#write my dissertation

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[academic-assistance]

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[annepgill]

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[essayflame]

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[akajustmerry]

She cried for other reasons too — that the “Succession” chapter of her life has ended. “I’ll never have an opportunity to speak those lines, or get given new lines, new jokes, new worlds for Shiv and Roman to exist in together,” Snook says. “Just sadness for never getting a moment to play with these brilliant actors again.” (When I tell her that Culkin had said to me that perhaps Shiv and Roman might make up at some point, Snook brightens. “I feel like Shiv and Roman would reconcile in a way where he would be the shitty but great weird uncle for her kid, and there might be some sort of strange little family unit that gets splintered off.”) - Sarah Snook, Variety.

Kieran Culkin as Roman Roy and Sarah Snook as Shiv Roy | Succession (2018-2023)

[gwenpools-aesthetic]

Hey you! Yes, you!

Would you like your creation on display in a museum?

Would you like to help a super awesome PhD candidate complete her dissertation?

Would you like a great excuse to further procrastinate that thing you've been procrastinating?

All of these and more are great reasons to participate in Affirmation/Transformation: Fandom Created, an exhibition at Marquette University's Haggerty Museum of Art. (You do NOT need to be an artist, or even someone who creates art to participate!) Write a story, write a song, design a cosplay, create a fancy manicure, make a meme, make a stop-motion video, choreograph a dance, make a SuperWhoLock gif fic, or anything else your heart can dream up.

Your creation must follow only one rule: It must be inspired by a fusion of 1. any fandom of your choice, and 2. one of the featured Haggerty pieces (click the link to see them!)

Completed works are due July 1, 2024. The exhibition will run August 23rd-December 22nd, 2024, and will be available to view in person and online.

To see the Haggerty pieces, and to sign up to receive email reminders about the fan event, visit https://epublications.marquette.edu/fandom/Affirmationtransformation

[croquettish]

Claustrophobia as a Metaphor for Hans' Feelings for Henry

All right. I'm ready to go full tinfoil hat here but I have a theory, y'all. And there is a lot of evidence to back it up even if you decide I'm off my rocker for most of it:

I think Hans' claustrophobia exists in parallel to his feelings and, more importantly, how Hans feels about his feelings for Henry.

We first get the hint that Hans is claustrophobic when he and Henry get tossed into the dungeon at Trosky:

This is immediately post-divorce era. The boys haven't quite yet made up and Hans has gotten his first taste of what life is like without Henry. He did not care for it, and that realization comes alongside an incredibly unexpected vulnerability that Hans is not used to and has not had to deal with before.

The threat of losing Henry before was of course something he could conceive of before, most recently following Henry's ~terrible fall, but that would have been losing him in the abstract. If he lost Henry because of their fight, that would be (at least in his eyes), 100% his fault, at least in part because-- as you'll recall-- Henry was ready to make up literally the next morning. Earlier, even, if you watch the way he tries to look at Hans while Hans is stubbornly staring away as if to keep from being persuaded by Henry's puppy dog eyes.

The divorce era presented a different sort of loss, namely losing Henry not because of God's will, but because of his own stubborn pride. He got Henry back after, but the risk was there and it's only after getting him back that the full weight of what he almost lost hits him. At the beginning, when he's still panicking in the cell, he's still in what he perceives to be the proverbial doghouse, and he promptly follows this up by eating crow and apologizing to Henry for being an asshole.

Panic abated.

Until Henry is taken away from him, of course, and the walls truly start closing in. I have to really commend the creative direction of this scene in particular because that zoom out + transition to a Dutch angle is so fucking haunting in this scene while we watch Hans clearly trying not to have a full breakdown. It really induces the feeling of claustrophobia even if a person doesn't suffer from it themselves.

Henry was taken away from him, and as far as he knows, he might never see him again. No wonder the walls start closing in on him.

After that, things return to normal. No bad claustrophobia concerns for some time, incidentally. Henry is there, and his feelings regarding Henry are completely logical and rational. What a good friend Henry is!

The next time we see Hans' claustrophobia flare up is after Nebakov is hit by the Finger of God/bombard. Hans is trapped under a beam and is (understandably) freaking the fuck out. We also know from his dialogue later on that this scene magnified his claustrophobia even more than it was before.

What's notable, however, is that Henry at this point is barely conscious and isn't responding to Hans. As far as he knows, Henry isn't alive. That bombard could have easily killed any/all of them and tbh it's kind of a miracle that it didn't. Never mind that after his brief foray into consciousness, Henry is promptly hit by a full-length ceiling beam and (presumably, logically) knocked the fuck out. Meanwhile Hans is being crushed by his own fear of his feelings.

