#why music matters

[manasastuff-blog]

"HAPPY MUSIC DAY " #trending#viral#musicday

Music has a profound impact on our emotions, well-being, and social connections. we delve into the significance of Happy Music Day and why it's crucial to celebrate the joy and unity that music brings to our lives. We'll explore the history of this special day, its global celebrations, and the powerful role music plays in cultural identity and personal happiness. Join us as we uncover the ways music influences our moods, enhances our mental health, and fosters community bonds.

Call: 77997 99221

Website: www.manasadefenceacademy.com

#HappyMusicDay#MusicImportance#CelebrateMusic#MusicAndLife#MusicDay2024#MusicLovers#JoyOfMusic#PowerOfMusic#MusicCelebration#MusicInspiration#trending#viral#manasadefenceacademy#musicday

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[beneathsilverstars]

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.

[happytogigglealone]

Let’s just say I’m delusional to look at small details now, but I’m always impressed at how House shows affection to Wilson in a few times he has to use words. Like at this time when Wilson mentions that there are only 2 things that matter to him: His job and his friendship with House. Rather than just saying that only his friendship matters, like in ss5 when House persuades Wilson to stay at PPTH after Amber’s death, House said: “They matter”.

House is always highlighted by others that he only cares for himself, a selfish bastard. Yet, he really does care a lot, especially for Wilson. Not only does he treasure their relationship, but he also thinks of Wilson’s job and reputation. This also shows in ss6 when House drugs Wilson to stop him from giving the euthanasia speech. He cares for Wilson as an individual, completely separate from their relationship. And I think that it’s beautiful.

They can never fight back against the lover's allegation since this is how they care for each other.

[acourtofsilly]

i made another to honor duel day

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[cowboycomics]

ted & paul & coffee

the guy who didn't like musicals by matt and nick lang and jeff blim // hey, melissa! by matt and nick lang // in the country of resurrection by ada limón // coffee poem by richard brautigan // still life paintings by rachel petruccillo // tumblr user jacebeleren

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid

[buck2eddie]

ryan guzman on everybody wants some!! (2016)

[juniperberrypipebomb]

Decided to finally take a look into my photo folder after almost 2 years of not looking there

Gonna share some them here bc this blog is MY autism and IM gonna be the one who chooses how its gonna look like (im not gonna be mentioning vrc worlds here bc i dont rember lol)

22nd of march 2024 - a friend of mine showering me with affection while i was afk (she gay)

20th of february 2024 - "Sunset in the ocean" (despite how bad it looks i love it honestly)

23rd of december 2023 - "Universal bandit named: Fukc" (probably one of my greatest most beautiful creations /hj)

31st of august 2023 - "The autism" (probably was the loudest and longest laugh i've had; all of the other options were so fucking good too but the outpocketness of the last one got me harrrrrrrd)

20th of july 2023 - "Highest tower"

31st of march 2023 - Probably the prettiest world i have seen in vrchat (i miss that avi.. its not only been made unavailable but also the creator of it nuked; that avi is my pfp atm, still yet to decide again what avi i have captures the "me" energy)

16th of february 2023 - One of earliest memory i have with my long time friend gwen @virapyon

21st of july 2022 - Probably the 1st time i ever tried using pens in vrc (glad to know my sense of humor havent changed since then)

Also despite being besties with @doggirlpaws we share 0 pictures together, at least on my end; mind sharing them if you find any bestie?

