#+ posting takes a good amount of time with all the editing and such involved in it.

[orcelito]

Managed to write 300 words for discacc 👍 which is 300 more words than I've managed to write in the past like. Week.

Hoping to start making progress again. We'll see.

[inkskinned]

im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:

videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.

and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.

this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.

there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.

there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.

for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.

i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.

here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."

eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.

we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.

"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"

thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.

it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.

an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.

and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."

[suzukiblu]

Day thirty of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon AU. And yes I DID win NaNoWriMo, thank you for asking. ❤ This is the last day of NaNo, obviously, so I'm gonna take a little bit of a break from this fic due to being just sliiiiightly burned out from writing 1k+ a day in it for the past month and all, but I intend to start editing it and posting chapters of it on AO3 in the next week or two, so it'll be both easily bookmark/subscribe-able and updating on there soon!

They go through all the boxes, Tim suffers a bit for it, and Kon laughs and makes him suffer more, the bastard. It’s fun, though, even if now Tim would really prefer to never stick his hand in another box ever again in his life. 

The last box Kon directs him to is full of layers of distinctly cashmere-esque fabrics, and Kon smiles a little and ducks his head again. Tim is disgruntled, but charmed. 

They wander through the exhibits, and Tim feels pretty good about his activity-picking when he realizes Kon’s stopping to look at all of them and actually seems interested in all of them. They have to circle back a couple of times so Kon isn’t doing anything too super-powered in front of other guests, but they do hit all of them. Some of them are more interesting than others, in Tim’s opinion, but Kon still tries them all. Tim wouldn’t complain even if he were bored out of his mind, though, given how invested Kon gets in sorting and mixing the tables full of colored glass beads and making waves and whirlpools in the water fixtures and manipulating the kaleidoscopes and chimes and everything else. 

Kon spends the least amount of time with the auditory and olfactory stations, though he’s happy to try all the little hors d'oeuvres that Tim assumes are supposed to be covering “taste” for the exhibit. Visual he seems generally curious about, but definitely tactile wins. Like–far and away, does tactile win. They spend twice as much time at the tactile stations Kon is least interested in as they do any two of the others. Tim doesn’t mention it in case it’s not on purpose. He still doesn’t want to make Kon feel self-conscious or anything. 

Anyway, the tactile parts of the exhibit were the whole reason he picked this as a date activity, so what, is he going to be bothered by having made the correct deduction or assumption or whatever? Not freaking likely. Actually if anything he’s going to need to privately gloat to himself about this later. Bask in it a bit. 

Also take some notes for future dates and things to buy Kon and whatever else. 

More cashmere, to start. A lot more. 

Tim sneaks a few more pictures of Kon as they walk from station to station. Kon laughs at him every time he catches him and takes one of him too, which is incredibly flustering. Tim cons him into a few selfies in self-defense, which turns out to be a terrible idea because it still involves him ending up in pictures and, worse, involves him ending up in pictures with Kon, who takes the excuse to press in close and kiss his cheek and just be all kinds of appallingly adorable, the asshole. 

Kon uses the first picture he took as Tim’s contact picture and makes one of their shared selfies his phone background. Tim is mildly mortified but also desperately wants to earn lockscreen status, which is a terrible idea because what if Kon ever takes his phone out around the team or Red Tornado or, god forbid, Bruce? 

Tim should definitely make sure Kon doesn’t put him on his lockscreen. 

. . . but like, if he did . . . 

There’s a clay station. Kon stays at that one the longest, making weird little abstract shapes and surprisingly accurate miniature versions of the sculptures tucked away in the corners of the gallery with TTK. Tim hadn’t even noticed him looking at any of the sculptures, but in retrospect he never actually needed to “look” at them, did he? And on that note, Tim guesses the accuracy shouldn’t be any kind of surprising either–Kon must have a really good sense of spatial awareness, if nothing else, and of how things “should” be shaped. 

By the time they get through the last station of the exhibit, they’ve been at the museum almost twice as long as Tim’s most optimistic estimates had allowed for and he’s had to sneak off to the “bathroom” for five minutes to push their reservation back an hour. Tim has absolutely zero intention of rushing Kon, especially if he’s having a good time, so it just makes more sense to reschedule than to put him on a schedule. 

Though he did have to actually make sure to go into the bathroom to do it, since Kon might’ve noticed him not heading that direction. Tim doubts Kon’s paying attention to what anyone’s doing in the bathroom, for obvious reasons, but he still probably would’ve noticed the date he was briefly concerned might be a supervillain just ducking around a corner to make a phone call ten yards away, no matter how Bat-stealthy said date was about it. Like, that seems like a stupid thing to expect him not to notice. 

They stop by the gift shop on their way out–well, Tim detours Kon to it with subtle herding, anyway–and Tim manages to convince Kon to pick out a couple of things. He ends up with a couple of sort of fidget toy-type puzzles and a little three-pack of little tubs of a clay-like play sand in bright colors, which Tim thinks is probably meant to function as some kind of stim toy and was probably something specifically sourced to go with the event, and Tim “accidentally” throws in a couple of fancy candy bars from the front register. Again: Kon needs calories that weren’t directly sourced from cafeteria food from a definitely-not-OSHA-compliant cloning lab. 

Maybe Tim can send Kon a fruit basket or ten while he’s still stuck at Cadmus. Those probably come in tropical themes. 

Alternately, maybe he can just kidnap Kon outright and trap him in a nice new cul-de-sac until he gets used to it. He could get him actual groceries, then. Lots of them. Fruit and vegetables and entire spreads of “things that weren’t made in an OSHA-noncompliant cafeteria”. That’d be nice. 

Also he could send that Hawaiian food truck by on the daily, if they were up for it. 

They share the candy bars on the walk to the restaurant–meaning, Tim takes two perfunctory bites of each and tricks Kon into eating the rest with basically zero effort–and it’s . . . nice, honestly, just walking around together. Just being together. Not that this is new knowledge, after the mall, but it’s still novel enough that Tim can’t help indulging in and enjoying the experience. They don’t usually get much time alone together, much less time that isn’t spent either fighting supervillains or dealing with emergencies. So–it’s nice, yeah. 

Tim likes it, he means. 

They make their adjusted reservation, and Kon peers around the restaurant awkwardly as they’re led to their table. Tim resolves to do whatever it takes to get him to relax, up to and including embarrassing himself in some way or another. He’s probably going to do that anyway, given how most of these meet-ups have been going. 

“Does it qualify for ‘nice’ enough so far?” he asks once they’re seated, and Kon blushes, then flashes him a grin. 

“It’s okay, I guess,” he says, then bites his lip with a brief flicker of insecurity as he glances down at the menu–specifically the prices on the menu. “Um . . . are you sure you wanna spend this much on me, though . . . ?”

“I want to spend my entire trust fund on you,” Tim says matter-of-factly, and Kon lets out a weird little laugh and ducks his head again. It works a little better this time, since he has the menu to hide behind right now. 

“I already like you, man,” he says, which is still inexplicable but not something Tim is actually gonna argue with. “You don’t have to keep buying me stuff.” 

“I like buying you stuff,” Tim says. “I’m gonna keep doing it as long as you’ll let me.” And after that, he’ll figure out a way to sneak doing it. 

“Just because you like it?” Kon says, glancing at him over the top of the menu. 

“Because I like you,” Tim says. “I mean, no offense to the hostess, but I wouldn’t enjoy buying her dinner this much.” 

Kon bites his lip, then ducks his head again. His face is red. Tim feels the urge to kiss him again. He probably should’ve found time to do that on the walk over or something. Or as soon as he first saw him. Or just at any point so far tonight, because the urge is getting seriously distracting now. 

“So when you said you wanted to go somewhere after this too . . .” Kon trails off, flushing darker. 

“There’s a late show at the planetarium about the sun’s role in our solar system and the life cycle of stars,” Tim says. It might be too loose an association, but . . . “I thought you might be interested in checking it out.” 

Kon stares at him for a moment, then turns absolutely crimson and hides behind his menu entirely. 

“Okay,” he manages, his voice a little cracked. Tim’s pretty sure he could’ve said he’d rented them a hotel room and gotten a less embarrassed reaction. So . . . that’s a thing. 

Okay. 

“I really do want to spend the money on you,” he says. “Apartment and all.” 

“An apartment,” Kon says, glancing over the top of his menu at him again. “And bills and groceries and an . . . allowance.” 

“Yes,” Tim says. No point in beating around the bush, he figures. It’s all things he’s already told Kon anyway. 

“And not just because I saved your life,” Kon says. 

“Not just because you saved my life,” Tim agrees. “I just want to give you those things. Or anything you want, really. Which–well, what would you want?” 

“Um,” Kon says, just barely lowering his menu as his eyes skate away. “Well . . . could we like . . . keep hanging out outside the theoretical apartment and stuff? If we did . . . that?" 

Tim feels something absolutely giddy and absolutely painful in his chest, hearing that question. Just–what does Kon think, that he just wants to toss a lease at him and never see him again? Or just only come over to . . . actually, wait, maybe Kon does think–ugh. Ugh. Fuck, that is not what he’s trying to make Kon worry about here. 

“Yes,” Tim says firmly. “As much as you want.” 

“Mm,” Kon says, biting his lip again. His face is still red. Tim wants to give him every single thing the world hasn’t given him, which he knows for a fact is a truly fucked-up and probably borderline-insurmountable amount of things. 

But he still wants to give it all to him anyway, and then think up a few more things besides.

[twstwinnie]

Hello, i just discovered this blog and i really want to read your work more. If you don't mind can i request malleus x reader where reader feeling empty or brunedout due to study and overblots. You can edit it as you like or write as headcanon or one short it depends on you. Well have nice day/night.

♚ Tea for the Prefect : Malleus Draconia

tags: hurt/comfort, fluff, burnout, reader is the prefect, gn! reader, ch.5 spoilers!

desc: upon noticing your growing distress, malleus takes matters into his own hands and bestows a gift of relaxation upon you. sleep well, dear prefect.

a/n: finally being more consistent with posts!! thank you for the request! I thought this was a lovely concept and a great opportunity for some lovely stress comfort fluff! also, I love writing for malleus! the reader in this is the prefect, but the reader is not explicitly yuu! with that, enjoy! — winnie <3

Time is fleeting, whether he likes it or not.

Such is a fact that Malleus is painfully aware of. Every day that passes is but a fraction of his extended lifespan.

That is until he met you.

Most people talk about time flying when one’s having fun, but for Malleus, time slows when he’s with you. Being in your presence reminds him of all the little things life has to offer. Despite his extended lifespan, he chooses to live in the present nowadays simply because you’re a part of it.

That being said, he’s still able to pick up on things when they happen so suddenly.

Like your fatigue.

Malleus is unaware if your fatigue slowly built up in terms of a human lifespan, but to a fae like him, it seemed almost immediate. However, he knows full well that it isn’t without reason.

After Ashengrotto’s overblot, he conversed with you out of curiosity, questioning how you used the advice he’d given you earlier. That’s when he learned that you’d been handling student overblots since your arrival on campus. Lilia further confirmed this fact, noting your involvement in Kingscholar’s overblot as well.

He didn’t realize how emotionally taxing it must’ve been until recently.

After Schoenheit was pulled from his overblotted state, Malleus appeared. He witnessed the aftermath firsthand.

More importantly, he could see the exhaustion in your eyes. He noticed the way you tiredly limped backstage once he’d repaired the stadium, and saw the way you brushed off your situation.

When he asked you about it, you insisted that it was nothing.

After that conversation, many things clicked into place for him. Not only did you deal with these treacherous battles without the use of magic, but you did so in tandem with your studies and other responsibilities. You had an incredible amount on your plate and everyone seemed content to continuously pile more and more atop it. He had to wonder if you truly ever allowed yourself the opportunity to rest.

Malleus, in good conscience, cannot sit by and allow you to remain in a perpetual state of stress and exhaustion. You’re precious to him, his dearest treasure, and if he can prevent you from losing your luster, he will.

Given your mortal lifespan is already so limited, he refuses to watch you crash and burn out.

So, he decides he’ll lend you some much needed assistance.

After a week of testing and schoolwork, the weekend finally arrives. The first thing Malleus does is convince Grim to stay at Diasomnia for the weekend. Silver (and, begrudgingly, Sebek) agree to watch over the small feline. A promise of food is all it takes.

Then, Malleus gathers various things he remembers that you like from your various conversations: tea, biscuits, warm blankets, and a book about gargoyles that you’d wanted to borrow from him.

With that, he sets off to your dorm, announcing that he’ll return the following morning. The fae certainly hopes you won’t mind him spending the night. Either way, he merely wants you to relax. Surely, you won’t turn him away.

Upon arrival, he knocks curtly on the door. While he typically preferred strolls around the quiet forests of Ramshackle, he didn’t mind having a day in at your request. You seem to enjoy cozy things when stressed, so he hopes this is enough.

You soon answer the door, a panicked expression on your face. “Tsunotaro! Have you seen Grim? He ran off earlier, and he didn’t say anything!” you insist. Malleus gives you a simple smile.

“He’s spending time with Silver and Sebek at Diasomnia. My apologies, I thought he left you a message. He’ll be there for the weekend,” Malleus explains. You heave out a relieved sigh, leaning against the door frame.

“Thank the Seven! He really needs to tell me before he runs off… but wait. Really? He’s staying at Diasomnia? Are you sure you don’t mind…?” you ask nervously. Malleus chuckles and shakes his head.

“Lilia is in charge for the weekend. I assure you, he can handle a few unruly creatures. He quite likes the challenge, actually. He doesn’t mind,” Malleus starts. “Actually, I was hoping you’d allow me to stay with you. I’d enjoy your company.”

You regard him with wide eyes for a moment before stepping aside. “Sure, I don’t mind. Come in,” you say. “Ah, but it’s a bit of a mess. I’m sorry— it’s been a hectic week.”

Malleus walks in and glances around. Sure enough, it’s a bit disorganized. Papers are strewn across the floor and judging by the mess of blankets by the table, he’s certain that you’ve been sleeping while studying.

“No need to offer apologies to me, Prefect. Actually, it’s fitting for the topic of conversation I wanted to bring up.” Malleus continues, “from what I’ve noticed, you seem overwhelmed. I’ve even heard that you’ve been falling asleep in class. Are you resting properly?”

He watches as you deflate, walking over to the couch and sinking down into it. With a sigh, you respond.

“I’m glad someone noticed. I’m exhausted, Tsunotaro. Our useless Headmage doesn’t help with overblots or money, so I’ve been working at the Lounge on top of everything else—

“Not to mention, I need to help Grim study so he doesn’t get caught in any dealings with Azul again. With everything going on, I hardly have time to sleep! I’m so tired… I’m really sorry, Malleus. I’ve been so busy that I’ve hardly had time to spend talking with you,” you mumble sadly. Malleus walks over and seats himself next to you.

“Why apologize to me, dear Prefect?” he questions. You huff and lean against him, shutting your eyes.

“I actually enjoy your company, but I’ve been so busy. I’ve skipped so many of our usual late night walks. I miss spending time with you,” you express. Malleus can’t help but give a fond smile in response. He gently runs his fingers through your hair as he hums.

“I’ve felt deprived of your company, but I’ve never once blamed you for such a thing. Don’t you think you’re the last person who owes anyone else an apology? You’re an unwilling participant in all the messes you find yourself in,” Malleus mentions. You sigh quietly.

“That’s true, but if I don’t take care of the overblots, who will? We both know Crowley won’t do a thing,” you mutter, a tinge of bitterness in your tone. Malleus chuckles lightly.

“Forgive me if it came off in this manner, but I wasn’t suggesting that you change your ways. I quite like you the way you are now, even with your needless prying into dangerous trouble,” he teases lightly. “All I’m requesting is that, when you find it’s too much to bear on your own, you allow me to take care of you.”

You pause. Met with silence, Malleus turns to face you, shocked to find your face red with fluster. You let out a shaky breath and smile, looking down.

“Don’t say things so cryptically like that, Tsunotaro. If you do, someone might mistake it for a confession, y’know,” you mumble under your breath. Malleus regards you with a gentle expression, placing a finger on your chin and lifting your head to meet his gaze.

“Perhaps I wish for it to be taken in such a way. Have you considered that? If you’d prefer me to properly court you in order to be convinced, I don’t mind. Though, I thought it’d be best to inform you of my intentions at the very least,” he says with a smirk. You find yourself speechless, unable to tear your eyes away from his gaze.

Malleus awaits your response patiently, and once you find your bearings, you sputter out a response.

“I-I’ve never considered that, but I’d be happy to accept your feelings,” you whisper. “Oh, but no courting— please, I can only handle so much embarrassment. I don’t wanna know how far you’d go if I let you court me.”

Malleus smiles, leaning in to peck your lips softly before pulling back. “I’d only go as far as fae tradition allows. Alas, I’ll respect your wishes. If you accept my feelings, will you allow me to take care of you?” he asks. You return his smile and nod.

“Please. I’d appreciate it, Tsunotaro,” you say. With your permission, Malleus quickly gets to work.

A quick spell organizes the disarray that was once your lounging area. Then, he steeps the tea and prepares the snacks that he brought. He refuses to let you lift a finger to assist, insisting that you remain seated.

Once he pours you a cup, he’s happy to see the way your tense frame relaxes as you take a sip. Your dull eyes regain their shine as you both chatter away about whatever you please.

When he notices you yawn one too many times, he carries you to bed, much to your embarrassment. After changing into more comfortable clothing, he joins you in bed.

Sitting up, he allows you to wrap your arms around his waist and lay in his lap. In one of his hands, he holds the book you’d wanted to borrow, reading the contents aloud to you. With his other free hand, he gently runs away the knots in your back.

Malleus glances down every couple of minutes. Your expression of bliss and comfort brings warmth to his heart. It’s a far cry from your exhaustion earlier, the bags beneath your eyes slowly fading away.

“Mm… Tsunotaro. ‘m gonna fall asleep soon,” you mumble tiredly. Malleus hums in acknowledgment, shutting the book and setting it on the nightstand.

“Then sleep, my dear,” he insists, idly running his fingers through your hair. You shift your body to look up at him.

“Will you stay here? Please?” you ask. Malleus smiles, leaning down to kiss you gently.

“As promised earlier, I’ll remain by your side. When you awaken, I will be here to greet you, so fret not,” he assured gently. You grin, leaning up to steal another kiss before laying back down.

“Alright then. Good night, Malleus. And thank you for helping me.”

Malleus smiles.

“Of course. You needn’t thank me. You’re my dearest treasure, and these simple things are merely proof of that,” he says. He watches quietly as you quietly drift off into slumber, your built up exhaustion finally catching up with you. Smiling, he leans down and kisses your forehead gently, whispering one last thing before falling asleep by your side.

“Good night, dear prefect.”

— fin.

[jalenay]

Nothing's Wrong with Dale - Publishing Update May 4 2024

So my work work is starting to relax - it'll be 'normal' working hours after May 15, but i'm manifesting some early additional free time (by ignoring some of the things i still have left to do) and i thought i'd give an update on my current NWWD plan to fill you guys in (if anyone wants to know) and to motivate myself to, you know, do it.

let me know what you think and if you have any questions! or if there's anything else you want to know!

So the overall plan is as follows:

First Rough Edit - this is basically just changing the POV from 2nd POV to 3rd POV. This is very tedious and currently what I'm doing right now. I'm also making a list as I go for high level updates/changes i want to make. Just thinking about the story as a whole and what tweaks i want to make now that the whole thing is finally done (primarily moving exposition around, if there's anything extra i can remove, timing of when certain things are discussed, and so on).

My Main Edit - this will be more time consuming but probably more fun as i do my main revise and edit of the story as a whole. i'll likely print the entire story out, make edits on hard copy, and then type up all the edits. I will also probably be sending the updated chapters to my main beta, for her opinion. (this would be the person i first texted about Dale in Dec 2021, she deserves first look lol)

Editor - After I'm happy with what I've done, i'll send the entire thing over to my editors, the main ones who worked on DSM. This will likely take a good amount of time (DSM took one month) but in many ways involves less effort from me lol. Just nerves.

Cover, Self-publishing Details - while my editors have the manuscript, I'll be narrowing down what I want the cover to look like and hiring a cover artist. (i've got a short list of artists right now, but i'll probably continue to refine that). I'm bad a visualizing covers and so this will be hard for me, although i have some basic ideas. i'll need to gather reference photos too and then work with the artist. I also want to publish more widely than just Amazon and will hopefully get DSM out to other places as well as a test run before NWWD. Look into more marketing? This is the most miscellaneous of the steps.

Process Edits - actually go through all the edits and notes given to me by my editor. This takes a lot of time (and is mentally taxing - no one likes to read pages of people telling you what you need to fix about what you wrote even if its overall extremely helpful and necessary)

Finalizing - I'll send the edited version to my first beta and another ARC reader/friend. I'll work on the formatting for the book. Coordinating where it will be published and when.

Publishing!

This is a loose list of steps that I mostly defined right now, but are similar to what i did with DSM. As i said, I'm in step one, currently just finished Chapter 25 of 36 of that rough edit.

I'll try to provide some updates on the process at it moves along, if people are interested in hearing about that. I'll most likely keep those updates on this blog, along with any other publishing specific commentary. if any one has any questions or thoughts on the whole thing, please feel free to send them to this blog or comment on this post.

I'm very excited to really dig into publishing NWWD and looking forward to sharing it with you!

Thanks to everyone for all their support - I wouldn't even be considering this (i probably wouldn't have even had a finished draft) with you!

[maggiemacabre]

SiIvaGunner SmashUp! Behind the scenes and post-mortem

Hello folks and welcome to my new Tumblr blog. I don't know how much I'm going to actually use this thing in the future but I figure if I need it, it's here. As you can probably tell by the title, today's subject will be none other than my most recent "work", the SiIvaGunner SmashUp!

The idea of a SiIvaGunner take on the concept of "Royal Rumble but full of stupid contestants" was in my head for a while, but the motivation to do it wasn't in place until I found Dead Meat's Horror Royal Rumble in August or September of 2023. The Jerma Rumbles and Vinewrestle were definitely also influences on the idea, but the Horror Royal Rumble was the impetus, and played a part in influencing some creative choices featured in the SmashUp (more on that later).

After running the idea by the team and the rest of backroom, I picked up WWE 2K23 (which fortuitously was on sale that weekend) and got to work. Going in, I had next to no idea of the ins and outs of pro wrestling, which meant that I had to do a lot of research into things like the wrestlers themselves, moves, terminology, different match types, general historical stuff, how shows are actually presented, etc. This put me in a very, very deep rabbit hole which I have still not crawled out of. I even went to two house shows!

Making the wrestlers was the first step and by far took the longest amount of time out of anything, since this was the first show of its kind on the channel and required the creation of 34 unique wrestlers. Some of them were easier than others (lookin' at you AMUNO), but others such as Ninomae Ina'nis took days to complete due to the amount of detail they required. This also isn't including wrestlers who were made that got cut; some of these exclusions include Bottom G, who was left out because Andrew Tate sucks, Elly from Touhou Project, who was replaced by Sumireko, and Wood Man, who was left out for lore reasons and replaced with 8-Bit Beast in a somewhat 11th hour decision. Maybe next year?

The decision to make Hot Cross Buns and Raft Ride into women also spawned from this period. Hot Cross Buns was made first and was originally meant to show up in the Grand Rumble, but after some time I ended up deciding to move her to her own match, which became a Women's World Champion match because lol. I had to use mods to make the men and women able to fight each other, so theoretically Raft Ride could have been a man, but women are awesome.

Being an egotistical maniac, I also included some references to things I'd worked on in the past. Totino's Stadium, the arena where the match takes place, was first mentioned in the FUMO JAM ad from the DJ Professor K Day stream, and Nu Grandiose City is the city where Woodyana is from in Woodyana Stones: Raider Made of Lost Bark. Also I guess this is why Elvira was included? LOL. Fun fact: The footage of "Totino's Stadium" is actually of Gazprom Arena in Russia.

Since I was involved with the channel's MAGFest panel in 2024, I was able to announce the show months in advance, although I'm not sure how many people actually paid attention at the time. Getting a logo ready between finishing CCC and MAG was a bit tight, but thankfully it was able to be done on time, and on top of that I was able to make the big card poster thing on my own. I actually designed it to be printed, and I proposed making it a sold item, although that idea was rejected. I also came up with the date during this period, choosing the day right before the WWE Hall of Fame show, and while things got a bit close to the wire, it was luckily able to make the date and time without a hitch in the end.

After all the wrestlers were made, it was time to record and edit. I was a bit worried about my laptop overheating while doing so, but I was able to get good quality 60 FPS 1080p footage recorded without any hitches other than some human error on my end. While the controversial ending of the Grand Rumble wasn't what I had in mind, I ended up leaving it as-is for time reasons and also because it felt like a funny troll ending. Which it was! Editing was not quite as smooth since I had to go through all the footage and edit it together into a cohesive product. WWE games don't allow you to cut to entrances during a Royal Rumble, which meant that I had to record and edit those in myself. The method I ended up using resembled the one from the Dead Meat rumble mentioned earlier with cuts to the audience as the buzzer rings, although I'd like to believe I did a better job than they did with their 2024 entrances where they awkwardly cut around shots of the ring. This is also where the fun facts come from, as they are actually covering up the nameplates that show up as an alternative to cutting to the entrances.

After editing was done I got some other team members to do commentary. Thankfully I was able to get someone with wrestling knowledge, which definitely added a dimension of realism and legitimacy to the project. I don't know if I can say who the announcers are because of leaks, but if you haven't figured it out, Randall Shields is a Smash Bros. reference. Also it was the first contribution to SiIvaGunner that had "Randall" made in about half a decade. What a return!

The premiere of the project was electric. Seeing over 1.3K people tune in and get hype over something I made was incredible and made my week, if not month. I did feel a little bad about the reaction when Dream came in (💀), but other than that it was awesome. And don't worry, he won't return.

In the end, I had a lot of fun with the project and it was awesome seeing everything pay off. I want to thank everyone who helped, including the artists who designed the logos and the people who did commentary. It couldn't have come together without help and assistance from everyone, and I hope that this becomes the first in a series of similar videos.

[marshallpupfan]

All Good Things...

We've known about PAW Patrol's upcoming new animation style for a while, and although we only had a taste of it before, more and more leaks have given us an even bigger look at it. From what I've seen, most fans seem to like it so far, and to tell you the truth, I do, too! With one exception, I think all the pups look great, and I'll even go as far to say I like these more than the theatrical designs... and especially what Rubble & Crew gave us. Like most fans, I'm eager to see more!

Still, I can't help but feel a little sad. I know I say this often, but, Marshall's my #1 favorite character, and he's been at the top of my list for over five years now. I'm crazy about him, which is why I started these accounts, why I began the whole "Daily Marshall Pics" thing, why I purchased a crazy amount of his merchandise, among other things. It's all driven by just how much I love this pup. And while there are many reasons why I say this, one in-particular is why I'm making this post; his character design.

Marshall's appearance in the above pic is one I came to love over the years. It's also involved in practically everything I do here. My avatar and banner is this Marshall. 99% of my daily pics are this Marshall. Nearly my entire merchandise collection is this Marshall. My Ready Race Rescue poster is this Marshall. That $400+ costume I purchased is this Marshall. Basically, I'm saying that, to me, this IS Marshall. Despite his altered look in Rubble & Crew and the theatrical films, this is what always comes to mind whenever I think of the pup.

...and it's about to go away, huh?

Whether it's later this year or the next, one of the things I love about this Dalmatian will no longer be the same. That simplistic yet wonderful design will soon be replaced, and we'll no longer see it in anything official, such as new episodes, commercials, toy packaging, etc. Outside of repeats, it'll just be... no more.

