#writing essays abt how what they’re going through is important

[nunyverse-scribe]

Perhaps if I started writing again I wouldn’t want to kill myself as much as I do right now

[scmsdivinecultists]

What your fave SCM god says about you

I read one psychology article and now I’m all knowing. Hope at least one of these points apply to you simps

If your favourite is Leon, you are one of the following:

Youngest child

Outcast or the “popular” kid

Daddy issues

Your childhood dream was either to be royalty or be rich

You hyperfixate to many things

You might say ur not charismatic but you’ve had at least more than 1 person you rejected a love confession to

“You’re wrong, I’m right, shut up.”

You don’t fall in love easily but once you do, you fall hard

You like smug bastards or you have a bondage fantasy

Your favourite voltage game is one of the following: Kissed by the Baddest Bidder, Court of Darkness, Masquerade’s Kiss, or Kings of Paradise

You have fairy lights in your room filled with pictures or posters

You had a massive friend group but at least 5 people have left from then to now

You cling onto memories like they’re a lifeline

You have the latest phone or more than 3 leisure electronics

If your favourite is Scorpio:

You can’t be any taller than 5′6

You probably listen to bands and can’t go anywhere without your headphones

Really creative

Your favourite Shakespeare play was Hamlet or Macbeth

Have had or is going through an emo phase

Hates writing essays

Have 3 best friends max

You have definitely bought albums, posters, or merch of your faves

ur probably a weeb

you’ve broken a bone or you’re very knowledgeable in the medical field/how to harm the human body for some reason

dark humour is the best humour

Your friends are very concerned for you because of said humour

You like watching people play Monopoly bc of the chaos

into so many fandoms that you know the lore of your faves more than you know the material you learn at school

If your favourite is Teorus:

You are an only or youngest child

Spoiled

Daddy/Mommy issues

Abandonment issues

You feel like you fade into the background/don’t contribute much to the group

You feel like you are often forgotten

You’re close with your cousins

You probably have a pet

Taylor Swift or 1D for life

Have definitely threatened to kill or beat someone up despite you intimidating no one

You want to play an important role but you are so not the leader type

You like Ouran Host Club

You like the outdoors

You probably like To All The Boys I’ve Loved Before

Your favourite disney princess is Rapunzel or Cinderella

If your favourite is Huedhaut:

You are definitely a romantic

You’re not an air sign (Gemini, Aquarius, or Libra)

You’re a moron or you make bad decisions and Hue is there to help balance that out

Chances are you read more fanfic than actual books

Your system is 70% caffeine

For some reason you have lots of random trivia

Have you considered therapy for your suppressed trauma?

Dungeons and Dragons fan

You’re really into alcohol or you despise it

Loyalty is the trait you admire most

You want to feel like a sassy and classy bitch but you gave up after 2 days

Your favourite ship trope is enemies to lovers or slow burn

A lot of pent up angst but you hide it 

you put other people > yourself bc you don’t want them to make the same mistakes you did

Why do you have so many memes saved?

Why do you have reaction pictures for everything?

If your favourite is Dui:

You’re probably not into guys

FAKE IT TILL YOU MAKE IT

Either you’re a precious sunshine child or you are the most fucked up human in your friend circle

You have a choking kink

You either take sides in fights or you’re the middle ground

You make lots of threats but no one is acc taking them seriously

You probably are a massive manipulator

You’re psychotic and have violent tendencies 

Your best friend lives far away from you/ you have an internet friend that gets you more than your IRL ones

You say honesty is the best policy but you lie the most

Everyone comes to you for advice but you think you’re the most mentally unstable

You have identity issues and u change ur mind all the time 

Whatever you were as a kid, you’re probably the opposite of that now

If your favourite is Ichthys:

You are attached to the characters with the most trauma

You must not be a clean freak or your room is equally as messy as Ikky’s

Oldest or middle child (either way u have siblings) 

Never got to go to an amusement park as a kid 

Want attention/didn't get enough attention as a kid

You want Ichthys’ parents to adopt u bc they are the family stability you crave

Unresolved trauma and definitely not mentally stable 

You liked dinosaurs as a kid

You had pet fish as a kid and they all died bc you overfed them

Using anything else to escape ur reality 

Cartoons > real life actors

Probably hate seafood or afraid of the sea (ironic as it is)

Nostalgia is your best friend

Hurt/Comfort is your favourite AO3 tag

You collect random shit or you have a memory box

You are the reason child leashes were invented

You got into real dangerous situations as a kid and you’re wondering how you lived through that

Your comfort characters all got it the worst or are dead

If your favourite is Zyglavis:

How are those high expectations treatin ya? 

You either want to get into medical, sciences, or law

When you were younger you got enrolled in extra classes (swimming, piano, ballet, etc)

Your parents encouraged creativity until you got older and they told you to choose a more “realistic” goal

Good grades = everything and you’ll pull all-nighters to finish tasks or assignments

Former gifted student 

The actual smart kid in class 

YOU HAVE SELF ESTEEM/CONFIDENCE ISSUES

80s are not good enough for you or your parents

Overachiever for any reason 

Sleep? What is sleep?

A dom or a brat

You have strict parents or you have had pretty loose rules growing up

You had a lot of friends in grade school and now you have like 4 friends

You are no longer human, you’re just a walking husk of stress

If your favourite is Krioff:

You want to fuck one of Krioff’s family members

You have siblings

A pyromaniac or deathly afraid of fire

Commitment issues

You watch or ur a sports fan

You own an iPhone 6

You’ve ate forbidden items or you’ve thought about it (the fish tank pebbles, erasers, glass, slime, etc)

Everyone thinks you’re the awkward kid but no you’re just shy

You actually like the ocean waves

Once people get to know you, they got a whole thing coming for them

You either suck at driving or can’t drive

A great listener but you don’t feel like you give good advice

Conflict is a no no for you

You definitely had a glow up

You’ve befriended the seniors growing up

You either don’t like kids or you love them

You have a sweet tooth and everyone questions how you are not diabetic with the amount of sweets you’ve consumed

If your favourite is Aigonorus:

You’re either an insomniac or a hypersomniac. Whichever one, you don’t know how much sleep is enough sleep

You’re probably a sub

Commitment or abandonment issues

Desperate for validation and appreciation

touch/love/attention starved

You have a stuffed animal collection or you still have those childhood stuffed animals

You love the idea of love but you are not ready to deal with breakups

You wish you didn’t care but you care too much

Your aesthetic is cutecore

Probably into maid cat boys

Studio Ghibli or Sanrio stan

Comfort > style anyday

You only own sneakers nothing else

If your favourite is Partheno:

You’re definitely not into just guys 

You’re a drama kid and you are here for the tea whether it involves you or not

you have the receipts for everything

You were the one kid that played “family” or “house” every recess

no one knows where you get all your cute shit but it serves

have been suspected of witchcraft or considered the dark arts

Stole makeup from your fam as a kid and played with it

HIDE THE TRAUMA. HIDE THE PAST.

You already have a senior quote picked out

You’re either really horny or you just want to cry over how much you love so and so

“Why do men-”

You really want to own that Partheno doll in that one CG

Your most used social media app is Instagram or Snapchat

Your favourite demon brother from Obey Me is most likely Asmodeus 

If your favourite is Tauxolouve:

Your favourite KBTBB guy is either Baba or Mamo

You’re into music or theatre

Your ideal date is to go to an opera or a museum

You say you like/dislike something but end up changing ur mind later or when you try it out

In your opinion, the music nowadays is just not it

You recently found a receipt from Walmart for something you bought 5 months ago

Anniversaries are important

When making decisions, you pick the worst possible one

Your most expensive clothing items are your shoes or jewelry

You wish you could attend a ball and marry into royalty, like Cinderella

You like the idea of soulmates or string of fate 

Obviously or secretly insecure/self deprecating but you’ll raise all hell if your loved ones talk shit abt themselves

You want your partner to propose first

You like the underrated characters or your favourite characters are unappreciated

If your favourite is Karno you are:

You have childhood trauma, some of you are just not aware of it

You’re the parent of the group

You enjoy ships that have a mom/dad dynamic

Either you’re banned from the kitchen or you’re the one banning people from the kitchen

You were threated with the slipper or you threaten with the slipper

As a kid, you enjoyed Dora or Ni Hao Kai Lan

Your favourite trope is the found family trope

Either you’re an example to your family or you keep getting compared to other kids

An angel around the family but a chaotic bastard with others

You’re probably into some really kinky shit

You like Dangonronpa

Spiritual or religious

Probably had an imaginary friend 

You decided you were gonna turn your life around after reading/watching something and went back to the hot mess you were in 3 days

[hyrule-kingdom-updates]

writing question: how do you structure each arc esp in terms of the grand story? i’ve tried to write big fics before but despite my dramatic plans for the beginning and end, i only have overarching ideas for in between with no clue abt the nitty gritty. how do you turn “x should develop across the story”, “y should be foreshadowed early on” etc. into a proper series of events?

BIG SPOILERS FOR HKU UNDER THE CUT

Ok so first, pretend you are writing the shortest fic in existence. That way, you lay out ONLY the most essential features of your main plot.

Then lay out ONLY the essential details that connect these important plot points

That’s pretty much the basics of what you need to figure out before you start anything else. If you don't have that figured out yet, work on that before anything else.

So the inbetween stuff is basically how you keep the audience intrigued between these parts of the story. You can use different plot points or "twists" to create a system of highs and lows, like a wave. That way, the story is dynamic, people are interest, and it's not boring.

It’s not about being unpredictable, but you just gotta go through trial and error with finding out where to place what details when, so that you can have adequate pay off. 

Generally the rule of thumb is, the bigger the ultimate reveal, the earlier on you should lay clues and foreshadowing. Obviously try not to do it to a point where it’s too obvious, as the tool of a plot twist is mainly to get the reaction of “I SHOULD have seen that coming, but I didn’t!” instead of “I would NEVER have seen that coming!”

If you got all that, just place it in your brain for later as we add more to our little diagram.

So let’s structure where we place our “plot twists” and important beats. These have to be essential to connect your bigger plot, or developing one of your character, otherwise they’re just useless and you should cut it. I’m gonna start with the stuff that affects the plot. (Again, trying to be as simplistic as possible.)

So these beats in the story are essential to connect the main plot points, if you take them out, it doesn’t make sense. The specific cosequences for these “plot twist” are the connective glue that you wrote down earlier. For example, the consequence of Siv protecting Zelda is him solidifying his trust and love for her in that moment, thus his relationship with her develops him into a caring protagonist. The consequence of Zavis being revealed as a spy is Siv starting to question the relationships he’s made, and they start to break down over time. The consequence of the fourth tie being revealed is that it leaves the only intact and ultimately consistent relationship in Siv’s life to be Calamity canon.

Also you might notice that I redaced one of the plot twists for spoilers. BUT, I think this is a good moment to point out that you don’t necessarily need to reveal the information that your characters learn as they happen, because I think setting up forshadowing for the twist itself AFTER it happens can be pretty interesting. The reader knows that something has happened, but now the mystery of exactly WHAT it was can drive the plot further. Anyways.

You have these point, and now you have to figure out what to put inbetween. Again, you have to create highs and lows, and general your twists are your highs (points of extreme action and tension for the reader), so now we establish your lows (points of comedic relief and relaxation for the reader).

But, SURPRISE! You already did that! Your lows of the story are determined by the areas inbetween your plot twists!

Now if you don't like where your highs and lows are, that's alright, you can move stuff around, again it's a process of trial and error. But the name of the game is pacing, but that's like a WHOOOOOLE OTHER essay about how to pace things, but we're here for deciding where to put arcs so we'll just breeze by that right now.

You also might notice in my badly drawn diagram that the height of the crests of each wave are different, and you'd be right to notice that. It's because I'm assigning a sort of "value" of each plot twist, as as the writer I know how important the impact of wave one is. Generally the rule is the further along you go, the more value ro tension a point has to offer. It'll kinda look like those five act structure graphs your english teacher showed you in fifth grade.

So now FINALLY, you can get a general sense of where to have arcs in your story.

Not every arc is gonna be the same, that's just a given, but you can get a general sense of where certain arcs are based on what you made.

Maybe if you're going for a lighthearted tone, you want every arc to start on a low, and end on a low, like an episodic format. Or maybe if you're going for a tone that's more serious or myserious, you'll be more prone to end arcs on highs. You can problem guess which one I lean more towards.

Quill Boys and co arc: Start on the low of Siv and Zavis hanging out, being pals, end on the high of Zavis' reveal as the spy

A lark flies into the woods arc: low action as Siv and Astor talk, the high of Larc's decision is revealed.

