of thing you tend to see.

Adventurers: "Oh wise Therunax the Munificent, gold dragon of Law and Good, what can you tell us adventurers of the evil dragons which rule this land?" Therunax the Munificent, 500-year old Gold Dragon: "Good adventurers, know this: this land is torn apart by the evil of Tiamat's spawn. The eastern marches are the dwelling of Furinar the Plague-Bringer, black dragoness whose hoard is a thousand sicknesses contained in the body of her tributes. The southern volcanic mountains are the roosting of Angrar the Wrathful, the fiery red dragon, who brings magmatic fury on all who do not worship him. And the northern peaks are home to Face-Biter Mike, the oldest and most powerful of all, of whom I dread to speak." Adventurers: "F-Face-Biter Mike???" Therunax: "Oh yes, verily indeed; two thousand years has Mike lived, and his eyes have seen the rise and fall of five empires, and a hundred and score champions have sought to slay him; and each and every one he bit their fucking face off."

Like... I want to see a campaign where Face-Biter Mike is genuinely the most powerful dragon in the region, if not the entire world. Where sometimes he descends on a city to grab himself some meatsicles and causes a localised ice age by the beat of his vast wings and the frigid wastes of his mighty breath and by the chill his mere presence brings to everything for miles around him, and everyone just has to deal with that for the next decade. An entire era of civilization comes to an end, an empire falls, tens of thousands starve in the winter, all because Mike wanted a snack. Where his hoard is an unfathomably vast mass of jewels and artefacts and precious stones frozen in an unmelting glacier, except he is a nouveau riche idiot with fuckall appraising skill, so half of his hoard is coloured glass or worthless knicknacks, and he doesn't give a shit.

"Your Draconic Majesty, this crown is… It's pyrite." "Yeah, well, it's brighter than this dusty old thing made out of real gold, it's my new best treasure. Throw the other one away." "…throw the Burnished Tiara of Bahamut, forged in the First Age of Man, your majesty???" "See? I can't even remember its fucking name." "But my lord-" "DO YOU WANT TO BE A MEATSICLE" "…I will fetch a trash bag, your majesty."

But at the same time, he's not stupid, he's just simple, and in some ways that makes him more dangerous than the usual kinds of scheming Big Bad you see in these things, while simultaneously justifying why Orcus remains on his throne (because he's lazy). Face-Biter Mike doesn't make convoluted plans or run labyrinthine schemes; he just has a talent for violence and a pragmatic, straightforward approach to turning any kind of problem he struggles with into a problem that can be resolved with violence. Face-Biter Mike has one talent and it's horrifying physical power, so his approach to any complicated problem is "how do I turn this into a situation where I can fly down and bite this dude's face off?" with absolutely no regard for the collateral damage or consequences of doing so, because those are also things he can turn into face-bitable problems.

"My lord, the dread necromancer Nikodemion is using his undead dragons to attempt a conquest of the eastern kingdom; his agents are everywhere, his plans are centuries in the making, what can we do against such a mastermind?" "I'm gonna fly over the capital and eat the eastern king." "M-my lord???" "The kingdom will collapse without leadership, Nikodemion will win his war, he'll take the capital and crown himself king." "And that helps us… how?" "Once he does I'll fly over to the capital and eat him." "…" "This is why you advisors all suck. You're all about convoluted plans when the only thing I need to win is know where my enemy is so I can fly down there and eat him. Stop overthinking things."

And, like, yeah, it's a simplistic plan, but when you're several hundred tons of nigh invincible magical death, you don't need brilliant strategy; the smartest way to win a war is, in this case, the simplest. He's not even all that clever at figuring out the consequences of face-biting, he's just memorised the common consequences of doing so.

(If you want to go all in on Mike being the major mover and shaker in the region; Nikodemion only even has a pet zombie dragon because Mike killed the last dragon to show up and contest his turf but wasn't going to eat a whole dragon by himself. Nikodemion got to stick around and amass that much power because Mike ate the Hero of the Realm while he was adventuring because he figured the Hero would come and try to slay him at some point. Nikodemion got started because Mike ate half the leadership of the Academy of High Magic who typically keep evil wizards and necromancers in check. And then eventually this product of Mike's casual, careless actions becomes a big enough problem to bother Mike personally, at which point Mike eats him too.)

