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#writing a whole essay quotes and all
oliviasoddessey · 1 year
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No bc Dream Girl Evil coming right after Girls Against God is so. There's an artifice to DGE and maybe I'm just not used to Florence Being Sexy (as opposed to Being Horny, which is what Bedroom Hymns was, and was another thing entirely) and it's also 90% just my state of mind rn but DGE coming straight after the song which opens with "What a thing to admit that when someone looks at me with real love I don't like it very much it kind of makes me feel like I'm being crushed", going from "crying into cereal at midnight" to "walk on water just to kiss me"... it's SUCH a shift and it feels like the personification of the seesaw ego of the artist or that thing where you're simultaneously a mess and the sexiest woman alive, and after "a golden heart or a golden voice", DGE feels like putting up this sexy, unattainable persona so that no one will get close enough to you to create the claustrophobia to "real love". It's like she's saying "you thought I was nice? FUCK YOU I'm evil and I'm not perfect like you thought I was" to a person who just wants to go on a second date. This is just my current state of mind talking now, but that song being where it is adds this layer of accusing someone of idealising you when they actually have a very accurate idea of your beauty and your flaws, but you just find it so difficult to believe anyone could ever really love you if they knew what a bad person you were. It's Florence (or the speaker, really) dragging out this "don't come crying/I am nobody's moral centre" in response to nobody morally centring you, it's creating a femme fatale of herself just so that she can slip away into the night and tell herself that they femme fatale'd her so it was never going to work out anyway. You know? Sometimes a super sexy persona has nothing to do with getting laid and everything to do with everyone looking at you while being too intimidated to actually talk to you which saves you having to talk to them.
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avatraang · 8 months
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“The way he looked at you. I got it then. He loved you, and it was killing him.”
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THE BEST OF SHENKO 1/?
The end of the world has a way of reminding you of all the things you forgot to say do. Mass Effect: Legendary Edition (2021)
#mira makes gifs ✨#kaidan alenko#sophie shepard#EDI#shenko#fshenko#mass effect#mass effect legendary edition#dailygaming#OTP: you're real enough for me#i learned i am physically incapable of creating less than like 20 gifs at a time#but shenko stonks are up right now!!#gif’ing my favorite bisexuals gives me joy 🥹#even though ME2 is dry as shit for shenko content like it’s literally the sahara desert#like a whole ass 10 minutes max of cutscenes between shep and kaidan like come on#like 2 minutes in the prologue and like 8 minutes of cutscenes on horizon#and then an email and looking at the picture in your cabin before the suicide mission#i'm so sorry y'all ME2 shenko canon is absolute shit (besides kaidan being rightfully angry on horizon) which is why we ✨ignore it✨ 🥰#but i rant about ME2 VS treatment too much so i will not write another essay about it in the tags#i will say the EDI line isn't the exact quote from the game but i think about it a lot tbf#same with the quote i borrowed from anderson too lmao (which is also a tiny bit paraphrased)#i just love EDI asking shep for relationship advice when you get to follow shep and kaidan's relationship/struggles across 3 games#and anderson's quote about all the things you forgot to do in relation kahlee to is just *chef's kiss* when you think about shenko#like whether it starts in ME1 or ME3 shenko has some really fantastic moments across the series#two characters with strong morals who realize that they're falling in love and literally start to become each other's strength??#their soft place to land?? their support when they need it?? shenko will always have my heart#also the shenko quotes you get are the most fire thing in the world#you're real enough for me?? you make me feel human?? i want to be your strength- your soft place to land?? shenko you will always be famous#I FORGOT IM GONNA FIGHT LIKE HELL FOR THE CHANCE TO HOLD YOU AGAIN TOO LIKE??#but i’ll stop ranting now bc i do that wayyy to much in my tags lol. have a good day wherever you are! <3
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fictionadventurer · 1 month
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Supposing that a lyric poet of the new school really had to deal with such an idea as that expressed in Pope's line about Man:
"A being darkly wise and rudely great,"
Is it really so certain that he would go deeper into the matter than that old antithetical jingle goes? I venture to doubt whether he would really be any wiser or weirder or more imaginative or more profound. The one thing that he would really be, would be longer. Instead of writing,
"A being darkly wise and rudely great,"
the contemporary poet, in his elaborately ornamented book of verses, would produce something like the following:
"A creature
Of feature
More dark, more dark, more dark than skies,
Yea, darkly wise, yea, darkly wise:
Darkly wise as a formless fate.
And if he be great,
If he be great, then rudely great,
Rudely great as a plough that plies,
And darkly wise, and darkly wise."
Have we really learnt to think more broadly? Or have we only learnt to spread our thoughts thinner?
-G.K. Chesterton, Varied Types
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aintgonnatakethis · 5 months
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characters through quotes
Thank you @fortunatetragedy for the tag! 😊
My prompt: a quote about ideals
Telford: "The ends justify the means. It's my job to get my hands dirty and do the hard thing so others who aren't capable of it won't be called on and fail. It doesn't matter whether I can look at myself in the mirror at the end of the day - the only important thing is reaching the goal I have set for myself. My feelings aren't important."
Young: "I want to be a good man, someone younger men can look up to, someone I can be proud of, someone who doesn't struggle with the difficult decisions. I'd know what the right thing to do is because I'd be a good person."
Rush: "Ideals are a waste of time. Success is the only thing you should be focusing on."
Your prompt: a quote about justification
No pressure tagging: @frostysfrenzy @adriankyte-writes @bagheerita @etoilesombre @ashirisu + open to anyone else who wants a go!
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redpiperfox · 5 months
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If I listened out everything I've walked through, objectively, this past semester, I think it might seem like the hardest several months you've ever heard from me.
It might sound overwhelming and horrible and that I'm barely treading water, and at the time of writing this, I will admit that it feels like I'm failing in most areas of life and the areas I'm not are so sorely misunderstood, misrepresented, and misconstrued that they feel like added burdens to my troubles.
But I had known some of this burden coming into the semester. I had realized, and accordingly, run to where my strength comes from, and carefully kept connections only to where I knew God's wisdom and grace would come from. God decided that I wouldn't be able to attend church much this semester. He decided to push my confidence in my own skills to the edge. He broke down my pride and slowly builds it into something more solid, firm in humility. And He also put my support systems through some of the hardest, most stressful stretches of life. He overwhelmed and tested people around me, in times where I did not even feel adequate to turn around and support them.
He gave me a warning bell of the final lap my grandpa has on this side of eternity. Label it "dying" if you will, but my grandpa's been "dying" for 15 years and altho he's only just lost his license to drive, can still out talk everyone around him. [Edit before this posts: Grandpa died a month later. We were in his hospital rooms, his final breath literally on my mom's face. We were singing and praying for two hours around his body after. It was sacred and holy in ways I cannot describe. I took an exam and did a final presentation the day after and with my sister and cousin, the three grandchildren gave eulogies that weekend. And then I went into finals week. A series of details that doesn't seem like I should attach the word "precious" to them, but I do.]
My God sounds like He's robbing me, doesn't He? If I list the facts, it sounds like a horrid trial. I don't think that idea had ever crossed my mind until I realized I didn't have the words to explain my last little lifetime without someone looking at me in horror.
So here is my attempt:
I had been talking to my sister, about the importance of giving children solid "affirmations" to hold onto, not just for them in that moment, because they will not understand it fully then, but more for the person they will grow into, small and scared and in a big chaotic world. Let me give an example of a good one:
"My God is so big. So strong and so mighty, there's nothing my God cannot do."
Nothing? How often do we think about that I wonder, and what it implies? Nothing? So then the things that I wanted Him to do that did not come to pass.... not because He cannot... and if He will not, and I know He works all things together for His children's good and His glory, and my chief end is to glorify Him... hmm... not something a preschooler thinks, but when we do?
Or how about:
"Jesus loves me, this I know. For the Bible tells me so. Little ones to Him belong. They are weak but He is strong!"
That second one covers the sufficiency of scripture, the power and grace of God, and our inadequacy in our own will. Human depravity, God's sufficiency, Christ's work in justification, sanctification, and glorification, that's a whole theological lecture in there! A rhyme and affirmation the preschooler might declare and believe simply and wholeheartedly, but might make the early adult stumble a little. Faith like a child looks a little harder than it sounds now.
Now for this song I picked and my little life update to finally make sense.
Those truths? Those affirmations and beliefs and intellect? Your brain is a muscle you strengthen or lose, and the intellect of faith is no different. Fighting the good fight and the race well run is a path of God renewing His child, in His child's deepening desire to look to Him and know Him more. Because knowing Him more is going from "My God is so Big" between two little hands, to "My God is so Big" in seeing His handiwork in each and every little detail.
The practice of seeing God weaving Christ from Genesis to Revalation, is to suddenly see it from your birth to death. The study of David and all his sin and God using him to lead a nation He set apart from the rest for His purposes, is to see God working through a sinful preacher's words and a stumbling Church's hands, and building a community of His purposes of reaching to save.
So I entered this semester like that. Knowing I would be stripped and exhausted and stretched thin and lost for words. Knowing that even this moment where I'm struck with the clarity of a thousand words would be rare and far between. Knowing my flesh and weakness would roar an uglier shade than I care to admit, and I would hear myself saying self-pitying loops when I could barely keep my eyes open, or keep my fingers from complaining.
So I did what anyone with forsight does, and I storm-weathered.
I hate complaining. It has no business in a Christian's life. To complain is to question a perfect God's perfect plan and call it imperfect and inadequate, because from who else does all detail flow? It is to claim wisdom over the wisdom-giver. But it is easy, and it is easy in the company of other sore hearts. And where the tongue writes it goads the heart, so that the heart gives black, bloody ink to the tongue, and a vicious cycle of digging yourself to a hole where God is suddenly nowhere in sight is done rather easily. And I personally decided I needed to learn to guard the pattern of my tongue, and till I did, I needed to guard where my tongue had power. Which is why, when I am full of praise, like a child validating good behavior, I make extra effort to pour out my words fully and true-- not because I have mastered any art or claim any pride in it, but because it is a good practice for me to guard my heart "desperately deceitful above all else, who can know it?" And then I fed my heart from a fresh well that promises to never run dry, and my lens of the world grew brighter.
So yes. These past months have been hard, truthfully objective. It has been trying and draining and there are days I have felt like drowning.
But thanks be to the God of wonderous mercies. Who promises to answer when we call, and urges me to call upon Him more. Who carries me when I don't look upon Him. Who weaves a tapestry more magnificent than I can imagine, to be revealed on the other side of eternity.
Job never learned why He was robbed so severely. He never needed to. God showed him something better. He showed Himself. And to see God in everything? What more do I need to see than heaven's light leaving fingerprints and blooming flowers for me to pick?
So I say, having walked these months with my eyes searching and never failing to find My God, that these have been the dearest, most precious months, and lift up a song of thanksgiving, over how He has blessed me, time and time again, in my shortcoming and in my weakness, in my heart and in my testimony of witness, may it be that He was lifted high.
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dumbasswhatever · 2 years
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at the beginning of the trial for 4-2, the judge makes it pretty clear that he hasnt seen klavier in court since the trial of seven years ago, and he even says that he worried klavier might still be upset about it. but klavier doesnt actually confirm or deny any of this
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this dialogue drives me so insane. did he really stay away from all legal matters for seven years? did he prosecute cases and just happened to deal with other judges? did he work on cases that he didnt prosecute (like how edgeworth worked on sl-9 without being the prosecutor)??? he didnt even start prosecuting cases right after kristoph was arrested, there were about two months between 4-1 and 4-2, so it seems like he really did just start standing in court again to see if apollo was a good lawyer or not. im losing my mind i need to see klavier gavin again i need to know if he really did stop working as a prosecutor entirely for seven years and if he really did suspect that kristoph manipulated him all along
#gripping the sides of my laptop so tightly i crush it. so i've been thinking about aa4 recently#this is all questions but generally i think that um. theres no way he gave up being a prosecutor entirely#i mean klavier said that daryan was the very first detective he ever worked with. and the case seven years ago had gumshoe instead#so we know that before that case klavier had probably been working on other cases and just wasnt like the prosecutor in charge of em#so he very much could have been doing that#also. if he did stop standing in court. did he really believe that kristoph manipulated him??? like listen#yes in 4-4 he says that hes been wondering about the truth of that case for seven years#but. he could have been lying. bc earlier when apollo suggests that kristoph is the killer in 4-4#klavier says. and i quote. 'there's no way my bro could do a thing like that!'#and the judge is like yeah he was in jail he couldnt have done that. but the wording of that sounds much more like klavier believes that#his bro is not an evil person. (yes kristoph was already arrested for murder once at this point. but if klavier watched that trial then#i think theres a good chance he noticed that the bloody ace was suspicious as shit. i think he could have still believed kris to be innocen#............................................who knows maybe he believed kristoph not to be a murderer but a guy who gave him wrong info#why did i put this in the tags if i was gonna write a whole essay. whatever. i have to put klavier in my brain and microwave him every#so often. i know so many klavier lines its insane also i know that some of these lines probably were not meant to be thought about too much#but what are htey gonna do? put me in ace attorney jail??? let me see klavier and franziska and kay and sebastian? ok go ahead
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steelycunt · 2 years
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finished my final essay!! no more deadlines until january!! god bless!!