Okay, maybe I'm being a bit dramatic. Sure, the pups are getting a visual makeover, but they'll still be the same characters, right? And, unless the new season 11 director changes things, no doubt Marshall will still be the same clumsy yet lovable pup that became my favorite way back when. I mean, he looked different in Rubble & Crew, but the other aspects and qualities I love about him were still there! And in the theatrical films... er, never mind that. My point is, I suppose we're technically not losing anything here; just a visual style many of us became so accustom to when we first started watching PAW Patrol, whether it was all the way back in 2013 or later. No doubt some fans might even consider it a bit special to them.

But hey, change doesn't have to be a bad thing! As I mentioned earlier, I do like what we've seen of the new style so far, and personally, I'm feeling quite optimistic about it! Sure, it might take some time getting used to it, but given how often we have to adjust to the pups getting new voice actors, I'm starting to get used to change with this franchise. Besides, as much as I still enjoy the old style and wouldn't mind it sticking around, I'm not going to shun the new or stand in its way. And you know, when I look at the two designs of Marshall side-by-side, I still see a lot of the old in the new, so maybe we should look at this as an upgrade instead of a replacement? Perhaps it's not as much of a goodbye as I thought?

I'm going to hope this new style works out for everyone in the end. However, I'll still miss the old. It stuck with the franchise and its fans for over ten years, so with great respect, I take my hat off for it.

...Of course, the old style will live on through its older fans, and I'm certainly not going to let it go. You'll still see it through my dailies and various edits, of course!

[sparkytheandroid]

ABOUT NEW 50% OFF CONTENT

Hey sorry to get your attention like that, kind of a scummy move but bare with me a few moments. I’m the other person who made 50% Off, Sparky the Android, I also voiced Haru and Rin and some other small things. People usually just call me PJ now cause I don’t really make content anymore. Speaking of content Alex, Octopimp, decided he was going to make some new 50% Off content this past week and I would just like to explain some things as to why this is a real legitimate slap in the face to me personally. I want to stress that I was not sexually abused, physically abused, or in any major danger in my long creative partnership with Alex, he was just a scumbag who acted like an asshole and treated me really poorly over the course of the show forcing me to eventually quit. I was willing to just walk away from this stuff. Close the door, yknow? Get some closure but Alex seems intent on opening it by posting new 50% off content without talking to me about it first in any capacity. I have not spoken to Alex in several years but I was and always have been an equal creative factor in 50% Off, so him releasing new content without me feels especially insulting.   Alex came to me ten years ago asking if I would be interested in making an abridged series at the time because I had a background writing comedy and went to school for film. This was under the pretense of an equal partnership. We’re both funny, I’m a good writer and a decent voice actor, Alex is a decent writer and a good voice actor. He bought me my first voice acting microphone and we set to work developing the show with me refining a lot of our ideas into actual scripts to read from. As the series progressed I started taking on the larger writing work and Alex the larger editing work. Episodes went from 4 minute goofs (the original concept) to more longform almost 20 minute episodes at a time where characters had their own throughlines and stories progressing. It was a large task for the two of us, especially the difficulty of editing for Alex specifically. I don’t want any of this to seem like I did all the work, or that I never fought with or insulted Alex because that’s far from my point. Both of us were supposed to be partners but Alex consistently treated the show as SOLELY his in increasing amounts. I had to ask him to stop saying things like “I sign your paychecks.” or to stop insulting me in videos when he would add in insults against me without talking to me about it first. I can take an insult! I wrote some content insults about Alex too! But I was always up front and he would slip his insults in, or little jokes that were not in my scripts, without ever talking to me about them I would see them in the video premiers. He consistently minimized my involvement, I had to argue with him to get my name on the end slate, I wrote the theme rap, I wrote 90% of the material, I wrote our dumb tshirt commercials, the show is unequivocally so much of MY VOICE and I was begging to get a little more limelight or recognition. Alex took guest appearances at cons without talking to me. We did a panel at anime expo where HE was the guest and when I asked him about a badge to get into the con he informed me that he was giving the other pass to his girlfriend at the time. And while he did end up purchasing me a new badge to try and make good, just the act of not thinking that that badge should have been mine was so insulting. When we went to funimation he consistently bore it down on me that i was LUCKY that he flew me out so we could go to Funimation even though he would not be going in the first place without my scripts and voice. He made content without talking to me. He kept me at arms length in an arrangement that was supposed to be equal and I never spoke about it publicly because even a small amount of internet fame warped my little idiot brain and I wanted to keep being famous and cool on the internet. 

I never saw our official earnings numbers or even had access to the channel and took it on blind faith that I was being fair. When I quit the show because it was seriously becoming a real detriment to my mental health I walked away from any earnings the show would make after. 

It sucked. It sucked because I wanted to make more of the show. I wanted to finish season one. I promised people I would. It sucked because for some of it I was having fun! I was going to voice actor parties and people were paying attention to me. Selfishly I thought I could right the ship and turn it into a real career but I know that was never really an option. And it sucked because Alex and I WERE friends. I did some of my best material with him. Times hanging out with him where he was a genuine person were great. And I tried so many things! I realized arguing with him wasn't working so I figured it must be my fault. I tried being more supportive of him, supporting his streams, cheering him on at game tournaments, etc. But he just kept using me and the people around him to further his career. I just couldn’t take it anymore and I took the only ownership I really could and I walked away. The show stopped and, I’m sorry to the people who loved it, I think it should have stayed stopped. Nagisa is a fuckin racist caricature, one I actively contributed too regardless of the actions I took to make Nagisa smarter, more artistic, less of a one note joke about drugs and crime. Hell his final speech about how he felt about fetishizing MLM content at the time was feelings I WAS HAVING as a person coming to real terms with their queer identity. Alex is not a queer person! I am! I gave that speech to Alex to perform. I gave him MY VOICE. But it's still a racist caricature rooted in the past that is my fault for perpetuating.  

And again I’m not an angel. I argued with Alex a lot and said a lot of mean things to his face. Some stuff I regret because I’ve spent the time after the show specifically not shoving myself down another pipeline of making online content. The attention makes me stupid and I act like a jerk! I made mistakes while doing 50% Off and I’m sure I’ve hurt people too. I’m sorry to anyone who crossed my path when I was hopped up on stupid internet fame. You met one of the worst versions of me and it was my own doing. I’m sorry to Alex even for some of the stuff I said. But Alex leveraged his position of power over me as an excuse to treat me like shit. I’m in a good place in my life and I just wanted to shut the door on all this but Alex is intent on opening it after all these years and STILL minimizing my contributions. Saying things like “I just don't have the time/resources to make full episodes anymore.” He can’t make full episodes anymore because he would have to replace my voice in them but more than that replace my entire writing style. I was willing to let him upload a short like w/e its 2023 like whatever right? Tell your joke dude I don’t care. Then he posted another acting like he was going to do even more new 50% Off stuff and a close friend spoke with him saying it wasn't a good idea and he agreed. Then he posted them on youtube! And is saying stuff like this to people in the comments.

Like implying that the only reason he can't continue to produce 50% Off in full is because he doesn’t have the energy or schedule. He can’t continue because it would be continuing without me and I know deep down he KNOWS he shouldn’t. I don’t want any fucking clout or want you to watch any of my content because I don’t MAKE any. I wasn't sexually assaulted or physically abused. Alex was just a huge dick to me and a lot of my friends and we all just let it slide for all of our own personal reasons. Hell I was content just walking away the way I did, making the split seem amicable so there wasn’t a bunch of drama, letting the show stay up, and still field questions for people curious about it. I took my gdrive with every script i ever wrote for the show and just closed the door. I’m just tired after all these years of this guy actively ignoring my involvement in the show that is partially responsible for his internet fame. Tired of him pulling this bullshit “uwu i would love to make more but i just can't!” attitude to lie about why he can't actually make more. Tired of him opening that fucking door. 

A few years ago Alex got in contact with me through a friend with an apology. At the time he sent it many streamers were facing backlash for how they treated people in the past, ones closer to Alex, so this seemed suspiciously timed. The apology I got sounded like every other apology Alex had given me over the years. A lot of avoiding his own culpability in his actions. I told him that if we were to resume being friends it would take a lot. I think anyone who makes the effort deserves the chance to be redeemed, but I had absolutely zero trust in him and thought it was unlikely that he really wanted to make an effort to be a real friend to me. After that we resumed not speaking and when people asked me about him I still tried to make our split seem at least somewhat amicable and I try to generally avoid projects he is involved in. 

Imagine my surprise when he walked out on that Jerma stream. 

I want to thank everybody who watched 50% Off honestly and truly. I think some of it still shines as some of my best work. I got to do a lot of cool things like have my voice in a real anime, and I met tons of people who cared about me and my role in the show specifically. Those people were like life preservers while I felt like I was sinking in Alex’s shadow. It’s undeniably cool to have people respond to your work so well and I know I wouldn't have seen that happen without Alex’s skills as an entertainer and producer. Alex has hurt me personally as a friend, as a business partner, and has hurt several of my other friends in various ways with his behavior. The way I felt on 50% Off became truly harmful to my mental state. I struggle personally with imposter syndrome and RSD and at the time of making the show I had gone through very little therapy to help me develop healthy coping mechanisms for those things. It was just like pouring gasoline into a fire. And I really wanted to put it all behind me for the sake of my own mental health and life because all things considered I’m happy where I am now. I’ve worked really hard on myself personally and have been so lucky to have emotionally intelligent friends help me and give me so many chances I should not have deserved. I’m fortunate to be able to support myself and my cat, and I get to make personal art I love without having to push myself into the internet game because if I’m being honest I had a bad addiction to social media. I apologize I don’t have a nice resolution for you, I’m not asking you to stop watching 50% Off, or watch anything I make, or hell even stop watching Alex’s personal content. I just felt like I had this intense pit in my stomach seeing him parade around in the other half of our two person horse costume and insist he’s wearing the whole thing. Yknow? After all these years I just wanted to say SOMETHING about the way I was really treated so I could finally get some closure for myself. Thank you for your time and again to all the people who DID support the show thank you sincerely. 

[nonhumanresources]

A List Of Books/Stories About Transformation

You ever seen those titles of extremely specific essays? If this was one of those I'd call it "A List Of Books That Contain In Whole Or In Part Some Amount Of Transformation, Or The Changing Of Oneself To Another That Has In Some Manner Been Fundamentally Altered From The Self You Used To Be." That was the original title but I didn't want to be mean.

I was rambling far too long about post TF on one of warmer-hotcakes's posts and they mentioned not being able to find stories with a positive relationship to transformation (as well as transformations that are permanent) so I wanted to put a few down in a list!

Granted, these are incredibly inconsistent in pretty much every way other than being SFF but hey, we take what we can get here. Plus they weren't wrong it is VERY hard to find these kinds of stories, half of the list at this point is self published novels on Amazon written by people I've met by chance in TF circles, to give you an idea. So, to pad it out I will add more tangentially related TF stories.

If anyone happens to have more stories feel free to comment them and I'll add them on! I will also add to the list sporadically if I feel like it.

Anyway, without further ado:

Wolven by Di Toft is about a kid finding a werewolf out in the woods. It's been years since I read it but it's got a fun dichotomy between a villain and a protagonist both suffering from partial werewolfication and the ways they deal with it.

Thousand Tales by Kris Schnee is a self published series of books set in the near future where an AI runs a video game that allows people to be "uploaded" into it. There's a lot of books that don't need to be read in any specific order focusing on different characters and is generally a more lighthearted approach to the topic than most, and also it has furries in it. There are books about people who upload immediately, people who do eventually, and people who never do. Not quite the same as adjusting to changes IRL but this is my list and I get to shill whatever I want. Also, it's some of the highest quality writing/editing I have seen in a self-published novel (especially TF novel).

How To Be A Hero: (And Part Time Dragon) by S. Blakeway is a book about a hero who gets defeated and turned into a wyvern by the Dark Lord. Her eternal torment is interrupted, though, by said Dark Lord sending her out on a quest, during which she has to navigate turning back into a wyvern every few days. It's fun and silly and has lots of TF and the author is a very nice and cool person. Go buy this one and the sequel and help me bother her into finishing the trilogy please.

Perspective Flip also by Kris Schnee and Shifting Tails by Paul Lotor are a pair of short story collections. These are more of a soft recommend; both include cases of protags adapting to transformations, and generally involve positive stories, but not all of them are great. Perspective Flip is generally good but Shifting Tails especially has stories that lean very far into the horny side of things as well as topics I was very much not into, but some of them were admittedly very enjoyable. Being horny isn't bad, of course; it's moreso that there is less "story" and more "hey wouldn't this TF be hot." To be fair, sometimes they are, but sometimes they stray far away from my interests, so take that how you will.

Wereworld by Curtis Jobling is something I read as a kid but I'm gonna be honest I remember almost nothing about it. However it is about therianthropes of all types and I like that so it's going on here. They even have sharks!

The Dragon and the George by Gordon R. Dickson. Full disclosure, I have not finished reading this one, and I do not believe it has permanent TF, but it does feature a dude who astral projects into a dragon and is generally a fine book.

The Dangers Of Wearable Technology by Serathin Sabertooth (gods I hope that isn't a pen name, that would be so cool). This is one that I don't really recommend? Which is odd, you might say, for a list of recommendations. Correct! I just have a complex relationship with it, which I will include in a post here so that I don't flood this list with unnecessary words.

That's all I can think of at the moment, but like I said, feel free to send suggestions my way and I'd be happy to read em/add em to the list! Obviously it's pretty short right now and I'd love to bulk it up as much as possible for all us COOL NERDS

[free-and-to-none-accountable]

Posted on July 29, 2022 by Jean-Carl Elliott

Growing the IWW isn’t just about increasing the size of our membership, it’s also about increasing its depth. Part of “building the new world in the shell of the old” entails developing the people who will be able to run it once it’s built. We aren’t simply signing up workers from our jobs and industries for their dues. We are signing them up to make them into Wobblies! Being a Wobbly means that we know where we stand in the class struggle, we know the lessons learned from those who struggled before us, and we stand in solidarity with other Wobblies who are continuing the struggle today. Being a Wobbly isn’t just about having a Red Card, it’s about leveling each other up! I’ve met so many Wobblies throughout the years who sign a Red Card and then don’t know what to do next. Without a sense of direction, our members tend to gravitate towards other activist groups or they leave the union altogether. We want to keep workers involved and to give them a sense of purpose in the IWW. This article will be part of a series on how to level up your IWW membership. In this first edition, we’ll cover some ways that individual Wobblies can increase their participation in the One Big Union through developing their skills as workplace organizers. Future editions will focus on branches, committees, and other parts of the union. If you think of some additions to these lists, write them up and send them to Industrial Worker!

Take an Organizer Training

The IWW has two Organizer Trainings: the OT101 and the OT102. In the OT101, trainees learn the basic techniques of starting a workplace organizing committee.  The committee meets regularly and plans direct actions on the job to build power and address grievances. The training is revised every few years based on the experiences of IWW organizers. We keep the stuff that is working and change the stuff that has been falling short. It’s also a really great way to get in touch with other Wobblies who are organizing their workplaces. 

The 102 builds off of the 101. Once you have a committee up and running, you’ll need to learn how to sustain it. Business unions will usually start a committee and then once it’s up and running, they will petition the employer for recognition or they will file for a union election with the government. The IWW is a revolutionary union though. We don’t need or want the government to intervene in order to provide stability. We maintain our momentum through practicing better internal democracy and through recruiting more workers to take part in bigger workplace actions. You should take the 102 early on because it gets more into the details of practicing direct democracy, escalating direct actions, and sustaining your committee. It’s important to incorporate healthy committee practices and strategic planning at the early stages of a campaign. Our greatest weapon is solidarity and these trainings teach the nuts and bolts of Solidarity Unionism.

Start Organizing Your Workplace

There are all sorts of benefits that you and the union can get from organizing your own workplace, even if you just take the initial steps. When you start building good organizing habits, they will start to come more naturally over time. Getting people’s contact information will feel less awkward and you will start drawing your maps in more detail. One-on-one conversations with coworkers will flow more smoothly the more practice you get. And so even if you only make a small amount of progress at one job, you can build off of that experience at future jobs. 

Take Another Training

No two trainings are ever the same! Each time, you will be learning from different trainers and with a different set of trainees. They all bring unique training styles and organizing stories. And let’s be honest with ourselves: each training is 16 hours worth of material. We are never gonna memorize it all after one take, or even two for that matter. Take lots of trainings and have fun with them!

Become a Trainer

Organizer Trainers are credentialed by the union to give our official trainings. You can draw from your experiences to give a personal touch to your trainings. It can be inspiring for trainees to hear personal stories from the front lines, even if it is just you showing a map or social chart from one of your workplaces. When you become an IWW trainer, you will be paired up with other trainers to do trainings and so you get to learn from their teaching styles and experiences. It’s a great way to learn new lessons and to pass along your learning experiences in the union.

The Organizer Training Committee (OTC) can train you to be an OT101 Trainer, an OT102 Trainer and a Training For Trainers (T4T) Trainer. There’s a leveling up system for trainers as well. First off, you can’t become a trainer unless you have taken the training. So in order to become a 101 Trainer, you should have taken the training a few times and put it to use in your own workplace. Same for the 102 and to be a T4T Trainer. At the end of each T4T, you will be reviewed by your trainers and they will decide if and how you will be credentialed. 

At each T4T, you will learn some new training techniques, but it is assumed that you are coming in with some familiarity with the curriculum. This is why it’s good to have taken the training a few times and to have gained some first hand organizing experience. Don’t worry about knowing every single detail; you will get a better grasp the more trainings you do, and when you start as a trainer you will be paired with a more experienced trainer. On the flipside however, if your trainers don’t think you are ready, they aren’t obligated to credential you and they might recommend you go to another training and take another T4T.

Keep Organizing!

The more we organize and train other Wobblies to organize, the better organizers and trainers we become. Sometimes a campaign might only get so far as being able to draw up a social chart, but then you can use that social chart when you train other IWW members to do it! Maybe you participated in a direct action that flopped. You can turn that into a learning experience by debriefing with your coworkers or by writing about it. The more we learn to tackle the smaller hurdles, the better prepared we are to take on the next ones and to bring more Wobblies with us. Keep fighting the good fight and never stop leveling up!

[lucyandthepen]

a lesson on style - i . [ ljn | njm ]

pt. i, pt. ii, pt. iii, pt. iv.,  pt. v, pt. vi

you’ve always been content with being associated with one word and one word only: average. average in looks, academics and social skills, you’re just looking to graduate high school without causing disasters you’ll have to live with until you kick the bucket. when you’re paired with school king lee jeno for the semester-long physics thesis, you can’t help but think the entire situation has pretty much set itself up for failure. that is, until you strike a deal with your partner.  alternatively: an au tale involving lessons in popularity, eleven consecutive B­ minuses, a secretly sensitive, chess­-loving jock, and an amateur sex tape.

pairing: jeno x fem!reader, jaemin x fem!reader verse: high school au { jocks!nomin ft. a super cute whiny ap physics genius renjun } rating: M chapter warnings: none word count: 6.1k

author’s note: this is actually an old exo cast fic of mine from my old blog that i had to put on hiatus (alongside myself, actually), for many, many terrible moons (see : 3 years, for a master’s diploma that is simply collecting dust), but upon re-reading it, i thought that it would be a pretty good fit for a dreamie cast instead!! i’ve been thinking about branching out and writing for different groups for a while now, and as a slow return to writing, i’ll be posting the edited already written chapters up slowly so i can also write ahead! for anyone who might have found this blog and recognizes this fic, welcome back! i hope you still enjoy it! for people who’ve encountered it for the first time, i also hope you enjoy it! :) this is unbeta’d (even after all this time pls), so please do point out any errors i might have missed while editing!

                                                        *:･ﾟ✧*:･ﾟ✧

There are three things you had intended for your very average, simple, girl-next-door life:

1. Graduate high school with an average GPA, a diploma and a sigh of relief, without any type of valedictorian honors or the requirement to make a teary/educational/sentimental/hopeful speech about the past/present/future.

2. Get a desk job as the vice-vice-vice senior-vice president of an average paying company, pushing papers and typing numbers you don’t fully understand into a pirated version of Microsoft Excel 2000 to be able to pay your not very steep rent and eat take-out every other night.

3. Get married to an average-looking guy either named Jaehwan or Minhyuk, and have children that, like you, will have no particular special talents and will also live their lives as the average people that basically exist to make glamorous people appear more fabulous.

The back up plan is to stay single and have a very lazy, fat cat that eats more than you do.

There were three things you did not intend for your very average, simple, girl-next-door life, though:

1. Break your leg trying to do a somersault you can’t, even at gunpoint, imagine why you would agree to doing in the middle of the last pep rally of the season as – get this – a cheerleader.

2. Be asked to the homecoming dance by not one, but two very popular, very good-looking jocks who both, for some odd reason, manage to actually talk to you without either yawning or simply walking away while shaking their head.

3. Be asked to professionally join a teen-to-adult entertainment agency, after a 24-minute long supposedly private amateur sex tape starring you is leaked onto the internet and goes viral around the entire cyberspace.

In other words, your younger brothers have seen you naked. Online.

                                                        *:･ﾟ✧*:･ﾟ✧

“_____________, I just don’t understand why you like him so much.”

Some people might think you’re an optimist. Others might brand you an idealist. The least kind label would be absolutely deluded.

It doesn’t matter to you, though — you, knowing exactly what Lee Jeno looks like. Wasn’t that knowledge already a good enough reason in itself for you to spend a very creepy, alarming amount of time wishing, just wishing, he would walk over and say hey?

And it’s not just that he’s so chiseled and his face is perfect and his lips are so kissable. It’s not that he’s got an amazing body, and is tall and muscular but lean at the same time.

It’s his eyes.

They’re like, god. Great pools of molten chocolate with just the slightest hint of swirled creamer and – ugh. Behind those eyes, you’re sure there’s a sweet, sensitive man who’s looking for the right kind of girl. His soulmate, if you’re feeling a little more like a hopeless romantic today. You sincerely, genuinely, desperately hope you’re that girl.

Yeah, it’s weird. You’re in high school. Your hormones are probably kind of raging.

“Like, he’s just some dumb, boneheaded jock,” comes the continuation from beside you. You roll your eyes in response, but say nothing to contribute out of a desire to simply not. “And that’s all he’ll ever be. He’s failing nearly everything, except physical education. Why can’t you have a semi-obsessive crush on someone who might actually have a future?”

“For your information, Huang Renjun,” You snap, turning to your best friend. You’re seated in the cafeteria, supposedly enjoying a simple lunch meal. That was, of course, until you had realized you were three tables behind where Lee Jeno and his best friend, Na Jaemin were seated, also enjoying their lunches in some very cool, very manly sort of silence. So you’d looked, and let out a long sigh.

It was just a sigh, for the love of God. It’s not like you had run over and fallen to your knees in front of him. And yet Renjun had just put down his triangle gimbap, shook his head, and asked you why you had chosen, out of the thousands of perfectly acceptable (in his opinion) people in the student body, Lee Jeno to give you unreciprocated affections to.

And your response had been, and will always be: just look at him and tell me –- why the hell not?

“Jeno isn’t what you so assume as a boneheaded jock. He’s a classy, athletic student who just… happens to care more about sports than the mundane task of having to read a textbook for hours on end,” you shrug. That had come out more articulately than you’d imagined, which shocks Renjun as much as it actually surprises you — something that you notice with a twinge of belligerence after his eyes widen. “He’s probably going to get himself a top notch varsity scholarship.”

“Yeah, if he can even graduate,” Renjun shoots back contemptuously. “And even then, what’s a varsity scholarship going to get him? Do you know the amount of people who actually get into professional athleticism? He’s probably just going to end up a janitor or something.”

“Don’t you dare,” you growl.

“Come on, __________, the guy is a douche! Why do you have to pick him of all people?”

“He’s not a douche! And for your information, Jeno isn’t failing. He’s gotten a good number of D’s.”

“Yeah, I bet his teachers have gotten a load of D’s too,” Renjun replies snidely.

“Hey, not everyone can be a star student, Huang Renjun-nim with all the straight-A’s to brag about,” you sniff. “And Jeno’s not like that. He’s a gentleman.”

“Uh huh,” he said, sounding supremely unconvinced.

“Why do you hate him so much? He’s not really a bully. And he’s not done anything to you.”

“I don’t hate him him, I hate that you like him.” 

You shake your head. As if that had made it clearer. “What’s not to like? He’s funny, athletic, sweet —”

“I’m sure you know all that because you spend so much time with him.” Renjun sighs. “Why can’t you just like someone else? Why can’t you moon over, I don’t know – Mark Lee, the very smart, also very athletic and very active student body president? Or  Donghyuck, the physics lab assistant who, though not particularly into sports, has one of the highest GPAs around here? Or – I don’t know, someone like me?”

“Like what?” you say, distracted – Jeno had just stood up along with Jaemin, and had begun to clear their table, piling their trash onto their trays.

“Like – you know — you know – just —“

“He’s coming this way,” you hiss, effectively cutting Renjun off. Even though he doesn’t like it, he’s forced to turn away with you, even though he hadn’t really gotten a good look and wasn’t exactly trying to hide his presence from Jeno to begin with.

“So what?” He whispers before suddenly realizing he doesn’t know why he’s even keeping his voice down. “Are you going to offer to throw his stuff for him now? Is this what we’ve come to?”

“No, I want to leave.”

“What?” Renjun looks at you, then at his unfinished triangle gimbap, then at you again. “Why?”

“Because — I don’t want him to see me like this —“ you also whisper, starting to get up. Renjun, however, holds your arm, visibly confused and no small amounts annoyed.

“See you like what? So he’s coming, and now we have to leave?”

“I just – I don’t want – I just – can we please just go?” you beg weakly, watching them approach from the corner of your eye.

“No, there’s absolutely no reason as to why you have to leave just because he’s coming here,” he says stubbornly.

“Let go of my arm, please-“

“Just sit down, ____________.”

“No, I can’t, I don’t want to make eye contact with him — I don’t even want him to really see me right now—"

“Who said you have to make eye contact with him, anyway? Just eat your food.”

“Let’s just go —” You yank your arm back violently — just in time too, as Jeno and Jaemin pass by your table, trays in hand.

It happens all at once:  your chair falls over as you shoot upward from the force of pull, and you reel back as Renjun lets out a surprised yelp. You don’t go far — just enough to make an impact on the person behind you with your forearm and elbow.

That person being, of course, Lee Jeno’s best friend, whose can of soda was just by the edge of his tray – an edge it fell off of the moment you collide with his arm.

You hear three things after that, all close to being simultaneous with one another:

One, a very loud Oh, shit! from the guy behind you, who you had just bumped.

Two, a chair scraping as your best friend stands up from his seat, eyes wide in horror.

And, three, a bloodcurdling shriek from your own mouth as Na Jaemin’s half-full diet Coke splashes down the back of your shirt.

There’s a brief hush that falls over the room. The words that come after seem a thousand times louder.

“Oh God, I’m so sorry…”

The fizz of the soda pops and crackles against your skin, causing the now-translucent fabric to stick to your back like overly carbonated flypaper. Your mouth hangs half-open in shock, trying to find the appropriate words for the situation. Renjun looks up at you, his eyes mirroring a fraction of your horror from witnessing the situation.He mouths something that vaguely looks like “let’s go,” but you don’t want to dwell on what it could have actually been, otherwise you might strangle him. 

A warm hand gently rests on your back, pushing the sticky, soaked cloth even further closer to me. You wince at first, mildly disgusted by the feeling.

But a warm thought strikes you in that instance – what if, maybe, it’s Jeno trying to comfort you, about to say something sweet and caring that would ultimately show Renjun up, and perhaps lead to the beginning of a wonderful romance that would blossom between the both of you?

Well, you like being idealistic about your future – especially when the thought of it involves Jeno.

