How do you think Erik lives with the fact that Charles already knows he has feelings for him cause he saw it in his mind but Erik will never know if Charles feels the same
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Cassandra Nova if she slayed
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Benedict: Maybe someday, someone will call me "sir"....
Eloise: what-
Benedict: .....without adding "you're causing a scene"
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Penelope: Did it hurt when you fell?
Colin: From Heaven? Oh, my dear wife, thank you but-
Penelope: No, when you fell out of the carriage earlier. I watched you trip over your own feet and just lay there on the pavement for six minutes.
Colin: I-
Penelope: I saw that
Benedict and Eloise: We all saw that
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Years pass but some things never change (UNFORTUNATELY)
Benedict has roughly five to ten minutes of screen time for each episode but boy does he steal the scene EVERY. SINGLE. TIME.
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And when, during the mirror scene, I wanna be yours (stripped version) starts playing in the background? THEN WHAT?
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Penelope was ok to stay in the friendzone but the moment she says "but we're friends" Colin starts spiralling out of control
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"I'm going to do very bad things to you" proceeds to lay down and lets Henry do the rest
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Alex saying "Baby" on the phone with Henry single-handedly cured my depression
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She looks more like Margot Robbie than Emma Mackey herself
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This did not age well. Thankfully.
Don't you just love how in Good Omens queer love is implied at best while The Sandman is "you're gay" "you're gay" "we're all gay"
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I hate how good Henry Cavill looks in Witcher clothes
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Lucienne to the Corinthian at some point:
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Every Ferrari fan after being asked how they're doing rn:
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WHY I THINK THE ULTRACHEESE AND THERE'D BETTER BE A MIRRORBALL ARE RELATED:
It's just before midnight. They're at the back of the bar, in a booth like they usually are. She stands up ready to go but he wants her to stay so he starts his monologue on how things aren't the same anymore and how everything was better in the good old days; friends, love, parties, they were all better. It's getting late and she's getting impatient so he finally says what he wanted to say all evening: things may change and he might not always be what she wants him to be, but he hasn't stopped loving her once. She doesn't know what to say. Maybe it's just late or maybe it's the alcool. Her eyes start watering and he tries to calm her down. "Don't get emotional" he says "it ain't like you". He suggests they go some other place, he's driving. It's her choice, only thing he asks for is that there's going to be a mirrorball, a mirrorball so shiny he won't be able to see anything, not her face, nor his own, nor anyone else's. Once they get there he finally gets an answer, an answer to a question he never asked . Not the answer he hoped for, anyway, but he decides to stay in the moment and have fun all the same. So they dance the night away.
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“Before you ask: yes, I have heard some of it. No, I won’t be spoiling the plot for you. Although I will say, there is a definite grown-up 70s influence to it. And the track we just played [They’d Better Be A Mirrorball] isn’t the most indicative of what the rest of the record sounds like. It’s an explorative, soulful album.”
— Steve Lamacq talking about The Car on BBC 6 Music, 30/08/2022 [X]
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