We obviously don't know what happens between the time of the tower's destruction and the scene in the cart after, but we do know that Henry was woken up at dawn to the commotion and by the time they get done being tortured, it's very late at night. So presumably Henry was out cold for a while there. Not only are the walls closing in on Hans here, they're literally crushing him. The fear of losing Henry is more present than ever.

And to make matters worse, he has no idea when or even if he's ever going to see Henry again. Henry has no value as a hostage. He could easily be simply disposed of without a second thought.

Henry could die, and it would, in Hans' eyes, be all his fault. At this point his feelings on the matter are guilt and a tremendous amount of self-pity (as we later learn from Brabant). As if to coincide with Hans being confronted with his feelings regarding Henry and the loss of him at this point and time, he ends up stuck in his gilded cage at Maleshov.

Once again, the walls are closing in.

We learn about how he felt about this only later when we chat with him at the Devil's Den:

The big problem with the room, Hans explains, was simply that he couldn't leave.

If we bear in mind the claustrophobia : confrontation of feelings metaphor here, this makes sense. Henry could be dead. He could have been tortured. He could still be in captivity. Hell, depending on how you play Henry being tortured, he even tells the torturer to just go ahead and fucking kill him because he's not talking. Henry was ready to die.

Hans knows Henry. Extremely well. He knows that Henry has some truly insane principles that he will stick to no matter what. There's no doubt in my mind that Hans probably knows there is a good chance that Henry doesn't make it through this. And he's confronted with all of these feelings over an extended period of time where he gets to sit and spin.

In light of that, I think it's interesting that he calls it a hole, because I would never use a word like that to describe what is effectively a fancy hotel room. But figuratively speaking, of course it's a hole for him. He's despairing. He needs Henry in his life and there's nothing he can do to get to him or to save him. He can't leave.

And then, of course, Henry shows up after all. No wonder Hans looks so unbelievably elated to see him. Of course, this is when Henry brings up the secret passageway. Hans is told that he can leave this enclosed space for another, even tighter enclosed space!

Now, if you pick the correct dialogue option here and tell him that you'll make it through, together, Hans of course discloses that the shit about how it's not ~chivalrous was bullshit and that it's because he might endanger him:

He just spent the last x amount of time (depending on how long you had Henry dilly-dallying around Kuttenberg and its environs) trapped here and steeped in his feelings regarding Henry. The fear of losing him is at the top of this list. To Hans, going into that passageway could also make him lose Henry. And it would be his fault. Again.

There's also something to be said here about close quarters. If we're to return here to the metaphors, then those close quarters force Hans to confront his feelings for Henry. Henry even says it himself back when they're in the Trosky dungeon together:

From there, it's on to Raborsch. Which is where things get very interesting.

Hans is told that he's going to be getting married. Much like in the Trosky dungeon, we get that zoom (albeit in the other direction this time) and then his POV. The way time seems to slow, the wobble of the camera... being something of a panic attack haver myself, this is exactly what it feels like. It is honestly impressive how well they mimic the feeling of it. And the way it's executed almost makes it look as though the room is shrinking.

This is my own personal headcanon that will probably not be shared by most people, but I think this is the moment that Hans realizes that he's in love with Henry. It would make sense for him to feel faint and like the walls are closing in on him in that moment.

It's also the worst possible moment for him to realize.

And then he proceeds to try and shove those feelings aside and repress them as best as possible. Nevermind that yet again Henry isn't there to help support him.

There was a wonderful post going around the other day about why Hans' responses to the romantic dialogue options Henry chooses sound so platonic. Because... yeah. He's holding that shit in TIGHT. He is on LOCKDOWN.

And we see that reflected in where he chooses to place himself physically after that point!!!!

After the announcement, Godwin can find him outside on the balcony getting absolutely hammered and talking to Rabbi Jehuda.

Even at the Devil's Den, where he's objectively free, he feels... crowded. Like the walls are closing in on him:

No fucking wonder. If he just realized that he's in love with Henry, then at this point in the story he's still trying real hard to repress that shit. Hans is erecting these walls himself as if he's trying to choke these feelings out of him. It also makes sense why he's constantly going out to get away from this confrontation of feelings as much as possible, riding out whenever he can:

Even in the group meeting with the Devil's gang, he says this:

Now it's the whole tavern! Anywhere that has walls and a roof is choking the life out of him! And of course here Henry is suddenly fucking everywhere.

When talking to him about the rides he goes on in the surrounding areas, this line of inquiry leads him to ask if he's fucking poaching again, and Hans comes back by saying this:

Allow me to just say.

And I cannot stress this enough.

He did not need to tell Henry that.

Henry tells him as much, but it feels fairly obvious that this was said with intent. It's like he's trying to reinforce his own heterosexuality to both him and Henry.

