my ex landlord is lying about me and i cant breathe
i cant even fight it if i want to be able to rent anywhere in the future
my friends told me my only option is to go to the mediation and then settle
either way, she wins and i have to just figure it out
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something about people calling vrisrezi "toxic yuri" always puts me off. i understand the lack of words to really put their dynamic but like you know theyre in a relationship thats largely good for them right. they arent dating because "it sucks but it would be worse without each other" they genuinely really love each other a lot
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Dark Sonia's Monologue
"Hello again. We've met before.
You look different, I'm the same.
You've begun to know my face,
You already know my name.
I am the one who calls you,
Who says "come here, come home"
The voice that whispers from within
So you never feel alone.
I wait in all your doorways,
I watch you while you sleep.
I live right here inside you
Gnawing, growing, squirming deep.
I've taken the people you loved the most
One by one by one.
And I have come to take you next
Will you fight, evade me, run?
I am the weight that crushed your sister,
The guilt that carves you like a knife.
I am the fear that no one loves you,
The Creep that drank your family's life.
I am the dark that lives within you
As now at last you see -
I am the wound you've always carried,
You belong to me."
-Dark Sonia, Moonward Part 4 [x]
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something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
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Anyone else not able to say 'bless you', either because it feels too personal, embarrassing, slightly erotic or a mixture of all of the above-
Buuuuuut also whenever an event interrupts the conversation, you feel so much more awkward not saying anything/commenting on it at all, and so you wish you could just... say that phrase, or have some other thing that makes sense to say to just- shrug it off???
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heaven help her
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hot take, mike and el arent in love, because they are fourteen
well i guess mike is fifteen but still like as someone who has been fourteen/fifteen
GUESS WHO I WAS NOT DATING:
A. THE LOVE OF MY LIFE
B. MY FUTURE SIGNIFICANT OTHER
C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT
D. ALL OF THE ABOVE
(the answer is D by the way)
LIKE Y'ALL THEY ARE FOURTEEN
THEY MET WHEN THEY WERE TWELVE
"I knew right then and there in that moment that I loved you" MY ASS
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man the thing about beauty standards and being ugly and being pretty and being insecure is that ultimately you do just kinda have to Decide that youre pretty. like ultimately thats how you become pretty, or hot, or sexy. you have to just Decide that you Are. you have to recognize that its made up, its arbitrary, its subjective, and that people might disagree with you about it, and as much as you are able, you need to completely and utterly disregard their opinions on your appearance, and decide that youre pretty now. and THEN.
you need to find beauty in "ugly". you need to recognize that ugly is made up, that its arbitrary, that its subjective, and you need to be able to find the beauty in it all. and this means you cant bodyshame people. you cant body shame shitty celebs or politicians. you need to base your criticisms on the substance of their character and misdeeds and unhinged horrific opinions and not give a shit about what they look like. you cant go calling people ugly for being shitty. you cant go calling people ugly for looking A Way You Dont Like.
and then if you wanna really galaxy brain this shit you start using ugly as endearment. OBVIOUSLY do not fucking call other human beings ugly. that shit is far too loaded, its just Rude. Dont call specific features of people or even characters ugly cos thats also too loaded. as a term it has baggage. but you can see the ugly in tacky, loud, garish clothing, and it can be Good. you can see the ugly in a distinctive, horrible tiny car from the 90s, and it can be good. you can see the ugly in animals that have evolved to look the way they do, without a single thought of what humans find appealing. you can see the beauty and the freedom in "Ugliness". you can break out of this shit altogether and feel nothing but disdain for anyone who stoops to insulting your appearance if they disagree with you about shit. you can get completely out of the cave of these beauty standards. you can find it so freeing to revel.in letting yourself be ugly. in recognizing that the way you look and exist might be ugly to some people, and youre out of the cave enough to simply recognize. thats just your opinion and it doesnt matter. didnt ask.
you can look at ppl arguing about the correct amount of skincare products to use daily, the Correct Amount of makeup, and whether or not its radical to conform to beauty standards or defy them and argue about is it really conforming if visible makeup pisses men off, and you can say, well I dont care about any of that, I recognize the societal pressures of flawless skin and all that but you see,
I just want to look like a silly little clown :o3
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god this was so cringey shut up all you've ever seen regarding women has been a smelly rat in the mirror and distorted photoshopped images of women with big boobees you know nothing
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It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.
Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)
As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.
Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.
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buck and eddie would be the most insane PTA moms ever, actually. because eddie loves his son and being a bitch and buck loves bossing people around with a clipboard and being involved.
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when i was a kid the church songs i gravitated twoards were definitely always the ones like "how great thou art" and "on eagle's wings" - basically anything that mentioned the natural world or a cool animal. songs of faith and tradition did nothing for me, amazing grace was a nothing song, the bread of life was a NOTHING song. but a voice crying out in the wilderness? oh?? say more
and then they dont say more. and you have to figure out whether you believe regardless. and that's what religion is
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🧸♡ ⋆。˚
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I'm sorry but lmk not being clear on what MK knows about monkey king is sooo frustrating. He's some how his biggest fan who knows so much until the story requires him to have never known anything and it's like... why did you set him up as a monkey king fan it then just decide "actually he doesn't know shit" bro grew up to adulthood hearing stories and somehow knows Jack shit about the guy he supposedly fanboys over.
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About the whole ADHD "finding a way to motivate yourself without using the stress of impending deadlines" thing:
I hate to say it, but learning to be nicer to myself changed a lot of that for me. I really truly hate to say it. I'm sorry to be the bearer of bad news but you gotta find a way to be nicer to yourself inside your own head, in whatever way works for you. I know it sucks so bad to hear.
The other thing is, if my brain is really refusing to tackle a task, often times the main thing I'm feeling is confused and understimulated. Which leads to me sitting there with the jeopardy theme song playing in my head, and then I unconsciously gravitate towards something that's more stimulating and therefore easier to wrap my head around. So overstimulating myself in some sensory way helps me be less confused about what I needed to do. Everybody's brain is different, though.
And uhh the other thing that helped is concerta, and listening to my body, and working on not being so ashamed when I failed. Which means you will probably have to fail a little bit unfortunately
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