Hear me out:
Evan “Buck” Buckley 🤝 Meredith grey:
Both being reckless and acting like they are expendable under the guise of helping people, and this self destructive behaviour is caused by their parents traumatising them and making them think they don’t matter
Both miraculously surviving a billion different near death or actual death experiences
Both having a scene where they consider giving up but the people they love help them
Both having a “slut phase” + being called out on it + when they develop in the later seasons they make reference to “the old Meredith” or “Buck 1.0”
Both with have a pseudo-father who is their work superior (captain/chief of surgery) + the entire found family trope in both shows
Both have secret siblings they didn’t know about
Both have shitty parents who both used their traumas to justify being shitty parents to them
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unpopular opinion but I really don't think Buck hates his last name as much as people think? he never ever expressed that in canon, no matter how you choose to interpret certain scenes.
he literally goes by 'buck', an abbreviation of his last name lol
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We could do something I've never seen with a ship before when tagging;
Have a Safe-For-Work shipname = Kinley
And a Not-Safe-for-Work shipname = Kinkley
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i don't really go here so feel free to push back on this but. as funny as the "i'm an ally!" line is i also think it's such an interesting manifestation of the specific struggle buck has with his sexuality. like, he's not using it as an identifier label for his identity per se. it's more of a deflection/denial of the root of his discomfort.
it was already clear at the restaurant but it became so evident in his conversation with maddie. buck was clearly nervous about going on a date with a guy, he had never done that before, and when eddie walked in he panicked even harder, lying about it being a date. and he feels so bad about it. but despite mentioning himself that it's his first date with a dude, he can't seem to make the connection that that's where his reaction is coming from. "so why do you think you did that [lying to eddie]" "i don't know"
because he's an ally! he's cool with gay people! so the not-straight thing cannot possibly be the problem. "shouldn't be, right?" he has a hard time grappling with how he feels and how this might change things for him. and i just want to grab him by the shoulders and tell him that it's okay to feel weird about your own newfound queerness. these are your feelings, it's new, it's different. being okay with yourself is a whole different beast than being okay with others.
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I think my major issue with the finale (and s6 overall) is that Buck had SO much going on, 5 different thematically similar internal and external conflicts, and I don't feel like the show did nearly enough to weave them together or show the progress of them onscreen.
I have no idea why Buck was no longer scared to "pick the wrong couch again." I know why he was interested in Natalia specifically, but not the bigger emotional picture of how/why he got over this emotional hurdle.
I have no idea how he's changed since the lightning strike - they told us he has, but what's actually going on in his head? I have literally no idea.
I don’t know what kind of growth he experienced via the donor baby. I know he decided he could be donor-not-dad from the get go, stuck to that throughout the pregnancy, and then had a wistful moment gazing at his progeny. But that doesn't really feel like a big emotional moment when he's been saying it's not his kid for 8 months.
I know he started the season wanting more professional responsibility and ended it taking charge when the 118 was in danger, but I don't know what skills he acquired in the interim to allow him to do it successfully. I don't know how he feels about it. I don't even know if by the finale he still WANTED to lead. It was fine enough payoff, but it certainly wasn't an "Eddie suiting up in Mayday" kind of payoff.
I know his coma dream taught him Lessons but I don't know how they're reflected in his real life?
Compare how his arcs this season played out to Hen and med school, or Eddie and dating and I think you can see the massive deficiencies in Buck's season. And I'm totally aware that they need to leave things open so they have somewhere to go next season, but all of his (many, many) storylines having such a lack of emotional depth is a real bummer.
I think it would've been magnitudes better if he had really struggled on screen with the donation, so that moment of him handing the baby off to Kameron would've shown some real growth. A single conversation about him needing to not be scared to live because he DIED as an explanation for dating again. We sort of half-got a lot of these things - Buck telling everyone Kameron was pregnant and the onesie, Buck at the cemetery saying every day is a gift - but they didn't really commit to any of it, and they certainly didn't give themselves the time to flesh all of it out. All in all, for a very Buck heavy season, I don't feel like I know Buck any better, and I know he's made some steps forward, but only because they told us he did. I really would've liked to see the emotional journey to get there.
