#why do they always have the same character traits give me something different

[electraslight]

heyo, its been a long time since i did an analysis!! this time on a more controversial subject: Rook Blonko. And how I think he was robbed.

When you actually look at the way Rook is written in omniverse, they dont give him very much to work with. like revvonaganders and their culture are cool, but rook feels so underdeveloped as a person outside of his culture. hes kind of a gwen in a way; hes got bare minimum flaws but he's treated like hes in the right when hes doing something actually flawed. hes never condemned for treating ben the way he does and he doesnt even have a consistent arc. he doesnt feel like a teenager, he doesnt feel like he has any sort of character progression, hes just kinda there, and his lack of depth in character-to-character situations is only amplified by the lack of holding him accountable for negative traits he possesses, instead punishing ben or ignoring the behavior. Instead of writing a scenario where Rook is in the right and ben is in the wrong, or showing rook behaving poorly and have him learn from his actions, i can hardly think of a time where rook was shown to be wrong for his treatment of ben.

For example in a scenario where Ben is keeping personal information from Ben, and rook wants to know it for the sake of their partnership, instead of portraying Ben in the wrong properly by showing his keeping of said information being harmful to the public or his friendship to rook, or have the information be personally important to rook making Ben's keeping of it harmful, instead rook has scoured Ben's file for all information and is asking about something that is of no matter to him entirely because he doesn't know it. He pesters Ben incessantly even when Ben has told him firmly no. Tjis is a recurring issue, where it seems like the story wants rook to be right but is ignoring context and the way he goes about it.

This would be an aggravating issue but ignorable if rook had anything resembling a consistent arc, but he doesn't. the conflict of rook idolizing ben and meeting him and realizing hes not what rook thought he was is interesting, but its always treated as if bens in the wrong for not living up to rooks expectations. rook overstepping his boundaries with ben due to being a huge fan and maybe cultural differences is interesting, but its never portrayed as a flaw on rooks end, more like bens fault for keeping the information. his struggle with his culture and staying connected with it, his conflict with his father about his career path, his relationships to his siblings, him slowly watching revvonah be plundered for its resources as the series goes on, i love that, thats genuinely interesting. but they never talk about it outside of those episodes. rook is in the wrong often and it brings up a lot of interesting questions about him as a person, but they dont talk about that in favor of treating him as bens babysitter, or setting up a joke where ben is the punchline.

It's disappointing to me that rook was never given the attention he deserved. Like i said, there's a lot of good stuff in his framework that's just begging to be explored, but his lack of an arc makes him feel so one note after a while and really dampens his relationship with ben. Since rook is not a character on the same level as ben, he feels less like an equal like they tried to illustrate and more of a plot device. They even threw away the most interesting conflict between ben and rook; rook being book smart and ben being street smart, experience over training. Ben and Rook hardly ever have issues based on this other than rook misunderstanding a joke. This is why rook and ben feel like such a flat relationship to me.

all of this to say: rook fans. Please, for the love of god, work your magic. He's got all the pieces there, and i am certain you can do something special in fanworks about him. Don't let the show being lackluster hold you down.

[whatyoutaughtwasfear]

would love to read a crime novel where the main detective

a) has a positive relationship with their romantic partner

b) doesnt have a drug addiction

and c) has a healthy work/life balance and gets enough sleep

they're just normal. they're probably bad at their job

[zzencat]

Your Person When They Realize They Want More With You (+ character traits) - Timeless ⏳

From left to right. Choose the one you can’t take your eyes off of.

Applicable to a current or future person. This is someone that wants to be someone more to you. Warnings: tooth-rottingly sweet. Some suggestiveness. Some angst.

BEFORE YOU CHOOSE. Clear your mind. Time is now patient and still. Close your eyes, inhale deeply, fill your chest up to the fullest, feel the soft air brush up against the ridges of your nose. Breathe out. You may now begin.

———————————

Pile 1. “If we’re both still single by 30, let’s get married.” “Deal.”

•you could be coworkers OR someone who goes in the same direction as you in the morning

• one day, a thought will cross their mind when they’re ordering your favorite so-and-so, maybe coffee, maybe favorite pastry, OR they randomly keep remember weird details about you(?) like “oh y/n likes this…”—cuz they’ll be like “wait…why do I know that? lol why did I just randomly rmr that…” they’ll laugh it off,,,,and then they see you again later and their heart beats a different way…

• they honestly did not see you like this before…

• ear muffs and black sweaters…puffy jackets…perhaps it’s cold/snowing when it hits them how radiant you look

•honestly a very sweet fs. if you’re okay with vanilla people, this is def for you. if not, let’s spice it upppp (you gotta do it)

• it’s weird bc it hits them gradually too. like thinking “why are you still single…why am i still single?”

• you guys have a mature vibe. ^^(relating to previous point) a lot of this pile’s fs will realize their feelings too late or will realize when you’re both financially stable

• maybe you give the vibe you’re not interested in them or you don’t have the intention of getting married—at some point you may have mentioned this to them, sober or drunk, and they rmr it so their being cautious and gauging how you could feel about them, if you feel anything for them at all

• childhood friend kind of energy. I really don’t think you see them in this way either, not until they start acting weird around you. All of sudden, they’re not smiling as much anymore and maybe they’re averting their gaze more

• it sucks bc you’ll question why and will feel weirded out when they start avoiding you, turning down your requests to hang out…

• I’m getting a very empty feel. Either you feel empty without them or they’ve been on dates with other people in the past (you’re wondering how tf they still haven’t settled) and it’s bc they’re not feeling that “unidentifiable”…spark. Like the one they should be feeling on dates with new people, but no…it’s just…dry. They don’t know what it is tho. All of these people are attractive and share the same interests, yet there’s just something missing…

• if you give this a try, you will fall very fuckin hard

• ^^ having thoughts like “how tf do they know how to cook? were they always this hot?” lawd…noticing the small things about them and it’ll get you blushin

• honestly…there’s gonna be a huge difference in communication. you’ll probably be a bit pissed- like “why are you acting so weird? have you been avoiding me?”

• they’d give you all these excuses of why they can’t hang out, and that’s bc they wanna be a lone with their feelings. They’ll try to suppress it at first because there’s just no sign that you like them back, no indication of you even feeling anything romantic towards them, and it kills them…

• I honestly see this person suffering alone from it. They’ve got all this worry and bad energy and it’s not even your fault, so the energy is just going inwards. They can’t express it- they don’t even want to verbally acknowledge it bc they’re THAT sensitive to the fact that they like you and the potential of you not liking them back. It’s really just their own mind and doubts being the bad guy

• why is this happening in a car? 😳 you might have to conjure up a little ruse to get them in one place bc they are definitely avoiding you

• I’m really getting the feeling that you were oblivious. Like it had NOT occurred to you once that they could’ve had feelings for you. The most you would’ve thought of your relationship with them is a friendship

• ^^ bc ngl a prominent portion of this group think the fs is too good for them, like out of their league—both in physical and status

• they could be tall and wear glasses, or fit and good facial bone structure

• if you mention another person (that you could possibly interested in) they’ll purse their lips and play up that they’re happy for you (but trust me, it’s fake as hell and you’ll see it). Like they won’t even be able to hold a real smile bc they’re already hurt by the possibilities. OR they just go quiet and say “oh, really?” *looks down, hands in pockets* if you’re both standing up. If you’re one of the oblivious bunch, you’ll notice their tone change but you won’t understand what’s wrong. (there’s also a split amount of you that would ask what’s wrong and others that won’t)

• BUUUT there’s also a handful of fs in this pile that will look down at their feet, hands in pockets, maybe even wearing a beanie, and will avoid your eyes while passive aggressive shooting down the other person. For example, if you compliment this other person, they’ll quietly be like “well, they’re not THAT good…”

• if you’re not giving any signs STILL? then this person will try to suppress their feelings even more and will start going on dates again. this person isn’t the most optimistic when it comes to this—which I can’t blame them for bc I think you treat them TOO much like a friend or family and joke around too casually with them that they think it’s permanently stuck like that—EVEN THO you haven’t even rejected them. there’s also a chance you’d never even friendzoned them. Perhaps when you two were younger, you were like “ewww 🤮🤮🤮” to the prospect, but now that things are different, you’re not totally opposed to it…maybe it’s crossed your mind once or twice, but you didn’t think much of it really…

•hella puppy vibes from this person tho. either they look the part or act it

•I feel kind of sad for your fs only bc some of you could friendzone them or at least have given off that vibe to them. you would go out to events with this person, even 1-on-1 and not even think of it romantically while your person is feeling this one-sided love

• it’s up to you guys if you want to date this person or not, but if you do, they will literally do EVERYTHING for you- esp the planning

• very strong cold weather, scarves, hot drinks, cold region

•this person tries to invite you out often

• i will also mention, this pile is more likely to date this person than pile 3 is to date theirs

• if you do end up dating, in the beginning stage of this relationship, they’re just shy as hellllll and you’re like “what? 😃” when you catch them staring at you — in the beginning stage, they’re prone to laughing/giggling a lot when yall make eye contact and looking away so you don’t see how flustered they are

• you could be an extrovert OR if not, you just really enjoy being around this person. their personality and presence balances out yours

• you might be unsure of what you want in a romantic partner, open to different cultures/people, kind of in your own world(?) —> like not fixated on one thing or it’s easy for you to get caught up with multiple projects/easily distracted and this person keeps track of you/keeps you grounded

• if you figure out that they have feelings for you, you’ll start to feel bad for not seeing it earlier, you’ll start to hella ruminate about it and the more you think abt them, the cuter and more appealing they seem to you

Points of Interest: infj? overthinker for sure, introvert but still good with people, the color gold, “we’re just hanging out,” going to dinner often, getting mistaken for a couple, 7:43 pm, *shrugs* “idk maybe” (from your side), unwarranted sass (from both sides), no hookups—this person wants a genuine relationship with you, “you have shit taste in love interests”(lmfao???), car fights, “wifey” *takes Snapchat selfie while sitting in the passenger seat with the more feminine energy driving*(…nah listen, if the more masc energy be saying this? dude is immediately submissive), curly hair or FLUFFY hair, lots of thick hair, you make this person feel like a kid…like you bring them back to when they didn’t have to worry about jobs and taxes, financial stability, maturity, miscommunication, amusement park dates, trench coats, “I’m feeling kind sick. Sorry 😞”, excuses, excuses, excuses, “why haven’t you been answering my texts?”, catching them try to shamelessly avoid you at the parking at their workplace, going to movies with this person and them treating it like a date (even when you don’t see it that way), when will they make an actual move??

——————

Pile 2. “What are you looking at?”