Hollow knight but not that hollow knight arc: The tension continues to rise in the battle, and then a low after the battle is won, but then the high of Link's truth is revealed.

That's how I write my arcs, but sometimes depending on where I want the tone to be, I'm stretch out multiple low-high-low arcs to give the reader a break. But you'll notice as we approach closer and closer to the climax, the frequences of the waves increases, and the length of the breaks decrease. So when that happens, you might need to break your arcs in highs and lows that art part of a bigger wave, similar to how i did #a lark flies into the woods and #Hollow knight but not that hollow knight.

For another example of breaking up arcs to show part of a wave, I did #sibling fights hollow knights and destiny rewrites and #long ago and long away, with the "high" of Zelda's plan being what splits them down the middle.

AGAIN. THIS IS ALL TRIAL AND ERROR AND WILL NOT WORK FOR EVERY TYPE OF STORY. THIS WORKS FOR ME BECAUSE MY STORY IS BASED ON THE IDEA OF UNSEEN INFORMATION AND ULTIMATELY BEING "UPDATED" ABOUT IT, SO THE REVEAL OF INFORMATION PROVIDES A CONCLUSION TO AN ARC

BUT JUST ENDING AN ARC WITH A PLOT TWIST DOES NOT AUTOMATICALLY MAKE IT GOOD. TRUST ME I'VE MADE THAT MISTAKE SOMETIMES [BUT I AM ALSO STARING INTENTLY AT TV SHOWS LIKE SHERLOCK AND LIKE 60% OF DISNEY]

Now, on that final point about foreshadowing. Let's look at those values again?

So, the more impactful you see your plot twist or development, the earlier you should set it up (generally, anyways. there are exceptions)

This is an example for the Zavis, Zelda, and Fourth Tie twists. I value the fourth tie as the highest, so I establish it subtly very early. I also value Zelda's plan as pretty high, so I establish Terrako pretty early, and her reveal gives an explanation as to why she's so focus on fixing Terrako, and also explains her reaction to Zavis' reveal. Zavi's twist is important, to who he is, so I set him up right by his first introduction

Link's twist is important, but I personally wouldn't value the tension and high of it as much as Zavis'. In addition, I already have a long establish plot twist revealed with Zavis, so I think I want to surprise my audience a bit more by foreshadowing Link's tie only a few arcs before the reveal. Astor's impact is almost better if there's nearly no foreshadowing to him at all, (especially on a meta level) so I think I'll make one off hand mention to him existing and leave it at that.

I think for the most part, the more impact the event has on the development of your story/character, the earlier on you should foreshadow/hint at it.

And I breezed by a lot of shit, like I didn't even TOUCH the character related twists like Sooga and Revali. And there's shit about pacing and timing and conclusions and beginning to arcs and their relations...but I think that's a good enough starting point for your ask.

So keep your arcs dynamic do follow the highs and lows of your story. Make sure they end conclusively (cliff hangers are ok, but don't assume a plot twist in of itself is a conclusion) and foreshadow shit earlier depending on how big of a twist it is

[howtosingit]

if ur ok with it can u break down the tarlos huggggg in the lst ep after tk tells evy1 abt his addiction? bc that gd huggggggg i wanna no every thing u think abt it i live for ur love for tarlos theyre just so so cuteeeee

IF I’M OKAY WITH IT?! Anon, I feel like I have been waiting my entire life for this ask. I could literally talk about this hug for the rest of my existence. I would talk about this hug every second of every day if I could and never get tired or bored. This hug has owned my entire heart from the moment that it happened and I can never get enough of it. Brace yourself for this essay, and remember that you asked for it...

Okay, so before I get to the actual hug, I want to talk for a minute about why I love it so much and also how fantastic the scene is that comes before it. I’ll try to keep both of those brief (LOL). If you want to skip to the hug breakdown, I’ll give the sections titles. 

Why I Love This Hug

So, why do I love this hug so much? Honestly, because I never in a million years thought we’d get something like it, and it was a big turning point for me.

I have not been quiet about how disappointing I think season 1 was. Too much Owen being Owen, too much Iris plot (which never interested me for even a single moment, unfortunately), not enough of the other characters - specifically the characters of color - and definitely not enough Tarlos.

Following episode 3, the show established a really frustrating pattern with Tarlos: they either never interacted with one another, or there was a moment of them at the end of an episode where they were in the same place physically but never spoke directly to one another. Frustration doesn’t even begin to describe the Tarlos talking drought between episodes 3 and 10 - and honestly? It’s bad writing. To focus on a ship for 3 episodes, giving them a lot of different nuances and conflict, and then do absolutely nothing with it? Stupid. So, going into the finale, my expectations were low. At that point, I was literally tuning in just to catch a glimpse of Carlos, with the expectation that that was all I would get. I really didn’t think I was going to watch the show after season 1. 

When the finale started with a Tarlos scene, I was honestly very surprised. But, then, of course, it was a “break up” scene, and I was like... well. So much for that. See, I fully expected, based on the trend throughout the later half of the season, that that would be the only Tarlos scene we would get, and that that is how they would end season 1. 

But when that camera cut to Carlos Reyes walking through the station door looking like a modern-day motherf*cking Prince Charming? I cried. I’m not ashamed to admit that. And then WHEN WE GOT THE HUG?! I can honestly still feel my heart pounding in my chest.

The finale didn’t fix everything for me; they still barely talk in their final two scenes. It’s not all perfect. But this hug, this small moment? THAT. IS. PERFECTION. (And I’m gonna go on and on about why in just a minute!)

Framing the Hug

I just want to take another moment here to chat about the entire fire station scene with TK and the team/Carlos because there’s a lot that informs why this hug is so freaking incredible. It has everything to do with the directing choices that were made - and boy were they good ones!

We all probably remember how the scene starts: extreme close-ups on TK as he sits waiting for the crew to come back. He’s anxious and possibly having a mild panic attack, and the camera is used to create that moment. Certain shots are out of focus, the shots that are focused are zoomed in to his mouth/hands/eyes, the sound is distorted, his breathing is isolated. It’s all super effective. 

So the observations that I make about this brief moment are: TK is stationary, the camera is basically attacking him. And TK is alone. Pretend for a moment that the camera is a character. The camera won’t leave him alone. No one is there to help him. His anxiety grows. 

(Even when the team joins him, the camera stays pretty close to him, except for one moment where it backs off but then approaches again. It continues to invade his personal space and his personal moments with his friends and his dad.)

Now, compare that to how the scene ends: TK walks away from the camera, the camera doesn’t follow him. It gives him space. His interaction with Carlos happens in the distance. If the camera is a character, TK defeated that character. He leaves it there, it no longer threatens him. I just really like that visual storytelling; that through the 4 minute scene, TK not only faces his demons, speaks his truth, and conquers his anxiety but he beats the camera and goes off to hug Carlos untethered. (He even bounces towards him, but we’ll get to that in a minute.) That doesn’t really have anything to do with the hug specifically, but I thought it was interesting anyway.

The other comparison that I want to make is a simple one, but it’s another reason why I love the hug: TK initiates it. He doesn’t initiate the group hug with his team (he actually almost says “we don’t have to do that” when Mateo moves towards him), though he obviously enjoys it. Owen initiates their hug, flinging himself at his son, and TK obviously appreciates it.

But the Carlos hug? TK approaches him, TK raises his arm to wrap around Carlos’s neck.

Okay, now to finally answer the original ask...

LET’S HUG IT OUT: THE BREAKDOWN THAT WAS ASKED FOR

First, can I just say from his first appearance to the end of this scene, Carlos is there for 20 seconds total and I am about to write a whole-ass essay about those 20 seconds?! I’m literal trash.

Okay, so Carlos appears looking like a fucking snack. He’s changed since the bus accident, looking like someone’s hot date, and I think we know whose... Owen is basically like “well this is unexpected” and honestly, same sir. TK is adorable and noncommittal, but clearly not surprised to see Carlos there. We’ve missed a moment between them since TK was sent to the hospital and Carlos called him impressive, that’s for sure. 

So when TK starts to walk towards him, the camera refocuses on Carlos and we see this adorable freaking look on his face that clearly says “how did it go?” or “all went well?” or something to that effect. I think Carlos knew what TK was doing at the station and he knew that it was a big deal for him, and I love that even before they are next to each other, he’s checking in to see how it went. He’s invested in TK’s well-being - as always - and he’s there to support him, both physically and emotionally. I COULD SCREAM.

In response to Carlos’s silent questioning, TK throws his head back and sighs. Like I said before, he seems to bounce towards Carlos, his body is pretty loose - his arms are swinging back and forth. This is a guy who just took a load off, and he’s relieved about having done so. The smile that Carlos gives him in answer says that he’s relieved too - that it went so well, that TK seems lighter. He might even be relieved that TK is being so much more open with him, clearly showing him his emotions. Their body language for this entire moment is very open, neither of them seem closed off. It truly does feel like, for the first time, they are meeting each other on equal footing, with all of their cards on the table before them. It’s such a different moment for them, certainly different than their body language during the boba date earlier in the episode.

I would be an absolute idiot if I did not pause and remark here how INCREDIBLY IMPORTANT IT IS that TK is the one that approaches Carlos. I’m not the first person to notice and say this, but Carlos “I hate being the one doing the chasing” Reyes stops just inside the door. He lets TK walk towards him. It’s such an interesting, nonverbal conversation between them. In this action, Carlos is saying “I’m here, but I’m still not going to force anything. You said you wanted space, so I’m giving it to you.” Sure, he comes to the station - but I would pay good money to bet that TK invited him there following some kind of conversation about what he was doing there - but he stays at the door. He’s cautious, but open. He wants something more with TK, but he’s not going to throw himself into it just to get hurt again. So, he waits. AND TK COMES TO HIM. TK leaves his own space and enters his. TK takes the final step. TK closes the gap. TK makes the big move, and they’re finally both right in front of each other, on the same wavelength. The find that solid ground from which they’ll build their relationship together. ISN’T IT JUST BEAUTIFUL?!

Seriously, kudos to Bradley Buecker for directing this episode with multiple levels of storytelling at play. It’s really great stuff.

OKAY, there’s a little Owen and Michelle moment, but then the camera finds Tarlos again. 

TK is standing in front of Carlos, they’re completely fixated on one another, their body language is just so fucking casual and comfortable I cannot stand it. See, the other hugs were all pretty intense: the team piles on top of TK, burying him, and Owen practically throws himself at TK, it’s a fairly hard hug for a man with an injured shoulder. But this hug? NOPE.

It’s so soft. It’s so gentle. TK raises his arm like he just can’t not wrap it around Carlos’s neck, like it’s the only way to be as close as possible to him and being as close as possible to him is all he wants in that moment.

What I really love about this hug is that it feels like two people who hug not because the moment is demanding it, not because they’re reuniting after a long time apart, not because they’re in a heightened state of emotion. 

These two hug like it’s just what they do, what they always want to be doing, like they don’t know how not to do it. The whole thing reads like “Hi, I’m TK and my arms belong around Carlos” and “Hi, I’m Carlos, and my arms belong around TK, what else would I be doing with them?” (It’s also the vibe I get from the club scene where they wrap their arms around each other.)

IT’S INTIMACY, Y’ALL.

Look, to be a Tarlos fan, I think you have to be willing to look at the relationship on two different levels, right? One is what they verbalize to each other, which is admittedly very little (season 2, come through). The other is the story that they tell through their body language. These two have seemingly always been on the same page physically. It just comes naturally to them, from the minute they first dance to their obviously very pleasing sex scene to the way they flirt in the bar to the club to Carlos at TK’s bedside. 

Their chemistry is made clear through how they physically relate to each other, and never is that more clear than in this hug that LITERALLY LASTS 2 SECONDS BUT CONTAINS MULTITUDES.

Okay, back to it... so TK strolls towards Carlos, Carlos waits for him - they symbolism is making me scream - TK raises his arm, it’s all super casual...

And then he just kind of literally falls into Carlos’s body, and Carlos basically just catches him. HOW BEAUTIFUL IS THAT.

They don’t even speak but because they’ve had a nonverbal conversation with just those looks that I talked about, there’s just this understanding that TK needs to just collapse a little bit and he never for one second doubts that Carlos will hold him up. THAT’S JUST WHAT THEY DO.

OKAY OKAY OKAY now we’re going to break this down from head to toe.