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sortagaysortahigh · 14 days
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Operation Exemies to Lovers | Cregan Stark
A/N: Now yall know i have not written and finished a fic in a hot minute so sorry if this reads a bit wonky. Yk I'm an enemies to lovers and exes to lovers girl, so why not combine them both into a modern!cregan stark fic? Also, this is dialogue heavy as that's kind of my thing, if it's not yours, welpt keep scrolling boo I aint mad!. I also fixed the inc*st family tree so you'll see that in this as well (i'll prob keep it for future modern AUs). Anyways lmk what you think and enjoy! Also, I suck at summaries so I pull quotes from my fics, sorry not sorry pookies
Summary: “So y’know those sappy novels Hel’s always reading, anyways I asked her about them and she had one where the two main characters were like totally at ends with each other but their friends were like ‘nah they should be smashing’ so we think, based on our research and our scholarly source-Helaena, we should force them to be around each other until they finally talk it out! Or well, y’know-f*ck it out”
Warnings: cussing, spelling and grammar errors (sue me!), kissing, mentions of smut/allusions to smut but no smut, arguing, Alyssane Blackwood slander (sorry girl), somewhat mean!reader, this is an AU where Aegon's not a bad guy!!!! just a clown <3, mentions of an ill parent, Baela be hitting Aegon (he earned it!), Aemond is still missing an eye sorry to the Aemond girls
Word Count: 6.4k (period I stuck to keeping it short and sweet)
Modern!Cregan Stark x Fem!Reader
“He’s staring at you again” you scoffed, rolling your eyes, doing your best to focus on highlighting the passages about the few Westerosi Civil Wars that had happened centuries ago. It was already difficult enough to focus in the crowded library, midterms were killing everyone. 
It wasn’t a shock for the once quiet and almost empty library to be packed, especially with student athletes who were desperately catching up on their studies in attempts to pass all of their midterms, write endless essays, and practically beg their professors for extra credit via email. 
You should’ve been able to focus on the task at hand, studying with your best friends Baela and Rhaena for your upcoming history midterm, the exam itself would focus heavily on the several majors wars that shaped westerosi society as a whole, and would even include the transition from government leadership as a monarchy into a democracy. 
Hell you’d even have to describe what was once known as the ‘Iron Throne’ and its historical significance. Truthfully the large metal hunk of junk was now sitting in the King’s Landing Red Keep Memorial Museum.
Usually the library was the easiest place for the three of you to study, it wasn’t as loud as your fourth floor flat in one of the student apartment buildings off campus, it was usually pretty clean and well kept, plus every resource you could possibly need was somewhere within the large building. 
However today, your usually comfortable red leather-lined chair felt stiff and was making you hot, not to mention the lack of air flow and increased temperature due to the amount of body heat on each floor, then the lights were either too bright or too dim, and all you wanted to do was slam the books shut, grab your laptop and leave.
“Let him stare.” you muttered as you tried to keep your gaze on the text in front of you, however it was getting increasingly difficult as a very specific pair of eyes were practically burning a hole into your side. 
Gods, he was so obnoxious.
“I don’t think it’s healthy for you to hold onto the grudge against him, of course he totally earned it! I’m not downplaying your emotions but anytime he’s around you stiffen up like a virgin afraid of dick” your jaw dropped at Baela’s words, now staring at her, brows furrowed in shock.
“Baela! You can’t say things like that” Rhaena almost immediately swatted at her sister’s arm, shaking her head before tucking one of her loose locks behind her ear. “You really take after father sometimes.” 
Baela simply shrugged, glancing back at the two tables that were usually empty, now they were filled with six of the school’s hockey players, all spread apart with a plethora of books, laptops, pens, and notepads covering the tables. That’s also not counting all of their bags laying on the floor besides their chairs. 
“I get that you two broke up on not so good terms, but you should be showing him that you don’t care about him! Not that he makes you so angry you’re about to explode like a bomb in Mario Party”.
With that Baela turned her gaze back to her laptop, however at the sound of several texts chiming in at once to both Baela and Rhaena’s phones, you knew that their cousins had texted them once again. It made sense that they’d all shared a group chat, especially considering how close in age they were, and how large the Targaryen/Hightower/Velaryon family was. 
Of course the first time Baela had broken down their family tree you were incredibly confused. Her mother Laena Velaryon was married to Daemon Targaryen, who happened to be the uncle to her cousins Jace, Luke, and Joffrey’s mother Rhaenyra. 
Now, Rhaenyra was married to Dr. Strong (or just Harwin as he’d asked you to call him once at a family gathering you’d been invited to, to which you quickly declined as he was your Literature professor), but based on the Targaryen’s political status within Westeros, their sons took their mother’s last name, not their father. 
Then comes Aegon and Aemond, now truthfully you’d met Aegon your second week of classes a few years ago when he’d caught you off guard, asked for your number, then got mad when you’d ghosted him after finding out he had a girlfriend! (Shame on him, truly). But you actually ended up being pretty good friends with the goof. 
Anyways, Aegon and Aemond were the children of Rhaenyra’s best friend, and now sister-in-law Alicent Hightower who married Rhaenyra’s only brother Baelon Targaryen. 
It’s also important to remember that throughout this entire family tree, which was in fact drawn out on construction paper for you, Alicent and Baelon also had two other children, Daeron and Halaena, both of them attending Sunspear University together. Then of course Rhaenyra and Dr.Strong (Harwin), have two much smaller sons, Aegon and Viserys, which was even more confusing considering you’d already met an Aegon.
Rhaena and Baela shared a look, and it was a look that worried you, so of course instead of being rational and brushing it off, you clenched your jaw as you slowly turned around, making eye contact with none other than your ex-boyfriend who’d been leaning his head against his hand and staring at you with what could only be described as a mournful lovesick expression.
You rolled your eyes, quickly turning back around before anyone else would look at you and do something that would probably piss you off. 
It also didn’t help that the cousins texting Baela and Rhaena were also seated at the table with your ex boyfriend. 
“Jace said that Cregan wants to talk to you but you blocked him, I don’t think you want to know what Aegon said, but it involved an eggplant emoji and a bed” you rolled your eyes, letting out a deep sigh while sitting up straight and shaking your head.
“He’s apologized a million times and has yet to tell me why he decided to go out of his way to not only break things off with me and tell me he still loved me in the same damn sentence, then go out the same night and end up on Aegon-Aegon of all people’s instagram story sucking face with that Blackwood bitch while she was on his lap.” 
You let out a cynical laugh of sorts, rolling your eyes once again. 
“Tell Cregan Stark that I’d rather fuck Aegon after one of his alley-way vomit sprees than ever talk to him again” however, before you could focus back on your studies, an amused laugh came from behind you before the chair next to you was pulled out, only for you to meet the gaze of Aegon Targaryen himself, a lopsided smile on his face with his brows wiggling in a playful suggestive manner.
“Well if I knew the easiest way to get you into my bed was to go drinking until I’m sick then I would’ve invited you out sooner baby” with that he leaned closer while making kissing noises, only to be met with your hand shoving his face away.
“Aeg, for the last time, she doesn’t want you like that” he feigned hurt at Rhaena, sliding back into the chair with his hand over his heart. 
“You wound me dear cousin! You wound me!” then he sat up straight, now looking back at you “so I was sent over here as a trusted messenger. My boy back there, you know him quite well, if y’know what I mean-” he wiggled his eyebrows up and down again, then you shoved him “-anyways, Cregan has been like all sulky and heartbroken and he really misses you. And he doesn’t want anything to do with Alysanne! She came onto him!, so can you give him another shot?”
With that you simply shook your head, quickly packing your things up while scoffing. 
“Tell your “boy back there”-” you spoke with air quotations “-that if he really gave a fuck about me, he shouldn’t have dumped me after two years for no god damn reason, then fucked that Blackwood bitch-who by the way is a fucking whore!” 
Your outburst was met with the looks of many, Rhaena quickly clearing her throat watching as you packed your things away. “What she means to say is, she doesn’t want to talk to him. I think it’s too fresh still”
Aegon scoffed “it’s been four months people! Four months! The summer ended, it’s a new semester, I think she can talk to him now” he glanced around the table, eyes widening as he watched Baela grasp quite the hefty textbook while glaring at him.
“Baela don’t hit me! I’m just saying! Listen-” but before he could finish you’d already gotten up and mumbled that you’d see them at home while you walked away.
Aegon paused, watching as you walked away, blatantly checking you out for a few moments, then you’d disappeared. He then turned around and motioned for someone to come to the table, this is what led both Jace and Luke to walk across the room and now sit where you were sitting and in the last empty seat of the table.
“Listen, we’re all tired of being caught in the middle of this awkward divorce alright. So we came up with a plan!” Baela shook her head while Rhaena sighed slightly.
“No offense Aeg, but your plans are always horrible, need I remind you of Aemond’s missing eyeball?” Luke winced slightly, remembering the day he’d accidentally hit Aemond in the eye with a firewood poker when swinging it behind him.
Truthfully, Luke had no idea Aemond had entered the room when he and Aegon were ‘dueling’ one another, however he’d felt his poker hit something, and he heard Aemond’s loud scream of pain. 
They’d all been kids when that happened, and to make it worse it occurred on their grandfather’s birthday when everyone had traveled to King’s Landing for a large birthday dinner/family holiday.
“She’s got a point there Aegon, but-guys-we all came up with the idea together!” Luke placed his hands on the shoulder of his cousin and his brother, smiling widely while Baela and Rhaena both shook their heads in disappointment.
“Okay, you win, but if the idea is bad, Baela’s going to smack Aegon with that textbook, so pray it’s not bad” they all nodded, Aegon scooting back slightly.
“So y’know those sappy novels Hel’s always reading, anyways I asked her about them and she had one where the two main characters were like totally at ends with each other but their friends were like ‘nah they should be smashing’ so we think, based on our research and our scholarly source-Helaena, we should force them to be around each other until they finally talk it out! Or well, y’know-fuck it out”
He paused to take a quick breath “But we can’t let them in on the plan, otherwise Cregan’s gonna be all like ‘oh my god no she hates me, the love of my life hates me I can’t torture her, blah blah blah, I’m so nice and honorable, blah blah’ and she’s gonna be like ‘fuck that, I’ll kill him for fucking that Blackwood bitch and dumping me for no god damn reason’. Also I don’t think he ever fucked Alysanne-but I did-niether here nor there though!” 
Jace and Luke looked at Baela and Rhaena as if they were waiting to be yelled at by their mother, meanwhile Aegon smiled and nodded after his long winded explanation.
Rhaena spoke first “y’know honestly, your impression of her is pretty spot on.” Baela nodded her head in agreement before adding in “but if this doesn’t work, and she finds out, she’ll want to kill all of you and Cregan. I’m sure you all have realized being on her shit list isn’t exactly the best”
Jace nodded, glancing back at Cregan who was finally focusing on his statistics work with a stoic expression on his face. “Listen, if it doesn’t work and she kicks our asses that’s fine, but we at least have to try! I mean come on Rhae you told me that she cries over him still! And he’s no better. There might not be tears but he’s so long winded and mopey”
He then sighed, patting Luke on the back “I think this is our best shot. I mean c’mon they’re some of your guys' closest friends, and Winterfell over there’s my best friend that I’m not related to-oddly enough they’re pretty rare these days. They used to be so happy together! Now look at them both”
Baela sighed, nodding her head as she finally set the books in her hands down “she’s definitely not really herself anymore. Maybe if it doesn’t work, then at least they’ll both get closure from their relationship”.
Aegon smiled, nodding rapidly again “see! You guys get it!. Also don’t tell Aemond either, y’know he’s too ‘I’ve got a stick up my ass’ sometimes. We can call it operation-uh what’s the book trope that Helaena called it again-one second everyone!” he paused, grabbing his phone from his pocket before quickly calling his sister.
“Hey Hel, yeah yeah I’m good, what did you call that book again! The one where they were like forced to be around eachother then fuck it out and get married and shit?” 
Several hundred miles away, Helaena was grasping her nose bridge as she let out a deep sigh, her brother truly was a character.
“Oh-okay! Got it-thanks so much Hel, love you too! Give Daeron my love and remind him to wrap it up with those Dornish baddies!” with that he hung up the phone before meeting Baela’s disgusted glare.
“You’re so gross, Aeg. And stop saying the word baddies-you sound so cringey!” he simply shrugged at her.
“Anyways, now that we’re done being rude and judgemental to our baddie eldest cousin who’s super smart, funny, and beautiful, we’ll call it operation enemies to lovers!” 
Rhaena raised a brow “wouldn’t it actually be exes to lovers? Since they’re exes? I guess they might also be enemies based on the way she wants to wring his neck-and not how she used to-” with that her eyes widened as she slapped a hand over her mouth.
Jace sighed “don’t worry Rhae, we already know about the shit he let her do to him. Young love, what can I say” 
Aegon nodded his head, wiggling his eyebrows suggestively once again, then he slightly elbowed Luke, who met his gaze with a laugh before they both spoke in unison “kinky innit”.
“Anyways-are we doing this or not? I’ve got a history midterm to study for and you three are interrupting it, and it’s bad enough that Aegon already made the smartest person we know leave” It was clear that Baela was losing her patience.
“Oh come on Bales! Y’know if you’re still interested I can set you up with ol Benji over there, heard he’s a freak in the she-” there it was, the book smacking him in the face “-ow Baela! Jesus! You’re just like your dad! Mean and ever so beautiful to look at” he winked.