He doesn't even really fail upwards, either! He is regularly reduced to nothing but the glacier he stores his hoard in, but he's Face-Biter Mike so nobody wants to commit to actually ending him forever lest they get their faces bitten the fuck off. And his hoard's in a huge-ass magical glacier so nobody can get to it without running into the Invading Russia problem; it's hard to wage war when everything is frozen over and you're both starving and freezing to death. Once he's been beaten back to his central lair and has lost all his holdings… I mean, he's still a problem, but he's a far away problem. So he loses his assets and spends a decade in a cave brooding it up while no one dares risk trying to actually kill him, and then a generation or two later he flies down to a kobold colony and gets himself some minions, or a dragon-worshipping mage comes to offer his service against a pittance from his hoard, or a particularly stupid cult starts thinking they can get in good with him and leech off his power, and then he's (hah) snowballing again.

He's also got a very… well, the kind of weird Charisma that Grineer bosses do. Like Sargas Ruk, who's a malformed idiot, but oddly charismatic. As he's a dragon, that makes him a natural sorcerer and thus Charisma is all he needs. He's pretty relaxed when he isn't in a face-biting mood, and he's kind of infectiously optimistic, because his life has taught him that he will succeed as long as he perseveres. So he just believes it.

And sometimes that's really refreshing to work for, as an evil minion of darkness! It's like, you're coming to your Evil Dragon Lord with terrible news; you've worked for evil overlords before, you know how it goes. You fall to your knees weeping and tell him that you've failed to seize the incredibly powerful magical artifact, you think your life is forfeit. And he's just like "Eh, it's okay, these things are all over the place. Better luck next time. You remember the guy who took it, right?" and you go "Y-yes, oh great lord!" and he's like "Sweet tell me his name later and I'll grab it" and then eats a frozen adventurer he kept around as a snack.

His followers tend to quickly realise that if they fail him, bringing some temple's silver or a sack of brightly coloured beads or a couple of dead cows means he's super forgiving because at least he's got something out of the day. "Oh boy, cows? It's been forever since I had those, ever since the Orc Steppe Nomads took over it's all about goats and onions. Today is a good day." He's a master of delegation by dragon standards, in that he just tells you "Just go get it done, I don't care how" rather than micromanaging you and constantly appearing as an image in smoke or taking over your campfire.

The key part of Face-Biter Mike as a threat to players (because he exists in the context of a D&D campaign) works well in that you can rely on several known quantities:

He will not pull sneaky shit that you don't see coming

He will not make convoluted plans that you must work to unravel

He will consistently attempt to come down and wreck you personally if he finds the opportunity and you are a threat to him

You cannot fight him head-on (at least not until the last leg of the campaign, and ideally as an optional boss rather than mandatory)

So as long as you are good at staying under the radar, thwarting his minions (whom he gives broad orders to with almost zero oversight) and not putting yourself in face-biting range, you can deal with him. If you succeed, it won't be the first time Mike has lost his assets and had to go brood in his glacier for a decade or two before rebuilding. It happens; he can deal with it. And that's a win for you within the context of a single campaign, so take the win.

And if you're not going to use him as an enemy, he works pretty well as a quest-giver, too! The costs for failure are obvious and straightforward, and "do whatever, just get me mine" means that players have a lot of freedom in accomplishing their goals. As far as evil overlords go he is actually one of the least dangerous to work for; his pride is relatively subdued by draconic standards, his goals are simple and typically achievable, and he is easily pleased.

(There's also a good chance he is the forefather of any draconic sorcerer in your party, because Face Biter Mike is a deadbeat dad.)

[werecreature-addicted]

I HAVE THING FOR ORCS. sorry but the thought of one big hunk stealing me away and making me his bride makes me melt😵‍💫. i hope i’m not the only one that wants a gentle giant orc to fuck me silly.

The orcs stampede through your town in a run-of-the-mill everyday pillaging. Honestly, you'd be more upset if a herd of Centar hadn't run through here a week ago. Anything worth stealing was already gone. Anything worth breaking and setting on fire was already smashed by hooves. The town hadn't even started rebuilding yet. This is a bit of a wake-up call for you, you'd lived here your whole life but maybe it was time to move to somewhere not so prone to monster attacks.

The orcs stand around in the center of town, a little miffed. This is the worst pillaging ever. Then the leader of the Orcs spots you, picking through the rummage of a destroyed house, packing a small bag with the salvageable goods. His eyes sparkle as he looks at you. The raid wasn't a complete waste, it seems.