• yooo have you been to this person’s house before? 😳👀

•idk if you realize this pile 2, but if it was just the two of you, alone, with some dimmed down lights and faint jazz in the background? it could get down and dirty real quick. but only if you’re not sober and not a stubborn person. otherwise, this person isn’t who you’d initially think of as spouse-material

• I’m pretty sure this person has thought abt it before. 200% sure. Not sure if you’ve caught this, but they check you out a lot. They’ve had their eyes on you for a while…

• idk if they’re a huge flirt or just really gives off sensual vibes, but this person is hot…damn

• something about their eyes. They always look so sensual? Or they look really seductive? They’ve got *those* eyes ykwim? They’re also very laidback so that adds to their sexiness

• I think I lot of people wanna sleep with this person, so you’re in an unsaid “competition” — or at least the people around you see it as such. you might get a few dirty looks or sneaky glances your way from jealous people and it’s honestly tiring. you won’t care but it’s just an extra bug on your shoulder

• an issue tho is that you could find this person untrustworthy or not ready for commitment. they’re just hot AND THEY KNOW IT, so if someone asks them for a piece, they’ll easily give themselves — BUT what you don’t know is that a lot of the fs, NOT ALL, in this pile are very picky with who they want

• if you’re smart, this person could tease you for it. only bc they find it super sexy tho. You’re not exactly friends, just acquaintances/partners in business? People who know of each other because of mutual things or people. They know you secretly want them tho even if you try to keep composure

• I’m sure a lot of this pile thinks this person is conceited as hell or you could even cringe at how they are, and you wouldn’t admit in front of them (not even to yourself) that you do find them attractive

• if you’re stubborn, possess a lot of self control, or perhaps hold yourself and others to a standard, maybe it’s just hard for people to get into your pants in general—but this person will like that. they think you have substance to you and you’re not like the rest

• This person likely has a bunch of yes-men around them. It’s a pretty privilege thing

• pretty mysterious and even prettier eyes

• smth about those eyes man… you’d blow up if you look too long or steam might start coming outta your ears

• a lotttt smarter than they play out to be

• if you’ve never been with this person sexually, they’d be so down. if you’ve hooked up once, they’d hit you up again

• even tho this person seems noncommittal, once they commit, they REALLY do

• this person might be wealthy or has grown up in an affluent space

• OR they’ve grown up playing sports

•I don’t think they view people as “pawns” necessarily. I think you perceive them as super popular but in reality, they only consider a handful of friends, real friends. this person isn’t dumb and they know who kisses their ass

•your deviance will intrigue them. not conforming to what they want and what the people around them are like. you do what you want and they like that. they like that you also don’t settle for less.

•but I have to say, these people don’t chase. If you end up with this person, it’s bc you grew the balls to ask them out and they, impressed, agreed to it. Outside, they LOOK the same- like carry the same expression on dates, but inside, they know there’s something more to you

• it’s most likely an ego thing. They don’t do the asking out if you’re someone minding your own business

• both of you guys have an ego thing tho. This person beats you by a smidge but you think they get too much credit for just…existing.

• they’re thinking how people usually try to get with them, but bc you haven’t yet, that kind of…tugs their attention a bit. (Their spirit doesn’t want me to make it obvious that they’re lowkey affected by it lmfaoo). It’ll hang in the back of their mind, yes, but it’s not something they think about randomly in the middle of the day

• this person has found or will find success early in life…in their 20s or even before. Some of it may be due to their looks getting them the opportunities, but they haven’t done modeling. At least, not for the sake of modeling. I don’t think it’s an interest of theirs. Heavy on business person tho or someone pursuing a profession in business/finance/economics

• this person’s jaw is nicely shaped. they don’t have too much fat around their jaw

• weirdly, they can be smart for their age. I think they feel a bit of pressure from being praised for so long for looking so good that they have to perform at that same level

• there will be chances for you to actually speak to them regularly, but they will seldom make the first move. they want you to pursue so it doesn’t hurt their ego. if they can’t take it anymore, they’ll approach you (preferably at an event or somewhere where youre kind of…disillusioned? stood up, standing alone somewhere feeling insecure abt something…not in the right state of mind/unbalanced mind

•i’m not getting too many extroverts here. high chance a lot of you are introverted and would rather not be at this event. you either pushed yourself to be here or you HAD to be here. the people at this kind of event are not for you…you don’t like a lot of them and some of them feel the same towards you. you don’t care too much tho (maybe a little but not to the point where it hurts your self esteem)

Points of Interest: suits, symmetrical face, blessed features, POSSIBLY MIXED RACE, hazel colored hair, brown or tan skin, hair that compliments skin color, eyes with soul, kinky as hell, realllly good looking, switch in bed, there’s a lot of emphasis on this person’s looks, “don’t try to fight it,” 50 shades of grey (😂?!?), “if you want me, just say so”, any slow Chris Brown song, some fs here has stubble, laidback, single hand in pocket, isn’t scared to make eye contact with you, will leave a conversation with their friend midway to talk to a potential lover/partner in bed interest, zayn malik is not leaving my brain, very slow and sensual vibe, the color black or darker shades, tons of eye fucking (from them to you), intense gaze and especially intense eyes (the staring into your soul type, full of desire and curiosity type), black clothing, mysteriousness, unable to look away, intj vibes

———————

Pile 3. Best friends forever.

• This one feels more sad than the other piles bc it’s just straight up unrequited love (from you). they’ve got the fattest crush going on but you may not feel the same way.

• ^^ damn yeah…i’m getting a mixed bag for this. some of you are open towards it but the other half of you are really not interested

• This person has to have started out as a friend first and then started making subtle, almost too subtle and friendly, gestures that they’re interested in you

• similar to pile 1, you won’t be able to tell that they like you. UNLESS, they get super (very obviously) shy when asking you to go somewhere with them, like a movie or something — and you’ll be able to tell with the stuttering and head scratching and fidgeting, might struggle to make eye contact but will try

• ^^^ The biggest distinction between this pile and pile 1 is that this person is a full on FRIEND. pile 1 is more of friends that fell apart and are reconnecting, while not considered to be a part of your friend group or close friends. in pile 3, there’s an obvious disconnect, like some kind of veil between you two, and it’s really bc they only see you, but to you, this person is a ghost. someone that you really only feel platonic towards.

• they could be soft spoken or has a very… “non-aggressive” voice when speaking to you specifically

• tries to send you funny stuff or make conversation on text — 50/50 answering you right away bc they don’t wanna seem desperate/obvious, but they’ll remember to respond in the same day

• i think they hold back a lot tbh. like they have to sling back to composure whenever you’re around

• stares at you a lot in a group setting

• this person is sooooo similar to pile 1, but more…masochistic? lmfao I mean as in…wanting to be around you even when they know that they don’t have a chance or even after you’d straight up rejected them

• to be honest, there’s a chance you don’t like them that way because of their looks? the personality is perfectly fine but they’re not the type of person you’d go for if you’re looking for someone super attractive (this might be a bit harsh, but maybe a big part of why you’re comfy around them is bc they’re not someone that has model type looks? like it makes you less nervous around them than you would be around someone crazy good looking)

• stalks your social media a lot, doesn’t look at other people. you literally occupy their mind around the clock

• some people here might date this person, only for a little time tho bc there could be someone else you’re interested in, so you end up breaking up. for everyone else, you’re just really unlikely to date this person bc they’re too far from what you consider a romantic partner

• in a monogamous relationship, these are the type of people that would forgive you and welcome you back into their lives if you cheated on them

• an extremely SMALL portion of you, and i mean very small, will actually see this person for who they are and will decide to stay with them. idk if this is out of pity, “oh it’s bc I feel bad for them 🥹”, or possible regret- like “if I don’t date this person, I might regret it”—looking at it like a missed opportunity?? if you genuinely like them and grow fond of them, it will come later and like I said, an extremely small amount of you (~99.9% nonexistent)

• in rejection, this person takes YEARS to get over it. even if they try dating someone else, they’ll think about you and will show care towards you — some will try to be less obvious like “it’s fine i’m over it 🙂‍↔️” but nah, you can feel it. at some point, you could feel annoyed about this

• there’s a small chance that they believe you’ll give them a chance after rejection so they won’t date easily—unless you end up dating someone else and they know abt it, then they’ll do the previous bullet point

Points Of Interest: emotionally masochistic bc they keep wanting to be around you even when they’re hurt (if rejected, this person NEEDS to take some months away from you. idk if they’ll do that right away or not), “nothing else to say”, “that’s okay, I can wait”, awkward, unrequited love, unbreakable loyalty, “aww you’re so sweet”, this person is super rebound energy, gets their heart broken and welcomes the heartbreaker in again, snapback, acne, crooked smile, possible mbti involved (you or them): enfj, enfp, infp, isfj, esfj

———————

Teddy Note: Enjoy this one guys!! As always, thank you for reading. Take what resonates and leave what doesn’t :)

Teddy outtt 😎😎😎

[miraculouslbcnreactions]

You know what would make the Lucky Charm more balanced? Make it so that there are times where other characters figure it out, not just Ladybug. That way, it doesn't make Ladybug hypercompent and makes it possible for other people to save the day.

I don't mind Ladybug being the one best suited to Lucky Charm. I don't think it makes her hyper competent because you don't need a Lucky Charm to save the day. It's just the way that she saves the day. The other characters should have their own unique talents that let them win fights. Generally speaking, that's how strong teams work.

For a random example, let's talk about the teenage mutant ninja turtles simply because I think most people know something about that franchise. The character Donatello (aka Donnie) is the team's tech guy. He makes all kinds of inventions that help them save the day. The show would not be improved if all four of the turtles were able to take on this inventor role. I'd argue that it would actually be lessened because the characters would become interchangeable. This is something that the franchise seems to agree with as each version of the show gives each turtle unique skills and personality traits that makes each of them indispensable in their own way, which is what I think Miraculous should have done with the temp heroes.

That being said, I do think that there's a way to make your idea work. I'd just go a slightly different, more lore balancing route since Lucky Charm is technically bad lore and you all know how I feel about bad lore. So let's talk about giving it a minor tweak and how I think that would actually improve things.

Tikki is supposed to be Creation, not Luck, so the Lucky Charm shouldn't have anything to do with Luck. It should just be pure Creation where the holder comes up with a thing they want and that thing then pops up. It could also have a give and take element where the holder gets what they asked for if they want something specific, but they could also just call the power as a hail Mary and Tikki would come up with something on the fly, leading to the occasional puzzle.

This leads me to my proposed changed.

I personally think it would be hilarious and honestly more fun for Marinette's character if she could summon anything she wanted, but the Lucky Charms stay exactly the same because that's just how her mind works. Even when Tikki is helping, it's still all wacky items because Tikki knows how Marinette is and just goes with it.

For example, in Copy Cat, Ladybug turns a spoon into a hook for a cobbled together fishing pole. Wouldn't it be even funnier if Marinette summoned a spoon on purpose because she was thinking of the makeshift thing she cobbled together in order to fish up something she dropped from her balcony? Then, post fight, Chat Noir praises her like always, only to then ask, "So why a spoon and not a fishing hook?" And Ladybug just stares at him because oh, right, those are things they make. She could have done that. Ooops.

And in Malediktator where she summons a sniper rifle to get a laser pointer? Well, she was thinking about this silly comic about a cat assassin! She totally spaced on the fact that you could just get a laser pointer by itself.

Eventually, her team learns to just go with it and not ask questions. Meanwhile, the general public thinks that the Lucky Charm is some random item that Ladybug has to figure out and no one bothers to correct this misunderstanding. You can even have a running gag of new team members learning the truth and going through the acceptance process of, "Hey, you try thinking up how to set a trap while a 5 meter tall lollipop is trying to crush you! Your mind goes to what it knows, not to the ideal solution, okay???"