I would also like to highlight here that to Hans, it's always outside that this heterosexuality occurs. Even at the baths those hookups are merely in tents. The girl from Bohunowitz he found in (or near) a hunter's camp in the forest.

So we see a pretty direct correlation here. The inside of pretty much any building (or passageway) that also contains Henry or the Absence of Henry (in the abstract) is profoundly unsafe. This is the space where feelings always seem to happen and where Realizations™️ occur.

So! The outside is safe! Nothing can get him there, not even his feelings for Henry!

It's interesting, then, that Hans decides to invite Henry into that very space not long after:

Even in the space Hans uses as an escape (including as an escape from Henry), he still wants Henry there. Much as I discussed in this post, Hans views hunting with Henry in this scene as an escape into the past. Pre-betrothal, pre-feelings. A simpler time and a return to normalcy.

Naturally, he has to counteract Henry's presence in the Comphet space by bringing up as much heterosexuality as possible:

He brings this up regardless of how you respond.

Depending on your dialogue choices, you then learn that the girl from Bohunowitz is named Karolina. (Tbh if I didn't know better, I'd assume she was fucking made up seeing as she shares a name with the same girl he was running after in The Amorous Adventures of Bold Sir Hans Capon and there is no such girl to be found in Bohunowitz.)

Regardless of whether you chose to tease him or grumble about his womanizing, Henry makes it pretty clear that he doesn't want to hear about it. He says something similar as well earlier, when Hans says that the girl from Bohunowitz (who may or may not be made up) gave him a ~ride:

Hans quickly changes the subject, but Henry keeps them on topic and brings it up again, effectively asking him if these wenches are more important to him than he is:

(Tbh it's pretty fucking obvious from these interactions that Henry is already feeling quite a lot here and is looking for validation from Hans... which Hans then, perhaps unwittingly, provides. Maybe he just can't help himself. The truth slips through the cracks.)

Hans immediately reassures him, of course:

At which point it's Henry's turn to brush him off and put some distance between them again.

Distance which Hans immediately closes up again...

... only to freak out and instantly backpedal.

The assault on Maleshov really hammers this connection home, where even outside, he can't run from his fear.

In this case, because the Finger of God fires and hits the fortress walls.

Hans falls back and just... stares.

And just stays there for a while. For long enough, in fact, that Henry and Godwin have to come help him up.

Henry, in this instance, is both the problem and the solution: all Hans has to do is accept the fact that he's in love with him—with a little help from Henry.

And then we get to the Italian Job. Hooo boy.

It does not escape my attention that these two dialogue options come up in the same conversation, one of which of course leads to a romance choice:

Henry tries to insist on how much he enjoys Hans' company only for Hans to brush him off. Quite substantially. Like if I was Henry I'd be fucking gutted or at the very least baffled that my friend could be that obtuse when I'm over here dropping all these hints.

And then, of course, Hans promptly panics again when Henry brings up the underground passage and asks if he's joining him in going through it (almost as if those two bits of panic are related).

He even brings up societal judgment! But I think it's that last one that carries by far the most weight. He's still looking for any possible way out that he can find and asking for validation from Henry while he's doing it. Which is asking quite a lot of Henry imo.

Of course, then he suddenly doesn't have a choice anymore. Which is also where Hans actually comes to terms with his feelings. He has to go through the passageway. There's no choice. The walls are closing in and he has to accept it or he'll go insane if he keeps repressing any of this any longer. The narrative is practically telling him: you can't run from this anymore. His feelings for Henry are real and they're right in front of him and they're not this terrifying thing that he's been running from all this time.

Katherine tells Henry that Hans was trailing behind Godwin and her "like a dazed sheep" and that she hopes he didn't get lost.

The good news is that he didn't. Instead, quite the opposite happened: he finally found his way to accepting how he feels.

And when he does, he finds that he's no longer afraid of them. Suddenly, as if out of nowhere, confronting his fears meant that they're not nearly as terrifying anymore.

Again, Henry asks if he's really all right, and Hans insists that he's never been better. No fucking wonder. This was a come-to-Jesus moment if ever I saw one.

And then he checks on Henry. All this time, he's been looking at his own fear, stuck in this, quite frankly, closet, and not thinking about how Henry has been feeling.

Even so, Henry is worried. At which point Hans gets to reassure him that, no, he's all right. In fact, the one holding him back and hurting him most in all of this has been none other than himself. If anything, Henry has been encouraging all this time. He does his job well. And that includes loving Hans.

Henry suggests that he overcame his fear, and Hans insists that no, that's not quite it.