Before you know it you're swept up by strong green hands, being carried away while the hoard of orcs cheer that their chief has found a mate. At least you were already packed...

You've heard horror stories about how orcs treat their women but... this one is so sweet to you. He gives you the finest furs and pillows to sleep on, and you get the first choice of food and good wine to gorge yourself on. He asks you where you want to go, he promises you he'll take you anywhere in the world you want to see, and he takes you there. He loves the way your eyes light up when you see something beautiful that you've never seen before.

You were a little worried you'd be expected to keep up with the orcs in battle but your Orc lover wouldn't dream of taking you into battle with him. You are his most treasured flower, and he'd never want you to get hurt.

You can stay at camp with the injured, and those too young or old to fight. Learn medicine or Orcish art, or just sit and look pretty. Above anything he wants you to be happy, and to love him back, but that will come in time, he's sure of it.

[theconstitutionisgayculture]

My thoughts about the Trump assassination attempt

After having a few hours to process this whole thing and see reactions from across the political spectrum, I'm having some thoughts and some feelings.

First off, as I said earlier, Trump is a fucking boss. Take anyone who ran for president in the last 20 years, put them in that exact situation, and I don't think a single one responds by raising his fist and snarling in defiance and righteous anger. They run. They cry. They keep their heads down and the first statement you h ear from them is hours later filtered through 20 different speech writers. Today proved to me that, whatever else he may be, Trump is a genuine bad ass. He's exactly the person I want at the end of a sword pointed the United States. Because he's going to have a sword of his own pointed right back, and he's not going to run and hide when it comes time to use it.

Second, the modern left is full of monsters. The amount of people screaming and crying because this assassination attempt failed actually sickens me. It's one thing to have fantasies about easy solutions to the things that scare you. Hell, I'm not innocent. I've thought about how much better things might be if this politician was no longer around or this activist group got axed. But one of the things I did today was think about how I would feel if the assassin succeeded. And then I thought about how I'd feel if someone took a shot at Biden and he didn't survive. Neither thought gave me any good feelings. Obviously I'd be more upset if Trump died, but today showed me that I don't want us to start down the path of shooting political leaders. But too many people on the left, people who should know better, at least enough to hide their true feelings, have no problem publicly wishing Trump was dead right now. That assassinating presidential candidates was a legitimate tactic--but only against the politicians they don't like, of course.

Fuck that.

Fuck them.

America is better than that. Americans are better than that. We're not some third world shithole like Mexico. We're the greatest country in the world. We're the last bastion of representative government. The last place in the world where freedom exists. And it's time we started acting like it.

Third, I ain't got no time for conspiracy theories. Sorry guys, but this wasn't staged and this wasn't a CIA hitman. Unless real, hard evidence comes out otherwise, you won't ever get me to believe any of the nonsense I've seen floated around. Don't be so lost in the true things the media has dismissed as "conspiracy theories" that you immediately jump to the most conspiratorial explanations first for everything that happens. It's lame and cringe and a lot of people I've seen seriously putting these theories forward should know better. I know we're in our emotions right now, but keep your heads.

Fourth, my heart breaks for the families of the people who were hit with the bullets meant for President Trump. But that's the kind of evil we're facing. Whoever did this decided that the idea of a Trump presidency was so awful that they were okay with shooting innocent people just to stop him. And this is after he was already president and none of the things the media is fear mongering about happened during his first term. Those people just wanted to see a man speak. To have some hope for the future. And some piece of shit shot them because he didn't like a presidential candidate. Or worse, because the TV made him scared.

Fifth, fuck the media. You think you hate them enough, but you don't. The media is the driving force behind our enemies, and there's no such thing as a good journopig. They're all lying propagandists. We just like some of them because their propaganda occasionally hits on the truth.

And that's all I got. None of this is organized, none of this is proofread. These are just the thoughts I've been wrestling with for the past few hours. This is the only place I can get them all down without being interrupted or feeling like I need to censor myself. Do with them what you will.

[kyseya]

The creation

Imagine being the daughter of a wealthy family in the 1800s. Life was strict for you. You didn’t have much freedom and your only goal in life is to become a perfect wife. Your salvation was your brother. He stood up against your parents and helped you when no one else would. Without him you’d be even more lost.

Your brother is a genius. It seems like there is nothing he can’t do. Apart from creating life, that is. You love your brother so much, but there is a side to him you wished he could just abandon. Your whole life you’ve known him and during all that time he’s been obsessing over the topic of ‘life’ in all its forms.

