#windmill theatre

[i-only-ever-asked-questions]

Map of Soho Good Omens Season 2 - Part 1 (Location and general map)

Part 2 | Part 3 | Part 4

Update: Map now identifies Lucky Snake and the coffee shop listed in Aziraphale's clipboard may indeed be Give Me Coffee I think we all have wondered how the GO Soho looks like and where it would be in real London. So using all the screenshots, BTS pictures and videos I could find I did my best to map out where things are. It is not to scale but everything I could see is there. I originally had all the pictures and explanations in this post but soon it became obvious it was going to be too long and impractical so I had to split it in different posts and I hope I got it right. The map has five reference points (circle with two diverging lines); imagine the circle is you, standing in the set, and the lines are your viewpoint if you were taking a picture from there. The left side of Whickber Street (#1 and #2) is in Part 2, the intersecting street (#3 and #4) is in Part 3 and the right half of Whickber Street (#5) is in Part 4.

As to where the bookshop would be in real London. We know that Whickber Street is supposed to be Berwick Street so let's start there. The intersecting street is not obvious from the show. In this post Neil said he imagines the bookshop to be where Gosh! Comics is (Peter Street) while Michael Ralph and Douglas McKinnon probably put it at The Week (on Broadwick Street). Because it is ambiguous and really you can do whatever you want, I just left it as "intersecting street". We know from the book that Crowley takes Wardour Street after the bookshop fire. Wardour is behind Berwick so in our map it would be where the Chinese Buffet Restaurant is, considering they run more or less parallel. On the other side, we have the Windmill Theatre located on Great Windmill Street. From Berwick St. and Peter St. it takes three minutes to walk to the theatre, it is that close! (yes, I know, Crowley was conducting business two blocks from the bookshop while not talking to Aziraphale for 80 years). I have never been in that part of London so I used Google Maps streetview and based only on that, I like the corner of Berwick St. and Broadwick St. better. It has the crooked intersection but the proximity of the theatre matches Peter St. better, so whatever works better for you!

There is one place missing from the set map though: Brown's World of Carpets! It is nowhere to be found, we simply don't know where it is My very personal headcanon is that it is nothing but a desk inside the furniture store. I find that idea of the guy most worried about storefront looks being the one without a storefront very amusing, but don't mind me, it is just my very silly hc XD Now, we know Aziraphale has a list for the shops he needs to visit. And we know he wrote it in alphabetical order which begs the question: Where is the Dirty Donkey?! Are they not invited? And what about the fabric shop? And Bilton Scaggs? Battye and Palm? The News Agency? Is "Mo Coffee? No Coffee?" supposed to be Give Me Coffee or Give Me Death? Or is there another coffee shop somewhere? @crow-bee23 suggested it could be "Me Coffee" which it is entirely possible, the full name is kind of long. So many questions to ask Mr. Brown.

Anyway, I put pictures and details on the shops in parts 2, 3 and 4. Part 2 | Part 3 | Part 4

[ktkellart]

Good Omens London Trip 🐍💞🪽

It's my Birthday today and I treated myself to a trip to London last weekend to see my favourite actor Michael Sheen in Nye at the National Theatre. I made the most of my weekend by combining it with a Good Omens filming location self-tour and I'd love to share it with you all. So, are you ready for the tour?

Here we go!

Starting off with Soho, and the inspiration for Whickber Street, where Aziraphale's bookshop, Give Me Coffee or Give Me Death, The Small Back Room, and the Dirty Donkey are located.

It’s Berwick Street and a record shop that is very similar in shape to A.Z Fell & Co. Bonus points for spotting Duck Lane!

Next is Berkeley Square, a short walk from Soho. The first two photos are of the real Berkeley Square gardens in Mayfair, and the last two photos were taken in the filming location of Tavistock Square across the other side of central London near Kings Cross. I’m sitting on their ‘body swap’ bench in the last photo!

As you can see, the benches are turned around facing inwards now but are the other way, facing outwards in Good Omens.

Oh, and I can confirm that there were no nightingales singing in either location 😭

Heading up the road a few minutes from Tavistock Square to The Enterprise pub where I met a fellow fan who kindly took photos of me posing (I bet the staff thought we were off our rockers!). This is where Crowley drowns his sorrows in Talisker Whisky whilst waiting for the world to end after thinking he'd lost Aziraphale. Omg that poor poor demon, he was really just gonna die along with the world.

Also, one of my favourite moments of season 1 is Crolwey's line: "I heard that. It was the wiggle-on..." then shrugs. 😆 So many emotions in such short a time.

Onto the Ritz. The first two photos are of the real Ritz (a stone's throw from Berkeley Square) and the last one is inside Masala Zone in Piccadilly Circus where the ‘Quite extraordinary amounts of alcohol’ and ‘To the World’ scenes were filmed.

I ate in here alone to get the photo and was so lucky with the table I was given! Perfect discreet snap whilst eating my curry! Haha!

Next up is Battersea Park and the Bandstand. It was a bit of a faff to get there, it's an 8-minute walk from the Battersea Power Station underground and we walked the full length of the park to find the Bandstand, but it was so worth it.

Also filmed here was Gabriel and Aziraphale’s run/jog. Poor Angel is soft scene.

The trees were a little leafier with it being mid-May and the park was very busy because the weather was glorious. They also have a beautiful lake here with herons!