Like, the way that their heads just rest against each other, TK pressing close - I can almost imagine that he breathes in the scent of Carlos’s shampoo, his nose is pressed right there in his curls. AND JUST IMAGINE HIS SMILE, I BET IT’S BLINDING.

I love that their heads kind of curve around each other kind of, perfectly Yin and Yang - like, from above they would totally look like that symbol.

MY FAVORITE PART OF THE ENTIRE THING: CARLOS FREAKING REYES NUZZLING INTO TYLER KENNEDY STRAND’S NECK, LIKE HE JUST SHOVES HIS FACE RIGHT IN THERE

THE NECK KISS MADE ME SCREAM SO FUCKING LOUD THE FIRST TIME I SAW IT I COULD NOT HANDLE IT

First, it’s our first kiss since episode 2. 

Second, THE INTIMACY OF PRESSING A KISS TO SOMEONE’S NECK - LIKE THAT IS SUCH A SOFT PART OF YOUR BODY, THERE ARE TENDONS THERE, YOU CAN FEEL SOMEONE’S PULSE THERE - LIKE OH MY GOD

Nothing screams “I want to know every part of this man on a deep, committed level” than a fucking neck kiss, and Carlos Reyes just... he fucking does it. 

Okay but he really does bury his whole face in there like he wants to keep it there forever, I have truly never seen something so soft in my entire life. 

I’m so in love with them I could puke.

But like, that’s why this moment means so much to me, because I really do think that it’s a solidifying moment for both of them. 

For TK, it’s a “It’s okay if I stumble or fall because this man will catch me or help me up” thing

For Carlos, it’s “he wants me, he wants this, he’s taking literal steps towards this thing between us, and he encourages me to sink into him, he wants me to do that, he really wants this”

Like, fuck. 

Moving down... we gotta appreciate Carlos being mindful of TK’s shoulder, unlike literally everyone else who has hugged him. Like, he doesn’t even go anywhere near those stitches because there’s no fucking way he’s going to watch TK bleed out for the third time, nope.

And the way that Carlos just slides his arms around TK’s waist, pressing his palms into his lower back?! 

I think there’s a whole like, thing, where when a person’s hands are flat and open they’re like, open and vulnerable. So there’s just something about the way that Carlos presses both of his open palms against TK’s back that feels so open and vulnerable and honest to me.

Also, the way that he literally covers as much of TK’s back with his hands as possible? He doesn’t place his hands on top of one another, he stacks them along TK’s spine - he completely covers the entirety of his lower back. That’s a really vulnerable part of the human body, and Carlos instinctively protects it. AND TK LET’S HIM.

Okay, finally, down to their feet: TK really does collapse against Carlos, throwing himself on top of him and trusting that Carlos will keep him upright. All of his weight shifts to that forward momentum, he even goes up on the toes of his right foot. Carlos plants his feet, and as TK sways into him, he wraps him in his arms and gently centers them so that they don’t tip over to the ground.

He literally re-balances them. The two of them together find a balance with one another during this TWO-SECOND HUG. They shift, they steady themselves, they sink into one another.

It’s literally symbolic of them both being completely, 100%, without question, ready for the next phase of their relationship together.

They keep each other standing, and that’s fucking true love, y’all.

I honestly cannot wait for season 2. This hug and the final scene on the hood of Carlos’s car - with TK again making the move to embrace their relationship by physically reaching into Carlos’s space for his hand and dragging it into his own space, firmly opening the door to his heart to let him inside, while also settling Carlos’s hand between his own to let him know that he’s willing to protect him and his heart too - makes me believe that we are in for some truly wonderful romance with these boys. 

My heart will not stop screaming about it.

[pulledpurplecurtains]

all the odd ones for the fic questions pls and thank you pepster

all the odd ones, meaning 1, 3 etc right? oh BOY are we gonna be here for a while (and i love it 🥰)

it’s morning right now so let’s see how long throughout the day this is gonna take me sdfghjk let’s do it!!

1) what was the first fandom you got involved in?

hmmmm. i wanna say harry potter, more than a decade ago? specifically dramione and scorose

3) what is the best fandom you’ve been involved in?

for all that it has given me i have to say bechloe

5) which fandoms have you written fanfiction for?

so far just for bechloe

7) list your NoTPs from each fandom you’ve been in

i’m only gonna list pairs i have strong feelings against and from only the fandoms i’ve been most involved in

harry potter: snape and hermione

frozen: elsa and hans (no but for real. why)

pitch perfect: beca and jessie, chloe and chicago

marvel: hm hm surprisingly nothing comes to mind

the haunting of bly manor: same as for marvel

9) what are the best things about your current fandom?

having a space where i can fully be myself, expressing myself freely through my writing, meeting so many wonderful people, having a previously unexplored side of myself revealed to me, finding and delving into characters that make me feel less alone, and so much more. it’s been a real blessing, having this fandom in my life

11) who is your current OTP?

bechloe

(this was the point where tumblr lost me ALL MY ANSWERS FROM QUESTIONS 13 TO 33 so let’s do this again SHALL WE??? i’ll be saving each answer as we go dear god)

13) any NoTPs?

already answered!

15) is there an obscure ship which you love?

hmm i don’t think so? none that comes to mind at least

17) who was your first OTP and are they still your favorite?

my first OTP, before i even knew what an OTP was, was scorpius and rose from harry potter. it’s not still on top of my OTP list, but always has a special place in my heart

19) is there a ship which you wished you could get behind, but you just don’t feel them?

not really? i mean, there are popular ships that i don’t support, like hermione with bellatrix or natasha with wanda for example. i can see their appeal and i get why people like them. they’re just not for me and i’m okay with that

21) what was the first fanfic you ever wrote?

ah my accidental multi chap baby sdfghjkdfg

All is Fair in Love and War was posted as an one shot, and that was all it was supposed to be. it was my first finished written piece. and then a couple of people in the comments were really nice abt sharing thoughts of where the story could go next and what they’d like to see happen, and they were very enthusiastic abt wanting to see more of that story. so the second chapter was born

sooo one thing led to the other and before i knew it that fic had become an 8 chapter, over 60k words story sdfghjkdf i’m amused and grateful to this day

23) name a fic you’ve written that you’re especially fond of and explain why you like it

how can you ask a mother to pick her favorite of her kids HUH

no but for real, i love all of my stories equally. i’m a perfectionist, so nothing gets posted before it’s perfect in my eyes. plus, all my stories are my babies. each has its flaws and imperfections, each in their own ways. but they’re all beautiful and meaningful to me

what i will say is, i have a particular soft spot for (wondering if you knew) i was enchanted to meet you. i truly think my writing peaked in that story, in all the parallels and tiny but very important things that are in there

25) what’s your most popular fanfic?

based on views and kudos, it’s All is fair in Love and War

ofc that’s a multi chap, so maybe the numbers aren’t exactly equivalent to popularity

my most popular one shot, by a very large margin at that, is (i’ll let you in) and baby, that’s when

27) what do you hate more: coming up with titles or writing summaries?

i honestly love coming up with titles

writing summaries, on the other hand, is the bane of my existence

29) do you have a beta reader? why/why not?

i don’t, and it’s bc i’m literally incapable of taking any kind of critique over anything unfinished. once it’s posted and out in the world it’s fair game; but until then? that’s a big no for me

31) what’s the nicest thing anyone has ever said about your writing?

i honestly can’t answer this question bc every comment is so so special and important to me. i often go back and read them all. even right now while writing this there are so many different comments swirling around in my head. i appreciate and am grateful for all the kind words always 💜

33) do you write one shots, multi chapters, or huge epics?

sdfghjkk definitely not huge epics

i’ve written both of the other two. in the beginning i preferred and wanted to write multi chapters. however nowadays and for the past year or so, i lean more heavily towards one shots

35) do you write drabbles? if so, what do you normally write them about?

i am physically and mentally incapable of writing short things sdfghjkd so no, i don’t write drabbles

37) first person or third person? what do you write in and why?

always third person. idk the idea of first person narration always seemed weird to me. plus, i see my stories as me retelling the events the characters have confided in me. so third person makes sense and it’s also why i use past tense in my stories

39) what is your greatest strength as a writer?

describing and narrating emotions and using metaphors

41) list and link to five fanfics you’re currently reading

my reader’s block has been going strong, so i’m not reading anything currently unfortunately

43) is there anyone in your fandom who really inspires you?

my squirrels 💜

45) what is your all time favorite fanfic?

i have to say Experimentation i just have to

i also love Perdition, what an incredible piece of writing

47) ao3, ff.net or tumblr - where do you prefer to post and why?

definitely ao3, i just love its interface i guess?

49) do you care if people comment on/ reblog your writing? why/why not?

okay so here’s the deal. ofc i care. every artist who shares their work, every creator, cares; at least to a degree. it’s why we share. we want people to see and love and appreciate our work, we want it recognised and celebrated even. we want people to engage with it, show it to their friends, talk abt it, have thoughts abt it. it’s only natural and ofc i’m absolutely no exception

with that said. i’ve always tried to remind myself that kudos/likes are also engagement. that even just reading is engagement. that everyone’s limit or ability for engagement isn’t the same, and that ultimately it’s their choice how or if they’ll engage with my writing. i try to, and i do, value everyone who even just reads my stories. i share something with the world for free and it’s my choice to do and continue to do so. what happens after that isn’t up to me

so yes i do care a lot abt reblogs and comments. they make me very happy, they validate and encourage me. but people have no obligation, in my eyes at least, to engage with my works a specific way. just like i have no specific obligation to provide a certain type of content on set periods of time or with a set limit of words or to continue to provide stories; or literally any other obligation. no one can police my actions and choices up until i’ve posted a story and i can’t police anyone’s actions or choices after i’ve posted it. and that’s the beauty of fandom for me - we’re all here bc we want to and bc it makes us happy, with no expectations or obligations

ending this with an essay seems only suitable sdfghjkd thank you my egg for giving me the opportunity to talk abt myself in such length 😌💜

[sol1056]

wuxia/xianxia: a loose and somewhat second-hand introduction to the genre, pt1

Sorry for the unconventional q, but i keep seeing Grandmaster of Demonic Cultivation everywhere and I kinda want to get into it but a) don't know where to start (web series? live action adaptation?? wait how many are there!) and b) i don't really "get" wuxia / xianxia, that sorta stuff, i find it really hard to cross that cultural barrier and chinese mentality seems very alien. (it's not that i have no experience w different mentalities but chinese in particular is v hard to grasp w/o sources).

So if you have the time and patience, I'd love to hear a summary of it (like, a coherent summary bc all i get on the wikis is a shower of names and concepts that don't make sense to me) and perhaps some "intro for dummies" abt the relevant parts of chinese history and mentality tied to it? not just the cultivation / buddhist part but also re: familial relationships, philosophy and all that. (v brief and low effort of course) Thank you and sorry for bothering you!

("brief and low effort" referring to what I'm asking from you, not to what I need for me - as in i asked for it so i'm more than ready for a complicated essay, but you can write with as much detail as you like, I don't want to ask for some sort of comprehensive tome)

Okay first, you do realize that if you want “brief and low” for anything, you’re asking the wrong person? I was a philosophy major. brief got drilled out of me a long time ago. 

Second... well, explaining what makes The Untamed / Grandmaster of Demonic Cultivation (mdzs for short, from the chinese title, Mo Dao Zu Shi) such a standout story does require understanding some of the wuxia conventions it subverts -- as well as some that it plays straight (so to speak) very, very well. 

I figure the best approach (again, sadly not brief) is to first get a handle on the genre of wuxia. Gonna break this post into two, so you’re not reading in a single three-hour stretch or something. I’ll do a follow-up about mdzs, to hopefully make it a bit more accessible for you. 

before I do that, let me first say: I didn’t grow up with this genre, so there’s going to be parts that I may miscast unintentionally. for an insider’s view, my go-to voices are @guzhuangheaven, @atthewaterside, @dramatic-gwynne, @the50-person and @drunkensword. if any of them are reading this and can point to more/other/better voices, please do.

I have three analogies -- like cultural doorways --  and like all analogies, they break down when you get into the finer details. In the broad strokes, though, they mostly work, and if nothing else, hopefully they’ll demonstrate that wuxia may be a chinese-specific version, but part of a storytelling tradition that’s nearly universal.

The three doorways are: the american wild west, the samurai era, and the british arthurian romances. And, in a tangential way, the regency period in the romance genre. 

--- --- --- --- --- --- --- --- --- --- --- --- 

The term ‘wuxia’ can be translated several ways, but I prefer ‘martial chivalry’. Most wuxia takes place in the jianghu, a harder term to unpack. Generally, though, ‘the jianghu’ has connotations not all that different from what americans mean when they reference the wild west. 