He wants to uncover all its secrets and unlock the ultimate knowledge; to the point of sacrificing himself. That is how obsessed he is. You thought this research would be his downfall. But one day he did it, he created life!

Yandere! Creation who knows how hideous he is. It was no secret after all; both his creation and his scarring appearance. It was not pleasing to the eye. He wished he could forget about it and go on about his day, but it is hard when your creator reminds you every now and then.

Yandere! Creation who was introduced to you one day. His master made it a point to treat you with outmost care and respect, he would not tolerate any other behaviour. He didn’t want to face any punishment so he agreed.

Yandere! Creation who, at first, only treated you well because that was his instructions. But after getting to know you, he realised you deserved every bit of good in the world. You were so bright, almost like the sun itself(the one he wasn’t allowed to see). You were so kind to him. You spoke gently to him and never raised your voice, even during the moments where he did mess up. His master was never outright cruel, but he certainly wasn’t the warmest person. He looked at him like the creation he was. He was not a friend, not a family member, and he would never be.

You were the only one who acted as if he was a real person. You gave him the warmth he sought after but could receive. If he felt sad about his existence, you were there and let him use your as a pillow to cry on. You would hold him and softly comfort him. Not only that, you fought with your brother for his freedom. He didn’t deserve to be contained like some infectious desease.

Yandere! Creation who couldn’t help but fall for you. You didn’t act as if he was a monster, a creature, a being. He felt like a person whenever he was with you. He didn’t have to remember that he’s just parts stitched together into a horrid being.

Yandere! Creation who does everything to be able to spend more time with you. He is far from stupid and he knows how to manipulate situations in his favour. To be honest, he is a bit surprised how many of his antics flies under the radar of his master. The so-called genius might not be the smartest after all.

He loves using his super strength to assist you with different chores. Need someone to accompany you to the market? He’s on it! He’ll carry the stuff for you and fend off any unwanted attention. The men in the village are nothing short of pigs, so you should have someone protecting you. Can’t reach the high shelf? He’ll take down anything you can’t reach. There is no reason for you to strain yourself.

Yandere! Creation who wonders if you’d be happy being his wife?

[sceletaflores]

thinking about needy art...just so desperate for you :((( always so horny and riled up :((( he needs you so bad he can't help it :(((

we love you girl!!!!!! pls don't die!!!!!!!!

-🧶

anon i was literally just thinking about this omfg we're so connected it's crazy (this lowkey wandered into a bit of puppy!art territory, @fawnnpaws your influence is too great <333)

and you're SO right!!! in my mind this is so married art coded. that man literally worships the ground you walk on, there's nothing he wouldn't do for his WIFE. the woman with HIS last name. the woman that wears HIS ring on your finger. you're his whole world.

you're cooking dinner when the front door creaks open, the sound of art dropping his keys and bag clear from where you're stood at the stove.

he's always a keyed up, horny monster after practice, so you're not surprised when two strong arms wrap around your waist from behind. art clings to you like a second skin, pressing his chest to your back and hooking his chin over your shoulder, a sweet "hey baby," muttered into your hair.

you hum, not looking away from the pasta coming to a boil in front of you. "have a good practice?"

art nods, burying his nose in your hair and inhaling your familiar scent. "missed you," he says, voice going all light and airy. it makes you smile, stirring the pasta calmly as art starts grinding against your ass in small circles. you wonder if he even knows he's doing it or if he's more gone than you first thought.

"i did so good today, you'd be so proud of me," he rambles, brushing his lips over your neck as he speaks. his arms tighten around your waist, pulling you impossibly closer.

"yeah? hope you worked up an appetite, it's almost ready." your tone is overly casual, like you're not soaking your panties at the feel of art's thick cock through the thin fabric of your sweats. but it's all part of the game, ignoring him only works him up more.

"i could eat," he pants against your skin, a pointed roll of his hips pushes you closer to the stove. "god, i couldn't stop thinking about you." he groans, finally done pretending that it's dinner he cares about. he trails wet kisses down your neck, his hands slipping up under your shirt to paw at the lacy cups of your bralette.

the pot's water snaps and pops in warning, threatening the bare expanse of your stomach. you push art's hands down but he's not deterred, dropping them to knead at the meat of your hips.

"let's go to bed," he suggests into the crook of your neck, his breathing starting to get a little faster as he grinds against you with a purpose.

it's tempting, but you're not done cooking yet, and you know this won't take long.