@virapyon this applies to you too as well girlie

also ahem,

EVERY MUTUAL MENTIONED IN THIS POST IS VERY GOOD LOOKING AND WHOEVER FINDS THIS POST SHOULD THINKS SO AS WELL CAPICHE?????

tagging into my other, but nonetheless beloved mutuals im not that active with to say hi, you are welcome to add your good experiences that you had, be it vrc, gaming, life or anything else, would love to hear more from you people; no pressure tho

@letrayofash @suchlostflame @redheadedfailgirl @labgrownmeat @collector-of-dust

@parasocial-hermit @raspberrypie4u

[musicalmoritz]

Nene’s Music Taste

I was trying to learn more about Nene’s canon taste in music, which she describes as “enka songs about cursing your ex-lover.” Most fans seem to think she’d either enjoy pop or goth music and, while she could certainly enjoy more than one genre, I wanted to figure out what songs she would realistically be listening to. Here is what I learned (Nene enjoyers, get your pens out)

Enka is a Japanese music genre that dates back to the 1950s. It somewhat existed before that in violin music and later with guitar, but the 50s was when the style really came into its own. It maintains elements from traditional Japanese music and is often used in karaoke. The themes are similar to American blues music, lots of talk about heartache and the struggles of life. Alcohol, love, death, and the weather are frequent subjects of enka songs. It declined a bit around the 90s due to younger audiences not being able to relate to the lyrics but it had a revival in the early 2000s (which is the period I suspect Nene would enjoy, as that is the music she would’ve likely heard growing up). Music artists tend to get creative with this genre, there are many enka songs that involve rap as well as elements of tango and jazz

Unfortunately I wasn’t able to find many sources that gave lyrics translations for the songs recommendations I found, due to the genre not being popular in America (I hate us😒) but I did find an article that had a goldmine of song recs!! “Japan’s Top 50 Bestselling Enka Songs” by Daniel Morales, if anyone wants to check it out

I was trying to find some songs to add to my Aoinene playlist but sadly I didn’t have a lot of luck. If there happen to be any enka music fans reading this who also like Aoinene I would love your recommendations. Here’s what I did find though (all of these are from the list cited above):

“Tearful Love” by Yashiro Aki. Yes, I did mostly pick this one because of the name but it is an angsty love song, very much Nene levels of dramatics

“Crimson Karma” by Segawa Eiko. A star-crossed lovers song, Aoinene certified levels of angst

“But It Would Be Nice If You Came Near” by Toshi Itō and Happy and Blue. The singer in the song blames themself for their bad luck in love, more Nene vibes

“Solo Journey to Michinoku” by Yamamoto Jōji. A song about a person wishing they could’ve died with their deceased lover. Could be Aoinene in the Ghost Hotel au or during the Severance arc. Orrrrr by the end of the manga if Nene doesn’t survive

I would also recommend Saburo Kitajima, I can’t remember if he made it onto the article or not (I found his name through Wikipedia, along with the history and qualities of enka music I described before), but I listened to one of his songs on Spotify and ya’ll…my ears have been blessed. Will definitely be checking out more of this genre

[lightscamerabitchsmileee]

A hot take here: but can we all agree that it's not an artist or actor or athlete or any other celebrities' responsibility to be a political activist on every single goddamn issue?? Like for fuck sakes guys give it a rest...I'm sick of it

[purecommemasolitude]

There’ve been criticisms about Darry being too mean or too cruel in the musical, and I get where those people are coming from, but — and speaking as someone who hasn’t seen or listened to it but has listened to the soundtrack and follows the information account like the paper — I think this phenomenon stems from two things