Which makes sense. You don't just overcome your fears by facing them. Certainly not something like claustrophobia. It's also unlikely that an actual miracle occurred here. If you listen for his idle talk before or after this conversation, even Hans is absolutely baffled that he just... overcame his fear. Just like that.

To me, that suggests that this is about something else entirely, and not tight, enclosed spaces at all. He's always been afraid to face this part of himself.

In fact, if we recall what happened during their successful siege on Maleshov, Hans fell and couldn't recover without aid. Here, he fell and got himself up again because... it didn't kill him. It's okay to have—wait for it—fallen in love with Henry.

Is this a stretch? Maybe. But the fact that it happens twice makes me think that it was done with intent.

(If I wanted to bring in a real stretch here, I'd suggest that there's meaning behind the fact that Hans helps Henry up to his feet several times, first after his terrible fall at the beginning, while they're walking to Bozhena's, and again after he's on the floor getting kicked at the Semine wedding. If this was meant to be a hint as to where Henry realized that he was in love with Hans, having lost him first almost to death and then again to the divorce arc, it wouldn't surprise me tbh. He fell, and Hans was there to be his solution—the only difference is that Henry wouldn't have had a problem accepting it the way that Hans did. But, like I said, this one is a stretch.)

All of which brings us to the second confession.

Henry tried telling him this same exact thing before, after nearly losing him to the noose and their temporary split. Now he's saying this exact same thing again. Which feels... pointed and frankly intentional.

And this time, Hans responds in kind. He also cares about Henry. He's just really bad at showing it sometimes.

Because of course he's bad at it. He's spent the whole game thus far stuck in a closet of claustrophobia battling against his own internally homophobic demons.

But his success in a) escaping that closet and b) battling those demons brings us to the promised land.

Where they fuck in a (relatively, considering Hans' fear from before) small room and with Hans underneath Henry, the safest ceiling to come (down) on him of them all ♥

[dragonqueenstormwitch]

received a comment today that someone was unhappy with the new covers of the soc (dregs edition) duology because kanej (predominantly featured on said covers) is ‘toxic’ and ‘underwhelming’.

calling kanej 'toxic' when kaz vehemently denies ownership over inej, liquidates all of his assets to pay off her indenture, begins to work on removing his armor and letting down his walls around her, buys her a ship so she can pursue her dream, and reunites her with her parents - i have to laugh.

and if i had to guess, the ‘underwhelming’ would reference the fact that kaz and inej do not have a physically intimate relationship that lives up to whatever expectations this person has for two incredibly traumatized teenagers.

all this to say, don’t speak on kanej if you don’t understand or respect their characters (disrespectfully)

[churchrummagesale]

October 2020

[thychesters]

the sea is lovely, dark and deep. zolu ; 78k ; post-time skip; time loop (temporary) main character death; graphic depictions of violence; mentions of blood and gore; body horror

“What’s wrong with you, Zoro?” Luffy asks, stopping him in his tracks and pinning him in place with a simple look. There’s nothing else to it—not anger, no annoyance, just a tilt to his head and that tiny line forming between his brows as the corners of his mouth dip.

He’s already seen their deaths too many times, thought about them all more than he ever thought he would.

It was never supposed to go like this.

I’m sorry I failed and watched you die and I can do nothing to stop it, he cannot say. I know the weight of you in my arms, know what it’s like to cling to all of you and lose you, and I have lost you and will continue to. I can’t stop it, I will stop it. I can’t lose you again—“I’m fine.”

read on ao3.

[daistea]

𝙼𝚒𝚝𝚑𝚛𝚞𝚗 𝚡 𝚁𝚎𝚊𝚍𝚎𝚛 𝚁𝚎𝚕𝚊𝚝𝚒𝚘𝚗𝚜𝚑𝚒𝚙 𝙷𝚎𝚊𝚍𝚌𝚊𝚗𝚘𝚗𝚜

gn!reader

word count: 3,000 :o !

Mild Spoilers! Sfw-ish

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆

What Do The Canaries Think?

Before you can date Mithrun, you must first defeat his five evil exes. (The Canaries.)

Depending on your background, Pattadol may either be suspicious of you or happy that you’re with the Captain. If you have her trust, she’s generally quite supportive. She cares for Mithrun like how a fresh out of highschool over-achieving kid that just got a job at the local dumpy gas station cares for their chain-smoking 40 year old manager that handles all the rude customers. That is, not quite a big brother, but not quite simply a coworker. Pattadol is one of the first to recognize Mithrun’s feelings for you. She generally stays out of his business, though, and is your savior when it comes to dealing with the other Canaries. Defeat her with the power of kindness and sensibility. Or not. She’ll respect Mithrun’s decision no matter what. 

