I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
283 notes
·
View notes
In the end, it is misogyny but in the form of that Imogen (and most of the female cast, if we are being fair) gets reduced to just being a woman to the point that criticizing any real flaw, wrong doing, or "hey i personally maybe perhaps don't like that she did this" is turned into an attack on her because she is a woman, because after all, all women are perfect and so so dainty they must be protected (sarcasm)
Without mentioning the attacking real women in the name of the fictional one
It really is the "God forbid a woman do anything" but in it's worst form
Sorry for venting, been having thoughts about the fandom for the past 5 years
YUP. I do recommend Unlikeable Female Characters by Anna Bogutskaya which I devoured in like, one sitting over my winter break and posted a bunch of excerpts from but this discourse is extremely not limited to the CR fandom. I mean, think about all of the endlessly churning nonsense about the women of Gone Girl and Midsommar. I am going to see Love Lies Bleeding tomorrow and have steered well clear of really any discussion because I simply would like to see buff lesbians in a crime drama but apparently the discourse is rancid.
Of course there are people who assume ill of female characters while excusing men. That is absolutely a big problem. But again, we can barely talk about that. I recently made a post about how Laura is not a particularly chaotic player, and indeed is one of the most cautious players in actual play, and again I think there is a serious and important conversation to be had about how there's probably a reason why, say, Travis and Taliesin are more likely to make extremely bold moves, because they didn't get raked over the coals during C1 for stealing a cool broom from a guest character! I actually think Marisha has managed to hang on to some of her boldness and it makes her a stronger player but I would not have been surprised if she retreated after the hate she got from Keyleth. But yeah, in actual play, bold moves are pretty important. We can't even talk about how real-world misogyny holds back the actual actors without some moronic wretch being like "FIGURES THAT A MISOGYNIST CUNT LIKE YOU LIKES A MALE ACTOR."
When a character who is a man - or in some cases, characters who are not men but are played by men - does something people don't like we can say "wow, I didn't like this, but it was an interesting choice by the actor!" but we aren't allowed to either talk about the reasons why a real world woman might hesitate to play a character who does ugly things - because of the misogynistic backlash that will land specifically on her as a real person - nor can we compliment her for going for it and playing a complex flawed character, because how DARE you say a woman is anything less than some kind of Divine Feminine ideal. At best you're allowed a two-dimensional caricature of She's So Sweet And Good But Sometimes Gets Angry (this also happened to my friend Keyleth).
And this might reveal my own biases but like. I as a woman don't love being called self-centered, but that, personally, would probably lead me to some reflection. If you call me a girlfailure, even jokingly, I am going to break your nose. It's really telling that like...one of the absolute no-brainer "hey stop calling grown women girls" feminist tenets has gone by the wayside particularly with the set of people who think that meta that fails to put women on so high a pedestal they are untouchable is misogynist. They are awful towards women, fictional and real.
A line that always stuck with me from, bizarrely, a book about wordplay, was that Victorian men would treat women of their same classes as their superiors, but never their equals - they would coddle them and protect them but they wouldn't actually engage with their thoughts and foibles. (This happened to my friend Jester).
Anyway my personal solution is to keep going. On some level, as my previous post indicates, while I don't want the harassment it also only underscores my point, that a lot of these people are way more invested in being a dick to women on the internet than writing meta about the pretend women they think they like. I have to imagine they're doing this because either think they're entitled to meta they like from people who can actually fucking write it because god knows most of the people making this complaint have the most "if you can't dazzle them with brillance, blind them with the most purple-prose bullshit you can muster" attitude; or because they literally are just champing at the bit to attack women online with the ostensible veneer of "but it's FEMINIST to call THESE women cunts because they said my blorbo wasn't saintly and flawless." However, again, I know that I'm pretty bullheaded and forcibly unlearned the uh, patriarchal idea that women should not be confrontational. I do not blame people who look at this whole situation and say "I'm going to keep my thoughts to myself because this is so unpleasant."
70 notes
·
View notes
Our father was sitting at the breakfast bar, by the phone. He exchanged greetings with my brother but we ignored each other. As he was explaining her condition the phone rang. She was dead. It was abrupt. He was stunned. Who will take care of me now? I cleaned the kitchen and took out the trash. I made a grocery list. I started the laundry.
(x)
71 notes
·
View notes
"Do not despair, my child," the voice reprimanded, "For I will help you,"
"How?"
"Pack your stuff, and journey to the Roan Empire. Find the crimson commander Cale Henituse,"
Or, what if, instead of running and hiding at the Alpheus mansion, our golden-haired princess found someone else. Someone who also woke up one day as an ill-fated minor character like her?
17 notes
·
View notes