The idea of Lee Jeno pressing his palm against your back, his hand only obscured by a thin layer of fabric, suddenly sends unnatural tingles down your spine. Color rushes to your cheeks, and you bite the inside of your cheek to keep yourself from smiling at the strangely embarrassing but not altogether revolting thought. Renjun catches it and throws you a slightly quizzical look that suddenly changes to mild exasperation.

“Are you okay?”

It’s the same question you’d expected, but it was not asked in the sexy, careful, and husky drawl you’d often heard Jeno speak in. You deflate noticeably, turning slowly to the best friend of the man of your dreams.

“Yeah, I’m okay,” you say quietly.

“God, I’m so sorry, I really am —” Na Jaemin bites his lip, trying (see: failing) not to gawk at your blue and brown-all-the- way-down-the-back shirt. “I swear — it was an accident, I really didn’t mean to —-”

You shake your head. “No, it’s fine. I should have watched where I was going. My… bad eyesight, you know.” Your eyesight is fine. You don’t even know why you’d said that. The situation in itself was already sufficiently uncomfortable without a lame medical lie. 

Physically, of course, sure, what with your back still kind of popping and fizzing from the coke stain. But more socially, considering you now have two attractive boys right in front of you, unsure of what to do about said stain, while whoever is still present in the dwindling population of the cafeteria stares, very pityingly, at the still-spreading new pattern of Coca Cola on your shirt.

But what really knots up your insides is the fact that this coke stain, the obvious focal point of the situation, is probably the one striking reminder of the day Lee Jeno actually had his attention fully on you, for the first time in your life.

Which, considering what everything was, really isn’t the best way to make your mark on someone.

There’s a long, awkward pause. Suddenly, Jeno pipes in for the first time since the scene had gone awry, speaking in the slow, bass tone he had claimed as signature. “Do you need a jacket?”

Oh god. He’s talking to you. Not around you, not near you, not over you, not out of a conversation you’d eavesdropped – no, sorry, overhead. To you. In that, sweet, nonchalant cloud of sound that fills your ears like some one-man angelic chorus. You let out an involuntary, dreamy sigh.

Renjun, obviously hearing your response (or lack thereof), clears his throat, trying to prompt you to reply to him. Well, shit. What did he say?

“Uh — sorry —- what?” you breath out, still dazed.

“Do you,” Jeno repeats patiently. “Need a jacket?”

Oh, god. He’s going to offer you his jacket. Offer you. His jacket. The one that says Lee in that super cool varsity font that makes his name look even yummier. And that’s literally the closest you’ll ever be to him.

“Hey,” Renjun hisses to you in a low, annoyed voice. “Say something.”

You snap out of a mental monologue again, flushing a funny shade of red for at least the third time today.

You open your mouth, but no words come out -– at best, a very pitiful sort of squeak lodges itself in your throat and dies there. Your lips simply part and shut like a fish trying to process oxygen. You can practically hear the sound of Renjun rolling his eyes, probably going so far back he can see all the creases in his big brain.

“Yeah, she’d appreciate it, probably.”

Yes. Yes, definitely.

There’s the sound of rustling cloth, and hands, gentle on your shoulders, carefully place the jacket on your back. You catch a whiff of the freshly laundered cloth, peppered with the subtly faded scent of cologne that’s been religiously sprayed onto the fabric many times before. It’s heavenly. With a wide grin on your face, you turn to the two of them, more or less ready to lay down your life at Jeno’s feet.

But his jacket, pristine and crisp, is still on him, devilishly unbuttoned and lightly clinging to his sides. He raised a questioning eyebrow as you stare, a little too long, at the jacket that you’d thought had been wrapped around you moments ago. Maybe he has two jackets. Maybe you’re in the matrix. 

You turn your head, trying to read the lettering on the back. You only had to see one “N” in order to realize that the embroidery read “Na”, and not “Lee”.

It’s somehow embarrassingly difficult to hide your disappointment, but you thank Jaemin nonetheless. He seems genuinely troubled, making sure your arms are well into the sleeves of his letter jacket before backing away, hands up like you’re robbing him on the bus.

“I’m really, really sorry,” he repeats. You don’t know how much more apologetic he could manage to look.

“It’s fine,” you mumble. “Sorry about your coke.”

He shakes his head. “It doesn’t matter — what I’m worried about is -–”

“No, it’s no big deal — nothing some laundry time won’t get rid off,” you wave another round of apologies away. “Thanks for the jacket.” A bit of sadness makes its way into your voice; thankfully, it goes virtually unnoticed by all but Renjun, who makes an unpleasant face everyone who does notice it (see: you) decides to ignore.

“It’s the least I can do. Sure it’s okay?”

“Yeah, thank you.”

The first bell’s ring, signaling five minutes before the next period, punctuates the short and uncomfortable exchange. Most seniors have a free period or two for “studying” – except, only Renjun actually takes that seriously. You usually spend it with him, which is, truthfully, a big bore, so you generally end up falling asleep on the desk until he wakes you up for the next actual class.

“Hey, Jaemin, hurry,” Jeno says suddenly, checking his watch. “I want to catch that new action movie – next showing’s at half past one.”

Or, sometimes, if you had a car, guts and a whole lot of charm, you could sneak out of school for the three-hour downtime and go to the nearest mall, grab a bite or watch a movie if you could afford it. Fortunately for him, a car, guts and charm were pretty much Lee Jeno’s strongest selling points.

“Oh, yeah,” Jaemin said halfheartedly, his eyes flickering to you. “You’ll be alright?”

“Yeah,” you reply. “I’ll have your jacket with you, fresh and clean, tomorrow morning.”

“Don’t worry about it,” he shakes his head, smiling. It looks genuine, but for some reason, you feel like that can’t be too right.

“Na Jaemin,” Jeno repeats. Jaemin backs away, offering you a last small, apologetic look before nodding back at Jeno.

“Later,” he raises a hand in farewell. Jeno begins to walk ahead, not even glancing back at you. It seems he had more important things on his mind. Maybe he’d been trying to figure out what was going to go down in the new Mission Impossible movie. That seems like a valid train of thought for him to be so unconcerned about anything else. 

When they’re clear out of earshot, Renjun gives a very audible, very heavy sigh. You wheel around to him, frowning.

“What’s so —” you imitate his sigh.

“Oh, nothing.”

“Come on, Renjun, I may not be grade A but I’m not that dumb.”

“You were like a one eyed pony crippled by a shiny unicorn,” he shakes his head. “And by unicorn, I did indeed mean Lee Jeno, which is actually a significant downgrade.”

“Don’t say his name so loud, people might hear.”

“Everyone in this part of town knows you like him, _________. It’s really not a thousand piece jigsaw puzzle,” he chuckles, though a bit sardonically.

“Liar,” you mutter under your breath.

“Fine, let’s agree to disagree, then.” He rolls his eyes. You note he’s been doing a lot of that today. “You could have at least handled the situation better. Most people would have actually managed to say something other than uhhhhh…”

“I did say something!” you defend yourself, rather affronted. “I said thank you, and it was fine —”

“Yeah, to Na Jaemin. In case you didn’t notice, that stuff doesn’t really funnel down to Jeno —”

“It as good as does.”

“All I’m saying is that if you wanted to make some progress, you could have at least looked him in the eye and not choked on your own saliva.” He’s amused. You can tell. Except you’re not in the mood to laugh at all, so you settle with sniffing — very angrily — pursing your lips, and saying nothing. “What? It’s true!”

“Just shut up, Renjun,” you say tiredly. “Maybe I didn’t want to make progress then, have you thought about that?”

“Not likely,” he snorted.

“Oh – really? Really? You thought it would have been a fantastic time for me to strike up a hi hello, how do you do, would you care to have a cup of coffee with me some time? while I was drenched in coke from the waist down?”

“I’m just saying, if you’re trying to be an opportunist, you can’t really be picky about when you make your move.”

“I don’t understand you,” You throw your hands up in the air. “First you tell me to stay away from him, and now you’re telling me to think back upon the fact that I didn’t make a move when I should have?”

“It’s called reverse psychology,” he said, after a moment’s pause of consideration. “Like, I’m telling you now yeah, go for it, but then in your mind, another voice is going maybe it’s not such a good idea, especially if the only time we ever get to talk is when I’ve been splashed by coke and I can’t even form coherent sentences.”

“Oh, well, shit,” You mutter sarcastically. “Why didn’t I figure that out?”

“Given time, you might have. I have so much faith in your intelligence, even though you refuse to use it.”

“I doubt it.” You mumble under your breath. He falls quiet, and you sniff again, not because you really feel the need to but because you want to express how miffed you are at the very, very sudden and bad turn of events.

“___________,” Renjun begins in a slower, considerably kinder tone after moment of actual silence. “Are you all right?”

“Fantastic,” you sigh. “Got coke dumped on my back, in front of forty percent of the student population, I smell like a soda parlor and I choked on my own saliva in front of Lee flipping Jeno.”

“That’s a good estimation — forty percent,” Renjun approves.

“Wow, thank you.”

“Hey, it’s not all bad. For the rest of the day, your last name is Na,” he says, trying to cheer you up. You sniff for the third time in a row, nose now raw with the habit.

“I’d much rather it were Lee.”

                                                         *:･ﾟ✧*:･ﾟ✧

You part ways in last period, Renjun heading off to what he calls AP Physics and what you like to call AP Torture. You, however, had managed to stay very happily in the physics lesson for normal people, despite Renjun’s constant badgering for you to just work harder so that you both could be AP Torture lab partners together. You’ve declined, quite politely, on more than one occasion. Average is your specialty.

Never mind the fact that Lee Jeno was in your Physics class, only three stations away from you. It’s not the reason you’re staying, but you’d be a liar if you ever said it hadn’t served as one of the many excellent justifications.

He’s already there when you walk into class, yawning and twirling his pen in between his fingers. Your breathing hitches a little as you take the glorious sight of him in, but you scold yourself for a hot minute, reminding yourself that cool people don’t ever show when they’re feeling any other emotion than the one called cool. You do a pretty good job (well, it feels like a good job) of making yourself seem calm and aloof, remaining seemingly unaware of his presence as you walk past him over to your station to sit down on your stool.

You should have been able to skate by with the whole act, too, except you stupidly take the time to sneak a glance at him, causing you to miss the surface of your station and drop your books so loudly you feel like the people in the next classroom hear it too.

Face burning to about the average temperature of a summer’s day in the Sahara Desert, you scoop up all your books and shove them onto the untrustworthy station table. Luckily, when you cast a furtive look at Jeno, he makes no indication that he had noticed the racket you’d made. His head is still turned to the front, finger performing a mini-exhibition of pen twirling.

“Hey,___________, have a good term break?”

“Hey, Donghyuck,” you greet, sliding into your seat. “Pretty good, how was yours?”

Lee Donghyuck, another physics genius with a strangely buddy-buddy relationship with the head of the Natural Sciences Department at school. He and the chair, Choi Jiwoo (who Donghyuck fondly refers to as “Jiwoo-nim”, for some inexplicable reason), are pretty tight, which is probably why Donghyuck landed himself a position as ‘teaching assistant’ in the basic Physics class, where he can tell you what you’re doing wrong and grade your quizzes instead of having to attend whatever boring lecture they had going in AP Physics, which he probably would have aced anyway. You’re not sure if he gets paid, or whatever, but you know it sure beats the hell out of staring at a Powerpoint all day.

You’re also pretty sure they put you in a station close to the teaching assistant’s desk because of that weird chemistry incident last year when Park Gaeun got her eyebrows burned off.  You know they think it had been your fault because you were the one who had screamed and filled a beaker of water to splash onto her face when she was screaming (too) and going around in small circles like a blind chicken.

Except it wasn’t your fault – you don’t even know how it had happened. You had sworn it couldn’t have been you, because…

Well, because you’d had your back turned to Park Gaeun. Because you had been busy staring at Jeno, who was filling his graduated cylinder with hydrogen peroxide, his brow all scrunched up from concentrating. Which, by the way, makes the top 10 cutest things of the year every year.

But it still doesn’t change the fact that Park Gaeun lost her eyebrows and now has to draw them on with a pencil until they grow back, and it doesn’t sway your theory that you had been put in the station next to Lee Donghyuck’s teaching assistant’s desk so that he could keep an eye on you, in case you decided to like, accidentally electrocute someone.

“It was good,” he replies, smiling. “Do anything interesting?”

Well, you had tried to add Lee Jeno on Facebook, if that counts. Not that he’s rejected you; he just hasn’t accepted it.

Maybe today, he will. If not, there’s always tomorrow.

“No, not really. Mostly stayed home and slept,” You shrug, deciding to keep that Facebook thing to yourself. You and Donghyuck aren’t that close to begin with. “You?”

“Graded stuff,” he taps a stack of papers piled neatly upon his desk, and you raise a quizzical eyebrow.

“They let you grade the final exams?”

“Yeah.” He leans in conspiratorially. “Wanna know what you got?”

“No,” You pause, reconsidering. “Yeah. Nah – it’s low, isn’t it?”

“I wasn’t going to tell you either way,” he chuckles. “I’ll leave it as a fantastic surprise.”

“Fantastic,” you echo hollowly, knowing that must mean you had gotten a zero.

“It’s not as low as you might think. Besides, you can more than make up for it this term.”

Before you can ask what was happening this term, the door slams shut, and you spin towards the front of the classroom. Hwang Taehyung, the non-AP Physics teacher, stalks in, looking moodier than ever.

There are three things everyone knows about Hwang Taehyung:

One, he’s bitter because he’s consistently turned down for the AP Physics slot, which is also consistently handed over to newer and seemingly more qualified instructors. The latest AP Physics teacher is a young new graduate, Jung Yoorin, who is an average babe: pretty, fair-skinned, a slightly above-average bust size, with a surprisingly very, very above average IQ. You think the fact that she’s smoking hot kind of makes Hwang Taehyung a lot sulkier.

Two, he has one thing and one thing only in his wardrobe: a grey suit. Day in, day out, grey suit. Going to class? Grey suit. Going to a meeting? Grey suit. Catch him in the mall? Grey suit. Going to a wedding? Probably the grey suit. Maybe with a flower on the lapel, or something, to spice things up a little.

And the third, most important thing about him: He’s always, always in the process of getting a divorce with his wife.

And it’s not like he’s a ladykiller and is trying to get all these hot bitches off his back to protect whatever assets he may have accumulated with his teacher’s salary over the years. No, it’s the same wife, who is as old as he is and about sixty times bitchier, from the way you hear it. Except, you don’t know why he can’t just get rid of her. Or why the divorces never push through. Some people think it’s the really disturbing notion of make-up-break-up with a lot of old people sex involved. You prefer to stick to the theory of there not being an actual wife, and he just files with an imaginary spouse so that he can get continual pay raises for “divorce bills” that don’t exist. It’s not like the school does a really extensive background check, anyway. If you can teach and don’t presently do hashish, you’re pretty much hired.

“Donghyuck, give out the papers, please,” Hwang instructs, tossing down a clipboard onto the desk. Donghyuck jumps up and begins handing back your final exams from last term. “And are you sure you got this list right?”

“Absolutely, sir,” he says, sliding a paper over to you.

Ugh, a B minus. Not your worst, but definitely not your best. Meanwhile, Renjun is probably celebrating another well deserved A-plus in his AP Physics finals from last term.

“Fine, since I’m too lazy to look it over the class list,” Hwang swivels to the board, scrawling some unreadable shit that looked weirdly like Penis Tum Roadjet.

“Your Physics Term Project,” you stifle a laugh that Donghyuck shoots you a look for. “Will require you to work in pairs on a four-month-long investigatory research and experiment that involves any physics concept or breakthrough. And – yes, what is it?”

Park Gaeun, eyebrows half grown in, had raised her hand. “Sir, do we get to pick our partners?” You notice she’s pointedly looking at you, and you turn away, trying to look innocent. Judgy bitch. Maybe you should have roasted her eyebrows off.

“No, Lee Donghyuck over here has already laid out a masterlist.” The statement is met with a disapproving noise. “Now, as I was saying – what is it now?”

Another student, Moon Jonghyun raises his hand as well. “Sir, any physics concept? Say – if it involves the trajectory of a car falling off a cliff as it drives two hundred miles an hour –”

“If you can find a way to simulate that and prove what kind of significance it has to today’s society, I won’t stop you,” Hwang Taehyung says dryly, though his tone suggests that if anyone did manage to simulate a speeding car falling off a cliff again and again for this project, they might as well give themselves an F and be done with it. Moon Jonghyun sobers down, looking sulky. Clearly, he’d cottoned on as well.

“Now, when I read your name off the masterlist, find your partner – I’m assuming you’re all familiar with each other? You should be. You can spend the rest of the period discussing what you want to do. Turn in your short proposals by the end of the week.”

Everyone sits up a bit straighter, listening very hard for their names attached to their partners.

“Jeong Jisoo and Kim Minhyuk. Park Gaeun, Oh Taekyung. Min Taehee, Moon Jonghyun. Lee Jeno, ____________.”

As though in slow motion, you watch his head turn, his eyes searching briefly before they land on you. You feel your mouth go dry, and you see him, as though from a dream, stand up and walk towards your station.

Oh God, oh God, oh God. What are you going to do? Shit, shit, he’s still looking at you. Okay, be cool. Oh God, You’re going to have a heart attack.

As he takes the last few steps towards you, you run a hand through your hair. You think, maybe you should smile. But would that creep him out? But would it make you seem too cold if you didn’t smile? The end result of that debate is a painful, lopsided thing that looked more like a grimace than a grin.

“Hey,” he greets, setting his book down atop the station. He blinks once, very briefly, and it looks like all the lights in his head have gone out before something clicks in his mind. “You’re that girl right? The one in the cafeteria?”

He remembers you, though. You nod, speechless — actually, not trusting yourself to speak.

“How’s your shirt?”

You lick your lips, trying to get them to move again. “Fi-fi-fine?” You say breathlessly.

“Cool,” he blinks once again. “So — uh, I’m Jeno, by the way.”

And then he sticks out his open palm and holds it in midair. You have to hold your wrist to stop your fingers from trembling against his. You briefly grasp his hand, and he holds it for a brief moment before letting it go.

“I’m – I’m __________.”

“___________,” he repeats. “Okay, __________. Know anything about this physics stuff?”

“Well – I – uh,” You push your books back with your elbow, covering your embarrassing B-minus in case he wants to see what you’d gotten. “I’m… I’m cool with it.” Only because Renjun forces you to study with him and sometimes has to shove the new lesson down your throat when you'd rather be on Facebook trying to beat your Everwing high score.

“Oh, well, cool. Because, you know, I gotta be honest with you,” he shrugs. “Physics blows for me. We don’t get along. You know what I mean?”

“Mmm,” you reply, more or less entranced by the very confused, very beautiful look on his face.

“So, uh, will you be okay with taking the reins on this one? Get us a cool grade, and all?”

“Mhmmm,” you answer dreamily, watching the corners of his mouth turn up. He’s so cute.

“Fantastic. You’re a cool kid, ___________. Not sure why I haven’t spoken that much to you before,” he stands up, and you instinctively straighten up to look at him, eyes still following his every movement. He gives you a light pat on the shoulder, and all you can think of is how he’s touched you twice today. “So -– is that it? Are we good here?” He asks. You don’t know where your voice is again, so you just nod in response. “Cool. See you tomorrow.”

He glances at the now-empty teacher’s table — Hwang had left the class alone to plan — and then over at Donghyuck, who’s looking through an unclaimed exam paper of an absentee and probably laughing at all the stuff they got wrong.

“Hey, Lee Donghyuck, I’m going ahead.” Without waiting for a response from the teacher’s assistant, he eases out of the station and exits the room. No one seems to find this the least bit unusual.

“You’re with Jeno; that’s tough,” Donghyuck frowns, putting down the exam paper. You notice that there’s a really large, proud D on it that he must have really taken the time to write out. “He’s not doing well in this class. It looks like he’s going to need at least a B-plus to get him to graduate.”

“We’ll get whatever grade he needs,” you reply, your eyes still on the door as if you’re expecting he’d come back through and take you with him.

“Yeah – so you got a plan, already? You guys planned quickly. Everyone else just sat down.”

“Yeah, we have a plan.”

“So? What are you doing?”

“It’s – well, it’s a secret; I can’t give it all away, can I?” You snap out of your daze long enough to give an answer that isn’t just parroting back whatever you can hear above the noise in the room.

“Okay, okay,” he chuckles. “Keep your secrets then. But it better be good. You know I’m grading fifty percent, right?”

“Well, you better give me that fifty percent, then,” You raise your eyebrows.

“We’ll see,” he laughs, standing up from his spot. He pats you once lightly on the shoulder before leaving to walk around to see what kind of progress everyone else is making. You note that it feels nothing like how Jeno had done it. 

It’s only now that you realize you’ve hit a big snag by making that brash promise to Jeno. You don’t know anything about physics.You chew on your bottom lip, watching everyone draw up ideas left and right for the term project. Some people already have five ideas written down. You have zero. Plus, your partner’s already gone.

You knead your brow in frustration, slightly hating the moony-eyed part of yourself and wondering why you always let it take the reins during important situations. You can’t let Jeno down, but there’s no one you can ask for help here either; this class is a competition now, not collaboration. You think about asking Donghyuck for some tips before remembering that you had already told him you and Jeno had a plan. Besides, whatever question you’d come up with, he’d probably just laugh at hysterically inside; nothing could match his AP Phy–

AP Physics.

And if there were a moment you would choose to thank a God you don’t fully believe in for making Huang Renjun your best friend, it would pretty much be right now.

[lilis-palace]

WORK-IN-PROGRESS : A Secretaire desk

Not really a guide, but can be interesting for those who would like to know how I create an object or a set. Originally I wrote this essay for a course at my uni but I translated and simplified it.

💡☝️ INSPO

The secretaire desk is an iconic piece of Biedermeier furniture. My fascination with the elegant yet straightforward style is beyond measure.

🧊🕸️ MODELLING

I used Blender for modelling. (I made it when I was still using the old 2.7 version.) The design process for the object consumed a significant amount of my time, spanning a total of three hours.

After I finish making the model, I need to do something called "unfolding." This means turning the 3D object into a 2D mesh. Once that's done, I "burn" the shadows onto it, which gives it the final look you see below.

🎨🖌️ TEXTURE

After that, I use the Sims 4 Studio program. This is where I make sure that the object looks right with its texture and I decide how it should act in the game.

To create the special intarsia effect, I use patterns that I've already prepared in Photoshop. I carefully rotate and arrange them until they fit just right. It takes a lot of time, but the final outcome is totally worth it.

🌐✨ NORMAL & SPECULAR MAP

The Normal map is really important for objects with low levels of detail. It determines how light behaves on different surfaces. With the Normal map, even a surface that looks completely smooth can actually appear uneven when light shines on it. This creates the illusion of more intricate details without slowing down the game's performance.

In the game, they use a simpler version of the Normal map called the Bump map. To make it, I use a plugin in Photoshop and save it in a specific format called .DDS. I have to tweak the channels and choose the right settings to get it just right.

When I apply the Bump map to my Biedermeier writing cabinet with shelves, it creates small shadows at the edges of the shelves when light hits the center. This makes the shelves stand out from the flat surface and adds depth to the object.

The shine of an object is controlled by the specular map. It determines how reflective the surface appears, whether it's a shiny metal, a glossy glass, or a completely matte material. By adjusting the color values, we can create different types of shine.

In this project, I want to achieve a specific type of shine that looks like wax or honey. Fortunately, I already have a template ready for this. I just need to find it and apply it to the object in the program.

📊📐SIMS 4 STUDIO SETTINGS

After that, I need to make a bunch of tweaks to make sure the object works properly in the game. It involves doing both small and big adjustments. For example, I add tags to make it easy to find in the catalog, figure out how the surface should look, find the right spots where other objects can connect to it, decide where chairs and writing surfaces should go, and more. The first picture shows how things are set up by default, while the second one shows the changes I've made.

Throughout this whole process, I have to carefully figure out the exact positions for different parts using a coordinate system. It can be a bit tiresome and take up a lot of time.

📈 💼 WORK IN PROGRESS

First, I made a work-in-progress picture. This is how I announce the new collection.

💃🎞️ GIF

In the post, there's a gif that demonstrates various color combinations. Creating this gif involves a careful and detailed process. I have to take individual photos of all 16 color combinations for each of the two cabinets. Afterward, I need to carefully match and merge these photos together. Finally, I use an online Gif maker site to edit and finalize the gif.

📷🖼️ PREVIEW PIC

I spent a good 2 hours setting up the scene, and it wasn't easy finding the right items and creating the perfect environment. Editing the image also took me another 2 hours, as I paid close attention to every little detail.

Out of the three images you see above, the first one is the default color scheme generated by the game itself. The second image, on the other hand, was created using a program called Reshade. It's an extra tool you have to install separately, and its main purpose is to change the lighting inside the game. It adds depth and creates a whole different atmosphere. As for the third image, that's what it looks like after I adjusted the colors in Photoshop. And finally, I added shadows and highlights to the image to give it a more three-dimensional and immersive feel.

I hope you enjoyed this post and see you soon. The release date of the set is tomorrow!

[sonkitty]

Earthly Objects Study: The Pocket Trick (Good Omens 2)

NEWEST VERSION HERE:

>>>> https://www.tumblr.com/sonkitty/740091087358656512/the-pocket-trick-basics?source=share <<<<<<

SEE THE LINK ABOVE

The below is saved for posterity. This Trick is so complex, I ended up making multiple posts because my draft became so long. If you have no idea what I'm talking about, it's best to either just take my word for it or read these three things.

The Earthly Objects Game

Earthly Objects Study - Crowley's Sunglasses

Earthly Objects Study - Multiplicative Threshold Tricks

This post was last updated 01/18/2024.

Edit-I truly thought I had given up. I've made progress. It's not fantastical, but it's something. More on the way when I can. For now, know that the left pocket is shown much earlier than I said in the description for Action #1. Oops. -01/19/2024.

Introduction

Alright.

Here it is.

This Trick is the missing Multiplicative Threshold Trick.

I found a Triple, a Double, and a Single.

I also admit defeat.

I don't get it. This pocket thing is a puzzle, and it is a very, very difficult puzzle that I do not expect to solve. I see a process, but this process decided that if we're going to allow pockets to be little doors that can have threshold-only touches, let's get everything, or at least a lot of other things, involved.

It's not just what the hands are doing and especially the thumbs. Those are of great importance.

It's matters how the strands of the tie move in alignment with the thumbs and a given hand.

It matters how those tie strands strike or rest on the vest when they do.

It matters what the tassels at the end of those tie strands are doing.

It matters how things are managed around the belt.

It matters how the jacket is positioned and what that is showing.

It matters what the clasps of the strands on the tie are doing.

It matters what the watch is doing.

It matters if the shirt decides to get involved.

Shadows and lights hitting the right way at the right time? Those things matter.

Windows nearby? Those things matter.

Crowley's reflection? It matters.

How Crowley's head or body is framed during the touch? That matters.

In addition to usual hand things to look for, now it matters what the thumb joint is doing. It matters so much what the thumb joint is doing,

Everything matters when it comes to the pockets.

Everything matters.

I made a ton of progress on so many aspects only to realize that after so much of it, I had not been minding the windows of each scene. Then I go look up "pocket windows" and find out they are for new windows installed within an existing window frame. Windows were hard enough just for looks the first two times. I cannot keep up with something of this scale. I simply cannot.

Summary

So, get ready for a long haul that amounts to "I don't know what's really happening here" or just take this summary at face value. There were threshold-only touches on pockets or using pockets by Crowley in Good Omens 2. Yes, really.

Action #1 (Episode 2; Triple Part 1)

Crowley walking alone before encountering Nina.