More of a concept than a physical place, the jianghu (like the ‘wild’ west) exists beyond the reach of the law and/or civilization. It’s occupied by a diverse cast of farmers, merchants, beggars, and so on, but also by outlaws, gangs, hermits, pretty much all those who don’t like the suffocating nature of the civilized world, for whatever reason. It’s not a lawless place (except to outsiders); it does have laws, but those are only unto itself. 

So, jianghu is a world to itself, for the most part -- which also makes it kind of timeless. Tang dynasty, Song dynasty, Ming dynasty, it could be any of them and all of them and none of them. Just as the heyday of the cowboys and the cattle drives was barely a decade long, a culture’s romanticized history stretches into lifetimes that exist separate from any date you could pin down on a calendar. 

The average wuxia protagonist would fit in reasonably well as knight errants in an arthurian romance, with one important detail in difference: they’re rarely aristocrats. Wuxia protagonists are just as likely (if not more so) to be lower-born, whether the child of farmers, or servants, some common caste. 

This is where wuxia diverges from the british and japanese traditions, which have a bit more noblesse oblige going on (knights and samurai both being upper-class types). Even ‘aristocratic’ characters tend to be so only within the jianghu -- sort of like the way a territory’s elected leader in the wild west would’ve had no pull in Washington, given they weren’t from a fully-recognized state. 

Wuxia does often have politics, between competing sects (think schools of learning), but that political infighting is independent of the capital’s rules or wishes. A lot of stories -- in the rare cases the topic even comes up -- tends to speak of ‘the capital’ in disparaging terms. 

That’s not to say wuxia is all about the flat social systems (it’s definitely not), but most commonly a rank implies some level of competence/study. The title of sect leader isn’t granted, it's earned. Children inherit, but it’s also a common storyline to have an heir with no skills (who then goes through all the trials and tribulations to finally level up and earn that position in turn).

What makes wuxia hard to grasp is its vernacular: the conventions that form the backbone that make something recognizably ‘wuxia’ and not just ‘historical drama set on a frontier in a loosely-defined time period’. 

Frex: in a Wild West story, convention is two gunfighters at opposite ends of the street, and at least one of them is wearing a holster tied to his leg with string in a way that no real gunfighter wore, ever, but Hollywood came up with the idea and now it’s a permanent part of our imagination. In the arthurian romances,  convention is carrying the token of one’s lady love (a distant, untouchable figure who rarely appears on-page), or meeting the unnamed knight in black on the jousting field. Convention are the samurai who’ll die for their lord’s honor, always touchy and prickly at the first sign of disrespect. 

These are things granted the most remarkable gravity, that to an outsider might seem ridiculous. (Why is there always tumbleweed?) 

Now, wuxia is the latest evolution in a long-lived literary tradition (and by ‘long’ I mean like 2000+ years) -- but like any living tradition, each subsequent generation reinvents it for their time. Part of that reinvention comes from particularly influential writers, who put their own spin on things, and their interpretation becomes the next generation’s standard for the genre -- “of course wuxia must have X” or “a protagonist never does Y”. (Like how Tolkien almost single-handedly changed western concepts of elves, in fiction.)

And here’s where I explain what regency romance has to do with it. Another short-lived period, in real history, but along came Georgette Heyer, who took bits and pieces of actual research, blended them with her reactionary politics, exaggerating some things and ignoring other things completely. The result is a time-that-never-was, but she cast (and still casts) a shadow so vast that I’ve seen multiple romance writers complain that readers will see a footnoted-and-researched version as wrong, if it contradicts one of Heyer’s made-up conventions. 

Modern wuxia has its own Heyer-sized influencers -- like Jin Yong (the Condor trilogy, Demi-Gods and Semi-Devils), Wen Rui'an (The Four), Gu Long (The Legend of Flying Daggers, The Proud Twins), to name a few of the biggest. If you have a chance or are inclined, the big names get remade on a pretty regular basis, and catching one will at least let you see some ur-tropes in action. 

But it also means that you can’t really extrapolate, in the sense of saying, “in wuxia, people do X, ergo, X is also a factor in Chinese culture.” It’s like... take any western made in the 50s, and the vernacular is simple. The bad guys wear black hats, the good guys wear white hats, the prostitutes wear bright-colored dresses with frills and the good women wear subdued colors buttoned up to their neck. It told an audience exactly what character filled what role, but that’d tell you zero about real people you might meet in Nebraska or Utah, let alone New York City. 

--- --- --- --- --- --- --- --- --- --- --- --- 

Almost forgot: xianxia is basically wuxia but with ‘immortal heroes’ -- so there’s gods, divine influences, non-human beings as characters (main or NPC), etc. (Btw, by ‘immortal’ I mean exactly that, like this character is six hundred years old, that one’s a thousand years old, etc.) You can think of xianxia as wuxia, but amped way up on the mystical scale. 

Xianxia will sometimes take place on earth (jianghu) but sometimes in the celestial realm (heaven). Or a mix of both, like stories where a character falls (or is banished, or defects) from heaven and has to go through various trials and tribulations as a mortal human in order to regain a power, rise in rank, fall in love, or whatever their goal is. 

A number of wuxia stories are driven by some sort of mcguffin, but in xianxia, the mcguffin is more likely to be a powerful spiritual weapon. But I can also think of a number of wuxia in which the mcguffin would fit right in, in xianxia (some near-mystical thing with significant positive, or negative, power independent of the wielder, which often amplifies or boosts the wielder to an inhuman degree, etc). 

Thing is, the mcguffin being divine/infernal supernatural isn’t enough alone to make the story xianxia. I’m pretty sure you need non-human or super-human immortals and/or creatures to be considered in the xianxia genre. 

part two

[natsutakashi]

pls write an essay abt why u love natsuyuu so much ty lovely♡

HELLO REY MY DEAR !! 💕 thanks for answering my prayers (on twitter lmao) so here we go, reasons why i love natsume yuujinchou so much (a most probably, almost definitely, unnecessary post)

"As I encountered kindness, I wanted to be kind myself."

- for starters i really appreciate deeply how yuuki midorikawa made a story that feels so comforting, even with the angst in it, it still feels like that warm feeling of coming back to the place you belong, home, or whatever you wanna call it!! because kindness is a recurring theme on the series, it feels like it affects you too, i'm not saying you'll magically turn into the kindest person just by watching / reading it, it feels more like an act of kindness towards you.

“The fact is, the people I want to protect are protecting me. And so I keep finding more things that are different, and I keep on going. Even if they're small, I take one step at a time.”

- another recurring theme on the series is self forgiveness and self acceptance, which again, i really appreciate. watching natsume grow and learn to forgive himself for the things that happened in his past that stopped him from being happy and mentally healthy is truly inspiring!! going through the kinds of things he went through can't be easy, so learning to treat yourself with love and respect is a challenge, a big one!!

“If there’s someone you wish to see, then you are no longer alone.”

- now, a very important message on this series is how, even if you've been alone before, doesn't mean you'll stay alone forever. things change, and you know what?? maybe we've never been alone for starters, we just had a feeling that that was the case, but it wasn't! after all, you can't really see the people beside you if you're only looking down, right? but even if that's not the case, like i said before, you can still keep going and find the people who will stand by you, just give yourself time and be patient.

"I wonder, with you having known loneliness and struggling to be loved, if I was able to lighten your heart, even for a bit."

- last but definitely not least, i simply love how this series is about loving and appreciating the small things in life, that surprise surprise, turn out to be the most important ones, like: having friends who will support you and be understanding of your struggles, have a place you can call home, smiling genuinely, loving and being loved in return, allowing yourself to be who you are.

"We know the flower petals will fall someday. And yet still, we're entranced by them."

[cynozurka]

My notes from watching bo Burnhams inside when I thought it would be a good idea to just write about every song /bit xd

Fixing the world w comedy

I mean it was fine

Some good points

Self aware and all

How oppressors will do performative activism

But also contextualised with his persona its a bit weird

is he scared of becoming that or is he already that

Like he IS doing a bit here and I know that It factors into the whole self awareness debuckle but idk it's a bit iffy to me

Also not really productive i think (yeah I know that's not the point but let me ramble)

You can still educate through comedy and you can do both actually

BECAUSE NEWS FLASH YEAH YOU C A N USE YOUR PRIVELEGE TO HELP AND IT DOESN'T HELP ANYONE THAT YOU THINK IT'S SELFISH

Like idk i understanding where he is coming from but perpetuating that mindset isn't really helpful imo

Facetiming with mom

Too little i think? I mean a fine little song but didn't get much from it

* making a profound experience out of a superficial face time with mom but maybe it has actually become profound, how little we speak to our family kinda, deep shit*

But that's kinda? Known? And not really nuanced at all?

That's how the world works

Well I really liked that one

Bo shows how it depends on the oppressed to be polite to their oppressors (using those terms loosely, the class with power and the powerless etc) to have a slightest chance to be listened to

Like that was a nicely done bit

Also I maybe a bit of critism to "socko" for the not considering educating the character, maybe I'm reading to much into it

I was pleasantly surprised because I thought the special would be kinda epty with half statements and nothing said explicitly

Tho the joke in the contrast of a sock puppet /a children's character telling something unexpected or dark does scream millennial humor

The brand thing

Good but I think it's been done many times before

White woman's ig song

Cool, like the white woman's Instagram concept seems a bit 2017 but it's well done,

Couple interpetations

1how we only show good sides of our life on social media

That one is honestly too simple, been done many times, obvious

2How priveleged for example an American white woman owing the Instagram is not knowing this (is this heaven), the Instagram is very status quo with performative activism, "normal" is priveleged

The bit about the mom either

About venting on social media/furthering the theme that life isn't perfect (basic)

Or

Humanizing, the white woman is still a person

We shouldnt antagonize priveleged people just because (it's actually important to have them on our side, the revolution is about destroying the class divide not creating more (that interpretation is generous tho)

Anyway the song is fine but I felt it could've said more and was a bit style over substance

About the theme of shutting up

Kinda? I mean I understand? But also not really it's important to exchange ideas and that everyone can do it imo, like I think it's a good social change that we can freely (well debatable) say our opinions but maybe it just went in a misquided way and it's just an illusion of everyone telling their opinions when we're still talking about like western world but I might be going to far but I think I know what he's getting at but also hhhhhh

The format of the reaction video seemed a bit condescending at first but I actually find it compelling mostly because I struggle with the same stuff and the cycle of self awareness is very familiar to me and the coping mechanism of saying you know you suck because then you feel you have an advantage over the people who would say that to you but it's not healthy to do that and you're also self aware of that

Bezos

I mean sure

I get it

You can say it had to be short to be punchy and it was just a transition

But also could've been more

Maybe I just prefer essays to poems

When he's laying on the floor and talking abt exploiting children and end with the statement of being horny idk didn't sit right with me I guess we can interpret that as the duality of man kinda thing where the world is so complicated yet we are simple creatures but idk it felt kinda invalidating just the vibe of the bit

A lot of my reactions was kinda like yeah no shit you aren't inventing the weel here

Sexting

As an asexual person it didn't really concern me

Felt outdated and too little and maybe a little not nuanced?