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I think with a lot of Visual Kei it's important to make a distinction between genre (as in musical category and history thereof) and scene (as in label environment, the production conditions, the musicians they work with and inspiring each other, the media and festivals and concerts and venues they appear at, fan culture, and such) because Vkei is a music scene without an underlying music genre tying it together, that's what makes it so hard to define musically.
Like yes a bunch of them play straight up dark wave and goth rock and post-punk, but have no points of contact to the goth scene, they're fully embedded in the vkei scene instead so i don't consider them goth. And then others are so very clearly visual, but have barely any contact to the vkei scene and are therefore not - Soft Ballet is in here, they're coming from a New Romantics background iirc.
It's not that easy with Buck-Tick though. Whether they can be considered vkei is muddy at best - very influential of course, but are you part of the scene you helped inspire? Andrew Eldritch would like a word with you.
And the ties to the goth scene are very clearly there. Not only because of Sakurai, Toll is also well connected (just watch his interview with Genet about this very question, even if i have a low opinion of that guy you can't deny Auto-Mod is central to the Japanese goth scene). And probably lots via Imai, though i don't know enough to continue here.
And sure some Buck-Tick albums have the goth sound, but not all. But then again, neither do The Cure.
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And here we see my shitty attempt at a scout cosplay bc why not
just missing the hand bandages
Also need to get a tank top a size down
like it’s supposed to fit loosely but it’s almost too loose
Also I’m very sorry about the bare acne, I know it’s horrifing but the lighting conceals it pretty well lol
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tbh i feel like we're all maybe forgetting that 6A was kind of destined to be a little bit boring or slow-paced from the get-go because of how 5B ended so *perfectly* with everything tied up in a neat little bow. i mean 5x18 was literally called "starting over," and this is a show that (for better or for worse, this specific post is not pro-911s-pacing or anti-911s-pacing but a secret third thing, confused-and-trying-to-make-sense-of 911s-pacing) routinely and consistently takes right around ~10 episodes to cash in on big narrative plot points. not situational or episode specific or more technical plot points, like madney going from unsuccessful house hunting to finding a place within 2 episodes, or buck agreeing to be a sperm donor inside of 1 episode- those are typically resolved pretty quickly, within an episode or two. the show scaffolds these more-quickly-resolved plot points together into larger, more character driven arcs that typically always take around ten episodes for the full emotional fallout and significance to play out. 911 has always been a show where what happens matters a hell of a lot less to the story than how the characters feel about what happens, so because this is such a character driven show, inside of those ten set-up, pawns-on-the-chessboard episodes, it can be pretty difficult at times to figure out what they're angling at, or where they're planning on going (buck! where the hell are you going!), or how any of the plots are going to coalesce into something useful, profound, and cohesive. typically, the B season ends with at least a *couple* of loose threads that carry over into the arc-resolution-conclusion phase in the following A season, giving us an A season that's like 70% setup for new arcs and 30% wrapup of old arcs- but 5B ended on a true blank slate, so almost *everything* in 6A (with the exception of the conclusion to hen's super-drawn-out-but-very-realistically-paced med school arc) has been... scaffolding from the ground up.
and scaffolding looks pretty unimpressive and odd and boring on its own, like a big pile of ugly junk getting in the way of everything, but put it alongside the Sistine chapel ceiling it was built to accomplish, and suddenly it seems a little more worthwhile.
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gonna say smth im gonna regret saying watch this: with brandon cutler getting a win on elevation (and immediately after getting a match on dark, which like, i know its dark and elevation but nevertheless) as well as with the copious reminders of the bucks on dynamite i do think we can expect them back soon, HOWEVER (and this is the part im gonna regret i think) i also think that with mjf’s references to punk we can ALSO exp*ct h*m b*ck at s*me unspecified point in the f*ture (censored so the bad jinxing vibes cant get me)
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