"no," you say dismissively, turning the heat down to let the sauce pan on another burner slow to a simmer.

art whines, nuzzling deeper into your neck. his hand slides around, slipping between your legs to rub your cunt through your bottoms. "please?"

you sigh contently at his touch, letting your head drop to his shoulder. you let yourself get lost in him for a few seconds before you push his hand away again and cast your gaze back to the food, "no."

"the couch?" he tries, "it's just right there, in the living room. i can eat you out, i'll make you feel so good."

you bite your lip, stifling a smile at his needy begging. you bob your head side to side lightly, a considering noise passing through your lips before you deny him for the third time, "no."

art swallows, his breath getting shallow. "right here, i could eat you out right here," he rambles, his hips speeding up. you can feel the wetness of his pre-come leaking through his own shorts to seep into yours. "i could fuck you right here, against the counter."

you hum noncommittally, adding more dried oregano. it's quiet, just the sound of art's ragged breathing and the hiss of the boiling water. art takes it upon himself to fill the silence.

"i could," he takes a shuddering breath, "we don't have to fuck, i could just eat you out. i could sit by your feet, you don't have to do anything. i can...i could, i could use your leg."

you almost give in, his sweet voice begging you to let him get his mouth on you too much. you don't have to see his face to know he's gone red and flush, embarrassed but too worked up to stop.

"you want me to abandon dinner because, why? you can't keep your dick down? i'm busy, art."

art’s breath hitches, his hands trembling as they grip your hips. "i’m sorry," he breathes out, though you know he’s anything but. the apology only makes him grind harder, chasing any scrap of attention you might throw his way. “please,” he whimpers, his voice cracking. “i just— i need it so bad. please, baby.”

you click your tongue in disapproval, shaking your head as you turn back to the stove, stirring the sauce with a slow, deliberate motion. “you’re such a mess, art. can’t even wait until dinner’s done before you start acting like a desperate slut, can you?”

art shudders behind you, his grip tightening on your waist as his hips jerk involuntarily. “i’m sorry,” he gasps out for the second time. “i just—fuck, i can’t help it. please, let me—”

"no, if you want to come in here and hump my leg like a desperate puppy, than that's how you're going to come."

art’s whimper is pitiful, his hips stuttering against you, driven by nothing but raw desire. he’s practically drooling, his breath hot and uneven against your neck as he desperately grinds himself against your thigh.

“please, please,” he chants, the word a broken prayer on his lips, but you don’t miss the way he shudders under your cruel tone, his body trembling with anticipation.

“god, you’re pathetic,” you say through a condescending laugh, “you can’t even control yourself for a second, can you? always so eager to make a mess. i should make you clean it up with your tongue.”

art comes in his boxers with a broken whine. the timer goes off a couple seconds later.

[sunsburns]

kiss of life masterlist! 𐙚˙⋆.˚ ᡣ𐭩

pairing: luke castellan x soulmate!daughter of aphrodite reader

a universe where soulmates are interlinked by shared pain (senses) and emotions, luke castellan refuses to have anything to do with his soulmate because of what it did to his mother, but he can't ignore fate.

—or: luke castellan and the soulmate he never wanted.

content: pre-tlt. super angst (with a happy ending coming soon). slow updates (sorry gang i have school).

author’s note: this layout is inspired by @too-deviant !!

back to navigation. luke castellan masterlist.

part i: he led me to you

luke just got back from a shitty quest, and now he has to meet his soulmate too? worst. day. ever. 4k+

part ii: how many tons of love inside?

luke castellan is being haunted by kronos and… well, you. 6.4k

part iii: built a bridge to your heart

you and luke are off on your quest you're totally not having second thoughts about choosing him, he's your soulmate after all... right?

part iv: the whole world could feel my heartbeat (in the works)

your quest has gone wrong, cupid's arrows are sharper than you thought, and quick! you have to blend in with the crowd so the monsters don't find you!!

part v: [typing…]

you’re hiding something about your quest, eros really doesn’t like being hunted, and now luke can’t sit still when you try to clean his wounds.

[gatorbites-imagines]

Listen. Listen. Hear me out.

I beg you, almighty gator—Gambit(Remy LeBeau) x M/FTM reader(ur choice i like both :)) where reader is a mutant that has some kind of power that has to do with sea monsters, and loves tarot cards so Remy does card tricks for him while reader is in a pool.