“Gross man, she’s our cousin!” he shrugged “didn’t stop our ancestors, okay fine-fine! I didn’t mean it okay! Shit. you all are so violent. The blood of the dragon I guess”.
-
Three days have passed and the TarVelTower group chat had been in constant communication about ‘operation exemies to lovers’ with the additional confused replies from those that were not present in the library that day.
They were planning a game night, it was something they’d all done in the past, inviting their other friends to come along as well for drinks and a night of utter tomfoolery. Baela and Rhaena had done everything but swear on the Old Gods themselves that Cregan wouldn’t be there, meanwhile Jace, Luke, and Aegon had to practically beg Cregan to come to Jace’s for the game night.
It was also a plus that most of them lived in the same building. Dragonstone University wasn’t that large, not compared to other schools such as Sunspear, Driftmark, or even Harrenhall-although it was rumored that Harrenhal U was in fact haunted, that’s probably what brought so many to the school in the first place.
Baela and Rhaena had to drag you out of your bed after your post-class nap and usher you into the shower, stating that you ‘stunk of outside’, which was rather rude considering your only classes today were virtual. 
They’d mentioned the game night several times, and each time you asked if Cregan would be there, they’d said no, which you found a bit odd considering Jace was literally his best friend and probably closest confidant. Maybe his father had come down from Winterfell again, but you were thankful that he wouldn’t be present to ruin your mood.
All you had to do was take the elevator up two floors, so all you did was shower and throw on a pair of sweats and one of Aegon’s many discarded team sweatshirts. It had his number on it and even after washing it what felt like a million times, it still smelled like his overly strong cologne that he claimed ‘the ladies love’.
He’d also told you that maybe you were an ogre for not loving it, which of course even further solidified your friendship with the moron (lovingly).
You took time to braid your hair, knowing that you’d probably wake up hungover without a want or a need to brush it, so this was just easier. Then you’d foregone makeup, knowing you truly didn’t care how people saw you, especially not your friends. 
Of course the one thing you’d always contemplated wearing sat on your desk, the thin gold chain adorned with a small charm in the shape of a howling wolf. It was as if it sat mocking you because almost everyday you’d stare at it while getting ready.
You’d worn it everyday for a year after Cregan gifted it to you. He randomly showed up at your door one day, slightly out of breath, a wide smile on his face with his disheveled hair pulled back. One hand rubbed against his short beard, while the other held a small black gift bag. He looked as if he’d run here, then was contemplating the decision to run in the first place.
Then he’d kissed you gently, a smile you rarely wore now, adorned your face then.
When you invited him in, he was quick to follow, shutting and locking your door behind him while you made your way to the small kitchen, grabbing him something to drink as he caught his breath.
Then as you spun around to hand him the drink, he held the bag out for you, practically forcing you to open it (it wasn’t forceful at all, rather when you declined opening it immediately, he didn’t hesitate to place the strings of the bag between his teeth before picking you up, then plopping you down onto the couch, soft giggles leaving your lips when he climbed right on top of you.).
You remembered him watching as you opened it, he held himself up overtop you, while you easily pulled the small jewelry box out of the packaging, then when you opened it he looked almost nervous, as if you wouldn’t like it.
But you’d kissed him, pulling him down into your lips, thanking him between rushed kisses. 
You shook your head, snapping yourself out of it before grasping the necklace and shoving it into one of your desk drawers. Out of sight, out of mind, you’d tell yourself-until you’d go looking for a pen and see it again.
Rhaena’s voice knocked you out of your thoughts completely, she stood in your doorframe, her posture a little too straight, which would’ve normally thrown you off, but you couldn’t focus on that, not when you were trying to shake off the feeling of heartbreak.
“You ready? I’ve got the snacks already packed to bring up, you’ve just got to grab our blankets. Baela’s already there helping set up. Aeg said he’d give her twenty bucks if she’d actually arrive earlier than him for once” you laughed at that, shaking your head slightly.
It was no secret that Aegon and Baela were incredibly competitive, and as cousins, they had what could only be described as a sibling rivalry, always trying to one up one another when they could, and making stupid bets over random things.
You actually liked that they were all so close, when you’d befriended Rhaena, you never thought that she and her sister would come with a large family that would welcome you in with open arms.
“Yeah, just, let me-um-get my shoes, yeah my shoes. Sorry” you were mumbling and stuttering as you walked to the shoe rack beside your door, slipping your feet into your fuzzy slippers before following Rhaena to the living room, grasping the small pile of throw blankets before the both of you left your apartment. She was quick to lock the door, then you both headed upstairs.
You were still technically early when you arrived, and as you entered the apartment Aegon was handing Baela a $20 bill, while she smirked. Luke was laying on one of the couches on his phone, Jace was putting drinks in the fridge with the help of Benji who honestly looked happy to be there. Meanwhile Aemond sat reading whatever random philosophical book he’d chosen for the week, and to your surprise, Helaena was pulling what smelled like cookies out of the oven.
“Hel! You’re here!” she smiled when she saw you, placing the tray down before meeting your embrace. “Yea, I actually was visiting my parents and Aegon picked me up earlier.” you smiled at that, you enjoyed her company, even if it was a rare occurrence. 
By the time everyone was settled in, around forty-five minutes had passed, and everything was nice. For the first time in a while you weren’t on edge, which was definitely noticeable, and you’d actually managed to relax into the large bean bag below you. Even if it did remind you of a certain someone.
Then, it was as if you’d summoned the asshole himself.
Jace was quick to shoot up and walk to the door, glancing at his phone nervously. Then he opened the door, nervously laughing for a few moments.
Then you spotted him. Not before Aegon, who was already tipsy, had managed to shoot up from his spot on the ground “Cregan! Glad you could make it man!”.
Baela and Rhaena watched as you let out a deep sigh, it was clear you didn’t want to ruin the night, so you simply turned to face away from the door, burying yourself further into the bean bag, covering yourself in the throw blanket as much as you could.
It’s important to mention that the bean bag happened to be big enough for two people, and for a long time, it’s where you would sit with Cregan, well technically, given his size, you’d be cuddled up together, and now, as his gaze found you ignoring him on that bean bag, the gloomy cloud that followed him around had resurfaced.’
After a few tense moments of silence, everyone commenced what they were doing.
Aegon, still standing, held up a deck of cards.
“For today’s game night we’re gonna need to partner up! Rhaena, you’re with me tonight! I need your smarticle particles!” you blinked slowly, Rhaena was usually your partner. Then you sat in silence as you watched everyone partner up.
Baela was shoved into Benji-literally shoved by Aegon. 
Aemond chose Luke as he stated their team needed “balance”, which actually made a lot of sense considering Aemond was always somewhat brooding, and Luke was a ray of sunshine.
Jace glanced between Helaena and Cregan, but when Baela shot him a pointed look-missed completely by you-he chose Helaena.
Which of course left you with the one person you wanted nothing to do with.
Rhaena tried breaking the ice, watching as Cregan awkwardly sat in the armchair beside the beanbag. “It looks like our old winning team is back together!” you were the first to scoff.
“Hey! They used to cheat!” you couldn’t stop yourself from responding to Aegon “actually he waited until we broke up for that”. As you spoke, everyone’s eyes widened, meanwhile you remained in your spot, staring at your phone, mindlessly scrolling through instagram.
However, as good of a guy that Cregan Stark is, you were the only person that was ever able to bring a different side out of him. You two rarely fought, but when you did, it was almost catastrophic and usually ended in very rough sex, or a heartwarming apology after ignoring one another for a few days. 
But you’d never broken up, you both took time to cool off in whatever way you needed.
Things are different now.
“For the last time, she came onto me! I’ve told you this thousands of times!” As he raised his voice, the frustration in his tone was evident, and his accent sounded thicker than usual-a key indicator that he was upset. So instead of backing down, you scoffed, now looking at him, fury evident on your features. 
“Yeah because a man your fucking size was so easily overpowered by her right! She just waltzed right up to you and beat you into submission or something?! Oh fuck you Cregan!” 
The two of you held eye contact, anger and frustration evident.
Aegon slowly sat down, leaning towards Jace and whispering “I think it’s working”, meanwhile Jace shook his head, having been witness to the few fights that you’d actually had with Cregan in the past.
“What would you have wanted me to do, I was shitfaced! Was I supposed to shove her to the ground and tell her to go fuck herself?!” you nodded your head at that, now sitting up, even closer to him than before. He stared down at you as you stared up at him.
“Yeah actually, that’s the best fucking idea I’d say you’ve ever had!” he scoffed.
“We weren’t even together and you hold that against me! Still!” That's what sent you over the edge.
“You fucking dumped me for no god damn reason, told me you loved me, and then went and fucked that Blackwood Bitch! The same fucking day! As if I meant nothing to you, we were together for two years Cregan! Two fucking years!” 
He heard the crack in your voice, everyone did. As you stared at him, he could see the way your eyes glossed over, he knew you too well. He knew the tears were coming.
“I tried to talk to you-you didn’t wanna hear anything!” you shrugged, gathering your things as fast as you possibly could, now looking anywhere but him.
“You don’t fucking deserve to talk to me you asshole”. Then you stood up and did what you always do in these situations, you ran away and left.
He was left there in shock, staring at the door, jaw clenched while he watched you leave. 
“Well that’s one way to start a game night” 
“Aegon shut up!” cue the smack “Ow! Baela! Stop hitting me! Go hit Benji, he likes that shit!-ow! Seriously?! Jace and Luke, get your cousin!”
Then in unison “she’s your cousin too!”
And finally, Benji piped up “is she talking about my cousin?” 
Instead of watching you waltz away, Cregan stood up, grabbing his things and mumbling his own apologies. Then he left, he knew exactly where you lived, so instead of taking the elevator, he rushed down the stairs, trying to cool off. 
When he stood in front of your door, it felt like a routine, something his body was so used to. As if this was muscle memory for him.
Then he knocked, once. No response. 
Twice. Nothing. 
Three times-maybe third times a charm. Nothing.
He stood there, his forehead leaned against the door. Cregan Stark was not a man of regrets, hell he prided himself on actually being a good guy, he was raised to be respectful, to be kind, to be strong, Stark men were not assholes. They weren’t childish, they weren’t selfish, they were supposed to be honorable in every way.
But here he is, leaning against his ex-girlfriend’s door, still in love with her, full of regret for ever breaking things off. He hadn’t even explained himself. He wanted to-he’d tried that day, but you stormed out, tears that he’d caused flowing down your cheeks. 
Then he felt the door shift, and you stood there, wrapped in the same blanket, eyes red as you stared up at him.
Gods, all he wanted to do was tell you he loved you, that he needed you, that you made him feel whole.
“I don’t have any fight left in me Cregan. It’s been months, why can’t you just leave me alone.” 
“Because I love you.” you sighed, shaking your head “no you don’t. If you loved me you wouldn’t have left me.” 
Sure you might’ve been being dramatic, but truthfully, you’d been heartbroken for months, following your breakup you’d lost ten pounds in two weeks. You’d never felt worse, and now, you were starting to feel alright, but it was no secret that there had been many nights full of tears, hugging a sweatshirt that you’d never washed, hoping to preserve the smell of his cologne.
“Can you just fucking listen to me for five minutes, please, I’ve been trying to talk to you for so long, just please-let me talk to you” you shrugged.
“Why?” he blinked a few times, taking a deep breath, running a hand through his hair-hair that you used to always touch, forcing him to sit between your thighs while you braid his hair, laughing when he’d complain, or when he’d do poses for you after you’d finished.
“I love you, I’ve never stopped loving you, I go to sleep at night and my dreams are filled with you, your smile, your laugh, even your fucking frowns. I love you more than I’ve ever loved anyone or anything. My heart fucking yearns for you. I can still feel the way you used to hold me, the way your breath felt against my neck, Gods, I think about you 24/7! I think about everything that I did, the way that I screwed up-I screwed us up. I love you! I’ll scream it from the fucking rooftops if that’s what you want!” 
You didn’t bother wiping away your tears, instead you stepped aside, leaving room for him to come in.
“You want to talk then talk.”
Then he walked inside, and shut the door the same way he used to. 
It truly was muscle memory, the way he walked to the couch and sat down in the same spot he was always in, then he waited for you.
He watched as you slowly sat next to him, still wrapped in a blanket like a sad burrito-Gods he spent too much time around Aegon. He didn’t hesitate to wipe the tears from under one of your eyes with his thumb, repeating the action on the other cheek.
“I didn’t want to break up with you. I never wanted to break up with you. My father’s-well he’s sick at home, I was going to leave, go back to Winterfell to take care of him, to take care of everyone. I just-I didn’t want you to be alone here, and I didn’t want to be your long distance boyfriend that you only ever see on fucking facetime. I just-I couldn’t do it.” 
You were silent, watching as he broke slightly, his voice cracking at the mention of his father, then at the mention of you being alone. 
It was no secret that Cregan and his father were close, you’d met Rickon Stark twice, and each time he’d embraced you with open arms and a warm heart. 
“Why didn’t you tell me?” he shrugged.
“Because, I’m supposed to be strong, I’m supposed to know my duty to my family, I’m supposed to be there for them, and it was hard-hard to say that I had to leave you for an unknown amount of time. I didn’t want to, I didn’t want to go a day without seeing you, you make me crazy in the best way, even now, whenever I see you on campus my heart practically flies out of my chest. Seeing you at my games, you’re like a ghost haunting me.” 