The Heaven & Hell staircase escalators are right over the east side of London in Broadgate Tower, Bishopsgate. I got the overground to Liverpool Street station to get there. It is in a private business building so I politely/awkwardly asked the receptionist if I could take a photo and had to explain about the scene from Good Omens… eek! But he kindly let me snap a photo anyway! (Phew)

The Windmill Theatre was three minutes away from my hotel in Piccadilly Circus, so I wandered up the road to take a photo of where Aziraphale ‘performed on the West End stage’ as Fell the Marvelous. And wasn’t he just?

The scenes weren't filmed here but it was fun to find it anyway.

St James’s Park is up next! I sat on their bench and got my friend to take photos of me posing and had fun editing the first photo. Haha! We enjoyed walking through the park, watching the ducks on the lake and had a nosey at Buckingham Palace while we were there.

The Duke of York Statue steps are at the other end of St James's Park and were fun to walk up. I smiled to myself as I thought of the scene where Crowley says ‘Well let's have lunch? Hmm,’ and Aziraphale turns around, as it was the first time I realised that these two were more than just friends.

Heaven’s top floor, the Sky Garden in Fenchurch Street near Monument is a very tall building with a botanical garden on the top floor. You can visit the sky garden for free, but you do need to book in advance so it’s best to plan ahead for this one. The views of London are breathtaking from the 35th floor and the tropical plants are fun.

My last stop for this visit was Shakespeare’s Globe Theatre. I booked a tour on the morning I was due to go home. The first tour is 10 am and lasts an hour, so I dashed off as soon as the tour guide was uttering his last words about the gift shop, across London back to Kings Cross to pick up my suitcase from luggage storage and get the 11:48 am train home!

One I missed and could have easily gone to is Abingdon Street where Newton and Shadwell meet, and Shadwell fleeces Newton for a cup of tea with nine sugars and pockets the change. A bit gutted I missed it to be honest – I love Jack Whitehall (I’m back in London with the family in June so I’ll swing by and update then!)

There are also some other locations a little further afield that I might try to visit on a later date, such as Shadwell's and Madam Tracy's flat down Hornsey Road in Islington, Crowley's Flat exterior in Eastfields Avenue, Best Cafe on Garratt Lane where Crowley meets Shadwell, Crystal Palace Dinosaur Park where the ineffable husbands watch Warlock defacing a dinosaur sign and Antonella's Cafe and Bistro where Crowley and Aziraphale are thinking of ideas to track down the antichrist whist Aziraphale eats cake.

Okay, I’m gonna finish up with the man himself. The very kind, very charming, and VERY patient Michael Sheen The reason for my London visit in the first place. Nye was spectacular OBviOUsLy, but he was super generous with his time at stage door for us all. I got a hug and asked him to pass it on to Aziraphale (that angel really needs a hug) and it made him laugh, which made my night!

Here’s the wonderful map I used -

from this website:

[rainbowpopeworld]

I was excited to notice another overlap between Good Omens and Doctor Who(I’m sure I’m not the only one who noticed 😊). Siân Phillips played Mrs Henderson, the owner of the Windmill Theatre, in Good Omens season 2. She also played Enid Meadows, the older woman in the Welsh pub, in the most recent episode of Doctor Who, 73 Yards.

[fitzrove]

Not to be weird but it's so funny and iconic to me how in that 2013 boot oliver!tod is actually quite gentle with lukas!rudolf during the schatten and mayerling manhandling parts. Like is this because Oliver knows personally that it hurts when Mark your coactor throws you facedown on the floor and didn't want to subject someone else to that ahshjfjgjh

[romaingimenez]

[prompt-heaven]

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

[ncfcatalyst]

Previewing Stupid F*cking Bird: Chekhov’s "The Seagull" Twice Removed

Previewing Stupid F*cking Bird: Chekhov’s “The Seagull” Twice Removed

Provided one pardons the French of an old Russian play in new clothes, there’s something to be said of thesis student and director KC Casey’s rendition of Aaron Posner’s Stupid Fucking Bird—a triumph two-and-a-half years in the making—that’s managed to capture the Novo imagination. Perhaps poetically—or more appropriately, theatrically—Stupid Fucking Bird is Casey’s own curtain call to New…

[neil-gaiman]

i vaguely remember an ice cream shop in edinburgh being closed for filming good omens? did a scene ever get shot there or was it cut?

That was when we were shooting the 1941 scenes set in the Windmill Theatre.

We weren't shooting in the ice cream shop. We might have been using it as a place to put people.

[ludwigvb]

#windmills of my mind #odiseuselitis #theatre #mylopotasbeach #chora #iosisland #greece #family #travel (at Ios island Greece) https://www.instagram.com/p/CfavTaiKRa-/?igshid=NGJjMDIxMWI=

[swirlingthings]

so… i accidentally wrote an entire scene based off an idea i posted on here about a month ago. it brought itself into existence honestly, i’m still not sure how it happened. never written anything like this before. it’s called ‘alien thing’. see if you can work it out before aziraphale does. enjoy :)

-

And perhaps, after a while, the team at the Saddlescombe and Poynings Observer newspaper office would be alarmed to discover that the crossword they had devised for today’s edition had mysteriously been replaced by one that nobody recalled sending to the printing press, or indeed seeing before at all. And in a cottage not too far away, Aziraphale would settle down into the sofa with the paper like he always did at this time of the afternoon; his slice of cake (Victoria Sponge today - “you can’t go wrong with a classic like that”, he’d told Crowley in the supermarket), his mug of tea and an HB pencil ready for him on the side table. And Crowley, on the sofa next to him holding a small book which had been miracled into existence the moment Aziraphale had gotten up to fetch the newspaper, would be so intent on doing everything possible to not look in the angel’s direction that he’d stare too hard at the potted plant across the room and cause it to wilt.