Cithis does not like you, not unless you do something to earn her respect. It’s not personal, she just sees you as a nuisance, a fly buzzing around the Captain's head; except he’s decided to keep the fly as a pet for some reason. She’s the first to notice Mithrun’s feelings and it honestly surprises her. On occasion, she’ll whisper horrible little things about you to Mithrun in an attempt to irritate him— things like “Oh look, they’re smiling so sweetly at someone else. Doesn’t that drive you mad?” Mithrun doesn’t react, simply casting her a glance. “No, it doesn’t,” he says. Cithis gives him a look and his good eye flickers away in thought. “A bit,” he corrects himself. She doesn’t push him too far, though. She will try to establish her dominance over you. Defeat her with the power of stubbornness and determination. 

Fleki doesn’t care. She will make fun of both you and Mithrun and ask a lot of invasive, embarrassing personal questions just for funsies. Mithrun doesn’t mind the questions at all, but if they make you uncomfortable then he’ll tell her to stop. She thinks it's funny to interrupt your alone time and be a third wheel. However, if anyone criticizes you or your relationship, she’s one of the first to defend you. Defeat her with the power of a sense of humor and maybe drugs or an interesting toy to distract her. 

Lycion does not like you. It is personal. He’s simply protective and jealous. It’ll take him a while to warm up to the idea of you and the Captain being together, no matter what you do. Just give him time. He won’t go so far as to try and break you up, but you’ll notice him sometimes watching you coolly, his face calm but his eyes analytical, observing your every move. Beneath that stare, you feel like a rabbit being stalked by a wolf. Once he warms up to you, he joins Fleki in asking invasive questions. You almost wish he still disliked you… Defeat him with the power of patience and a thick skin. 

Otta doesn’t care either. If you’re part of a short-lived race, she’ll have slight affection for you and be the most understanding about your relationship with Mithrun— if you die years before Mithrun, Otta is the one who supports and pities him, rather than just being confused as to why he falls apart afterwards like the others are. If you’re long-lived, she doesn’t care about your relationship as much, it isn’t nearly as interesting to her then. Otta does not need to be defeated.

 You’ve defeated the Canaries! What awaits you now?

Mithrun has been in relationships before, but not in the last forty-ish years. Not since The Incident. Before The Incident he was quite charming, a little careless, and kind of a bad boyfriend. He had so many red flags. He hid them well, though, and nobody really got close enough for him to feel comfortable dropping his facade, so the red flags generally stayed hidden. Toxic bf Mithrun was real. 

He’s been in relationships. He’s slept with people. He thinks he knows what to do and for the first time in forever, he considers doing those things again. With you. The feeling may be a bit dim and uncomfortable for him, something that must be cultivated, but post-ending Mithrun isn’t about to ignore it. 

Pre-ending Mithrun is a bit more stubborn, though. Most think he doesn’t feel anything, but he does. He feels empathy for dungeon lords, he can be surprised, he can be irritated, he can be desperate when it comes to his goals. Most emotions are dimmed, though, and it would take him a while to recognize what’s happening when he starts falling in love. And when he does recognize it, it kind of irritates him. It’s a distraction. It’s useless to him. But he doesn’t really do anything about it, if you want to cozy up to him then go ahead, just don’t get your hopes up. He will react physically, though, such as tensing when you touch him, grabbing you to pull you out of the way of danger, sometimes his stomach churns when you smile… He has no desire to question those things. 

Can you romance pre-ending Mithrun? Yes and no. Don’t expect much. Are your feelings requited? Yes and no. Don’t expect much. Can you get physical? Sometimes. Don’t expect much. 

Post-ending Mithrun is more willing to explore these feelings. The demon is dead, he’s… trying to live. He honestly planned to simply waste away once the demon was defeated— and that wouldn’t have even been satisfying, either, because killing the demon wasn’t his true desire. Now, he’s working on his view of himself and his existence. His desires aren’t going to just magically reappear in him, it will take a lot of work and patience. When a desire for you starts to grow, he closely examines it, curious. What is it about you that attracts him? It starts out in a cavalier manner, this new desire is simply there and he’s not going to do much about it. Then it starts to fester. Mithrun starts noticing more things about you, little stuff that he never would’ve bothered to see before. He starts taking note of how he physically reacts to your touch and presence. He may not have the desire to do things like eat or sleep, but he still experiences the physical repercussions of those things— collapsing from exhaustion, a growling stomach. It’s the same with your touch. A skip of his heart, heat in his stomach, his gaze lingering on you whenever you’re near.

The desire grows and becomes undeniable. That’s when Mithrun starts to get a bit more emotional, a bit more desperate, a bit possessive. When he develops a desire for something, he digs his claws in and refuses to let go. 

It gets to the point where he just inserts himself into your life. He does it subtly and casually, without any passion or performance or drama. He’s just… there one day. How did his clothes get in your drawer? Don’t worry about it.

