Hi now i'm curious what is the beef with the rappers
Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.
Here is a glossarie to break thing up:
Prologue (The Spark 🔥)
Round 1.1 (Physical Education 💪🏾)
Interlude part 1 (Roots 🏠)
Round 1.2 (2 Warning Shots 🔫)
Interlude part 2 (Pusha the Seer 👁)
Round 2.1 (Knifes Out 🔪 )
Round 2.2 (The Nuke 💥)
Epilogue (All eyes on him 👀)
My Theory 🤷🏾♂️
Highly recommend checking out the tracks yourself while you read along.
Prologue (The Spark)
Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.
Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.
A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.
4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.
ROUND 1.1 (Physical Ed)
Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.
Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.
INTERLUDE PART 1 (Roots)
Before I continue, I want to give a brief run down on how the public perceives these two rappers.
Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.
Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.
ROUND 1.2 (2 Warning Shots)
2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.
Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.
INTERLUDE PART 2 (Pusha the Seer)
Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.
5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.
Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.
Round 2.1 (Knifes Out)
Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".
Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.
The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.
ROUND 2.2 (THE NUKE)
Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".
This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.
Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.
The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.
The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.
Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)
To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.
Epilogue (All eyes on him)
And so here we are, waiting for what will happen next.
Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.
Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.
Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.
Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.
My Theory
Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.
Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.
I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.
But I don't know thats just how I see it.
Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.
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heavenly
lee minho x reader
genres: smut, some fluff
warnings: smut, grinding, dry humping, some dirty talk, getting off on the way someone smells, gender neutral reader
notes: titled after the song heavenly by cigarettes after sex
word count: 1,7k
”You smell good,” you say quietly, nose squished against his neck and lips brushing over the collar of his t-shirt as you speak.
”I smell good?” he asks, and you hum. ”Like my perfume? Or just the fact that this shirt is fresh from the wash?”
Minhos voice is humorous, underneath the softness of it he’s poking fun at you.
”Yeah, but also just- you. Your skin, your breath, your hair, your sweat, everything.”
Your hand is under his shirt, resting on his side. His naked skin is so smooth and warm, and with your eyes closed you can recall exactly what it’d feel like to kiss the skin thats underneath your hand. You know exactly what he feels like, every inch of him, you know every little spot on his body from the countless times you’ve kissed all over him. You know what he smells like too, whether he’s just gotten out of the shower and his skin smells like the bodywash he uses, or if he’s just woken up and he smells of sleep. You even love the way he smells when he comes to see you right after practice, when he hasn’t yet washed up and he just smells like himself.
”You’re crazy,” he laughs softly above you, while his fingers stroke over your hair. His voice reverberates through his chest and sounds a little lower when you lay on his chest like this. Everything about this, about him, feels like so much right now. His smell in your nose, his body in your hands, his touch on you, his leg between yours, the very warmth of him so close.
You scoot a little further up, aligning your chest with his so you can burrow into his neck, the tip of your nose brushing against his ear. You give him a quick kiss there, just where his ear meets his jaw and neck, and he shivers from the sudden contact in a place you know he’s sensitive.
Minho must be able to tell that your breath has gotten a little heavier, but he’s kind enough to say nothing of it. You bury your face in his neck, inhaling the scent of his skin. He smells best here, somehow stronger than any other place on his body, here it’s just so richly Minho. Without even thinking you hitch your hand higher, moving from his side up to his chest, letting his shirt bunch around your arm and reveal the skin of his stomach. He smells so good it’s almost makes you dizzy, having all your senses be so full of just him.
”Do you like this?” he asks suddenly. He has dropped the tone he had earlier, no longer teasing you but sounding genuinely curious, or just entirely oblivious. It’s not the first time you’ve commented on his smell, nor the second or the third, and Minho should be more than aware of his effect on you at this point. The fact that he somehow doesn’t know, or perhaps didn’t really realize the depth of it until now has you whining silently into his neck.
”Yeah, I thought you knew,” you mumble sheepishly, pushing closer to Minho as if you’d somehow be able to sink into him to avoid the embarrassment.
”I knew you liked the way I smell. Fuck, I love the way you smell too. I just.. didn’t know you liked it this much,” Minho says.
”Mm, what?”
”This much,” he states, grabbing onto your hips. ”You’re grinding against me.”
Minho is right, but until now you hadn’t noticed the unconscious pull of your hips against his thigh. Suddenly, you become aware of your own body, before you’d been preoccupied taking Minho in, feeling him underneath you and trying to drink in as much of him as you can. Now, you feel pleasant warmth spread through your body, pooling together between your legs where you’re far too effected by all this and somehow you still can’t make yourself stop, even though your boyfriend has drawn attention to it.