“How odd.” Aziraphale says, ruffling the page slightly as if he were testing to see if moving it would somehow change the way it was printed.

“What?” Crowley says, calmly. He was incredibly calm when he said this, calmly.

“This crossword.” Aziraphale replies, brow furrowing. “I think… look, look at this.”

Aziraphale shuffles across to the middle of the sofa, holding his arm out in front of Crowley so that he could see the newspaper clearly.

“Look. Here.” Aziraphale points with his pencil. “5 Down, six letters: ‘Luminescent dust between star systems’. I think it’s NEBULA.”

“Sounds plausible.” says Crowley, his eyes not moving away from the paper.

“Well, that’s not all. NEBULA gives us the ‘B’ for 12 Across, eight letters: ‘Parisian fortress’, which must be BASTILLE.” The pencil moves down and waves around a clue, then shoots back up again. “And the ‘E’ from that gives us SERPENT for 10 Down! Isn’t that funny?” Aziraphale says brightly. He looks up and beams at Crowley, who is still staring directly at the paper.

“Why’s that funny?”

“Well…” says the angel, his smile turning peaceful. “I don’t know. It just made me think of you, I suppose. What with your being a serpent in Eden, and rescuing me from the Bastille. And the nebulas, from Before…” Aziraphale laughs softly and settles back on his side of the sofa. “I don’t know. I’m being silly. I just thought it was funny.” he says, running a hand through his hair and picking up his mug.

And perhaps the minutes would pass, and Aziraphale would think between sips of tea and scribbles of pencil that there really was something rather odd about this crossword, wasn’t there? 17 Down, eight letters: ‘Machine run by rotating vanes’. WINDMILL. That was the name of the theatre in Soho where he had performed his magic show. Crowley had almost shot him. They’d had wine afterwards, in the bookshop. 2 Across, seven letters: ‘Remarkable and unbelievable occurrence’. That had to be MIRACLE. 21 Across, five letters: ‘Japanese vinegared rice dish’. SUSHI. His favourite.

And Crowley would sit excruciatingly still, in absolute silence, and make no attempt to actually read the book he was holding open in his lap. He would be far too busy trying to look cool.

“Crowley…” Aziraphale looks up at him, after a while, another smile creeping across his face. “26 Across is INEFFABLE.”

“Oh? You stuck?” Crowley says, stretching out his legs and keeping his gaze fixed on a page of the book. Wait… was he holding it upside down?

“What?”

“Well, if it’s ineffable you can’t describe it in words, can you? So you don’t have the answer?” Crowley slithers down the sofa cushion and holds the book in front of his face. He’s a very busy demon with important things to be busy with. “Finding the word’s the whole point of a crossword. You must be stuck.”

“No, I mean the answer is INEFFABLE, Crowley.” Aziraphale’s smile spreads wider. “You know full well what I mean!” he said, nudging him sharply with his feet. Another “Oh?” emanates from somewhere behind the book, which Aziraphale grabs and puts to one side.

“What on Earth have you done?” he laughs, his eyes first on Crowley then returning to the paper. “14 Down: ‘A small settlement without a church’... HAMLET! Oh Crowley, the play!” he says, jotting it down with the pencil.

Crowley smiles too. “How are you doing on the letters?”

“Yes, it’s six letters, HAMLET.”

“No, I mean the letters in bold. In the boxes. For the final bit.”

Aziraphale looks back at the paper, and notices that around a few of the letters he had already pencilled in, the margins of the boxes were heavier than the rest.

“It’s a puzzle thing. What’s it called… an anagram.” Crowley continues, leaning over on one arm and turning to face him. “Look at the letters in bold and it makes something else.”

Aziraphale gasps excitedly, and starts to note down the emphasised letters in a patch of empty space towards the bottom of the page. The ‘A’ from BASTILLE, the ‘E’ from SERPENT, the ‘L’ from NEBULA…

“Crowley…” he says smugly, and proudly folds the paper to his chest to indicate he is finished with it. “Is it AZIRAPHALE?”

“Don’t just guess. Work it out.” Crowley says gently. Aziraphale’s pencil resumes its scratching against the paper. He wonders how he ever lived in his flat in Mayfair, void of this softness and this warmth and this angel. They’ve been in the cottage now for a good few years. It’s all the things he loved about Aziraphale’s bookshop, with the added bonus of never worrying if he’s overstayed his welcome. It’s theirs, together, completely. He’s forgotten he was ever holding a book, let alone supposed to be busy doing something else, like trying to look cool.

“Oh, no, there’s the N from WINDMILL.” Aziraphale mutters, leaning forward to write on the paper which is now resting neatly on his knees. “Unless… I was wrong about that one?”

“Don’t look at me, I’m saying nothing.”

“No, I’m not wrong. Hold on.”

Crowley sits up a bit more, putting his elbow on the back of the sofa cushion and leaning the side of his head against his hand. He listened to Aziraphale continuing on - “I’ve got ALIEN. Hmm, wait…” - while he curled up his legs underneath himself. His nerves had eased slightly (Aziraphale’s smile had that effect on him) but had not dissipated.