If we go with this setup, then other people can wield the Ladybug and use Lucky Charm effectively, they'll just use it in a very different way from the way Marinette uses it. There will also be people who are just not suited to the Ladybug since that was initially how the powers were supposed to work and it made perfect sense. Kwamis should have ideal holders along with okay backups and terrible backups. I personally think Alya would be an okay backup since she's creative, but not creative in the same way Marinette is, leading her to be a lesser Ladybug. Adrien, on the other hand, should generally suck at the Ladybug as he simply doesn't have that style of creative thinking. Which is fine. Better than fine, even! You don't want your characters to be interchangeable! They should all have strengths and weaknesses!

This is one of the show's big flaws. Since everything is on Marinette's shoulders, the other characters rarely get a chance to shine and so they feel interchangeable. For example, if gift always shows the target what THEY want, then why does Rose need to be the one to wield it? Juleka could wield it just as easily. And if Ladybug is generally the one telling Marc and Nathaniel what to summon with their powers, then their creativity is not needed. Anyone could wield the rooster and the goat! The show has completely failed to understand what makes teams memorable and so we have a bloated, boring team whose presence I'm dreading because they had five seasons to set these guys up and yet here we are.

[villainsandvictimsalliance]

Time to be delulu yet completely serious on my bnha 423 opinions.

Good points: The resolution between AFO and Yoichi was satisfactory, love as a reason for evil and evil deeds, the rooftop trio having one final moment full of emotion, the moment of Kurogiri thinking about Tomura and the LOV, Deku having a quirk of his own born out of determination and hard work, Deku as the protagonist of bnha in general, Tomura's last actions and words.

Bad points: Rushed arc conclusions, moments that felt kinda repetitive or lacked the punch given that we've seen/lived them before, not the best compositions we've seen from Horikoshi on the panels, Tomura's arc being rushed to a martyr ending— for impact???? ( or it ending on another cliffhanger that is gonna turn to be different from what we expected ).

I'll go in depth, so please check under the cut.

GOOD POINTS:

Yoichi and AFO:

The last conversation among these brothers was everything I was expecting. The love was there and it transformed them. It made AFO a monster and Yoichi a ghost.

For me, this time the AFO ending needed to be quick because we've already said goodbye to him too many times. This was supposed to be about AFO's refusal to give up on his brother and the unresolved relationship of those two.

I really liked how Yoichi reminded AFO that he needs to face the consequences of his actions and that he's love won't be able to save them.

Villain love:

Love as a reason for pain and destruction is perhaps one of my favorite tropes. So many stories approach love as this purely morally good feeling, when in the end it is just like any other feeling, you know?

People go to war for love all the time. They kill for love. Die for love. Do unforgivable things for love. Human existence is sooooo complex, why would love be the exception?

Horikoshi has been REALLY careful with the AFO backstory and his motivations. He didn't want an antagonist that felt empty. He made AFO human without redeeming him, okay? Because our ability to sympathize with some of AFO's traits doesn't make him less evil. To put it simply, it means that evil things are also human at heart.

Even those acts that you can't forgive or forget are motivated by something.

Kurogiri and the rooftop trio:

We knew from the beginning they were not the main characters of this manga.

We've gotten their story through glimpses and moments. Their time together had always been somehow rushed. Too many things to say, not enough time and they are on opposite sides of the war after all.

We knew that Kurogiri would go back because we knew he would protect Tomura during the final fight. We knew that he'd help the heroes defeat AFO. We knew he'd have to make his choice and say his goodbyes to his old friends.

Kurogiri, Tomura and the LOV

"He's friends are waiting" along with the image of Spinner asking Kurogiri to bring Tomura back to them was the highlight of this chapter for me. (You all expected it, right?)

Something about the way it reads like a father who wants his son to live because he is being waited for. He has friends who love him and would do anything to protect him, see him safe and sound. Something about the symbolism of Spinner putting Father (aka Kotaro's hand) on Kurogiri's face as he asked for it.

This chapter acknowledged that Kurogiri and Shirakumo share the same character core. They are always the protectors, the ones who would sacrifice themselves to see their charge survive. Similar to how Mic was waiting for Shouta so Shirakumo made sure that Shouta would survive, Kurogiri wants to do the same for Spinner and Tomura.

This alone would require an entire post to elaborate.

Deku's quirk:

The debate between endgame quirkless Deku or endgame OFA user Deku is settle.

I really liked that Deku got a quirk on his own that was born out of his own determination to be a hero. It's a nice representation of all he is as a character and what he stands for. Similarly, I enjoyed a lot the fact that it was short-lived. I'm the type who likes it better when things require a sacrifice or when miracles have their own conditions.

Deku doesn't feel overpowered to me. You get that sense that he really deserves everything he has and that it hasn't been a nonsense gift from the narrative. There's also the human condition, the limitations that keep him grounded.

Bnha and Deku:

Deku defeating AFO 'cause villains and heroes help him, his friends being there for him and being there to cheer for him as he fights, his sensei being there despite the fact that Aizawa at first thought Deku wouldn't make it— all the details that make bnha what it is.

They were good.

The UA kids really keep the story consistent when it is about them. They don't give up on anyone, they fight for each other, they stay to witness things for themselves. I love them <3

Tomura's last actions and words:

Careful here. Listen to what I'm saying.

If the narrative had pointed out to this ending, this would have been a good way to execute it.

Tomura coming back along with the vestiges to pack one final punch to defeat AFO— I know many fans that would be moved to tears and would be super excited to see it. Tomura was on point in this chapter, dialoguing with Deku without the hatred in his heart, his face being clearer and almost tender.

He felt defeated, like he had accepted his death already. There's also the connection to Kurogiri and Nana (who defended him) and his words to Spinner, that are meant as a general message to depict how much Tomura values the LOV.

Even the fact that AFO kept him around 'cause a part of him loved / cared about Tomura feels fitting, but I'm not sure if I correctly read the leaks in that part...

Anyway, we got the old trope of the antagonist who used his last moments to help defeat the real villain. It serves as his redemption and the expectation is for the public to feel sorry bad for him.

BAD POINTS

Rushed conclusions:

In my opinion, this chapter was too fast paced and therefore was not as emotional as it should have been.

It doesn't give the feeling that it's fast because the battle is intense. It gives the feeling of too much information packed on one chapter, so nothing really shines on its own. It's way too informative, not enough action narration.

Like I said before, the fatal mistake of a story is to be boring. Art has to provoke you, it has to engage with you, question you, awake things in you. This chapter tho, many things happened at the same time and it grew a bit murky.

Repetitive moments

Again, personal opinion here.

I think certain bnha movies were a mistake. Not because they were bad or boring or whatever, but because Horikoshi wrote parts of bnha real ending into them to the point you'd say "we've already seen that" while reading bnha 423.

Deku and Bakugo teaming up to defeat AFO was so expected. Not as in "the narrative is making sense", but as in "we saw it on heroes rising".

I feel the same with the students all appearing to help Deku fight AFO. That's a typical shonen structure where the friends making space for the protagonist to reach the main villain. It was already happening, so why bring AFO back?? I think the story is over-explaining here, making everything way too obvious. We could have had AFO's resolution with Yoichi before and the students moment after. In truth, it feels like Horikoshi closed some character arcs before he should and left plot holes without explanation, so he needed to reopen to accommodate.

Panel composition:

I admire Horikoshi when it comes to panel composition. He has some amazing panels that make the story really flow, but bnha 423 isn't there.

There are too many elements clustered and empty spaces that don't feel with purpose (in manga, even the blanks must have a purpose). This chapter should have been at least two, so you wouldn't have to rush Bakugo appearing, Yoichi and AFO resolution, Kurogiri saying his goodbye to the rooftop trio and facing AFO for Tomura's sake, Deku remembering where he started and where he is, Tomura last words and the Tomura and Deku resolution...

Those are too many important plot points to illustrate in a hurry.

Also?? The panel of Tomura and Deku punching AFO is so unserious. Totally wrong place to be funny sjbdjdnd why does it even feel like the vestiges are punching air???

" Tomura's ending " :

I'm not the first to say it feels anticlimactic and as if it isn't the ending at all.

The major problem is that through the manga, Horikoshi has focused a lot on Tomura as a character, carefully developing him, giving him tropes that are often reserved for the hero or the main character, making sure we empathize with him, we understand him, hyping up Deku's journey to rescue him.

We got an entire arc from the LOV perspective. This is not the type of one sentence ending you give to an antagonist you spent so much ink and sweat on. The nonchalant way of Tomura accepting his death? The little reaction from Deku? What was the purpose of the manga building up the LOV friendship to the moment where Kurogiri told AFO that Tomura's friends were waiting for him, if you'd make him just disappear on thin air?

This reads absolutely like a bunny within a hat.

That's being optimistic.

If we want to be cynical, maybe this is all there is. I don't find it readable to end the story with Tomura dying. All that effort to save him and it ends in "oh well, he decayed along with AFO"?!

If you think about it, Toga status is unknown because we don't even know where she went or if she's still alive, Touya status is also unknown although we know he wanted to live and that the ice prevented him from further damage, we haven't seen Spinner, we don't know if Kurogiri vanished with that last attack on AFO and now we saw Tomura decaying into the wind.

Yo kill half the surviving LOV would be a bold move that wouldn't follow the narrative. The reward for the hero students should be being able to save their counterpart, so the world can regard them as the greatest heroes 'cause they save the unsalable and blah blah blah.

There's also the fact Tomura hasn't been saved yet. Tenko? Nana and Deku saved him from Kotaro. The crying kid? Saved from AFO by Deku and the vestiges and the others. Tomura? Nop, he's dying/dead. The one person Spinner really wanted to save was Tomura. He didn't know about the crying kid or Tenko. He wanted to save his friend, the "irredeemable" villain, the young man he played videogames with and fought alongside and vowed to follow.

If this is the end, it's incomplete.

So we might hope it is not the end.

[houxe]

Regarding my SBI/DSMP Fics

TW: Abuse, Trauma, and Mentions of Suicide.

With all that has happened, I did want to come out here and make my stance clear. I will always stand with Shelby (Shubble) and all of the victims who are speaking out against Will Gold (Wilbur Soot). If you still support that bastard, unfollow me and leave my blog and whatever small community I made.

I've already stated this is my Discord channel, but I want to put it here too.

For me, c!Wilbur is so far removed from cc!Wilbur that I don't connect the two. The characters are vessels for my own characterizations and stories. It's a bit like writing Supernatural*, Twilight, or Hazbin Hotel fanfics. I don't support the guy, monetarily or otherwise, he does not interact with fanfics, I have plans to be very vocal that I'm on Shelby's side no matter what/make it clear that what Will did is wrong, and I don't use his real life events as plots in my stories. At least, I certainly don't try to. It's why I typically change traits about the characters. (I.e. Tommy is shorter, Phil is taller, Techno is bulky, and Wilbur always has golden/hazel eyes.)

I'm aware that it's a tad different because it's rp and not something like a full on book or an actor in a movie, but DSMP has also been over for over two years and the characterizations I make for SBI are not at all based on the CCs. Real life Techno isn't a literal terrorist, Phil ain't a father married to a goddess, Tommy is not a traumatized child soldier, and Wilbur isn't suicidal and blowing up countries.