Action #2 (Episode 2; Triple Part 2)

Crowley walking alone after encountering Nina and encountering Aziraphale. "Do you need a lift somewhere?"

Action #3 (Episode 5; Double)

Crowley standing against the door of the music shop.

Action #4 (Episode 5; Triple Part 3 that has its own two parts)

Crowley standing and watching Aziraphale invite Justine.

Action #5 (Episode 6; Single)

Crowley walking into the bookshop after escorting Maggie and Nina out. He has a potential two Triple multipliers on the door panel for shifting the fingers and whatever else was necessary at the right times.

Definitely Not a Summary

Are you still here?

Alright, fine.

This Trick is part of a game, and this part of this game is too hard for me.

I'm not going to throw away all my progress by deleting my save, so I'm still making this post anyway.

I am going to miss things because it is really hard to pay attention to everything when you don't really know what's going on but know enough to sense something's going on. It just is.

Once the window thing for this Trick hit me, I knew it was over. Some of this thing will be more detailed than the rest, but I refuse to take this challenge any further. Sort of. I'll probably still think about it in the background. If I'm lucky, as I have been with eventually realizing The Sunglasses Trick was a thing, I'll update this post.

Crowley's dark clothes, the show's lighting, and my own PC monitor not being really optimized for getting the visuals I would like also make this difficult. I have tried to compensate with some editing, but sometimes that's still not really good enough. My TV and iPad are better, but I can't check frame-by-frame on those devices as I can from my PC. The app I used to use for my iPad to do things frame-by-frame is no longer any good, and I haven't been able to find a replacement.

I'm going to say "strand" because I understand it better even if "strand" might often mean something thinner. The word "cord" seems the best alternative, and it doesn't feel right.

The Door Trick

The Door Trick gets a special mention here because it is not part of the Pocket Trick but is clearly using some form of the mechanics involved just differently to enough to get what it wants. While the touches in this Trick require the fingertips to be definitively shown on screen at some point, The Door Trick does not. It has one curled pinky with a tip touching that pinky. The pinky is touching the ring finger, which is touching the middle finger. That version is still allowed for a Triple multiplier within The Door Trick as part of the skin contact touch.

Presumably, that's because those fingers are handled the way they are in an acceptable manner.. The Door Trick handling the tie, the belt, the shirt sleeve, the watch, and jacket somehow helps lead to the left index finger and right thumb to touch the pants where the legs are touching each other and earning a Double multiplier. Or some variation of that. That's also while making sure Crowley's entire body is positioned exactly the way it is with regards to the what he is wearing, the car threshold he is touching, the humans behind him, and so on.

Core Concept

Every Multiplicative Threshold Trick has a core concept. Despite their complexities, they start with a simple idea.

The Perfect Entrance is a basic introduction to the Tricks. Crowley, or even just this idea, makes an entrance by making an entrance. It's perfect because 1 + 2 + 3 = 6, which is how many points he could theoretically get with a Single, Double, and Triple being done.

The Door Trick is touching the door while touching the door.

The Window Trick is looking through a window while looking through a window.

The Bigger Thresholds trick is Crowley managing thresholds that are bigger than him.

The Sunglasses Trick is Crowley's sunglasses are the door to himself. He touches the thresholds of his own threshold. It begins with him opening the door, and it ends with him closing the door. Still, the Trick boils down to that initial, simple idea.

What is the core concept of The Pocket Trick? I don't know. I know my own goal is finding out how the touches on these special little doors get their threshold-only touches, and that the answer is a complex mess of other thresholds, other edges, framing, windows, and so on. I know that Crowley himself or parts of him end up framed in certain noticeable ways once I sense to look for it. I know certain things need to move certain ways for the touch to be done the way it is. Where's the concept that leads me to saying a pocket touch means Crowley or some of him is put in a frame? Is it a Crowley pocket of its own? Where's the core concept that leads me to say that his clothes need to touch the hands when and where they do? The pockets are smaller than him, but they are not just smaller. They are a specific thing on clothes with touches that keep involving other clothes. There is no touch in this Trick that does not involve touching his clothes or being touched by his clothes and the hands partly in the pockets. It's the latter more often than the former. The pocketed hand gets touched by the clothes if it's already in. The hands touch clothes if they are entering the pockets.

There is some basic idea, some basic reasoning for those requirements.

This is The Pocket Trick. It's not The Frame Trick. It's not The Pocket Frame Trick. It's not The Pocket Window Trick. It is The Pocket Trick. So, whatever is going on, somehow, it should amount to a basic idea about touching pockets. If they are not literally touched, there needs to be an Earth-based reasoning behind it. Windows are touched by looks because people look through windows to see things on Earth. As such, the concept should be like pockets are touched by something because people do something with pockets on Earth.

Even if I eventually get the concept, I'll still struggle because this thing is so intricate.

Hands

For most humans, we have two hands with 10 digits total. Of our digits, we have 4 fingers and 1 thumb on each hand. That's 8 fingers and 2 thumbs.

To use more than half the digits of one hand requires 3 digits.

To use more than half the digits of two hands requires 6 digits.

We use our thumbs for a lot of things differently than how we use our fingers, and that's important.

Crowley may not be human, but he chooses the shape of a human with two hands, much like most humans.

As a snake-eyed demon, he actually has a very special touch to his own sunglasses that involve thumbs. If he wants to switch them from an accessory to a door or a demonic tool as he removes them from his face, he has to have a thumb tip visible in the motion, even if the motion is blurred. That thumb tip is a requirement.

All of these pocket touches involve at least the right pants pocket and one of them adds in the left pants pocket.

They all involve both hands.

This link is probably a good point of reference:

https://www.neuro-spine-ortho.com/health-services/neuroscience-spine-orthopedic-institute/orthopedics/hand-wrist-care/hand-anatomy/

Since links go down sometimes, here are some notes that are very much copied and based on the above:

Working our way from the top down if you raise your hand with all digits extended as if counting to ten, the digit tip bones are the distal phalanges. For the fingers, below those are the middle phalanges. Thumbs do not have middle phalanges. Below the middle phalanges for the finger bones and below the distal phalanx for the thumb are the proximal phalanges. The singular form of "phalanges" is "phalanx."

The bones in the hand are called metacarpals. The thumb metacarpal makes a joint with something called the trapezium that "allows much of the thumb motion."

Now using this reference (https://orthoinfo.aaos.org/en/diseases--conditions/thumb-fractures/), that joint is is called the carpometacarpal (CMC) joint. I will simply be saying "thumb joints".

Thumb Joints

For these special pocket touches, the thumb joints act like catalysts for things to happen and what clothing item is linked to a given tie strand, even if that link seems to happen earlier. There's still something significant about these joints in getting things connected or managing the connections. Sometimes accessories are involved, but it's almost like the accessory is more of an assist with the clothes. The thumb joints could be something like metaphorical hinges.

Tied Hands

The header is an intentional pun, and I do believe it is something meant to be communicated by this story with this game.

Each tie strand below the knot of Crowley's tie ends up connected to a hand in some way, but it's not as simple as a joint from one strand to the other because a thumb joint might actually be avoided instead of overtly displaying a link to something. The tied strand still has to behave in correspondence with the hand of the avoided thumb joint, such as suddenly seeming to have its entire tassel missing or the lighting makes it look that way.

The strands can swap what hand they are tied to because of the thumb joint.

Speaking of the tassels, those seem to be most closely linked with the thumbs.

The tips of the tassels are like thumb tips.

The clasps above those tassels are like thumb joints.

I think the tie strands don't have fingers, but I can't really tell. For all I know, the fingers are the part above the knot.

Threshold

The threshold seems to be the front outside area of the pockets and requires extra care in fully qualifying itself to be touched in a threshold-only form.

This care is concerned with things like visual touches that show the fingers touching a threshold and the edge of that threshold, because after all, edges can be thresholds of thresholds. The Perfect Entrance Trick's first move was to communicate that the edge of a sidewalk is a threshold. The final move in The Sunglasses Trick is to touch the areas around the thresholds, so thresholds of thresholds is a thing this game allows.

The first touch in this trick should have its own special name of Edges Everywhere.

Action #1 (Episode 2; Triple Part 1)

The first of these pocket touches appears in episode 2 as Crowley is walking by himself and before Nina will notice him.

When the scene initially starts, the right thumb is visible, and it's not clear just yet that the other four fingers are in the pocket. The left hand is partly visible but not showing its fingers yet.

The part of his thumb that is visible is touching over the snake belt while being touched under the vest.

Even still, the inner part of the front of his jacket's hanging out along the side edge of all of that, making sure it is not touching the pants.

One tie strand is attached to the right side of the jacket, and it's the one that will be more obviously following along with the left hand soon. If the clasp is indeed the thumb joint, it is conveniently hidden at that exact moment. This tie strand will act as if linked to the jacket as well.

The other strand is down and looks strongly aligned to the left lapel of Crowley's jacket. The top clasp before the tassel tip even seems to start at about that point. Despite that, it's also generally over the edge of the vest. The vest is what this tie strand will act is if it is linked to.

Crowley moves in a way that eventually his left hand becomes more clear and on screen.

With that one little movement, a few things happened.

The tassel tip on the right side of the jacket disappeared behind that part of the jacket. The left thumb tip did not become visible and is more understood to be behind the left hand. The right thumb disappeared behind the watch. Quite early in the overall movement, the snake disappeared behind the left front of Crowley's jacket.

I'm telling you this thing is confusing.

All four "thumbs" are off screen so that we can look at four fingers that aren't showing their fingertips yet. Those fingers just so happen to be in the area the jacket was avoiding with the area between the ring finger and pinky finger visually over the edge of the pants.

It is probably not a coincidence that there's some sunlight hitting the edge of the hand and pinky along with the edge of the ring finger, the two fingers at that edge.

It's like we're passing along threshold touches here.

The sunglasses are looking ahead, and the sunlight is hitting the back of the right side of the jacket, in case we later find those things are important too. Oh, and the strands above the knot of the tie are visible.

Time to move again.

Crowley moves some more such that the left hand is not clear, but we should certainly stop at this point because something important is clear anyway.

The thumb became visible even if blurry.

The blurry thumb joint is now by the edge of the jacket. In fact, it's by where the lower edge of the bottom jacket meets the edge of the back that's receiving the sunlight. What's it called when two edges meet each other? I had to look it up. It's called a vertex!

Both the actual hand thumbs are on screen and now so are the tie tassel tips. The strand that was on the right side of the jacket, that's going to follow along with the left hand, is still on that part of the jacket. Its tassel clasp is at the edge of where the sleeve meets the jacket. Yes, we found another edge, which makes sense because its parallel hand has the thumb joint on an edge. Indeed, we are officially joined, if we weren't already.

Meanwhile, for the right hand, it's doing edgy stuff as well. That thumb joint is now touching the edge of the vest, which is touching the edge of the snake head of the belt. The tip of that vest is positioned between the right thumb joint and the snake belt to give us yet another vertex.

The part of the jacket that was along the side edge of so much happening is now showing its outer part, and it too is at the edge of something. Visually, it is at the edge of a nearby garbage bin, or something like that.

Edges! Edges everywhere! Now with vertices!

Should we keep moving?

No, not yet. I almost forgot about the tie strand linked with the right hand.

That tie strand is hanging out over on the right side of the vest, and its tip just so happens to be along the edge of the vest and the shadowed area in the jacket. Shadows are totally a thing in the last part of this Trick, so this shadow must be doing its job of keeping that tip at an edge when it needs to be.

Are there any other edges that we missed? Probably. For instance, the left front outer edge of the jacket is covering the left pocket, probably at its edge. The left side of the vest has its tip slightly past the bottom edge of the snake belt.

The top tips of Crowley's lapels of his jacket are just past the edges of that part of the jacket., Fascinating.

I'm all out of energy looking for edges so instead am going to bring up that it is now more clear that the right hand fingers are in the pocket.

As for lighting, the right hand has lighting up until the index finger, and yeah, there's going to be something with the index finger soon. The left sleeve and left back area of the jacket are also receiving light.

Okay, fine.

I give up.

Let's move on.

That was just the one frame where we could see the left thumb joint touch a vertex of the jacket.

In the next more clear shot of movement, part of the left hand is off-screen. It seems to cut off at where the middle phalanges would be visible for the fingers and keeping the proximal phalanges visible. The thumb does not have a middle phalanx so is basically cut off from showing a thumb tip. As such, the left hand corresponding strand has decided that its tassel tip should shift its tip off the jacket to be partly over the vest since the left thumb tip is indeed part of what has become off-screen.

The tie strand linked with the right hand is on the right side of the vest and just along the inner middle border of that vest. A tiny bit of its tip has ventured over to the left side. The tips of both sides of the vest seem to be content along the lower edge of the snake belt. The right tip that was at the snake belt's edge has shifted a little more to Crowley's left, so it's not directly on the edge anymore. It also has more shadow over its own right side.

Indeed, everything probably still matters, but a lot of edge-concerned items are no longer at their concerned edges.

Onward.

Crowley moves some more, and we're going to stop when the left hand becomes clear again, including those pivotal fingertips.

They have at last revealed themselves perhaps thanks to the blurred thumb from earlier.

Since so much happened before, let's take a look.

The left thumb is not visible at all. The right thumb is only is partly visible, but its thumb tip is obscured by the left hand. In fact, the part of the hand obscuring it is where the left thumb joint should be, if we could actually see it. With both thumb tips and both thumb joints not visible, the tassels and the clasps have hidden themselves too. The belt is not visible.

Is there an edge we should concern ourselves with?

Yes, indeed. We have some lighting to help remind us of where to look. Three fingers are visually over the right pant leg. They are the middle finger, ring finger, and pinky finger. The index finger just so happens to be not over the pants with them. Instead it's visually over the edge of some edge of the building behind Crowley. And worry not, the lighting is doing just a little more than that for our alert. Now we have to look at the index fingertip and the middle fingertip because do you know what is visually in between those? The right edge of the front of Crowley's pants!

I want to move on again, so we will.

This time we're stopping when the left hand is blurry again because of a thumb joint thing again.

Crowley has turned his head. Things have changed.

Something that is not evident until drafting a post like this one is that the tie strands have swapped which hands they are corresponding to.

A lot of things actually look familiar from the first time the thumb joint was by this part of the jacket with subtle differences in being near the edges. The left thumb joint is ever so slightly over the edge of the jacket it was at the edge of before. The same goes for where the left sleeve meets the jacket visually. Our vertex is gone. The tie tassels still seem concerned about edges in their same areas as before or are just slightly off like everything else, and I simply can't tell. The vest tips are ever so slightly past the snake belt. The right outer front of the jacket is decidedly not at the edge of anything.

Let's move on.

These frames are more clear, so I'm using my best judgment on the next place to stop.

I've chosen the frame where the line between the left thumb and the rest of the hand is no longer visible.

The tie strand on the right part of the jacket is still on the right part of the jacket, mostly. The clasp is at the edge of a lower part of the right lapel of Crowley's jacket. The tassel has swung enough so that its tip is over the right side of the vest. The right thumb tip is still visible, even if only slightly.

The tie strand on the vest has also shifted over, now finding itself on the left part of the vest instead of the right. Its clasp and some of its tip is still visible, but it takes only 1 more frame for that to change. That clasp meets the edge of the bottom of the left lapel. Given what's happening with what is and is not visible of the left thumb, this makes sense, only if you catch that the strands swapped with the joint movement.

Crowley's right front of his jacket is covering up a good amount of space over the right thumb, leaving at least its thumb tip visible. That jacket's shadow also seems to be over the snake belt head some. The belt itself is visible, especially more of what's between the back of the snake head up until the left bottom tip of the vest.

The lighting is suggesting we pay attention Crowley's left side in general, so we will.

Moving on.

After some more movement, I've decided the next clear shot where we should stop is after Crowley's head has moved even more, and the left hand itself has hit stronger clarity.

The edge of the left thumb is quite likely behind the index finger. The tassels are really sneaky here. They switch so that the strand tied to the right hand gets hidden, and the strand tied to the left hand comes out again. It's easy to miss if you're just looking for the more key frames and not watching them do that. I speak from experience. So, is our visible tie strand at an edge? Yeah, go find the shadow of the jacket by the vest, and the tip of that tassel is probably at the edge of the right side of the vest and the jacket, which is positioned in just the right way to allow it.

The index finger is not showing its tip. Both it and the middle finger are showing part of their middle phalanges with the index finger showing more. The ring and pinky fingers are not showing their middle phalanges.

Some of the snake head on the belt is visible with a little hidden on each side of that head but not much.

Now let's look for more edges.

The left jacket sleeve is layered over the more general left side of the jacket itself. At the exact point where their edges meet is that same garbage can from earlier, just its other edge from a front view of it. We have found another vertex.

There's also a little stand of some sign that's near the elbow. I can't figure out why that's important are going to be important, but it likely is. If I go back a few frames, there was a tiny gap, presumably thanks to lighting, between the jacket and the sleeve where they meet. Going over that bit again and again, it looks like the right thumb joint is at the vertex of the vest and the jacket. However, the edge of that vest is ever so slightly over the edge of that right thumb. So, there's still more left to happen.

The right pants pocket just passed the edge of some visual thing on the building behind it.

We are so, so close to being done.

Okay, Crowley has moved, and things happened.

What happened?

So much happened.

The thumb and fingers of the left hand have collectively moved themselves out of the way and are no longer on screen. In the process, that left thumb joint hit that same vertex area it had before, or was very close to doing so.

By the end of the movement, the left thumb joint is close to that jacket edge area but just far enough away for this touch to be over. It's done. We just need to look at what else changed.

Early in the movement both tassels revealed themselves together, swapping their tips back to what they were before the tip tied to the right hand was hidden. Soon after, there was a frame of both on the vest. The left tie strand was more closely aligned with the left part of the jacket though, from the clasp down, not touching the edge. Above the clasp, it does look aligned with the edge of the lapel. The right tie strand, meanwhile, was more close to the inner part of the right side of the jacket and the vest. The actual left hand was mostly off-screen.

Only one frame after those tassels were on the vest, the watch met with the edge of the light of the side of Crowley's jacket that was just behind that hand.

At that same time, both tassel tips started to leave the vest and swung so that their tips moved over to an area of the right front of the jacket, not quite reaching any edges.

Generally, the actions by the tie strands might be indicating those hands were being untied.

That right bottom vest edge moved itself even further onto the thumb while making sure to not touch the thumb tip. It landed about the center of that thumb before deciding to go back up and then touch the edge of the thumb. When it was centered along the thumb, the tie strands were centered along the vest itself. The tie strand for the left hand on the left was a little further down than the right. Interestingly, that matches the camera positions of the visible hand parts. The left actual hand is further down than the right actual hand.

Once that vest edge finally touched that right thumb edge, the empty left pocket was revealed. There is one or two last frames to get that vest edge off the edge of the thumb.

In that final frame, there is yet another thing of significance that happens and was happening while looking at all those edges.

The cut stops just after a little bit of Crowley shifts past the window frame and overlaying onto a window pane of a nearby window. That rack is partly acting as a border as a little sticker near the bottom of the window pane. Remember the sign and the garbage bin from earlier? They allow the visuals so that Crowley himself is still in some type of special frame for the building behind him because the building's structure would cut him from within the frame otherwise.

Not to mention the car with a window in the reflection of the window!

Or how about Crowley's fingertips becoming clear just after his reflection passed some of a rack in the window so that Crowley himself became more clear.

Or that his reflection and the reflection of the car nearby get obscured by humans and whatever else is behind the window at the just right time at the end.

ALL of that was what this first threshold-only touch of The Pocket Trick needed to be complete.

Based on the first frame of the scene, each tie strand was already linked with a hand despite what any thumb joint had done yet. These metaphorical extra hands were already tied by the pocket touch. They then behaved accordingly until they could get untied for the threshold-only touch through a lot of edge touches passed along or shared.

The thumb placing itself between the snake belt, and the vest seemed to allow those passes to go where necessary until both the thumb and vest edge were truly ready together.

Why? Why did these things have to happen the way they did?

What is the actual pass from one place to the next? What is all this trickery really doing?

Visually, without considering all these edge passes, the tie strands, and the clothing touches, the windows, the car, and the reflections, I could at least see the six digits that amounted to not physically touching anything except the right thumb in the pocket. The left fingers and left thumb had their separate moments, but they all added up to those six digits touching only a pocket or nothing (physically).

If you add in the visual touch to the pants with the index finger at the edge, and the known thumb or whatever the tassels are doing, then the next question is, why does everything else have to keep going until the tie strands do the more they do and the left pocket is revealed? Why did everything before it happen? The touch isn't really considered done until that left pocket is seen and an extra frame. The next touches are not quite the same way, but there is a similar premise. If the digits are on screen, they are touching a threshold, which can be an edge of something or the front of the pocket itself, instead of nothing. If they are not on screen, they had to get off screen to finish. That could be them being figuratively pocketed away, but a lot of things have to happen before they are allowed to reach that point.

A window of some kind is involved every time. There is not always a reflection or a car, but they happen often enough. There were two doors passed just in this touch that I never mentioned, so those are probably a thing too.

It does not get any easier.

Action #2 (Episode 2; Triple Part 2)

Not long after Crowley encounters Nina, he encounters Aziraphale. A sidewalk is behind him, suggesting a threshold should have been passed before trying this next part of the Trick.

It's even far enough away that any edge touches will not be happening there.

Much like before, Crowley has his four right fingers in the pocket with the thumb not in the pocket. The left hand is positioned downward as if it's grabbing nothingness. It has its thumb straight down, hiding the fingertips of the pinky and index fingers. The middle and ring fingers peek out behind it. The left thumb joint conveniently aligns itself almost with a presumably more wet spot of the road.

The left front of the jacket is aligned vertically with the pants.

This clip is quite strange. The humans are moving in a way that syncs with Crowley himself. It's not direct in steps, but it's enough to be noticed. One of them is quite close to him and likely to be noticed. He's some kind of representation of something because of how he's going to note quite match the movement of Crowley's own reflection. That human has no visible shadow in front of him, but he's in a place where I would hesitate and then say yes, actually there should probably be something in front of his left foot and next to his right because of where he is. His hands are weird too. Nonetheless, humans behind Crowley do have shadows, as does a car. There are even more humans across the street who also look to be missing shadows.

Well, anyway, we're here for the touch in this Trick. We're not going to solve all the greater mysteries of Good Omens 2 in this post. I can't even figure out what's really going on here anyway.

The shadows behind Crowley are still a hint since they are all moving. Indirectly, that informs us the wet spot is a wet spot since it is not moving. The car mentioned earlier has light reflecting off it that feels like more of a bother than a hint for this touch.

For the right thumb, the shading and lighting make it impossible for me to see if it's touching the edge of anything. At a guess of just where things are on Crowley's clothes in general, the right thumb joint is probably touching somewhere on the snake belt but not an edge. The thumb tip is touching the pants. Due to how this scene goes, it seems to transfer or share a link with the vest.

Instead of having so much of the right hand hidden, the jacket is actually behind the right hand. Since things in this Trick can never be simple, that part of the jacket is also folded, or something like that, such that a tiny bit of the back of the jacket is there, in addition to the front that is touching behind the hand. This front is touching behind the metacarpal for the pinky finger, so it's like the opposite end of where the thumb joint is.

Both tie strands are on the right side of the jacket, and one of them is going to swing more than the other. The one further to Crowley's right is the one that is going to do that. It's going to be linked with the left hand for most or all of the sequence. The one further to the left might indeed align with an edge of the jacket, but there is no way for me to tell with the lighting and dark clothes. If there is any such edge touch, it's quite likely involving the tassel tip or about to be.

Only one frame in, and things have changed. That thumb is no longer hiding the pinky fingertip or the index fingertip. The tie strands have slightly moved, and the clasps are not as shiny.

Crowley starts to talk. His line is "Do you need a lift somewhere?"

This touch is the only one in the Trick with dialogue, so that might be a clue. If it is, I don't get it. I just know a bunch of things are going to move to credit him for the touch eventually.

It might be a hint to watch his head because it's going to finish framed within the bookshop. That's so funny. It's like foreshadowing since Aziraphale's going to bring up, indirectly, that Aziraphale borrow the car while Crowley borrows the bookshop. I digress.

Starting from here on out, much of this post is simplified because I truly cannot keep up with the details. It is overwhelming.

As soon as the left thumb hides itself behind the jacket, the strand closer to the vest moves to then reach the vest.

Meanwhile, the other strand soon follows but swings more strongly such that it's off the vest and over the other side of the jacket (the left side) the next time the left thumb becomes visible. It swung so far as to be visually over the left arm.

Additionally, now the thumb is not obscuring the parts of the fingers like it did before. A tip of the pinky is shown before the other fingers are shown touching each other and with their tips visible.

This strand that swung more strongly to the left side continues following along with the left thumb.

It starts to swing back toward the right. After being over the sleeve and reaching the border of the left torso of the jacket, a tiny white dot appears over the belt that be an intentional light reflection added into the mix.

As soon as that left thumb tip is not on screen, that strand tip that swung back is on the border of where the jacket meets the vest area. The joint of the left thumb is touching the front of the jacket. The back of the jacket behind that front can also be seen.

The tie strand then keeps swinging back toward the right side of the jacket. At that point is where the left thumb joint is doing another vertex thing with the jacket, akin to the first touch, but it's still not really the same due to the front angle and part of that front visibly in front of the back behind it.

That strand still generally syncs with the left hand too because it doesn't really settle into the vest area with the other strand until the cut is nearly over when the left hand is no longer on screen. Then it still moves just a little bit more to make sure it's on the left side where the bottom of the left lapel is for the jacket.

The strand that did not swing as strongly looks to be somewhere in the middle of the vest. It's hard to tell with Crowley's clothes being as dark as they are, even when a video clip is brightened.

The touch on the belt itself may have changed in subtle ways too, but even brightened, I can't really tell what's going on, let alone describe it.

During all of this swinging and digits showing and hiding accordingly, Crowley ended up being partly reflected in his own car window and stops at the edge of it. He is otherwise framed on his back, starting from the neck down, thanks to a vehicle, walking human, and that human's shadow behind him.

Action #3 (Episode 5; Double)

This action takes place in the music shop which has its own set of other touches needing to happen for other things besides this Pocket Trick. Crowley is handling a touch for The Bigger Thresholds Trick and three different touches for the ball invitations. He is multi-tasking all over the place here.

He at least gets to use the pockets for both The Pocket Trick and the self-skin-contact part of the ball invitations mini-game, so long as he does it right, which I assume he does.

For positioning himself, he has four fingers visibly over the right pocket. While one cannot see the right thumb, one can sense that he is placing that thumb in the pocket. In the process, that unseen thumb is touching the front of the front right side of his jacket. That might be a required clothing link for that thumb.

Over on the left, that thumb visibly enters the pocket and touches the inner edge of the front of the jacket. As such, that must be the clothing link for that thumb, helped along by that ever important left thumb joint.

Instead of swinging as necessary this time, the tie strands actually rest over his vest, but they make sure to do so on the right side of the vest, where the thumb was not visibly shown as going into the pocket.

The left strand extends further than the right, and it seems the tips cross themselves at just the right place to touch each other.

If the strand tips are representations of thumb tips, this touch might be an intended visual representation of the thumbs touching each other since they cannot be seen while inside the pockets.

The act of showing one of the thumbs going into the pocket might be a way of turning the pocket into a door, as Crowley does with his sunglasses. Conceivably, that allows the other pocket to become a door as well, still allowing the thumbs to do their thing, likely helped along by those tie strand tips and other requirements that end up with him touching his own clothes.

The framing of this touch is different from the first two. The pockets are assuredly outside of the window frame. Due to the length of this scene, I mainly focused on when the pocket touch is happening, but something important happened before the left hand went into the pocket that's probably related. Those fingers touched the frame of a panel for the door. They touched different edges of the same frame.