“INHALE? No, no, there’s two ‘I’s. Oh, I’m still missing some!” Aziraphale says. There was another comfortable pause while he scanned the remaining clues.

“Right. 6 Across must be… PEAR. I love pears. That one doesn’t get us any further with the anagram, though.” Aziraphale says, looking over at Crowley as if he were learning this for the first time and might be disappointed by the news. As if he hadn’t snuck downstairs in the middle of the night on three separate occasions last week to draft every detail in a notebook which promptly ceased to exist once he’d finalised his plan. He’d sent off the miracle at one in the morning.

“16 Across, ten letters: ‘Destruction of civilisation’. Well, that’s rather dramatic.” Aziraphale looks up, a tad disapprovingly. “APOCALYPSE? No, that doesn’t fit with HALO - the penultimate letter must... oh, ARMAGEDDON! Of course. Wonderful! That gives us a second ‘N’.” he says triumphantly.

“Aren’t you clever.” Crowley says, which earns him another sharp nudge in the thigh.

“And then we have the ‘G’ from GARDEN, which gives us… the ‘T’, from BENTLEY. Is it definitely not ALIEN, then? I’ve got ALIEN THING.”

“No, angel, it’s not ALIEN THING. Stop guessing. You’re still missing some, look at it carefully.”

There’s another patch of silence. Crowley shifts uncomfortably on the cushion, unfurling his legs and stretching them out over the edge of the sofa again. He scratches the back of his head and resumes staring at the now fully wilted plant opposite him. His nerves are back. Not long to go now. Aziraphale’s clever, really clever, and he does one of these things every aftern-

As if on cue, the angel suddenly sits bolt upright.

The silence hangs in the air. Questions like ‘Why did I think this was a good idea?’ and ‘How am I going to pretend this never happened?’ start to creep into Crowley’s brain. His face feels hot.

“Oh, Crowley…” Aziraphale says, with almost palpable softness. Crowley dares to glance over: Aziraphale’s holding the paper with both hands and looking down at it, eyes beginning to water.

“Crowley…” he says again, frantically scanning every inch of the paper. He wants to be sure he’s right before he says anything. Crowley knows he will be, and briefly considers whether he could get away with stopping time, but it’s too late for that now.

“It’s NIGHTINGALES.”

Aziraphale looks up at him.

“Is it?” Crowley says, in a tone which he hoped sounded like he actually was learning this for the first time.

“Oh Crowley!”

He suddenly finds himself pressed against various layers of linen and wool.

“You sweetheart!” Aziraphale squeals, as he pulls him up from the sofa cushion and into the hug.

Crowley’s growl is muffled slightly by Aziraphale’s shoulder. “I’m not sweet, I-” Whatever he tried to say next would surely be drowned out by Aziraphale’s laughter anyway, so he lets it go.

“You’re so clever.” Azirpahale says, settling himself directly beside Crowley and reaching for the paper, which he had flung to the floor when he’d moved. He looks over it again. “It must have taken forever, to work out all of that.”

“Nah. It was nothing, angel.”

Aziraphale smiles at the paper. “Well, I am thoroughly impressed. I…” He turns to look Crowley in the eyes. “I should have worked it out sooner than that. I didn’t… I didn’t realise that’s what you were trying to say. That that was the point of it, I mean.”

“Don’t worry. I knew you’d get them all.”

“That was very romantic of you, you know. To do all of that and have it be about us.”

“Shut up.”

“Well, it was.” Aziraphale smugly folds the paper in half. “I love you too.”

“Yeah, yeah, alright. Make my day.”

He gets a kiss on the cheek for that.

“Gosh, I expect the rest of my tea has gone a bit cold now.” Aziraphale says, without any trace of complaint. He wiggles back over to his side of the sofa and has a forkful of cake. “Well, that was exciting. I didn’t know they let people submit their own crosswords.”

There was a pause.

“Crowley.”

“It’ll be fine.”

“Oh Crowley no, that’s awful. You should have asked for their permission.”

“Don’t worry.” He smiles at Aziraphale. “They won’t notice.”

-

the end :))

[vidavalor]

You can leave your hat on

So Crowley comes up for a nightcap in The Blitz, Part 2 and takes off the wool overcoat the minisode introduced but leaves his hat on.

If you then go backwards and look at what he had on and when in The Blitz, Parts 1 & 2, it gets even more amusingly Ineffable Husbands pretty quickly...

When Crowley shows up in the church in The Blitz, Part 1 in his suit with the hat on, he's the last character to arrive in the scene but the clinch of a subtle commentary happening via the costuming by way of hats. Until the early 1960s, as you probably already know, a man didn't leave the house without a hat on, but they would take them off as a sign of respect in different places indoors-- churches and theatres among them. Women were not expected to do so, largely because the style of women's hats were often the kind that were pinned into their hair and to take it off was a whole damn thing that required more extensive grooming than is possible when just entering/exiting a place. As a result, the Nazis in the church scene are following social custom-- the male Nazis have their hats off because they're inside a church but Greta is not violating anything by having her (rather fabulous, ngl) hat on. Aziraphale, of course, took his hat off and has it in his hand for the duration of the scene.