You slowly nodded, listening to him, watching the way he’d blink away his tears, the way his brows would furrow and jaw would clench slightly. 
“My dad’s the one who told me to stay. Told me not to throw my future away, that he’d be alright, y’know he’s a fighter-always has been. Told me to get my girl back-” he let out a small chuckle, the laugh laced in sadness “-but I think she doesn’t want me back. I went back up after we split up, just for a week, and he told me I was an idiot to leave it all behind. A full ride to Uni if I kept playing hockey? The girl of my dreams? Called me a bloke before he told me that he’s okay, he’s not letting go anytime soon” 
Cregan hadn’t been looking at you, he was focused on his hands, fists clenching slightly as he tried to swallow his own emotions. He hadn’t noticed the way that you’d been inching closer, not until your arms were wrapped around him, head leaning against his shoulder.
“You could’ve just told me from the beginning. I would’ve been your facetime girlfriend y’know? Would’ve figured out a way up there”
The familiarity of it all was what made him break, a small sob leaving his lips while you held him. It didn’t take long for you to shove him further into the couch and climb into his lap, the same way you used to when all you wanted to do was be as close to him as possible.
You held him, sat atop one of his thighs, arms wrapped around his shoulders while he cried into your shoulder. His arms gripping your waist, holding you against him. 
This is what should’ve happened all those months ago.
“I’m sorry for being a bitch” he laughed at that, and you felt his small smile. Meanwhile you ran a hand through his hair, fingers dancing through the dark locks before slowly running against his scalp. Your other hand traced small circles against his shoulder blade, you missed this.
You missed him.
“You weren’t a bitch-I probably deserved that.” you scoffed, moving back slightly, now holding eye contact with him as you brushed his tears away. “I was a bitch, I was the biggest bitch ever.”
He smiled, shaking his head “She really did come onto me. I did push her off-” you shushed him “I know. I believe you, I just-I dunno. I was hurt, then I saw that and it just stayed with me. I figured you dumped me for someone else, someone better-” he cut you off with a kiss.
It was so gentle, so soft, so sweet. Then he pulled away “there’s no one better than you for me. I’m sorry I wasn’t honest. I just-I didn’t want to look weak and I didn’t want to leave you and-” you shushed him again, this time holding a hand against his mouth.
“Shut the fuck up Cregan Stark.” Your tone was light hearted as you shook your head “You’re not weak for having emotions, and you aren’t weak for wanting to care for those that you love. Don’t be stupid, we’ve both been stupid enough.” he nodded his head, then you slid her hand down, now caressing his face, your thumb lightly pulling on his bottom lip.
“I missed you” you smiled, a small giggle leaving your lips.
“Based on the way you stare, I could tell” he rolled his eyes “gotta commit your beauty to memory somehow” you slightly shoved his shoulder “you cornball!” 
“I missed you too loverboy”
Then you kissed him again, a slow, passionate kiss full of emotions, smiles, and even a few giggles. He then slid his hands under your sweatshirt, and you quickly pulled apart, letting him take it off, leaving you in just your bralette, then his lips were on yours again.
Before anything else could happen the front door swung open, startling you both, leading to Cregan’s grip against you tightening, meanwhile Aegon and Jace both hit the floor, while Luke stood there awkwardly, Rhaena shook her head, and Baela looked as if she was being held back by Benji. Meanwhile Helaena and Aemond were nowhere to be seen.
At least until they moved closer to the doorway, both of them shaking their heads and muttering “fucking Aegon” in unison.
“I told you guys it would work! Look at them! Kissing and close!” Aegon still spoke, even from the floor while Jace was on top of him. Then Jace slowly rolled off, letting out an ‘oof’. 
“Were you all eavesdropping?” Aegon blinked a few times at your question, glancing back at everyone else. Then you noticed the flush on Luke’s face and Rhaena’s awkward expression. Plus Jace was nodding his head. 
“Why did the Gods make him our brother?” Aemond shook his head “I truly do not know.” 
“So are you two back together now?” 
You sighed, standing up and grasping Cregan’s hand, pulling him towards your bedroom.
Cregan glanced back, still laughing at the scene “yes. Now please, fuck off mate”
With that you pulled him into your room and locked the door.
“They’re all the worst” he nodded his head at you, he’d expected you to pull him into your bed, however you walked towards your desk, rummaging through the different drawers until you found something. 
You glanced at him “can you help me with this”, while holding up the necklace.
“I’d be honored” you rolled your eyes, a bright smile on your face while he walked over, taking the necklace then as gently as possible, clasping it around your neck. Then he left a line of open mouthed kisses from below your right ear, to the edge of your shoulder. 
“I love you” his voice was soft, a whisper, almost as if it was a secret shared between the both of you.
You smiled, spinning around, one hand now on his face, the other on the back of his neck, fingers tracing circles through his hair. “I love you too”
-
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19catsncounting · 24 days
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I Got Really Into Anti/Proship Discourse And Read +30 Academic Studies - My Findings
(It’s a Yapfest but the whole post is a very long essay and study on morality and fiction and children’s safety and rape culture with a fuckton of freely accessible academic articles and resources on the subject, and I want to talk to other people about it. For a shorter abstract with all the articles and more easily ignored yapping, see my shiny new Carrd:)
It’s been a little shocking lately to have certain discussions with some parts of fandom. I spoke about shipping/harassment and how that contributes to the death of fandom on TikTok assuming that younger folks are just really, really intense about preventing sexual violence, but the more I saw the words “morally wrong” and “disgusting” and “addiction,” the more I thought about this guy-
Tumblr media
That’s Jerry Falwell, and I fucking hate this dead guy. You see, Jerry Falwell was a preacher who hated porn, feminism, and homosexuality. And I'm seeing his rhetoric and reworked quotes a lot.
Jerry would say stuff like:
“Pornography hurts anyone who reads it - garbage in, garbage out.”
“Someone must not be afraid to say ‘moral perversion is wrong.’ If we do not act now, homosexuals will ‘own’ America!”
Jerry wanted people to believe that it’s possible to see so much sexual content that it warps your sexuality, because he was gay and wanted to think that was due to thinking about gay sex too much. Jerry did not have a lot of evidence to prove that homosexuality was harmful, so he relied heavily on how “morally distasteful” it seemed to be to suburban Americans.
I spent the majority of my teen years arguing against Jerry’s rhetoric for the right to live as a lesbian online, and I never thought I’d see morality rhetoric in people I’m otherwise very politically aligned with. And I definitely never thought fandom of all things, in all its beautiful subversive glory, would seriously start advocating for censorship, anti-porn, and to consume fanwork with moral purity.
So, I’d like to have a deeper discussion on it, both here on Tumblr and on TikTok, but that does mean checking a few things at the door:
Personal feelings decide your personal life. What you feel is valid for you, not anyone else.
In general, things that do not cause direct and undeniable harm should not be broadly prohibited just because they’re weird or distasteful to the majority of folks. Ex. Loitering does not cause harm and is a tool of systemic oppression.
The discussion of “fictional CSEM” is the most inflammatory fork of this and it is often used to derail these kinds of conversations. This is all I will say on it - the legal status of explicit visual depictions of minors is muddy. In the US, there is just one dude in Utah who pled guilty for possessing explicit lolicon he bought by mail order without also possessing CSEM with real children, and explicit writing about fictional minors has been settled as protected free speech. Dedicated organizations from the NCMEC to Chris Hansen have asked that fictional content is not reported as CSAM as it is not actionable and clogs up finite resources. 90% of NCMEC reports were not actionable last year. There are studies suggesting that virtual CSEM or other non-victim alternatives could reduce actual child harm, but there is need for further research.
We’re all in agreement that untagged NSFW is not cool, and kids deserve kid-only sections of the internet. People who are triggered by or dislike problematic content deserve to be able to not see it. 👍
 (I’ve seen the argument that blocking tags/people should not be required - sorry, PTSD still requires that you manage your triggers, up to and including swearing off platforms just as I have sworn off bars/soap brands/etc to avoid my triggers.)
I have found a lot of accessible and free articles and studies that I will link throughout so that we can discuss the fact-based reasoning, in an effort to have a civil conversation.
(Also because we are not flat earthers, we are Fandom, and if we’re going to be annoying little shitheels in an “Um Actually” contest, we’re going to have the sources to back it up.)
Minors and Explicit Material
I’m not supporting minors engaging with explicit material. I have such little interest in the subject that I’m not even going to bring in articles, but you can feel free to. I personally engaged with explicit material as a preteen of my own free will and did not find it to be harmful, and the majority of people throughout human history have been exposed to explicit material at an early age with varying degrees of harm. There are undeniable legal and harm-driven differences between a 12 year old girl looking at Hustler on her own, a 14 year old boy being sent nudes from a grown woman, and a 6 year old viewing PornHub. (And I think the guardians of that 6 year old should be charged with grooming just like the woman, tbh.)
Personal Disclaimer
I’m an adult survivor of CSA and incest. I’m a happily married adult. I don’t personally like lolicon/shotacon/kodocon. I don’t like kids. I don’t like teens. I’m personally not attracted to underage fictional characters. I have family, the idea of fucking any of them makes me want to throw up and die, so I don’t write or read RPF of my family.
I am really, really fucking intense about preventing sexual violence, supporting survivors, and fandom, which is where this all comes from.
I read and love problematic fiction - my favorites are ASOIAF, Lolita, and VC Andrews. The most “problematic” thing I’ve personally written are Lucifer/Michael fics from Supernatural back in 2012. They are “brothers” in CW Christ, not blood. They do not have any blood.
Gen Z and Online Grooming
In 2002, a survey of 1500 minors from 10-17 found that 4% had been solicited for sexual purposes by an adult online.
In 2023, that number increased to 20%.
While the linked 2023 Thorn report suggests that the vast majority of these inappropriate interactions happened on platforms that allow for interpersonal communication, which by and large minors were greatly discouraged from and had less access to in the early 2000’s, a trauma-informed approach does not allow for blame to fall on the children. The guardians of those children have monumentally failed to restrict and educate before giving children the means to access those platforms.
It is my uncited but personal opinion that the increased rate of grooming, as well as an increased interest in combating rape culture, has led to well-intentioned individuals to become digital vigilantes attacking those who they hold responsible for their traumatic experiences in a search for catharsis and justice denied for themselves as well as a desire to make the internet safer for other children, whom they are increasingly aware are entering online spaces unsupervised at distressingly young ages.
Is harassment and bullying bad for perpetrators of it?
Before we get into how ship-related hate campaigns do not affect predation or combat rape culture, we should acknowledge that it’s actually pretty harmful for the people who cyberbully. Not just in the legal/social consequences, but people who participate in cyberbullying and cyberhate campaigns have higher rates of depression, estrangement from their parents, self-effacing habits, social anxiety, lower empathy, and so forth.
One study suggests that the treatment and prohibitive for cyberbullying, which contributes to a culture of cyberhate and a lower likelihood to report or confront other incidents of harassment or toxicity online, can be combatted with media competency to increase empathy along with other important life skills.
Some Common Pro-Censorship Myths
“Pornography is Addictive/Consumption of Pornography Leads to Increasingly Hardcore Imagery And Ultimately Real-World Violence” - The American Psychological Association does not recognize Porn Addiction as real and the DSM-5 does not classify it as an addiction. Additionally, many methods used in articles claiming that porn is addictive or causes users to seek out more hardcore material were flawed or biased. There is actually some evidence that compulsive porn use, the closest you can get to a porn addiction diagnosis, is associated with shame and the user’s belief that pornography is morally wrong, which sex-negative attitudes encourage.
“Jaws caused shark culling” - That's unfortunately a simplification that ignores a LOT of surrounding context. WW2’s modern naval battles with an increase of ship sinkings and thus contact with sharks prompted the invention and use of shark repellant by aviators and sailors in the 1940’s. The most deadly and famous shark attack of all time was the USS Indianapolis sinking in 1945, which led to 12-150 deaths. The 1974 book Jaws by Peter Benchley, which was the entire basis of the movie, was inspired by One Fucking Dude who started shark hunting tours and overall seemed to have a really immaculate vibe. The interstate highways that finished in the 1950’s increased beach tourism in the 60’s and onwards, inspiring the American surf culture, further increasing the cultural desire to purge sharks for the new swath of beachgoers and their fondness for using surfboards which make them look like seals to sharks. Additionally, 1975’s Jaws inspired a huge desire for education about sharks, and the relationship between problematic media and education will be the core of this yapperoni pizza.
“The Slendermen Killings/Other Fiction Inspired Crimes” - The ACLU states that “There is no evidence that fiction has ever driven a sane person to violence.” Inspired crimes are indeed no less tragic, and thankfully rare, but people who suffer from inability to discern reality and fiction do not necessarily need fiction to commit violence. The “Son of Sam” murder spree was not inspired by a book or movie, but instead Berkowitz’ auditory hallucinations.
“Violent videogames DO cause violence” - After a great deal of funding and study, the American Psychological Association has concluded that teens and younger may have increased feelings of aggression and not necessarily physically violent outbursts as a direct effect, but older teens and young adults do not encounter statistically meaningful rates of aggression.