Like sure there were some good observations but also it was a bit too little again i think

Being funny stuck in a room sing

Fine, wanting to be seen as a kid but not as an adult because being seen can be dangerous

I think that was cool

But also idk it's not that funny or clever for me when he shows that he's taking multiple takes, wow who whouve thought people do that

Problematic

I feel nothing about it

I don't want to feel anything about it

Why the belly button close ups tho

The 30 thing

Really sad but also we know it's a performance so it felt a bit weird

The song was fun but like yeah not much said, again, we all know

Welcome to the internet

I mean sure again no shit

But it's a nice song

That funny feeling was very enjoyable actually

Anyway the overall performance is good, it's art and all but also I'm kinda done but also I think I am judging this differently than his previous songs and my judgment is harsher, like they're fine in the grand scheme of things

it was good, sometimes mediocre, overall probably very good and i hated it

not because it hit hard, it didnt really, nothing suprised me, it was just personally uneccassary for me to go through this

But also that's a very personal perspective and I understand how it can be good to other people

Also bo is a big comedian so good that he's talking about stuff like the bit with the sock

Anyway I need a break

[matoitech]

this is for when you wake up tomorrow, but can you please talk about galos superb emotional awareness?? he's got some serious emotional skills!

yeah of course!! i think its important to mention first and foremost that promare is built around compassion and willingness to listen and understand people you think are different from you just bc you dont have the exact same experiences. but in the words of nexus, we’re not so different. galo represents that! him and lio are literally the bridge of understanding and empathy. and because of this, both their characters hinge on love! love for other people and love for the earth. that’s why people misinterpreting characters like lio to be mean is so upsetting, because its missing the point of the movie. but anyway we’re talking about galo and his epic emotional intelligence so lets DO THAT.

so we gotta start with the obligatory “people think galos an idiot BUT ACTUALLY-” because its true! he may be oblivious about some things but he has an ability to look at a situation and know what to say and do to fix it; he’s passionate and has a solid belief in himself so whether or not he’s wording something perfectly people FEEL that hes being genuine. when you’re unapologetically yourself, people respond to that!

more than any other character it was galo that was the one who knew that lio needed help and was the only one who knew how to help him. and galo proves this isnt lio-exclusive (tho it definitely shows a lot with lio, and that’s for a reason lol). he knows what to say to reassure aina at the lake, he knows what to say to get heris to question her decision with helping kray, he knows what to do to get his teammates on his side to help, he saves lio and inspires him to save the earth. you could write an entire essay on any scene he surprises people and gets them thinking, he does this so much! i dont think this is something he’s totally aware of and uses to his advantage as much as its just people responding to how earnest he is about wanting to help others. 

the scene with lio as a dragon is brought up a lot when talking abt galo because its through his pov that the movie tells us that galo noticed lio was crying. we, the viewer, know what happened at the burnish camp. we saw lio lose his people and his best friends to freeze force, we know why he feels he’s lost everything. WE know why it isnt just rage, but its grief and pain as well thats fueling him, but galo doesnt know that. he sees the dragon, he knows its lio, and he notices right away that hes crying. he met lio a couple times and he’s kept in mind what lio’s said about burnish not killing- so he knows something is very wrong. something must have spurred lio to react like this. something must be hurting him. so now he knows that lio’s hurting and he has to do something to help, both for lio and to stop the fire in the city. no one else noticed or cared that lio was in pain. but galo’s whole thing is figuring out what people need and saving them! so of course he noticed. 

galo and lio save each other, MULTIPLE times. its through their differences they find strength! galo and lio are both passionate, emotional people, though they show that in different ways. its really lucky that galo and lio found each other; they work so well together, well enough to save the world! they’re both written with each other in mind, to draw out the best in each other and do together what they can’t do alone. they find strength through each other. that’s really important. 

to get back on track cuz i kinda went off on a side note there, i think it’s important to mention that galo being emotionally perceptive goes both ways. he notices whats going on with other people and notices how they feel and what he can do to help, but that also means he notices how people feel about him. people tend to assume galo just doesn’t notice when people get frustrated with him or when they’re rude to him, but i dont think thats true. its not that he doesnt notice, its that he’s used to it. he chooses to let a lot go. but when he snaps at lio for calling the matoi stupid, its from a buildup from ppl, whether jokingly or not, calling him or his interests stupid. u cant talk abt how galo perceives how ppl feel and acts accordingly without acknowledging that that also means he is aware of how ppl feel about HIM. another reason why him and lio work well together, with lio listening to him and taking what he says seriously, just like galo does for him.

anyway, the movie itself is all such a good example of galo showing rly good emotional awareness, and part of that also comes from him being open to trying to do better when he messes up. he apologizes when he does something wrong, he LISTENS, and he CARES about making things right. he cares about how lio feels and he cares about how the burnish feel. he cares a lot about making sure people are safe and happy, that they know he’s listening and is trying to help.

there’s a small line that i’ve always appreciated when galo is explaining the spaceship to lio. he says that the ship is human powered first, only adding that its the burnish specifically powering it afterward. this is an important line because its galo showing lio that he listened to lio earlier when he said the burnish were human beings just as much as galo. that small word choice means a lot, bringing the interaction in the cave back- galo said something insensitive, lio told him why that was wrong, and galo apologized and learned from it. the movie does a good job of showing you that galo has no problem with owning up to his mistakes and learning from them. that’s pretty good emotional awareness lol

also, at the end i will mention that galo’s pretty good at understanding his own emotions and knowing what to do about them, like when he goes to the lake to clear his head and work out his emotions bc he knows him being in the public eye and ppl associated him w the governor means he needs to be in control for his sake. he has trouble with this sometimes, not always making smart moves bc he is so emotionally driven, but he does acknowledge his emotions and try to deal with them in the best way he can. he could do this better if he went to THERAPY which he NEEDS -_- but that. is another topic. promare 2: everyone gets therapy

this got very all over the place, there’s so much you can talk about with it, but!! galo is a really good character thats a lot smarter- and more importantly, kinder- than people give him credit for, and i like talking about him :]

[alphaketoglutaricacid]

@onehithero said: also we know theres at least some actual animals besides gadoll liek the scorpion n cows tht show up for a sec in ep 1 so tankers hav tht going for them re: food sources ..SORRY FOR RAMBLING SO MUCH deca dence essay got sleeper agent activated

onehithero said: i rly like what usaid abt kabu from natsumes pov too but i cannot form a half cohernet thought abt tht one

onehithero said: ALSO ALSO i think its interesting how the ep 8 conversation w minato is i think the only time kabu talks abt being jealous of humans being able to choose their own paths

onehithero said: also how minatos convinced hes like a good lil cog in the machine yet hes done 50 things tht wuld get him labeled as a bug but he just ignores all tht. the both of them can be so disconnected w reality

onehithero said: like minato didnt know abt 1)natsume 2) how the system has made kabu so severely depressed n he culdnt put up w it anymore.n minato continues pushing the just go along w the system shit he doesnt understand tht he was contributing to kabus misery.. n bc of tht kabu doesnt trust minato enough to tell him abt natsume for so long but then he goes n asks smth so big of him as go against the system

onehithero said: thinks abt how kabu n minato r obviously so important to each other but minato understands him less n less over time & kabu kinda already knew its risky to confide in minato like minato did know abt pipe which was a long time ago but he didnt know abt natsume til kabu was already sacrifing himself for her sake. n yet kabu then goes n tries to get him on his side anyway cuz he wants tht so badly..

onehithero said: OMG OMG CHEWS THESE WORDS SLOWLY N THROUGHLY SO DELICIOUS THANK U THANK U u get it u understand i love reading n writing essay lengh responses abt deca dence & again u just hit the nail on the head w this

Please let me know if this @ u 8 times and sorry if it did.  I will reply under this readmore but i love this enthusiasm! I like discussing this stuff so if u want keep it coming. I wanna understand deca dence better and i think i will by sharing ideas w other ppl. 

I think kabu and minatos relationship  is as good as it is because theres clearly a lot of mutual love and respect between them even when they don’t understand each other and thats why minato still runs after him when he hears kabu going suicide mission lets go baby. I think its interesting that minato was like ready to lie down and accept getting mass scrapped until he hears kabu go im about to be hilarious and hes like actually living and staying alive sounds great actually forget what i said about it being over.   you are so right about kabu and trust and natsume. I will always cherish episode 5 where kabu gives this big rousing speech about how natsume inspired him and saved his life and minatos there like ..who? ..what?? I think they may not be used to hiding things from each other. Also I think them drifting apart mirrors natsume and feis drifting apart tho I think while feis the instigator on that side kabus more on his side and minato like natsume is like wondering what in da world is going on. I think someone else wrote about this better than I can.

I do think minato does know kabus severely depressed because theres this line in ep 4 where he puts his hand on kabu and says like you’ve toiled enough at that awful job. and also in episode 11 when he and kabu talk and kabu says he was in a similar place as minato now in that he was waiting every day to be scrapped minato has no reaction until kabu says but that bug saved me. I think he knows kabus very depressed but he does not know how to address it cuz the system never gives either of them the tools or options for it. Though also I feel the system discourages meaningful relationships between the cyborgs so I think what minato and kabu have is likely pretty rare. Kabu donetello and turkey also fought together for a long time but turkey turns on donetello in a second even tho they fought together, he was his number two, and they were in prison together, and were pretty much all they got and donetello kills him in turn. I also think minato probably knew because he’s empathetic. Like I’m not sure about compassion but he’s very good at understanding where other ppl are and how to meet them in the middle so both parties get something they want. That’s how he got all the gamers to collect the old deca dence parts. Not by cashing in on ppl doing the right thing but by framing it as the final mission. He gets his lgbt community center coworkers for fight with him one last time by appealing to their sense of duty. He got the system to put kabu in jail instead of getting scrapped when Mikey got scrapped for a lesser offense. The list goes on. A tangent but I think the fact he acknowledges the living conditions of the humans are gonna get worse if nothing’s done even tho he’s apathetic at best towards them shows even when the system tries to mold the cyborgs into the roles it wants, sometimes the traits they have just keep on going despite themselves. I’m gonna stop myself before I go into jill and this theme but I’m gonna talk about it someday. So I think its more likely than not he knew but he didn’t know how to navigate around it also because it’s heavily implied he’s going thru the same thing and I think kabu might genuinely have no idea Bc kabu lacks empathy but his heart... is huge. When he hears minato express his feelings of not knowing what he wants he instantly tries to reach out and explain minatos not alone in what he feels. This is why they’re good foils. while kabu moves past where he was in the start where he states he does not intend to oppose the system and his compliance while also trying to do the bare minimum drives him to suicide, and finds the willpower and a reason to live and rebel against the system through his connection to other people (first natsume , he hangs out w kurenai sometimes too, and then with the jail robots). Meanwhile minato whos stuck in his literal ivory tower (it’s a Metaphor) never makes any of these connections. It’s the irony of kabu working at a armor repair job giving him some ability to connect w others vs minatos higher position isolating him from everyone else. I think kabu living amongst the ppl he harmed drove him to give up on life quicker, while minato being far apart shielded him from rlly having to see the effects of his actions I think he was headed a lil slower in the same direction. I think we’re led to believe minatos okay where he is but I think towards the end it’s clear minato has spent most of the series also in a bad place. I think he views things very similarly to kabu in that he wants to use what power he does have to protect the ppl he cares about similar to how initially kabu tried to just convince natsume to quit several times and he was like whatever at the rest of the humans who are natsumes comrades dying but he chooses to put it all on the line and try for some systemic change when he sees natsumes determination to fight. Also I think minato holds very little loyalty to the system cuz he doesn’t only like breaks 1000 rules for kabu (the hypocrisy) but he also looks the other way a lot. For example, when he overheard the top rankers talk about limiters he’s like I’ll pretend I don’t hear it also turn on private mode next time and he doesn’t berate them for considering cheating. Also donetello has been using an illegal avatar to climb to S rank again (isn’t it interesting that even after the ranked system is abolished something similar took its place). And his avatar looks the same as it did when minato worked with the guy. There’s probably like not that many ppl in s rank. And he calls himself donetello. Minato knows he’s supposed to be in jail but does he tell anyone? He’s like well.. that looks like someone else’s problem if they notice *goes and vapes* it’s so funny how little minato cares but it’s also not funny Bc some of minatos cruelest actions and things he’s complicit in are born not outta malice but apathy to everything. I think it shows (tangent number 4?) how the systems use of excessive force is counter productive cuz neither minato nor kabu are willing to report anything to disrupt the order Bc neither of them think the level of punishment is warranted. I also think that minato is probably the first person kabu really opens up to about why on a personal level he feels the system needs to be destroyed after Ep 7 is really interesting. It really speaks to how deep their [mutual and not platonic relationship I don’t know how to label ] is. I also think that he admits to minato that he envies human is rlly interesting and would like to hear what u have to think! I think it’s interesting that what really sets minato off is kabu saying he wants to choose for himself and also wants other cyborgs to have that freedom and I think it’s one of the few times we see minato get genuinely angry and have it not stem from worry. Tangent 5 I’m really extrapolating here but I think it’s very likely given how high up minato is that he likely knows of several cyborgs that rebelled against the system for similar reasons as kabu and knows how it ends and I think it probably feeds into his defeatist attitude. I think his role in the system must really kill whatever grasp of whatever minato has cuz he constantly has to act like it’s almost the end of the world and he’s strapped for resources all the time for like decades and decades of having to fake that type of desperation to entertain ur player base and cuz ur also on tv to entertain the general populace to distract them from their soul sucking jobs. I think that’s gotta mess with his perception of himself and also his ability to see that struggle as real and genuine. I think that’s also gotta be hard cuz he seems like out of his whole fuck we r under attack persona he seems like he’s a lil closed off but generally chill and somewhat upbeat to ppl who know him and he just wants to be isabella from animal crossing. I got really off track here. I think what really gets me is their relationship is built on knowing each other so well and so long , and how it’s managed to survive and persist through all this tragedy. They really mutually respect and love each other and that’s why kabu let’s minato walk away from his revolution even tho it compromises everything he works for. It’s why minato ultimently accepts kabus willingness to die for a tanker even tho he really doesn’t get it at all and it means it’s goodbye forever. But it’s still not enough to save either of them. Minato can’t save kabu from trying to passively starving himself to death and I’m not sure if kabu even knows where minato is at mentally. Sometimes no matter how close u are to someone there r things u miss and things u can’t help each other with. Even tho the two resolve to fight and then die together cuz this seems like the best choice Bc the system they were born into offers no alternatives, the deca dence doesn’t even activate without the help of other ppl. I think it shows one relationship cant support all that weight. In the end it is through their bonds with other ppl that gets them to an ending where they both survive when they decided alone their only option is death. Also u are so right about the other animals existing I totally forgot ty I cannot believe I forgot about the scorpion which calls to natsumes hairstyle which is a visual gag on how natsumes a bug and how like a scorpion, although unassuming, and fucking kill u, just like how her trying to get her boss to open up eventually leads to the whole thing toppling down. I also have a lot of thoughts about natsume but I’m still thinking of them and thinking hard Bc sometimes she becomes kabus inspiration Pinterest board and I don’t like that. When she shines she really shines but it starts getting sloppy towards the end so I have to think a lil longer about it. Okay I’m done. Also it’s kinda hard for me to look like I’m agreeing to ur points and nodding in this format but I really appreciate ur thoughts and will try to convey this. Maybe by formatting as a response to each of ur replies next time