Crowley kept his on and we're bemused more than anything because we know that while this is technically impolite, Crowley is far more of a good presently-man-shaped-being than these half-witted Nazi spies, right? Which is basically the point of the commentary-- that the rebels are often more morally sound than the conformers. Also goes without saying that Crowley shouldn't have the sunglasses on in church either (and that this is all set at night and during a blackout makes the fact that he does all the funnier) but Crowley can't take the glasses off around humans so... but then, after the rest of The Blitz, Part 1, we then hop into The Bentley with Crowley & Aziraphale at the start of The Blitz, Part 2 and find that Crowley has a new wardrobe addition:

Crowley is now wearing a black wool dress overcoat over his suit. Yes, they're magical and can regulate their body temperatures without actually needing the clothes they wear but the clothes they wear are also part of blending in with the humans of their day and we're now reminded that the 1941 part of The Blitz was going on over the winter into the early spring, something we could forget about momentarily when everyone had their coats off in the church but for Aziraphale, who has just worn the same coat for awhile now. This then serves to show us that Crowley got out of The Bentley outside of the church to go rescue Aziraphale and stopped to take his winter coat off and leave it in the car before doing so, all while choosing to not leave his hat behind as well. Yeah, wearing your hat into a church as a demon could be-- or only be-- about being a demon but we're going to see pretty soon that it's not *just* about that. So, why take his coat off?

Because he wants his angel to see his suit.

Crowley wears a lot of black and he had to be careful not to be mistaken for SS, so he's added in some color. He has some angelic white in the form of a hankerchief and a shirt that's a shade of grey that makes it actually look blue-- wearing his Aziraphale colors, we see-- and a snazzy red tie. You can't see this very well if he has his overcoat on so he left the coat in the car, consciously wanting to look as dashing as possible when showing up to grand romantic gesture Aziraphale.

When they get to the Windmill Theatre, Crowley wears both the hat and coat into the theatre-- but he takes the hat off once they're inside. Churches can go pound sand but Mrs. H? Crowley wouldn't dare disrespect her or her theatre lol. Aziraphale also takes his hat off in the theatre and we see that he does in every place of reverence to him, as he also takes his hat off in the magic shop later on. Crowley then wears the hat and coat both back from the theatre to the bookshop and once he settles in there to help Aziraphale prepare for his magic show, he *settles in*, as we know, tossing his hat on an angel statue, hanging up his overcoat, and unbuttoning and opening up his suit jacket as he sits down. The jacket now open, the design on his tie is now visible for the first time. Aziraphale is amusingly invested in his magic but when he does get around to unburying his nose from his autographed Prof. Hoff magic book, he can look his full at Crowley's whole ensemble here, which Crowley has been alternately hiding and revealing in bits and pieces so far (like a certain show we know lol.)

Crowley wears all of it on their date to the magic shop but keeps his overcoat open and takes his hat off again at The Windmill when he's in the audience and on stage with Aziraphale. However, after the performance, when Furfur confronts them, Crowley has the hat back on-- while he's lounging on the couch, alone with Aziraphale in the dressing room. They weren't exactly about to leave in that moment when Furfur showed up. Aziraphale is still in costume and they're still chatting about the performance. Crowley isn't standing by the door waiting for him to get his stuff so they can go and so already has his hat on. He's sitting on the couch. But the hat's back.

After Aziraphale manages to set Furfur up in this scene, we then next see them again in the bookshop, drinking Chateauneuf-du-Pape and talking about how Aziraphale saved the photo. Crowley's overcoat is nowhere to be seen, presumably hung up on the coat rack in the front part of the shop, but he's kept the hat on and, at this point, there's no other possible reason to not have taken it off but for that Aziraphale likes the hat. A lot.

(And yes, before anyone messages me, I know that's Terry Pratchett's hat. In the context of GO, though, that's Crowley's 1941 hat.)

[i-only-ever-asked-questions]

Map of Soho Good Omens Season 2 - Part 3 (the intersecting street)

Part 1 | Part 2 | Part 4 Update: Map and pictures further down now have Lucky Snake, and the description of both the Lucky Snake and The Chinese Buffet Restaurant have been updated too.

We don't know the name of the street that crosses Whickber Street. It starts between the market and the furniture store, and after a crooked crossing of Whickber St., it continues between the bookshop and the Dirty Donkey Pub until it ends on Wardour Street. On that upper block we have: -A. Z. Fell & Co. The bookshop has a backdoor that leads to this street. -Bilton Scaggs Hats and Caps This shop has been here for centuries. Originally Bilton and Scaggs was a publishing firm that printed among other things "The Nice and Accurate Prophecies of Agnes Nutter, witch." Neil believes they went out of business in the late 19th century and the hat makers took over. Their shop was called Bilton and Scaggs Milliner & Haberdasher for a while and eventually they changed to Bilton Scaggs Hats and Caps. But honestly, only Aziraphale knows the whole story.

On the other side of the street we have: -The Dirty Donkey We don't know how long this pub has been in business, but we know that it was already there in the 40's when the zombies used it to hide and spy on the heroes. And then in 1967 Crowley used a private room to set up the caper to steal holy water from a church. The set was also used to set up two of the pubs where Gabriel and Beelzebub met. Both scenes were filmed on the same day! After the tour, the first episode of Season 2 was screened inside the pub for those lucky enough to win spots. The Dirty Donkey Pub has also appeared in Neil's "We Can Get Them for You Wholesale" and "Sandman: Overture." In the show, one of the elevators to Heaven and Hell opens inside the Dirty Donkey, maybe this supernatural ability allows it to show up in many different Neilverses ;) -"Model" This is Mrs. Sandwich mysterious establishment. Nobody really knows what happens there. We know the upper floor has lovely pink curtains, presumably for her girls who also love coffee. -Will Goldstone's Magic Shop Named after Will Goldston (not sure why an extra "e"), a stage magician who wrote many books on magic. The store existed in 1941 when it was run by Pat (who met a gruesome end at the hands of zombie nazis). Will Goldston himself died in 1948. So, was he the owner of the store and Pat just an employee? Did someone use his name? Or is that the reason behind the additional "e", to claim it wasn't him? We don't know. In current times it is operated by Mutt.

