#who's really dedicated to the aesthetic and making this such an experience for the fans

[otomedetective]

Aromanticism and Otome Games

I am an aromantic who loves otome games. It may seem incredibly contradictory, especially since the common perception of otomes is that they are wish-fulfillment games for people to insert themselves into a story where they date attractive men. There's definitely nothing wrong with playing them in that way, and many people get a lot of enjoyment out of them, but that isn't the only way to play an otome game. In fact, many otome game players prefer not to self-insert at all and I’m one of them!

My personal experience being aromantic means I do not feel romantic attraction to anyone, and I do not desire or need a romantic relationship to feel fulfilled in life. I’m perfectly happy with my platonic bonds and my perpetual singleness! That’s how I experience it, but there are many different ways to be aromantic, and there’s no one universal experience that defines how all aromantic people live their lives. Some are repulsed by romance and its overbearing presence in nearly all forms of media, and others are comfortable seeing other people experience romance despite not experiencing it themselves (though these, of course, are not the only two groups). I personally lean more towards the latter category. I love romance stories! 

For me, playing an otome game is like watching a romance movie where I get to decide who the heroine ends up with. It's like a shipper's dream! I don’t self-insert because I am not comfortable putting myself in romantic situations, but by observing a fictional couple, I can safely explore the romantic plots and experiences that interest me. And let me tell you, I love a good romance plot. Especially one with drama.

A comparison I like to make when people don’t seem to get it is that I also really, really love murder mysteries and tragedies, but I do NOT want to actually experience them myself. What I want for a character and what I want for myself are two completely separate things, so there’s really no contradiction! 

In fact, playing otome games was a big part of my aromantic journey in the first place. I never had crushes as a kid that weren’t forced or peer pressured. When people talk about the characters in their childhood shows that they had crushes on, I can never relate. To me, there were only interesting characters and stories. I’ve never really wanted anything more than that. 

So when my second-ever relationship ended and I was wondering whether I really felt romantic attraction at all, I decided to try otome games. 

I chose Collar x Malice as my first game because, as I mentioned earlier, I am a huge fan of mysteries and tragedies, and the premise intrigued me. Then, throughout my exploration of various otome games (and as I quickly became hooked on them) I tried some games with less developed heroines, specifically made for self-inserting, and found that I couldn’t handle them. Separating myself from the heroine helped me enjoy the games more as I realized that I didn’t actually want to be in these romantic situations myself, but only wanted to enjoy the story.

So what was the point of this whole post? I guess just to share my own personal experiences as an aromantic otome-lover and address the contradiction. Otome games aren’t necessarily mainstream-popular, but they certainly have their dedicated fans, and I’ve really enjoyed the interactions I’ve had so far with these fandom spaces. 

Sure, the primary focus of the games may be pretty boys who you can date, but otome games can also be so much more than that! It’s a genre I’m glad I decided to try. 

I’m happy to be an aro along for the ride to read some good stories, puzzle out the right route choices, and look at some aesthetically pleasing character designs along the way! :)

[mollysunder]

The Inx: Jinx's Great and Terrible Devotees in Spite of Conv/rgence

The most annoying thing about Conv/rgence as a game is that it introduces great concepts, like the Inx, but just fumbles the execution of them and the overall story.

In Conv/rgence the Inx are a new chempunk gang of Zaunite teens and young adults that idolize and borderline worship Jinx to the point where they're said to spread chaos in her name. But the Zaun that Conv/rgence establishes tells a different story about the Inx from the intended description.

The first time the Inx appear is in the Conv/rgence comic, where the lead members like Chadd play at the Triumph Festival. It's supposed to be a Zaunite festival to celebrate Jayce's defeating Viktor, the Machine Herald. If the Inx follow Jinx's lifestyle why would they even play at such an event to celebrate a Piltovan, and why would Zaunites think the Inx wouldn't make trouble over it? I could go on about how weird it is for Zaun to host a festival to celebrate Jayce, a Piltovan champion for a fight unrelated to them and their wellbeing, but that would take too long.

For people who admire Jinx's boldness, the best they can do in the comics is pretty harmless vandalism where they just graffiti Jinx's monkey tag over some walls. The Inx are also nowhere to be seen in major events like the Scraptown Run, which apparently all Zaun gangs participate in.

Then there's members like Moshpit Meg. Meg's a diehard Jinx fan that loves Jinx's attitude and dedication to explosions. Before that Meg was admired Vi, the enforcer, because Vi's gauntlets reminded Meg of her own naturally big fists and it made her feel less self conscious about her own hands. That second half begs too many questions I don't have time for.

Outside of aesthetic choices there isn't really anything about the Inx that says they're people who stake their identity around Jinx. This is largely because Conv/rgence's universe works hard to sanitize Zaunite grievances against Piltover which directly undermines the central class conflict between Zaun and Piltover. It also largely impacts the motivations and general existence of characters like Jinx and the people who follow her, like the Inx, because they wouldn't exist in the absence of Piltover's oppression.

To avoid addressing any real conflict between the two cities the Inx are only vaguely make sense in the story, especially the game. All except for one element, Chadd. I need to say this...

Chadd is Accidentally (on Purpose?) Great

The brief moments the audience gets to know Chadd's character gives us an interesting glimpse at the people Jinx inspires.

The first thing we know about Chadd is that he's a musician, and it's neat trait that connects him to the musical roots of Jinx's character. In League, Jinx was the first champion in League to debut with a music video. It was through Jinx's character that Riot and Fortiche begun experimenting League with music. So it's very fitting that Convergence creates a chorus of sorts for Jinx to continue that musical tradition. To add to that, the game's promo posters decided to reestablish Jinx's connections by making her a talented karaoke singer.

The next thing to know about Chadd is that he was the one who planne and organized the Inx to transform a rundown theatre into an airborne concert arena. Red, Ekko's close friend and romantic interest in the game, confirmed that it was Chadd who was the one to make it happen, within a week too. It's an impressive creative feat that's clearly in homage to "Get Jinxed's" aerial imagery. Despite how cool a stunt that was I couldn't see how it was meant to impress Jinx, she was the most destructive thing in the theater... until I read the transcript "Hold me like a Fermata".

A shotgun, a flame thrower... who's funeral were you planning Chadd!??!? Just for context this was a transcript Ekko found of Chadd and the Inx talking about a new weapon (and sound system?) Chadd seemed to have made. I'm sure Chadd was the one who made it because the Fermata is also the name of a musical note that represents a pause (sometimes dramatic) in a score.

If you're familiar with music you might also know that the Fermata has more than one name, it's also referred to as "the Cyclops Eye". That kind of reference to Silco used on a weapon for a later act to honor Jinx couldn't have been lost on the writers because the Eye of Zaun was already found on an Inx hangout.

When I finally noticed all these details I finally got that Chadd is dangerously devoted to Jinx. All the points in his character can only lead us to conclude the real plan wasn't to just play obnoxiously loud music when the theater reached Piltover's heights, it was to destroy Piltover with all the weapons they equipped on it. That's the best idea I can come up with because Jinx immediately throws bombs at their plan to cause havoc in Piltover... for reasons. It does match Jinx's track record at least, usually other dangerous or apathetic champions tend to appreciate her, like Urgot, Renata Glasc, and Khada Jhin.

Even Chadd's concept art communicates that he's probably more devoted to Jinx than rest of the Inx. The way his early design evolves to reflect Jinx's influence could even tell a story. The more this douchey glam rocker finds inspiration in Jinx the more he changes himself and his art to reflect Jinx's impact. Chadd grows his hair out, wears his tattoo of Jinx in the same place she wears hers, and even dresses more like her, but he still retains his own diva personality.

One last thing, the funniest thing about Chadd is the fact that both Ekko and Red seperately ask him to explain himself and what "statement" he's trying to make with the Inx. Chadd just flat out refuses to answer, and even breaks up with Red over that. I thought he was being douche (he was), but then I remembered Jinx doesn't explain herself in game either about the mayhem she causes, she just taunts anyone who asks. The student learns from the master I guess.

Tldr: In the Converegence game and comics the Inx are characterized by mild vandalism and pretentious artists. And I could almost get behind that idea if only Convergence wasn't so heavily biased towards Piltover the dynamics of a group like the Inx could have had a more interesting exploration in their motivations and goals. Also, Chadd is a dipshit and he makes a great follower of Jinx!

[julia-bunncat]

A huge analysis of the 3rd trial | DRV3

Well! As I promised in the previous post (although since then I’ve already finished the fourth chapter – the saddest for me at the moment 😢) , today we will talk about the 3rd chapter of DRV3, Korekiyo Shinguji’s role in it, and in more detail:

a} I’ll tell you about my experiences during the direct playthrough; how hard it was for me to solve Angie and Tenko’s murder [I didn’t spoil the details for myself deliberately, only knew about the «seesaw effect» meme] b} I’ll analyze the class trial and Kiyo’s behavior in it; c} of course I’ll share my thoughts on improving Korekiyo’s arch, because actually every fan knows this truth – the writers failed their task to create an adequate, worthy story.

After all, I have no regrets; the goal of «find something useful + figure out every detail» has been achieved and to me it was paramount, because (if someone didn’t know and hasn’t read one of my posts) I plan to create my own universe where most of DRV3 cast are survived.

That’s the end of the intro! I warn you that the following text will be as full as possible of spoilers... and yes, it will be huge. Again. Just get ready for it.

☄ I’ll start by stating my attitude to what is happening during the 3rd chapter BEFORE murder (but I won’t go into too many details here, because for the most part, again, I plan to dedicate this post to Korekiyo). First and foremost, I want to say that Monokuma. is losing. his grip. Earlier I managed to spoil myself the thesis that once again chapter’s motive is sucks, but I didn’t know exactly what the problem was... Now it’s clear. As with the 1st chapter, the motive is not being used – the murder generates either additional conditions (like time limit) or the students' personal complexes / psychoses (Kaede has the desire to «save everyone», Korekiyo has the goal to collect «friends for sister»). If only the Monocubs had come up with that motive, I would understand and forgive… But no, despite the «revolt» against their father’s principles, it seems that they didn’t abandon his original idea to shove this useless Necronomicon – after all, at the end of the execution Monokuma is upset; he say: «Seems like a waste, though. You guys sure you don’t wanna use it?».

It leads me to believe that the writers have once again decided to avoid logic in “favor” of some gags. They wanted to introduce an aesthetic creepy freak into the story – they did it, nothing else matters. And this is actually upsetting to me – in theory, the events could have been staged in such a way that the motive is used either indirectly or directly. It’s such a waste….

Now, a few words about Angie and the main event – formation of the student council-sect. I remember Korekiyo talking about it as a natural phenomenon in their situation – in times of despair, people cling to faith as never before thingslikethat… Moreover, I agree, it (as well as the Monocubs’ revolt) is something truly unique. It must be admitted that in no other Danganronpa nobody even tried to do something similar.

…But in what shock and (no other words come in mind ;^) horror I was, watching the accession of the cult of Angie’s God. Those who have studied at least a little bit about sects, understand – it’s not really about despair. A sect is always either money or a cult of personality (sometimes all together), and in the case of Angie – God (Atua) it’s herself. It would be more appropriate to listen Kokichi’s assessment of event: «She uses the situation to take the school under her and make us dependent on “Atua”». His opinion is even more confirmed by the fact that Angie became active just after the guys checked the Flashback Light (with group funeral) and what they saw confused them really.