First, on the side of the discussers, a lack of exposure to the musical as an actual piece of material instead of (occasionally very out of context) lines or screenshots. Obviously seeing the musical, even if one lived in New York, would be expensive as all get out, and even audios and boots are pretty hard to find for this show, but there are many details and contexts that change how lines on the page should be interpreted that simply cannot be gleaned through, well, lines on the page. As someone who has dabbled in acting & directing, and has spent time analyzing play texts in depth, delivery and direction can change everything. The entire sentiment of a line can be the opposite of what you’d expect if you took the line at face value, and unless that’s explicit in the stage directions, it can go unrealized if one is merely reading the script (which, as an aside, is exactly why I find analyzing play excerpts tricky — because without a performance or direction, scripts are often so ambiguous and versatile that they could go any way). And honestly, despite also being someone who unfortunately does not benefit from first hand knowledge of the musical, I feel like this is very evident in discussion of Darry in the show. For example, none of his lines in, say, Runs in the Family (Reprise) should be taken at face value, because if you’ve even listened to the song you can tell he’s completely spiralling and hitting a breaking point. This is a state that, historically, causes people to say things they’d never believe in real life. We’re not meant to believe Darry would ever walk out on his brothers, we’re meant to hear him talk about it and understand how deep of a breakdown he is having. As a less obvious example, from what people online have said, Darry spends the last twenty or so minutes of the musical in tears. Again, the things he says here aren’t necessarily the things he believes, or things that he’s expressing coolly or off-handedly because they line up 1:1 with his worldview, they’re things he says when he’s desperate and struggling and has no idea what the correct path is when his brother & responsibility has effectively been comatose since the deaths

Which brings me to my next point!

One of the most known things about the musical, even to people who aren’t very familiar with it, is that it goes more in-depth on Darry’s trials and tribulations, so to speak. He gets one solo at status quo, another (mostly) solo when he gets his breakdown, and a (mostly) duet in his own self-described darkest hour during Pony’s absence. All three of these songs go into detail about what his life is like and how much he’s been struggling, and even songs that aren’t about him emphasize this feature of his more than in the book: his description by Ponyboy in Tulsa ’67 & Great Expectations reminding the audience of his life’s path, his verse in GGAH making it clear that his life is a very different one with arguably more severe burdens compared to the other boys. Other than the three most important characters of the original narrative, he is now undoubtedly the most important and developed character — which makes sense in a musical format, because with the story of The Outsiders it would’ve been pretty much impossible to do a true ensemble cast other than the main three while doing any of them justice, especially if they’d kept Steve as a principle (rip king). But I digress. In my opinion, being clearer on Darry’s hardships actually gives the musical space to show him as saying crueller things, to have him make more mistakes and mess up worse. In the book, we’re clearly meant to sympathize with him by the end, but we only get Ponyboy’s infamously flawed and unreliable narration as the lense through which to view him. As such, if we went too hard into Darry messing up, while 3/4 of the book have Ponyboy going “yeah Darry’s a rock and doesn’t love me or anyone”, he ultimately would’ve come across a lot worse and a lot harder to “redeem” in the eyes of the reader (personally I never disliked him, but I’ve seen enough accounts of people who hated him on their first go at the story to know it is not an uncommon sentiment). He already slaps his brother and argues with him all the time; it would’ve been even more legwork to make him liked if he’d also been saying harsher things and making more mistakes. In the musical, however, we get that objective perspective that’s missing in the book. Ponyboy’s not narrating to us the lyrics of Throwing in the Towel, he’s not even present for the events of Throwing in the Towel! It’s a lot easier to understand and forgive mistakes if one is familiar with the psyche behind those mistakes, and the musical delivers that psyche to us at every turn. Because the audience understands Darry Curtis and how hard it is for him to hold on, the audience also has more understanding and forgiveness for when he’s spiralling. It’s also just a more specific proof of his plight — three songs with first-hand, emotionally explicit lyrics penetrate the uninvested understanding a lot easier than a second-party description of circumstances. Due to its nature and promotion of Darry’s importance, the musical simply gets more freedom to show an arguably more realistic version of him.

Also, I do believe that Darry in the musical is just that much closer to the edge than he is in the book, which is a valid character choice in an inherently emotional and transformative medium such as the musical adaptation 🤷🏻‍♀️

[picklesinabottle]

poor odysseus got better at communicating with his crew only for it to not matter even a little

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[aprilblossomgirl]

Earth Pirapat as Phupha Viriyanon & Mix Sahaphap as Tian Sopasitsakun

ผาเคียงดาว (No Matter What) Ost.Our Skyy นิทานพันดาว - Earth Pirapat, Mix Sahaphap