This street ends on Waldour Street and because we don't see much of it, I included those shops in this post: -Chinese Buffet Restaurant (updated) The English sign just says "Chinese Restaurant", Google translate gave me "Chinese Buffet Restaurant" for the sign on either side (if you look closely both sides say the same thing). There is no other writing that I could see so I would say that we don't know if it has another name or where is it written (inside maybe?). @embracing-the-ineffable raised the question of how do we know Mr. and Ms. Cheng own the restaurant. The truth is that we don't know for sure. We have assumed it probably because Aziraphale and Ms. Cheng are in front of the restaurant when he invites her to the meeting, but for all we know she was just walking on the street when they met. The Chengs could easily own the Herbal Pharmacy or the Grocery Store. We just don't know for sure -Lucky Snake (updated) To the right of the restaurant (our left) there is another store with yellow walls and red lanterns. It was brought to my attention (thank you!) that this is the infamous Lucky Snake we see in Aziraphale's typed list of shops. In Season 1 it was called "Oriental Delights" but this season it is a grocery store. -Herbal Medicine and Pharmacy - Traditional Chinese medicine appointments To the left of the restaurant (our right) we have the herbalist/pharmacy. This is written in English while "traditional medicine appointments" is written in Chinese. There is no other name outside either.

Turning around and looking towards Whickber Street, we can get a peek all the way to Great Windmill Street, between the news agency and the market. -Windmill Theatre Today it is called Windmill Soho but the name Windmill Theatre is equally recognizable. In 1941 it was owned by Mrs. Laura Henderson. The theatre was famous for 1)not closing at all, even during the heaviest of bombings and 2)its motionless nude girls (tableaux vivants) called the "Windmill Girls". Because of this, it used the motto "We Never Closed" (although people modified to "We Never Clothed"). In the set, the doors are not props, they are the real doors to the internal docks of the studio, which honestly it is very clever.

Part 1 | Part 2 | Part 4

[fuckyeahgoodomens]

The Good Omens Article From the TotalFilm Magazine, Issue August 2023 :)

POST APOCALYPSE GOOD OMENS The heavenly and hellish creations of Gaiman and Pratchett ride again…

Having averted Armageddon, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) have settled down to the quiet life in London – but the arrival of a familiar face shakes things up for everyone.

Season 1 covered events in the novel you wrote with Terry Pratchett – what was the inspiration this time?

Neil Gaiman (showrunner): Terry and I were sharing a room at Seattle’s World Fantasy Con in 1989 and, by the end of one night chatting, we had a huge, apocalyptic sequel to Good Omens. Season 2 is all the stuff we had to put in place before we could get to that sequel, and it starts with the archangel Gabriel [Jon Hamm] wandering through Soho, with no memory – a mystery that doesn’t have giant consequences for the universe, even if it does for Aziraphale and Crowley.

What has changed between Crowley and Aziraphale?

David Tennant (Crowley): Aziraphale is a much more enthusiastic detective in this mystery and, as with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm, so he’s dragged into it. They no longer have to report to head offices, so they’re in this slightly grey area – neither supernatural, nor of the Earth.

Michael Sheen (Aziraphale): They’ve always been the only two beings who could understand each other’s position, but now they’re slightly freer agents so they’re pushed even closer together. It’s an interesting dynamic.

Maggie and Nina, you’re back too – although not as satanic nuns this time…

Nina Sosanya (Nina): No – we’re two human women! Nina is slightly cynical, churlish and owns a coffee shop, Maggie runs the record shop and she’s rather sweet and hopeful. It’s an ‘opposites attract’ thing and Neil kindly gave the characters our names so we couldn’t say no.

Maggie Service (Maggie): Aziraphale is still running his bookshop, but he’s also Maggie’s landlord. She thinks he’s the best because he lets her stay on and doesn’t really mind if she doesn’t make too much money. Maggie and Nina act as catalysts in a way, when Crowley and Aziraphale get involved in their relationship.

Neil, you’ve had some writing help this year…

NG: That’s right. We have three 25-minute ‘minisodes’ within episodes. You learn Aziraphale and Crowley’s part in the story of Job, written by John Finnemore. Cat Clarke takes us to 1820s Edinburgh for a tale of bodysnatching. Finally, Jeremy Dyson and Andy Nyman reunite the League of Gentlemen, because I fell in love with Season 1’s Nazi spies and kept wondering what would happen if they came back as zombies on a mission from hell to investigate whether Crowley and Aziraphale were fraternising. That story involves the Windmill Theatre, black market whisky, and a bullet catch…

[lunememes]

🌙 * ― 𝐒𝐂𝐄𝐍𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 ( a collection of various settings for drabbles or prompts, or both! )