This sequence of actions actually makes her dangerous. I heard a fact that many fans was genuinely considered Angie as the alleged murderer of chapter three… And you know, I WILL agree to this without any hesitation! Perhaps, at least that way, what happens in this chapter would have made some sense.

Also, in the last post, there were a number of criticisms and aversions to Angie that came from my lips. And I'd like to add something to my remarks, yeah, because even though Angie has taken to enslaving the minds of her classmates very intelligently and promptly, she is still full of contradictions (which breaks down theories about her genius). I’ll outline these contradictions so as not to sound hollow:

1} Angie's motivation for using the Necronomicon is simple – she doesn't believe in resurrection, but she does believe that someone who has died can come back, since they actually didn't die at all (their body could have been replaced by a first-class replica). At first, she backs up her conviction with comments like: «Well, the more people, the more fun it will be in our paradise! Shuichi, don't you have any sympathy for the dead? #shameonyou» BUT! when it comes to a new Flashback Light the next day + the question of “who shall we resurrect” arises, Angie changes her mind without a bit of mercy. The resurrected man is no longer a welcome friend – he is a victim in case an inconvenient time-limit-type motive is reintroduced. Is this a contradiction? Or hypocrisy? Let's just not decide.

2} Theory with replicas. At the first sight of the wax figures of the four dead, Shuichi is irrevocably convinced that this is impossible. He reasonably and inspiringly explains to Angie (who believes in spiritual and otherworldly things) that no matter what works of art the figures are, even Ultimate Talent cannot replace the soul… But how does Yonaga react? Right, she contradicts her own words again. Or to be more precise: She doesn't even try to defend her own beliefs in any way. No one can be resurrected because the replicas don't exist? Whatever! God said the ritual had to be done anyway! It will work – but the logic and danger of realising the motive...? Pfft, who needs them?!

Things might not look so dumb if it turned out that Angie was trying to cover up her plan to kill someone (from the student council, for example) in that way... But in the end, she dies by accident and in a very stupid position. Don't. Be. Like that. DR screenwriters. PLEASE.

☄ Now for some personal impressions of what happened during the investigation and the process of solving the mystery. If I remember correctly, Korekiyo and Celestia are the only unicums who have risked killing someone in the middle of an investigation. Celes did this by confusing things from the start by running from floor to floor… When Shinguji, on the other hand, took a risk in every sense of this word. Firstly, he brought suspicion on himself by using a katana from his own lab (and not on purpose – Monokuma set it up so that there was nowhere else to get a long enough sharp object). Secondly, all the time before the murder he admired the Caged Child séance, longed for it and finally persuaded his classmates to try it out.

In all fairness, by listing all this I'm not trying to say that Kiyo is a lousy blackened –  on the contrary, he even manages to turn some mistakes to his advantage. For example, the use of a katana from his research lab is justified by the clever creation of a locked room mystery. After all, Korekiyo is not a member of the student council (Angie only let them into the lab) or a master lock picker. Moreover, the way he created the locked room is quite handy. If it weren't for the gilding on the hilt of the katana, it would be harder to guess the exact purpose of the «upside-down figure + katana» combination.

More than once Korekiyo has been saved by his cunning, his diligence (sawing floorboards in three rooms at night is not like picking flowers xD) and his ability to think ahead. He created a safety cushion for himself by provoking another classmate (namely Himiko) to choose a new killing place for him, then framing that very classmate. By taking the risk of killing Angie, he helped himself by learning from Monokuma beforehand that (logically) only the killer who "got there first" would be punished. Shinguji could have got away with it many times, especially since the trials are based on the principle of "until I hear an unbreakable argument from you, you won't charge me".

But I'm getting a little carried away, ahah! All in all, despite the fact that I'm actually praising Kiyo here, his trial didn't seem all that complicated and confusing to me. Thus, I pretty quickly got to the bottom of the spinning-the-wax-figure trick, found correlations of the evidence and used them correctly to spot weaknesses in the arguments. Difficulties began closer to uncovering the essence of “seesaw effect”. For example, it's still astonishing to me how Korekiyo came up with the idea of navigation by touching SALT in complete darkness.  Yes, he had prepared a straight line in several layers beforehand and remembered by heart how the circle was drawn, there was nothing to confuse it with... But he crawled, knowing that his stressed classmates were all around him, jumped on the floorboard with all his legs, managed not to fall in himself and STILL SANG!! What’s amazing human being!

By the way, the atmosphere at the séance was indeed tense to the point of creepiness. I knew what was going to happen – I had to be ready for it... But that viscous, crawling feeling of discomfort wouldn't let go no matter what :'D My bestie and I were still completely silent during the chants – just try it, there is no substitute for this experience 😨😂

I will continue to discuss the trial further, for on the purely technical side, it has a number of oddities for me:

During the investigation of Angie's case (i.e. before Tenko's murder), there's a scene in Shinguji's lab that still haunts me, even though it could easily be written off as conventional. When Maki and Shuichi go to the lab to check if the katana is definitely missing, Kokichi runs in after them to get a sheet for a séance. This is the same sheet in which Korekiyo will later carry the sickle to kill Tenko. Question: at what moment did he manage to hide this sickle in it?? If he did this before the séance, then sending Kokichi for the sheet was a monstrous mistake ;^ (although it's not that Ouma is a fan of solving murderers, no matter how disgusting they are to him – that would spoil all the fun) However, it was virtually impossible to do this during the preparations, because an abrupt leaving (to Maki's lab) would have raised a lot of suspicion, and no one had told us about such an event. One last variant is that he's been hiding the sickle under his clothes all this time, but... how? Don't you need special clothes for that?? Kiyo's uniform fits snugly over his body. Your theories? xD

I've noticed a tendency that very often it was Korekiyo who (indirectly) provoked the guys into discussing very pointless topics :'D (which I don't think is the best tactic on his part – blackeneds in general become more active at their trials). For example, when, making excuses on the subject of an offer to hold a séance, he recalls the "possibility" of entering the chosen place by crawling under the floor and because of this suspicion falls on Kibo with his new function. Everyone ends up wasting extra time, even though it is already obvious that Kibo's flashlight is BLINDINGLY BRIGHT – it would have been visible without any slits in the floor, in fact, as well as other light sources. Or this alternative theory that Tenko may have been killed when Himiko lifted the cage... although the blood was visible when Kiyo removed the sheet (which was also covered in blood) and Himiko literally toppled the cage on adrenaline alone, immediately bursting into tears?? In general, moments where the teenagers start tо stall make the trial seem more natural, but personally, as a player, I found it a bit annoying 😅

‌Well, one last point from the “we would have saved a lot of time without it” section – a lie feature. Honestly, before this I had no idea how to win a debate without using it (although I think the game mechanics provide a way out)... But not in the case of the third trial, no. A reminder for those who haven't replayed it in a while – when the trial comes to a bit of a standstill, Maki supports Kaito's spontaneous theory: «Tenko's killer was inside the cage the whole time». In other words, the murderer in her own case is Chabashira herself, she also threw the sickle under the floor after the deed + allegedly there was even a reason to commit su*cide. To refute this theory, Shuichi has to lie that Tenko died instantly... But... Why, when he could just retell Maki's words during the investigation? Tenko didn't die instantly, yes, but from the pain shock she couldn't move and therefore couldn't throw the sickle (especially so hard that it wasn't under her, but in another corner of the room). Seemingly another convention, but still quite hard to ignore x)

Despite my admiration for Korekiyo's mental capacity in such precarious circumstances, in the end I concluded that our anthropologist had created both an ingenious mosaic and a complete mess xD In theory, he might have won if Kokichi hadn't sneaked into the next room and discovered the trap there. He might have won if not for Kibo's function to reproduce his memories in the form of images... If Himiko hadn't chosen the very room where Angie died... If Maki hadn't noticed a piece of duct tape under the corpse (because Shuichi obviously wouldn't have dared to examine the dead girl's body himself like that – including to avoid disturbing the crime scene). But the main problem here is not the unpredictability of classmates and a series of unfortunate accidents, no. Kiyo, as a murderer with a very interesting talent, has one unforgivable sin... I would like to discuss it a little later.

When Kiyo decides to confess to killing Tenko (although he could have done it a long time ago, lol, he apparently VERY much enjoys hearing detailed and reasoned evidence), the cast begins to divide into two teams: "let's vote right now, recognising Kiyo as Tenko AND Angie's murderer" and "we can't vote right now". The latter team includes Kokichi...

And you know, already figuring out his true motives and attitude towards the killing game, I often wondered: “How does Kokichi feel about murderer-Korekiyo..?”. The answer was found, thanks to the following dialogue:

...now I finally saw that Kokichi was a little bit angry with Kiyo for being a hated murderer. Just because he voted to continue discussing Angie's case doesn't mean he believes in his innocence. On the contrary, he probably just wants to humiliate Shinguji = to lead others to destroy him morally (and he succeeds in doing so).

☄ After all, shortly after this scene, Korekiyo's having a nervous breakdown. He trembles, stammering, ready to almost spit bile... And then he releases his "defence mechanism".

So, now I announce a special category called "Interesting notes from interactions with Sister" o/ (quick note: only during the trial, because after that... everything goes down the drain)

❧ So that's where Kiyo's self-teacher kink is coming from..? To this phrase he replies «Y-yes, you're right. I'll teach them».

And it makes sense, if we think back to the hcs that Miyadera could have replaced Kiyo's parents, i.e. to be his main mentoring, educational figure... Now, copying her whole personality, her behaviour, whole experience with her, Korekiyo also tries to resemble the teacher and gradually experiences real pleasure in educating others. Which is why, when he befriends Shuichi after FTEs, he offers to be none other than his disciple. This is the only form of intimate communication available to him, ugh.

❧ I wondered for a long time: why Kiyo was so afraid of being declared as a culprit...? Shouldn't he, on the contrary, be coolly calm, because his execution / his death, would only be a transition to another life in which he could be reunited with his sister? But no, he's blatantly panicking :(

And sister's next phrases (even though she is addressing Shuichi)

prompted me to think of two things at once:

1) Kiyo isn't afraid of being culprit, but being blamed, because he remembers from childhood the consequences of his mistakes – the need to apologise to his sister over and over again, literally begging for her forgiveness and understanding. Even on "Argument Armament" he confirms my point with the phrase «You're all wrong, not me!» (which sounds like a rather childish statement :'D)

2) Whatever true love he speaks of, all he feels for his sister is fear. He wants her to let him into her arms when they reunites, but how is that possible if he has already made a mistake, if he has failed to realise his main goal? He fears death because his sister's punishment awaits him beyond it – and his execution, in fact, proves this directly. have always been of the opinion that the second part of it is an illusion on all sides. It would be logical to think of it not as something real, but as a representation of Korekiyo's subconscious; something that symbolically emphasises the gravity of his crimes.

❧ /foreword/

Once I was lucky (or maybe not so, ahah), to meet Chinese and Japanese Korekiyo fans on Twitter who were able to communicate with me (and their audience) in English. That's how I came to know one of the most horrifying facts: the Chinese and Japanese FD of Danganronpa don't consider Korekiyo's sister as abuser. What's more, they're sometimes even angry at this opinion; for them, Ane-Kiyo (an alternative name for our "Miyadera") is the main victim... And you know, I was so worried at first! «What if I'm getting my favourite character wrong?». «What if the English translation is so shoddy that it can't be trusted?».