I think I'll likely focus more on Techno, Tommy, and Phil for a while, but I'm not gonna let one dude ruin a fandom and things I've made for myself. Nothing I write is ever made for Wilbur, as I've seen people saying. Additionally, Wilbur was not the only writer. Technoblade, Philza, TommyInnit, and so many others made that story what it was. Not him.

However, if any CCs come forward saying they don't want their old characters interacting with his, I will respect that.

Though I do think there is a tendency to take real life events (i.e. Techno's cancer, LJ's music, Tommy's real life parents, etc.) and put them into fiction about DSMP. I, however, don't try to do that and have stated before that I don't feel comfortable doing so. The truth is that we have not gotten any genuine SBI content outside of DSMP for years. The dynamic in real life is very different from what was presented in the DSMP. Did personalities still bleed over? Yes, I'm not going to deny that, but I'm not going to act like they're exactly the same between character and person either. We've had that conversation like in 2021, it's why we have C! and CC!.

The rather sad truth is, SBI is what got me really into writing and it's a comfort for me that nothing can compare to. Obviously, I don't think it's appropriate to be writing certain types of stories right now or to be involving characters made by CCs outside of the DSMP. I think it's up to everyone else to decide on what they want to do, however, rushing it also isn't the way to go either. Give yourself time to heal and think it over first instead of throwing away something that gives you comfort and has not been associated with by the creators for over two years.

Anyways, fuck Will Gold. Fuck the fact that he hurt so many people, and fuck that he lied and manipulated his way around the damn internet. ESPECIALLY fuck the fact that he tried to diminish what he did and not take proper accountability.

Go and support Shelby so so much, she and everyone who spoke out really deserve it. I'm glad silence on these types of issues is not being normalized.

Here is a list of (American) resources for DV help:

TNLR

RAINN

WOAR

Love is respect

The Trevor project

Futures without violence

National domestic violence hotline

Resource on what DV and abuse looks like

*Changed it from Harry Potter to Supernatural because Harry Potter is a significantly worse and more problematic franchise, even just within the content of the books. It'd be better left in the dust. I've talked about it before, but it was the first thing that came to my mind at the time and was a poor comparison on my part, I'm truly sorry for that.

[katapotato55]

how to make your writing be remembered forever and possibly be well loved.

(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?

MAKE STRONG CHARACTERS

"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:

I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:

I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.

"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:

kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.

this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.

A writing exercise

here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........

Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.

[skyesdaisys]

Hi! Love your work, could you write a dick Grayson fanfic abt him and a quiet female reader warming up to each other (set between season 1 and 2)?

yes, of course!!!! god, i've wanted to write for titans on here so bad i just didn't have the inspo so thank you<333

—

talk to him

titans dick grayson x fem!reader

sunmary: you weren't exactly much of a people person. especially since you were 1 of 2 adults living in a huge tower in san francisco, watching over 3 kids you don't really talk to outside of training. and the only other adult being closed off so who knows what'll happen when he decides to talk to you out of no where

cw: not much, there's just some fluff with a teaspoon of angst because of communication issues (they both suck at small talk and beyond)

a/n: idc what anyone says about this show, it's given me so much comfort and a lot of fun and likable characters. so i'm so glad i can write for them as long as you guys send requests for them. as well as other characters from other shows like yellowjackets and etc. also i love dick grayson, even though he can be a bit annoying in this show (that i can admit) but he's hot so ajsjfndmfmf. also, i'm sorry it took sooooo long, writers block got to me badly these past few months, so i apologize if it's cringey and awkward. but i do give the benefit the doubt here because this story is suppose to be like that (also the fact i'm projecting my "bad at small talk" trait here). two grown adults that can't seem to have a normal conversation, like at all

after the trigon incident you were dragged in by circumstance, you were the only other adult to volunteer to help dick with... whatever he was doing. you didn't have any life to go back to anyways, and you made a connection to everyone else so why part ways and it be unlikely to see them again. sure, you weren't particularly close with the kids, but, what are you supposed to do in order to bond with them? so that left dick in titans tower, but he wasn't as much of a talker as you outside of training.

everyday for the past few weeks have been, eat, train, sleep, repeat on a loop, no 'how was your day' questions, because the days are always the same so there wasn't any point of asking. and you could tell the kids were getting bored of it, very fast, and you could not blame them. being stuck in a repeating pattern with nothing else happening started getting old after the first couple weeks. so, you didn't really know how long it would take til something changed, it couldn't be like this forever.

during this time, you admired the grayson from afar, he was attractive, what else could you say? you weren't an idiot. and you also were aware of his previous entanglements with kory and you didn't wanna be involved in that. and, well... you felt like a teenage girl having a crush on a guy who was going through some shit, so it was better not to bother him.

and not being much of a talker doesn't make the conversation about feelings be any better. like, maybe this was attraction and nothing more? you were aware of the difference between liking someone physically and liking them emotionally (specifically in a romantic sense). but even as you admired him, you learn things about him, paying attention to the little things. deep down, he cared for other people, if he didn't, he wouldn't have taken rachel in and helped her, and he wouldn't have done the same for gar or jason either. people just have their own way of showing their love and care.

but your admiring wasn't exactly subtle. rachel had noticed it when you were looking at dick from across the room, talking with jason. the roth wasn't sugarcoating anything when it came to this, "you keep staring, you're probably gonna be capable of shooting lazers from your eyes." and you knew she was joking around but she caught you by surprise, making you face the young girl. "why is it any of your business?"

"because it's kind of sad seeing you pine for him like this." she points out, "and also, gar and jason made a bet whether or not you'd confess. we have eyes, you know?" and she lightly bumped your shoulder with hers with a smile on her face, "and i'm sure dick feels the same way, though he's not very good of showing it."

"that is ridiculous." you shake your head, "one, i don't like him. not like that. i just think he's cool."

"are you sure about that?" the roth rose her eyebrow, "talk to him." but you were not moving from where you were so rachel decided to take matters into her own hands, she then gave you a push (a literal one) towards him, and now you couldn't run away. all you could say was, "hey..."

"hey." he responded. jason just stood there awkwardly in between the two of you, "okay, well uh—" he pretends to look at a watch that's not even on his wrist, "look at the time, i must be going." and he had immediately ran out of there before dick tried to stop him. there was an silent pause and you were trying to figure out what to say, but before you could, he asks, "do you want some coffee?" all you did was nod. after that, there was even more silence, you two haven't had a conversation that wasn't training related in like, a while. it just felt like you were both strangers who didn't know each other nor were you fond of one another.

"you're just as bad at small talk as i am, huh?" you finally had spoken up. and dick just shook his head, "i don't know what you're talking about, i know how to make small talk."

"oh really?" you rose up your eyebrow, "okay mr. 'i know how to make small talk', what do you wanna talk about? and please, don't let it be training related. because if i have to hear you talk about that one more time, my head is gonna explode." you tried to look irritated, but he could notice a small smile on your face. then he immediately went into the 'deep, emotional' stuff, "you never told me why you came here. you just did, and i'm surprised you stuck around as long as you have."

you answered it anyway, because why not, "well, it's not like i have anywhere else to go." you set down your drink, making direct eye contact at him, "besides, the second i got here, and realized how big this place is and i have my own room... what, did you expect me to pass it up?" and you ended up making him laugh, which was surprising, "what is so funny, i'm just being honest." you were unsure why he was laughing, so you just took a sip of your coffee. he explained, "your honesty is refreshing, that's all."

"really?" and he nodded as a reply. you just sighed, taking your coffee and leaving. it's not like you had anything else to talk about and just sitting there would make it more awkward, so you just left. does it make it any less weird? absolutely not.

you guys didn't talk much after in the next few days, up until you decided to play hero on solo when you see a woman getting mugged by this guy in a mask. it was like one of the many movie cliches that you see brought into reality.

too bad it didn't turn out like expected, where you got shot in the leg. thankfully, the kids were able to track you down and bring you to the infirmary, gar was trying his best to patch you up and rachel was there for emotional support. as for jason... there wasn't much else he can do than just stand watch, up until dick had walked in with a worried expression, and the three teens immediately rushed out of there as soon as he walked in the room. you could've left if you wanted too but, obviously you couldn't.

"jesus fuck, you could've gotten yourself killed, what were you thinking?" all of his emotions were being let out in that moment, it was the most emotion you've seen him express towards you in like... ever. yet you couldn't help but be a bit sarcastic, "yeah, keep yelling... it's not like i'm literally a few feet away from you or whatever."

dick sat on the edge of the bed and started to explain, "sorry, it's just... when i heard what happened, i didn't know how to feel, or express it correctly." he gently set his hand on your injured leg, softly, "just if anything happened to you, i—"

"i'm tougher than you think, grayson." you reassured him, and you noticed a tiny smile creeping up on his face.

"i know it's just... i don't wanna lose anyone else."

you lean up a bit to set your hand on his shoulder, "i'm not going anywhere, dick." you then stopped for a second as you come to realize, "and we just had a conversation that didn't involve small talk. maybe i should get myself hurt more often." you were obviously joking at that last part, but dick's reaction to it was priceless, "i'm kidding. you are just... not what i expected."

"the feeling is mutual."

a part of you wanted to kiss him, that it felt right, but another part was saying how the timing of it all wasn't. and maybe these feelings you're having are actually real. because now, there was something in your heart that was growing that wasn't just admiration, and it felt weird, but a good weird.

maybe when the timing is right, they'll get to it, but until then, your growing friendship in the moment is enough for now.

[leonardcohenofficial]

hello i would love to hear your general thoughts re: tenmartha if you feel like sharing them

okay so many thoughts about dr. martha jones and the doctor but one of the main ones is that despite popular (misogynoir-driven) belief, martha's character as written is much stronger than people give the series credit for. i think so much of her very strong character development and arc (based in her growing into her self-sufficiency, which was always there from the start and demonstrated in her constant analysis and questioning in the search for the most info to make the right decisions) is overshadowed by fandom racism, too much focus given to the unrequited crush storyline (which is also key to her arc, but is also something that she very distinctly and importantly gets over!), and general "she's not rose" sentiment. i think it's really interesting that unlike rose or donna whose narrative arcs need them to become super-human, martha essentially becomes the doctor's equal by the end of her run, if not surpassing him given the fact that as a human, she doesn't have those same otherworldly powers as him.

while i think the narrative of season three ultimately lets her come out on top, i think there is a big cost to that, for both martha the character and for the viewers. even separate from fandom racism there are so many moments of racism in the series that i don't think actually do anything to further the storytelling (literally fuck the whole human nature/the family of blood storyline) and that puts a damper on much of that whole year for me despite loving the characters. i also understand why the doctor (via the writers) is constantly comparing martha to rose, but the moments where martha calls him out on it—while they are certainly there—aren't always enough. i think that fact that martha also begins as fairly dependent on the doctor's validation (which like. makes total sense, she has no idea how all this works and is getting thrown into insane scenarios with no info from the jump) gets reduced to calling the character "needy" which just simply isn't true. this is also something that i think people focus on a bit too much rather than seeing how that particular character trait shifts throughout her season.

all this to say, when tenmartha is good, it's fantastic. freema agyeman and david tennant's chemistry is so on point, and that saves a lot of otherwise mediocre-to-bad writing. from the jump martha is shown to be so SO fucking smart, self-reliant, willing to take risk, and uninterested in the doctor's bullshit; when the doctor isn't just whining in the post-rose hangover or treating her like crap, he recognizes how powerful she is AND how much potential she has to continue to hone her skills, which is why he trusts her so inherently and ends up leaning on her so much during that season. the fact that he manipulates her emotionally to me is equal parts hard to watch and based writing-wise in a lot of the aforementioned -isms AND interesting character development from him because we haven't really seen that type of messy fucked up (human) behavior from the doctor. and then martha leaves on her own terms, which no other companion has gotten to do (clara's storyline feels different in that regard to me). she realizes she doesn't need him, arguably becomes his equal (or surpasses him) in terms of skill, and makes it out alive. imho that's a pretty big accomplishment.