“Your brain can’t tell the difference between fiction and reality” - Factually incorrect. Children as young as 5 years old can tell the difference, and they can even be more suspicious about “facts” that come from sources they know also host fiction, such as TV shows.
“This stuff shouldn’t be online because it can be used to groom a child” - While I could not find specific statistics on how often pornography is used to desensitize child victims, nor how often that is specifically used in online grooming, and especially not how much of that pornography is made from fictional characters - out of a mixed group of convicted offenders with adult and child victims, 55% of offenders used pornography to manipulate their victim. I would never refute that explicit fanart or fanfic could be used to desensitize a child, but that is by far not the only tool (asking about sexual experiences/identity, making jokes, etc is extremely common grooming behavior), and there is no evidence to suggest that it is used to a statistically significant degree. In my own anecdotal experience, normal vanilla legal pornography is used with far greater prevalence, and there isn’t a similar movement to shame its production for that possibility. Nor should the creators of any material, pornographic or otherwise, share blame in the actions of a predator.
The Fiction Affects Reality Carrd
(No hate to the person who made it, in fact I give props to them for trying to find unbiased sources, I just want to point out that their interpretations of their articles are kinda flawed and one of their studies is a kind of a perfect example on small and culturally biased samples.)
Reading Fiction Impacts Aggressive Behavior - (I cannot access the full study but this article is the primary source used in the Carrd and it goes into detail) - A study showed that 67 university students were more annoyed with a loud buzzer after reading a short story about a physical fight between roommates compared to a story with nonviolent revenge. However, this study was conducted at Brigham Young University, the same campus where we got a whole video series of hot ethical takes like “I’d rather shoot a kitten than drink coffee,” so uh. Yeah. Kind of a prime example on why it’s important to have large and culturally varied sampling. (Another BYU study with 137 BYU students being odd about moral ambiguity in fiction, just because I’m starting to add Dr. Sarah M. Coyne to my list of “Sarah’s That I Dislike.”)
Your Brain on Fiction - a NYT article that describes Theory of the Mind and how fMRIs captured how readers’ minds would light up centers of muscle control when reading sentences like “Peter kicked.” The quote “The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life; in each case, the same neurological regions are stimulated” is speaking of motor functions. Emotional centers of the brain were not included in the study.
How Fiction Changes Your World - a Boston Globe article that actually describes how people who read more fiction are more empathetic and tend to believe in a just world. It does not state that the empathy a reader feels for fictional characters extends to corrupting their moral compass. In fact, there’s such a thing as a “fictive license” to explore taboo themes more thoroughly because it is not real - 123 participants were interviewed after watching two actors play the part of detective and murderer being interviewed, and participants who were told it was fake had more varied and inquisitive responses.
The Social Impact of Books - Actually reuses the previous study about the just world, so point remains. Empathy is understanding, not mirroring.
Is Problematic Fiction Good for Survivors of Trauma?
It absolutely depends on the individual.
Writing expressively about traumatic experiences has been shown to be effective to reduce depression, or more effective in reducing dysphoria and anxiety than talking to fellow survivors, and Written Exposure Therapy is broadly prescribed to survivors of trauma, with one study centering on car crash survivors finding that WET resolved their PTSD symptoms and continued to be effective after a year.
In this study, which sadly is not available online but it is too important to leave out completely, survivors of CSA were given fictional novels about CSA and in closely reading and analyzing those stories, were able to understand their own experiences and were indeed drawn to write about their own experiences as well.
Engaging in problematic fiction, like all fiction, allows for consent as well as control. If at any point a survivor does not feel in control or wishes to stop, they can at that instant. They can even rewrite their narratives and take control of their story in fictionalizing and changing the account. They can even try to understand what their abuser felt through fiction, which is helpful considering that the vast majority of survivors had a relationship that had been positive and even loving with their abusers at times.
Is Problematic Fiction Good for Everyone Else?
It again depends on the individual.
Antis might be a little right that most people don't want to read problematic stories. In a study exploring whether fiction can corrode morals, 83% of study participants stated that they would prefer not to read a short story justifying baby murder if they had the choice, even if that exploration isn’t inherently harmful.
This very small sample study of 13 participants discussed how young women interpreted sexual themes in writing, including explicit fanfiction, and how that was beneficial and informative to explore sexual desire and examine healthy and unhealthy relationships in a safe and controlled environment.
This meta-analysis further discusses how problematic and sexual themes in YA literature are useful to illustrate what sexual violence looks like, and begin educational conversations through those depictions to break down harmful myths such as “if she didn’t scream, she wanted it.”
Empowered by the “Fictive License” previously cited, problematic fiction can be beneficial for anyone who desires and is capable of consuming and analyzing it.
This study analyzing abusive aspects of three films - Beauty and the Beast, Twilight, and 50 Shades of Gray - concluded that these abusive themes should be discussed to increase recognition and awareness, not censored based on those problematic themes.
This study of 53 women were asked to read different versions of fictional intimate partner violence flags, or “toxic behavior” like surveillance, control, etc. In every version of the story, whether the female or male had those behaviors either courting or committed, the women recognized the behavior as wrong.
Another study that reading allows for the moral laboratory to explore morality in fiction without decisive impact to corroding moral permissibility.
Is There Ever Any Point Where Fictional Interests Definitively Speak On Someone’s Morality?
In short - not really. Loving Jason Vorhees does not put you at risk of murdering campers as long as you know he’s not real. Writing Wincest does not mean you look forward to family reunions, as long as you know incest isn’t okay in the real world. The real world, where real people are harmed, is where you find the measure of someone’s character.
This Psychology Today article is the best source I could find for quotes from a fantastic book ‘Who's Been Sleeping in Your Head? The Secret World of Sexual Fantasies’ by Brett Kahr regarding taboo sexual fantasies and how they are not only common, but not inherently harmful.
There are people who enjoy problematic media in an entirely nonsexual sense, of course. I myself don’t get off on problematic media - I think it’s just interesting to explore different experiences, and I think that can be revolutionary.
Additionally, fantasies in general have almost always been in the vein of “things you don’t want to really happen in reality.” In a study of 351 asexuals, more than half reported that they fantasize about having sex, but that doesn’t mean that they actually want to. You can fantasize about dating Billie Eilish - it doesn’t mean that you’d be happy dealing with celebrity culture.
(I personally fantasize about the internet being just for adults, but in practice I think that would be incredibly harmful and isolating for at-risk youth and LGBTQ teens) Fantasies always pluck out only the bits of reality that you want to engage with.
If You Get Off On Fictional Kids, You’re Attracted to Something About Them Being Kids
Not inherently, surprisingly. Wearing a schoolgirl uniform is a pretty common roleplay, and it’s not meant to “fool” the participants into thinking they’re indulging in pedophilia. There’s a wealth of emotional and sexual nuance in that specific kink - innocence and virginity play, tilted power dynamics in ‘scolding’ the uniform wearer for dress code violations, even the concept of a sexually provocative “teenager” can be played with without shame, because the world of fetish and fantasy is separated from condonable actions for the vast, vast majority of adults. (The only study I could find on this is this small study of 100 white guys found on Facebook, which itself states it is not definitive, found that while there might be correlation between attraction to children and interest in schoolgirl uniforms, there is no proof of causation. AKA, the rectangular pedophile might indeed like square schoolgirl uniforms, but not everyone - in fact, the majority at nearly 60% in this very survey - that likes square schoolgirl uniforms is a rectangular pedophile.)
Even sexual age play between adults is not indicative of pedophilia because it exists in a setting between two adults who fully understand that the mechanics are completely fake, allowing the power dynamics that would be abusive between an adult and child to be ethically explored.
I don’t have an official-looking study to cite, but I have asked people who like content about underage fictional characters why they do so. Overwhelmingly, a lot of the ones who like underage age gaps like the fantasy of an older and more experienced character taking a younger one under their wing, to have the opportunity to commit violent and blatantly objectifying harm and yet try to create what inevitably does not truly pass as consent, but seems near enough to the characters. Some think that the characters themselves have an interesting chemistry. Some read underage fic and still imagine the characters as adults. Some like to explore the feelings of shame that the older character must feel and how they mentally compartmentalize to go forward with the relationship, and how the younger character found themself in that vulnerable position - which is exploring a harmful situation through fiction to understand how it could play out in real life.
People who like fictional incest like exploring the shameful components of that taboo relationship - and I have seen a lot of works that compare how bad incest could be to other harms, like the Gravecest route in a game with parental cannibalism. And then there are folks who like analyzing the codependency of having one person fulfill every social need - family, friend, lover, AKA Wincest.
What makes a predator if it’s not just sexual attraction?
90% of CSA survivors know their abuser, discrediting the still-entirely-too-popular Stranger Danger myth. And shockingly, only 50% of abusers are pedophiles.
That means 50% of child molesters do not have sexual interest in children because they are children, but they victimized children because they are more accessible in lieu of adult partners, with increased rates of incest.
While I could not find a specific study on the relation between dehumanization/objectification of child victims and child molesters (and if you find one, please send it to me!), this study speaks on dehumanization as a precursor to adult sexual violence.
This study, conducted on convicted child molesters in prison, showed that child molesters tend to fantasize about children while in a negative mood, further contributing to the theory that child victims are dehumanized prior to abuse.
This very small sample study found that in a mixed sample of internet only/contact crime/mixed offenders, offenders who had contact with children had lower rates of fantasizing about children.
In short, half the time a child predator is someone who wants to offend against a child regardless of attraction to the fact they are a child.
Resources To Recognize Grooming/Abuse Victims/Predators
I would absolutely be remiss to not share my collection of resources to help detect signs of abuse/grooming as well as warning signs of a predator who may be targeting elders/women/teens/children:
Darkness 2 Light is a fantastic resource overall, this page details stages and signs of grooming.
RAINN personally helped me through my PTSD journey, and this article detailing the signs of sexual trauma in teenagers is thorough and non-judgemental
Signs of abuse as well as warning signs of predation that does not use gendered language nor play into the Stranger Danger myth.
Education, not Censorship
I think a lot of the energy against taboo content among young people still has a lot to do with the desire to end rape culture. The tools that we Millennial Tumblrinas gave you Gen Z kids were snatches of leftist theory, deplatforming, and voting with your dollar, so it’s reasonable to think that removing taboo content like pedophilia, incest, rape fights rape culture.
It doesn’t.
Rape culture is fought by education. Comprehensive sex education, education about consent. Talking about what consent looks like, what sex can look like, what rape can look like.
There should be more taboo content to talk about these things, to show all the shades it can look like. From a violent noncon to fics that aren’t even tagged as dubcon yet still are in shades that are hard to suss out, we should talk about it.
A Non-Empirical Example Of Good Media Analysis and Education to Combat Rape Culture
Let’s use the example of Daemon and Rhaenyra Targaryen’s relationship in House of the Dragon. Canonically, in both the book and the show, they have a romantic relationship that appears for the most part to be positive (the show being more contentious but I dedicated an aside to Sarah Hess and our beef at the bottom of my Carrd, but feel free to ask how I feel about writing producers with any variation of the name ‘Sarah’) despite an age gap, a sexual relationship that began while Rhaenyra was a minor, and incest - the problematic hat trick if you will.
I have seen anti-Daemyra shippers condemn Daemyra shippers for “Condoning grooming, age gaps, pedophilia, and incest.” Which is not just a broad, inaccurate, and harmful statement, it’s not at all constructive or educational analysis.
It would actually be beneficial to say “Daemon is grooming Rhaenyra as a teenager with gifts, devoted attention that takes advantage of her isolation and vulnerability, frequent nonsexual touches, the extreme desensitization to sexuality in the brothel visit,” etc etc. And even so, it is not useful to say that people cannot still ship the relationship and acknowledge those aspects. They might want to further explore the issues of consent in their dynamic in fiction, they may want to strip away some of them with narrative reimagining. Some might want to ignore the taboos completely and indulge in the fantasy entirely, and some might find the actors hot as hell - AKA, anyone who watches the show.
It’s honestly a little similar to me in how Jerry Falwell would tell his followers not to watch or read or take in any media that dealt with homosexuality unless it was condemning it - even Will & Grace was on Jerry’s shitlist. And so, Jerry’s followers missed out on a lot of media that could have educated them about queerness, could have humanized queer people for them - and that did not make queers go away. Just like ignoring or shutting out media about incest, rape, and other forms of sexual violence doesn’t make those things go away - it just tends to make you less informed, and little less capable of empathy towards people affected by those subjects.
So let’s stop shaming those that ship a complicated dynamic - you get less fanworks exploring those taboos, and less of a discussion overall. You shut down the morality lab of fiction, and to be honest, it’s wet sock behavior.
Some FanFiction Specific Studies
How dubcon fanfiction can flesh out the intricacies and messiness of realistic consent
A review of darkfic written about Harry Potter in 2005 (which, I will personally attest has never been outdone in how profoundly taboo those works were)
Interviews with 11 Self Insert writers who wrote on themes of rape, abuse, control, yandere, etc, and how that was beneficial to some who had experienced sexual violence themselves
Conclusion:
H…holy shit, you actually read all of that?? Congrats dude! That is a lot of time and brain power to dedicate to any one thing!
By the way, I am not really gifted at writing articles or any of that junk, and I tried to make my hyperlexic ass a little more accessible instead of bringing out all the $5 words. I am literally just an autistic who took a couple technical writing classes over a decade ago and really wanted to sort out my thoughts and try to have a platform for discussion. Also, I am really fucking bad at math. I failed two different college level statistics classes twice each. Gun to my head, I could not tell you what a standard deviation is, which is why I worked entirely with the percentages.
