i think that on here we've kinda talked a lot about how the traditional "coming out" narrative presented in popculture is flawed in reality. because it always presents this idea that you have to tell everyone who you Really are, that youre Hiding parts of yourself, that you can never be You until you bare your Secrets to the world. and that actually this isnt because people feel entitled to your personal business but that its hurting YOU when they dont know your personal business so you should really just tell them. (but also dont be "too" proud because thats annoying :( act mostly cishet please but dont lie about it! hehe!) it will work out every time for sure :)
but ofc thats not how real life works. i mean, naturally i understand that there are OF COURSE people out there who want to be loud and proud about who they are, and that this is incredibly important to their identity which theyve suppressed for so long. but that "coming out" narrative is harmful because it ignores many of the reasons it had to be suppressed to begin with. its fucking dangerous! its dangerous to a lot of people for a lot of reasons. they can lose their support system, family, job, house, and their entire life. both in the sense that they'll be completely uprooted from it, and in the sense that they could be killed. so constantly presenting the notion of "coming out is good for you no matter what because its the Only way to be your Real Authentic Self and also you HAVE to do it eventually because thats how this narrative is just Meant to go. be a good little queer and please dont stray from this path."
and the problem is that plenty of young LGBT+ people completely internalize it too! ive had so many convos with young people worried about coming out to their conservative family because, well, theyre supposed to! and their minds are completely blown when i tell them that actually they dont have to do that. that theyre under no obligation to tell everyone their business and its okay to just keep being them w/o making an announcement about it. ESPECIALLY IF IT PUTS THEM IN DANGER!!!! and to be clear this issue doesnt stop at age 18 or at moving out or anything like that either, there continue to be many obstacles for many people that make coming out unsafe, or just a bad life decision to uproot everything Right Now. it's okay to just be in the closet and it isn't a moral failing like cishet media wants to convince us. we all agree, right?
good! but here's what my actual real point is:
when we talk about this, for some reason, we seem to only reaaaallly be talking about the gay side of it, right? like im sure lots of people imagined, like, teenage gay boy movies. maybe a couple lesbian and bi characters too perhaps. and that makes sense because thats like the most common narrative for this sort of trope, so ofc those are the first examples we imagine. and ofc theres the more complex addition of "passing" when it comes to trans versions of this story, the idea that you gotta look a certain way to be "valid" adds another layer.
so i think its time more people started to acknowledge this about trans people too, right? i think we can all agree with this on paper already; no trans person is obligated to come out or present a certain way if theyre not in a place where they currently are able to do so. physically, mentally, financially... or just because they dont wanna! whatever the circumstances are, there is no criteria they have to meet to be vindicated in this. it doesnt only apply to 14 year olds living with shitty parents who plan to move out soon and become "Really Trans" (as if they didnt count before conforming to The Narrative), the person could be 40 and never planning to be completely out, and its the same. they dont owe you this "showing the world who you Really are in order to
[earn the right to] Be Yourself" crap. thats their choice only.
however, i also think that even if most ppl on here in lgbt circles on here agree with the general sentiment... sometimes it doesnt always get applied it practice. though the whole "truscum" thing kinda died down (thank god) i still think that rampant transmedicalism has left its scars on lots of people and the things they internalize, combined with similar cisheteronormative messages in popular media about how your narrative Should go and how you Should act and look to be respected, and its Morally Wrong not to fit that mold.
so when encountered with people who dont pass, who dont TRY to pass and instead actively choose to look like their agab due to the fact that they are literally in the closet irl (lest we forget people have whole entire complex lives outside of the net) this sort of short circuit happens in ppls heads, where that internalized idea of "but you're supposed to be THIS WAY! youre not doing it RIGHT!" pops back up and they end up labeling that person as fake or Not Trans Enough for this reason.