[professorspork]

I was going thru the frozen tag n thinking about all the things this is to me. Me my sister, her mental illness our pushing the other away, our confusion and all our loneliness. And all my longing, for more friends for more time for more connection and all this movie is in unwavering hope, and rebounds after loss and REBUILDING. And Love. And love. And going thru ur frozen tag, reading more takes. Making this movie MORE to me than it already was(which is: all the world) —cont

But also im still deeply reeling from the sequel. Which, while it has great great parts. Kind of feels like a rug being pulled out from underneath the healing of the first movie. Which. Cause this is my comfort movie. I’m kinda taking it hard. Idk. I just needed to share this. Separation anxiety and idk.. fear that eventually I won’t be enough for people around me and they’ll go other ways. I just. I’m too lonely for the *reconciliation* movie to turn to be abt still needing more

You said it was alright to post publicly, so here goes:

I can't tell you how moved I am that you'd come to me with this. I have a lot of things to say, and I think ultimately very little of it has much to do with Frozen 2--though I'll get around to that, so just flagging to everyone that the Read More is there for spoilers as well as length.

I'm not sure that everything that I have to say will resonate, so please feel free to take what helps and leave aside what doesn't. Know that every word is meant with all the tenderness in my heart. I ache over what you're going through, because it's as real a feeling as any of us will ever encounter.

First, I want to say that I've stood where you're standing--many, many times. The series finales of How I Met Your Mother, Warehouse 13 and Pitch felt like such slaps in the face I have never to this day been able to muster up the same love for the hours upon hours worth of episodes that preceded them, no matter how much they once meant to me. And just a few months ago, Endgame ripped my fucking heart out, tbh.

I could write a whole essay about the similarities between Steve and Bucky and Elsa and Anna, but luckily I don't have to because a bunch of my favorite people have gamed that out extensively. But the things you talk about, about how the most important things from the first movie-- the miracle of these two people finding each other and choosing each other after so much time apart, and how much that meant to you--I relate to that so deeply. And I can see how, in the face of that, the fact that after everything Anna and Elsa take steps in different directions, away from one another, can feel like the most cutting betrayal. I want you to know that I understand that, and that you don't have to justify that feeling to anybody, or apologize for it. It's not a childish reaction, nor are these childish notions. Learning how to be in the world and how to value others and be valued in return is what we turn to fiction for. We see us; we learn how to be an us. So like. If you take nothing else away from this, please know that. I feel you, buddy. I hear you. And you may feel lonely, but you're not alone.

I wish I had advice for you on how to get to the other side of these emotions. If you can, I hope you can talk to your sister about how you're feeling--and if not, to other family members or friends. (I also don't know if it's an option for you, but I can say from experience that therapy was super helpful for me in sorting through my own expectations for myself and the world around me and how to cope when I couldn't make them match up.) We're strangers, you and I, so I can't be as specific or as helpful to you as I'd like. I don't know you very well.

I do, however, feel like I know Anna and Elsa. And maybe talking that part out a bit might show you a facet that makes this a bit easier to swallow. (And it's fine if it doesn't! Feel free to take with many grains of salt, or to not take at all.)

I think something that's important to remember is that, before her coronation, Elsa hadn't left her house--had barely left her room--in over a decade. She wasn't just estranged from Anna, she was estranged from the whole world, and from all of the experiences that being in the world entails. When we catch up with them at the start of Frozen 2, she's had three years of a mended, tight-knit relationship with Anna. But whether it's through the responsibilities of being Queen or her own doubts, she hasn't built that bridge any further than her immediate circle--Anna, Kristoff, Olaf and Sven. When she sings "Everyone I've ever loved is here within these walls," to me that tells me everything I need to know. They've opened the doors, but only just long enough for Anna to step in. They're still not confident enough to leave the castle that was a cage for both of them for so many years until they're forced to.

And when they are forced to, they learn that they have duties to other people outside of their immediate family. Not duties in the royal sense, but in the moral, ethical, "what we owe each other" sense. They learn that community means acts of loving service, to others and to yourself. Your mileage may vary, but I don't read the sisters' decisions as pulling the rug out from under their healing. To me, it's building upon that healing and sharing it with others. They're now secure enough in each other, in that bubble of love and safety that they created, that they can start to expand it. They can take the tools they developed to repair themselves and each other, and use them to repair the whole world. It's not that they're not enough for each other--it's that they realize they're overflowing with it. They have so much to give it has to carry on and out to everyone around them.

Or, to put it another way--just because Anna and Elsa are moving in different directions when we leave them at the end of Frozen 2, doesn't mean they're on different paths. No matter where they go in the world, they'll always find their way back to each other. And in the meantime, they walk together even when they're apart, because each carries the other with them. You know? To me, it’s not an “or.” It’s an “and.”

[jawnkeets]

could u maybe recommend some theory texts that u read and actually liked/found beneficial to understanding other texts since u read them? i've been looking a lot at different books abt literary theory lately - i'm a student of english lit getting my bachelors degree but there's not a lot of theory included at my university, and i feel like it would help me to know some. anything would be appreciated! (tho i appreciate u anyways)

hey anon, apologies for the belated reply!

if ur looking for a useful overview of theory which takes you through pretty much every movement from the conception of ‘theory’ in the modern sense (traced back in the author’s opinion to matthew arnold) and ending with very contemporary stuff like eco criticism, then bertens’ literary theory: the basics is a good shout. it is very thorough and picks out each school’s most important and relevant passages so you don’t have to slog through thousands of pages yourself. that said, whilst this is a sort of quick fix, reading it all in one go probably not the best way to learn theory as there’s a lot to take in (speaking from experience). i’d read theory in small chunks, proceeding slowly, e.g. when you have a free hour read eliot’s ‘tradition and the individual talent’ or whimsatt and beardsley’s ‘the intentional fallacy’, rather than deciding you’ll tackle ALL of new criticism and feeling confused and overwhelmed (movements clash internally, too, so any insertion of ‘what new criticism thinks’ into an essay will be an unnecessary generalisation). 

i am, however, hesitant to push you towards just learning every single ‘school’ (which are more ill-defined than is often presented) and then transferring this knowledge to your work. deciding to ‘do a marxist/ structuralist/ new critical reading��� has always to me seemed a little impositional and at times unnatural if done uncritically and arbitrarily. students often want to learn theory to improve their essays and make them seem more learned (i too have of course been there done that and am still guilty of it), but it can have the opposite effect in the eyes of an examiner, to their dismay. this is because it may seem as if they’re not thinking for themselves, even though they’ve spent loads of time and effort becoming familiar with complicated ideas. in itself that’s great, but the problem then becomes that a marker may think ‘yeah they understand post-structuralism, but so what?’.

a good essay writer will instead read a theory or theorist and latch onto the ideas to improve their own. this is hard to explain and equally as hard to do. it can happen, to my mind, in one of two ways. one is by adapting or applying the particular idea(s) to the book(s)/ poem(s)/ play(s) etc the essay is focusing on with nuance, and seeing how the theory interacts with said book(s)/ poem(s)/ play(s) (i.e. not writing a blanket statement like ‘a feminist would say that…’, but focusing on a very specific idea from one theorist and quoting relevantly from the original work, saying what YOU think at all times - using the theory as a tool, not a substitute for your opinion), and how the passage itself ‘bites [the theory] back’ so to speak, raises questions about its legitimacy, demands modification, etc. the other is by allowing the intricacy of thought, imagination, etc in theory to guide and elevate your intellect, without necessarily using the theorist’s specific ideas at all. to put it in a more simple way, reading clever and edifying things will over time be edifying and make one cleverer. but this should not be to the extent that your own voice is obscured - i personally like the fact that i’m me and write like me and not t. s. eliot!!

i would like to recommend reading classical literary theory/ criticism, too, because i feel like us students often look towards the modern stuff and apply it somewhat impositionally and artificially on texts written beforehand (unless we are careful), whereas a lot of the classical stuff actually influenced much of english literature, especially the slightly older english literature, so it can be integrated into essays more naturally (though of course what i’ve said above still applies). i’d recommend horace’s art of poetry and longinus’ on great writing/ the sublime to begin with! they’re easy reads and quite short, but very rewarding.

there are also really useful books that aren’t mainstream/ ‘canonical’ theory as such but can help you read texts with a fresh perspective, like bennett and royle’s an introduction to literature, criticism and theory (which is very readable and moves away from rigid ‘schools’). my final recommendation is harold bloom’s interviews on youtube. they have helped me ‘read’ texts via reminding me that it’s not necessarily only heavily theoretical stuff that’s going to aid reading (not that bloom’s work isn’t ever heavily theoretical of course) - for example, you can find a strange sort of ‘understanding’ in reading aloud. as bloom says in a 2000 interview, literature ‘alters you a little. it changes you.’ and sometimes going back to the roots of why you chose it can improve an essay just as much as tackling heavy theory. there are different ways of being thoughtful, if that makes sense.

sorry this got so long! i hope it’s answered your question and is helpful and not too patronising; obviously we’re both undergrads at uni so i’m very much still learning all this stuff too. but just my two cents ❤️ if you’d like any more specific recommendations hmu anytime!