[momentomori24]

Shadow, despite hating Nine with a passion, is the only person in this entire show that actually sees and understands him in any meaningful way. Sonic's attachment to Nine is based off his friendship with Tails and his inability to cope with the fact that his best friend is gone. In his eyes, Nine is just a gloomy, edgy version of Tails, not his own person with his own motives and desires. He's so used to him and Tails being on the same page, always having each other's back, that he didn't even bother to consider the fact that Nine and him would be any different, and his lapse in judgement is what lead to Ghost Hill being destroyed in the aftermath of Nine's betrayal.

Shadow repeats the sentiment ''they're not your real friends'' over and over in the show. Not only does he offer Sonic a mental out, a way to compartmentalize and stick to their priorities without any regrets weighing him down, it also rings very true to every character Sonic has met thus far. Rebel isn't Rouge, Renegade isn't Knuckles, Thorn isn't Amy and Nine isn't Tails. They're only pieces of their original's personality formed and twisted into their own people with their own lives and their own names. They're similar, but distinctly different, complete strangers in all but appearance. Sonic undoubtably cares about Nine and the others, but that care is built on an illusion, and Shadow recognized that immediately. And for me that's the most ironic and sensible part of it all. That it's Shadow of all people recognizing that so quickly. Shadow, the guy with a history of identity issues plagueing his legacy. Shadow, the guy who cares the least about these other people and made Sonic eat dirt for an entire episode just to sacrifice them one season ago.

And it makes sense. Because he knows first hand how difficult it is to seperate the past from the present, walking the line between being a protector and being a destroyer, his own person or just a weapon and existing as an entity for others to project on until he finally figured himself out on his own, he's able to sniff out Nine's confusion and resentment of Tails from his line ''This is the friend Sonic thought was like me? We're nothing alike'' when they encountered his ghost form before Sonic ever did. And because he doesn't care for him, he never associates him with Tails, giving him the ability to see Nine for who he really is. And Nine's troubled, selfish and volatile, and not to be trusted because his goals never aligned with theirs. He's everything Tails isn't, and that's why Sonic never acknowledged those traits. But Shadow sees Nine, and that's why he was so quick to distrust him.

It's also why he could easily deduce what the motive behind his actions were. Power. It's a motive he can certainly relate to. Something he can understand, but Sonic cannot (bless his heart). It was his driving force for the entirety of SA2. What he was after was the power of the Chaos Emeralds to inact Professor Gerald's revenge on the planet and was he believed to be Maria's dying wish, just like how Nine searches for power to create a paradise where he can live the life he always wanted surrounded by ''friends'' he never had. Both of them didn't think about the damage they caused or those they betrayed in that pursuit because they never factored into the equation in the first place. It's about power to achieve self-fulfilment, and what a broken, lonely, destructive and misguided guy seen by nobody and isolated by everybody will do to see it all through to the end.

Nine and Shadow can relate to each other. They can understand each other. They're can be on the same page when it comes to figuring out what the other person is plotting from eye contact alone (like Shadow immediately realising that Nine was going to use Sonic as his energy source). What Shadow wants from Sonic is to be heard, and what Nine wanted from Sonic was to be seen, and what they can't recieve from him they can give to each other. They're similar, they're compatible, they're both attached to Sonic despite acting otherwise and their mindsets are identical-- and that's exactly why they will never be friends.

[look-at-the-soul]

Hi! I'm new to the Peaky fandom and am in need of some Tommy fics because he's my favourite character! If your requests are open, (if not, there's no rush!) may I pretty please have a drabble or imagine -- whatever is easier -- with this gif?

*A little spice is okay, just nothing explicit. Also, my pronouns are she/her, but a gender neutral story is totally okay, too! :)

Thank you in advance!

Hello Jessyca! 🥰 Thank you so much for sending this gif!! I decided to make it part of Adele challenge using one of my favorite songs! (Lyrics in italics) 🔥🥰 edit and welcome to the fandom!! 🥰 I forgot to reply this sorry! I hope so far you’ve found incredible stories and lovely mutuals around (I’m always reblogging stories I really enjoy reading 💖)

🔥🔥🔥although the gif is extra hot, you’ll find nothing but fluffiness in this little story…

Women like me

By the corner of your eye, you found Mr. Shelby trying to catch his breath. Resting on his back against the pillows, he was looking at the ceiling completely lost in his own thoughts, his thumb rubbing absently between his brows.

You're driving me away, give me a reason to stay

I want to be lost in you, but not in this way

Don't think you quite understand who you have on your hands

How can you not see just how good for you I am?

In silence you started the same routine you knew by heart now; get up, get dressed and sneak out of his bedroom in silence, head down.

Ah, yes you were almost forgetting about his generous payment in between.

I know that you've been hurt before, that's why you feel so insecure

I begged you to let me in, 'cause I only want to be the cure

You could still feel his seed dripping down your legs, but tried to pick up your clothes scattered on the floor as gracefully as you could to get dress in the corner.

You’d been serving him for several months now, rumor has it Lizzie Stark wasn’t his mistress anymore because she got pregnant, so that was your job now; being Thomas Shelby’s whore.

Complacency is the worst trait to have, are you crazy?

You ain't never had, ain't never had a woman like me

But tonight there was something different, out of place. Mr. Shelby was still in the same position, his chest was now moving at a more normal pace. Looking at the floor, you felt embarrassed to ask for the money so you decided to pretend to fix your hair to see if he got the hint.

But he didn’t.

So after he longest seconds of your life, you decided to walk out without anything, feeling disappointed because you really needed to money to support your family. Perhaps he’d pay you double the next time, you thought to yourself but as you reached the door, his voice stopped you.

All you do is complain about decisions you make

“Y/N…” Your mouth hang open, surprised to hear him say your name.

“Is there a chance for you to stay all night?”

“I-I don’t know Mr. Shelby.” You stammered nervously, the instructions were clear; let him do whatever he wants, pick up your stuff and leave.

“You can call me Tommy… is there somewhere you need to go?”

Your eyes found his briefly, but you instantly dragged them down. “No, it’s just I’m not supposed to stay for the night.” You answered in a low voice.

“Why not?”

Feeling more embarrassed than ever, you didn’t want to point out the obvious, but as his intense blue eyes stared at you, you didn’t have another choice.

“Sir-Tommy,” you corrected yourself, “I’m just a whore.”

We come from the same place, but you will never give it up

It's where they make you feel powerful

That's why you think I make you feel small

But that's your projection, it's not my rejection

You knew that’s what you were, anyone could tell without even knowing you. But calling yourself that, hit you differently.

“Come here,” he extended his hand at you, and you didn’t have any other choice but take it and climb into bed again. “How long have you been coming here?”

“Six months.”

I put my heart on the line for the very first time

Because you asked me to, and now you've gone and changed your mind

But loving you was a breakthrough

You saw his head moving up and down slowly, but he was still oddly quiet.

He was still trying to organize the thoughts inside his mind as he saw you absently picking on your stockings. How could he put into words the way he felt about you?

“Y/N over the last couple of months, you’ve been the only one willing to spend some time with me, when everyone else finds an excuse to walk out the door, you’ve been the constant of my days, or nights for the matter.”

I saw what my heart can really do

Now some other man will get the love I have for you

'Cause you don't care, oh-oh-oh

Was he going to ask you to stop coming every night? You couldn’t speak, terrified of saying something that would piss him off. You had fallen for him secretly, blame it to the intimacy, the frequent late night calls, the way please took over him, but you did and deep down you knew it was all wrong.

“You’re not like the others, you don’t take and leave. You fill my glass with whiskey before you go or you pick up my clothes and fold them… you’ve listened to all my shit without judging me.”

Confused, you gave him a long look. “Tommy, what are you try-”

“I’ve feelings for you, Y/N.”

“That can’t be true, I’m a whore… men like you don’t fall in love with women like me.”

Consistency is the gift to give for free, and it is key

To ever keep, to ever keep a woman like me

“Women like you?” He was suddenly kneeling in bed in front of you, his hands cupping your cheeks. “Who says that?”

“Everybody knows that.”

This was just a fantasy, a dream. You were worthless, the worst of the worst.

“Just so you to know, I’m not so different than you… we just sell different parts of ourselves, Y/N.”

His eyes fixed on you, his intense gaze penetrating every layer, tearing down every single wall. And as he realized your guard was coming down, he pulled you in for a kiss, breaking the only rule you set when you first walked into his bedroom; no kissing.

That first kiss felt totally different to anything you’ve experienced until now, because men usually take what they want and leave right away, but Tommy took his time to explore your lips, the way they molded to his, tentatively, switching his pace and tilting his head from time to time as if he didn’t want to leave a single spot unattended.

He broke apart allowing you to take a deep breath, your head was spinning.

“Beneath, there’s a good woman, I just know it.” His knuckles carefully caressed your chin. You wanted to believe him, but you had been used in the past you no longer knew who you were.

He saw the hesitation in your eyes, so he took your hand and placed it over his heart. “Y/N I’m not going to hurt you, I genuinely fell for you, for he woman you are, for the little things I know about you… for the way you allowed me to be myself when the door is closed.”

He had been fighting it for so long, but with you he was allowed to strip down not only from his clothes, but from the heartless cold bastard he had to be in front of everyone else.

“Will you give me the chance?”

Looking down you fought against the lump that formed in your throat. “But how will you deal with my past and all the burden I’ve?”

“I’m not going to erase it, just like you can’t delete mine,” his fingers sunk in your disheveled curls, “but we can look forward and take it from there, together.”

As a single tear slid through your cheek, his thumb came to wipe it away, right before he crashed his lips once more and you believed him with all your heart because deep down you knew he was right.

A woman like you wasn’t so different than a man like him.

***

Master list

A/N: I’ve had this idea for a while now, guess it was time to post it, and I apologize because although I absolutely adore the concept I have been feeling a bit down and I’m not sure I was able to portray what I intended to…

Like always I’m so grateful if you decide to share your thoughts x

Tag list: @lyarr24 @runnning-outof-time @cillmequick @datewithgianni @cloudofdisney @gretelshelby @gypsy-girl-08 @lespendy @onlydeadcells @fastfan @stevie75 @rangerelik @prettylittlehoneyeyesxoxo @esposadomd @forbidden-forest-witch @ange-thoughts @moral-terpitude @elenavampire21 @forgottenpeakywriter @thenattitude @winchestergirl22 @zablife @heidimoreton @imichelle-l-rigby @allie131313 @already-broken144 @peakyscillian @babaohhhriley @mrkdvidal1989 @shelbydelrey @shaddixlife @sloanexx @sydneyyyya (can’t tag) @adaydreamaway08 @pono-pura-vida @thomashelbyswife @darleneslane @everythingelseisextra @kmc1989

[justatalkingface]

Where Hori went wrong with Bakugou

So, a day or two ago I saw an old reddit post quoting Hori explaining why he started to change Bakugou's character.