If the head shots of Crowley are for The Pocket Trick, that's just too bad. It's too hard. I'm ignoring them and focused on the hands and pockets.

Anyway, that frame for that panel seems to be where Crowley is trying to keep his legs to keep that part of him framed. The rest of him is generally framed by the door. His shadow extends to the door frame, but I can't be sure it extends past it. Aziraphale's arm is probably obscuring things at the right moments during the scene as well.

The right pinky tip is not as clear or evident due to shadows in the scene, so there's probably a reason for that. If it gets a special required exclusion, we end up with three fingertips on the threshold of the right pants pocket, four fingertips on the left threshold of the left pants pocket for a total of seven fingertips.

We shall take a moment to remember how Michael said, "You know how God likes sevens," earlier in the season.

The left vest tip put some of itself over the snake belt, and there was an actual visible belt loop near it too.

Anyway, some more complex and detailed combination of all of the above got the touch done. I never saw Crowley's reflection or a car, for whatever that's worth. The shade at the top of the window and the brick walls behind it are probably important too.

Action #4 (Episode 5; Triple Part 3)

This scene was one I had to look for to figure out a Triple existed for this overall Trick.

The action takes place in an area between the coffee shop and the restaurant in front of the music shop. Aziraphale is inviting Justine. Crowley will eventually sit on the bench to handle his touches for the ball invitations.

It has two parts.

Crowley is first shown from the back with his left thumb, ring finger, and pinky finger. visible. He looks positioned to have his pocket touch in place, which will be confirmed soon. For the ring finger and pinky finger, their tips can be shown. The thumb tip itself seems to be there.

Crowley's shadow is encompassed by shadows around him.

Additionally, the camera zooms until it looks like the shadow or edges of the thumb and pinky meet each other. The ring finger is more aligned with the edge of a bicycle wheel, near the edge of Crowley's pants. I don't think it's quite there yet.

The window from the music shop and the hole in the wall threshold for the music shop probably matter somehow and can be seen ahead of Crowley.

The joint of the left thumb is touching the bottom outer right edge of the jacket.

The camera gives Crowley a little break with a blur to show the front and confirm he is indeed standing with that pocket touch that will become clear so on enough. There might be more that blur, but I'm not going to waste my time with it.

Once ready for the front view, Crowley can be seen with his shirt sleeve partly extended over the joint of his right thumb.

With no visible right thumb joint, the tassel of the tie strand on Crowley's right is conveniently not even there. If it is there, the lighting has done an excellent job to the point I simply cannot see it, and that too is probably intentional.

This time, despite its position and the missing other tassel, the strand closer to the left hand looks like it is actually the strand meant to link with the right hand. It goes down the middle of his vest such that the tip just barely reaches the shirt under his vest. The shirt is what is touching his right hand.

Meanwhile, the other strand that is presumably linked with the jacket looks to just be trying to stay out of the way on the right and not as extended while being over the vest, thanks to its missing or very difficult to see tassel. This change might be related to how the left thumb joint is actually over the jacket instead of at the edge of it, when viewed from the front. It did its own separate thing from the earlier back view.

The index finger and middle finger tips are visible at the border of one of the lights from the restaurant. The visual from the front even makes it look like his hand is clasping the side edge of a sidewalk behind him. That way, all visible digits still on screen are touching thresholds and making sure they are different thresholds too.

Unlike the touches from before, Crowley is mostly standing still but not completely still. He makes a subtle head movement in feigned annoyance.

I can't tell you much about frames and windows. By my best estimates his reflection cannot be seen thanks to a window frame from the coffee shop. It's a smaller frame above the middle of the bench that I could only find by closely watching the human who partly obscures his body by the end of the shot.

Speaking of that human, by the last frame, they conveniently cover Crowley's tie and left arm, including that right thumb in the pocket.

Crowley being partly in front of his own car and yet another passing vehicle is probably important too.

As an overall frame of Crowley himself, it changes due to the human who eventually obscures him, but it's generally concentrated below his shoulders to about where those fingertips are at the edge of the lights. I'm not going to name everything, sorry.

Action #5 (Episode 6; Single)

This part is beyond me. It is so, so beyond me.

In episode 6, Crowley is returning from escorting Maggie and Nina out.

It probably starts before one might think when searching for this touch.

After Crowley looked in from the window and smiled while looking at Aziraphale, he can be seen as mostly having already passed by the open broken window.

However, his right arm aligns nicely with the window frame, to the point that it is probably intentional for this touch. There is a car behind him that is following along with his movement. That car also has windows. Part of his jacket is indeed layered over the window frame, which is going to be important for the last frame of the touch.

His arms are positioned such that both hands could be in pockets or maybe his left hand is in his left pocket, and he's putting his right hand in his right pocket. You can only guess since you can't see his hands or his pants.

This sequence is specific, so I am going to have a hard time breaking it down, because a lot of the below was written trying to be detailed while still missing details like the tie strands linking to the hands, not that you can see it much in this one.

As Crowley starts to open the door, his vest can actually already be seen as partially touching his right hand that is not showing its pocket touch yet. One or both of the strands is visibly out. If it's both, they've merged to the point I can't really tell. There is no visible thumb yet, but the tie is is still visible. The strands are going to be incredibly difficult to track because they will be resting for most of the touch and have a left arm and a door in the way when they do more.

When looking for a thumb joint, it's possible the left thumb joint links with the watch quite early as the door is being opened by barely being visible.

Crowley's own jacket has its own specific alignment by the other door that's assuredly important and doing something resembling a vertex touch and probably reaching such a thing at a key point.

The left hand starts to open the door. In doing so, four fingers are together on the door with the index finger tip being on the edge of the push plate while the middle, ring, and pinky fingers tips are on the panel. Meanwhile, the proximal phalanges of these fingers are touching the astragal. The tie has been successfully blocked from being fully in view.

The thumb is touching the astragal, and its shadow is extending to the end of that astragal. That makes it look like the actual thumb tip is not committed to the touch yet, but the shadow is doing something important.

I'm not sure if the current point in the touch means we are at threshold-only yet or not for the door. If it weren't for the astragal and the pocket, we assuredly would be with three out of five digits. It might be a Triple multiplier for the touch, but that's to consider more deeply later.

Nonetheless, Crowley keeps moving.

The thumb tip of the right hand is not visible yet.

As Crowley keeps opening the door, it looks like the left thumb is either getting closer or is indeed touching the astragal. It is hard to tell, but the shadow is doing its part for whatever is necessary here.

Meanwhile, the four fingers on the door are shifting down to get that index finger closer to being off that push plate edge, but they still haven't managed it yet.

The right thumb tip just outside the pocket finally becomes visible. The vest is touching the thumb while making sure to not touch the tip of the thumb.

While these finger things are happening, the tie strand clasps are hidden with their tips peeking out at presumably proper places. Since the arms are crossed, and they are obscured, it's hard to tell which strand is even tied to which hand. Eventually, I can gather the tie strand on Crowley's left hiding more in the jacket is the one linked with the left hand by watching its reaction to what the left thumb is doing.

Back to the digits.

There are still three left fingers on the door panel, a left thumb with a shadow over the astragal, and a left index finger barely touching a push plate edge.

He keeps moving.

The right hand grows increasingly visible while the left hand's digits haven't fully progressed to what they are ultimately going to do. It becomes evident that the sleeve is partly out of the jacket so touching the top end of the hand. I'm not sure what the right thumb joint is being touched by, if anything. It's all dark because of the clothes. Logic suggests it should be the shirt because of how the jacket, vest, and belt are positioned around the general blackness behind that thumb joint. Also, as noted, his shirt sleeve is partly out of the jacket touching another part of the hand.

The left thumb moves and eventually manages to visibly pull itself away or off the bookshop door astragal so that it is clearly not touching anything. It's also starting to hide itself.

The index finger acts like it isn't pulling away exactly, but it is effectively pulling itself into a position where it can then shift downward to the door panel. It's not just shifting down. It's like the index finger is trying to pinch the door by itself, which it can't. It made sure to change the nature of its own touch with the move. At about this time, there is a visually evident crease near the pinky area of the right hand. We cannot see the pinky, but it looks like a cue because the left pinky finger is going to start doing things. Nonetheless, the left index finger smooths its own touch to more closely match the other fingers.

When the left index finger successfully reaches that point, four fingers are on the door panel. Aside from the pocket, that on its own would be a threshold-only touch on the door.

The right hand is there with its pocket touch, but Crowley isn't finished.

Again, he keeps moving.

The left pinky has joined the thumb in pulling itself off and away from the bookshop door touch.

At two particular frames, it is clear that the pinky tip is not touching the astragal because its shadow does not meet the pinky tip on the bookshop door astragal. In those two frames, the thumb is not touching anything. There are three fingers with their fingertips touching a door panel. The six visible digits are accounted for as touching either a threshold or nothing.

The next three frames have a heavier shadow around that area of the door, so that it is then not as clear if the tip of the pinky finger's shadow is meeting itself or not. With increased brightness as best I can manage, either that shadow is supposed to obscure things enough, or that pinky is intentionally meeting the edge of its own shadow to qualify things for this last touch.

At some point a red light from the car following along with Crowley probably did something.

Once all is truly said and done, the tiny bit of the left thumb that is visible aligns itself visually with a window frame edge of the car behind Crowley. Crowley's own head on his left is framed in a specific way in front of the door panel to avoid the windows and shades of that door.

There is no doubt a ton I'm missing like the snake belt and the watch and the nearby light fixture from the ball and the door itself still being partly open.

As for the Triple multiplier, I would guess he got at least one, maybe two, depending on what that index finger was truly trying to accomplish.

~~

Help

If you enjoyed this post, or just found any value in it, and are wondering if I want any help in solving the puzzle, the answer is yes, absolutely. I would be grateful. Even if not grateful, I would be so glad if my own analysis was enough for someone to figure out what I could not. I found a lot, even if I can't quite piece it together for a proper fit.

The End.

I have a tendency to update my posts, FYI. While I have admitted defeat, I doubt my own mind can truly let this one go. If I ever am so fortunate as to find that missing core concept, I will definitely be updating this post.

[the-haunted-star]

The Marvels Deleted Scenes

The Marvels is a short film clocking in at 1 hour and 45 minutes. Such a brisk running time might lead one to believe that a lot of material was left on the cutting room floor. As with all films there's always stuff that's removed or changed during the editing process. However even with an overwhelming amount of marketing footage shown before the film's release and two early test screening leak descriptions, it appears The Marvels actually had its story and structure locked in pretty early on.

The trailers are often a good source for some bits of footage that didn't make the final cut but with The Marvels, there was very little that was shown in all the various previews that didn't make it into the final film. Once the Blu-ray/Disney+ material comes out we'll probably see more deleted scene evidence uncovered. For now here's what I've gathered together so far: (SPOILERS BEYOND THIS POINT IF YOU HAVE NOT SEEN THE FILM)

The film's plot was leaked last year from an early rough cut test screening. Much of it proved to be very accurate. This summary was the first to report that Valkyrie would have a cameo in the film. This was true as Valkyrie appears aboard Carol's ship via the Bifrost to take the Skrull refugees to Earth after Dar-Benn attacks their sanctuary planet. According to the leaked summary there was originally another scene in which Valkyrie appeared. (I'm guessing here, but I'd assume this other scene most likely would have happened before the escorting of the Skrulls scene.) The leaked summary describes this scene as follows; at one point Kamala is alone on Carol's ship when Valkyrie calls. Valkyrie asks whom she's speaking to and where Carol is. Kamala responds, "I'm Ms. Marvel" and Valkyrie asks "She (Carol) got married again and didn't invite me AGAIN?" Kamala quickly clarifies the MISS part or her title. Valkyrie's line obviously foreshadowing the fact that would be revealed later in the film that Carol is married to Aladna's Prince Yan.

This early summary also described Dar-Benn as using her bangle to "power a weapon" which would steal the resources of the various planets. In the final film, there is no secondary weapon. Dar-Benn simply uses the bangle to both open up portals and extract the planet's resource. Due to the rough-cut state of the film shown in the test screening this could have been either a misinterpretation by the viewer or there actually was a separate weapon in that particular rough cut and they just decided to streamline things by having the bangle perform both tasks. Who knows. Based on this info I myself incorrectly predicted and assumed early on that the huge diamond-shaped ship might have been this "weapon" in the film. But it ended up being just Dar-Benn's Kree flagship of sorts.

Another test screening took place around June 2023 with a leaker corroborating on Reddit what was described in the first plot summary and adding a couple other details which had not been revealed up to that point. One being that the post credit scene would feature another variant of Monica's mother, Maria Rambeau and that Kate Bishop would make a cameo appearance. Both these details turned out to be true too but with one minor difference. This report described the film opening with Kamala recounting the film's events to a mystery person not revealed until the end. This person would turn out to be Kate Bishop. So while the scene with Kamala recruiting Kate still ended up at the end of the film, it appears that Marvel toyed with the idea of having the film's events being narrated retroactively, similar to how Iron Man 3 was Tony recounting his story to Bruce Banner.

As I stated earlier there wasn't much from the trailers that wasn't included in the film but there were a couple. One bit involved Monica during the initial round of location swapping. When Monica switches places while investigating the jump-point in orbit near Earth, she ends up on the barren planetoid where Carol was previously. In the film we see Monica crash onto the planetoid but don't see her get switched back to her original location. The teaser trailer shows a few seconds of Monica getting attacked by the same Kree soldiers Carol had just encountered on the barren planetoid. Monica attempts to use her powers to defend herself but switches again with Carol. You can see the insignia of Carol's suit begin to rematerialize before the trailer cuts away.

Another deleted scene that was described in the leaked plot summary involved Carol and Monica traveling to Hala where the Kree are celebrating the return of rain and water to their drought stricken planet. Carol has a crisis of conscience realizing that the "Annihilator" title the Kree labeled her with was accurate from their point of view. There's a brief shot from this scene shown in the theatrical trailer, with Monica and Carol standing in front of a rain soaked window with the Hala cityscape outside it. A line of dialogue from Monica plays over it, "You are not the only thing standing between this and the universe."

In recent interviews following the film's release, Iman Vellani has revealed details on some scenes that were either changed, shortened or cut altogether. From Yahoo:

Monica Rambeau was originally going to be christened with her codename, Photon during the climax of the film right before she repaired the tear in space-time. Vellani commented, "It was a cool moment, but I think they took it out for a good reason." The original scene had the Marvel trio using their powers together to repair the tear. "It wouldn't make sense tonally if Monica is about to sacrifice herself and we're like, 'But your code name!'"

The song/dance sequence on Aldna was originally longer. "The song itself was much longer, and so much fun. There was a beat where Carol starts singing before she dances with the prince - that was pretty funny. And there's a moment where Kamala starts singing, too." - This one isn't too surprising. The leaked summary even made a comment that the sequence went on for way too long in the test screening cut. This was a scene I thought would potentially be pretty cringey but didn't actually end up bugging me. Although a longer version of it most likely would have wore out its welcome pretty quickly.

Some other little beats that got scrapped from the theatrical cut included an early scene where Kamala switches places with Carol and ends up on her starship, not immediately realizing she's in the same domicile where her hero resides.

There was also a longer version of the final encounter with Kate Bishop. "Hailee and I had a really fun back and forth," "Tonally, it wouldn't have made sense if we kept joking about [the Young Avengers team], but we were having so much fun bouncing off each other."

Lastly, a few more cut tidbits via @CanWeGetSomeToast on X/Twitter:

Kamala wasn’t able to take off her bangle and was imprisoned/tortured by Dar-Benn.

Captain Marvel and Valkyrie were explicitly together in the past (cut quote: “we work better as friends”) but Disney are cowards.

Prince Yan was supposed to gift each of The Marvels with a new suit, right before gathering his army. Monica had her comic accurate wings at first, but it was too much for her so she tore them off.

Kamala’s new suit originally turned into a space-suit, which would’ve been used to join Carol and Monica to close the rip in space-time TOGETHER.

[thebadjoe]

BAD JOE'S DRDT CH.2 CRIME SOLVING THEORY PART 5

...It's been a while, hasn't it? I spent time working on a different project and I suppose I needed a break.

I'm here to give you an update regarding my culprit theory in DRDT chapter 2. So of course, SPOILERS WARNING FOR DANGANRONPA DESPAIR TIME CHAPTER 2 in case it wasn't obvious enough. It's also a very long read, so...sorry about that! Before I start, I'd like to say something. This is a message for DRDT-dev.

Not gonna dwelve on the past except for one specific moment : the appeciation/thank you e-mails you've received ever since the start of your hiatus after episode 11 was launched.

I wanted to give you words of appreciation at the time, but it completly slipped my mind because of real life + me working on my crazy theories. I felt bad that I missed it because I seriously wanted to thank you and your team for the amazing work that you've done in this fangan.

I've never been this attached to a fangan before and it's not like I've played/watched through a lot of those eitheir. But this one... it was really enjoyable! I don't think there's a single character that I dislike in this fangan. Like they all got something interesting going on or something interesting that might be bound to unfold. The mystery's also really good. I got really hooked to trying to figure out the truth behind the murder mystery of chapter 2.

I can't do art nor music, but the least I can do to show how much I appreciate the amount of work put into this is by proving it to you. This... is the final time I'm making a theory post for the murder case of chapter 2. After that, I have my own projects to work on.

Of course, I can't ask you to read it all (it's super long anyways), but the post itself is proof that I'm truly passionate about this fangan and that I truly appreciate the amazing work. It's a good source of inspiration. So honestly, thank you! Looking forward to see the future of DRDT!

So... I know I've pretty much covered everything I could explain from part 1 to 4 regarding my Eden Culprit theory. However, I feel like that this is a big confusing mess. After all, I changed a lot of things over the course of these 4 parts and even past that, I updated my culprit theory even further, but didn't provide any updates or edits to my posts.

So I'm gonna go over my whole theory once again, from beginning to the end, in a more logical order. I'll start with the easiest topics being the whodunnit and whydunnit. After that, I'll talk about the rather long howdunnit and give a better and updated explanation as to what I believe happened in each scenario.

I will also have a few texts in bolded blue to represent my evil ego personality trying to take down my whole theory, which really, they're just pretend questions/arguments based on things I believe people will think about or things that's been brought up before in the past.

Then, I'll finish it off with a section to talk about a certain something that may possibly change people's mind about not just mine, but many other theories. Let's do this!

Whodunnit

Of course, if it wasn't obvious enough, I accuse Eden of being the culprit of DRDT Chapter 2. There's a couple reasons why I suspect her, but let's focus on only one for now : the smoking gun evidence.

The decisive evidence lies in this video. Chapter 2, Episode 6 : The "Body Discovery" of Ace in the fitness room.

I skipped it to the proper scene, so no need to worry about that. So there are 4 characters involved in this scene. There's Teruko, Eden, Nico and Ace. At first sight, it really looks like Nico was trying to kill Ace, so Teruko yells at them and then they run away.

So since then, we need to focus on the following three characters : Teruko, Eden and Ace. So judging that Ace is probably dead, Teruko decides to investigate while Eden needed a minute to process this.

Not gonna list everything. For now, let's just focus on what's important to prove that Eden's the culprit : the roll of grippy tape.

This is an important clue because even though it wasn't pointed out by Teruko herself, it was clearly shown in the background (you can see it clearly at 19:55). This clue in question is what the culprit clearly used to set up their murder mechanism for the murder of Arei considering what was found in the playground in episode 8.

At 20:32, Eden decides to give a hand to Teruko with the investigation.

For the following couple seconds, it's a bit hard to see, but behind those speech bubbles, you can still see the roll of tape.

At 20:50, Ace wakes up and shouts that he's not dead. Then at 20:54...

The tape is no longer there, where it's supposed to be.

So what happened there? Was it a creator error? That's actually very unlikely considering how important this clue is. So the only logical explanation to this is that someone took the roll of grippy tape in that moment. Therefore, eitheir Teruko, Eden or Ace took it meaning that eitheir one of them is the true culprit behind the murder of Arei!

It can't be Teruko because she'd literally have no reason to commit murder and we've been under her POV most of the time, so it's very unlikely that there were windows for her to commit murder. Nothing would make sense if she was the culprit, so it's not Teruko.

Ace... there's a slight possibility, but it's still unlikely. I have a couple ideas that could make him seem like he could be the culprit (that I might explain later in the howdunnit), but it's still really difficult because of the fact that Ace is clearly wounded and he probably wouldn't be thinking about killing Arei at some point later. It would be hard to explain certain events, so it's not Ace.

So by process of elimination, that only leaves Eden. She would definitly have a perfect window to grab the roll of tape without being seen. The proof lies in 20:32 in the video. She wanted to help out Teruko in the investigation, which would've been the perfect opportunity to grab it.

This is a very sneaky and demonic trick that the DRDT creator pulled here. Giving us an incriminating evidence that was so hard to spot that they must've been wondering when it'd be found out. It really makes me wonder what would've happened if I was never part of this. Would someone actually discover this damning clue?

Let's move on.

Whydunnit

Man, I came up with plenty wild theories for the motive a while back. It went from "she wants to eliminate bullies" to "she has a dark secret she wants to keep it hidden" to "she misses her beloved dearly".

Eventually, the "she misses her beloved dearly" motive become the official one for my theory and it's not just applied to mine eitheir. There's a few others who seem to approve this motive and use it in their own theories as well.

To give some context as a reminder, Eden Tobisa is a very kind girl. We also know that her secret is "Ever since you kissed her, you were afraid your sexuality would ruin your friendship." This would indicate that she's most potentially in love with someone.

She tries to help whenever she can and tries to organize fun activities with a few, become friends with as many people as possible.

She's basically trying to keep her hopes up. Especially considering her reaction during the prologue...

She appears to be quite a tad desperate in wanting to get out. Anyways, the murder and trial happened in chapter 1. That inflicted quite a mental hit to most of the cast.

Right before the beginning of chapter 2, we get the following quote : "I still miss you. I miss you so much that I wish I you had never been a part of my life. The worst part is, even though you left me like this, there's nothing I can blame you for."

Then in chapter 2, after monoTV reveals the motives, Eden suggests that they should take that opportunity to work together and escape. She's the first person who brings up the escape topic.

Even though she tried to keep her and everyone's spirits up, most of the time, it's been people arguing over everything and nothing. It's mostly a few specific people, but still, it was definitly unpleasant. But the worst part of it all is the event that unfolded in the first 4 minutes of Chapter 2, Episode 5.

That bullying that Eden received was the final straw. She had enough of all of this. That made her realise that there's only one thing that matters to her : getting the heck out of here to meet her beloved, the person she kissed.

This is mostly my logical explanation for the motive based on all the possible clues that were given to be able to find a viable motive for the murder.

For those who believe that it'd be bad writing or whatever, I'm not really gonna delve into this myself, but I'd heavily suggest reading @venus-is-thinking's post here. There's some interesting points related to the narrative possibilities. (Might not fully support my theory, but you get the idea). In any case, whether you believe it or not, the fact remains that this is a possible motive that can be used to explain why Eden commited murder.

Howdunnit

Oh boy, here we go. The most difficult, yet most fun part to explain in this theory. Even though it's only a chapter 2 murder case, there's A LOT that happened that led to the crime. This time around, I'm gonna make sure to list everything in chronological order while also providing the most updated information regarding my theory.

I'll also separate certain events in Acts, to make it easier to comprehend. Let's do this!

Act 1

It all began a few days ago, when monoTV announced the motive reveal. MonoTV gave each participant a troubling secret and told them that if no one commits murder, the secrets would be revealed to the whole world.

MonoTV is a dumb dumb however because it made a mistake and all the secrets have been swapped around, meaning that no one has their own secret. So each participant has a secret that belongs to someone else.

For a few of them, it was pretty much "eh, it's whatever!", but it was especially troubling for David. The reason why is because he knows deep down what his secret is, it's a pretty meaningful one, after all.

We already know by now that his secret is "You exist to manipulate others. Everyone else exists to be taken advantage of." Considering his talent, it would totally ruin his career. So he needed to come up with a plan to not be exposed, and fast.

MonoTV also reveals that the second floor is unlocked and they're free to explore. We're not gonna go over each one of them yet, but I want to talk about this particular scene in the fitness room.

During the investigation of the new rooms, Teruko meets up with Ace and Levi in the gym. There's an argument going on because Levi is trying to apologize to Ace for his behavior in the trial of chapter 1 (when he threatened Ace). Ace is having none of it.

Ace was also arguing with Teruko a bit regarding some comments she made behind his back that he heard, which made him behave like so...

So what is he actually gonna do about it? You'll see shortly in the next coming acts.

Act 2

Teruko spends the rest of the first day secluded in her own room until next morning because girl has to eat, ya know? As soon as she gets out of her dorm, this happens...

Eden sneaks up on Teruko to surprise her, which she didn't see this coming at all. On top of that, she claims that she could hear Teruko clearly in her dorm doing a puppet show with the cactuses. The walls are pretty thin, therefore not really soundproof. This was also shown in Act 1 when Teruko talked behind Ace's back, but could hear that conversation.

Truth bullet acquired : Eden's sneakiness

Truth bullet acquired : Non-soundproof walls

Because of that embarassing reveal, Eden used it to her advantage to blackmail Teruko, forcing her to do friendly activities with her. So Teruko has no choice but to follow her orders and go eat breakfast with Eden.

As they're preparing something in the kitchen, they suddenly hear people arguing in the cafeteria, so they go check it out. It's of course that scene where 3 different pairs fighting against each other.

So first we have J (Julia Rosales) asking Arturo to leave her alone and to stop pestering her with her secret. Nothing too relevant for the murder.

Then we have Ace bullying Nico hardcore all of a sudden. Considering the events that happened in the gym in Act 1 and the purpose of a bully, it's safe to deduce that he's doing this because he's trying to act tough. Ace is trying to display superiority over a targetted victim by bullying them. Ace wasn't really hostile towards Nico before that.

It's also very important to take this into consideration since in chapter 1, most of the time, he was behaving like an absolute coward and that's no pretending. He really has a fear of a lot of things.

Well, actually... Ace bullied Nico once in chapter 1!

Sure, he made a dumb mean comment by calling them losers for liking animals or whatever, but that wasn't just directed at Nico, it was directed at Xander as well. I think he was mostly trying to get attention by being provocative.

Besides, that was only one time compared to the multiple times that Ace bullied Nico throughout the whole chapter 2, so there's clearly a behavior change there.

Truth bullet acquired : Ace's phobias

Truth bullet acquired : Ace acting tough

Moving on... We also have Arei arguing with monoTV about getting rid of the rope. Arei believes that this is a cruel joke of a custom weapon for her since it reminds her a lot of her past. She wants to dispose it, but monoTV refuses.

They eventually come to some kind of agreement and monoTV places that rope in the storage room, so anyone can take it if they wish.

Truth bullet acquired : Easily accessible rope

They arguing kept going for a while until David comes in, telling them to shut up and that he has an announcement to make. He reveals his secret : "My family has a history of depression."

He makes that reveal because he is suggesting that it would be best for everyone to share their secrets before the time is up. That way, once it's already out in the open, no one would have any remaining motive to commit murder according to David.

But as we know already, that was all a lie. He revealed a fake secret and wanted others to share secrets since it would help create even more conflicts which could lead to more dramatic results... like murder.

That was his master plan to instigate a murder. He wanted to have others cause a murder before the deadline, which would keep his secret safe.

Truth bullet acquired : David's plan

Act 3

Eden tells Teruko about her fun activity plan being decorating the clocks in this killing game establishment, but she wanted to invite one more person. She wanted to invite someone who complained that she wasn't invited at the cake decorating activity back in chapter 1 : Arei.

So they both enter the playground, meeting up with David and Arei who were about to have a discussion about secrets. You know the rest of that scene afterwards, I've also brought it up in the whydunnit.

