I’m tired of men doing things. a customer at work wants some hats embroidered with his logo, i’m like great so send me the logo. he doesn’t have it but another local company created it for them. he sends me a picture of his hat which i told him our digitizer couldn’t work from. our digitizer said he can’t work from it. so i told the customer to reach out to other local company and get the files. he doesn’t want to because it’s too much of a hassle and yet i can’t reach out to the because i am not necessarily associated with them. so he expects me to find a similar logo online and then create it. there are no similar ones online and that’s not in my job description
The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
there's something so poetic about coyote vs acme being the thing that causes wb's 'the producers' ass scheme of shitcanning movies for tax breaks to blow up in their face and cause them to turn to the camera, blink twice, and dissolve into a little pile of ash that their eyes fall down into with a little bounce
public service message that thinking "Maybe speaking up about Palestine is too controversial/political for me to do" or "maybe mentioning good aspects about Palestinians while they're suffering so much is not okay" is exactly the kind of mindset zionists want you to have and have been hard at work for years for people to develope. thank you.
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
It has been very hard to know what to say in the light of all the atrocities we've witnessed in Gaza these last few months, but harder still to stay silent. I'm heartbroken pretty much all the time, but I think we cannot look away; for all that it's worth, I will continue to march and learn and boycott and call for a permanent ceasefire.
Olive trees grow deeper than the occupation can reach. From the river to the sea, Palestine will be free
There’s a $500 laptop at the phone store across the street that would let me stream and start making money and building my community again, but realistically I can’t afford to spend that much money in one month, that’s more than my rent.
I know this isn’t the best cause or most important thing ever but I’ve had the same shit laptop that barely functions for 5 years now, and it’s probably going to die soon anyways, in which case I will be completely fucked as I am disabled and can’t make it to most in person jobs, I mostly work from home when I’m employed. Plus you know, there’s that whole thing where my entire life is online and all of my relationships are long distance.
So yeah, if you have a few spare bucks I’d really appreciate it if you could throw some my way. I can also do writing commissions for you for any fandom and premise if that’s something you’re interested in.
If you’d prefer to make a payment through wise or interac e transfer if you’re in Canada please DM me for those details. I can also share my AO3 and some other writing examples if you’d like.
comic about v2 and the goal they'll never fully reach alongside a dissatisfying conclusion. intimate rivalry and all
(alternative ending comic. V1 dies instead of V2 during 4-4. V2 is narrating. V1 is dead.)