[bronanlynch]

hamlet, much ado, CORIOLANUS, henry the fifth (guess which one I had to c&p)

tbh I assumed u were just really really excited abt coriolanus which like. valid and mood

HAMLET: Do you have any specific/creative ideas on staging a production of Hamlet?

oh boy do I........ ok first of all I would def borrow some of the set/lighting stuff from the production that I saw a few months ago (the one with ruth negga as hamlet) bc there was a lot of really really cool stuff w doors and silhouettes that I thought was super effective. also extremely a fan of having hamlet played by a woman or a transmasc actor bc like. ok. I don’t think trans!hamlet was necessarily what that production was going for but that’s how it came across to me, a transmasc person like. I’ve seen hamlet played by women in a way that felt like hamlet’s a woman in that version, regardless of how much or little they change the script/pronouns. the ruth negga version was like. oh. hamlet is trans and also even if that wasn’t what they were going for it’s still the only portrayal of a transmasc character that’s ever resonated with me personally. not to get into gender stuff but I very rarely feel like I recognize myself in fictional depictions of trans people but something abt this specific hamlet just. really vibed w me y’know? something about the mannerisms and the costuming and the way his depression isn’t specifically abt his gender stuff but that sure doesn’t help (all the layers of being referred to/referring to himself as unmanly, talking abt hating femininity contrasted w how much this version of hamlet clearly cared abt ophelia+gertrude, another reason for everyone to disapprove of his relationship, etc)

anyway tl;dr my ideal production would make hamlet trans, also I’ve been kinda vaguely considering what the costuming might look like if u set it further back in history like. more like the time that the sources shakespeare was working on were from bc then I could use the stuff I learned for my dissertation abt early medieval clothing for something

also I hate how every single production I’ve ever seen has done ophelia’s ~madness so I wanna do a version where she’s playing the same game hamlet is of like. pretending to ~go mad~ so that ppl won’t see her as a threat except it doesn’t work bc there’s a moment when she’s like. giving out the flowers and too much of her anger comes through at claudius. when she leaves the stage for the last time claudius gestures for one of his guards to follow her out with the implication that he’s having her killed (later, when gertrude comes back to say that she’s dead, so does that guard and claudius nods like. yeah good job u did the thing). also laertes tries to follow ophelia when she leaves but claudius stops him, I don’t understand why you wouldn’t play it like that he can’t just let her go like that

also also if hamlet doesn’t die in horatio’s arms what’s even the point, from a narrative perspective as well as a homoeroticism perspective. also in general horatio needs to be present throughout and like. important? bc too many production neglect horatio but like. he’s the one who makes ppl care abt hamlet anyway I’m gonna stop now before I go into an entire essay

wait no that reminds me of the actual academic essay I did write abt generational conflict in hamlet and why u gotta cast the parent generation as like. obviously older than hamlet’s generation in order to get that across. also bc lots of productions cast hamlet & gertrude closer in age than hamlet & ophelia which. hmmmm. don’t love that

MUCH ADO ABOUT NOTHING: Go off about the best female character.

beatrice muchado is a strong contender but also everyone already loves her so I have less to say that hasn’t already been said, I would be tempted to say viola twelfthnight if I weren’t so firmly on team viola/cesario is trans, I love ophelia a lot but I hate the ~madness scenes, most of my favorite women in shakespeare productions I’ve seen have been women playing male roles like please I would love to talk abt the all-female julius caesar where brutus was a butch lesbian, or like. gwendoline christie as titania in midsummer except titania and oberon’s roles were swapped (which I have mixed feelings about bc the oberon/nick bottom stuff is played as a joke which like. to be fair that’s how titania/bottom is usually done and I know the joke isn’t actually just ‘haha they’re gay’ it’s abt the weird magic shit and the fact that puck and titania are messing with them but. y’know. the experience of being in an audience laughing at two dudes kissing did not make me personally feel great. however I fucking loved pretty much everything else about the production so it balances out to still being the best midsummer I’ve ever seen and also one of the best plays I’ve ever seen full stop)

also best is such a vague and subjective thing like. Idk I love a lot of them for different reasons, y’know? I do think beatrice and maybe juliet are the ones I would say are the best written, gertrude is a close third bc it really depends on how she’s played in any given production but one of my favorite parts of hamlet is in the last scene when she drinks the poison if it’s framed as her knowing exactly what’s going on and daring claudius to stop her and admit his own guilt

CORIOLANUS: Which gay pairing has the most evidence? (Conversely, which pairing do you wish had evidence?)

cesario/viola+orsino is canon send tweet. but really like. usually the cross-dressing heroine changes back into women’s clothing at the end to restore heteronormativity or whatever and I know that viola does say “hey I’m gonna go change” but never actually does and orsino still calls them cesario after that in one of his very last lines so like. I’m just sayin

 brutus and cassius’s deaths are basically the same as romeo and juliet’s, and are therefore also a pyramus and thisbe retelling, in this essay I will

HENRY V: What is the best monologue/soliloquy? in general I’m not that into king lear but edmund’s “now gods, stand up for bastards” monologue is extremely good and sexy, somewhere there’s a recording of riz ahmed doing it that’s just. chef’s kiss

as a hamlet stan my favorite hamlet soliloquy is his first one, the one that starts with “oh that this too too sullied flesh would melt,” and ends with “but break my heart for I must hold my tongue” which not to be a basic bitch but that’s one of my favorite lines in anything ever

also antony’s funeral speech for caesar gets me (almost) every goddamn time. the one singular exception to this was the shakespeare in the park production a few years ago where they were trying to do shallow modern political commentary that really didn’t work and actively undermined the themes of the play

[intersex-ionality]

odd question, related to the PCOS post with 4% of the human population being intersex. I'm kinda-sorta working on a story with an alien species that has mosquitofish-like development (the gonads are all internal and in about the same area, and differentiate during "puberty" based on environmental and social factors), and there's no research on the normal baseline of mosquitofish intersexuality, so I picked abt 4% for my aliens just to be safe. should I double that up to 8%?

well, first off, it’s a fantasy setting with fish people, so you can set the amount of intersex fishies to any number you want. my fantasy setting with fish people that i wrote when i was 14 had 8 genders and 6 biological sexes and about a 50-50 shot that you’d fail to differentiate into one of the biological sexes completely or at all.

the beauty of science fiction is the ability to say, ‘fuck it, i do what i want,’ with regards to alien cultures.

and intersex is culturally defined.

if 8% feels right to you, as an author, go for it! if not, then stick with 4%, or do 25%, or make it 0% because this species didn’t develop a cultural concept of sexual categorization, or sees those categories as nothing more than an ancient facet of a long dead reproductive practice. you can’t fall outside the sexual categories because there aren’t any.

write your wildest fantasies!!

if you’re concerned about meeting a specific hardness-of-technology in your writing, then intersex rates can still be set more or less arbitrarily because they are completely cultural. maybe your fishies only consider someone to be truly sexually female if they’re between the ages of 15 and 26 and with blue rings around their eye-stalks, and anyone else who has any reproductive similarity to these true females is female-intersex, the way the west defines any intersex person without a Y chromosome. except, for your fishies, that might be 45% of the population.

beyond that… i might suggest reading this essay about cultural appropriation by jeanette ng. it’s obviously about race, but i feel the advice it’s trying to express applies pretty well to all manner of queer identities, too.

an intense focus on the numbers and facts of being intersex can cause you to ignore the much more important considerations about culture and personal experiences that your intersex characters will be going through. that’s the stuff that matters. once you determine the culture your fishies will hae surrounding their intersex peers, then you can sort of… retro-engineer the “right” percentage of them to be intersex based on how rare their peers think of them as being, and what social obstacles they may face due to that rarity–whether actual rarity or simply perceived.

[j4nn4s]

rules:

always repost the rules

answer the questions given to you by the one who tagged you!

give 11 questions

tag 11 people

i was tagged by @isakvdhflorenzi, ty miss lorena <3 1. Is the social media presence of the characters important to how you view the quality of the remake/show?

hm well skam nl is my favorite and their social media game is trash LMAOOO so generally No but i do feel like remakes who DO have such a good presence kind of elevate the show and i think it’s pretty heartwarmin to see some remakes go sm farther than skam with social media and puttin out educational and IN CHARA resources like skames does this so well and i feel like in that way, the team is really really spreadin skam’s spirit via these resources (like joana’s billion bpd awareness ig accounts and lucas rubio’s yt channel)

2. Least favourite clip of the show? Why?

tbh there are definitely some duds but probably one of the clips with sana gettin herself into a hole in s4 just bc some were hard to watch cus cringey or yikes .... idk i cant think of others LMAO

3. Which character did you feel the most connected to and why?

ijeoiqjiwoij even tho even is my all time fave skam chara, i have to say isak for all of these reasons 

4. Your least favourite part of every season?

season 1 - tbh even though i really enjoyed this season, it does take a while for it to build up like i rmr at first not being that interested until ep6 maybe ?? which is hard when you’re trying to get your friends to watch but they have to wait until ep6 before shit starts RLLY buildin up and gettin wild

season 2 - hm ig noora chasin after william ??

season 3 - bro NOTHINGGG call me a purist but its such a refined masterpiece like the pacing is good the characterization is so good ugh i deadass cant think of anythin

season 4 - i always felt a little ??? w noora being sana’s bff ig bc from s1-s3 it didn’t Feel like they were that close like even in noora’s pov, sana wasn’t really a part of it that much ?? like eva was more of noora’s bff ?? so i feel like it would have made more sense if maybe sana spoke more with chris or vilde bc sana and vilde eventually seemed to get closer esp with kosegruppa and chris has always been by sana’s side ?? idk that always confused me

5. What is your opinion on the cast’s participation on social media? Do you prefer it when the cast aren’t that involved like the Skam cast, or do you like a lot of content like the Fr cast do?

tbh i don’t care much abt the casts LMAOOO if anythin it kind of brings more harm as seen with the harassment axel and maxence get and also can bring more controversy like with irene (which honestly is p sad considerin how much i love skames bc now i feel super :/ watchin it like she shouldve just had private accts at this point)

6. Favourite song you found from Skam or the remakes?

OMFGGG love this question .... def doorman by slowthai and mura masa bc its one of my fave songs now and i got it from skam nl <3 ugh taste

7. If you could decide which characters from Skam got a season, who would you choose?

OOOHHH ugh torn bc i like isak’s pov but also i want even’s so might have to forfeit isak season for even season ....... hm so probs vilde, sana, even, noora (maybe not w william tho) and honestly maybe jonas too ??

8. Are there any moments that you liked in the show that everyone else seems to hate?

IJXDWQOIJJ yes .... remakes-wise, people hate skam nl s2’s last half but i enjoyed it for the most part ... i think the pacing was off for the last ep but personally, clip 50 made up for it and is p god tier imo ..... and also don’t think the first half of ep10 is enough to discredit the entire season bc i rlly loved seeing liv’s pov and have sm fave moments from the season 

but skam wise, omg might get a lil controversial w this one IM SORRY !!! im bein honest and its Just my opinion ok 

personally s2 got me more invested than s1 and i don’t think its a super bad season like i didnt really say many problems wrong with it until i got on tumblr wiejioqjoiqjq i was sort of interested in the questions that the noora/william dynamic brought up which is, as expressed in william’s war speech to noora, that nothing is ever black/white which i feel was a huge message and feeds into the ‘you never know what ppl are going through’ theme of the season ... like i like the idea of someone like noora, who can have a black/white mentality (as seen in the first clip of s2 when she tells vilde that they can’t have the tannin company as their sponsor bc they objectify women or smth but misses the context and what it could mean for the bus monetarily bc shes caught up in bein ‘woke’) having to break out of that and see more than one side ... and i think remakes like skam austin expanded on this idea well like when zoya was like ‘must be so nice being right all the time’ which i Do feel like is an important for youth to know today .... bc i think its so easy to get caught up in the idea of being so objectively right and morally superior that people lose sight of the more nuanced characteristics to life ... (omg long ramble BUT)

also LMAOOOOO this one might be more controversial as it pertains to bench scene s4 ok oops again doNT GOTTA AGREE !! ........ but i feel like the scene had a lot of good intentions ... i was def kind of cringing a bit tho bc i understand the subject’s sensitivity and how these topics are hard to talk about but i genuinely feel like they both made Some points and should listen to each other .... like as Hard and as maybe ‘unwoke’ it is to admit, unfortunately you sort of do have to answer the tough questions bc that way we learn from each other .... and i perfectly understand why some ppl wouldn’t want to do this and i certainly am tired abt havin to answer shit abt my sexuality or stupid male questions abt women but if u dont answer them, people do go lookin for answers still and the internet is such a shitty place that its pretty easy (esp with youtube’s algorithm) to lead you to ignorant ppl and perhaps radicalization .... questions help us to better understand our community and sometimes they can have good intentions too but we have to ask and answer them or else people will make up answers (which ive literally seen and its honestly worse to see fake as shit and UNINFORMED answers bc ppl did not want to ask you or ppl of ur identity, esp when they’re already startin from a place of hate .... but i rather have ppl ask me patronizing questions than have them spread false info bc that can do much more harm in the long run) however i DO think that isak should also consider sana’s side and i sort of wish we saw him conceding more bc they both have smth to learn from one another, like sana shouldn’t just be learnin from isak, isak needs to learn from sana too

PHEW SORRY QWIOJQWIO girl i just got opinions on some things this is when my desc rlly comes in handy .... oqjdwqioj

9. What did you learn from the show?

omg honestly too much to write here tbh ..... but if it says anythin im (very slowly) in the works of a three part skam essay about basically how skam teaches us to be better humans and how to better treat the people we care about diowjqioj essentially the three biggest themes of the show: you never know what someone is going through so always be kind, always communicate with your friends, and no person is ever alone and i feel like these are definitely rlly good messages to live by (also livet er nå BITCH !!!)