”Oh my god,” you whine in embarrassment. Your hips stutter as you try to will yourself to stop, but it just won’t happen, your lips are brushing against the skin of Minhos neck every time you take a breath and he still smells so fucking good, you just can’t bring yourself to stop. Then, you feel his hands wrap around your hips further, fingers digging into the side of your ass, and you realize he’s helping you guide your hips.
”That’s it, there you go,” he says softly. His voice is right by your ear, so close it sends shivers down your spine. ”You should have told me you like it this much.”
”What?” you manage to spit out, trying desperately to stay focused in the moment.
This is something Minho likes to do. He talks to you, asks you questions and makes little statements he fully expects you to answer. He words them like he’s not helping you grind yourself into his thigh, and he’ll do the same when he’s fucking you, not relenting until he’s gotten the reply he wants. It makes you just a little dizzy, how he stays so composed when he’s got you falling apart in his arms and your head always feels so light when you think about how much control he has, not just over you but of himself too.
”If I had known you liked my smell this much I think we could have had some more fun with it,” he says, and you can hear it on his voice that he’s smirking.
”Fuck,” you breathe out. ”What- what fun?”
”Something like this. Or maybe I’d skip showering at the studio, if I knew I’d come home and get you to be like this for me.”
Minho lifts his leg a little, pushing his thigh further between your legs so you have no choice but to ride it. The new angle makes your breath hitch, it feels even better like this and Minho is still controlling your hips, making you yearn for a lot more than just his thigh.
”Really turns me on to know how you get for me, you know that right?” he says. You can tell that he’s hard against the side of your leg, but Minho still grabs your hand and places it over his shorts to make sure you can feel how hard he is. He speaks again, ”Fuck, it makes me so hard, can you feel that? Just for you.”
”Minho, please, please-” you choke out, mouth against his neck. He understands you somehow, reads your mind in that stupid Minho way, and weaves his fingers into the hair at the back of your neck so he can pull you up and then he kisses you.
It’s messy and desperate, even Minho is starting to lose himself and he kisses you as if he’s never kissed before. He’s all tongue and teeth, tasting you and moaning into your mouth when your tongue meets his. It shouldn’t feel as good as it does, but the hurried kisses make your head feel like it’s spinning and all that’s repeating inside of it is Minho saying just for you, just for you, just for you.
It hasn’t been long, you know that, but you’re already starting to get close. Even though your underwear and his shorts are seperating you from feeling him, there’s something so intense about this and about Minho that it hardly matters, and you know it won’t be long until he’s got you making a mess in your underwear. It has your hips faltering a little, unable to keep up with how good it feels. Luckily Minho still has a hold on you, and when he notices that it’s getting harder for you to keep composed he lets go of your head to keep both hands on your hips.
”Don’t stop,” he murmurs into the kiss. You moan into his mouth, a lot too loud and a lot too desperate. ”Want you to be good and cum for me like this, okay? Can you do that?”
You nod fervently, stuttering out something between a ’yes’ and a sob, and he rewards you with a kiss. You lean your forehead against his, eyes shut tight and hands fumbling to get a hold of anything to get your bearings. You want him as close as possibly and somehow this, his mouth mere millimeters from yours, swallowing your breath, isn’t enough.
”Minho, Minho, please. Please, I’m so close-”
”Baby, you can cum whenever you want. Come on, sweetheart, want you to cum for me,” he speaks softly, his own breath erratic from being so worked up.
He starts thrusting up, meeting your hips so you don’t have to do any work, Minho does it all for you when he can tell you’re about to cum. It’s this that finally does it for you, his hands holding you and his hips meeting yours just like he does when he fucks you like this.
Your breath catches in your throat, too overwhelmed and sensitive and still cumming, and Minho doesn’t stop for a second, just talking you through it with mumbles of ”I’ve got you, you’re so good, there you go, angel”.
Your legs are shaking when you finally come down, vision unblurring and lungs catching air again. Minho is rocking his hips ever so slightly to help you ride it out, and when you return to your senses you can feel the cum that’s soaked through your underwear and probably now stains his shorts.
”Oh my god,” you breathe out, slumping down on him. He laughs quietly, stroking your hair and craning his head to kiss your forehead softly. You continue, ”Thank you, Minho, what the fuck.”
”Thank you,” he says. ”I think I’m gonna have a lot of fun with this.”
”Oh, shut up!” You squeeze his arm a little, a pathetic attempt at being intimidating, but your fingers feel fuzzy and you’re still regaining your strength.
”It’s just because I love you so much, you know,” you say. He hums lowly at this, and yet again you know he’s smiling without having to look at him.
”I love you too,” he says. ”Always.”
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