001. a tattoo parlour, buzzing with machinery and walls lined with artwork . 002. a shopping mall, crowded and loud . 003. a cabin in the mountains, taking shelter from the snow storm. 004. an abandoned tea party, occupied with broken dolls . 005. the shooting range, empty casings clinking on the floor and sulphur in the air . 006. a music room, filled with melodies of an instrument . 007. an empty auto shop, hood of a car left open and quiet music coming through speakers . 008. a bright arcade, coins falling from machines and claws grabbing at soft toys . 009. the kennels, filled with barking dogs and excited companions . 010. a restaurant, where everyone is eerily quiet and staff are overly friendly . 011. a riding arena, with trained riders atop proud horses . 012. a mini golf course, sails of a windmill obscuring the path ahead . 013. a zoo, filled with an array of unique animals . 014. the docks of a bay, boats lining the decks . 015. a pond with ducks, seeking food . 016. a museum, displaying ancient bones and pottery of a history long ago . 017. a closed down prison, ghosts of violent history echoing in empty cells . 018. a quiet train station, lights overhead flickering and announcement board displaying errors . 019. the vast desert, scorching heat baring down at high noon . 020. the dark woods, filled with strange hanging symbols made of sticks . 021. a deep hole in the ground, covered by leaves and sticks . 022. a wishing fountain, base lined with copper coins of past wishes . 023. an abandoned picnic in an empty field, flask still warm with coffee . 024. a barn filled with hay and tools, old wood creaking in the wind . 025. a graveyard in the dead of night, wind howling through the trees . 026. a crumbling bridge above a raging river . 027. the refreshing waters of a lake, away from prying eyes . 028. the crossroads, in the middle of nowhere . 029. a cosy bonfire at summer camp, marshmallows roasting on the fire . 030. the top of a radio tower, with the perfect view of the surrounding area . 031. a lone phone box on a street corner . 032. a large elaborate temple dedicated to a deity, offerings still intact . 033. a drive-in movie theatre, cars empty and projector casting only light onto the screen . 034. a strange trail of breadcrumbs on a woodland path . 035. a haunted mansion, ancient paintings watching every footstep . 036. a decrepit mine located out in the hills, believed by locals to have a powerful curse cast upon it . 037. the edge of a cliff, overlooking the rough waves and distant sounds of approaching danger . 038. a road trip across country, music blaring through speakers . 039. a flower shop, filled with bouquets and a sweet aroma . 040. an airport in the early hours of the morning, deprived of sleep . 041. a train on its way to its destination, a sleeping passenger resting on a shoulder . 042. an abandoned shack filled with strange books of the occult and something mysterious bubbling on the stove . 043. an empty throne room, moonlight glimmering through tall windows . 044. an underwater tunnel in an aquarium, fish swimming overhead and sharks looming in the distance . 045. deep within unmarked cave located in the side of a mountain, lit only by a flare . 046. the dusty streets of a western town, watched by wary residents . 047. the back of a vast library, surrounded by books, when a black book falls from the highest shelf . 048. a room of an asylum, an abandoned camcorder left in the middle of the room . 049. the shores of an unknown beach, washed up from the ocean . 050. the deck of an unsteady ship, waves crashing against the haul and rain lashing down from dark clouds .

[cruciatusforeplay]

Map Of Whickber Street (Good Omens Soho around the bookshop)

I had a lot of fun watching the entire series again and working out where all the shops were in relation to one another. Some of these are mentioned in canon, some are just shown. I've taken some liberties with scale and the like. It wasn't clear which of these streets is Whickber Street, but I suppose there must be some mystery left in the world.

I'm adding some photo references and some more information about the various shops below the cut. If you can make out any more names, I'd love to know.

It's possible the deli is also part of Francesco's as they're both Italian, but there is a front door by the awning that could lead to the restaurant (not an unusual set up for Soho). Francesco's awning is the victim of Crowley's rainstorm.

Between Francesco's and Give Me Coffee is a shop selling formal menswear that I couldn't make out the name of.

Next to that is the coffee shop, Arnold's (the musical instruments shop), Marguerite's (the French restaurant), and newsagency (the news agents). We get a lovely shot of them from the upstairs of the bookshop (newsagents just barely visible).

Opposite them, we obviously have the bookshop itself and down from that, the record shop (which is called The Small Back Room, presumably in reference to having started at the back of Aziraphale's bookshop). The record shop is the orange shop you can see below. (There's also a clearer view of the newsagents).

The shop one down from the record shop is currently a question mark, but it does have a very bold colour scheme, and at one point we are a candelabra and a piece of fabric in the window display. I can't make out the name of this one either.

Opposite the bookshop we have the pub, the Dirty Donkey, whose front door is also the lift to heaven when summoned. Next to the pub is the doorway that leads you to the brothel (I picked the colour on the map from the new model friendly hands sign on the door), and next to that is Will Goldstone's Magic Shop. The magic shop, bookshop and the pub can also be seen in 1941 London flashbacks. Opposite the magic shop and next to the bookshop is another unknown shop. My gut says it sells lighting or maybe more general electrics, but I couldn't get a good enough shot to really see it.

At the end of this street we can see the Lucky Snake which I believe is a Chinese Restaurant, and just to the left we can glimpse a yellow shop, that I suspect is the herbalist that we see mentioned on Aziraphale's list of local businesses. Soho and Chinatown are geographical neighbours, and it's not uncommon to see Chinese herbalist or health shops in Soho. The red lanterns from the Lucky Snake continue down over the yellow shop, which is what gave me the impression it might be the herbalist.

