#with a bad design

[knockknockitsnickels]

The minecraft movie trailer looks terrible (as has been thoroughly discussed) but at the very least I am hoping and praying that when the movie gets released and looks exactly like the trailer that it will FINALLY put to rest the constant "it's bad as a marketing ploy!" shit that has been everywhere since the Sonic movie 🙏

[jackalovski]

Have you ever looked closely at a car windshield?

The edge of the glass is painted where it is glued to the car but it has these small dots between the clear and painted glass.

These are there for a reason. When the sun hits the glass the painted areas and the clear areas will absorb heat at different rates. This causes the glass to expand and contract differently putting stress on the glass.

These dots help the glass to warm up more evenly over a larger area so the glass does not suffer stress that could cause it to spontaneously explode.

Fun fact: the Tesla cybertruck doesn’t have these.

Yes, the glass will spontaneously crack or explode in the sun.

[kochei0]

I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

[beebeedibapbeediboop]

He is literally just a guy

[cronchy-baguette]

pink goes good (well) with green

[rebelsafoot]

i took out the other people sitting at the table in the original comic because i did NOT want to draw glindas gay ass friends

[gooseworx]

Roblox OC because I've lost all control of my life.

[hinamie]

trick or treat!

[nenoname]

finally did a stan o' war era edit of this

[maysrinn]

Sunrise on the reaping 🌅

wanted to draw Lenore Dove and Haymitch with the Gooseys in their moment of peace 🪿 Do not disturb them or u will get the honk!

This is the end of the book by the way I don’t take criticism ò-ó

[dunmeshistash]

I've been thinking about it for a bit (and it's probably obvious) but did you notice the giant frog and the tentacles are basically clown fish and anemones? I only realized once someone pointed out to me that the giant frogs have clown fish colors.

And then I realized the tentacles are also classified as "anthozoa" in the AB which is the the class anemones are a part of

The comment about nematocysts is also how it works for anemones, Kui draws a pretty cool graph of how it works too (a little different real ones but conveys the idea well)

I just always thought that was a pretty cool detail that I missed for a while! It's very cool how inspired by real animals Ryoko Kui's monsters are, I'm always amazed by how much sense they make.

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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[hollis-art]

i keep seeing redesigns of them as humans so i decided to throw my hat into the ring

[beebeedibapbeediboop]

In the woods somewhere

[chloesimaginationthings]

The FNAF bullies are the best group ever

[mycorrhizastar]

Only one bean tall!!