Mithrun thinks he knows what to do in a relationship since he was in a few before the dungeon. Except, he was a selfish, emotionally-closed off boyfriend. Fortunately, he doesn’t really have the desire to take the steps he used to take in relationships. He knows he should probably take you on dates, flirt with you, do the whole confession thing… 

He does not do those things. 

Not normally, at least. Mithrun simply figures that if you wanted a typical relationship, you wouldn’t be interested in a person like him. So he’s going to just do what he wants. 

What does he want, though? He doesn’t really want much of anything but you and maybe a few other little desires he’s cultivated. But in order to have you, he has to do things. What things? It suddenly hits him that no matter how much experience he had with relationships before the dungeon, things are different now and he’s basically starting over in that area. 

Mithrun decides to just simply do what feels right. 

His method of flirtation? Staring at you. Subtly touching you. Grabbing your wrist or waist and suddenly teleporting you both somewhere more private even though he knows you hate it when he teleports you without warning. 

Dates with Mithrun? Doing errands together. Him inviting you to his house and listening to you talk. 

A confession? No. You can ask Mithrun what you are, if you want, and he’ll say, “We’re in a relationship. Did you not notice?” He doesn’t even flinch. How long have you been dating? Neither of you really know. 

If you never ask what you two are, he’s never going to say anything unless the situation calls for it. You might find out randomly one day when he’s talking to a merchant and says, “I’ll buy this for my partner.”

"Who's your partner?" You ask.

Mithrun simply looks at you. He's thinking something but you can't quite tell what yet. Finally, he raises a brow, "You. Obviously."

Obviously.

Imagine that you have no clue you’ve been dating for years and one day he just slips a ring on your finger and tells you that the wedding is next weekend. 

Mithrun doesn’t have as many red flags as he used to, but there’s still a few. He can be a bit unsupportive sometimes. He can be apathetic. And possessive. 

His possessiveness is subtle and only really kicks in once he’s deeply in love. You’re only in Melini temporarily and have to return home? Oops your boat was destroyed, there’s chairs stuck in walls and planks hanging from the ceiling. You got another boat? Oops that one’s been mysteriously destroyed too. Another boat? Oops—

“Are you destroying my boats?” You ask. Mithrun doesn’t even glance up from his book when he answers, “Yep.” 

“Stop doing that.”

He finally looks up, his face blank as he meets your eyes. “No.”

He’ll stop if you insist but he’s going to be grumpy about it.

Mithrun trusts you, his possessiveness doesn’t come from a place of insecurity. He’s just finally found a desire, another reason to keep living, and he’s not going to let go of that. 

Yet, he's never really outwardly jealous. He doesn't make a scene. He doesn't start fights. But the person flirting with you feels this presence... like eyes on the back of their neck... like danger lurking from the shadows... They turn around and Mithrun is just standing there with his arms crossed.

He likes to teleport people away from you. Pattadol has asked him to stop because it's scaring the people of Melini. He just does it more subtly then.

Generally, a relationship with Mithrun is understated. Your connection runs deep but is unspoken. He says I Love You through soft touches, through the way he opens the door for you, by the way he stares, how he lingers, how he starts taking better care of himself so as to not worry you, how he gives you his cloak when you’re cold, how he gets a bit unhinged if you're hurt in the dungeon. Little things.

Domestic Headcanons

Mithrun actually has bad depth perception due to being blind in one eye. He’s learned how to deal with it, but on occasion you’ll playfully toss something at him and he’ll miss catching it by a longshot. You apologize profusely, but he doesn’t really mind. It is what it is. 

His sense of direction is worse. But he carries himself with such confidence and authority that people often ask him for directions. You’re usually leading the way when you go out.

Mithrun post-canon actually cooks a bit more than one would realize. His food isn’t good at first, but Senshi teaches him a bit and he gets better! Cooking together with you, or cooking for you, is one of his preferred activities. 

He’s very clean and tends to keep his house spotless. This also surprises people since they assume he would have no desire to clean. They’re right, he doesn’t have that desire, but he’s been trained to keep his surroundings clean. It’s just a habit, something he does robotically, automatically. 

FUN FACT: HIS EARS TWITCH. What’s left of them is still quite soft and he will, on occasion, let you touch them. They tend to twitch when he’s annoyed, droop when he’s sad, and perk up when he’s interested or curious, like all elf ears. If you blow on them, they’ll flicker like a cat’s, but he’ll usually pull away and give you a Look if you do that. 

Mithrun sleeps like a burrito. You don’t share blankets in bed, you need your own. Even in hot weather, he’s still wrapped up. 

He also tends to wake up late in the morning. 