But it's hardly that serious. Eventually, I found the reason for this mismatch of beliefs for myself.

English fd has several arguments. The most important of these, as far as I know, is the list of requirements that Korekiyo's sister makes in the trial: «You musn't raise your voice / musn't stutter / musn't waver» and so on. For a Japanese fd, however, there is no problem with it... And _that makes sense_, as these requirements are more indicative of a strict upbringing than a full-blown abusive relationship, which is confirmed by the fact that AneKiyo's tulpa enjoys being a teacher who teaches ignorant children [screenshots above]. Strict upbringing in Japan and China – especially in traditional families – is not uncommon + Japanese fans are convinced that the "sister behind the mask" has nothing to do with the life-in Korekiyo's sister at all (which is difficult to confirm or deny in any way, as we can only take the meagre bits and pieces that the game offers us at face value). In other words, no one is right or wrong in this situation – it's just a matter of cultural differences. 

My personal impression: Kiyo's sister made the same demands on him as she did on herself, firstly because she was terminally ill, and secondly because she was the eldest and the role model. Roughly speaking, these attitudes + the fact that she had a loving, obedient brother at her side simply kept her from going mad from the pain she was experiencing. Of course this doesn't excuse her actions – it just makes her more psychologically understood. There is essentially no reason to go to extremes and see her as some kind of cruel tyrant. Even the way the tulpa makes Shuichi apologise – in a gentle, ingratiating tone – illustrates her preference for confusing and covert manipulation rather than shouting and pressure. 

❧ It's interesting that when Kiyo (based on his voiceline) is already almost crying because he feels cornered, and can't afford himself to make a mistake in front of Sister... She calmly tells him to give up and admit defeat, even though she seemed to be on his side and defending him the whole time. Kiyo himself is surprised by such an advice, agreeing very timidly, with a shaky «O-okay...».

I think this is a direct demonstration of the indifference the Sister sometimes showed towards Kiyo's failures / worries when she was alive. This meant that Miyadera could actively support him for a while, but as soon as her brother made a mistake, she would coldly dismiss his feelings, to which Kiyo could only reply: «Okay...».

☄ And now... I can freely move to scenes that take place after the trial, before the execution (and this is one of those cases where it would be better if it didn't exist at all, or only existed in a few sentences).

TW: mention of incest and analysis of incestuous relationships.

❧ Yes, I'm starting with the most dysmoral stuff. After some thought about "why would Miyadera need this all in all", I came to the only plausible conclusion. Kiyo was probably the first one to fall in love with her (especially if she restricted his contact with other people = was the only person close to him) and she took advantage of that: а) out of despair that death is near and she has no friends or anyone else, has no choice; b) because a lover is even easier to control – he will be completely at her mercy.

I've made similar theories before. The only thing that wasn't clear before the direct playthrough was: "Why do many fans also see hints of sexual abuse from Miyadera..?" But now I have a bit of a guess...

Yes, we see the "no physical connection" note, but any way you look at it, Kiyo's words sound TOO provocative. If it had been, let's say, a simple hug, nothing would have stopped him from saying it directly (and that would sound just as "romantic"), but no... And the illustration itself seems designed only to confuse. On the other hand... Where basically could they have made love if the sister lived in the hospital? .-. And probably very often was in a weakened / critical condition?¿

Moreover, during the same monologue, Shinguji utters an intriguing line:

They called. What "they" he is talking about...? The parents? Doctors? But if "they" were so outraged, why didn't anyone try to limit the communication? Or is this a hint that attempts _were made_, but Shinguji siblings always found a way to "find each other again", unwavering feelings, all stuff..? Honestly, it sounds like clichéd phrases from novels that are hard to take for granted. I don't even have any assumptions here.

Another thought-provoking formulation

❧ «I had to kill». So Korekiyo with his own mouth calls it coercion – and again, related to his sister. It is as if he is admitting: "Yes, I had a sick, lonely sister. One day she died. If things had been different – I would never kill...". But that doesn't change the ambiguity of his words, does it? Moreover, I would venture to say that it is precisely this position that scores a few points in favour of his haters. For Shinguji, the quest to "gather 100 female friends" was a noble gesture, but for all sane people it remains an unwarranted horror, as it is unlikely that his sister would have directly asked him to do such a thing. There is no evidence,

[except these words, I guess]

...to support this, besides the tulpa – as a projection of Korekiyo's unconscious – can't be trusted with everything. Therefore, the only conclusion to be drawn is that Shinguji has invented such a goal out of despair caused by her death...

And in fact, he confirms it, yeap.

All of the above only convinces me that the quest. to gather. a hundred. female. friends. should. never. have. existed. This concept destroys everything from logic to the personality of Korekiyo Shinguji (or rather, those little particles are left of it). And that should be the fiction of his story.

Oh. Another line provoking the question "why is it..?". 

❧ Yes, it's clear that Kiyo's understanding of love is distorted by the negative background of his relationship... But I would have described it in detail: in fact, Miyadera just never recognised him as anything more than a "little brother" or a "convenient, ephemeral lover". She didn't think they were similar in any way; that they could understand each other... An unbreakable, cold distance, full of endless illusions.

❧ But here I come to those Korekiyo's explanations that make me blaze as much as the "Shinguji is a maniac" concept. 

So... At first, Kiyo claims that his goal wasn't to escape from the academy. In fact, it makes sense – there is no one and nothing waiting for him on the outside, all that he needs is inside him...

! Meanwhile, during the trial and just before it ends !, he remains nervous, panicky, angry and hysterical, afraid of being blamed (we've already confirmed this).

But then Kiyo suddenly contradicts the "I had no intention of escaping" thesis. 

He declares that leaving the Academy would be a nice bonus for him, as he'd still be able to collect friends for his sister – he's just blighted by greed.

...What?!

So you're saying he behaved that way during the trial because he was still hoping to win..? That he has covered up the evidence behind him in order to get out of the academy..? (although, again, he DOESN't HAVE TO DO THAT – he can die in peace: his sister is happy, life after death continues!!)

I don't understaaaand 😫 It's so outrageously cynical! The facts add up to an unbearably illogical, contradictory mass, which in turn spoils the fans' attitude towards Korekiyo again... It breaks my heart.

☄ As you can see from the tone of the previous paragraph, I'm not going to end on a very positive note. A few hundred words ago, I promised to outline Korekiyo's main sin (read writer's)... So, I think it's about the circumstances under which Korekiyo decided to kill.

«Caged Child» séance.

An anthropologist who genuinely honours tradition... An anthropologist who's frankly delighted to have the opportunity to conduct a super-rare séance and communicate with the dead... Suddenly destroys everything that is part of his life's work in such a devil-may-care way? Are you _serious_?? Nothing could be more cynical than that. EVEN IF, as we know, the real reason for this attitude is love for his sister and the desire to give her 100 friends, this is no excuse, as anthropology and sister are still two closely linked things for Kiyo. It was Miyadera who encouraged him to develop their shared passion. It was Miyadera who made him a special uniform for field work. To betray anthropology is to betray his "true love", and how Kiyo can allow that to happen when he's so obsessed with this imposed love?? Doing this to your own brainchild is terrible.

And now, Korekiyo's last words:

By golly, if only the writers had left out those few rather deep, good lines – it would have been much better. I can't claim to be a literary genius, but the recipe sounds pretty simple to me:

We have a younger brother whose most important, closest person, who has built his life around her own leadership, is his ill older sister. The sister dies, the brother loses his mind in despair, and a little later gets involved into a killing game.

The organisers can erase his memory of his sister's death (provided he doesn't have a tulpa), or leave him with a tulpa and manipulate his mind with motives. Whether from chapter two or three – any motive will work. The main thing is to remind Korekiyo of how much he misses his sister, how much he misses the control he's so used to and/or the warmth, the voice, the visual embodiment of her.

This provokes a murder. Kiyo kills ONCE and NOT with an important anthropological séance, showing his respect. He tries to hide his direct involvement in the crime and panics at the trial because he has been taught – you cannot be wrong, Sister would not approve of your mistakes. One way or another, mistakes were made because of haste – his guilt is proved.

And well done o/ We get a character who resorts to killing because he can't deal with the death of someone dear to him and who had also abused him all his life. Touching – check ✔️ Empathy – ✔️ Cruelty – still ✔️ It's not so hard! .-.

But okay xD I hope you enjoyed reading this long analysis along with my still fresh impressions! ^^ I can't tell you how much I miss Kiyo continuing to play... But I have to move on, because the further I go, the more useful I find it. Thanks for your attention and have a nice day everyone – let's love Korekiyo Shinguji! 💖

[merbear25]

Matchup info

I go by Mer or Meredith ��

My pronouns are she/her and I prefer men.

Personality: Leo, INFJ, 1w9, HP house Ravenclaw. Making an effort to understand myself and others is important to me, so that leads to long periods of pondering my actions, as well as others’. I love having me time, though I enjoy being with those close to me from time to time. I'm very supportive, encouraging, reserved, clumsy, easily flustered, athletic, conscientious, witty and sarcastic. Though I unintentionally come across as intimidating, I'm rather gentle and caring. I'm pretty stoic and some misinterpret it as being emotionless (I honestly just want the best for everyone). I rarely lose my cool. I’m adventurous and have completed a dream of mine–living/working in a country that doesn’t speak my native language. If I've earned someone's trust I will be loyal to them through and through. I can be annoylingly strong-willed and resilient. I actively search for things to be thankful for to remind myself that there's a lot of beauty in the world, and I'm glad to experience it. I adore challenging myself both intellectually and physically. I am happiest when seeking out information, reason, and understanding. I’m really kinda superstitious…

I work as a foreign language teacher, so my job requires me to have patience, be understanding, able to think on my feet, and creative. I'm incredibly determind and dedicated, which helps push me through difficult days. I strongly encourage those I teach to speak their minds and have open discussions.

My love languages are definitely acts of service and words of affirmation. I don't dislike physical affection when it's from my s/o, but I don't tend to seek it out. If I ever actually want to cuddle, I like to set time aside to do it, so I can fully enjoy holding each other. Quality time is fine, especially when we're just doing our own thing but sitting near each other. I will always appreciate gifts but hate feeling like I owe others.

Likes and Dislikes: I love discussing topics that revolve around enigmas (specifically death). It's not as important to have others agree with me as it is to explore the unknown with them. I like practicing the languages I know, psychology, biology (especially dissections 💜 ), demonology, genealogy, reading, museums, Victorian history, history related to war and disease 💜, singing, and exploring my surroundings. Favorite bands atm: Blood cultures, Tardigrade Inferno, Stolen Babies, Otyken, and Tally Hall. Cats and rodents are top tier pets. A large portion of what I read/watch relates to the occult. I dislike storms, large bodies of water, and people who always turn disagreements into arguments.

I don't know if this may help but the anime men I've been the most obsessed with are: Caesar Clown, Faust VIII (Shaman King), Grimmjow (Bleach), England (Hetalia), and Vash (Trigun). The first two are my favorites of the bunch 👀

Hobbies: Writing horror stories, DnD, reading, singing (learning metal throat singing too), listening to music, playing the piano, dancing, watching horror movies, drawing, and yoga. As an avid horror fan, animated movies are for sure a guilty pleasure of mine. I collect living dead dolls and nutcrackers.