Arei bullies Eden, putting the blame on her for Min's death. Eden gets out of the playground, crying in utter sadness. Then right after that, Arei laughs and...

Truth bullet used : Non-soundproof walls

Even though she got out of the room, it's very possible that Eden heard it which would be the absolute final straw. She had enough of all of this, then her actual motive kicked in : she wanted to get out of her as soon as possible to meet her beloved.

Of course, we know by now that Arei wasn't really that spiteful. She just wanted to give a tough and harsh lesson about this killing. To stop being so nice and naive as that would make Eden the most vulnerable target to any murder cases in the future. But alas, Eden didn't stick long enough to listen to that part, which makes me wonder if it would've made a drastic different in how chapter 2 would play out.

Well, it's possible that Eden actually heard that part of the conversation!

But we don't know that for sure. Considering the smoking gun evidence, it makes more sense to believe that she didn't hear the rest of the conversation happening in the playground.

Anyways, this was the very beginning to Eden's murder scheme. She had a lot of work to do.

Act 4

Teruko proceeds to meet up with Rose in the dress-up room who was currently having a painting session. She had Rose's secret, so she figured she might as well share the secret, which Rose agreed to.

Then they have a chat about various things, then to Teruko's surprise, she realises that Nico was here this whole time, laying down on the ground.

Nico asks Rose if she could teach him how to paint, which Rose said yes.

Let me pause for a bit to mention an important clue : Rose's custom weapon. It's turpentine. It wouldn't be out of the question to think that since this is a painting supply, she would bring it with her during painting sessions and based on what we know in later episodes...

Well, realisticly, that's not how turpentine is supposed to work!

Probably not, but this is made very clear that the author wants us to believe that it works that way in their world. There's no reason for them to make something up about it other than explaining its intended purpose.

This turpentine is meant to be served as a tool/weapon to knock someone out, kind of like chloroform.

Truth bullet acquired : Turpentine

Teruko was already out of that room to head to the cafeteria while the other two were thinking about going there because they were hungry.

Fast forward a bit in the cafeteria, Ace is having another argument with poor Nico.

Truth bullet used : Ace acting tough

He's bullying Nico once again to make himself look tough. He's even ready to threaten Nico that he would reveal their secret (we learned in the trial that Nico and Ace have each other's secret).

This failed however because David managed to snatch it from Ace's hands while he was distracted. Then Ace proceeds to keep on bullying Nico, asking : "What are you gonna do about it?"

This surprised Ace, no doubt. Then afterwards, he gets slapped by Hu. She defends Nico, telling Ace that she's had enough of this.

At the time, I thought that Nico's death threat would've been the main reason why Ace kept suspecting that Nico tried to kill him, but it's actually a lot more simple than that. I'll explain it later...

While I'm at it, let's keep in mind that Hu's custom weapon is wires.

Truth bullet acquired : Nico's motive to kill Ace

Truth bullet acquired : Hu being protective of Nico

Truth bullet acquired : Hu's wires

Then we later have Nico's secret reveal, which is not too relevant to the actual murder. What's important however are two things.

Not everyone was present in the cafeteria at the time

Rose was later sleeping in the cafeteria for an unknown amount of time

Let's go back a little bit and talk about what happened to the few other relevant characters.

Meanwhile...

Eden was working on her murder scheme. Based on a Q&A that the DRDT creator did a while ago, we learned that Eden's not very strong or fit. So if she wanted to pull a good murder, she needed to be really smart about it.

So she needed to come up with a murder mechanism to pull it off. So to make it happen, she needed the right materials.

Truth bullet used : Turpentine

She remembered the list of custom weapons written by Charles that Whit showed during the trial. Considering the hidden purpose of this weapon according to this world, she knew that she could use it to knock someone out.

It would be very easy to get a target unconscious without resorting to physical force. Next up, she needed some kind of murder weapon that would do the deed for her.

Truth bullet used : Hu's wires

Eden probably considered using Hu's custom weapon, but that would've been incredibly risky. Even if she was friends with Hu, how would she be able to get her weapon without seeming suspicious?

She needed to use something else. Something that could work just as well as Hu's wires.

Initially, I was thinking of the analog clocks that could be found in the killing game building, a specific wire within it, but it seems quite convoluted on top of being unsure if that would've been enough wire to pull it off.

So I kept looking into it, and I discovered two interesting facts about this fangan.

During the prologue, we learn a few things about Eden, but most importantly, she loves hand-making antique clocks. Meaning it's not wrong to assume that she loves antique clocks overall.

The other fact is the following...

Whoever made this killing game, everyone's dorm has been customized to fit their needs and style. So if we combine this fact, Eden's talent and her love for antique clocks, then it's safe to deduce that she must have antique clocks in her dorm, don't you think?

Not only that, but it could very well be a grandfather clock! There's a seemingly grand variety of grandfather clocks, but what's important is that you can find clock cables in them. They're usually used to maintain the clock's weights.

This could very well be the weapon that she used for the murder attempt on Ace. Otherwise, it could very well be some kind of material that she already had available considering her talent and her love to craft antique clocks.

Truth bullet created : Eden's cables

Murder attempt on Ace? Isn't it Nico who tried to kill Ace in the gym?

I'll explain that confusion later... For now, let's just say that her initial plan was not killing Arei in particular. At least, not the things we've seen in the playground. Whatever we discovered in the fitness room instead was her initial plan.

Well, there's no way to know for sure that Eden had those wires.

No, but as long as it's a possibility, it can work.

But that's only based on your assumptions, that's just wrong!

It's a logical deduction based on facts about this fangan. But you know what? I refuse to elaborate further on this. I'll explain why in the finale.

Moving on, Eden did something else while there was an argument happening in the cafeteria. She decided to have a meeting with Arturo in the infirmary to share his secret. Eden has Arturo's secret : "Your younger sister killed herself because of you. You should have never left."

This is pretty much the flashback scene that we see in Chapter 2, Episode 10. Eden reveals the secret, Arturo threatens her, Arei comes in to save the day. Arei then apologies for her bullying back in playground. Then Arei and Eden become friends.

There's of course more to it than that, but you get the idea.

Wouldn't your motive become null and void when Eden became friends with Arei?

Not necessarily. Eden probably made up her mind already about leaving this place. Besides, there's no guarantee that she fully believed what Arei said.

I personally think that this was a perfect opportunity for Eden to take advantage of Arei when she would need it most.

But this was supposed to be a meeting with Arturo. How would Eden know that Arei would come to the infirmary?

That's the thing. She didn't know. The fact that Arei came in to save her was an unexpected, yet pleasant event. It was literally a golden opportunity for the culprit.

Then she was only expecting Arturo. What would be the point of that meeting if she intended to murder someone that wasn't necessarily Arei?

Right, cause back in episode 10, we were led to believe for a while that Arturo could've been a suspect of the murder of Arei. It was also because of the fake letter that was adressed to Arei.

Well, we know that Eden knew Arturo's secret and that's no light secret eitheir. It's a pretty bad one. So she must've been expecting a negative reaction out of Arturo.

Truth bullet used : David's plan

I doubt that she was aware of David's intentions, but she could've used David's idea to her advantage. She had a feeling that some of these secrets could cause conflicts. Which is precisely why she decided to share it to Arturo.

She was creating a potential suspect for her plan in the future.

Why would that matter if she was only meeting up with Arturo? She would have no other witnesses if that went according to plan!

Truth bullet used : Non-soundproof walls

She knew that any conversations could be heard from outside of said room, so she made a gamble on it. She was hoping that someone else would hear the conversation happening and they would be the potential witness.

Luckily for her, that worked out a lot better than anticipated when Arei came in to save and befriend her.

Truth bullet acquired : Eden's incident in the infirmary

Before getting her murder scheme in motion, all that was left was grabbing Rose's turpentine.

Wasn't it Nico who stole the turpentine from Rose?

I'll explain the thing about Nico later, but no, it could've been anyone else. Like I said before, she was painting in the dress-up room, her turpentine could've been there.

Also, after the argument between Ace and Nico, Rose fell asleep, so for an unknown period of time, the dress-up room was left unattended, meaning that anyone could've stolen it, not just Nico.

But how would Eden know that the turpentine was there?

Normally, she would think that it's in Rose's dorm, but it's very likely that she saw Rose painting in the distance and spotted the turpentine. It's not because we don't see her since the bullying that we should expect her to be secluded in her room for an unknown amount of time.

But then she would rely on luck yet again to get what she wants!

It's possible that she considered to use something else to knock someone unconscious, but when she came across that turpentine in the dress-up room, she figured it would've been a much better option.

But wouldn't Rose have noticed the turpentine missing during the practice session she was supposed to have with Nico later?

Not necessarily, she tends to be easily distracted and absent-minded. So she might've not noticed until later.

Well, she also has a photographic memory. She can precisely remember things. Wouldn't she remember when it was missing?

Not if she didn't notice it beforehand. Anyways, we're getting nowhere with this, so I refuse to elaborate further. I'll explain why later in the finale.

Act 5

During the evening of DAY 2, a few things happened on the second floor. Ace was working out alone in the gym and a meeting was about to happen between Arei and David in the relaxation room.

Hold up, didn't that happen on the evening of DAY 3?

That's what we're all led to believe, but there are plenty reasons to believe that's not what happened. I'll explain it later when the time comes. For now, whether you believe it or not, let's say that this happened in the evening of DAY 2.

So Ace is working out during that time, most likely doing benchpress. The reason why is somewhat related to this...

Truth bullet used : Ace acting tough

Obviously he's not pretending to work out, he's actually a fairly fit and strong person, which was also shown during the Q&A with DRDT creator. He's also an athlete.

Even since the scene in the fitness room in DAY 1, he's trying to rely on himself alone and doesn't want others to see him as a joke. So he's also working out to stay in shape.

Truth bullet acquired : Ace working out

Isn't that because of his eating disorder that he's working out?

Probably, but I don't think it's just that. I think it also has something to do with trying to get stronger to make sure he can survive the killing game.

He then hears a conversation happening between Arei and David in the relaxation room. Ace got curious, so he stopped training and decided to eavesdrop on them.

This is pretty much the flashback scene that we get in Chapter 2, Episode 11. Of course, the events according to my theory are different compared to what's shown in episode 11. Aside from it happening at a different day, there's a few other details that Ace tricked us into believing that this truly happened on DAY 3.

Truth bullet acquired : Ace's testimony

I'll explain them later once we get to this particular Act. There is one thing that's very important thing to recall right now though.

He said that right after Arei asked David to say something. That was after she revealed David's secret in private because she was seeking an explanation for his actions. Since she knows David's actual secret, it means that she knew that he lied about "family history of depression" secret and that his secret share plan is suspicious.

So Ace claiming that he didn't hear anything else right after that moment is just incredibly suspicious. It just wouldn't make sense! David must have said something to Arei. He couldn't have simply ran away because he would've run into Ace otherwise.

David must have said something afterwards, regardless of what it is.

Then can you explain what happened then? Why didn't Ace hear anything else.

Ace truly didn't hear anything else, but not for the reason that most are led to believe.

What's that supposed to mean?!

Something happened shortly afterwards that made Ace physically unable to hear anything else.

Truth bullet used : Eden's sneakiness

Truth bullet used : Turpentine

In that precise moment, Eden snuck up on Ace and knocked him unconscious with the turpentine that she stole in the dress-up room earlier. Ace became the intended victim target for Eden's murder scheme.

Wouldn't Arei and David hear anything happening?

Probably not. As long as she's stealthy enough and that the turpentine is strong enough, it could knock him out pretty quick with having time to react to it. It's entirely possible to do this quietly.

Alright, but wouldn't they see the unconscious body sometime later after the discussion?

Not if Eden dragged the body to hide it. Initially, I thought she would bring it to the dress-up room and hide it in the changing room, but I think it'd ask too much physically for Eden. So the only option remaining is dragging the body back to the gym. This should work as long as it's not in the hallway and the door is closed.

But earlier, you said that Eden's weak and not fit. How would she be able to drag a body?

In a real life scenario, it would probably be really different and incredibly difficult. But that's the only explanation I can come up with to explain how she was able to do that without getting caught.

It's not like she waited for Ace inside the gym. Otherwise, he would've prolly heard more about the conversation.

Anyways, I refuse to elaborate further on this. I'll explain why later in the finale.

Moving on... After capturing Ace, she had one remaining step to do before preparing the murder mechanism : she needed a scapegoat. Arei was the perfect target for that.

Truth bullet used : Eden's sneakiness

Truth bullet used : Turpentine

So Eden knocked her unconscious at the most appropriate time when no one else was around.

Wasn't David here? Wouldn't he have known?

Obviously, the culprit didn't do that while they were both present. Considering the matter of the discussion, it's probably likely that David got out of the relaxation room first, before Arei. So Eden simply needed to wait for David to use the elevator.

Otherwise, she could've also prepared a fake letter, asking Arei to meet up in the playground so that she could knock her out. This is probably the most logical explanation to this. It would match up the contents of the letter that was revealed in Chapter 2, Episode 10.

Truth bullet created : Eden's letter

Before I proceed with the next Acts, I'd like to pause it to explain every other possible clues that was found on the second floor that could be relevant to the murder mystery.

The 2nd Floor

The dress-up room

A few things to note about this room that even though none of the characters talked about, as long as it's presented, it can be used as a potential clue. We got some wigs on the left and the pink heart shaped case looks most likely to be a makeup-kit. It would make a lot of sense, considering where it is.

Truth bullet acquired : Wigs

Truth bullet acquired : Makeup-kit

Then post Arei's murder, Charles finds a ball of clothes in this room.

Truth bullet acquired : Ball of clothes

The relaxation room

There's a few things I'll list that may seem mundane at first, but they will become important as I explain it later.

First, we got those green mats, they look like light green yoga mats? Let's call em green yoga mats, why not?

Then, we have the incense sticks. They give a pretty good smell inside that room. Burning a whole stick can take up to an hour, but the lingering smell can last for multiple hours. They originally come the incense box that we're seeing to the right.

Truth bullet acquired : Green yoga mats

Truth bullet acquired : Incense sticks

Truth bullet acquired : Box of incense

We also learn about a special feature within this room in Episode 2.

We also learn that the room becomes locked at 10:00 PM up until 8:00 AM because of this misting system that monoTV implemented. He doesn't want anyone to enter that room at night while this is happening since it would leave a mess.

Truth bullet acquired : Relax room's nighttime features

The fitness room

I decided to use the crime scene in Episode 6 since most of the much needed clues are found in here.

Let's start with both the broom and the stepladder. They're not from the gym originally, so someone must have brought them here. They must've played a role in setting up some kind of murder scheme in here. Are they from the storage room, perhaps?

Truth bullet acquired : Broom

Truth bullet acquired : Stepladder

Next up, we have the whole weight rack. It wasn't there originally. Uh... I mean, it came from the gym, but not in this unusual position. So someone moved it. Was it part of the murder scheme?

Truth bullet acquired : Moved weight rack

Then, we have those benches adjacent to Ace that's been moved. We also have the right fan that fell down. It was ripped out according to Teruko. Also, the left side fan isn't working.

This is strange because the first time Teruko explored that room, it was working just fine and even after monoTV finishing cleaning up that failed murder attempt mess, the left side fan was working again. Why would it suddenly stop turning if that fan wasn't ripped out?

We have two weight plates neatly placed next to the threadmills. Why are they here?

Truth bullet acquired : Moved benches

Truth bullet acquired : Ripped out right fan

Truth bullet acquired : Left fan not spinning

Truth bullet acquired : Weight plates next to treadmill

Onto the more important clues.

We have a piece of wire that's attached to a blade of the fan with tape. A part of it has blood on it. The other piece of the wire, which was held by Nico when Teruko and Eden came across this crime scene, but then they dropped it. There's also blood on it, but there's a couple spots where there's no blood somehow. Is it two wires or the same wire snapped in two?

Truth bullet acquired : Piece of wire attached to fan

Truth bullet acquired : Other piece of wire

Speaking of tape, this is the roll of grippy tape that I was talking about in the Whodunnit part of my post. According to Rose in Episode 7, when she failed to do a pull-up, she says that there was originally grippy tape on that bar, which Teruko didn't believe.

But if you rewind back to the previous episodes, you can clearly see that there was something on that pull-up bar, but then during the crime scene of the attempted murder, it's no longer there. It's very safe to presume that the roll of tape and what was on the pull-up bar are the same kind of grippy tape.

Truth bullet acquired : Roll of grippy tape

Truth bullet acquired : Missing tape on pull-up bar

Let's take a closer look at the body.

A couple things to note...

The neck wounds on Ace. We were first led to believe that he died to those wounds, but it turns out, he's still alive. They must still hurt though. Right behind that we can see a glimpse of smeared blood on the wall, behind his neck. Even when Ace wakes up, the blood on the wall is still trying, so it's no magic trick or illusion there. It's very real.

Then, even more subtle than that, there's blood on his Ace's fingers (on his right hand). Because of the way it's positioned and because the other hand is hidden, it's possible that there's more blood on these hands.

And then we have Nico being "caught in the act". Anyone who sees this will immediatly think that Nico tried to kill him, no doubt about it. While I'm at it, let's keep in mind the odd position that Ace's body is found. Another thing even weirder than that is the utter lack of other traces of blood. There's no blood on any of the equipments, other walls and so on. What happened here?

Truth bullet acquired : Neck wounds

Truth bullet acquired : Smeared blood on the wall

Truth bullet acquired : Blood on Ace's fingers

Truth bullet acquired : Nico caught in the act

Truth bullet acquired : Ace's sitting position

Truth bullet acquired : Lack of blood anywhere else

Quite a lot of truth bullets in that room, ain't it?

The playground

(I can't find a good screenshot to take to see the whole crime scene without any distractions, so I'll trust that you have a fairly good idea of what it looked like. Also, I'm getting close to the limit of pictures I can send, so...)

Let's start with the body.

She is seen hanging by a rope on the swing set. Someone tied her up there, but who would be strong enough to pull that off? Then when Arturo inspected the body, he found out that Arei has a broken neck, so something with the rope must caused her neck to snap somehow.

We also find red marks on her wrists, indicating that her wrists must've been tied up with something. Other than that, there's no other visible wounds or details regarding the body. Well, there is one thing... it's not mentioned by the cast, but it's clearly visible : Arei's glove is missing.

Truth bullet acquired : Rope attached to Arei's neck

Truth bullet acquired : Arei's broken neck

Truth bullet acquired : Red marks on Arei's wrists

Truth bullet acquired : Arei's missing glove

Close to the seasaw, which is like in front of the swing set, we can find scuffed marks on the ground, which is caused by something being scraped against it. Seemingly easy to damage the ground.

And there's also the dead fishes found close by. Why are they here? According to Nico, the fishes were fed last evening/night by them, so the fishes were still alive by then.

Truth bullet acquired : Scuffed ground

Truth bullet acquired : Dead fishes

Moving on... to the right, if we look at the carousel aka the spinny thing, there are two clues. First one is the long rope found under the carousel. The bars of the carousel are wrapped with tape. It looks like the very same tape that was found in the fitness room.

Truth bullet acquired : Long rope under carousel

Truth bullet acquired : Carousel wrapped with tape

Oh right, before I forget... according to MonoTV, there was also a broken ceiling light on the ceiling, so they turned it off for now.

Truth bullet acquired : Broken ceiling light

Then in the hallway, Rose knocks over the only trash can available on the second floor and they find a couple clues.

We have the empty water jugs with broken handles. Quite peculiar, don't you think? Then we have a torn-up note which we already what it is by now. It's the letter "signed by Eden" adressing to Arei to ask her to meet in the playground about an issue regarding a secret being exposed.

We also have scrunched up tape, which looks very similar to the tapes we found in both the playground and the gym. Can't be a coincidence!

More subtle and not mentioned by the characters, there's a needle with a black string attached to it.

Truth bullet acquired : Empty jugs with broken handles

Truth bullet acquired : Torn-up note

Truth bullet acquired : Scrunched up tape

Truth bullet acquired : Needle with black string attached

I believe that's all the relevant clues I can find in each of these rooms. Time to get back on track!

Act 6

So to give a tiny recap to where we were last time in Act 5, Eden knocked Ace unconscious, dragged him back to the gym. Then sometime later, she knocked Arei unconscious.

Why would she knock Arei unconscious?! The culprit already found her intended victim for the murder!

There's only one possible explanation for this. Arei was supposed to be the scapegoat for her murder scheme. She was supposed to be the main suspect.

That makes no sense! If it went according to plan, during the trial, Arei would've mentioned that she's been knocked unconscious by Eden.

Not quite!

Truth bullet used : Eden's sneakiness

If she can sneak up on Teruko without her noticing, then she can also sneak up on Ace to knock him unconscious without being noticed. Therefore, if she can do that with Ace, she can do the exact same thing with Arei.

So sure, she would've mentioned that she's been knocked out, but who would believe her? Would they rather believe Eden or Arei? I think the answer is pretty clear.

But she must've been knocked unconscious not too late at night, meaning that she could've woken up sometime later at night and no one would suspect a thing about her!

There's no way to tell if the turpentine's effect would make someone go unconscious for a short or long time. That aside, there's a simple solution to explain how she couldn't escape without being suspected. To make sure that she doesn't go anywhere, you just need to trap Arei somewhere, lock her somewhere.

But there's no such place for that!

Truth bullet used : Relax's room nighttime features

The culprit hid Arei's unconscious body inside the relaxation room. Even if Arei somehow woke up early, she would be unable to get out of here because of the features of that room.

The room closes at 10:00 PM and only reopens at 8:00 AM. It's heavily implied that it would be locked. If someone wouldn't be able to enter that room at night, it's possible that someone wouldn't be able to exit that room eitheir if they were stuck inside.

But according to said features, it's locked because of a misting system that uses an enriched formula for the plants inside. Wouldn't Arei be covered in said enriched formula as well?

She would, unless the culprit used something to cover her body.

Truth bullet used : Ball of clothes

Truth bullet used : Needle with black string attached

The ball of clothes has starch on it and according to some google research, starch is actually very beneficial in plant growth. So it's safe to presume that this enriched formula that monoTV mentioned has something to do with starch. Meaning that the ball of clothes is physical proof that it was used in the relaxation room for the night.

This ball of clothes in question is a bundle of all the old uniforms that Teruko and Hu used to have until monoTV changed their style.

Then, it's possible that the culprit used a needle with string to attach pieces of clothes together to make a custom blanket of sorts.

But the turf in the relaxation room would get wet at night and that would stick to Arei's body!

Truth bullet used : Green yoga mats

The culprit placed the body on top of a yoga mat. That way, it wouldn't leave any traces on the back side of her body. Then add the blanket of clothes as mentioned earlier and she'd be covered from all sides.

To summarize this act, after hiding Ace's body in the gym, she knocked Arei unconscious with the turpentine and made sure that Arei would be locked up inside the relaxation room and covered from the misting system. She did all of that before 10:00 PM.

Act 7

Now that Arei's unconscious body was taken care of, it was now time to set up the murder mechanism!

Truth bullet used : Moved weight rack

Let's get that out of the way right off the bat. We know Eden's weak, so there's no way she could've moved the weight rack, even though it seemed to have been moved to make space for the murder mechanism. I doubt that Eden would put the time and physical efforts to move the weight plates one by one, then the weight rack and then putting back the weight plates.

So if she didn't do it, who did?

Truth bullet used : Ace working out

According to my theory, Ace was working out that evening, so wouldn't it make more sense to believe that he's the one who moved that weight rack? That would also be evidence that he was working out during the evening of DAY 2, not DAY 3 (I know what some of you think about this, but I'll get back to it later, don't worry).

But that doesn't make sense! The way that the weight rack was moved and toppled over, it's facing away from the bench where he would be doing the bench pressing.

Maybe, but we don't quite know what the characters are truly thinking. For all we know, this could be his actual workout preference, as weird as it may seem. With that said, I refuse to elaborate further. I will explain why in the finale.

Besides, we know that Ace is fairly fit, so he could move a bunch of these weight plates easily. Moving on...

Truth bullet used : Missing tape on pull-up bar

Since we know that Eden took the roll of tape with her as shown in the whodunnit, sometime after the failed murder reveal, it's logical to conclude that she's also the person who removed the tape on that bar. She removed all of the available tape on the pull-up bars to make a single roll of grippy tape.

Ha! There's a problem with that! It doesn't seem like there's a lot of tape on that pull-up bar, it's highly doubtful that it would be the same quantity as what's shown on the roll of tape. She must have gotten that tape somewhere else.

There's a very simple explanation for it...

See this on the left? That's also a pull-up bar, but slightly hidden by the weird workout contraption directly in front. But still, there's definitly a pull-up bar there.

So tell me... if there was grippy tape on the pull-up bar to the right, wouldn't there be tape on the pull-up bar to the left as well? There was a reason why I mentioned "available tape on the pull-up bars" and it wasn't a typo.

If you combine the tape from both pull-up bars, there would surely be enough to make a complete roll of tape. Moving on...

Truth bullet used : Eden's cables

Truth bullet used : Piece of wire attached to fan

Truth bullet used : Other piece of wire

Since the culprit didn't use Hu's custom weapon according to my theory, it's safe to presume to the wire that was found in the gym is the exact same as Eden's cables that I came up with. This also means that both pieces of the wire were originally a single, longer piece of wire.

So she used her accessible weapon for the next step...

Truth bullet used : Piece of wire attached to fan

Truth bullet used : Roll of grippy tape

Truth bullet used : Stepladder

She attached one end of the wire to one of the blades of the right fan. The culprit circled the cable around the blade a few times and then did the finishing touches by sticking tape to it to make sure it'll stay there.

Of course, she's not as tall as a giraffe or as tall as Arturo, so she needed something to boost her height. That's where the stepladder comes into play. She placed it below the fan, climbed up and did the thing.

But when Teruko finds the body, you can see that the tape is facing upwards, above the fan. Wouldn't it be much easier to place it under the blade?

Sure, it would make sense, but from a mystery game/novel perspective, what would happen if the tape was placed under? You wouldn't really be able to see it now, would you? Granted, some could easily arrive at the conclusion that the wire was attached with tape since there was a roll of tape found at the scene.

So in that case, there's another simple and logical explanation to it. If you had the option to place tape eitheir above or under the fan, which would be the most efficient?

The right answer would be above the fan! Think about it. The wire is supposed to be holding something, so there would be weight attached to it. If the tape was applied under the blade, it could've easily come off because of the pressure of the weight. If it was taped above the blade instead, even though there would be weight pressure, it wouldn't affect the tape much in that situation.

Therefore, Eden placed the tape above the blade of the fan because that was the most efficient option. While I'm at it...

Truth bullet used : Ripped out right fan

Truth bullet used : Left fan not spinning

Considering what I've said previously regarding the left fan not spinning during the body discovery of Ace, there's a simple solution for this mystery.

The left fan stopped spinning because it was turned off. There is most likely a switch in the gym to turn on and off the fans.

That would easily explain why the left fan started spinning again after monoTV cleaned up the room the following day. That would also easily explain how the culprit managed to place tape on the right fan as well. Even though we have no one mentioning the existence of a switch for the fan, it's very easy to come up with that conclusion.

Truth bullet created : On/Off switch for the fans

Act 8

Now that the cable was set up on one end, it was time to take care of the other hand of the cable. That part would require more steps and efforts than what's shown in Act 7.

First off, to make sure her murder mechanism worked, the end result required Ace's body to be standing up with the wire attached to his neck. So it needed to be just kinda long enough to make it work.

So the body needed to remain in a standing up position while Eden is setting up the other end of the cable to his neck. Of course, she didn't have an accomplice nor would she want to work with one, so she relied on a few materials she planned beforehand to make it work.