He likes it when you play with his hair. If you don’t brush it for him, it won't get done and will start to tangle. On hot days, it’s good to pull his hair back into a little stubby ponytail to keep it off his neck.

Mithrun is a cuddler, surprisingly. He doesn’t like anyone else touching him, but he chooses to touch you. He likes wrapping his arms around your waist from behind, tangling your fingers together, and pulling you into his lap or sitting on yours.

If you’re smaller and lighter than him, he will not hesitate to manhandle you in certain situations. He’ll throw you over his shoulder, pick you up and set you down elsewhere, and carry you if you ask. You’re in front of the kitchen drawer he needs into? You’re getting lifted up without warning and set down outside the perimeters of the kitchen. He’s quite strong for an elf! 

If you’re the bigger one, feel free to manhandle him! He’s used to it. 

He teleports around the house. And his steps are light. It’s not his intention to scare you, though, that’s just what he does. 

The Canaries are in your house often. Fleki likes to sleep on your couch. Lycion likes to eat your food. Mithrun kicks them out eventually.  

He doesn’t really care about introducing you to his family, but once his brother finds out that he’s in a relationship, he wants to meet you! He has many stories to tell you about Mithrun's childhood.

There’s a chance that Mithrun has never met his biological father. He actually doesn’t care about that and has no desire to meet him. I headcanon that he doesn’t have a good relationship with his mother or her husband. While he’s generally let go of the resentment over being sent to the Canaries, he still doesn’t really want to interact with them. 

Modern Au Headcanons

He uses three in one shampoo, conditioner, and body wash. He used to have a hair care routine before the Trauma, but now it's more efficient to use the three in one. 

He isn’t allowed to drive. He’s your passenger princess. 

Mithrun would play bass. This information was given to me through a prophetic dream, soooo...

He was probably raised playing something fancy like harp, violin, or piano. But he never kept up with it. 

Mithrun can ballroom dance! Does he enjoy it? Not at all. But he can and will if you ask. 

He prefers cats. 

Mithrun drinks seven Red Bulls a day. Fleki sometimes pours Nyquil into his can and Mithrun proceeds to see The Hat Man. 

On occasion, he’ll smoke a cigarette. But he doesn’t like how it makes his clothes smell, so it’s rare. 

Hoodies, baggy jackets, jeans, and slip on dad-shoes are all that’s in his closet. 

You’re invited to his apartment… You walk in, and the living room is empty save for one folding chair with a television in front of it. Still, it’s spotless, clean, and smells of Windex. 

His fridge is empty aside from energy drinks— they do not give him energy— and bowls of ramen he never finished eating. 

Once he starts recovering from the Trauma, his fridge looks better and he cooks more often. 

Mithrun’s preferred video game of choice is Fallout New Vegas. Don’t ask me why, I just know. 

He also likes Legend of Zelda! His consoles and devices are old and he’s never caught up on new releases. 

His phone screen is insanely cracked but he never gets around to fixing it. 

He doesn’t answer phone calls. Even from his brother or the Canaries. He just doesn’t feel like it. Text him if you want his attention. 

Zero social media presence. However, if he wants to stalk someone— you— he has Cithis use one of her many burner/catfish accounts so she can do it and tell him the tea. 

He goes to the gym at two in the morning because he can’t sleep. 

No therapist, no antidepressants, just raw dogging life. 

He is weirdly good at Jeopardy. 

The Canaries meet every Saturday at a dingy bar near his apartment! Mithrun’s tolerance is low, though, so he doesn’t drink much. (Before the Trauma, he would regularly get white girl wasted.)

If he does drink too much, he just falls asleep. 

They also have monthly game nights! Mithrun is an absolute menace at Catan. The rest of the table is screaming, making deals, arguing with each other, but Mithrun sits there quietly, strategizing… The Canaries don’t actually care who wins, they just want Mithrun to lose. 

The Canaries will sometimes drag him to concerts, parties, or music festivals. He brings ear plugs and his Kindle. (You’re on stage, singing your hit song. The crowd is going wild, girls are screaming your name, begging for your attention. But then you see him… He’s not paying attention, he’s not looking for your approval. He’s just reading Jane Austen’s Pride and Prejudice in the middle of the crowd, his hair in a messy bun, his converse black. This guy is different… This guy is deep… You invite him backstage afterward. He insults your music, thinking it's for preps. His friends forced him to come and he'd rather be in his room, listening to mcr and reading books. Your infatuation with this quirky senior citizen only grows.)