Appearance: long wavy auburn hair and my eyes are more of a honey brown. I always wear round glasses. I'm pale with freckles on my cheeks and nose. 5’9, lean, more of an hourglass shape and have a bit of muscle. I mostly wear black and white, but also lilac :) My aesthetic is a mix between grunge and dark academia. However, I love mixing bright colors and wacky patterns too!

[madewithspice]

Could I please get romance matchup for Aot, Jjk and csm

My name: Nataly

Sexuality: bisexual preference with male but you can match me with any gender but on chainsaw man only

Like: animals, sweets, hugs, honest people, funny people and drawing

Dislike: my parents, hypocrite people, when someone lie to me with nice words so I can feel better, fake people and getting misunderstood

I’m a 5”1 female Capricorn and INFP-T 4w5 who’s quiet and reserved, doesn’t socialize with anyone. I’m really different from other girls and I’m not special to anyone. Most people view me as innocent and shy since I look young, don’t smile nor talk to anyone but I’m most likely anxious, cold and wary towards stranger, distance myself from others to avoid getting hurt and don’t want to cause any problems. It takes a long time for me to open up on people and I’m really selective about who I let in since I been betrayed before. I tend to hide my feelings and struggle because no one understands it and I feel like I don’t matter since I been ignored. I become really close with those I’m able to trust so once I get to know them better but also feel comfortable and safe with them, I warm up and open up on them and may tell them about my toxic parents, I feel like I don’t matter since I been ignored. I become really close with those I’m able to trust so once I get to know them better but also feel comfortable and safe with them, I warm up and open up on them and may tell them about my toxic parents, I feel unsafe around them so I want to be somewhere else. I’m really hard on myself, I’m pessimist, hot headed, insecure over my body and myself, I care so much what people think of me which I hate it and want to learn to not care but I want someone to be honest with me and I hate sugar coated lies. I’m also compassion and observant, I just tend to be tsundere but I do show my concern for others, even jerks people, I believe that there might be something good in them and I help people who’s in similar situation to the one I experience. I’m a playful person too but when it comes to love I get so flustered and may let my f/o know how much they mean to me. I don’t read the manga of the chainsaw man and jujutsu kaisen but I did finished reading the manga attack on Titan. Feel free to delete it if you don’t accept this

For CSM I match you with Kobeni Higashimiya.

Kobeni would listen to everything you say with such dedication. She is a very caring and considerate person and would fit in perfectly with you. She’s your number one fan and supports you in everything you do. She’s very loyal to the people she cares about.

As Kobeni has always looked after her family and cared for them despite her family problems, the two of you bond over this and find comfort in each other’s emotions and advice.

Your aot match will be Levi

He may seem aloof but you two get each other. He doesn't pressure you to talk or open up when you meet. You two find bliss in silence and the fact

He tries to help you with your insecurities by managing them so they won't be all over your mind and stop you from being yourself. He doesn't care about what people say so he wants to pass that on you

Your jjk match will be Megumi

When you met Megumi there was an instant connection. It took you time to be friends with him since neither of you wanted to make the first move but once you became closer everything changed. Your true personality was ready to shine

Your ideal date is going to a petting cafeteria where you can pet small animals and eat aesthetic snacks with relaxing movie without you having to talk all the time

- Kiki and Markie

[riotmusicinfo]

Why We’re Thankful for Cocoa Domyoji!

Cocoa Domyoji. After spilling her soul to the judges at the rigorous Rising Hoper audition series, she joined RIOT MUSIC without single senpai to help guide her down the path. She worked arm in arm with the then-fledgling Virtual Music Agency to begin to pepper the world with songs that would lay the seeds and performances that watered the soil for the RIOT OF EMOTION to come. 

We’ve discussed how far she’s sprinted down the path of accomplishment since her debut, and now want to commend her, and thank her, for not just what she’s done but who she is. Let’s take a few snapshot slices of her soul and put them on the page, so maybe you too can see what we see in her, in addition to what we hear from her already!

Cocoa Flashes The Brightest Smile

Go to any Cocoa Domyoji live show. Heck, you can even see it on her singing streams! Cocoa approaches each and every situation with a bright smile, one that makes you say to yourself, “yes I will dedicate my life to spreading her good word to every corner of the internet, and maybe even the physical globe if I can afford all of that air travel.

The “Fall in Sunset” Music Video Is Still Really Really Good

Released for all to see on September 20th 2020, and over two years later the RIOT MUSIC Virtual Music Agency still jams the Fall in Sunet video on a regular basis, for a few good reasons. Most notably, you get to hear Cocoa’s loving crafted original “Fall in Sunset,” duh. Watching the video itself makes for as good a time as listening to the song, what with all of that visually delicious pixelly lo-fi low-poly goodness! Just fire up it and you too can enter the world of the most tricked out Nintendo DS game you never got to play! Finally, it’s not just a lo-fi experience, it’s a particularly aesthetic lo-fi experience, drink your fill of those melancholic purple hues!

Cocoa Looks Like She Plays The Guitar Really Well

We feel like Cocoa Domyoji possesses the finger-picking skills of Carlos Santana. You’ll see Cocoa take a six-string in hand and she sure looks like can play the heck out of one of these things. Cocoa probably spirits tunes out of fretboards like witches summon brooms every Halloween!

There’s No Way Anyone Would Beat Her In A Sword Fight

You approach Cocoa Domyoji, unsheathe your Katana and… Wham! Bopped on the head by her excellent saber skills. You try again, this time taking a big old iron slab broadsword in hand and use every muscle you’ve ever had in whole your meatsack body to land just one crumb of a hit on her and she, like a fairy, hops on the top of you blade and bops you in the head! Not only is Cocoa Domyoji capable of such a feat, all that RIOT MUSIC stage training leaves are girls ready to take on any errant samurai or swordsman.

She Would Pilot A Mecha For All Of Her Fans If She Needed To

Cocoa sings. Cocoa dances on occasion. So far, she hasn’t had the chance to hop in the cockpit of real, say, a OZ-00MS Tallgeese or an even an Arbalest but know dear fans Cocoa would don that pilot suit no matter uncomfortable it may be and take a giant hunk of metal to the skies to protect all of her homies in the real and virtual worlds.

It’s Flat Out Impossible To Feel Angry Or Be Sad When Listening To Cocoa Domyoji

No need to say more!

Cocoa Domyoji Remains Too Cool, Even When She’s Glitching Through Reality 

One second you’re watching Cocoa Domyoji put her vocal chords to work on one of her weeknight singing streams. You think you're just going to put it on while you study, or decompress before bed, but the next thing you know she’s clipped out of your PC monitor tumbled down right before your eyes? You make eye contact, she nods and gives a “sumimasen”, before phasing right back to that pre-scheduled stream, but now she's singing your personal favorite anime song.

For these reasons, and 100 billion more, RIOT MUSIC is so thankful to be able to call Cocoa Domyoji one of our own. Of course we had our own rising hopes when she passed the Rising Hoper audition a sparkling-million colors, but to us and we hope to you too Cocoa has been nothing but a brilliant dream come true! 

Why are you thankful for Cocoa Domyoji?

[ecargmura]

Hirogaru Sky! Precure Episode 1 Review: Hero Girl Sky!

I like magical girls, but I’ve never tried watching Precure in the past. I’ve only discovered what Precure was when my Twitter friends were talking about it. I was curious about Precure, but it did feel hard to get into since it already has an established fanbase with die-hard fans. Was there a place for me in the Precure fandom? That was what I thought in the past. As I got older, I realized that I don’t need to be shy. If I want to make friends, I’ll make friends.

(Also, you can check out my review of this episode on my blog, but if you don't want to, continue below)

My only experience with a Precure show was watching the first five episodes of Delicious Party Precure. I enjoyed them, but they also made me really hungry with all the food shown in those five episodes.

And since Hirogaru Sky Precure got announced, I did get a bit excited for five reasons:

1. I love stationery. Stationery seems to be a prominent theme with how the trailer shows pens and notebooks. As a writer, I am a huge stationery junkie. I love pens, paper and anything cute.

2. Sky aesthetics. I love sky-themed stuff in general. This show is about sky, flying and such, it got me excited.

3. Sora and Mashiro’s designs. I like blue-themed characters, so I was instantly drawn to Cure Sky/Sora Harewataru’s design. However, what drew me in the most was Mashiro’s design. I like the coral pink hair used for her hair color and I like her overall design.

4. Ayumu Murase is casted as a Precure. I like Murase’s voice and the fact that Cure Wing is the first male Precure in a franchise that dedicates itself to female magical girls got me curious.

5. The title is a pun in itself. I love puns. Hirogaru means Soaring in Japanese, but it’s also play on words for “Hero Girl”. The main character, Sora, is a girl wanting to be a hero, hence Hero Girl. My pun-loving self FLIPPED when I learned about this.

This was why I decided to check out this show by watching the first episode. Did I enjoy it? I liked it a lot! It’s fast-paced and it brought a lot of questions, but I’m sure they’ll be answered as the show progresses.

From what I can decipher, the story is about Sora Harewataru, a girl from a world called Sky Land. She’s traveling to the capital for some reason, but becomes involved in an impromptu rescue mission involving the kidnapping of Princess Ellee by a humanoid pig villain named Kabaton which then causes her to get transported to Earth where she meets Mashiro Nijigaoka.

Sora is an interesting lead character from what I can see. From the research I’ve done on Precure, Pink Cures are usually the lead while Blues are like second bananas or so. She’s the first Blue lead in the show’s history. She’s headstrong and is ready to jump in and save the day. The last time I’ve seen an athletic lead for a magical girl show was back in Cardcaptor Sakura—one of my absolute favorite magical girl shows. Her heroic actions are presented well. However, she also has weaknesses as she’s not as physically strong as she wants to be due to her status as a human.  She’s agile and a quick-thinker, but that does not stop her from getting caught off-guard from Kabaton’s sneak attacks. It’s only when she transforms into Cure Sky that she finally gets the power she lacked as a human to save the day. There’s a lot of questions surrounding her too. Why was she going to the capital that day? Who inspired her to become a hero? I hope the answers will be told throughout the show. I think her most admirable trait is the fact that she was willing to jump into a portal just to save a crying child. That’s pure bravery right there.

Speaking of transformation, the transformation scene was AMAZING! I was hooked in the moment Sora’s hair changed into pig tails. I think having the little sphere space is a unique idea. I also love the incorporation of “hop, step, jump” because it reminds me of Shugo Chara, another favorite magical girl anime I adore. While I’m more of someone who likes it when shoes are implemented last in a transformation scene, her having her shoes on first makes sense as she’s jumping around. I can’t wait to see the other three transformation scenes.

Mashiro, as a character, is the opposite of Sora. She’s shy, reserved and a bit more hesitant unlike Sora. However, I believe that her character arc stems from the first impressions. She’s shy, but will most likely gain confidence as she spends time with Sora and Ellee.

Princess Ellee is currently just plot device. She has a special power that is coveted by the villains that allows people to change into Precures. However, it adds onto the mystery surrounding her. Why does she have this power? Who wants this power? I’m sure that Kabaton works for someone coveting the powers of Precure. My assumption is that it’s the person Sora admires from the opening.