And I do want to have a discussion! I would in fact like to not report anyone for sending me gore or death threats or any of that stuff! I don’t think everyone will agree with me, in fact I’m certain that you could find studies that contradict some of mine, and I’d love to discuss them!
I’m sure it will still be tempting to throw around accusations of pedophilia because sometimes, confronting your previously held beliefs is incredibly uncomfortable. If you could not do that, that would be great? I don’t like being compared to someone who profoundly abused me just because I have a different opinion on how to combat rape culture and empower survivors. If you can do that, I’ll do my absolute best to be cheerful and welcoming and respectful as well. 😁
PS - I’m also not really going to be phased if you call me weird or cringe - I am. Always have been. Cringe, weirdness, and autism have made me do and capable of doing some fantastically neat and impressive stuff. But if you try to say something like “proshippers are too yucky and weird to be in fandom” - I’m going to have to refer you to your similarity to Kate Sanders of Lizzy McGuire fame, you “prEpz >:(“ - [My Immortal, legendary author unknown]
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hollowed-theory-hall · 7 months
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Harry Potter is Really Magically Powerful
So, in continuation to this post, and my desire to show some love to Harry James Potter, this post is dedicated to showing how magically powerful Harry actually is in the books — which is insanely powerful. Harry doesn't think of himself as a great wizard, but he is — definitely powerful enough to be Voldemort's equal (and Dumbledore's for that matter).
Under the cut are some quotes from the books that prove this.
Accidental Magic
Let's start with Harry's childhood accidental magic. Tom was considered prodigious for being able to steal things with magic and make animals obey him intentionally. Neville, as a late bloomer, bounced when thrown, which is the bare minimum of childhood accidental magic young witches and wizards should be doing.
Now he came to think about it…every odd thing that had ever made his aunt and uncle furious with him had happened when he, Harry, had been upset or angry…chased by Dudley’s gang, he had somehow found himself out of their reach…dreading going to school with that ridiculous haircut, he’d managed to make it grow back…and the very last time Dudley had hit him, hadn’t he got his revenge, without even realizing he was doing it? Hadn’t he set a boa constrictor on him?
(Philosopher's Stone, page 44)
Harry has:
Apparated out of Dudley's reach when in danger to get away - advanced magic only allowed to practice from the age of 16!
Growing back all his hair from not liking the bad haircut.
Disappearing the glass of the Boa Constrictor case and leashing it
not even when he’d had to take a school report home to the Dursleys saying that he’d somehow turned his teacher’s wig blue.
(Philosopher's Stone, page 84)
4. Turning his teacher's hair blue.
We see Harry is capable of aparation, transfiguration, and various charms at a level that is considered prodigious. Harry was incredibly advanced as a child according to his feats of magic before even knowing magic was real. And while he wasn't as intentional as Tom, he was aware enough to know odd things happened when he was "furious or upset" that the odd things responded to him.
Intuitive Casting
I wrote later in this post about this, but I do want to write a whole essay about how magic works in the Wizarding world, but like, really in short, emotion and intention matter in magic. A lot.
And we see Harry make use of this fact to great effect. Using spells with intention to change the way they behave and they work for him because of how magically prodigious he is.
Harry raised his own wand. “Protego!” Snape staggered; his wand flew upward, away from Harry — and suddenly Harry’s mind was teeming with memories that were not his — a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner. . . . A greasy-haired teenager sat alone in a dark bedroom, pointing his wand at the ceiling, shooting down flies. . . . A girl was laughing as a scrawny boy tried to mount a bucking broomstick — “ENOUGH!” Harry felt as though he had been pushed hard in the chest; he took several staggering steps backward, hit some of the shelves covering Snape’s walls and heard something crack. Snape was shaking slightly, very white in the face.
(Order of the Phoenix, page 591)
This is from the last of Harry's and Snape's Occlumancy lessons. What's interesting here is that from Snape's words, it seems the protego spell isn't supposed to work like that. Harry is magically powerful enough to make protego (shield charm) to defend him from Legilamancy, turn the Legilamancy onto Snape and disarm Snape.
No wonder Snape is shocked, it really isn't supposed to work. Unless you're Harry Potter, that is.
He did say in their first lesson the rules of magic don't seem to apply to Harry.
“Reparo!” hissed Snape, and the jar sealed itself once more. “Well, Potter . . . that was certainly an improvement. . . .” Panting slightly, Snape straightened the Pensieve in which he had again stored some of his thoughts before starting the lesson, almost as though checking that they were still there. “I don’t remember telling you to use a Shield Charm . . . but there is no doubt that it was effective. . . .”
(Order of the Phoenix, page 591)
What I marked here is the fact in all their occlumancy lessons, even the first, Snape always placed a few memories in the pensive. He chose memories he didn't want Harry to see and place them there.
Okay... so why is that a big deal?
Snape repeatedly belittles Harry's magical skills, and yet, he fears Harry would turn the Legilemancy connection back on him. Legilemancy as Snape explained is no easy skill:
“Only Muggles talk of ‘mind reading.’ The mind is not a book, to be opened at will and examined at leisure. Thoughts are not etched on the inside of skulls, to be perused by any invader. The mind is a complex and many-layered thing, Potter . . . or at least, most minds are. . . .” He smirked. “It is true, however, that those who have mastered Legilimency are able, under certain conditions, to delve into the minds of their victims and to interpret their findings correctly...”
(Order of the Phoenix, pages 350-351)
As such, he doesn't expect Harry to be capable of it. But that’s a lie. He clearly thinks Harry is skilled enough to be a threat in this situation. That Harry just might be able to turn this around and glimpse his own memories, which is no easy feat.
And Snape is many things, but stupid isn't one of them. If he thinks Harry is uniquely magically prodigious to be capable of this, then Harry probably is. Especially considering how much Snape hates Harry and how much he'd rather think he's stupid, useless, and unskilled.
“SHE KILLED SIRIUS!” bellowed Harry. “SHE KILLED HIM — I’LL KILL HER!” And he was off, scrambling up the stone benches. People were shouting behind him but he did not care. The hem of Bellatrix’s robes whipped out of sight ahead and they were back in the room where the brains were swimming. . . . She aimed a curse over her shoulder. The tank rose into the air and tipped. Harry was deluged in the foul-smelling potion within. The brains slipped and slid over him and began spinning their long, colored tentacles, but he shouted, “Wingardium Leviosa!” and they flew into the air away from him. Slipping and sliding he ran on toward the door.
(Order of the Phoenix, page 809)
Okay, so can we talk about this Levitation Charm? Please?
Like, get this, he uses Wingardium Leviosa, like a shield charm that sends multiple magical projectiles away from him. This isn't how this charm works, but it is if you're Harry Potter. (again, this is that intention use I mentioned)
The point is, that Harry is magically powerful enough to bend the way spells are meant to work to fit his will and situation.
And when Voldemort possesses him at the end of the fight in Order of the Phoenix:
He was gone from the hall, he was locked in the coils of a creature with red eyes, so tightly bound that Harry did not know where his body ended and the creature’s began. They were fused together, bound by pain, and there was no escape — And when the creature spoke, it used Harry’s mouth, so that in his agony he felt his jaw move. . . . “Kill me now, Dumbledore. . . .” Blinded and dying, every part of him screaming for release, Harry felt the creature use him again. . . . “If death is nothing, Dumbledore, kill the boy. . . .” Let the pain stop, thought Harry. Let him kill us. . . . End it, Dumbledore. . . . Death is nothing compared to this. . . . And I’ll see Sirius again. . . . And as Harry’s heart filled with emotion, the creature’s coils loosened, the pain was gone, Harry was lying facedown on the floor, his glasses gone, shivering as though he lay upon ice, not wood. . . .
(Order of the Phoenix, page 816)
Harry kicks Voldemort out.
As I mentioned, I have a a whole theory I'm drafting about magical theory and how magic works in the Wizarding World, but emotion as Harry describes in this scene is part of it. Emotion drives childhood accidental magic. Emotion is required to cast the Patronus charm and any of the unforgivable. Because of how emotion is tied to magic in this world, this instance is Harry's magic kicking Voldemort in his full power out of his mind.
Which is an impressive feat of magic.
Advanced Charmwork
“Oh — yeah —” said Harry, quickly forcing his thoughts back to that first broom ride. “Expecto patrono — no, patronum — sorry — expecto patronum, expecto patronum —” Something whooshed suddenly out of the end of his wand; it looked like a wisp of silvery gas. “Did you see that?” said Harry excitedly. “Something happened!”
(Prisoner of Azkaban, page 238)
This is the first time Harry cast a Patronus Charm. On his very first try of this complex charm, most adult wizards fail at — he succeeds. It isn't a perfect casting. His happy memory isn't happy enough, but the problem isn't Harry's skill.
The fact he succeeded in casting it at all with how crap his life has been up to this point is a testament to his magical talent.
Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed “Crucio!” Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with pain as Neville had — she was already on her feet again, breathless, no longer laughing.
(Order of the Phoenix, page 810)
Harry, at age fifteen, casts the Cruciatus Curse for the first time. An advanced piece of dark magic that is tricky to cast. Sure, it wasn't the best cast Crucio, but it did work.
It did land.
It worked enough for Bellatrix to stop laughing and start taking Harry seriously.
Harry raised the hawthorn wand beneath the cloak, pointed it at the old goblin, and whispered, for the first time in his life, “Imperio!” A curious sensation shot down Harry’s arm, a feeling of tingling, warmth that seemed to flow from his mind, down the sinews and veins connecting him to the wand and the curse it had just cast.
(Deathly Hollows, page 452)
Like with the Cruciatus Curse, Harry succeeds in the Imperius curse on his first try (and the second try that happens immediately after). In general, Harry learns to cast most spells (even the advanced ones) incredibly quickly — like, on his first try. That's insane!
As Amycus spun around, Harry shouted, “Crucio!” The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor. “I see what Bellatrix meant,” said Harry, the blood thundering through his brain, “you need to really mean it.”
(Deathly Hollows, page 502)
And he gets better over time, both with the Cruciatus Curse, as we see here and his fully corporeal Patronus which is considered an unbelievable feat for a fifteen-year-old:
“Your Patronus had a clearly defined form? I mean to say, it was more than vapor or smoke?” “Yes,” said Harry, feeling both impatient and slightly desperate, “it’s a stag, it’s always a stag.” “Always?” boomed Madam Bones. “You have produced a Patronus before now?” “Yes,” said Harry, “I’ve been doing it for over a year —” “And you are fifteen years old?” “Yes, and —” “You learned this at school?” “Yes, Professor Lupin taught me in my third year, because of the —” “Impressive,” said Madam Bones, staring down at him, “a true Patronus at that age . . . very impressive indeed.”
(Order of the Phoenix, page 141)
I agree Madam Bones, Harry is impressive and is Voldemort's equal magically. Harry isn't just Expelliarmos. he's clever and talented and very magically capable with every spell he tries his hand in.
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thewriteblrlibrary · 9 months
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A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).
~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~
Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.
Or we just want to see people ugly cry over our writing.
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Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)
And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)
Step One: Characters
Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.
For this step, you shall create characters that would love your story.
And here's some great news: You've already done this.
Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.
Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)
I'll do it for my story (the Land of the Fallen Fairies) down below:
Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.
Great! Now it's time to find these characters.
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Step Two: Setting.
(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)
Where do the characters live?
In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.
(You can do this for each character or for all the characters at once.)
For example:
Anuli-like -
interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)
Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.
Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.
Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.
#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.
Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.
Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.
I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.
Congrats! Now you know where your characters live!
Step Three: the scary part
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Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.
And now... we talk to them. about our stories. You can do it. I believe in you.
This called 'pitching your product' in marketing spheres. But you can be informal about it.
I know it can be difficult to talk about your work, so here's a tone to have:
'I made this thing I like and I think you'll like it too'.
What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):
Hi [name],
[Genuine compliment]
[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.
For my story, I might say something like.
I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.
(That's probably a bit long and I can trim it down a bit.)
You can phrase it like a gift if you want too.]
[Call to action.
'If you like it, I'd appreciate a mention on your [platform].
I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]
If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.
The template:
title
genre
blurb
Author
where to find the book
Bonus points if you have an additional, physical thing to send them.
Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)
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The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.
It's basically a bunch of people talking about something they like!
AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)
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From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)
preorder goals
charity goals
Arg's and puzzles
fund with side plushies and trinkets
Book blog tour
book boxes
as many memes as you can make
rewards (like bookmarks or posters or smth) that people can get for supporting
Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.
Okay dear storyteller! Now go forth and share your story with the world!
Additional resources:
Creative Hive <-- a youtube channel that goes through the pitching process.
This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.
One of the best marketing channels on the internet (the videos are actually entertianing to watch.
Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.
Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.
Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.
427 notes · View notes
ineffable-suffering · 11 months
Text
The Jane Austen Ball and why it was never about Nina and Maggie
Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley
Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.
So, here we go! Snuggle up, get cozy, settle in and, most importantly:
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(Word count: 3.177 | Reading time: ~13 minutes)
As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.
When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.
Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.
Ergo:
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✨This✨
Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!
Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.
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Fhwack! Way to burst the rosy bubble.
Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.
Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...
... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:
Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."
At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)
Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!