My Relationship Playlist for Mithrun

Never Love an Anchor - The Crane Wives

Runner - Tennis

Metaphor - The Crane Wives

Feel Better - Penelope Scott 

Absence - Rio Romeo

Pearl Diver - Mitski

The Perfect Pair - beabadoobee

The Only Exception - Paramore

From Eden - Hozier

High and Dry - Radiohead

We’ll Never Have Sex - Leith Ross

How I’d Kill - Cowboy Malfoy

Curses - The Crane Wives

✧˖°

[dragonlands]

Elena Gilbert stops being boring the moment you stop viewing tvd as romance and start viewing it as a gothic horror of an underage girl groomed into an incestous love triangle between two serial killing brothers.

Her parents are dead and she only finds comfort in graveyards, her thoughts are filled with death. Then she meets these guys who CANNOT DIE and she even canonically says that's what drew her to Stefan (and let's be honest it's exactly the same with Damon). These older men want to protect her and they desire her obsessively and they form a weird, weird little family dynamic where Elena is constantly treated like a child. Elena latches onto these guys who don't only fill the role of boyfriends but also the role of parents. How she acceps the role as daughter/lover/victim of the Salvatore brothers could be fascinating if the narrative acknowledged it for what it is - horror.

[stealingpotatoes]

me, someone who is technically french (it's complicated): haha yes french are the worst english are still the most worst,

yeah you know what you’re right, at least you guys successfully got rid of your monarchy

[blue-likethebird]

Link can’t understand Fi anymore, but he can understand Hylia. Zelda can’t hear the voices of the goddesses, but she can hear the voice of the sword. These ancient divine figures -so inextricably linked to the heroes of old that it’s almost impossible to tell where one ends and the other begins- may not be able to commune with the spirits that bind them to the mortal world anymore, but they continue to guide and comfort the people who mattered most all those lifetimes ago

[mulders-too-large-shirt]

i think it is fascinating that the first time we see mulder have sex (in 3) and the first time we see scully have sex (in never again), both of them approach it fundamentally as an act of self-harm.

mulder, wracked with the grief of losing his partner, trying to save this woman he just met as an act of penance, while scully's necklace dangles around his neck.

scully, processing that she does not have much longer to live, feeling terrified and frustrated, once again trying to force herself into doing what society expects of her, as if that will bring the happiness she has been denied.

i just think it's neat.

[satoruxx]

who do you think would be more devoted, satoru, suguru or shoko?

oh em gee hi nonnie :333 it's been a milennia since i got a sashisu ask so i'm VERY sorry for the novel !!

well.... i think they all have their moments but most devoted would probably be suguru. AND I WILL EXPLAIN WHY !!!!

i just think suguru tends to be very selfish when it comes to love. not like.. in a bad way... but to him love means that he has already given himself to you completely. he expects it to be understood that his love runs so deep he physically cannot fathom letting you go. suguru has always been extremely loyal to what's his—whether that be his morals or his friends. i think he puts a lot of value into making connections. so for him, when it comes to love, i think he would be very steadfast in it—often finding it difficult to disentangle himself from those emotions. and i feel like that depth is what makes him the most likely to become obsessive over devotion. (like... cult leader suguru would become so fixated on the idea of devoting himself to you that it can start becoming almost parasitic) basically, suguru could absolutely devote himself completely to you, and in a normal relationship that translates into extreme and fierce loyalty. but any kind of toxic or twisted dynamic and that's turning obsessive and probably too emotionally dependent.

satoru is definitely devoted but in a very generous way. he can love you so deeply but be alright with letting you go. to him, that's the biggest act of love he can commit. he sees a lot of drawbacks in letting you be with him, so he would much rather devote himself from afar and let you live a life he probably cannot give you. in other words, his emotional investment in you may not always come across as fully attentive because his perception of dedication can be too focused on what he deems is best. satoru's devotion plays on a fine line between his loyalty to you and his loyalty to his own ideas. he has such a strong connection to his own ideals that once he perceives something, he will always do what he feels is best in that situation. the problem is that might not be the most pleasant thing for you—but if he thinks you're better off with someone else he will let you go. (see i don't think suguru would be able to do that. suguru will never be able to give you up.)

shoko's devotion is the most subtle, but i think it would be the most stable. it might take her a while to get to that stage (i don't think it's as easy for her to fall into obsession compared to the other two) but she will be dedicated to you. shoko may not be the most expressive, but she is the most emotionally grounded. she has always shown consistent loyalty to things she values, so i think her devotion to you would be dependable and pretty nurturing. i also think she has a very mature perspective on her relationship with you, and she'd be more concerned with creating and maintaining that bond. so basically... i think she'd be the most consistently devoted if that makes sense.

so yeah, suguru is the most intensely devoted, but his devotion is easy to become entangled with other emotions. satoru is devoted, but it's more external. he tends to do things for you that he feels is right. and shoko is the devoted in the most stable way.