Speaking of Kabaton, I cannot forgive that pig for destroying someone’s diary. Bruh, that’s a waste of paper and privacy! Unforgivable!

I wonder how Sora and Ellee will return to Sky Land. How will she deal with the nuances and quirks of Earth culture? Let’s find out in episode 2 together! Let me know if you like my review of Hirogaru Sky! Precure! I’ll try to do more and possibly older Precure shows as well!

[dearestones]

Hetalia Matchup: China 

Warnings: Fluff. 

@aeriscallanga Request: Hello can I have a Hetalia romantic male matchup?

𝗦𝗘𝗫𝗨𝗔𝗟𝗜𝗧𝗬/𝗣𝗥𝗢𝗡𝗢𝗨𝗡𝗦: Biromantic Pansexual and Genderfluid; He/They (though I'm biologically woman irl)

𝗔𝗣𝗣𝗘𝗔𝗥𝗔𝗡𝗖𝗘: 20 years old, 5'1", Southeast Asian. Chubby with brunette bob cut hair, chocolate brown eyes, and a small beauty mark on my forehead. My style is in between soft grunge and soft punk (not a big fan of dress except for occasions) but loves to wear Korean makeup style

𝗣𝗘𝗥𝗦𝗢𝗡𝗔𝗟𝗜𝗧𝗬: Muggleborn Ravenclaw with a patronous spirit of Hummingbird, an INFJ (last time I checked at MBTI test), my enneagram is 4w5 and my moral alignment is Neutral Good. I may have a slight introverted tendencies and awkward nature, I describe myself as fiery, swears like a sailor, confident, jokester, and, passionate. Religious, super talkative, sometimes hyper (because of excitement), giggly (I always laugh for stupid reasons), nerdy, actually sweet and nice though I can be aloof, intimidating, and scary when I get so angry. I tend to become really fiesty, stands boldly on what I believe (claiming myself as a realist though some of my views doesn't makes sense), and unbothered to be true to myself, clumsy, stubborn, hopeless romantic, young-at-heart, unfortunate and inattentive. I have "no bs" towards the people that I hate, sarcasam and savagery is my main language. But on the other side, I overthink a lot and cry over small things many times, small mistakes leads me to provoke me even more that sounds like a drama queen, yet recognizes a soft spot for dumb jokes, cheesy pickup lines and prefer people with a good sense of humour who see myself as equal. Chill in academics, but very competitive that manages to the top even for my dreams---I'm very dedicated on what I want for my life, and I display modesty and gracefulness towards some people that deserves respect. One notable feature about her is her multi-potentiality due to being naturally gifted in artistic fields (this includes singing).

𝗜𝗡𝗧𝗘𝗥𝗘𝗦𝗧𝗦: Arts, choir, poetry, karaoke, literature, history, makeup, beauty pageants, fun/deep/dumb conversations, expanding my knowledge in Christianity, documentaries (about saints), reading interesting stuffs, talking about social issues, and creative writing, chilling both indoors and outdoors.

𝗛𝗢𝗕𝗕𝗜𝗘𝗦: Drawing, singing, dancing when nobody's around (I'm very bad at it), sharing nerdy or opinionated thoughts, walking like a model (if I ever feel so confident), sleeping, listening to music (from rock to kpop), chatting or browsing on social media, watching videos on YouTube, making terrible jokes/puns, watching cartoons, writing, reading interesting things, and conceptualizing my artworks. I also used to study Italian language a bit

.

.

.

After going through your description, I think you pair well with China!

China is also a short person, especially in comparison to his fellow Nations, but he finds that your cute height is just enough for him! He’ll constantly dote after you and will place tiny little butterfly kisses over your beauty mark on your head. 

He doesn’t do grunge, often preferring a comfortable style associated with older men or plain business casual, but he finds that your aesthetic really pairs well with your personality. 

What China truly loves about your personality is that you’re always yourself. You never refrain from expressing your true feelings and he finds himself in silent awe at just how emotive you can get. As a Nation, he often finds his hands tied when it comes to his government and his intervention in foreign policies, so to see someone who has far more freedom than him is somewhat of a gift and a novelty.

Unlike some other people, China relishes in the many facets of your personality. The ups and downs of introversion, outburst, swearing, etc. are all so fascinating to him. He’s a being with over four thousand years of experience under his belt. To find a lover, he needs to find someone who can effortlessly keep him on his toes and you more than fit the bill.

He’s also very competitive at heart (have you seen him go head to head with America as the next global superpower?) and will love to give you a challenge if you ever feel so inclined. He will literally challenge you to anything, even if it has nothing to do with academics.

Speaking of academics, he’s a firm believer that education will set you far in life. When he sees that you have your own goals and ways of achieving them, he finds himself pleased. He likes people who are decisive and know what they want out of life. 

Furthermore, China absolutely loves the plethora of interests and hobbies that you have. Again, he’s an older Nation, so he’s probably seen and heard of everything before. He’ll more than likely be able to keep up with your conversations and even recommend or push you to seek out more hobbies that are related to your old ones. He’s a fan of your singing and finds it soothing. 

Please sing him to sleep. He’s an old man, his joints are aching, and life gets too hard sometimes. He needs the motivation to sleep. 

Anyway, China will give you a grounded balance to your vivacious, authentic nature. He may act like an old man too much at times, but really, he’s just teasing you. Don’t worry, you can tease him right back. 

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If you want to donate a Ko-Fi, feel free https://ko-fi.com/devintrinidad.

HETALIA AXIS POWERS/WORLD SERIES MASTERLIST

[davidjamesk]

Innovation and Precision: Sessions Clock Model W Unveiled

In the field of horology, where time isn't only a number, however, it is an artistic form, and the launch of a brand new clock is a significant event. Of all the manufacturers of clocks, Sessions Clock Company has been associated for a long time with the latest technology and accuracy. Their latest product model, Model W, the Sessions Clock Model W, promises to continue this tradition while also introducing revolutionary innovations to the field of timekeeping.

The Legacy of Sessions Clock Company

The company was established in 1903 through William E. Sessions; the Sessions Clock Company quickly earned notoriety for its dedication to quality craftsmanship and technology. Through the years, Sessions timepieces have adorned the walls and mantels of homes across the globe and earned an enviable reputation for the quality of their products and their elegance.

Innovation at Its Finest: The Sessions Clock Model W

The launch of Sessions Clock  marks an important milestone in the history of the company. It combines cutting-edge technology and timeless aesthetics; this masterpiece is a blend of precision and innovation. It is based on a carefully crafted and crafted mechanism, designed to offer unbeatable precision and dependability.

Precision Craftsmanship

Each part that makes up Sessions Clock is made with care and precision. From the meticulously created dial to the exquisitely tuned gears, every component is crucial to making sure that the clock performs at its best. This commitment to excellence is the thing that makes Sessions clocks apart in elevating them from simple timepieces into works of art.

Revolutionary Features

What really makes what sets the Sessions Clock apart is its unique features. With the most recent advancements in horological science This clock provides an unprecedented level of performance previously seen in a traditional timepiece. In addition to wireless connection, it has sophisticated features for chronometry. The Model W redefines what it means to keep track of time in this day and age.

Bidsquare: Revolutionizing the Auction Experience

In the age of technology the way we purchase and sell products has gone through an enormous change. Bidsquare is one of the pioneers of this new era, providing an online platform for collectors and fans can meet across the globe. Through its auctions online, Bidsquare brings together a wide range of objects that range from high-end art as well as rare and collectible items.

Sessions Clock Model W at Online Auction

For those who are interested in purchasing, the Sessions Clock Bidsquare gives you the chance to bid in an auction online. In just a couple of clicks, bidders will be able to access an array of Sessions clocks that include the highly anticipated Model W. Through its user-friendly layout and secured bidding system, Bidsquare ensures a seamless and transparent auction experience for everyone who participates.

The world of horology evolves. The Sessions Clock stands as a symbol of the long-lasting tradition of precision and innovation. With its classic design and modern technology, this masterpiece is the highest level of craftsmanship in the current age. Thanks to platforms such as Bidsquare, fans everywhere get the chance to acquire a piece of the time-worn history in only a few clicks of a button.

Visit Bidsquare's Auction Near Me page to discover upcoming auctions near you. Bidsquare facilitates a global audience, allowing art lovers worldwide to participate in the excitement of the auctions hosted at this venerable institution. 

Looking for auctions near me? Visit Bidsquare's auction near me page to discover upcoming auctions near you.

[thebandcampdiaries]

Hamdallah has released his debut single: "Don't Stop Build Up."

Hamdallah, known for infusing fresh energy into the hip-hop scene, originates from the Middle East, specifically Jordan. He has spent the past ten years immersed in the dynamic atmosphere of California, where he really expanded his stylistic vocabulary and broadened his sonic range.

Hamdallah is indeed the kind of artist who likes to dive deeper into his music, bringing fresh ideas to his songs and constantly pursuing excellence with his productions. He won’t just settle into a comfort zone!

Recently, he dropped his debut release, ”Don't Stop Build Up", which stands out as an outstanding example of his ability to pursue new ideas and sounds with his music while still retaining his identity and personality. This track is a perfect example of how the artist skillfully merges his Middle Eastern heritage with the laid-back vibes of California, making for a truly vibrant and high-energy sound. Not only did Hamdallah produce the beat, but he also wrote the lyrics and infused every single element of this project with passion, dedication, and his willingness to share his one-of-a-kind take on hip-hop with the world.

By drawing inspiration from both Eastern and Western influences, he did unlock something quite differently, going for a “best of both worlds” vibe!

As the title of the song suggests, "Don't Stop Build Up” is also a very positive and uplifting track that sends a message of hope to people. Yes, life is very difficult, and there is so much uncertainty in everyone’s path. However, the song encourages people to face challenges with perseverance and faith. It doesn’t matter how steep or dark the road ahead gets as long as we keep going. The chorus of the song in particular is very touching. It serves as a powerful reminder to trust oneself and keep moving forward despite difficulties.

A true positive role model, Hamdallah is bringing so much light into the world with his music, especially at a time when we need it most!

"Don't Stop Build Up" is a great snapshot of Hamdallah’s creativity, and it comes highly recommended to fans of East Coast and West Coast tones alike. Musically, the song is just as beautiful and relevant as the lyrics. The first sound you'll hear is that of a Oud, a middle-eastern instrument with roots that go back thousands of years. This combination of timeless sounds and modern rap aesthetics is truly on point. The sound of yesterday meets the tone of tomorrow, and Hamdallah is like a bridge between the past, present, and future. The energy of the 808 drops and the drums matches the infectious melody and the relentless lyrical flow of the artist, who uses his life experiences and personal stories to convey the important message of the song.

This release is a perfect taste of modern rap music at its best. It is definitely an indication that Hamdallah's future ahead is quite bright. He is certainly going to accomplish great things with his sound. Find out more about Hamdallah, and listen to "Don't Stop Build Up," now available on some of the web’s best digital music streaming services.

Check out the artist’s official websites right here:

Hamdallahofficial.com

[rawwkfingers]

Inferno

Some Doctor Who stories are genuinely fantastic, top-tier television that should be viewed by even non-fans in search of excellent storytelling

Some are so abysmally bad and/or cringeworthy that it's difficult to enjoy them even as a dedicated diehard fan

The majority straddle the line in a way that essentially requires the viewer to accept the silliness and, if they're able to, find a lot to really enjoy and I think this serial is the best example of that

The Primoids (a name I only discovered after briefly reading the wiki article on the episode) make absolutely no sense, to the point where it did stop my suspension of disbelief at times. There's no explanation of what they are or where the green goo comes from, just a vague handwave of a "primal power in the Earth."