Truth bullet used : Moved benches

Truth bullet used : Weight plates next to treadmill

Truth bullet used : Broom

The culprit used the back wall so that Ace's body would rest against it. That way, it wouldn't move backwards. Then, she squeezed the victim's legs with the benches, placing one of them on each side so that the body wouldn't move sideways. She also placed a weight plate on each foot so that his feet wouldn't move around, which could move the body if that were to happen. It would help keep the body stable.

Even with these steps however, it still wouldn't be enough to keep the body still. After all, these steps I mentioned only affect the lower part of the body. So if the culprit let things play out like that, the upper body would simply bend forward which would make all that stability effort go to waste.

Fortunately, the culprit is smart, she thought about that beforehand. That's why she brought the broom to the gym. That was the final step needed to keep the body still.

All Eden had to do next was place the broom through Ace's shirt in the back. As long as the body is standing against the wall, Ace would be unable to bend forward because of the broom. It's physically impossible.

You can even try it out yourself at home if you'd like. Pass a broom (preferably a clean one) through your shirt in the back, stand against a wall and try to bend forward. The broom blocks you from doing that.

Wouldn't the upper body be able to move sideways though?

Maybe, maybe not. It doesn't really matter though because the culprit simply needed to hold the body for a bit and all Eden needed to focus on is making sure that it wouldn't move sideways, everything else was taken care of. Moving on...

Truth bullet used : Eden's cables

Truth bullet used : Neck wounds

Truth bullet used : Smeared blood on the wall

Truth bullet used : Lack of blood anywhere else

Now that the body is stable, she needed to place that wire around Ace's neck, but how? Well, if we look at the neck wounds, you can see multiple slashes across his neck. And judging by the smeared blood on the wall, it seems to heavily imply that the neck wounds also reach the back side of his neck.

Well, actually, there's some incredibly minor pixelly details that seem to indicate that the neck wounds doesn't extend to the back. There's also this and-

Those are incredibly niche and minor details to claim that neck wounds doesn't go around the back of his neck which is still incredibly odd to me that people believe is the case considering the smeared blood. To me, it seems more like the creator added that blood on the wall to indicate that the neck wounds also go around his back even if we can't physically see it. In any case, I refuse to elaborate further on that. I'll explain why in the finale.

Anyways, there's also the lack of blood anywhere else during Teruko's investigation of the attempted murder. It seems really weird that there's not much other signs of blood considering how seemingly complex that mechanism must be. Some claim that some of these bloody spots must've been wiped off somehow, but I think there's a much, much simpler solution to this.

The culprit wrapped the cable around Ace's neck multiple times.

The best part in all this is that the culprit doesn't even need to tie it up. Even though it's simply going around his neck multiple times without a noose, the cable wouldn't come off. Heck, if you were to pull the wire one way, it would just tighten up Ace's neck.

If you're not convinced, you can try wrapping a plastic water bottle with some long wire and then try to pull it. It usually doesn't come off.

Act 9

Now that the cable was properly wrapped around Ace's neck, Eden had a few remaining finishing touches to complete the murder mechanism.

First off, now that Ace is properly tied up with the fan, all the materials that was used to keep the body stable was no longer needed and could be discarded.

Truth bullet used : Moved benches

Truth bullet used : Weight plates next to treadmill

Truth bullet used : Broom

Truth buller used : Stepladder

She removed the broom that was stuck in Ace's shirt. Then, she moved at least the left bench so that she'd have an easier access to drag the unconscious body. After that, she removed the weight plates on his feet and put it next to the treadmills. To finish it off, she moved the stepladder away from the fan since it was in the way.

After doing so, she then dragged Ace's standing body closer to the fan. Or rather, right below it, at the center.

Why didn't she place Ace's body under the fan to begin with? Moving it towards the wall seem unnecessary!

No, it was very much needed. Remember, Eden's not strong and she needed to make sure that the unconscious body wouldn't move while she's setting up the murder mechanism. Even if she were to make the body sit down, she would then need to make him stand up to tighten up the wire, but if there's no way to stabilize the backside, it would just fall backwards. Then if she would try to make sure it wouldn't go backwards, it could bend forward and so on. It wouldn't be practical.

That's precisely why she needed to make his body lean against the wall initially. Anyways, once Eden placed the body under the fan, she readjusted the wire a bit to make sure it would remain tight.

Couldn't she just leave the body standing against the wall for the murder mechanism?

Not really. The way the murder mechanism is supposed is work is like so..

Ace's body would be held by the wire which is attached by a blade of the fan. The fans are currently turned off. The only thing the culprit needed to do to commit murder is turn on the switch. By turning on the switch, the fan would spin along with the wire.

If the body was standing against the wall at the time, the wire would somewhat try to drag the body forward, which could potentially make the body fall, which could potentially break the fan.

If the body is standing right below the fan however, the wire wouldn't really drag his body since it is at the very center of the rotation. Once the fan spins along with the wire, the wire would wrap around his neck further, which tightens it even further, which could be what caused those neck wounds.

And that's what I think is what the murder mechanism is supposed to be.

Why would she go through so much work and efforts to make that kind of mechanism?

There's a couple reasons. Eden's not strong, as stated before, so there's a bunch of murder methods that she couldn't do by herself. Granted, she could easily do something like stabbing, but it's possible that she's the kind of the person who doesn't want to do the actual murder action herself. So the culprit would be more at ease if it was some kind of mechanism that would do the dirty deed for her.

But for a more reasonable explanation, working on a murder mechanism like that reminds her of her time spent working on clocks. Since clocks usually involve mechanisms, Eden would be more at ease working on something that's closer to her talents.

Truth bullet used : Hu's wires

Also, less practical reason, but still a reason nonetheless, since the culprit used some kind of wire as murder weapon, it could've been served as a way to throw in suspicions towards Hu. Even though the plan was meant to have Arei be the main suspect, it doesn't mean she couldn't throw suspicions indirectly on others as well. Besides, the more suspicions that's thrown at others, the less likely she would be caught.

Another good reason to it is because of the BDA rule. The rule states that "The Body Announcement will play when three or more people who did not witness the murder discover the body." She crafted that whole killing machine so that she would be able commit murder without witness the moment of murder.

Truth bullet used : On/Off switch for the fans

Eden simply needed to turn the switch of the fans back on and then exit the gym. She could go back to the dorm, letting the mechanism do its work and then next morning, if she goes with 2 other people to find Ace's dead body in the gym, it would trigger the BDA.

Act 10

That sounds great and all, but the murder plan failed anyways. What is even the point of all this?

Well, if everything went according to plan, it could've been a nearly perfect crime. But that didn't happen, as we all know. So what happened instead? Well, there's a simple reason why I suspect why Eden is the person responsible for the attempted murder on Ace.

Truth bullet used : Nico's motive to kill Ace

Truth bullet used : Nico caught in the act

Consider that Teruko and Eden found Nico next to Ace's that night, they're definitly involved in some shape or form. But since the murder mechanism was all of Eden's work, it would mean that Nico is the third party behind this fiasco.

While Eden was working on her murder mechanism, Nico decided that they wanted to murder Ace. The constant bullying pushed them to the edge. So they were desperatly looking for their target to commit murder.

But wait... if Nico was caught in the gym, how would they know to find Ace in here? Wouldn't they think that Ace would be sleeping at night in his dorm? Why wouldn't they look for him in the evening.

It's hard to say. I think there's honestly a lot of things that we don't know about Nico. They're quite the mystery. What we do know is that they were willing to murder Ace. We don't know their whole thought process, but they probably wanted to kill him at night since they would be less likely to be found out.

They probably tried knocking on Ace's door first, or maybe they kept a close eye to when Ace would come back to his dorm, but it never happened. So they probably eventually decided to go take a look around the building to see where he could be hiding.

But apparently, Nico never really thought about it when Veronika asked about how they envisioned killing Ace.

Maybe, but like I said, there's a lot that we don't know about Nico and from the looks of it, when Ace bullied Nico and they then replied that they would kill him, it seemed like a totally different behavior.

I don't know what's up with that, but that sinister behavior makes me believe that this is like a different form of Nico. Like a split personality, or his true self or something. We don't know for sure what it could be, but that different behavior could be what caused them to want to kill Ace at night.

My point is... because there's so much unknown about Nico, there's a vast amount of possibilities that would explain why they decided to murder Ace then and now. Moving on...

So Nico's looking around for his prey (hehe), they probably look around the first floor, but don't find him anywhere. So the only remaining option is taking the elevator to go on the second floor, he must be there after all.

Truth bullet used : Non-soundproof walls

Meanwhile, Eden suddenly hears the elevator making sounds. She realises that someone is approaching, but who and why this late at night?

Even though she completed the murder mechanism, she still wanted to clean up the crime scene a bit. Like... you know... placing the broom and stepladder back where it came from (storage room maybe), placing the discarded weight plates and moved benches back to their original position.

Unfortunatly, she can't do that, someone's coming, she needs to hide. So what does she do? She turns the switch of the fan back on, exits the gym and then hides in the dress-up room. Now, all she can do is hope and pray that whoever arrived will go back to the first floor.

But how would she not be aware that someone would arrive late at night? Wouldn't she have known that Nico probably wanted to kill Ace?

That's actually impossible. She couldn't have expected this at all.

Truth bullet used : Eden's incident in the infirmary

While the argument between Nico and Ace happened that day, Eden was busy having a private discussion with Arturo in the infirmary. She had a meeting so that she could reveal his secret and cause a potential conflict.

When Ace was threatening Nico that he would reveal their secret, at the time, Arturo, Eden and Arei was nowhere to be seen in the cafeteria, so it matches up perfectly.

So yeah... that was an unpleasant and unexpected surprise for Eden. The worst part in all of this is that when Nico reached the second floor, they actually entered the gym and that's when they discovered Ace about to be murdered by this weird mechanism.

This just became a disaster for Eden, someone found out about it too early and there's nothing she can do about it at the moment except to wait. So what does Nico do next?

Truth bullet used : On/Off switch for the fans

They turn off the fans.

What?! What would be the point of that?! He wants Ace dead, he doesn't want to save him! That doesn't make sense!

This is a golden opportunity for Nico! Think about it. They want to murder Ace, but then they see that potentially someone else already tried to murder him. It's hard to say if they knew what this whole mechanism meant, but they could see that the fan was playing a part to it.

So they probably realised : "Wait, I could turn it off and then kill him myself." That way, if the group somehow figures out the murder mechanism, they might not realise that someone else killed Ace in that moment.

But then Eden would've told the group about it. She would've been a witness and Nico would've been doomed at the trial.

Maybe, but the thing to keep in mind is that at the time, Nico didn't know that the person responsible for the murder mechanism was hiding somewhere on the second floor. After all...

Truth bullet used : Eden's sneakiness

Even though the walls are not soundproof, Eden is really sneaky, so she might've been able to hide without being noticed by Nico.

But like I said before, Nico never really thought about it when Veronika asked about how they envisioned killing Ace.

...Again with this. Like I said before, there's a lot that we don't know about Nico yet. It's precisely because he never thought about it that it makes me think that something's going on with Nico.

If Nico had something like a split personality, similar to Toko Fukawa, it would explain those oddities. Cliché'd or not, this is a fangan. So creators could definitly take inspiration from the original ones without a doubt. It would also explain why they weren't willing to share to Charles what happened there. Whether they was filled with regret or not, it's possible that they don't quite clearly remember how it went.

In any case, I refuse to elaborate further on that. I'll explain why in the finale.

Now that the fan is turned off, there are eitheir two things Nico could do : Kill Ace directly with a slightly different method, like physically strangling him or they simply turn the switch back on.

As long as they get the finishing blow, that should work.

Act 11

It's around this time that someone else joins the murder party on the second floor. We must not forget about Teruko! Based on what we saw on Episode 6, Teruko realises that she forgot her spare uniforms in the dress-up room on the second floor because she didn't want to use the same ol stinky clothes after taking a shower. So she then uses the elevator to go get her clothes on the second floor.

Eden hears footsteps, noticing that someone's approaching the dress-up room. Thinking it's the person who was in the gym, she goes : "W-who's there? I know you've been following me!"

But that was in fact Teruko who entered that room, so she replies : "What? No, I'm not. What are you talking about?"

Then Eden gets embarassed and nervous. She asks : "Oh, it's just you, Teruko. What are you doing here?" At the time, the culprit thought that it was the other person who visited the gym : Nico.

Teruko replies : "I could say the same to you. What are *you* doing here, at a time like this?" She makes a very good point. It's very suspicious of Eden to be present in here this late at night and Eden is aware of that. She's in trouble. If she doesn't come up with a valid excuse quickly, her plan will be completly ruined.

Truth bullet used : Ball of clothes

She then remembered that when she was gathering clothes to make some kind of blanket to cover Arei from the starched water, she noticed spares of Teruko's uniform. So with her quick wit, she came up with this : "Hu told me all about how MonoTV gave you both new outfits. I noticed you didn't take any of your new clothes, so I was going to deliver them to you! But I'm guessing that's also why you're here right now."

That excuse worked like a charm. Teruko believed it, as mistrusting as she may be. She was even nearly about to thank Eden for being so nice, but then remembered she needs to retain a mean and mistrusting persona.

So then they talk for a bit, they're about to go back to the first floor. Or at the very least, Teruko was about to go there first because she doesn't trust anyone else to take the elevator with her. Then all of a sudden, they hear loud noises coming from the gym. They enter the room and then we get to the scene of the attempted murder on Ace with Nico being caught in the act.

Act 12

While this whole scene between both girls happened, something else was happening back in the gym. So according to my theory, Nico turned off the fans. That wasn't just because of malicious intents by the way, there was also a logical reason behind it.

Truth bullet used : Left fan not spinning

Truth bullet used : Nico caught in the act

When Teruko and Eden discovered Ace's body while Nico was holding a piece of the wire, in that moment, the left fan wasn't working. It wouldn't make sense for the left fan to be broken like the one on the right since it was working just fine the next day.

This means that someone must've turned off the fans and the only possibility I can think of is if Nico turned them off for their own personal reasons. It just makes sense.

Anyways, as they were about plotting to murder Ace, something else happened that put a stop to their plan.

Truth bullet used : Non-soundproof walls

They heard someone using the elevator. Not only that, but they could hear Teruko and Eden talking in the dress-up room. They are now aware that there are people close by. They can't afford to do any funny business like murder if there are witnesses close by. They had no choice but to wait for them to go back to the first floor.

To make sure that they were indeed gone, they put their head against the door to listen closely to what's going on outside the fitness room.

While this was happening... yet another unexpected thing happend. Ace came back to consciousness!

That makes no sense! You have no proof of that!

You'll understand why I make that claim shortly. Be quiet and let me continue!

So let's think about Ace's point of view for a minute here. He wakes up in the fitness room. What are some of the things that he notices? Well, he sees Nico in the distance, by the door. Nico doesn't notice Ace who came back to consciousness because they were busy listening to the conversation between Teruko and Eden.

Truth bullet used : Neck wounds

Shortly afterwards, he would notice that his neck hurts. Confused, he's wondering what's going.

Truth bullet used : Eden's cables

Truth bullet used : Blood on Ace's fingers

Truth bullet used : Nico's motive to kill Ace

Truth bullet used : Ace's phobias

So Ace touches his neck and that's when he notices that there's blood. Then upon closer inspection, he realises that he's stuck with a wire wrapped around his neck. The terrifying conclusion comes to him in a flash : "Oh my god! Nico is about to freaking kill me! I don't wanna die!" This is partly why there's blood on Ace's fingers. He's having a moment of panic, but...

Truth bullet used : Non-soundproof walls

He can also hear two girls talking from outside the gym. So Ace knows that there's people around. He probably wanted to scream, but his neck probably hurt so bad that it might've been nearly impossible to speak at the moment.

So he needed to come up with another plan. What could he possibly do to get everyone's attention?

Truth bullet used : Ace working out

Truth bullet used : Piece of wire attached to fan

Truth bullet used : Other piece of wire

Truth bullet used : Blood on Ace's fingers

There's only one possible option he could do in a situation like this : brute force his way out of this death trap. So he grabs the wire from the front of his neck with both hands, tries to break that wire with all his might. While doing that, he's also pulling his body backwards.

That way, it would put stress on both the wires and the fan. So as long as eitheir breaks, that would do the trick. That would certainly explain why there spots on the wire that didn't have blood : Ace wiped them simply with his hands.

HOLD ON JUST A MINUTE! That can't be possible! You can't fully wipe blood on wires with just your hands that way. You'd need something to clean it up. Also, the position of the spots wouldn't quite realisticly match up the positions of where his hands would be and-

.........I refuse to elaborate on that. I'll explain why later in the finale.

Moving on... Fortunately for Ace, when he tried to eitheir break the wire or the fan, both happened at the same time.

Truth bullet used : Moved benches

Truth bullet used : Piece of wire attached to fan

Truth bullet used : Other piece of wire

Truth bullet used : Ripped out right fan

Truth bullet used : Ace's sitting position

Truth bullet used : Smeared blood on the wall

So what exactly happened when he succeeded in brute forcing his way out? Well, the cable break in two, which would explain both pieces of wire found. Then, the right fan would be ripped out of the ceiling, which would perfectly explain why it was found on the ground.

As the fan breaks, Ace's backwards momemtum would make him fall behind. This would result in him having a sitting position with his back against the wall. The impact of his head against the wall, would make his head move a bit, which would perfectly explain the smear on the wall.

Also, while he's falling backwards, he would also hit the right bench, which would make it topple over. That would cleanly explain why Teruko found a toppled bench during Ace's body discovery.

And of course, all of that creates a very loud noise, which got Teruko and Eden curious.

But what about Nico?

Well... they're kinda screwed. But more importantly, they're as confused as the girls outside. After all, they were busy listening to the conversation, so they have no idea what the hell just happened there.

So when they turn around, they just see this mess... They can't help but wonder what in the heavens happened here. So they approach the "crime scene" and get rather curious about the broken wire. So they grab one piece of the wire and...

Act 13

Truth bullet used : Nico caught in the act

Truth bullet used : Nico's motive to kill Ace

Truth bullet used : Hu's wires

Truth bullet used : Hu being protective of Nico

Truth bullet used : Turpentine

That's when we get the scene where Teruko and Eden finds Ace presumably dead. They also find Nico holding a piece of the wire that has blood on it. This, ladies and gentleman, is how the whole attempted murder on Ace went down in my opinion. It would perfectly explain all the clues found here.

Not only that, but that would be perfect to make us believe without a shred of a doubt that it was Nico who truly did all of that.

Why? It's simple! Teruko catches Nico in the act, so that's already very suspicious. We also know that they wanted to have a painting session with Rose, so it's very easy to believe that Nico might've stolen the turpentine to knock Ace unconscious.

Then, we see that the murder weapon looks like some kind of wire. What do we know about wires? According to the list of custom weapons, Hu's weapon are wires.

Add that to the fact that she's trying to protect Nico from all the bullying like an overprotective mother, we get the following result : Nico really wanted to kill Ace and Hu wanted to help, so Hu became the accomplice by giving them wires.

Wouldn't it make a lot more sense to believe that all of this is just a giant red herring?! A devil trick pulled by the DRDT creator themselves! If that's truly what happened, then I can't help but applaud the creator for coming up with such an elaborate mystery.

Another thing to take note : Eden is really surprised and confused upon seeing the chaotic mess. Her whole mechanical creation broken apart. She couldn't but utter those words : "AHHHHHHH! Wh...What?? What is this??"

Also, Eden notices something else that's entirely wrong : she knows that Ace is not dead.

Huh? How come?!

Think about it. The reason why she made this murder mechanism is to be able to count as a person for the BDA rule since she didn't need to be in the gym for the murder to happen. So when they came across this whole mess, there were at least 3 alive people : Teruko, Eden and Nico. If Ace was truly dead, the BDA would've triggered by now, but that's not what happened.

So Eden knew that her whole murder attempt on Ace failed. Her whole plan failed.

Anyways, Teruko shouts at Nico, they run away and leave the crime scene. So what about Ace? Well...

Act 14

Ace is supposed to be back to consciousness, yet at the time, he's presumably. Well... it's more accurate to say that we were led to believe that he's unconscious. So what's up with that?

There's two options. He eitheir hit his head so hard against the wall that he lost consciousness again. It's a funny theory to think about, but I seriously don't think that's what happened.

So that means it's most likely the other option : Ace pretended to be dead/unconscious.

That's just insane! Why would Ace do that?!

Well, initially, I think it was to fool Nico. Since Ace was absolutely that he was the murderer, he didn't know what to expect of them. So by pretending to be unconscious still, Nico would turn around to see the mess and they would probably not immediatly suspect that this was caused by Ace. It would make sense since they were seen holding a piece of wire, probably wondering what the hell happened.

Well, Nico's gone though. Couldn't he have dropped the act?

He probably could've, but there was something that made him not want to reveal it.

Truth bullet used : Ace acting tough

By that, I don't mean that he's pretending to be dead because he wants to act tough. That wouldn't make sense. I'm referring to the argument scene with Levi way back in Episode 2. He had a change of behavior since then and he even stated that he would rely on himself alone.

In simpler terms, he's practically acting like Teruko : not trusting anyone and working on his own. In essence, when Teruko does that, it really does make her look tough. Maybe Ace took a little bit of inspiration from it, who knows?

Wouldn't it make more sense to reveal to the girls what truly happened? That would make him look like a tough badass!

Maybe, but remember, he doesn't trust anyone else anymore and wants to work on his own. So by pretending to be dead at the time, no one would realise what truly transpired in the fitness room. So by doing that, he's hiding secrets from others, kind of like hiding the real strength of his hand in poker by making it look weak. That's also why Ace refuses to share anything to Charles about what happened in the gym. Moving on...

Teruko proceeds with the investigation while Eden is busy crying over this "body discovery".

What is Eden truly plotting here? It's simple. She's trying to think of an plan B and quick. After all, like I mentioned in the whydunnit, she really wants to get out of here, so she needs to murder someone.

On top of that, Arei is still stuck inside the relaxation room. If no murder happens real soon, things would look pretty bad for Eden. But then, she realised something... Arei is still trapped inside the relaxation room. This is the perfect opportunity.

As long as Arei is trapped in here, she could proceed to kill her next morning at the earliest time. She would rather not do it, but she has no choice, especially if she wants to complete her goal of exiting this killing game. This is the only remaining move possible. It's all or nothing!

So by the time Teruko finishes the investigation, Eden finally comes up with a proper plan B for the murder scheme. For that to work, she needed something in that gym.

Truth bullet used : Roll of grippy tape

So Eden tells Teruko : "Okay, I'm ready. I'm okay. Am I needed, Teruko? Let me help investigate." She would then proceed to "investigate" the crime scene when in reality, she's trying to grab the roll of tape while she's distracted.

The distraction happens around the time where Teruko approaches Ace's body to inspect it more closely.

This is bad for Ace for two reasons. One, she would notice that Ace is still alive which we do notice her reaction in Episode 6. Two, she would notice the blood on his fingers/hands. If she were to notice that, it would help her get closer to learning the truth about what happened here and that's not what Ace wants at all.

That's why he comes up with potentially the best bluff I've ever seen.

Act 15

Truth bullet used : Ace acting tough

Truth bullet used : Blood on Ace's fingers

Truth bullet used : Neck wounds

Ace decides that now's the best time to pretend to wake up to consciousness and make this hilariously loud shout to showcase that he's not dead. Here's something really interesting about this pose however.

Look at his hands. He put his left hand on his neck wounds while he's clenching his right hand. What do they both have in common? Well, it's meant to hide the fact that there was blood on his fingers beforehand, of course! The same thing happens later on.

Ace now placed his right hand on his neck wounds, covering his hand with blood to make it look like the blood on his hands originally came from touching his wounds at the moment, not before.

So by putting on this act, Ace was able to disguise his bloody hands which hides the truth behind what may have truly happened while also putting on this tough guy act. Neitheir Teruko or Eden would suspect a thing.

And of course, this would also explain why Ace is so insistent on believing that Nico tried to kill him : He saw them with his own eyes. Anyone in Ace's shoes would believe the same thing.

Truth bullet created : Ace's actions in the gym

So later on, Ace tries to chase after Nico back to their dorm. MonoTV kicks Eden and Teruko out of the gym and locks it. Then they back to the first floor to follow Ace. Then there's the scene with Teruko, Eden, Ace and Levi involved. Ace claims that he doesn't need help because he doesn't trust the others and wants to act tough and on his own.

Ace goes back to his dorm, Levi goes back to his dorm and Teruko doesn't care about Ace's condition, so she goes back to her dorm. What about Eden? Well... it's time for plan B!

Act 16

Now that everyone went back to bed. Eden shouldn't have to worry about any other surprises, so late night of DAY 2 should be the perfect time to set up the second murder mechanism among other things. There was yet again a lot of work to do. But that's fine, she mentioned in the prologue that she can work on something for many hours without taking a break.

She had two main goals in mind to make her whole murder scheme work.

Create a murder mechanism at a different location so that the mechanism would do the dirty deed for her. The best possible location for this would be the playground.

Create a perfect alibi so that no one would suspect her. For that to work, she would need to disguise the actual time of death so that people would presume the victim died at a later died, which would be a time where the culprit would have an alibi.

So while Arei is still trapped inside the relaxation room, Eden could work on gathering the materials to make a nearly perfect disguise and make the necessary preparations for the murder mechanism in the playground. Let's start with gathering the materials for the disguise.

Why would Eden need to make a disguise?

It's simple. What would be the best way to make it look like Arei was still alive on DAY 3? By having someone disguised practically like her and being present in a place where there's multiple people for a short period of time.

But she looks nothing like Arei! That's impossible!

We have a lot of clues that could make it possible, as unbelievable as it may sound.

Truth bullet used : Wigs

Truth bullet used : Make-up kit

Truth bullet used : Eden's sneakiness

First, she stealthily entered Arei's dorm (she probably had Arei's monopad or whatever it was to unlock that door) to take a look at her spare uniforms. Upon closer inspection, she notices that there's a small problem : there are no spare gloves. It would appear that this is a unique kind of accessory for Arei, so she's gonna have no choice but to take it from Arei's body after killing her.

Truth bullet created : Arei's spare uniform

Next up, she would go to the second floor to grab a certain wig and the make-up kit in the dress-up room. There's this blue wig that looks like Arei's hairstyle, so that should do the trick. Once it's been gathered, she temporarily placed them in Arei's dorm. Most of the disguise materials were collected, time for the next step.

Act 17

It was time to gather the materials for the second murder mechanism.

Truth bullet used : Roll of grippy tape

Truth bullet used : Long rope under carousel

Truth bullet used : Rope attached to Arei's neck

Truth bullet used : Empty jugs with broken handles

Eden already had the roll of grippy tape with her, so we don't have to worry about that. She first grabbed the water jugs that probably came from the fridge. Of course, the handles weren't broken at the time.

And finally, she took the rope that belonged to Arei, but was sent to the storage room. I don't know if there were two ropes or only one very long rope. But if there was only one, then Eden must've used a knife in the kitchen to cut it in two. That was necessary to make her murder mechanism work. That would explain the two ropes found in the playground on Episode 8.

Truth bullet created : Water jugs

Now that this was all gathered, she then needed to move them to the playground to start building that murder machinery.

Truth bullet used : Roll of grippy tape

Truth bullet used : Long rope under carousel

Truth bullet used : Broken ceiling light

Once she arrived at the playground, Eden first needed to throw that rope above this metal railing by the ceiling, whatever it's called. She wanted to create a pulley system, so that step was important.

The culprit picked the longer rope of the two, then she put the rope through the roll of tape, tied it up and then threw it upwards as hard as possible.

It's two floors high, Eden's not strong enough to throw it up there!

She may be weak, but she can definitly pull that task. There's a specific reason why I believe the culprit used the roll of tape. It'd be incredibly light and it has a handle, which makes it really easy to chuck it high up in the air.

Even if she doesn't succeed the first, she had plenty time to keep trying until she succeeded. Eventually, she would succeed, but she would accidently hit the lights which would break it in the process.