and i do also think part of this stems from people not having enough sympathy for those whose paths are different, because they were told not to. theres a Right way, and they did it the right way. and likely they struggled for it a lot, so isnt it unfair that people are doing it the Easy Way (as if its easy to be closeted to begin with) and claiming theyre like you? thats Wrong. they have to Earn it. you lgbts should all get mad at EACH OTHER actually! this will help your community be better [in the eyes of cishetero society that doesnt really want you to exist to begin with]
additionally the reason im emphasizing the internet side of this so much is because... well, in this day and age, thats the space lots of people go to to NOT be in the closet. to at least microdose on being "out" while in real life they very much arent. like i said before, being in the closet is rough and taxing, suppressing yourself hurts which is why so many people wanna be loud and out and proud! not everyone can though, so turning to a place with relative anonymity to get that is great, and i think its probably saved a lot of people. but also because of this, its pretty much the only way to get the scenario this is positing to begin with- where you know a stranger can know that youre trans even if youre otherwise closeted completely, just so they can tell you that youre Not. but how many people in the past do you think lived lives where they never let these feelings out at all? how many alive today do you think dont even express them online?
you know that sort trope (often stereotypes in media) of a trans person "crossdressing" only when alone, in order to get a short bit of relief or euphoria that they cant in their closed life? i think that today we have the internet to do that. i think its kind of the same thing. but its also very different, because its not as private. its still secret, because its anonymous, but its also something shared with plenty of strangers at the same time. they dont know you irl, so its safe, distant, and gives you that rush of being yourself, and being referred to correctly by others too. theres community, theres support, and theres friendship too, once you get to know those strangers. its not a "second life" or a "persona" is just a side of yourself you dont show elsewhere, an identity that needs to be let out one way or another.
who the fuck are we to deny others the right to this life-saving connection just because they arent out? because they dont pass or dress the Right way irl? because we decided they arent trying hard enough to "fit in"? because they dont plan to change their lives to fit the right narrative anytime soon?
should they not be allowed into the community then? that would be perfect wouldnt it? leave many who need support out to die, because they did it Wrong. fight within our community over who is doing it Right until we've broken it in half. the righteous ones [according to cishet standards] are surely going to be treated with respect once they get rid of the Bad ones, right?
yeah, i dont think so. thats horseshit. we're stronger together than we are apart, thats why infighting is so useful to those who dont want us to be strong to begin with. its important to help each other, boost each other up, even if some of us arent playing the "right" part irl. are we really just going to sit around and accept the cishet norms as rules to live by? fuck that. not everyones story will reflect it, and you have to accept them anyway if you want a strong community. it doesnt matter how much they might look/act like their agab irl, if theyre telling you otherwise take it at face value, respect them the way you would any other. again, many of us agree with this on paper, but i think we still have to put work into acting on that too.
the end <3
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44 mickvince something mafia related plbs ill love you forever sorry for being so demanding 🥺
[not sure if this is what you intended but here you go]
---Two weeks before the wedding---
While the whole city of Naples was asleep, Michele was sitting at the pier under the crescent moon and cloudless sky. The night was unusually quiet, and all that could be heard was the sound of the waves lazily going back and forth against the shore.
“How does it feel, Vincé?” Asked Michele in monotone, after Vincenzo sat down next to him.
“What do you mean?”
“Your wedding with Arianna. Have you already forgotten?”
“No, I haven't.” Vincenzo looked up to the sky, spotting a few stars. “But I'm not really enthusiastic about it, you know? I barely know her.” He added, shrugging, turning towards Michele, staring at his icy blues.
The other man turned around and sighed.
“I think she feels the same, too.” Continued Vincenzo, gazing at the sea. “We're getting married just to please our parents, after all.”
Michele stayed in silence.
“What's wrong, Miché?”
“Nothing, it's just...” Michele exhaled. “I don't know what I'm going to do after you get married and move there. Maybe I should just... Get it over with already.” He suddenly got up, but Vincenzo stopped him, seizing his arm.
“Don't even try to think about it!” The blond raised his voice.
Michele stared at him, saying nothing, the corners of his eyes filling with tears.
Vincenzo moved his hand to Michele's. “Ti amo, Miché. I always will.”
The raven-haired man brought his fingers to Vincenzo's cheek, before the blond got closer and pressed his lips against Michele's.