This is now the third serial in a row where an arrogant and literally unbelievably stubborn scientist has such full control over a dangerous scientific experiment that he is able to disregard any and all warnings that things are dangerous, from military personnel to government agents to his own staff, while the rest of the cast just looks on and says "well, I warned him what else can I do!" and it was already old the first time it happened

I get that in this serial, it's meant to make a thematic point about the dangers of fascism and I think that could have worked if we hadn't already seen it done so many times before. The editing is still atrocious too

All that said though, I enjoyed it! The parallel universe stuff was really fun and the constant banter between the Doctor and the Brigadier is absolutely excellent. I genuinely laughed multiple times (which is saying something for a lot of these Classic stories,) especially at the end scene.

I did not get the impression at all that this was Liz's last episode so I was shocked when I read that in the Wiki article, though from what I gathered she hadn't intended to leave so early so I get why it wasn't depicted on screen. I like her a lot, the buddy-buddy relationship she had with the Doctor was different from anything we've seen before. It almost reminded me of the relationship between the Doctor and Donna a bit, or Rose, where they were in on the joke while everyone else looked at the Doctor's eccentricities and had to suffer haha

My season 7 ranking is

Doctor Who and the Silurians. I just genuinely love this serial and think it's really, really great scifi even now. It's flawed but really good

Spearhead from Space. A great introduction to the Third Doctor, lovely 70s aesthetics and a really cool villain

Inferno. All the problems I had with it aside, it was a good fun story

The Ambassadors of Death. Honestly, the fact that this is my least favorite of the season just shows how good this season was because I did enjoy this one

[translationandbetrayals]

One piece: Full Color Manga

If I were to talk about a specific topic of One piece, I could extend paragraphs and paragraphs, since this creation covers great themes that resonate in our society, as well as symbolism of Japan that equally crosses Western culture, which makes it a very complete work.

But as you can see, being my favorite manga, I just couldn't make up my mind about something, so I bring it to those who watch the anime and those who have read the manga to PLEASE read the manga in color.

I personally saw the anime before reading the manga, which for those who have time I find it much more friendly and enriches another type of relationship with the characters by giving them mobility and voice, which generates a deeper bond with the plot.

But since we might be very curious, we read the story weekly, catching up with the manga and falling into the madness of waiting for a new chapter, begging for a mystery to be revealed.

So this is my advice to those who are in my situation and are fans of this manga. Start the One Piece manga from 0 but in color!; You will wonder why the emphasis on color, well i will give you some arguments to convince you.

First of all, I think that one of the most attractive aspects of the aesthetics of One piece are its striking characters and colors of the landscapes that are presented to us throughout the work, so I consider this as a first indication to find relevance to what it wants to be transmitted with the very diverse color palette that exists in the world. And that is obviously found in the anime, the difference? There is a particular detail when reading the color, a painted static image requires a different assessment than when the concentration of the animation is in the movement.

This different assessment is also given by the rhythm of the reading, you no longer want to know what happens, but you begin to perceive new details that perhaps you did not grasp at the first reading or now that you know more, you give it more meaning; which personally happened to me at various times.

Having seen it animated, a very particular effect happens, you start imagining the movements with greater ease, your mind completes the scene with dynamism and gives it a sound at the moment.

Finally, I think that unlike the black and white manga that comes out weekly, the dedication to illustrating the background and the details of the characters is very noticeable, which also gives clarity to what is happening.

I really recommend it if you love One piece, before you watch it twice, reading it is a very moving artistic storytelling experience

  Amapola

[thechekhov]

Alright, alright, I caved.

After a slot opened up in me to be able to take on another show emotionally, I decided to invest in OwlHouse. I thought I would probably like it, but it won me over faster than I thought it would.

I’ve already watched a few episodes, but I realized that it might be more fun to do liveblogs, so here I am - with a liveblog...

I will be doing this episode by episode, and probably releasing them every once in a while. Everything will be under a cut, however, to save you all dash space.

If you’d like to follow, please track the #chekhov watches owlhouse tag!

(I’d also like to dedicate this post to the Tumblr Staff Rob, who did his best to restore this post for me when tumblr queue ate it.)

Without further ado...

Episode 1!!

Fair warning - this is technically not a ‘live’ blog, because I have already watched some of the show before deciding to do this, but I’ll still react to them to round things out.

Immediately, this reminds me of Little Witch Academia... Anyone? No? Only me? I feel like maybe I’m getting my wires crossed, but there HAD to have been some inspiration taken from there?

“No-- my only weakness! Dying!!“

Same, big snake monster. Same.

Oh, backup snakes? This girl is READY.

Please don’t mistreat the snakes.

Spider breath... This kid is on my wavelength. That griffin seems to be waiting to be put out of its misery though, and I don’t blame it.

My child... where did you get that pigeon head though.....

Nurse mother, do you REALLY think signing up your spider-summoning daughter for summer camp will actively make her antics slow down instead of ramp up to 60?

Awww, baby makes AMVs... But also, NO ONE TOLD YOU TO THROW AWAY THE BOOK??? I know it’s symbolic, but goodness, isn’t that a bit much???

wait a sec, is that Eda????

Love the realistic bilingual kid experience of replying in English when your mom talks to you in your native language. Universal.

Love this introduction of Eda’s character. She’s got that little green scarf on and everything. Like a tiny trash grandma.

Oooh, okay, let’s extrapolate...

Lots of bones everywhere. I kinda love the aesthetic here - it’s gross and visceral, kind of like what Luz was making with her school projects. Yet in the middle of it all we have a rather clear gothic looking structure. Is this a power imbalance in the supposed kingdom?

The five circles of stained glass seem to perhaps indicate something like Hogwarts houses? Several different types of magic?

But Luz has no reason to freak out as much as she is - she LOVES weird stuff! Haha... No, I kid, I kid. I get it.

“Am I in the bad place?“

Eyyyyy, gotta love shows referencing other shows. :)

“Oh dear child... I’m not like you.”

Wow, what a DRAMATIC reveal for some pointy ears. :) I love her.

We should all aspire to have such cool and stylistically well put together wanted posters. You can tell the commissioned artist really respects her craft.

Steven Universe fans watching this:

I’m looking too.

Okay, okay, enough shenanigans, let’s have some LORE.

I love this landscape. Teeth or bones, or whatever they are, this is one of the more unique settings we’ve gotten, though maybe I’m prejudiced because I love body horror and bones. The darker orange and red themes fit really well here.

Things I’m desperate for: Giraffe Lore 

Things I’m more desperate for: Eda lore. Why do her limbs fall off? Is she a zombie?

Things I’m not quite as desperate for: Hooty lore. He can keep that to himself.

well hello there mysterious chekhov’s glyph which will DEFINITELY not be relevant in the second chapter (or end of season? Maybe? Idk it just seems important).

Ah, yes. That would have been my reaction as well, to be fair. Somehow I didn’t expect to see this guy so early on. I figured he would be a low stress early villain that got assimilated into the Found Family. Kinda psyched that he’s just there from the start.

....I’m just gonna presume this is all true and accept it at face value.

Old Escape The Cops Lady and Tiny Little Demon King, I need your backstory. How did you meet.

I love looking at background details, because like... you can tell the BG artists had fun. I particularly love how the 3 eyed toad doesn’t actually have any reward attached to her. Though the Knife Baby does intrigue me!

“I write fanfics of food falling in love.”

Why am I being called out...

“Noo! My weak nerd arms!”

Finally, a realistic portrayal of a protagonist thrust into a fantasy setting!

.....................

Okay but. If only humans could pass through the barrier... wouldn’t that mean a human had to have deposited those things in there? Do they have a human on staff in this weird pseudo-prison??? Suspicious....

Confession - when I initially saw ads for this show, I expected Eda to be a villain, not a loveable middle aged witch aunt figure. I am shockingly even MORE drawn to her this way. I expected betrayal. I expected her to be a lowkey threat?? But no. She’s just wholesome in the way a solid raccoon is.

“Eda, are you okay?!”

“Yeah, this just happens when you get older...”

“........does it..?”

If I had to pinpoint the exact moment this show won me over...... it would probably be this one.

I know it’s probably the wrong thing to focus on, but what is that insignia? Wings??? Like.... the kind OWLS HAVE?????

COINCIDENCE??? I THINK NOT!!!

I’m really loving the landscape here. And those fireworks are... hmm... intricate?

Gotta love the old tried and true Witch Apprentice Actually A Live In Intern trope. :)

Hold up...

Is that

Is that Hooty? I thought he was just a door....

Eda: This is my room for human stuff. I will also put my human in there.

. . .

Overall rating: I think this is a cute overall beginning. The prison break went hard! I enjoyed the characters and it kind of surprised me in a lot of ways. It definitely does a great job setting up a world with a lot more to explore while giving us a small taste of cool magic stuff and witchy battles. :)

Now on to Episode 2!!

Read the liveblogs in order by clicking here!

[wickwrites]

Wonder Egg Priority Episode 4: Boys’ and Girls’ Suicides Do Mean Different Things (But Not in the Way the Mannequins Want You to Think!)

So, let’s talk about this for a second. After I got over my initial knee-jerk reaction, I realized I wasn’t sure how to make sense of exactly what the mannequins were arguing for here. So let me rephrase their statements to make the argumentative structure more explicit: Because men are goal-oriented and women are not, because women are emotion-oriented and men are not, and because women are impulsive and easily influenced by others’ voices and men are not, boys’ and girls’ suicides mean different things – girls are more easily “tempted” by death, and therefore, more likely to require saving when they inevitably regret their suicide. While Wonder Egg Priority, so far, seems to agree with the vague version of the mannequins’ conclusion, namely that boys’ and girl’s suicides mean different things, it refutes the gender-essentialist logic through which that conclusion was derived.

The mannequins choose a decidedly gender essentialist approach in explaining the difference between girls’ and boy’s suicides; they argue that the suicides are different because of some immutable characteristic of their mental hard wiring (in this case, impulsivity, emotionality, and influenceability). Obviously, this is a load of bull, and Wonder Egg Priority knows it. The mannequins are not exactly characters we’re supposed to trust, seeing that they’re running a business that is literally based on letting these kids put themselves in mortal danger. As faceless adult men, they parrot and possibly represent the systems that force these girls to continue to be subjected to physical and emotional trauma (it’s probably more complicated than this, but four episodes in, it’s hard to say more). So, we’re probably supposed to take what they say with great skepticism. Also, the director, Shin Wakabayashi, has recently said that in response to these lines, Neiru was originally going to object, “When it comes to their brains, boys and girls are also the same,” (which unfortunately is not exactly true and is somewhat of an oversimplification, but the sentiment is there). While that line ultimately did not make it in, Neiru does reply with a confused and somewhat indignant, “What?!”, a reaction that gets the message across.  Neiru is not a fan of gender essentialism, and as a (more) sympathetic character, we’re supposed to agree with her.