(I did't save it, because, 1, I don't really do that, and 2, even if I did... I don't actually attach things to my rants? I'm far too lazy to put the work in to try and do that. So.... My source is that I made it the F@#& up, I guess?)

The gist of it was that when Bakugou lost, he cried, right? That was... apparently a moment Hori realized he could have more depth? And basically, because of that realization, he decided he could give Bakugou more any development, and presumably from that point on decided to make him a more important character.

Alright, I... *sigh*

*deep breath*

Alright. Let's start with this:

Bakugou cried because he lost... and this was Hori's great sympathetic, 'I can fix him' moment? I just... I just... what? Why???

*recalls All Might going out of his way to comfort Bakugou and cheer him up, despite the murder attempt he had done a few minutes ago*

...Was he self-inserting in All Might at that moment then?

....

*deeper breath*

Alright.

So there's that. And beyond that... this is connected to something I mentioned before... I'm not sure Hori really knows how to make bad guys with sympathetic traits?

Like, he can make bad guys. And he can give characters sympathetic traits. But when he tries to do them both at the same time, it's like he can't balance the elements right, because he keeps ignoring a point:

Sympathetic character traits do not make a sympathetic character. But Hori seems to assume they do? So he always ends up making a bad guy, who does bad things, and acts in bad ways, but will have random moments where they act radically different for no apparent reason, and are often treated by people around them like they're not acting in horrifying ways all the time.

Because, like, if I spent my life, like... going out murdering people, but when I got home at the end of the day I was... really nice to my pet hamster Fluffles, or something, that's a sympathetic trait. But that doesn't make me a sympathetic person, because... you know, I'm still a serial killer, Fluffles or not.

The problem isn't that he tried to develop Bakugou, or that he wanted to give him traits against his current characterization, because, well, people are complicated. Everyone is complicated, everyone has depths to them.

The problem is he saw 1 (One) sympathetic trait (or, rather, 'sympathetic', because that moment was literally him just throwing a fit over losing, but OK, Hori, you do you), and instead of either, A, using that trait as a launching point to meaningfully change Bakugou's behavior, or B, keep Bakugou as the same character despite this extra information we received, with other characters acting the same way in response to him since they didn't have that information....

He made a radical third option: where Bakugou wouldn't change his behavior, and yet everyone changed how they treated him as if he had changed, and this is the point where things started to go to shit.

Because there were already concerning things with how Bakugou was being treated before this point, true, but it was.... contained. Manageable. His presence in the story made sense, if was over hyped, and how people treated him was somewhat in line with his actual behavior.

After this point? That started to change, and by the time we hit the Sports Festival, Bakugou was a 'new man' who somehow acted almost exactly the same as he did before, which was a theme that would continue to repeat for the rest of the series.

[ravelqueen]

One thing that is actually super interesting - character wise is how stark the difference between Angel and Angelus is when compared to Spike and be-souled Spike.

Angelus and Angel might as well be two completely different people - the way they act, react and conceptualise the world around them is honestly completely opposite.

Meanwhile, besouled Spike is a lot more aware of his past actions and isn't interested in killing humans for sport etc, but in the way he interacts with the world around him, he's actually still very similar - he's snarky and sarcastic, romantic yet cynical etc.

It's extra funny when you consider that probably this was never supposed to be a Deep Philosophical Ponderance Of The Nature Of A Soul

In my opinion this came out of happenstance: a writing choice forced on the Buffy team, based on when in the narrative it happened.

Angelus was always set up to be this enormous threat, this absolute monster tormenting Buffy, while Angel was supposed to be this fairytale first romance of a wonderful older boyfriend - the dichotomy was probably decided upon before /in season 1.

Spike on the other hand was never planned to get a soul - he wasn't even supposed to stick around longer than the 2nd season! However, the ensoulment made sense with the progression of the story/character if the writers wanted to adhere to the rules of the universe they set up namely:

Vampires are Evil Demons, inhabiting the body of the human before them, and most importantly they are irredeemable and incapable of true human affection. This is extremely important lore in that universe, because Buffy kills a lot of vampires - in the later seasons they aren't even really a major threat and more background ash. If you suddenly introduce the idea that Actually vampires can be fully redeemed, your main characters has been just murdering Possibly Good People willy-nilly for several seasons

Unfortunately, at this point in the narrative, Spike might as well have been ensouled already - he was acting altruistically, out of love (self-reported) and was mostly just helping our heroes, with motivations unrelated to villainous impulses

So really the writers had to give him a motivation to go and get his soul (the writing choices on how he gets there Being Bad notwithstanding).

HOWEVER, they really really couldn't pull the same move with Spike that they did with Angel re: his 180 degree personality switch simply because the audience liked non-soul Spike. They enjoyed the personality and character that had been crafted for the last 5 seasons, so changing him too much would have with almost complete certainty been met with negative reactions .

Which is why I assume they decided to simply soften parts of his personality, make him stop wanting to kill humans and called it a day on his other less-than-cuddly personality traits.

Which leads us to question on why two people in the same circumstances turned out so wildly different ESPECIALLY since William seemed Basically Alright when he's human.

Does that mean that Angel is fundamentally a worse person, only held back by the morality of his soul? Or that he was fundamentally a much more virtuous man and therefore the loss of his goodness had a larger impact, as removing those parts took away more of what he used to be?

That William was a lot more acerbic and mean deep down and therefore not too different? Or that actually William lost way less of his morality/capacity for empathy when he turned because Something and that led him to doing less awful things that would lead to a personality change??

Those are such interesting questions that somehow the show never addresses (as far as I know? comics people?) aside from Angel Being Mad that Spike got over his angst so quickly and it's just hilarious to me that if I'm right this basically was never meant to be that deep and simply just a byproduct of What The Fuck To Do With Spike

[subskz]

do you have any tips on writing? i wanna start my own blog and start writing, but im not sure where to start and how to make it sound good.

ofc! i do wanna preface by saying i’m by no means an expert, and when it comes to writing (or any form of creative expression) a lot of it is very subjective, so there’s not really any set standard for your writing to be considered “good” outside of basic writing/grammar rules! that being said, here are some things i do!

first just a few basic rules:

1.) start a new paragraph each time someone different is speaking

e.g. “What’s that?” she asked, tilting her head in the direction of the other room.

He squinted, taking a moment to listen carefully before another dull thud echoed through the door. “Not sure,” he replied. “Let’s check it out.”

2.) when seperating dialogue, don’t capitalize dialogue tags, treat the text in quotations and outside of quotations as if they’re the same sentence. this is one i didn’t learn until quite recently actually…😭

e.g. “Oh my God,” she muttered. “Why are you so difficult?”

The exception to this would be if the dialogue is seperated by a different sentence!

e.g. “Oh my God.” She was clearly fed up, running a hand down her face with a huff. “Why are you so difficult?”

3.) when a character is quoting something within their dialogue, don’t use quotation marks (“”), use apostrophes (‘’)

e.g. “He told me “do what you want”, so I will.” (this is wrong)

“He told me ‘do what you want’, so I will.” (this is right!)

as for writing tips, these are just some things that i personally do when i write! they’re not necessarily the right way to go abt it, so only follow the advice you want! i also talked a bit abt motivation here

include actions w dialogue! this can keep things from getting monotonous (like a constant back and forth of “he said” “she said” with little in between) and can also emphasize what the characters are saying! for example, instead of writing “he replied dismissively” you could say “he replied, giving a dismissive wave of his hand” or instead of “she said in exasperation” you could say “she rolled her eyes as she spoke” just little things like that to enhance the dialogue. ofc, keeping it simple is necessary sometimes so don’t overdo this!

that brings me to another point, adverbs aren’t bad (i use them a lot!) but sometimes what ur trying to say could be better expressed with just one word. it can get a bit repetitive if things are always described like “said awkwardly” “laughed loudly” “touched softly” etc. you might be able to find a word that gets the point across better. for example, “said irritably” could be “huffed”, “walked casually” could be “sauntered”, “smiled brightly” could be “beamed” and so on. but there are plenty of cases where adverbs are super useful so definitely don’t avoid them altogether!! i just try to make sure i dont use a bunch in a row

simple dialogue tags like “said” “asked” “replied” are your friend!! don’t avoid using them just bc they might seem generic hehe esp if you’re substituting them w verbs that are less appropriate simply for the sake of not using “said”

sometimes, you’re better off not including dialogue at all! like the whole premise of “show, don’t tell”, spelling out every last thing for the reader can sometimes work against you. body language and cultivating an atmosphere is key here! if it’s an awkward situation, you could bring up someone averting their eyes, shifting from side to side, playing with their fingers etc. if it’s a serious situation, you could mention their tensed shoulders/facial expression, their jaw clenching, them pulling away when someone tries to touch them etc. that in itself tells a story! but once again, it’s just abt using methods like these at the right times. sometimes, exposition is necessary

if ur writing abt skz, or any muse really, i think including mentions of their features/habits makes it more fun to read! it can help immerse the reader if u bring up traits that capture the character’s essence, or speech patterns that capture their voice. it’s all fictional ofc and just based off our perception of them, but i like to write skz in a way that’s at least somewhat believable in accordance w their personalities! even little things like the way jisung talks through breathy giggles, binnie’s nose scrunches, how minho looks up when he’s thinking, or how jeongin ends his sentences with a cute nod sometimes. and ofc there’s physical details as well like binnie’s chin scar, chan’s dimples, hannie’s cheek mole etc

this one is probably obvious but paragraph breaks are very important!! both to prevent overwhelming the reader with a huge block of words, and for organizing events/building tension! a paragraph never strictly has to be multiple sentences, you can have a single isolated line of text if you want. timing paragraph breaks can be very effective for creating the right vibe! if something intense is happening, putting a break right after a serious action or putting a single line of dialogue on its own can make them stand out and really add to the drama of it all hehe

don’t worry too much abt using the same word multiple times!! it might feel a lil annoying when you have to repeat a word several times in a paragraph but sometimes that’s the only option there is. if you try to replace it w 10 different synonyms instead of just referring to a book as a book, then it might end up sounding even goofier haha…so try not to stress when you feel like you’re overusing a word!

if you want your writing to be more immersive, take all senses into account!! describe more than just the character’s actions—describe sights, smells, sounds, touch, how the characters are feeling, etc!

arguably the biggest piece of advice i could give!! having varied sentence structure/length is one of the most challenging parts of writing in my opinion but so so important. when smth sounds off in your writing, it could very often be bc of the way a sentence is structured, or bc several sentences back to back are similar in length/format, which makes it flow awkwardly. i think making sure ur sentences range from long, detailed ones w several clauses, commas, semicolons, em dashes etc. to short, direct ones keeps the writing engaging! sometimes combining 2 short sentences can make the flow sound better, and sometimes breaking down a long one does the same! it also makes it a lot more effective when you have a sudden short sentence amidst several longer ones, bc there’s a clear shift in tone! generally just try to avoid having an entire paragraph of sentences that go “she did this and then this. then she did this and then this. then she did this and said that.” the variety will work wonders for how it all connects together!

ofc there are some situations where you might be going for a certain feeling or tone w your writing, in which case it can actually be a useful tactic to have repetitive sentence length/structure. maybe you want a scene to feel overwhelming w several long, complex sentences or you want to really drive in an idea by using blunt, disjointed ones. it’s all abt what you hope to achieve w your writing and your personal preference!

i hope this helps!! once again this isn’t the be all end all, so please only follow what you see fit! if you have any other questions let me know, i’m wishing you the best of luck! ^_^

[working-dreamer]

The Person Within: An Analysis Of Professor Layton's Hidden Character Development

Spoilers for practically all of the Layton games!