---One week before the wedding---
“Ciao.” Said a boyish familiar voice.
“Ciao...” Michele sighed, without diverting his gaze from the sea. “How's the nose, Vincé?”
“Not as bad as the other day, I think it's healing.” Informed Vincenzo, sitting down next to Michele.
“It's all my fault.” Murmured Michele. “I'm sorry.” He turned towards the blond, whose hazel eyes were glistening under the moonlight.
Vincenzo frowned. “No way! Why would this be your fault?”
“You got beaten up by your father because he saw you hanging out with me! The real question is, how is this not my fault?” Michele's blue eyes began to become watery. “I should just... We should just stop seeing each other, before one of us ends up dead!”
Vincenzo exhaled. “Miché, don't say that...” He rested his hand on Michele's shoulder. Michele took Vincenzo's hand on his and squeezed it.
A gunshot was heard in the distance.
“We should go home. Now.” The dark haired man said, looking at the blond boy in the eyes.
---Two nights before the wedding---
Michele was feeling restless: it was three in the morning and Vincenzo still had to show up. He was shivering, despite it being a summer's night in Naples. He felt like something bad had happened to his lover.
He shot a glance back at the coast: he never felt so happy to be proven wrong, as he realized that Vincenzo was running towards him.
Michele got up and pulled the blond boy in his arms, hugging him and kissing his face all over. Vincenzo squeezed him just as tight. “Sorry for being late. I was worried someone was following me and I took the longer way.”
“Grazie a Dio you're here, Vincé.” The other whispered.
“Listen,” Vincenzo detached himself from Michele, “I am so tired of living like this.”
Michele blinked, a worried expression painted on his face.
“I don't want to get married to Arianna, I can't take being a criminal anymore...” Continued the blond, “and more importantly, I can't stand being away from you for just one more minute.”
“Vincé, where are you going with this?”
“I want to run away with you, Miché!” Vince took Michele's hands in his.
“But where?! You know they're gonna find us no matter where we go!”
“Not if we take the cargo ship to America.”
Michele widened his eyes.
Vincenzo grinned.
“You're crazy, you hear me?” Michele threw his arms up in the air. “Pazzo!”
“So, are you in?”
Michele hesitated. “If I had to choose between staying here without you and the possibility of dying at sea with you…” He said in the end, smiling. “I still would choose you.”
---One night before the wedding---
The first sun rays of the morning had still to come out as Vincenzo and Michele embarked on the first cargo ship to the United States of the day, hoping for a new chance at life.
Put That Guy in a SituationTM Ask Game/Prompt!
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It's hilariously therapeutic to watch Cutthroat Kitchen because a lot of the time, when a man loses, he has the funniest little reaction.
Like even if the judge was very clear and explicit about why he got voted off, he'll be like "I thought my dish was great. I shouldn't have been voted off. I deserved to win, because I'm a good chef no matter what the judge said." (When they've done things like serve uncooked meat or used a plain century egg as garnish)
Like goddamn, people are surviving just fine, without constantly being upset with themselves for small mistakes? They can even ignore huge mistakes and chose to believe they are perfect, and apparently this has been a successful survival technique for them because they're still alive.
So maybe I can forgive myself for small things. Maybe I can be nice to myself about it. Apparently I could even lie to myself about it and pretend it wasnt a big deal or wasnt my fault I'd probably be fine--so it's probably okay if I let some cereal expire, and if I can't fend off the guilt and self-loathing about it, then its a valid option to just say "well its the cereal's fault for expiring" or something silly to escape the pointless unbearable guilt.
Like I don't plan to do that for meaningful mistakes, but why not resort to Overconfident Man Confidence to dodge debilitating shame over throwing away a single paper bag that I've been reusing for months and it's finally beyond use but I feel like I'm wasting resources and should fix it? My guilt and shame aren't playing fair or logical so I am allowed to use sneaky tricks like "borrowing confidence from a man raised to believe he is never wrong" to fight back lol.
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April Update!