That is, the differences between boys and girls is not something inherent to their biology or character, but something constructed by culture and experience. This rejection of gender-essentialism is apparent in Wonder Egg Priority’s narrative, which takes a more sociocultural perspective on the difference between boys’ and girls’ suicides. It says, well of course boys’ and and girl’s suicides don’t mean the same thing, that’s the whole reason why we’re delving into the experiences specific to being a girl (cis or trans) or AFAB in this world – to show you how girls’ suicides are influenced by systems of oppression perpetuated by those in power (ie. the adult, in this specific anime).

And all the suicides we’ve seen up until now tie into that somehow. For instance, Koito is bullied by her female classmates who think that Sawaki is giving her special treatment. This is a narrative that comes up over and over again, in real life as well: that if a young girl is being given attention from an older man, then it’s her fault – that she must want it, or at least enjoy it somehow, and that it signifies a virtue (eg. maturity or beauty) on her part. And if Koito is actually being given such treatment by Sawaki, an adult man in a position of power over her, that is incredibly predatory. 

And we all know that child sexual abuse is something that overwhelmingly affects girls, with one out of nine experiencing it before the age of 18, as opposed to one out of 53 boys (Finkelhor et al., 2014). Regardless of whether Sawaki was actually abusing Koito or if the students only thought that he was, Koito’s trauma is ultimately the result of this romanticized “love between a young girl and adult man, but not because the man is predatory, but because the girl has some enviable virtue that makes her desirable” narrative. Similarly, in episode 2, Minami’s suicide is driven by ideas related to discipline and body image in sports, which while not necessarily specific to female and AFAB athletes, is framed in an AFAB-specific way. For instance, take the pressure on Minami to “maintain her figure”. Certainly, male athletes also face a similar pressure, but we know that AFAB and (cis and trans) female bodies are subject to closer scrutiny and criticism. We know that young girls are more likely to suffer from eating disorders. And Wonder Egg Priority situates Minami’s experience as decidedly “about” AFAB experience when her coach accuses her change of figure due to her period as a character failing on her part.

 Likewise, episode 3 delves into suicides related to “stan” culture, this fervent dedication to celebrities that is overwhelmingly associated to teenage girls. And Miwa’s story, in episode 4, explicitly shows how society responds to sexual assault. When Miwa does have the courage to speak up about her assault, she’s instantly reprimanded by basically everyone around her. Her father is fired because her abuser was an executive of his company. Her mother asks her why she couldn’t just bear with it, telling her that her abuser chose her because she was cute, as if that’s supposed to make her feel better about it. Wonder Egg Priority shows that this sort of abuse is a systemic problem, a set of rules and norms deeply engrained in a society and upheld by all adults, regardless of gender, social status, or closeness (to the victim). Wonder Egg Priority says that, yes, girls’ and boys’ suicides have different meanings, but it’s not due to some inherent difference between the two, but the hostile environment in which these girls grow up. Girls are not more easily “tempted” by death, they just have more societal bullshit to deal with.

But Wonder Egg Priority goes further than just showcasing how girls’ (and AFAB) experiences are shaped by sociocultural factors. The story also disproves the supposedly dichotomous characteristics that the mannequins use to differentiate girls and boys (i.e. influenceability/independence, impulsivity/deliberation, emotion-orientation/goal-orientation). If the mannequins are indeed correct, and that girls are just influenceable, impulsive, and emotional, you’d expect the girls in the story to be to be like such too. Except, they aren’t. Rather, they’re a mix of both/all characteristics. This show says that, certainly, girls can be suggestible, but they’re also capable of thinking for themselves. For instance, when Momoe asserts her own identity as a girl at the end of episode four, she rejects the words of those around her who insisted that she isn’t a girl. If she were as suggestible as the mannequins believe her to be, that would never have happened – she would have just continued believing that she wasn’t girl “enough”. But, she doesn’t because she is equally capable of making her own judgements. Likewise, Wonder Egg Priority shows that girls can be impulsive, but they can also be deliberate and pre-mediating. When Miwa tricks her Wonder Killer into groping her to create an opening for Momoe to defeat it, she’s not doing it out of impulse – it’s a pre-mediated and deliberate choice unto a goal. And Wonder Egg Priority continues, girls can be equally emotion oriented and goal oriented. Sure, the main girls are fighting because they have the goal of bringing their loved ones back to life, but those goals are motivated by a large range of emotions, from guilt to anger, grief, compassion, and love. 

Being emotion-driven doesn’t mean you’re not goal-driven, and vice versa. In fact, in this case, being emotional drives these girls toward their goals. In other words, none of these traits that the mannequins listed are either “girl traits” or “boy traits”. Being one does not mean you can’t be the other, even if they seem dichotomous at first. Wonder Egg Priority’s diverse cast of multi-dimensional female characters allows it to undermine the mannequins’ conceptualization of gendered roles, refuting the idea that these (or any) character traits should be consider gendered at all.

As an underdeveloped side thought, I think Wonder Egg Priority’s blurring of gendered roles is also well-reflected in its style. There’s been a lot of talk about whether Wonder Egg Priority constitutes a magical girl series, and I think that’s an interesting question deserving of its own essay. Certainly, it does follow the basic formula of the magical girl story: a teenage heroine ensemble wielding magical weapons saves the day. But it also throws out a lot of the conventions you’d expect of a magical girl story – both aesthetically and narratively. Aesthetically, it’s probably missing the component that most would consider the thing that makes an anime a magical girl anime: the full body transformation sequence, complete with the sparkles and the costume and all that. Narratively, the girls are also not really magical girl protagonist material – they’ve got a fair share of flaws, have done some pretty awful things (looking at Kawai in particular; I still love you though), and aren’t exactly the endlessly self-sacrificing heroines you’d expect from a typical magical girl story. On the other hand, the anime also borrows a lot from shonen battle anime. We get these dynamic, well choreographed action sequences full of horror and gore, the focus on the importance of camaraderie between allies (or “nakama”, as shonen anime would call it) exemplified through all the bonding between the main girls during their downtime, and in the necessary co-operation to bring down the Wonder Killers. That said, this anime is not a shonen; the characters, types of conflicts, and themes are quite different from those that you’d find in a typical shonen. The bleeding together of the shonen genre and the magical girl genre, at the very least (and I say this because I think it does way more than just that), reflects Wonder Egg Priority’s interest in rebelling against conventional narratives about girlhood and gender.

[maxwell-grant]

You have done an (excelent) post on how to reinvent Batman as a Pulp Hero. Do you think you could do one to Superman as well? Or do you think it is impossible to do this with the progenitor of the Super Hero genre without transforming him in a totaly diferent character?

Well, you saying it as impossible only makes it seem ever more tempting of a challenge, but yes, it is a bit harder. I'm gonna link my Batman post here as a reference point.

Partially because Batman's a franchise I've thought extensively about for a long time in regards to what I like about it or how I'd like to approach if given the opportunity, which is not something I can really say for Superman until more recently the Big Blue to start orbiting my brain. I don't have years worth of redesigns or fan concepts saved on my galleries and files to comb through to pick and choose here, and my experience with Superman as a character is considerably different, in some aspects more deeply personal, and not really something I'd like to go into in this blog, at least not now.

Part of the reason why it's harder is also because Batman and Superman have very different relationships with their pulp inspirations. Batman was, ostensibly, a pulp character adapted to comics, a dime-a-dozen Shadow knock-off who picked up and played up diverging traits from other characters and gradually ran with them to gradually forge a unique identity. Superman right from the start was rooted in a much stronger conceptual underpinning: the Sci-Fi Superman and Alien Menace who, instead of being a tragic monster or a tyrannical villain, becomes a costumed adventurer and social crusader. Even the name Super-Man was taken from an early story of Siegel and Shuster about a telepathic villain who ends the story lamenting that he should have used his powers for the good of mankind instead of selfishness. I hesitate to call what Siegel and Shuster were doing “subversive” because that term's picked up a real negative connotation, and it's not like Siegel and Shuster were out to upend their influences (they were pulp aficionados themselves), but rather putting a more positive, new spin on them.

Which is why it also becomes a bit harder to do what I did with Batman and align Superman with some of his pulp-esque inspirations, like John Carter, Flash Gordon or Hugo Danner, without just making it "Superman but he's John Carter", "Superman but it's Flash Gordon", and "Iron Munro / Superman but everything sucks" respectively. It's harder to create a character that wouldn't feel reduntant and derivative at best, and actively contradictory to Superman at worst.

I guess if I had to come up with a "Pulp Hero Superman" take I liked, well first of all I'd have to take steps to distance it from the likes of Tom Strong or Al Ewing's Doc Thunder, those two are as good as it gets in regards to Pulp Supermen. I stipulated for Batman a "No Guns, No Murder, No Service" policy partially to distance my takes on Batman from all the "Pulp Batmen" that just add guns and murder and take Batman back to the barest of basics. Likewise, I'm adding a "No Depowered Science Hero" rule here, which means it's a take that's likely going to veer off a lot more into fantasy and probably enough tampering with Clark's character that it does risk becoming a different character.

Frankly I don't think I'm gonna succeed at doing these without just making it a new character entirely, because with Batman you can get away with just upending the character's aesthetic and setting and even origin and still keep it recognizably Bruce Wayne (in fact Batman does that all the time), which isn't really the case with Superman, who needs those to remain recognizably Superman as he goes through internal changes and character shifts. I guess what I'm gonna do here is more taking the building blocks of Superman/Clark Kent and see a couple new ways I can rearrange them to create a Pulp Superman

Perhaps something we can do is to scale back or recontextualize the "superhero" parts without diminishing Superman's role as a superpowered fantasy character.

One way we can start is by picking on that connection between Superman and the sci-fi supermen/alien monsters of pulps I mentioned earlier and play it up further, to create a Superman who's deeply, deeply alien in a way that no mild-mannered disguise or colorful outfit can really disguise, something so dramatically powerful and alien, that instead you could get tales about the kinds of ensuing changes and ripple effects this has on the world upon the The Super-Man's arrival. And for that I'm gonna have to quote @davidmann95's concept for Joshua Viers' absolutely stunning Superman redesign on the left side of the image above

The red, the goldish-orange and white, the alienness, the angelic, sculpted feeling, the halo, that innocently curious expression: it’s genuinely beautiful. Superman as a redeeming science-angel from beyond our understanding, as much past the uncanny valley of limited human comprehension as a Lovecraftian monster but tuned to the opposite key - you could spend an endless procession of human lifetimes trying and failing to understand this being, but all you’ll ever know for sure is that it is beyond you, and it knows you, and it loves you.

Superdoomsday from Earth 45, healed and transformed into the savior it was originally envisioned as? Some descendant of his, or a future of the man himself? An alien who picked up on a broadcast of Superman from Earth, and so inspired reshaped itself in his image to spread his ‘gospel’ to the stars?

Alternatively, to come back to Earth a little, many, many pulp characters and series were built off the antics and personalities of real people, celebrities getting their own magazines or serials or fictionalized takes on them, so perhaps one way to make a "pulp" take on Superman would be to emphasize a bit more of Superman's real-world roots, trends that inspired his creation directly or indirectly at the time. The Jewish strongman Sigmund Breibart and Shuster's interest in fitness culture, Harold Lloyd's comic persona, the rising "strongman" film genre in the early 20th century, actors Clark Gable and Kent Taylor that supposedly named his secret identity, Clark Kent being a socially-awkward journalist based of Siegel's own school experiences.