Hershel Layton as a character is sometimes criticized outside of the fandom for having no personality other than his gentlemanly nature and taking the concept of enjoying puzzles to the extreme.

While I think this criticism shows a blatant misunderstanding to his character, I do think from a different angle that perspective makes Professor Layton more interesting.

Think about it. Most of his personality is taken from the tragedy of those around him. Randall was the one who was originally obsessed with archaeology and puzzles. Claire was the one who originally perceived Hershel as a gentleman (thus giving him the idea.) We don’t really see Layton take these aspects of his personality onto himself until tragedy strikes and these people are taken away from his life.

In the case of Randall's death, Hershel blamed himself for surviving and moved out of town because of his self-loathing and guilt. And when Claire disappeared Layton paused his studies for an unknown amount of time trying to find out what happened until he was beaten into a coma by a group of people associated with her death.

And yet instead of grieving like you’d normally expect from a person who lost his best friend and girlfriend, he internalized their interests and aspects of their personalities into himself. He wears their passions and dreams as his own to remember them. In a way, he’s always reminding himself that he couldn’t save them.

However one might wonder how Layton really feels about those things outside of his previous losses. Does Layton even enjoy archeology and puzzles? Or is it something he has grown to accept in his life simply because he is living out Randall’s dream? Does he feel like he has a choice in the matter?

I can easily imagine Layton having doubts deep within himself: Randall didn’t get to live and it’s my fault. His dreams should live on. I don’t deserve anything else.

Same with Claire. She saw him as a gentleman but he certainly didn’t feel like one after her disappearance if his memory of events is to be taken seriously. How long did it take for him to turn into the perfect gentleman? Especially if it's just a painful reminder of her loss?

It’s probably after waking up from his coma that he starts to really embrace the idea that he has to be the perfect gentleman because he knows he can never get her back. So all he can do is embrace what she thought of him before she died. So with all of this in mind is Layton’s gentlemanly persona genuine to who he is as a person? Or is it just a persona created in order to keep her memory alive?

Layton has kept the shadows of his lost loved ones close to his heart for years and probably would have always done so had he never gotten any closure. However, when Randall turned out to be alive Layton now has the opportunity to let go of that guilt. Claire came back in the future momentarily and Layton got to say goodbye. He no longer needs to keep their personal traits as his own.

So why does he still embody Randall's passion for archeology and puzzles and Claire's perspective that he's the perfect gentleman?

I think it's because Layton doesn't know who he is without these borrowed parts of his personality. Without those aspects that he adopted into himself… who is Hershel Layton? Deep down he is someone who has silently mourned his loved ones and repressed those emotions. And yet most of his life has been embodying said grief. It makes me wonder if Layton would ever look deep within himself and realize that he doesn’t have anything to claim as his own. His entire personality revolves around past guilt and trauma from people he loved and lost.

Shoot even his name isn’t his own! Hershel Layton was actually the name belonging to his brother and in a moment of sacrifice switched names so our Layton could be adopted. So our Layton loses the only family member he has left without even knowing who that is for the majority of his life!

So we have a man who feels guilt and remorse for the deaths of his best friend and his girlfriend so he doesn’t allow himself to develop his own interests and personality because he doesn’t feel like he deserves to be his own person. It's even implied that he believed for a time that he didn't deserve to be the one who survived the events that killed his best friend and girlfriend. And then adding to the fact that he never knew his real family so he most likely felt a different kind of loss by not knowing where he came from. All and all we find a man that feels alone and tries to make it right by embodying the traits of those he cared about.

We don’t get to see Layton develop his thoughts on all of this but we do see an interesting development later on. I’d like to think that Layton slowly began to heal after his adventures thanks to adopting Katrielle in the anime.

This is because, for the first time in Layton’s life, he had a family to look after. Someone who doesn't need a mystery-solving archeologist or a perfect gentleman detective. Someone who doesn't need the grand "Professor Layton." This little girl just needs someone to be her father and, while he tries his best, he doesn't really know how to do that.

Sure he had a familial relationship with Luke and Flora, but he never called himself their father. I don’t think he allowed himself that privilege because of all the self-loathing he had been dealing with before. When he adopts Kat it feels like it’s the first time we see Layton truly allowing himself to be a father figure. And yet he is still uncertain about if he should be the one in this role.

Layton feels like his adopted daughter should know where she came from (something he didn’t get to have) before he can start thinking of himself as a father. He’s scared that if he gets attached then it'll hurt worse when she eventually returns to her own family should she decide that is her wish. But if he finds her family first then he doesn’t have the go through that heartache. He wants to find them first so she can make an informed decision.

And he says this with the logic that he always had as “Professor Layton” with that calm and collected smile. Notice that he says "I want to solve this puzzle so that we can become a true family." He doesn't say "so that we will become a true family." It’s almost as if he is going to let Kat decide if she wants to stay with him or go back to her real parents and that choice will be up to her. However, it's somewhat implied that he already thinks that she would naturally choose her real parents if she had the opportunity.

Despite his wishes to be her father, he still seems to be internally preparing himself to say goodbye (hence why he disappeared for so long in the first place.) He just doesn’t want to get too close to another person only to lose them and suffer alone again.

It makes sense why he is distancing himself, but he’ll still solve the mystery. It's what “Professor Layton” would do and he’ll have to accept whatever happens once Kat learns the truth. He doubts that she would still see him as her dad if she could be with her real parents. He doesn't even know himself outside of the role of "Professor Layton" so how can he be a true father to her? She'll go away with her real family eventually anyway. Why would anyone choose him?

And yet when he sees her again Layton is surprised when she immediately cries out for him. She still calls him papa. She wants him to be her papa.

In a public display of overwhelming emotion, we see Layton openly weep for the first time. He is so overcome by these emotions and for once doesn't repress them. He's just so happy to see his daughter again (to truly call Kat his daughter again) and allows himself to fully express those feelings for perhaps the first time in decades.

If Layton from the original game trilogy saw himself like this he would have been mortified by this “un-gentlemanly” behavior. His mindset back then was that a gentleman never cries because he has trouble coming to terms with his emotions. He even chastised Luke in Unwound Future because “a gentleman never makes a scene in public.”

However, he was never a gentleman for himself. It was always for holding onto the guilt of losing his loved ones while trying to honor their memories at the same time. But he doesn’t have to hold himself to those impossible standards anymore. He no longer blames himself for their deaths, he found closure, and now he has found himself in a family who chooses to love him not because of those attributes “Professor Layton” embodied, but because she loves him for the person hidden under that persona. And that is enough for Layton to openly weep as he embraces his child.

I believe Kat's words here helped Layton more than she'll ever know.

So who is Hershel Layton if he’s not a gentleman or a fan of archeology?

The solution to that puzzle is really quite simple.

He is a caring person. And that’s all he ever needs to be.

[myfairkatiecat]

NOT TRYING TO BE RUDE, BUT i HATE KEEFE SO SO MUCH AND IM WONDERING (GENUINELY) WHAT YOU LIKE ABOUT HIM BECAUSE I CAN'T SEE THE APPEAL

ALSO YOU DON'T HAVE TO ANSWER THIS IF IT MAKES YOU UNCOMFORTABLE OR BUGS YOU SORRY IF IT DOES EITHER/BOTH

Hey anon! Those are some strong feelings you've got there!

This is a tricky question to answer since a lot of the things that make me like Keefe's character make some people dislike his character, so you might be about to get a list of all the things you despise about him by asking me what I like about him. I like him because I think he's a good character, and way better written than people give him (or Shannon) credit for. I don't always love Wattpad Fanon Keefe (perfect boyfriend, super sweet, always says the right thing) because it erases so much of his character. I like canon Keefe. He's a raw character with a lot going on and a whole slew of well-developed character traits.

Before I jump into this post, however, I want to say one thing: I think a lot of people who dislike Keefe are mostly frustrated with Shannon's portrayal of his character flaws, and I don't think they give Shannon enough credit for the way she's intentionally written Sophie as an unreliable narrator. It's rather clear during different parts of the series that Sophie isn't the most reliable narrator, and Shannon also explicitly writes in the margins of her annotated KOTLC book that she used a certain scene as an example of when Keefe takes his jokes too far. Sophie forgives him without even an outright apology in that scene, but Shannon makes it clear in her annotations that she, the author, isn't writing it off. I don't own the annotated so I can't remember the exact quote, but it's my biggest case for why I think Shannon has intentionally written Keefe with these character flaws, as character flaws, and yes, Shannon sees them as character flaws and has said so, so for the purposes of this ask response here, let's assume Shannon Messenger is aware she's writing a flawed character, because I do think it's rather unfair to her how often the people of the fandom accuse her of brushing by Keefe's actions when in reality she's just writing Sophie Foster as true to her character as she can.

With that, let's jump into this little essay about Why Keefe Is An Awesome Character And I Love Him that I've writtten for you!

My AP English teacher always used to say, "characters are more human than humans." I believe the purpose of this quote was that well-written characters exemplify what makes us human—our love, our experiences, our regret, our strengths and flaws—in ways that connect strongly to the audience. Part of the reason so many people like Keefe's character, I believe, is because they are able to connect strongly to him. This is because he is written as "more human than humans," as my AP English teacher would say—even though technically, he's not a human, but an elf.

One major strong point of Keefe Sencen's character is that his strengths and weaknesses are often wrapped up in the same character traits. This is something that is true for many people. For example, my politeness in real life social situations makes me a lot of friends, but too often can turn to people-pleasing. A good character, in my opinion, should have both strengths and flaws stemming from all of their major character traits. Here are a few of Keefe's:

His humor

One major aspect of Keefe's character is his humor. Whether you personally find it funny or not (I think I found it a little funnier when I was eleven... I'm sorta growing out of some of it, though his wittier comments in the latest books are more my style, which might be a sign of both me and the character maturing) it's an enormous part of his character. As a major character trait, it presents both strengths and flaws.

Often, he brings levity to heavy situations that the other characters appreciate. One instance I remember is in Flashback. They were preparing for a confrontation, and I don't remember what it was that Keefe said, but Sophie narrates that she appreciated the moment of comedic relief, because it eased some of her anxiety. Keefe is able to take intense moments and settle them with quick-witted (or hilariously not funny) comments. This is likely a skill he adopted in order to handle the crushing pressure of being in his own home as a kid. (Fitz, contrastingly, adapted the skill of just holding lots and lots of weight, bending and bending and bending until he finally breaks. Not to make my Keefe essay about Fitz, of course, but I know someone is going to point out that Fitz also dealt with a lot of pressure at home, and wanted to point out that he developed somewhat unhealthy coping mechanisms as well, they're just different from Keefe's.)