And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).
But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.
Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)
This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.
So, riddle me this:
Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?
To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–
No.
He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.
During one car ride.
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Where's the party planner Aziraphale AU? I'm waiting!
Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.
Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?
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Talk about over the top ...
Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?
These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.
Oh, right, speaking of books:
Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:
Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...
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... he has to take some more drastic measurements. And those are?
That's right: Giving away his books.
I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.
Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?
Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.
And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.
Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):
Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."
Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!
And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.
You know for whom Aziraphale would give away his books in the blink of an eye, though?
Mhm, that's right.
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This pretty old serpent.
I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:
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You ... you need a minute there, angel? You're sure looking a little ... affected.
And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.
I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.
As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.
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... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?
"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.
Marvellous!
You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and
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However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:
"Have you thought of just talking to him?"
Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?
'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?
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Bish, bash, bosh, problem solved!
Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)
On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.
Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?
Well. Well.
The answer's in the title, babes.
Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!
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Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.
And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?
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Oh, bless it, angel.
He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"
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Ah yes, there he is.
Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.
Oh, yes, right. The dancing.
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Parallel much?
But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).
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And once again, fhwack:
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... the rosy bubble bursts.
Let's take one more deep breath so I can make my final point:
In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.
During his car journey back from Edinburgh, Aziraphale:
doesn't know Crowley's Mission Lovebirds had failed
remembers 1941 and just how badly he's in love with Crowley
and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)
So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:
“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”
The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.
And oh, if only it were as easy as in the books.
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*whispers* I'm sorry, I had to.
***
Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!
Au revoir! 💗
573 notes · View notes
daisyvisions · 11 months
Text
✦ Day 19 - Face F*cking
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‧⋆ ✧˚₊‧⋆. Pairing: academic rival!Changmin x afab!reader
‧⋆ ✧˚₊‧⋆. Word Count: 1.8K
‧⋆ ✧˚₊‧⋆. Warnings: Smut (18+, minors DNI), will consider this a dark fic, face fucking, blowjob, blackmail (sexual favor - don't read if triggering) , mean!changmin, slight fingering and mentions of it, slight handjob and ball massaging, dacryphilia?, some graphic descriptions, names used (sweetheart, whore, slut, good girl - wow that's the whole quad), a bunch of swearing, reader is basically being used here, let me know if I missed any more! Proofread once, will edit later if needed.
‧⋆ ✧˚₊‧⋆. A/N: Did not expect how this one turned out if I’m completely honest, but here you go! This was fun to write, different tone than what I usually do! Fun fact, story was based on this little Tumblr game I did long time ago.
‧⋆ ✧˚₊‧⋆. Network: @deoboyznet
✦ Kinktober Masterlist ✦
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“Love me or hate me, both are in my favour.”
A picture quote you mindlessly scrolled pass as you were on your phone taking a break from a paper that was due at midnight. It’s not that you procrastinated this specific essay. In fact, you could even do it in your sleep. That’s just how fast your brilliant brain works.
Today just seemed like any other normal day. Wake up, go to school, come back home, the usual routine. Nothing out of the ordinary at all. But not even your brain could conjure up the events that were about to unfold in three… two… one…
Ding dong.
You looked up from your phone, eyebrows knitting together in confusion from the sound of your front door ringing. Who could it possibly be? You didn’t plan any hangouts with friends nor did you order any takeout for dinner. You think for a moment to check if you had any deliveries coming in-
Ding dong.
You got up from your chair and placed your phone down on the desk to answer the door. As soon as you swing it open your eyes slowly look up to meet another pair of eyes you were definitely not expecting to see at all.
His figure leaning against the doorframe like the men you read in your books. But only this time, you wanted to punch him.
“Hey sweetheart. Missed me?” He smirks down at you.
“Changmin? What the hell are you doing here?” You question.
“I could ask myself the same thing-” He suddenly walks into your hallway uninvited. You scoff at his rudeness (not that you were surprised, he’s always like this with you anyway.)
“Cozy-” His eyes survey the room. “-didn’t expect you to live in a place like this especially with that icy attitude of yours.” He turns his heel to face you, you roll your eyes as you close the door and walk towards him, meeting in the middle of your living room.
“Why the fuck are you here?”
“No need to get aggressive, just here to collect that favor you owe me.”
“Favor? I don't owe you any favors what the hell are you talking about?” Your patience wearing thin as his words dance around you instead of getting straight to the point.
“Oh… you don't remember?” His eyes gleam with a hint of mischief. “Let me refresh your memory then-” He turns his back to you as he walks towards the couch and plops himself down, instantly manspreading and getting comfy as if were his own home.
“If I can remember correctly, you owe me a favor from helping ward off that jackass during Younghoon’s party. Grabbing my arm and pretending I was your boyfriend so that he could fuck off. Ringing any bells?”
“Yeah, and I thanked you for it-”
“No no no. You didn’t thank me.” He interrupts you. “You said ‘Never doing this again but I owe you one.’”
“That counts as a thank you-”
“C’mon now sweetheart. You’re smarter than that.” His black orbs staring you down, slowly making you feel unsettled. He suddenly gets up from his seat and walks towards you like a predator, slowly walking you backwards until your back hits the wall.
“Enough stalling. I’m here to cash in my favor now.” His hand resting at the side of your head.
“W-what did you have in mind?” Your voice slightly shaking. His other hands lifts to hold your chin before the corner of his lips slowly curl upward.
“On your knees…”
“I’m sorry?” Your eyes widen. Did he just-
“Are we speaking two languages? On your knees. Or else…”
“Or else what?” You try to play it cool and hide the fear coursing through your veins.
Suddenly, Changmin pulls out his phone, plays the video in his gallery, and shows it to you. You were like a deer caught in the headlights as soon as you saw the figure moving through the tiny screen. Said figure was moaning and playing with themselves like some kind of homemade porn.
It was you. It was a video of you touching yourself.
“Give that to me!” You try to reach for his phone, but Changmin already anticipated your moves by holding the phone high up beyond your reach.
“Nuh-uh. I didn't say you could touch my phone now did I?”
“Where the fuck did you get that?” Panic and anger radiating from your body.
“I have my ways.” He smiled at you as if he surprised a friend at their birthday. But this was not a gift at all.
“That was for my ex’s eyes only. How. Did. You. Get. It?” You attempt to reach for phone once again.
“Well, he's not the smartest of the bunch. Seriously you dated that idiot? Expected more from you.” He says with a disappointed tone.
“Changmin this isn’t funny. Delete that NOW!” You demand him.
“No can do sweetheart. Grant me my favor and I’ll consider. If you don’t, this hot as fuck video will be played in the auditorium for everyone to see. How will the whole school think of their precious little valedictorian now?”
As you look into his eyes, you could already tell he’s not playing around. You would know this, you see that look every time he would try to win against you. And you can’t put your whole reputation down the line. Not like this.
You gulp down the saliva in your throat and let out probably the biggest sigh of defeat you’ve ever uttered your life. You pulled the hair tie out that was on your wrist and hastily tied your hair as you sink down to your knees, looking up at him with the face of disgust.
“Such a good girl. Was that so hard?” He coos at you. “Now, get to it before I change my mind.”
You hesitate for a moment before you reach out your hand to touch his bulge. Your eyes widen in surprise and confusion as soon as you touch his already hard member.
“But you’re alrea-”
“What? You think I didn’t already touch myself watching your video?” He says this like it’s common knowledge. “Needed something to work with. And trust me, it fucking worked.” He smirked down at you.
“You’re disgusting.” You grimace at him.
“And you’re taking way too slow.” Changmin unbuckles his pants and instantly pulls out his cock from his boxers.
If anyone told you your rival’s dick was rock hard right in front of your face, you would’ve vomited. But here you are, in this exact scenario. His cock flushed pink with a hot mushroom tip oozing out with what you probably thought was the most delicious pearls of precum you’ve ever seen.
“If you want this done quick, you better listen to what I say got it?” He raises his eyebrow. You nod your head in response.
“Good. Now kiss it.” You immediately hold his length in your hand and close your eyes before giving the tip a light peck, already tasting him on your lips. You give another peck to his tip before kissing the under side of his cock. Planting each kiss gently but firm at the same time.
“Fuck that’s it. Keep kissing my cock.” Changmin hisses at the feeling of your soft lips. His hand resting on the wall the balance himself. He groans suddenly when he feels your other hand massaging his balls as you continue to leave hot kisses on him.
“You’re such a little tease you know that? That’s what I’ve always liked about you. Getting me so riled up all the time just wanna fuck the brat out of you.” He mumbles as he watches you.
You’re not gonna lie, hearing him dirty talk like that sends your core throbbing like a bitch in heat. You keep kissing his cock until you’re suddenly licking it, practically making out with it at this point.
And somehow you don’t even realize that you’ve stopped massaging his balls just to snake your hand under your skirt to rub little circles on your sensitive clit, trying to relieve the ache down there.
This action doesn’t go unnoticed by Changmin however, making him smile from ear to ear at the sight beneath him.
“Touching yourself now are we? You were always a selfish one.” He tuts.
“But that’s alright. I’ll allow it. Just thank me. Say it-”
You pause kissing his member to look up at him with a raised eyebrow, replacing it with your hand jerking him off.
“What?” You slightly tilt your head to the side
“Go ahead sweetheart…Thank me.” He holds your face with his free hand and places the pad of his thumb on your bottom lip.
“Thank me. Like the dirty little whore you are.” You scoff. Of all things, he’s still looking for that? His eyes go wide at your response.
“No? Rather take my cock instead of saying two simple words?” He pulls your bottom lip with his fingers, making you whimper from the slight tug.
“If you aren’t gonna thank me, then might as well treat you like a fucking slut.” As soon as Changmin says this he swats your hand away from his cock and grabs it firmly and squeezes your cheeks to open your mouth with is other hand and shoves his whole length inside.
Before you even have the time to process what’s going on, both his hands are grabbing your face as he fucks himself in your mouth.
Gluck gluck gluck.
That’s all the sounds you can hear ringing in your ears as Changmin groans in pleasure. He fucks your mouth with raw aggression, you’re sure your throat’s gonna bruise after this from how his whole length goes in and out. He’s bigger than you anticipated, making you slightly gag as small tears from fall from your eyes.
“You’re so pretty when you cry, especially when you’re like this.” He continues to fuck himself into your mouth. The way he manhandles your face as he quickens his thrusts has you getting wetter by the second.
And without warning he instantly shoots his hot load down your throat as his hips stutter. Swallowing the warm salty liquid as it infiltrates your taste buds… and it’s intoxicating.
You cough out and try to catch your breath as he pulls his cock out of your mouth, tucking it back inside his pants before letting out a sigh of relief.
“Such a good girl.” He looks down at you with a post orgasm haze in his eyes before zipping his pants up and walking towards the front door. Your eyebrows knit in confusion.
“W-where are you going?” Your raspy voice calls out to him.
“You didn't think I was gonna stay did you?” He turns the knob and pulls the door open.
Before he sets a foot out of the door he looks back at you over his shoulder and smiles one last time,
“You really should've just said ‘thank you’ instead…”
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willescrisis · 6 months
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Wille's Crisis : an essay about Kris (1934) and Young Royals (2021)
While watching Young Royals’ third season, I couldn’t get Karin Boye’s novel Kris out of my head.  As a fan of Young Royals that feels very chill and very normal about it, I have hence written a five page brain-dump on how Malin Forst and Wilhelm’s characters and worlds are intertwined.  (Small disclamers : I’m quoting Amanda Doxtater’s 2020 english translation of the novel and I’m french-canadian, so english is my second language.)
Who is Karin Boye ? 
Karin Boye (1900-1940) was a leading figure in Swedish modernist literature and poetry. In 1920, at the age of 20, she studied one year in Stockholm to become a primary school teacher and after graduation, continued teaching, writing, militant engagement and several years of study in related fields. Among all of her works, the most explicitly autobiographical is her autofictive novel Kris (1934).  This powerful novel explores the homosexuality and crisis of religious faith of a young woman named Malin Forst.
Malin Forst & Wilhelm
During her studies in teaching, Karin’s 20-years-old alter-ego Malin goes through an existential crisis. She feels completely paralyzed by her guilt due to her selfish inaction in the face of universal suffering, her lack of trust in institutions (educational, medical, etc.) and, worst of all, her doubts about her relationship with God. Kris also deals with Malin’s relationship to her own sexuality with the meeting of a classmate, Siv, to whom she will become passionately obsessed without ever talking to her.
We meet 16-years-old Wilhelm as a first year student at Hillerska. His failures as a royal figure and his complicated relationships to his loved ones make him feel powerless and guilty. He is thrown off balance by his doubts of the monarchic system, but most importantly, by his doubts of his life’s role model, Erik. Young Royals also deals with Wilhelm’s relationship to his own sexuality with the meeting of a classmate, Simon… Are we seeing the parallels here ?
While Malin’s torments lead her to shut down, Wilhelm screams. But both feel paralysed and don’t know how to exist out of the system they grew up in. And it’s the meeting of a same-sex student that leads them to a freer path.