When I was a kid I called Gambit “Magic Man” and I had to hold myself back from screaming that in the theater when I was watching D&W a few days ago and revived my non-understandable fanboying of him. (Sorry for the rant)

You can change the fic anyway you want, I’ve got no problem as long as Remy is as silly as he normally is(can evolve into smut or whatever cause I’m freaky like that 😏)

Gracias Gator!!

Remy Lebeau x mutant male reader

Headcanons

I love Remy SO much its insane. I can’t write accents, so it’s there in spirit. Haven’t read the comics, so im basing this off of is wiki. no smut but i had fun writing this.

i loved seeing Remy in the movie, i just wish theyd given him his eyes, you know?

How you two met can be a mixed bag. Maybe you met in the x-men, maybe you met in the thieves guild before every crossing paths with the x-men as a whole, or maybe somewhere completely third. I enjoy the idea of the thieves guild though, so ill go with that.

You both had different reasons for joining or doing what you do, but being two mutants amongst a lot of other non-mutants meant you felt some kind of kinship with each other, even if you didn’t really get along in the beginning.

Especially with you two being visibly mutants. With Remy’s eyes and you having scales on different areas of your body, gills on your sides, what others would refer to as “monster eyes”, so on and so forth.

This resulted in you two preferring to work together when you got the chance, you trained together, ate together, slept together (not like that), so on and so forth. It also meant you two got a very deep understanding of each other over time.

It also meant that Remy got to see just how stupidly powerful you were. In the beginning you just thought your powers involved controlling water and being able to breath underwater. Who’d have thought you could do crazy stuff like controlling typhoons, rain, lightning, so on and so forth, like some kind of biblical being.

This was how you gained the name leviathan. You didn’t really like the name in the beginning, since you hadn’t really picked it yourself and it felt almost insulting with your appearance. But Remy was so supportive you ended up coming to like it, even though it took a long time.

In the end you two split apart as you leave the guild, going your separate ways but still keeping in contact in small but safe ways. With a power like yours it was hard to stay under the radar, and many wanted you on their side, even if it meant by force.

Time passes, Remy joins the x-men, you travel on your own and discover yourself and the world. Remy gets kicked out of the x-men when they learn of his past, you two meet up again and travel together for a while.

Its during this gap in Remy’s place with the x-men that your relationship became something more. He tells you about Rogue, and how he at first thought he loved her, only to realize what he felt for her wasn’t near as strong as what he felt for you.

And of course, during this confession, Remy tries to lay on the charm and act like it isn’t a big deal, but you can easily see through him and notice how anxious he is about it. in the end you just have to grab him and kiss him to shut him up, which yes, does shut him up, but also leads to you guys falling back into the water you’d been sitting by when he lunges at you to kiss you again.

Hes a charming guy yes, Remy has such a way with his words, how he carries himself or how he touches you. But underneath all that he also cares so deeply, to the point of being willing to die for you or those he cares about, which makes you lose scales from stress at times.

So, if you place protection spells on him that you got from the deepest part of the sea by the people who have started to worship you like a god, then only you have to know. That Namor guy is pretty swell, when he isn’t being a bit arrogant. He even taught you how to use a spear, so you guys are kinda brothers in spirit now.

At some point Remy does return to the x-men, somewhere you don’t feel ready to join him yet. So, a lot of kisses are shared, and a few tears a shed. And yes, of course you give him jewelry made from your scales. And a dagger made out of your larger teeth when you transform into a more serpentine form, because yes, you can also do that.

Remy doesn’t feel much need to tell the x-men about his relationship. Sure, he keeps flirting but that’s just because that’s how he is. But it never goes further than that. Some of the members that can read minds know about it though, since he thinks about you regularly.

In the end the relationship is exposed when the x-men find themselves in quite the pickle near the ocean. And Remy, knowing he can get them the upper hand, is able to snap one of the sigils you placed on him.

Rip to whoever they were fighting, since the sea lashes out and swallows them whole, followers by a giant feral looking sea serpent, you, rise from the water. Yes, you teleported there. What else were you supposed to do? You thought your boy was in danger!

Cue the x-men just being stunned or confused when Remy calls out the cheesiest pet names, almost kicking his feet in happiness at seeing you. It makes a bit more sense when you transform into a more human form, it still takes some explaining though.