Directly across the crossroads from the bookshop we have a fruit and vegetable market, that has a flower stand on the corner. That's where the tomatoes roll from when Gabe is walking through naked. (The veggies are obscured in the shot below, but we do see them in general)

If we follow the road between the flower market and the newsagents, I've extrapolated that the stage entrance to The Windmill (the theatre that we see in 1941) is there. We get a moderately clear view of it during the flashback, and the Windmill is a real place (to my knowledge it's somewhere between a burlesque club and a strip club these days), so I figured it would still be standing here too. We get the briefest of glimpses of the stage door still standing in modern London.

If you care for real world geography, then The Windmill's main entrance is on Great Windmill Street, right off Shaftesbury Avenue, on the corner of Archer Street.

I could not for the life of me find Brown's World of Carpets anywhere. Maybe he's not even actually a local business. He seems the type to fake it.

Here's a view of the area from heaven.

[hotvintagepoll]

I am adoring all of these polls and gif sets and just being fed so many hot vintage people. As someone who really hasn’t watched very many classics, are there any movies you’d recommend for someone just starting to dip their toes in older media but unsure where to start?

Sure! I don't want to sway any voting, but I'll put an incomplete list of favorites that involve hot men not still in the bracket below the cut.

Something to note that applies to most of these old movies—older movies have different pacing than modern movies, so some of these might seem really slow or weird to start. There are also different ways of framing gender and agency, for better and for worse. I've italicized the ones that I think are the best for starting with, but go with whatever genre/aesthetic sounds best.

The Court Jester (Danny Kaye, Basil Rathbone)—a circus performer working for a quasi-Robin Hood infiltrates the royal court. Fun comedy that's incredibly accessible and still so light on its feet. Swordfighting, glamorous medieval costumes, court intrigues, and silly accents.

Singin' in the Rain (Gene Kelly)—fun polyamorous musical comedy. The dancing is incredible, but so is the sense of joy and camaraderie between Gene Kelly, Donald O'Connor, and Debbie Reynolds. Genuinely captures the feeling of hanging out with your best friends. 1920s Hollywood, big movie studios, backstage drama, goofy hijinks.

The Adventures of Robin Hood (Errol Flynn, Basil Rathbone)—classic swashbuckler/romance. It could read a little slow to modern tastes but the action scenes are absolutely killer, as is the sentiment of seeing little guys pull down big capitalists evil monarchs. Swashbuckling, labor activists merry men hanging out in the woods, hot men in tights, social commentary swords, a Maid Marian who really holds her own and falls in love with the socialist

Charade (Cary Grant)—thriller/romantic comedy. Audrey Hepburn's husband dies and leaves her a hidden inheritance, and she's racing some skeevy characters to find it. A little bit scary but mostly charming and gorgeous, and you can find it high quality virtually anywhere because they fucked up the copyright trademark in the opening credits. Romance, murders, Paris, 1960s fashion, chases in the night.

Chitty Chitty Bang Bang (Dick Van Dyke)—this movie is divisive for some reason—I personally like peace, love, and joy, so it makes the list. This is a James Bond movie if James Bond had two kids, lived in a windmill in the south of England, and was into cottagecore inventions more than martinis and racism. This is very much a kids' movie so go in with that expectation, but enjoy the gorgeous production design, the wonderfully silly performances, and Lionel Jeffries pulling out every stop as an insane old man. Dick Van Dyke has excellent DILF energy. Magical cars, big musical vibes, fun inventions, and romantic fantasy.

To Be Or Not To Be (Jack Benny)—comedy/drama. A ragtag Warsaw theatre troupe stands off against the Gestapo after the invasion of Poland. TW for Nazis, obviously, but overall this is a comedy with some heft, and kind of shocking to be this ballsy about fucking hating Hitler's guts in the 1940s. Hambone actors, Shakespeare, spies, 1930s gowns. It's been a minute since I watched it so I don't think there are any TWs here, but go forth with caution.

Witness for the Prosecution (Tyrone Power)—mystery/legal drama based off an Agatha Christie story. The performances are campy fun and the twist would be at home in something like Knives Out. Big dramatics, hambones, lots of talking, a bit of a mindbender.

The Lady Vanishes (Michael Redgrave)—mystery/suspense/romantic comedy. It's a little slow to start but roll with it—once the action moves to the train the pacing really picks up. This gets slotted as a thriller sometimes but it's much funnier and gentler than that. There's some period-typical snarkiness directed at anyone Foreign™ by some of the British characters; the British characters are also made fun of. Trains, British people, international shenanigans, mystery, and humor.

All About Eve (absolutely none of these hot men, lots of hot women though)—a legendary actress fights for her life against the rising star who supplants her. Big drama, big performances, lots of gasp! and dahling! and vicious little quips. New York, theatre pronounced theahhtah, drama queens and plotting.

The Philadelphia Story (James Stewart, Cary Grant)—talk-heavy comedy, lots of quick banter and period transatlantic accent fun. It's a bit shouty and conflict-heavy at times, but I don't think James or Cary have ever been hotter, and Katherine Hepburn is just wow. Very funny dialogue, relatable characters, incredibly hot across the board. There is one instance of a racial slur (not directed at anyone but still there) and one shove. Some people won't like the discussion of Hepburn's character's choices as a daughter and a wife. With all of these movies you'll see a a range of how female characters are presented and treated, and while some period movies fall hard for sexist tropes, I personally think the performances, direction, and subtext of many of these films actually prioritizes the experiences of the female characters and shows them as living, breathing people, even if they're not framed the way they would be today.