Howdy! Cobalt here, as many of your guys know It’s Showtime and its characters/story are gonna be turned into a horror game by the same title. So for both Gamejolt and this blog I am gonna start trying to do monthly updates on development. I think it’ll be a good way to put into perspective how much progress is being made each month and keep you guys in the know about how things are going. These are gonna be formatted with work made that month going first and then afterwards any other small announcements or thoughts we’d like to share on development. That or things that weren’t created that month that I basically keep stored in case we have months where progress is slow or I can’t show much behind the scenes stuff.
These logs will likely contain personal stuff too, since with me and my partner being the main heads of the project. Our well-being or IRL goals are relevant to how much work is being done. Also while developing Showtime I intend to create other games similar to it, to sort of learn and test the waters + Since those ones aren’t tied to an IP I can actually make money off of them. Something I can’t [or at least not without Mike n Meatly’s permission I suppose] with Showtime or its characters.
April was sadly, not my month, I found out I was vitamin D deficient and got a slight fever. So I spent a lot of days tired and recovering from that. Progress has still been made though, mostly on learning 3D modeling more, I’m almost done with a model I’m making for someone else actually and while it is not perfect by any means… I think it looks really awesome for being my maybe fourth or third model and it’ll be my first truly finished model as well. I also have made good progress on writing both dialogue and summaries of Showtime’s story. I did particularly get ideas for a good chunk of Showy's campaign however, which involves a character I was on the fence about including in Encore!... Until very recently...
Art wise not too much has been done specifically this month besides some concept art for cycle designs and some progress on textures for the studio. But that’s okay cause we’re not really at a spot where major progress can be made art wise yet.
There’s so much more I want to share but I’ll be doing my best to space out those things out between updates. So no update is too long or too short with nothing interesting in there. Also sorry this is all so vague and non-specific I’m gonna try and get in the habit of actually documenting what work is being done on Showtime monthly from now on, so I’ll be able to be more specific about what parts are being chipped away at.
So onto something that didn’t happen this month but is important we have decided to switch to Unity instead of Unreal Engine 4. I’d like to take some time to explain why and also make sure nobodies too anxious over the change.
For one thing, not a lot of progress was made on Unreal Engine, you could hear footsteps as you walked, use a buggy animation to enter a miracle station and the map was just a room full of lights. This is due to the fact while working in Unreal Engine was interesting and I learned quite a bit, I found myself often feeling it was not a good fit for Showtime and that trying to make it so was fighting against the engine as opposed to working with it.
Unreal Engine seems to be built for realistic, open world or multiplayer FPS type games. That’s not to say you can’t make anything else with it, but finding tutorials for things I wanted to do was. Basically a nightmare because youtube was flooded with videos on how to make those games specifically.
Another big aspect however was the general style. Unreal Engine is great if you want very realistic lighting and have a computer that can tank the sort of weight of that too. Neither is true for me however, Showtime’s characters are all very stylized, our humans are cartoony have clear shapes and most of all, I just want Showtime’s overall style to pay loving homage to 1930’s and general 2D Animation. I think both are really underappreciated and god do I love them. Also I’m making this on literally a laptop, a new one and not a janky one by any means, but still not a desktop.
Unreal Engine works great for those who know how to use it and want to create the games it was optimized for, but it’s not ideal for my purposes, Godot seems promising but Unity is just great at specifically doing what I want to do with Showtime. It’s great for beginners to Game Development, has plenty of tutorials for all kinds of games and is very flexible in style. Sadly nothing is better at being Unity than Unity right now. I’m still mad about what the CEO did, and I’m glad for those who were able to switch engines to those with better management but it’s not really an option for us currently.
Of course, this will put things back a bit but I’ve already been learning how to build a basic map in Unity and so far have only run into a few issues. Still I would love any advice on how to do this, esp from those who had made games similar to BATIM and other mascot horrors. [I have been thinking of building the maps inside Blender first and then importing them into Unity, to see if that’s easier or practical, but mostly I would love to hear what others commonly do to build such intricate interior design in Unity.]
Either way while this month wasn’t terribly exciting by no means was no work done, just nothing too fun to show off yet.
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