However, sometimes his jokes are unwanted or go too far. Shannon comments on this specifically at the end of the first book, where Keefe makes a joke about how he helped save her when she almost died, and then sorta trailed of when he realized he was talking about her almost-death. Shannon commented in the margins that this was a moment of Keefe experiencing awareness that his joking has gone a little too far. She hasn't released annotated editions of any later books, but I'm confident that at least a few other scenes are examples of this as well. Sometimes I run across them during a read through and I'm like "huh, it's interesting to have a good idea as to what Shannon was thinking writing this." Sometimes, his constant making light of serious situations really isn't funny to anyone, and it keeps him from accepting the gravity of what they're doing, likely contributing to his reckless behavior.

2. His intuitive communication

Something to notice about Keefe is that even though he's often socially unaware, either in ways that indicate his childhood trauma or just his emotionally immaturity as a teenager, he's very good at knowing exactly what to say for his intended goal. That intended goal isn't always necessarily something he should want, mind you—we just talked about how his need to lighten the mood sometimes causes problems, and he knows enough about some of his friends (cough Fitz cough) to know exactly what words will hurt them the most in an argument as well.

This can be a strength for him, especially when he's comforting Sophie. Since he can feel her emotions instinctively, he often knows exactly what she needs to hear. He's actually incredibly sweet at times, especially in Legacy (I mean... there are other issues there, which I'll get into another time). For example, when he's telling her the reasons Bronte isn't the worst possible father for her to have. There's nothing inherently great about the specific way he comforted her, but it did ease some of Sophie's queasiness, because he knew what she needed to hear. Also, there are the scenes in Legacy where he's telling her that Sophie Foster is all she needs to be, or the scene in Everblaze where he reminds her that no matter who her parents are, she's still going to be exactly the same person she is, and they can't change her. Keefe is really good at knowing the right thing to say. (This might have stemmed from walking on eggshells his entire life aroud his parents!)

However, this also makes it really easy for Keefe to be manipulative, or lie, or say the completely wrong thing on purpose. The best example of the first two was when he somehow convinced everyone in just a few sentences that he totally wasn't going to go to Loamnore with them. Somehow, the guy famous for not doing what he's told convinced everyone he was going to do what he was told, and the thing is, it wasn't even unrealistic. He gave really good reasons that it made sense for him to stay back, and even made jokes about it, about how he and the others not going were "too cool for Loamnore." He had everyone convinced he really wasn't going to be reckless this time, when he totally knew his plan the whole time. The famous Unlocked healing center scene is a great example of the last one, because Keefe got upset with Fitz and knew exactly what to say to make him the most upset and embarassed in that situation. He only even took back the words when Sophie became upset as well. He and Fitz are in... not an awesome place in the latest books, and his POV reflects that.

3. His courage

Let's be honest. Is Keefe a runner? Yes. But when he runs, is he running from a fight? Nope. Never. One of the major instances of this guy running away actually put himself in a ton of danger. He doesn't run for cover, or safety. He runs usually out of fear of himself, his relationships, or that he isn't able to help in any other way. If we really look at his character, Keefe is incredibly brave. All of the KOTLC main cast is. They've got guts. But a lot of the others have a more guarded sort of courage, while Keefe's is... well. Not guarded.

Keefe doesn't think things through, and sometimes, there isn't time for that. Sometimes, immediate action is necessary, and Keefe is great with that. Quick, in-the-moment plans are his specialty. He's not afraid to stand up to people who want to hurt him (*cough* Dimitar scene *cough*).

But he's also extremely reckless (*cough* Dimitar scene *cough*). Because his courage is less guarded than his friends (such as Sophie's or Biana's) he may be more inclined to carry out his plans quickly, but he's also more likely to not think things through fully and end up putting his own life at risk, and sometimes even his friends' lives, even when he's trying to help.

4. His caution and fight or flight instinct

To everyone who ever said Keefe's character is flat and his strengths and flaws never develop or change, what version of KOTLC are you even reading?! Like I mentioned above, Keefe's recklessness is a huge part of his character since book one, but now I'm here about to talk about his caution/obsessive worrying/the famous running away, specifically the second time. This is a relatively new character trait for him. It develops slightly after Lodestar/the first half of Nightfall. Keefe truly did learn a lot from leaving for the Neverseen and lying to Sophie before going to Ravagog. We're given an extremely limited window into this process, since Sophie had other things going on and Keefe's short story focused a lot on his crush on her, but Keefe noticeably steps back and stops trying to turn things into a "Keefe show" (as Sophie puts it in Nightfall) and attempts to work more as a team, which is definitely character development again. However, where he really learned his lesson was Loamnore. He showed up, again going behind Sophie's back and coming up with a plan of his own, and it ended with Sophie tied up on the ground and him being forced to undergo a transformation that gave him powers he's terrified of. While his recklessness didn't entirely vanish after this (his response in the end was to run away to the literal Forbidden Cities) but is definitely flavored with siginificantly more caution and an attempt to be genuinely responsible.

In Unlocked, Keefe noticeably asks for people to be kept away from him, including Sophie, so that he can keep from accidentally controlling anybody. He also stops using his voice entirely. These are actually incredibly selfless things for him to do. He loves to be with his friends (particularly Sophie for reasons) and he loves to talk! And neither of those things are bad! But he isn't willing to put them in danger. In fact, he actually sort of overdoes it in Unlocked, even asking for Dex to make him an ability restrictor. (While he's well-intentioned here, I think Keefe brushes past the idea that making one of those again might be something of a traumatic experience for Dex.) In the end, he's so worried about it that he runs away, but he does it with considerably more of a plan than he did when he joined the Neverseen. He knew he'd know the languages, he arranged a way to get his hands on human currency, and while Unraveled isn't out yet, the state in which they found Keefe along with some of the things Keefe described about his experience make it clear that Keefe purposefully learned a lot about human cultures and successfully blended in and made his life work.

His newfound carefulness paired with his classic instinct to run really encapsulate a lot of his character strengths and flaws. In the later books, it's actually a sign that he's developing as a character and moving away from some of his past character flaws, but like all well-written major character traits, it comes with its own drawbacks.

Another important aspect of Keefe's character is the way he is noticeably shaped by his own experiences. I mentioned the whole "being more human than human" thing earlier, and while yes, he's still not human, I think this is part of what makes so many people connect to his character. He's realistic. He has even more strengths and flaws than the ones I've mentioned above, and all of them obviously come from somewhere specific in his past.

Why is he so chronically unserious? Because he couldn't be serious enough for his family. Before he met Fitz and started spending time with the Vackers, he didn't even really have friends. He had a suffocated home and impossible expectations, and when he tried to live up to them, he just wasn't good enough. So he adapted to break the tension. He adapted to just... not try ("those who don't try never look foolish" -Fiyero in "Dancing Through Life," from Wicked. I think Fiyero is... very Keefe coded) and started skipping classes, breaking the rules, playing pranks and doing anything to cut through the tension. He dealt with pressure by tossing it off his shoulders and just deciding to not deal with it. Obviously, deciding to Just Not Deal With Things eventually began to hurt him, and he slowly and painfully begins to learn to have difficult conversations (but hey, at least he's getting there? I think Neverseen is where his development in that particular area becomes apparent, with the way he opens up more and even admits where he's really beginning to feel guilty).

Why is he such a master of knowing what to say? Because he grew up walking on eggshells around his parents. And when he decided to stop caring about his parents, he weaseled his way out of trouble whenever possible, and learned to use other people's emotions to learn things from them and get his way. "But Katie," you say, "reading other people's emotions without permission and using them to get his way is a very not good thing to do!" You're very correct! And it's an enormous indication of how skewed his view of normal is. What's the one Empath he grew up observing? His father. Look, he knows his parents suck, but because his parents suck, he has no way of knowing what is and isn't normal. Is his father doing this particular thing because he's a horrible person or because that's a normal thing to do? How on Earth is Keefe supposed to know?! Well, there are rules about telepathy, and there aren't any rules about empathy, so the external indications seem to tell him that this particular thing is normal. This is yet another example of Keefe's life experiences having a huge impact on his character.

Why is he so reckless? Because he doesn't care. Even his his most noble moments of bravery stem from the same place of not caring what happens to his life. It's the same reason his deep care for his friends' lives turns to quickly into self-sacrificial tendencies (which show themselves in canon on numerous occasions and usually don't even help). He has this "better me than any of them" mindset that's deeply rooted in his childhood trauma. Even though he's fought tooth and nail against everything his parents have ever said about him, he still has this ingrained sense of worthlessness. The way he says he "doesn't care about permanent damage" and tells Sophie that he's going to make sure he's always the one who ends up wrapped up in bandages and also has that moment in Unlocked where he wants to retreat into the darkness and never wake up? Look, we all know he needs therapy, but maybe reread that last sentence. ...Keep reading it until you get it.

And finally, what makes him finally learn to be cautious? Because he sees firsthand how his reckless plans are impacting the lives of other people around him, and if there's any negative trait that Keefe is NOT, it's selfish. Keefe may be occasionally selfish—you know, case by case basis, like most people—but it isn't a character trait of his by any means. He struggles significantly more with not caring about himself than he struggles with not caring about others. So when he realizes it isn't only his own life he's putting on the line, and sees the way it's hurting his friends, he takes an enormous step back, and even runs away for a time. Now, it would be great if he would start caring about himself too, because this poor guy needs therapy and his level of self-deprecation at this point is way out of control. But it is the case that he cares about his friends a lot (if someone quotes this part and brings up Fitz, I'm going to point out that their friendship has fallen way out due to actions and reactions on both sides of that relationship) and ultimately it ends up adjusting the balance in his character traits and their related strengths and flaws.

In short, Keefe is a lot of things. He's good things, he's bad things, he's consistent things. He reads like a real person—someone who frequently makes the same style of mistakes but does learn and grow over the course of his life. Every character trait of him stems from some aspect of his past. Shannon didn't write him with a slew of random personality traits—each and every one of them ties down to who he is and how he's shaped by his experiences. He can be a truly amazing friend. He can be a really horrible friend. He can be sweet and amazing and say the perfect thing. He can say the wrong-est possible thing with the intention of cutting the other person deep. He's a slow learner, but he learns nonetheless. His character development isn't a smooth arc in which he has trait A, event B happens and at the end he has trait C. That's common in storytelling, but not real life. Keefe learns, grows, then makes the same mistake again, then learns stronger. His character development sees both growth and setbacks, and the changes are subtle. He's still the same person even when he changes.

He's good things, he's bad things, he's consistent things, and I think it is out of an awareness of our own humanity that so many people relate to him and therefore enjoy his character.

I hope you enjoyed this essay, anon. Believe it or not, I actually have plenty more to say about any of these topics, and some other topics that I didn't even bring up, so if you want to see even more, just direct me towards what you want to hear and I assure you I'll have thoughts. Have a wonderful day!