Maybe one start to an authentic Pulp Superman, who would still be Superman, would be to just ask the question "What if Superman was a real person and/or a celebrity, and they started making pulp magazines and serials dedicated to him? What would those look like?". You wouldn't even have to restrict it to just a story set in the 1930s, in fact you could even play around with the rise of new mediums over the decades.

This third one is a little closer to some plans I have for my own take on a Superman character, not necessarily what I would do with Superman proper but one of my ideas for a Superman analogue. Superman's a character I'll always associate strongly with childhood and childhood fantasy, and to tap into that I would emphasize the other end of the fiction that influenced Siegel and Shuster: comic strips, in their case specifically Little Nemo and Popeye.

In my case I would bring additional influences from some of the comic strips I personally grew up reading like Monica's Gang and Calvin and Hobbes, and I already talked a bit about Captain Fray in terms of how he’s a Superman character despite being a villain. I guess you could call this one "What if Superman was a public domain comic strip character, stripped of the importance of being the founding figure of a super popular genre or extended universe, and also was kind of ugly?".

He's not "Sloth from the Goonies" ugly, I swear I didn't actually have Sloth in mind when typing out this idea, I've never watched that film nor did I know until now that he actually spends the film in a Superman shirt. That's not really what I'm going for. Visually I was thinking of modeling my take on Superman heavily after Hugo from Street Fighter and his inspiration Andre the Giant, to really emphasize the “circus strongman / freak wrestler” aspect of Superman’s inspiration, particularly in regards to how Hugo’s SFIII version strikes a really great balance in making Hugo ugly and both comedic and fearsome in battle, as well as lovable and even a little dopey (without being outright stupid, like his IV self) in his victory animations and endings.

He's still Superman, he still goes on fantastical adventures to help people, he's still a deeply loving and compassionate soul whose face beams with joy and affection and who's got wonderful eyes and a great smile. It's just that this smile has a couple of mismatched stick-out teeth or some missing ones, and he's got a crooked smile some people take as smug or malicious, he’s got a strongman’s gut instead of a bodybuilder’s abs, his nose is a little busted (maybe he’s had too many crash landings), and his hair is a little wild or greasy, and he doesn't exactly have very good people skills because of how others usually react to him and, y'know, he doesn't get the kind of publicity Superman would get despite doing ostensibly the same things. He’s not deformed, he’s incredibly intelligent and capable, but in comparison to how superheroes are usually allowed to look, he might as well be Bizarro in the public eye.

It becomes a running gag that people tend to assume some nearby fireman or cop was the one who rescued the hundred orphans out of a burning building single-handedly, meanwhile he's getting accosted off-panel by police officers who think he set the building on fire, or think they can bully this weird man dressed funny. He goes to rescue old people in peril and occasionally they yell at him that they don't have any money. He doesn't get asked to lead superhero meetings or teams even though many in the community advocate for just how much he does for the world, he gets censored out of tv broadcasts or group shots (even his face is sometimes pixelated when they do show him), people invite him on talk shows and don't really let him talk or assume they got the wrong guy. He goes to rescue a woman dangling off a building, and then he gets attacked by like three different superhero teams who assume he must have kidnapped the poor damsel. He was the first superhero, he is the strongest of them all still, but he never really gets credit for it, it nor does he even want to. None of this at all stops him or deters him, except for some occasionally funny reactions.

This never really changes for him, he doesn't really earn people's approval nor does he have to, instead the stories, outside of the gags and adventures you’d expect from a comic strip, veer more towards others learning to be less judgmental and him learning ways to better approach people. He isn't any lesser than Superman just because he doesn't look like most people would want him to look and he doesn't have to look like Superman. Really I think we could use more superheroes that don’t look all so uniformly pretty.

Again, probably not a take that would work for Clark proper, but it’s one way I would take a shot at doing Superman with my own

I have other stuff in the works for this character but I'd like to keep them to better work on them for now, but yeah, these are three of my shots at developing a Pulp Superman.

Alternatively here's a fourth idea that's more pulp than all of these: Join up Nicholas Cage with Panos Cosmatos again, or whatever weird indie director he decides to pair up with next, and let them do whatever the hell they want with Superman. Give us Mandy Superman. Superman vs The Color Out of Space. Superman vs Five Nights at Freddy's. Superman’s quest to find THE LAST PIG OF KRYPTON. Anything goes.

[alltheboysandgirlsiloved]

The Mermaid Theory

Or, as i like to call it:

How is Kenji’s trauma related to Mantah Corp

subject: Kenji’s obsession with mermaids and how it can be related to the storyline in general

(warning: this is longer than anticipated)

Lettuce begin:

Kenji Kon (age: 15) is one of the main characters appearing in Jurassic World: Camp Cretaceous. He ended up on the camp because his dad is filthy rich which Kenji often uses to make a point. Some other traits that we relate to his character are: general dorkiness, loyalty and self-esteem issues (deeply rooted with how his entire confidence is mostly based on how much he thinks it depends on his wealth, however it is not a subject for today)

One of the things that the fans picked on while watching the show is Kenji’s strange obessesion with mermaid.

The first time a mermaid is mentioned by Kenji is actually in episode 2 season 1, when he says “a dream is like when you save mermaids from a shark”. We all thought that this comparison is just a form of a comic relief. But bro, I don’t think it’s funny anymore, in fact I think that it’s one of the signs of trauma or a distant memory. The kind of memory that maybe even Kenji himself doesn’t understand quite well.

The mermaid keeps coming back every now and then, the two moments that I want to mention here are:

the scene when Yaz wakes Kenji up and he mumbles something about “saving a mermaid” to which Yaz asks him if he only ever dreams about mermaids (which is an indicator that it’s a re-occuring dream)

little Kenji’s drawing that Sammy finds in his father’s photoalbum. The drawing shows a family (presumably Kenji’s family) and a mermaid

Based on that we can assume one thing for sure: mermaids (or one mermaid) were an important part of Kenji’s childhood. Whether they were an imaginary friend or something more real is up to you to decide.

Let’s keep that in our minds and focus on something else. Or rather: someone else aka Kenji’s father.

He’s a bizzare character. We’ve never seen him. He seems absent from Kenji’s life and yet he is in the background to everything that happens in his life. Ha, more than that. This seemingly gloomy and very neglectful person seems to also be looming over one more thing:

The entire Jurassic World.

Kenji’s father is a part of Jurassic World (the park) in a way that seems fitting and completely out of place at the same time. Yes, sure, he is rich but the more you think about it, the weirder his “presence” is.

You know what resonates with the same exact energy? 

Mantah Corp. They are there but at the same time - where the hell are they? Who’s in charge? Where are all the big, phat fishes, huh?

I know that this theory may be slightly far-fetched but I think that one of these fishes is in fact Kenji’s father. Kenji’s father who has a bazillion of secrets (for some reason Kenji is not allowed to enter one wing of their house). Kenji’s father who is always busy. Kenji’s father who is so influential that park empoyees allow his kid run around Jurassic World mostly unsupervised. Kenji’s father who owns a very suspiciously-looking building in a part of the island that is closed to the public. A building with a dock that is not on any map.

A building that doesn’t look like “just a penthouse”. It looks like a business building. Everything in Jurassic World has a meaning, everything more or less fits into that “jungle-like” aesthetic. But not Casa de Kenji. No, it looks like a place where important people hold their meetings. We know for sure that it’s not a hotel and yet it has many floors. Casa de Kenji is a building that for some reason keeps at least 5 limos in the garage. 

My point is that Kenji’s father and everything related to him is very suspicious. And the fact that Kenji doesn’t know much about him doesn’t help it either.

So let’s theoretically assume that Kenji’s father is related to Mantah Corp. What do we know about Mantah Corp?

Mantah Corp is a bioengineering and genetic oriented company. They hired (more like black-mailed) Sammy to spy for them in JWCC because they wanted to aquire InGen’s research and technology. 

Now, some of you could ask: “Okay but if that’s the case then why Kenji’s father didn’t steal the genes/technology already? He has access to everything after all?”

That’s a great question and I have a very simple answer to that - money and power. I think that Big Kon has too much to lose. If it was discovered that either he or Kenji are spying he could lose everything he accomplished so far. If there’s one thing rich people love it’s using other people to do the dirty work (enter Sammy).

Now. Now for the final question:

How is it possible that Kenji has no idea?

The answer is, once again, simple - mermaids.

As I mentioned earlier Mantah Corp is a company that deals with  bioengineering and genetics. Just because they are not as sucessful as InGen doesn’t mean that they’ve never accomplished anymore. Or - should I say -  that they accomplished something that they’ve never showed to the public. 

I think, that in fact they probably accomplished a lot behind the closed doors. But you know who had access there? Innocent baby Kenji who didn’t even know what he was looking at.

(using e750 picture in a tank because I don’t own a mermaid in a tank therefore I can’t offer a realistic picture)

What would a child think if they saw weird creatures trapped in tanks? What would he think if he saw creatures that didn’t look very human-like, yet that were alive and perhaps even showed some form of intelligence? 

The kid would assume that it’s a mermaid. Or marmaids. That someone trapped. That need to be saved. (Kenji never indicates that he is afraid of the mermaids, if anything he wants to be their protector)

And if said child started talking, mentioning the mermaids, drawing them, what would the parent do? They would lock the doors and never let the kid inside ever again. They would try to protect the kid (or protect the business, with Kenji’s father it’s hard to tell).

One more thing.

I’ve seen some people say that the mermaid on Kenji’s drawing is actually his mother. I gotta be honest I’m not completely sold on this theory). But it doesn’t mean that the mermaid can’t be related to Kenji’s mother at all. Think about it. If Kenji’s father is so dedicated to work, maybe his mother was just the same. Maybe she worked at Mantah Corp’s labs and when Kenji asked “where is my mum?” his father (or a babysitter, my bet is on the babysitter) would tell him “she’s at the lab”. And what’s also in the lab? Mermaids. that’s how Kenji connected mermaids to his mother, who most likely died at some point.

Because he had little to none memories of her, he connected the mermaid with his mother. Yet the memory of a mermaid was still more vivid. It replaced the memory of his mother. That’s why he’s more focused on this creature than his mother (that he never mentioned).

My other theory is that his mother actually died even earlier, maybe in an accident that happened in the lab, or maybe she simply worked there and that’s the only thing Kenji remembers about her. Either way baby Kenji saw mermaids are part of his family. Because his parents spent most of their time with these creatures.

The third theory is that Kenji’s mother was against what Mantah Corp was doing with their research and experiements. She wanted to expose them and the people at Mantah Corp didn’t react too well. Being aware of that Kenji’s father promised himself to keep his kid away from that mess to protect him. That’s why he never allowed Kenji to come back to the lab. (seems gloomy and sad but not entierly impossible)

Conclusion:

Does The Mermaid Theory explain everything? Absolutely not. there are still many questions left. I feel like the theory would be more complete if we knew a little bit more about Kenji’s mother or more about Casa de Kenji.

Either way I thought this little theory was interesting enough to be shared with the community. 

If you’ve made it this far - thanks for reading. It would mean a lot if you passed it on, shared it, shared your opinions, shared your own theories. My brain is jwcc-wired so the more conversation this theory sparks, the better for me.

Once again, thanks for reading! I really hope that season 4 will explain a little bit more in terms of Mantah Corp and Kenji’s mermaids.