10. What is your favourite headcanon about your favourite characters?

omg tbh i could not tell u at all how the skam charas are doing except i hope even is okay thats all im thinkin of ok .... OIWXIOJX omg remakes wise tho ..... honestly im so bad at this girl IDK !!!!! LMAO i have to really think i have a bit of vdh and dutch even but thats bc we know like Zero abt them so its easier oijwiojqio idk liv and noah bein cute as shit ..... OH WAIT personally i feel like janna got a bunch of pansexual energy so my BIGGG hc is that she’s pan also bc she’s one of my all time fave charas and my fkn url so itd be dope if she was pan ok boom

11. What is your opinion on fanfiction in the fandom?

tbh i don’t read skam fanfiction but i don’t mind reading some from the remakes (tho still its rare) ... eiojeioqw i just don’t trust anyone but julie to write skam charas bc i think that’s how precious the show is to me LMAO like idk everything ive seen of skam fanfiction and ficlets and one shots, i could never get into bc the tone is just so out of character or there will be lines that just take me out of the fic bc im like this !!!! is not !!! how the chara acts !!!! so yeah idk not rlly a fan bc of my purist ass but i dont mind others reading it

Questions:

1. Favorite quote of the show?

2. Which country would you like to see have the next remake? Do you have any headcanons?

3. Which season would you rewrite and how would you rewrite it?

4. What clips do you personally like or don’t mind, but others hate?

5. Which songs do you think SKAM or the remakes should have included? For which moments?

6. Who would you give SKAM season five to and what topics and themes would it cover?

7. What moment spoke to you or touched you from SKAM the most?

8. How did you find SKAM? How did you feel about it right after watching?

9. Have you shared SKAM with any friends in real life? What did they think of it?

10. Of the remakes, which characters are your favorite of their SKAM counterparts? (Ex. who is the best Vilde remake? Eva? etc.)

11. How do you feel about the SKAM (and remakes) tumblr fandom?

I tag: @smileykeijser @whatadaze @queenofpurgatoryx @itlukey @skamyeets @shaykeijser @megeliz01 @isakcijser @wackpainterkid @axelauriantblot @kar-d-momme

(omg ik some of yall have been tagged so just ignore if u dont want to do it ok im srry it was in the RULES!)

[primeadv]

SITS DOWN

PULLS OUT 10 GIANT ALBUMS :))) 

(this came out way longer than I intended im so fuckgkdsdf sory)

How I feel about this character: EVERYONE WHO KNOWS ME KNOWS I’M IN LOVE WIHT RATCHET. I love him in all iterations of Transformers because he’s always the tired, pragmatic one of the group. In contrast, he’s also almost tiredly optimistic in some ways. He won’t get out of bed, but if someone gets shot in the head he’ll spend however long and beyond to resuscitate them. There’s 2 halves to this--the me who identifies with the beating exhaustion he exudes, and the me who’s in awe that he’ll still fight his way through life.  I won’t... get into each continuity...because that’s too much, so I’ll stick with probably the most unpopular version of him and that’s IDW (my impression, anyway). IDW Ratchet gets a lot of flack for being way too sour and like, maybe not selfish, but uncaring. He cares! A lot! He’s always thinking about everyone in really surprisingly thoughtful ways. Like when he’s 90% sure he’ll die due to Overlord and his last words are to promote First Aid to CMO (he’s ready!! god that’s sweet), and to give his hands to Whirl (though maybe a bit blindsided, he’s paid attention to some roots of Whirl’s trauma). Or yeah he’s hella mean to Drift in the beginning, but when Drift is dying in his arms he’s scREAMING at him “you’re gonna make it! You’re gonna be fine because I’m gonna make sure you’re gonna be fine”. He can be an asshole, but he knows the time and place. Death isn’t something to play with--he’s seen probably countless friends die, and he doesn’t want that to happen again. Even now, even after the war.  So I feel very confused when ppl act like he’s this mean, cold person. He’s exTREMELY emotional. He’s probably way too invested in everyone’s lives, honestly? He interrupts a round table story for Rung just to reminisce on the veery last time he, OP, and Roller were together in the same room (not even hanging out or anything, just being together one last time. who remembers that after 5+ millions years??). He started an illegal clinic in the bad part of town because he wanted to put his skills to better use! Like! LOL.  ALSO, a point that i think is unfair is that ppl think his atheism is just really mean. IT is! But I think it shows just how much of an emotional and extremely, deeply hurt person he is. It gets aggravating when he’s condescending of religion, because there’s no simple logic to it. He reacts the way he does because he’s a hurt person who’s gone through years of trauma and this is his way of coping. Is it healthy or right? Nah, but it’s humanizing. It’s why when he becomes closer to Drift he occupies this weird between space where he snarks but also tries to indulge more in perspectives outside of his own in his own dumb old tsundere way. He’s a person who believes in justice, ultimately, and religion to him doesn’t fall under justice.  ALSO, can I say that his inability to say good byes is so.. like relatable? I have rly bad social anxiety, and so I’ve definitely ghosted people who’ve been nothing but really supportive for me. It’s not because I wanted to burn them, but it freaks you out needing to, not even say goodbye, but communicate with ppl. And for Ratchet--how many times was he FORCED to say good bye to friends + patients who were dying beyond his help? Maybe, if he could help it, he doesn’t want to say goodbye. And it’s tragic the times he’s just left, these were people who ended up either dying for falling astray into insanity, i.e., beyond his help. But he learns. He chases after Drift, who he actually said, in a way, good bye to (helping him off the floor after being attacked, also I should point out that a very tiny handful of people were comfortable interacting w/ Drift at all, and how much Ratchet just doesn’t give a shit abt how other ppl think abt him. he’ll help drift off the floor bc t’s the right thing to do). He says goodbye in his old dumb way--First Aid calls him out on it. ALSO his trust in First Aid is super cute. ALSO he’s like.. genuinely nice to Ten (he helped him get a date with Minimus!!!). And he’s not afraid to call out on other ppl’s bullshit (telling rodi straight you dont deserve to be captain which, at the time, was really true). He’s also SUPER smart. Also there’s that post on tumblr that pointed out that Ratchet immediately goes to deescalate conflict. He’s willing to put aside pride and anything if it means ultimately coming to a resolution where EVERYONE involved is safe. The only time he doesn’t is FUCKING OVERLORD who he rightfully, immediately, tries to briefly incapacitate to lockdown his medibay (protect patients/information). Ok I gotta stop I can go on forever just going page to page. Also, despite my love, I can totally point out his flaws. He’s grating when it’s unnecessary, he’s abhorrently bad at communicating, he’s privileged, he’s narrow-minded at times, etc. ec. But again what I love about him is that despite all that, he’ll throw his own self out the window for others’s well-being bc he genuinely, genuinellyyy cares about other people. If only he could care for himself //cries All the people I ship romantically with this character OH god... everyone. He’s my bicycle.  ok look, ya’ll know I’m an intense dratchet shipper and I could literally write a god damn essay. ... here’s another essay???!! So, I’ma be real, I wasn’t a super dratchet shipper before. I wasn’t anti (i have no notps), but I was just “yeah they’re cute i guess haha”. But 99.99% the reason why I ship anything is all for super cute adorable fanart. and I kept drawing them because 1) ratchet’s my fav, 2) drift is super popular so I figured I should learn to draw him. And they became the only 2 mechs I could draw. I used to be way more into Scavengers + megarod. I used to only like 1 dratchet fanfic and that’s bc it was less romantic and more plot centric (still a fav tho). Then I kept seeing cute fanart, I would read posts by other dratchet shippers too about what makes them so nice? And I was yeah.. oh yeah. And it doesn’t help that in Lost Light, drift is CONSTANTLY by Ratchet’s side. He’s constantly checking up on him and holding him and touching him, like as if Ratchet is the thing that he needs to make sure, at all costs, is safe.  In Drift’s life, Ratchet is the one who appears to him when he needs support the most but is in the most denial of it. When Drift is at the brink of death, overdosed and about to be broken apart and Orion brings him to Ratchet’s clinic. Ratchet patches him up pro-bono and tells him that he sees something special in him.  like??? can you imagine how that feels? To have no one believe in you--you don’t even believe in yourself, and yet here’s this person who tells you “you’re gonna be great”. And it totally doesn’t hit Drift in anyway, at least in a way that’s tangible to him, until much later in life. Or maybe it does (hey, how do you weave character narratives when it’s been written by like 3 different ppl shrugs). And that statement means 2 different things to them. To Drift, it’s a reminder that he’s worth something, even if it’s a sliver of nearly nothing to hold onto. To Ratchet, it’s a reminder that the greatness he saw led to the deaths of thousands of people.  HEY can you imagine this person you saved, patched up, tried to encourage, ended up being a mass serial killer in the future? (have you ever read Monster by Naoki Urusawa). Ended up killing people you loved?  So it’s no wonder that a good part of Ratchet is absolutely mad at Drift. And I think if that was all, they probably would’ve ended up being amicable. But Drift also ended up being super religious and seeing the hand and primus in everything and oh my god is this person really waxing poetry on the value of life when he, himself, shot several bullets at me at one point?  I also believe they are uncomfortably similar as they are different. The reason why they constantly butt heads is they’re two people trying to escape a past they don’t want and found complete opposite ways to cope with their losses. Drift found religion, Ratchet is gratingly pragmatic, and they see each other and go “how could this guy choose to be this way?”. I’ve heard ppl like to cite the annual as the reason why they could never work out. BUT, can I point out, that they act around each other in a way they don’t with anyone else? Drift gets SO MAD. Ratchet gets extremely talkative and incredibly personal (pulled out an electro slug from someone’s spark, holy shit that fucking traumatized you didn’t it??). They challenge each other emotionally, and it’s so fucking difficult bc they’re both extremely depressed and suffer from PTSD and would probably rather just go on their dumb space adventure and look at stars--take 2 emotionally constipated idiots and you get them. And hell no, don’t tell me Drift is in-tune with his feelings bc he’s 10000% not. He uses religion to cope with a past and life that he doesn’t want to think about. He tries to re-contextualize himself because he hates who he is. OUCHHH. And Ratchet MAKES him confront the parts of himself he hates--bc Ratchet has seen his worst traits and isn’t afraid to make him think about it.  So why do they work out eventually? They realize how important they are to each other. Delphi, Drift saves Ratchet’s life while he’s barely holding onto his own because he probably feels like he owes Ratchet his own life. And that’s a huge turning point in their relationship--Ratchet sees that... Drift tries really really fucking hard. My friend Zig pointed out that post-Delphi, Drift is eating energon w/ chopsticks (what a fucking nerd), and you can see in a later panel that Ratchet (who chose to sit next to Drift) is using those chopsticks too. IT’s such a small thing, but they’re becoming closer by sharing and learning from each other. And then Drift takes the fall and leaves. And Ratchet realizes just how important Drift’s presence is in his life. I mentioned it already lol but the scene where Ratchet helps Drift up off the floor and it’s superimposed with the love message Rewind left for CD. They care about each other so much!! And Ratchet chases after him!! HOLY SHIT. If that isn’t romance, what is?? lol I kid, but it’s obvious just how important Drift’s presence meant to him. IT’s really because they became so so so close in a way that can’t be described as just friends. They deeply understand each other in really uncomfortable ways and bring out the absolute worst and absolute best in each other. And this point is where Ratchet again appears when Drift doesn’t realize he needs someone in his life. Drift thinks he can be a loner and just float aimlessly and voicelessly--hell no! He needs friends, he needs community. He NEEDs belonging, because he wants to belong somewhere. And Ratchet helps bridge him back to friends and found family.  And Ratchet slowly changes the more he’s with Drift. He reads religious text and tries to brag about it bc he’s a dumb tsundere lol but he’s trying to understand Drift’s interests more even if it takes a decade and more to get there. And Drift values him for being his rock. That’s why he’s constantly making sure Ratchet is safe and unharmed, because he owes at least that much to him. And yeah they eventually fall in love because they value each other in a way they haven’t anyone else. IM EMO I CAN GO ONE, this all probably didn’t make a whole lot of sense but yeah. I’m just so soft to the fact that they’re horribly hurt people who don’t know how to redirect their pain, but by being together they come out healthier and more confident. IT’S RLY ROMANTIC IDKKK My non-romantic OTP for this character As much as I also love OpRatch, they are also great best friend platonic ship. They know each other best, they’ve been through SO MUCH together. It’s honestly a shame they barely interact in IDW bc the small tidbits we have, they obviously deeply respect each other’s opinions and deeply value the relationship they’ve had over the past millions of years.  I’m also all for non-romanceOTP for dratchet because I can totally imagine they go to each other to talk about things they feel uncomfortable sharing with others (they’ve seen the absolute worst of each other afterall).  My unpopular opinion about this character I don’t... think I ahve one. Some ppl view my love for his as grating lol.  One thing I wish would happen / had happened with this character in canon. Medic spin off.