« I want to see Siv. I want to be where Siv is. » 
Previously, Malin considered the fusion of the will of the human with the will of God to be the most important of aspirations. Without this reference point, she has no will nor desire… until she meets another student, Siv. Her simple presence rekindles for the first time in the novel a desire, burning and forbidden: “I want to see Siv. I want to be where Siv is.” … And here is how this whole essay has come to exist. While watching season three, I joked endearingly with my friends about the way that Wille’s only hobby is to be with Simon, but I felt sad for him. Until I understood he’s on the first part of his self-discovery journey. His first true desire that stems from inside of him and wasn’t imposed by the system is “I want to see Simon. I want to be where Simon is.” 
Interestingly enough, Siv and Simon both become a new manifestation of something that Malin and Wilhelm have lost. We, the reader, meet Malin when she is ‘grieving’ her old relationship to God and deconstructing her understanding of God as a single entity. Amazed by Siv’s ‘perfection’, Malin raises her to a kind of divine position with great powers.  Wilhelm, for his part, feels at home with Simon because of the way he makes Wilhelm’s entire being comes alive, weightless and playful… A feeling of joy, innocence and safety he’s only ever felt with Erik before. 
Anxious and desperate, Malin and Wilhelm are latching to their comfort person, making them their whole word in a way that has to change for them to grow up. After realizing Siv’s feeling for a fellow male classmate, Malin is shaken : “Only now could she see that she had embarken upon the false path of mistaking a person for what is highest and most beautiful.” Not only does this quote mirror Wilhelm letting go of his idealised conception of Erik, it is also mirrorring his realisation that Simon is not a perfectly stable and unbreakable anchor on which he can blindly rely on : “I have to take responsibilities for my own problem. I can’t drag him down with me.”
Don’t give it a name
An important part of Malin’s journey is relinquishing the power she gives to words, especially regarding God and her sexuality.  Throughout the novel, she refuses to name the emotion she feels for Siv. On the day of her meeting with Siv, Malin thinks:   “You, lips, I implore you to clamp so hard upon the unsayable, that not a word slips out to assert its malicious pettiness and obfuscation ! Be still, thoughts, don’t interrupt, for you have no idea what this is ! (...) Don’t give it a name, let it be just as it is, here in my blood and my eyes, life and sap ! The wonder of new creation need not be named.” 
Wilhelm’s complicated relationship to words is shown in the way that he shouts his love for Simon from every rooftop, but does not wish to label his sexual orientation. In season three, he says the word queer for the first time and his voice is seeped with discomfort. He is not claiming this word as part of his identity and rather feels constricted by it, probably in the same way that every other label put on him has made him suffocate.
Furthermore, both Malin and Wilhelm wish to express themselves and experience the world, not through the restrictive lens of language, but through the sensory world. In Kris, after seeing Siv for the first time, Malin’s five senses awaken. A dialogue takes place between the sense of sight and hearing, reminding me of the way that Wilhelm and Simon’s intimacy is developped through the gentle touch of noses, the sounds of breathing, the glow of golden light and fingers lingering slightly above the other’s body… ‘Sight’ says “I’m confused. I no longer know whether I am sight or not. I envelop things and follow them as if I were touch, I hold my breath in quiet anticipation as if I were hearing, I breathe in, like one intoxicated, as if I were smell, and I drink in long, deep, draughts as if I were taste. (...) Could I be standing at threshold of some new creation ?” To which ‘hearing’ responds “ (...) Admit it - isn’t  revelation through the senses at the same time the revelation of what lies beyond the senses, of what creates the senses, of the limitless feelings of eternal love ? (...)” 
Checkmate
Kris’s narration drastically changes points of view in unexpected moments, moving from the pov of human characters to the pov of abstract entities. The two most important are BLACK and WHITE, two sources of cosmic powers playing a chess game whose game board is humanity. 
On the one hand, WHITE represents the norm, also illustrated by threats from nature such as stormy and dangerous waters, cold, humidity and darkness, but also under the traits of the dominant society, whose rules and norms protect human beings while maintaining them in a position of submission and obedience.  WHITE uses the anxious desire of his pawns (humans) as a weapon to subject them to the norm. And at first, Wille is WHITE’s perfect pawn : an anxious mess who becomes more and more obediant as season three progresses and whose ‘protectors’ are also the ones leading to his demise. Little (most likely accidental) nods to that parralel : Wille looses to Alexander while playing the white pieces in season two and interrupts his conversation with Simon to scream “The water is cold today !” at his guards on their first date.
One the other hand, BLACK is a chaotic power of life associated with desire, burning fire and passion destabilizing the established order. In the context of Kris, the norm is heterosexuality, while fire is the forbidden desire: homosexuality.  This parallel is evident when Malin describes in this way the physical sensations caused by Siv’s sight: “There was no holy, burning voice within her. All that burned within her was a thirst for the forbidden after a single look cast in that direction”  And based on that, I absolutely refuse to believe that Lisa put the hallway scene after a BONFIRE by accident. 
I also don’t think the placement of the chess game during August’s confession to his friends is a coincidence. First, the board is oriented in a way where August sits at the junction between the black and white pieces, showcasing how the character is in a crucial moment in his journey : will he stay in WHITE’s cruches for ever or will he find the strenght to save himself ? And second, August puts a black king on the edge of the table. Not only does it foreshadow that Kronprins Wille is on his way out, it also indicates that it was a rebel and homosexual ‘power’ that guided him in his quest for self-determination, just as it was for Malin Forst. 
I natt gick Gud under or how to make the lake scene destroy me even more
The poem in prose I natt gick Gud under (Last night God succumbed) stands out from the other chapters of the novel Kris, as it recounts the most decisive transformation of the main character Malin Forst.  BLACK places Malin naked and at peace on the shore of a sea where she throws the words she denies. Finally at a safe distance from WHITE’s icy waters, she liberates herself from her paralysis to embrace her true feelings.
Last night God succumbed. 
Perhaps it was just the hollow shell of name that went under.
But that shell of a name drew with it the power of death. I cast it off. 
I see objects as they are, unwitting of the name attributed to them. I cast off their names. 
I stand utterly new, on the shore of a sea. Conscience is no longer mine. I cast it off.
The will to life has made me naked. The will to life has made me see. I shall meet whatever comes with naked, open eyes. 
Lisa describes the lake scene as almost religious. As he’s swimming naked in the lake, Wilhelm is shedding his crown prince shell. Leaving the waters, he is reborn.  When he is standing on the shore of the lake in his white clothes, Lisa says “that is when Wilhelm grows up.”  And for me, he’s ready to meet whatever comes with naked, open eyes. 
Thank you ! Thank you to whoever read this far. Kris is a very complex book that, despite having read twice, I still don’t fully understand, so if you have anything new to add to this reflection, you are welcome to do so !
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loveinhawkins · 1 year
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Up until recent events, Eddie hasn’t really put much thought into flashlights—save for that time he had to take out the batteries in the T.V remote to get his to work, back when the power went wonky last summer.
But now? Oh, as soon as he’s through with this whole nightmare, Eddie’s gonna find out whichever saint invented the damn things and start a petition to get them a federal holiday. That’s gonna be his whole… raisin something, something—he thinks it’s French, Buckley will know.
Fucking wondrous creations.
… Okay, he might still be a little jittery.
So sue him. It’s either run with his increasingly stupid train of thought or have a thoroughly justified panic about—well, there’s just so much to choose from: the ash in the air, the apparently sentient vines on the ground, how it’s so fucking cold and dark—
Jesus H. Christ, calm down.
It’s not all that dark anyway—or at least, it’s not as dark as it could be. Steve’s lighting the way, flashlight in hand. Honestly, Eddie thinks he should get it preserved, like in one of those glass cabinets in museums, complete with a plaque: This bulb somehow survived a journey from the depths of a lake into an alternate dimension, and all for the low, low price of…
Well, Eddie doesn’t know how much it cost. He’ll workshop the whole plaque thing.
In his reverie, he stumbles carelessly, nearly pitching over right into Hive Mind territory.
“Ah, shit,” he whispers.
Steve’s hand must move because the light drifts over—ends up illuminating much more of Eddie’s path than Steve’s.
“Thanks,” Eddie says—glances sideways to find Steve already looking at him.
“Think I’m the one who should be thanking you,” Steve replies.
His hand flexes, as if he’d gone to twirl the flashlight before catching himself; Eddie has a very faint memory of Steve doing the same with pencils in class and fights a private smile.
“You gave me it,” Steve continues. “I would’ve just… gone right in without thinking.”
It’s said self-deprecatingly, but Eddie would argue that Steve’s impulsivity (his courage) is an admirable character trait, even if it sets his heart pounding.
His own problem is that he thinks too damn much, until the window of opportunity has almost been and gone.
He was the only one to hesitate before diving into the lake: he knows all too well how that could’ve made its way onto the increasingly long list of moments that haunt him.
He could’ve been too late, could’ve not found the Gate at all—and then, would only have been able to pathetically swim back to the kids and tell them that their heroes were gone.
The light skips onwards just a little, encourages Eddie to look up from his feet. He blinks a few times to try and adjust to the darkness looming ahead. There, the indistinct outline of trees, and he’s drawn back to a classroom again, to the soporific noise of chalk on a blackboard, to…
The woods are lovely, dark and deep.
“The hell is that from?” Eddie wonders, and he doesn’t realise he’s also said the quote aloud until Steve speaks.
“S’a poem. Robert Frost.”
Eddie clicks his fingers. “See, that’s why you actually passed English.”
Steve rocks his hand back and forth, so-so.
Eddie raises an eyebrow. “Don’t play coy now, Harrington.”
“I’m not, I passed by the skin of my teeth, dude.” Steve looks into the distance as he walks, like he’s being drawn back to some place, too. “I was meant to, um, submit a portfolio thing, and I just… didn’t.”
“Like stories and shit?”
Steve smiles. “Mm-hmm, and shit. Poems, too.”
“So why didn’t you…?”
Steve just shrugs in reply so Eddie changes tack—rolls his eyes expansively, but only at himself.
“Fucking Frost. Ugh, why can I remember that shit now, but when a paper’s in front of me, it’s just…” Eddie mimes an explosion in the back of his head, gone.
“Well,” Steve says, chuckling, “if the, uh, lovely atmosphere of this place jogs your memory, we’ll make some time, get you to write an essay.” He grins at Eddie, teasing and charming in equal measure. “We’re nothing if not productive.”
“Sure, that’s one word for it.”
Joking aside, Eddie finds that the mention of school calms his heart somewhat: to think of the foreboding sights around him as part of a story. Maybe it’s a control thing, like his campaigns. Dress shit up, put a film on top, then you don’t have to look at it directly.
He suggests as such to Steve in a longwinded ramble, and gets a thoughtful look in response.
“Like the Shire? And Mordor?”
“Yeah,” Eddie says. “Yeah, exactly.”
Steve nods slightly. The movement dislodges some particles in his hair—and yes, it helps, Eddie thinks, to believe it’s just freshly fallen snow.
“Yeah, that sorta never really worked for me?” Steve’s voice goes up at the end, almost apologetically, although for the life of him, Eddie can’t work out what he’s apologising for. “Like, when the kids ran with all the D&D stuff, the uh… analogy? Metaphor?”
Eddie gestures at himself with one hand, I failed English.
Steve laughs. “Yeah, whatever. Dustin and Lucas keep hashing that one out. Anyway, it didn’t exactly… help. Help me, I mean. Just made everything more…”
He sighs heavily.
Eddie thinks he understands. All his bullshit is just a veneer, after all: it doesn’t truly mask the fear.
“Hey, maybe you could give it a shot,” Steve adds. The light dances for a second, like he’s just barely resisted twirling the flashlight again.
“What?”
Steve smirks—juvenile, light-hearted, almost like he’s about to challenge Eddie at the school gym, like, bet you can’t make that shot from center court, Munson.
“You could write a poem. Make sense of…” Steve gestures around them.
“Harrington, as I keep reminding you, I failed English.”
“Yeah, so? I’ve heard Henderson go on about your campaigns, dude, s’not like they come from nothing.” Steve looks Eddie up and down in exaggerated scrutiny. “You look like the kinda guy who loves a theme.”
“Oh, really,” Eddie says flatly. He can’t hide his smile even if he tried.
“That’s what I thought, every time you’d come into class late: oh, here he is. The symbolism.”
“Jesus Christ, Harrington, shut up.” Eddie steps into Steve’s space just to shove him away (just to touch). He thinks that if he were to try his hand at poetry, it’d be horrendously self-indulgent—something about how he might not be the one holding a flashlight right now, but he’s certainly carrying a torch.
“I don’t work for free, Steve. You’ve gotta do one, too.”
“A poem for a poem, huh?” Steve says. “Sure. It’s a deal.”
And yeah, they might just be saying anything to pass the time. But Eddie chooses to believe otherwise; there’s still a pensive flicker in Steve’s eyes that makes him think he might just get lucky, that Steve might even dig up some old stuff from his abandoned portfolio.
It’s a nice thought—something to look forward to, at the end of all this.
He considers Steve, and even though he knows it’s not snow, he can’t help but turn the particles into flakes in his mind again, into something prettier, safe—almost as if Steve’s presence has softened the danger.
He wants to stop here, suddenly. Linger. It doesn’t make sense. But it feels like time is…
A gentle nudge—a warm elbow to his side.
“C’mon, daydreamer,” Steve says. “You can write down whatever you’re thinking later.”
Eddie snaps out of it with a breath of a chuckle, follows Steve’s light again. Keeps moving forward—past the ash, and the vines, and the trees.
The woods won’t be forever.
After all, he’s got promises to keep.
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