In the end you don’t end up fully joining the x-men. You doing that would place them under a lot more danger than usual, since you had your own enemies and alliances, and you’re pretty sure Namor would get butthurt if you did. But you become something of an ally. Which means you hang out on Krakoa on the regular.

It becomes a very regular sight to see a giant serpent lazily swimming around the island, or resting half on the beach as Remy sits and shows you his different tarot readings. Of course, you also spend time together with you in a more human form, but seeing such a big sea monster also makes any baddies keep a distance.

There are also of course pools set up on the island, not just for you, but they’re accessible for you as well. Remy is regularly seen in the pool with you, or just sitting with his feet in as you two talk or whatever else you guys do.

You end up becoming something of a swim instructor to the youngest mutants, or just those that can’t swim in general. This is something Remy finds extremely entertaining and he’s always teasing you about it. luckily its easy to shut him up with a kiss, or by knocking him into the pool. Or both. He doesn’t mind.

[ckret2]

A leaked list of some of the exciting upcoming content from The Book of Bill:

The pyramids of Giza ranked from most to least sexy.

Winning lottery numbers. He does not say which game they're for.

Three pages of Bill practicing blackletter calligraphy so that he can write the fancy-looking "The Book of Bill" on the cover. (Meant to tear those pages out before submitting book to publisher.)

A section where he implies that all your headcanons about him are stupid. Yes, your headcanons specifically. If you compare your copy of the book to a friend's, these sections will have different text. He insults all headcanons equally, even the ones that contradict each other.

A long, rambling story about a funny thing that he saw at a party in the Nightmare Realm, but he keeps getting distracted gossiping about the embarrassing love affairs and crimes against reality the partygoers have committed. Not a single one of these characters has ever been mentioned before or ever will be again. He gets so distracted he never finishes the original funny story. He was clearly drunk when he wrote this section.

A pet care sheet on how to keep a pet axolotl. All of the information is extremely wrong.

Some of the other dimensions he's tried and failed to conquer. He keeps insisting that all the failures were somebody else's fault. It's extremely obvious that they're his fault.

A photograph of a vivisected elephant, for some reason.

A phone number written on a cocktail napkin that Bill insists would be really funny for all the readers to prank call. It leads to the desk phone of the director of the CIA. 

Bill claims he definitely totally knew that Stan was disguised as Ford the whole time, he only played along to trick the Pines back, and then he quickly changes the topic.

A page of Bill's original poetry. It's all unintelligible symbols. It will take 27 years for somebody to crack the code. They're all gory but juvenile limericks.

A cocktail recipe. It will kill you.

Bill's original version of the portal blueprints that he copied to give Ford, with Bill's handwritten annotations. One part of the blueprints is labeled "component that will accidentally destroy the universe. REMEMBER NOT TO INCLUDE THIS COMPONENT IN SIXER'S COPY!!" He underlined this twice. If this page is compared to the portal blueprints in Journal 3, it's clear that Bill included that component in Ford's copy.

A personality quiz to help you meet your ideal sleep paralysis demon.

Bill's baby pictures. He looks exactly the same, except his bow tie and top hat are too big.

Bill reveals that he thought the llama symbol on the zodiac wheel referred to that farmer guy on the edge of town, and he was super confused to see Pacifica there.

Multiple pages scattered through the book about Bill's amazing powers, his brilliant and fun plans for our dimension, and all the cool favors he's willing and able to do for his friends and followers. All these pages end with a passive-aggressive aside about how somebody would have to be REALLY stupid to turn down an invitation to join Bill's crew, Stanford Pines—

A page labeled "My loyal servants and slaves!" filled with several hideous, oozing, nightmare-inducing Lovecraftian monsters, and one Mickey Mouse.

A self-portrait depicting Bill riding a rocket ship playing an electric guitar while rainbow lightning flashes all around him and money rains down from the sky.

A cynical, sneering tirade about how love is evolution's idiotic way of tricking primitive species into reproducing and how only simple-minded mortals who can't separate their true thoughts from their hormones fall for it. In the margins he's drawn a heart around the words "Bill Cipher +" a scribbled-out blot. The blot is completely unreadable. Despite this, the fandom will spend years debating the name underneath based on the size of the blot.

Extremely stupid "explanations" about various unsolved mysteries and crimes. In six years the world will discover one of them is accidentally correct and Alex Hirsch will get investigated by the FBI.

The book will be divided into four sections. Each section will begin with a big illuminated letter. In order, the four illuminated letters spell "F" "U" "C" "K".