The weight of the tape is probably not enough to break it.

We don't know that for sure. Besides, if I recall, MonoTV mentioned that the lights were flickering, which can simply be caused by a misplaced light bulb. So it could very well do the trick with enough speed. But in case you think that's not enough, I'll go ahead and say that I refuse to elaborate further on that matter, I'll explain why in the finale. Moving on...

Truth bullet used : Roll of grippy tape

Truth bullet used : Carousel wrapped with tape

Next up, the culprit wrapped the bars of the spinny thing with tape. The reason why was because the carousel was essential for the pulley system. She needed to spin it to raise the rope among other things

At the moment, the bars are pretty slippery, so she needed something applied to the bars so that she wouldn't the grip. Hence, the grippy tape.

Well, that's impossible! The roll of tape by itself wouldn't be enough to cover all the bars of that carousel. Where would she get more of that tape?!

Eden didn't need more tape, that was all that she needed to wrap all those bars.

Now, you're just being delusional! It can't cover all the bars with that alone!

Heh! Are you sure about that? I know that most of you are under the impression that the bars of the spinny thing must be wrapped up horizontally, kind of like putting tape on a tennis racket's handle.

By thinking outside the box, there's actually a way to explain this issue. It's very simple once you realise it. The culprit wrapped the bars vertically!

By that, I mean that she starts applying the tape from the top of the bar and then drags it straight down. Once it reaches the bottom, she just needs to cut the tape and then the extra width of the tape will go around the carousel bar. That way, Eden can save a lot of tape and would have plenty with that roll of tape.

The bars seem fairly large though. I doubt it would be enough to cover the bar with only one length of tape.

Hard to say. But if that's truly a problem, you can easily fix it by using a second length of tape on that same bar. So each bar would have 2 lengths of tape.

And if that somehow makes you think that there wouldn't be enough tape by doing it that way, then there's nothing else I can do to please you. I refuse to elaborate further on that. I will explain why in the finale. Moving on...

Truth bullet used : Water jugs

Truth bullet used : Long rope under carousel

It's not time to attach that rope to the appropriate items. On one end, she would tie both water jugs together in such a way that it would be hanging from the handles. At the other end of that rope, Eden makes a noose around one of the bars of the carousel.

She then tests out the pulley system to see if it actually works. If the pulley system doesn't properly work from simply tying up the rope to one of the bars, then there's an alternative. As @1moreff-creator suggested in the past, you just weave the rope through some of the handlebars and that should do the trick.

Truth bullet created : Pulley system

And with that, the preparations for the second murder mechanism would be complete at the moment. There are a few remaining steps, but she can't do it without the body, so she'll have to wait next morning.

Act 18

While Eden is waiting for the door of the relaxation room to unlock at 8:00 AM, there were a few things that she could do. Those are not necessarily things that she did, but could've happened to make sure the plan was perfect.

Truth bullet used : Wigs

Truth bullet used : Make-up kit

Truth bullet used : Arei's spare uniform

Truth bullet used : Needle with black string attached

Of course, she didn't put on the disguise at night even though that would technicly save time. The reason why is because if Eden proceeded to disguise herself into Arei at night, waited for the doors to unlock next morning, murder her, then hide back the body, it would take so much physical efforts out of her that she would be sweating. This would ruin the disguise.

So instead, she tested out the products to make sure that they worked perfectly. For the wig, the culprit could try to readjust the hair so that it would look a lot more like Arei's hairstyle.

Then, for the make-up kit, she would find the right materials to change her skin tone so that it would match Arei's. She probably puts it on her hand or wrist and tries out various combinations until she finds the perfect color. Once she's done with that, she can simply wash it away for the time being. Oh, also, she would take the time to find proper contacts to match Arei's eye colors as well.

Next up would be the uniform. She tried it on to make sure it would fit perfectly. Eden probably knows that she's a bit smaller than Arei, so there could be some differences. She cannot recreate Arei's height, that would be impossible. It's not like Arei is wearing high heels anyways.

If the disguise is not quite perfect, she could probably try to readjust it somehow with a needle and a few basic sewing skills. I'm no expert in this, and it's unsure if Eden truly did that anyways. What matters is that there was the option available before her if needed.

Now that she's fully prepared for the murder scheme, it was time for the culprit to wait in front of the relaxation room until the door unlocks.

Act 19

It is now 8:00 AM of DAY 3, it's time to retrieve the body!

As the door of the relax room unlocks, Eden would proceed to grab Arei's body and drag it to the playground. The turf would probably be dry by now. Otherwise, why would MonoTV allow others to enter that room this early and potentially make a mess if the ground happened to still be wet and gross?

There's no way Arei would still be unconscious for such a long time. Ace woke up in fewer hours than the time it took for the culprit to wait for the doors of the relax room to open.

Ace woke up earlier because of the neck wounds, most likely. We don't really know how effective or potent this turpentine actually is. But based on my deductions, it would make a lot more sense to believe that Arei was unconscious this whole time.

Otherwise, she would have starch all over her if she woke up at night and wandered around that room. For all we know, maybe she was about to come back to consciousness very soon that morning. Maybe the culprit brought the turpentine with her just in case to make sure she remains unconscious. With that said, I refuse to elaborate further on that. I'll explain why in the finale.

Anyways, now that the culprit brought the body back to the playground, she now had access to the missing piece to complete the perfect disguise.

Truth bullet used : Arei's missing glove

It appears to be unique. So Eden took it off Arei's hand and stored it somewhere safe... like her pouch that's around her belt. That would perfectly explain why the victim's glove was missing during the investigation in Episode 8.

Act 20

The final preparations are complete, it's now time for murder! Eden needed to place the body at the right position along with a few remaining props.

Truth bullet used : Roll of grippy tape

Truth bullet used : Rope attached to Arei's neck

Truth bullet used : Red marks on Arei's wrists

Truth bullet used : Scrunched up tape

Truth bullet used : Scuffed ground

Considering the red marks on Arei's wrists when she was found dead alongside the scrunched up tape found in the trash, the obvious logical conclusion we can get out of this is that her wrists were tied up with the grippy tape. The real question though is for what purpose did she do that?

According to my theory, the victim would still be unconscious, so there's no point in tying her wrists to make sure she doesn't escape or fight back or whatever. So by thinking outside the box, I've concluded that the culprit did it because it was a necessary step for the murder scheme.

Then you have to consider the scuffed marks that was found on the ground of the playground in a specific location. It couldn't have been from a fight or struggle since Arei should've been unconscious, so something else should've happened. That's when I came up with this brilliant idea.

For reference, the scuffed marks were found a few feet away from the seasaw (Don't mind the drawing). Also, the yellow stickman where we can't see the legs represents the victim : Arei. The green scribbles represent the other piece of rope, the one that's not as long as the one used for the pulley, but still somewhat long. The subtle grey scribbles by the seasaw and the yellow man's hands represents the grippy tape applied to Arei's wrists.

So here's how it's supposed to work. First, Eden brings the body close by the seasaw and then place Arei's arms between both poles (supports) of the seasaw. Next up, she would bind tightly the victim's wrists together with the grippy tape so that the body wouldn't be able to easily move away from the seasaw through a forceful pulling motion.

Then, she would use the other rope to make a noose around Arei's neck. However, she wouldn't tie the other end of the rope to the spinny thing just yet, she will do that later. For now, she placed that end of the rope as close to the carousel as possible.

I still don't see how that would create scuffed marks to the ground...

That's because I haven't shown you the magic trick yet! Let's continue!

Truth bullet used : Pulley system

Now that the other rope was set up, it was now time to use the pulley system she created last night. First, the culprit spins the carousel in the rotation (let's say clockwise) that would pull the water jugs (that are hanging by the other rope of that rope) upwards. She would pull as much as she possibly can. Then once the water jugs reach the maximum height, it was time for the next step.

Truth bullet used : Rope attached to Arei's neck

The culprit needed her hands to tie the other rope that was close by her with the spinny thing's handlebar. Of course, there's a bit of weight from the water jugs, so she couldn't simply let go of the pulley. Therefore, she must've been holding the carousel with one or both legs. If tying the rope with one of the handlebars wasn't enough, Eden could've also weaved through a few of them like before.

Now, here comes to most exciting part, the "tada!" of the murder trick! She takes out her leg(s) from the spinny thing, she holds it again with her hands and then... she spins it counterclockwise as hard and as fast as possible!

That way, the water jugs would fall down pretty fast, especially if the spinny were to cause resistence of friction (making it fall slowly if it was the culprit only released). So they would fall fast, while the other rope would wind up along the carousel up until that rope reaches the limit.

As the rope reaches the limit... SNAP!

Truth bullet used : Arei's broken neck

Truth bullet used : Empty jugs with broken handles

Truth bullet used : Scuffed ground

So what happened in that moment? Well, Arei's dead. It breaks Arei's neck because of the immediate stop of the rope attached to her neck which was also pulled in by spinny thing in a pretty fast rate. This is the mainly reason why her wrists were bound. Otherwise, her whole body would've been dragged towards the carousel, which wouldn't really guarantee a killing blow.

But since the victim's wrists were stuck around the seasaw, it wouldn't move much... except for her lower body. It created a knee jerk movement reaction of her legs because of that violent pulling motion. Because of that, this would scrape the ground, which would cause the scuffed marks on the ground.

Hold on! Would it actually be enough to explain ALL these scuffed marks on the ground?

Maybe, maybe not. At the very least, the culprit could've simply created more marks on the ground to make it look more like it came from a struggle. That wouldn't be a problem at all since it's very easy to do damage the ground purposefully.

Anyways, that wouldn't be the only thing that would break. There's also the water jugs! As the rope holding Arei's neck would come to an abrupt stop, it would also make an abrupt stop to the longer rope used for the pulley system which is also what was holding the jugs by the handles. The violent motion would make the rope cut through these flimsy plastic handles, which the jugs would then fall to the ground and spill all over the playground.

The water spill is no issue at all whatsoever and was already planned by the culprit because she knew beforehand that the wet ground would dry up fairly quickly because of the fans at the ceiling.

And there you go! This... is how the actual murder happened... in my opinion. That would explain a lot of clues found perfectly, wouldn't it?

Anyways, Eden's nowhere done yet. That would only her first goal achieved : create a murder mechanism at a different location so that the mechanism would do the dirty deed for her.

Next up, it was time to create a perfect alibi so that no one would suspect her. There was still a lot of work to do.

Act 21

She had a disguise trick to do, but before doing that, she needed to get rid of a couple pieces of evidence. The main issue however is that because she had no choice but to murder Arei past 8:00 AM, someone could wake up very soon if they haven't done so already. But Eden couldn't leave all that evidence behind, especially the body. So whatever she needed to get rid of or hide, it needed to be done really fast. So anything that wasn't too essential in hiding could help her save time. So here's what she did...

Truth bullet used : Scrunched up tape

Truth bullet used : Red marks on Arei's wrists

Truth bullet used : Long rope under carousel

Truth bullet used : Eden's letter

Truth bullet used : Torn-up note

Truth bullet used : Empty jugs with broken handles

Truth bullet used : Needle with black string attached

Eden took off the tape that kept the victim's wrists bound. Even though it leaves red marks which would make it fairly easy to deduce for the others to figure out that she was bound, she had no choice but to remove that tap if she wanted to move that body and hide it.

She untied both ropes that had a noose on the spinny thing. She then pulled the longer rope used for the pulley system and then put all that rope under the carousel. She left the tape stuck on the handlebars, it would take too long and there was not enough time.

Next up, Eden's letter. It's hard to say if the culprit truly made that letter as a mean to lure Arei into the playground earlier in the evening of DAY 2 and then knock her unconscious or if she simply made up that whole message at nighttime instead for the whole purpose of fabricating a perfect alibi.

Whichever it is, the culprit needed to tear up that note and throw it in the trash can. She didn't want to downright get rid of it. She wanted the others to find out about it sometime during the investigation. It was a necessary step of her plan to both make her alibi look more credible and also make herself look the least suspicious.

She also threw away the tape that was bound to Arei's wrists previously (which would now be scrunched up), the empty jugs and that needle to the trash. She no longer needed them and it wouldn't make it as easy to figure out the crime if the jugs were separated from the playground. Of course, she couldn't bring those jugs with her and get rid of them completly in case that she ends up running into someone back on the first floor.

Truth bullet used : Rope attached to Arei's neck

Truth bullet used : Ball of clothes

Later on, Eden would drag the body away from the playground to then hide it in the relaxation room. She knew a decent spot to hide the body. She didn't undo the rope attached to the victim's neck since it was unnecessary.

People would know that her cause of death has to be related to the rope. It was also a waste of time, so not doing anything about it would save time which is exactly what the culprit needs. Also, she probably put the blanket of old clothes above the dead body to hide it better.

Ridiculous! Where would Eden even hide the body?

Truth bullet used : Box of incense

If I had to guess... probably somewhere behind those blue curtains. Preferably close by the box of incense. This spot appears to be further away from where most of the people would be relaxing. Most people would relax where there's the yoga mats and pillows. So that spot by the box of incense wouldn't be as obvious. Besides, there was another reason behind it.

Considering that the culprit is hiding it to fabricate their alibi, it would mean that the corpse would be here for a full day possibly. Wouldn't it mean that the body would decompose and create a noticeable smell?

It's honestly hard to say. I have sources that tells me that it doesn't go through that stage of body decomposition after 24 hours, it's usually more than that. But it also depends on various conditions. We don't know eitheir if the creator took that into account at all. But whether or not it was intended, I have an idea that would suggest that Eden planned ahead and used something in the relaxation room to make her alibi even stronger.

That's just utter nonsense! There's no such thing!

That's where you're wrong!

Truth bullet used : Incense sticks

The culprit used the incense sticks to create a natural timer mechanism!

WHAT DO YOU MEAN?!

Do you remember what I've said about these incense sticks before act 6? "Burning a whole stick can take up to an hour, but the lingering smell can last for multiple hours." That wasn't made up. That was something that I found out with a simple google search.

So let's rewind the story back to DAY 1. MonoTV announces that they have access to the 2nd floor. Teruko proceeds to investigate and finds out interesting facts about each room. It's very possible that Eden was also investigating at a different time period that day.

That would explain how she was able to come up with such complex and ingenius murder schemes according to my theory.

Culprit complimentations aside, she learned things about the relaxation room and probably noticed the smell of the incense sticks. Because we had a timeskip due to Teruko isolating herself to her dorm most of DAY 1, it's possible that Eden came back to the relaxation room later in the evening and noticed that the smell of the incense sticks disappeared. She would then have a rough idea of how long this incense smell lasts.

Now fast forward to the night of DAY 2, after the attempted murder on Ace failed. When she was plotting a new murder plan and figured out her only remaining option was killing Arei, she would remember the time of the lingering smell of said incense sticks. She would use that seemingly minor detail to her advantage.

Why does it matter having a timer?! That doesn't make sense!

It all has to do with her second goal : creating the perfect alibi. She didn't just want to hide the body for an unknown period of time, she wanted someone to find the body at some point while she's busy building her alibi with someone else.

So by using the incense sticks as a timer mechanism, she would just need to wait for someone to spend time in the relaxation room sometime in the evening. That person would eitheir notice a weird smell (of the corpse decomposing) or a lack of incense sticks smell and they would approach the box of incense to eitheir burn new sticks or to follow the source of the weird smell.

And that's how it works!

Act 22

Now that Eden cleaned up most of the important clues, she then went back to the first floor, back to Arei's dorm.

Truth bullet used : Eden's sneakiness

As long as she's sneaky enough and waits for the right time, I'm sure she would be able to enter Arei's dorm without being noticed. And then she would spend a couple hours putting on the make up and the disguise. Well actually... maybe she took a shower first.

You don't have a single shred of proof that any of this happened! Your theory just doesn't work!

If that was the case, then why does my theory line up perfectly with most of the clues found. But more importantly, why does it line up perfectly with what happened to Teruko in the morning of DAY 3?

Teruko overslept at the most convenient time for someone like Eden to commit murder around the morning of DAY 3 while also setting up her disguise.

This also lines up perfectly with what's happening afterwards. Teruko wakes, decides to go to the cafeteria during lunchtime. She finds a group of people there. Ace is having an argument with Nico because he's pretty sure that Nico tried to kill him, which is understandable. The others have their eyes on that heated argument and then...

Truth bullet used : Wigs

Truth bullet used : Make-up kit

Truth bullet used : Arei's spare uniform

Truth bullet used : Arei's missing glove

That's all you get from Arei and you don't see her anytime afterwards up until the BDA. Not only that, but she doesn't say a single thing, she's staying quiet. There's no way you can't find that suspicious in any way. Having Eden pull off a disguise trick would explain it perfectly!

Truth bullet created : Eden's disguise trick

This can't work! Teruko was staring at Arei, she would've noticed something strange about her!

Nope, she wouldn't. It's heavily implied that Teruko has prosopagnosia. This defines as having the inability of recognizing faces. She can only recognize people with their hair, eye color, skin tone. At least, that's what it seems to be when she's having a chat with Veronika in the movie screening room in Episode 7, in the evening of DAY 3. Therefore, she couldn't have recognised that something's off about her.

Anyone else who was in the cafeteria would've noticed something strange about her!

Aside from the fact that she's being quiet, not really. Why? It's simple.

Truth bullet used : Ace acting tough

Truth bullet used : Hu being protective of Nico

The constant bullying and arguing that Ace is doing towards Nico is causing a big distraction within the cafeteria. Hu was also busy defending Nico, which also plays a part in the distraction. Also, Ace is doing this because he's trying to show how much of a badass he is, despite being nearly killed. He's not holding back.

Well, Rose would've noticed! She saw her at lunch and she has a photographic memory!

Maybe, maybe not. Granted, she did see her, but we don't know for sure if she truly saw something off. After all, she tends to be absent-minded. It is possible that in future episodes, she will remember something that was a little different about Arei thanks to her photographic memory. We shouldn't fully deny the disguise trick just because of a potential witness.

Even then, it would be ridiculously risky! What if someone wanted to talk to her? The wig's light blue, not blue like Arei's hair! Is Eden even good at using make-up? I don't think she'd be able to replicate a good skin tone. And there's also that bowling pin, it's an accessory, shouldn't it be unique like the glove? What about-

Enough! ...I refuse to elaborate further on that matter. You'll understand why later in the finale. What matters for now is that I found a way to explain how the disguise trick could work and fit in with most of the clues.

Act 23

Now that the disguise trick is completed, what happens next? Well, now that the hardest part of the plan is done, she no longer needs to stick around as Arei, so she probably goes back to her actual dorm when no one's around.

Next up to the plan would be to create her alibi, but she only needs to do that from evening to night. So for the time being, Eden can take a good, hot shower and take a good nap. She did a good job, she deserved it! Let's go Eden! (We're proud of you!)

While it's not evening yet, let's take a look at two other characters who had some pretty big events happening to them yesterday. Let's start with Ace! He... had a very terrifying and traumatic experience last night, that's for sure.

Truth bullet used : Ace's phobias

I mean... He's afraid of a lot of things. Death is especially one of them. So there's no doubt in my mind that this scared the crap out of him. I'd like to believe that when he was arguing with Levi, Teruko and Eden last night sometime after the murder attempt, when he went back to his dorm, he probably shattered.

He was probably shaking at the thought that he honestly seriously died. Not only that, but it was Nico, of all people, who tried to kll him (according to him, of course). Nico, the person that he bullied constantly because they were inferior to him was able to pull that off? He has a weak mental fortitude, so for him to not break down at all anytime we see him after the attempted murder just seems suspicious to me.

Truth bullet used : Ace acting tough

Of course, he's trying to act tough, he doesn't want to show it. Or maybe he wants to be in control of his emotions or whatever. Which, it kinda makes sense, but... there's only so much you can manage mentally. As much as he tries to put on a tough guy act, eventually, the phobias will get to you, the old habits will come back.

Of course, you can improve those kind of issues to the point where it barely becomes a major issue anymore, but these kind of things take time. But of course, that's just my perception and assumption of things. What matters is that there's the possibility that this near death experience affected him a lot more than it seems which will be important later.

As for the other person... let's talk about David for a bit.

Truth bullet used : David's plan

He didn't have an experience as traumatic as Ace, but something happened that messed up with his manipulative plan : Arei knows about his secret and his plan. Well, she doesn't quite know precisely about David's intents regarding the plan of sharing secrets, but she knew something was off and wanted to make sure that there was no ill intent behind it.

Regardless, learning that someone else found out about his secret and their suspicious plan gives a pretty bad taste in his mouth. Not only that, but if his murder instigating plan succeeds, if the victim was someone else than Arei, she could've called him out on it, which would ruin his whole plan.

David is probably constantly thinking about that. He's realising that he's in a very bad spot right now. If no murder happens in the next days, then his secret would be exposed still. So no matter which will it'll go, he's always gonna have his secret exposed. David is literally screwed. That's why he's not in a good mood as shown in the evening of DAY 3.

So what does he do for the afternoon? Nothing much, really. He's probably pondering about a lot of negative things, thinking how miserable he is or something. In any case, he needs some time to be alone.

Act 24

We are now approaching the evening of DAY 3, what happens next?

Let's start with the obvious. Eden wakes up from her nice nap and proceeds to meet up with Hu to spend time with her for the evening. This is pretty much confirmed ever since Chapter 2 Episode 10 when Hu explained her alibi with Eden. According to my theory, that would be part of the culprit's plan to fabricate the perfect alibi.

Next up is Ace. Under normal circumstances, he would've spent the evening working out in the fitness room. However, because of that horrifying near death experience, he didn't want to bother with that at all and he doesn't trust anyone else. So he figured that the best thing to do was isolating himself in his dorm for the night.

But his eating disorder would've compel him to work out in the gym anyways!

Maybe, maybe not. There's no way to tell if the creator really intended for that to happen. So eitheir option would be possible, but the one that would make the most sense is if he stayed in his room. It would match up perfectly with my theory alongside a few other events I haven't explained yet. As long as my method is possible and makes sense, it should do.

And finally, we have David. His plan became a mess, he's in a bad mood. He doesn't know what to do. In any case, he somehow decides to go to the kitchen in the evening.

Why's that? Unsure, there must've been some reason, or maybe there wasn't. Maybe he just wanted to wander in the kitchen. Or maybe he thought he was gonna be able to spend time alone in kitchen, but he didn't think there would be people here at that time. Who knows?

What matters is the following...

Whit suggests to David to chill in the relaxation room, which is exactly what he does. This would conveniently line up well with Eden's plan.

Act 25

At this point during the evening of DAY 3, sometime before 10:00 AM, we only need to focus on David. So upon entering the relaxation room to... you know... relax, David notices at some point something that's off with that room.

Truth bullet used : Incense sticks

There's no longer a lingering smell of a burning incense stick (or maybe it was the weird smell from the corpse).

Truth bullet used : Box of incense

So he approaches the box of incense and then he notices something different about the blue curtains. There's something there! So David removes anything that was in the way and that's when he discovers the dead body of Arei.

David is the first person to discover the victim's corpse.

I object to that! Nico was feeding the fishes earlier that evening. Shouldn't they have noticed something odd about the smell?

Not if the lingering smell of the incense sticks was still there at the time. They wouldn't have noticed if the smell is the same as usual.

The lingering smell of the incense stopped sometime between Nico's visit and David's visit to the relax room. That was a pretty convenient timing, but it makes sense.

Now, we gotta wonder how David reacted to it. He was obviously surprised and shocked. It's hard to say if he felt happy, angry or sad about for one particular reason.

Truth bullet used : David's plan

Earlier, his plan was ruined because Arei knew about most of it. The only way he could make sure that he gets away with his secret hidden would be to have Arei dead. This... is exactly what happened. Arei's been murdered. His secret is now safe again.

Maybe he had a mix of many emotions. His plan was no longer ruined after all. There was a problem however : if he leaves things as is and the group later finds the body, David would become a prime suspect and they would force their way to find out about David's secret.

Not only that, but if they seriously suspect that he's the killer, then he, alongside the others, would lose the class trial and die. David's in big trouble.

Uh... why would David care about the trial? In chapter 1, after the execution, he commented that everyone's gonna die.

Truth bullet used : David's plan

Oh, he does care about death for sure. His whole plan was creating conflicts with others through sharing secrets in the attempt of instigating a murder.

If he didn't care about death or the trial, why wouldn't he simply kill someone instead. There's only one possible explanation : he doesn't want to die. He wanted someone else to do the dirty deed so that he would both have his secret and safe and live to see another day. He tried to kill two birds with one stone.

So anyways, David finds the body, he's shocked and confused. He needs some time to take in what happened. Actually, what happened to the body? He surely doesn't know aside that she's been murdered, of course. Was it a dream? No, it's very real, Arei's dead.

So what did he do afterwards? Well, he probably started doing his own investigation, to try to process how this happened.

Truth bullet used : Rope attached to Arei's neck

Truth bullet used : Arei's broken neck

Truth bullet used : Red marks on Arei's wrists

Truth bullet used : Arei's missing glove

Truth bullet used : Ball of clothes

As far as he's aware, Arei's neck is broken, which must have something to do with the rope, but it doesn't seem like the relaxation room would be the right place to pull that off. Otherwise, it wouldn't be hidden here. Maybe he notices the red marks as well, but doesn't quite know what to make of it. Same thing for the missing glove. It's really hard to say if he actually paid attention to it.

And there's the blanket of Hu and Teruko's old clothes that are used to hide and cover the body. Aside from hiding the body, is there even any other uses for it? He doesn't know the answer to it. Eitheir way, he at least knows that this murder couldn't have happened here, so it was time to look at the other rooms.

He didn't have to look too hard to find out where the crime actually took place. He simply needed to go to the nearest room : the playground.

Truth bullet used : Scuffed ground

Truth bullet used : Carousel wrapped with tape

Truth bullet used : Long rope under carousel

The scuffed ground is the first thing David would probably notice. He's probably wondering if there was a struggle happening here. If so, then whoever killed her must be someone pretty strong. Or maybe it's a trick? After all, he remembers that in the first trial, they've been easily fooled into thinking that Teruko was the murderer. So he can't jump to conclusions just yet.

Next up, he finds something strange with the spinny thing. There's some under there and the handlebars are wrapped up with some kind of tape. What does that even mean? He has frankly no idea.

Also, one thing that I need to point out regarding what David might've done investigation wise... Aside from it being a big assumption, it's possible that he didn't do much of that. At the very least, he was probably trying to figure out where the crime actually took place.

Whether he actually put some kind of efforts into investigating or not, there was still another problem that he needed to deal with quickly...

Act 26

Truth bullet used : Relax room's nighttime features

The relax room is about to close soon. This is bad for David because if he doesn't move the dead body, it will remain locked inside that room for the whole night and early morning. Then someone would definitly discover her corpse next morning, which would get him in big trouble since it would lead to having his secret exposed.

There was no time to waste. He needed to get that corpse out of here and that's what he exactly did. David dragged the corpse back to the playground. Now, he needed to figure out what he could do to indirectly help the group with the investigation.

He must've imagined that her cause of death must be from something like hanging. So he decided to hang her at the swingset. He couldn't quite exactly figure out how it was done, but that's all he could think of. As long as they don't think that it was hidden in the relaxation room to begin with, then he wouldn't be suspected.

But then he realised another problem : How will the others know when she died? If things are left out as is, they might think she was eitheir murdered at night or very early in the morning? There's a lot of possible time of deaths which would stray the group further away from the truth. In David's mind, he's pretty sure she must've been killed sometime in the evening, before he entered that room.

Why would he believe that this was the only possible time of death?

Truth bullet used : Eden's disguise trick

Even though we know, according to my theory, that Eden used a disguise trick to hide Arei's real time of death, the others don't know about it. David saw Arei alive at lunchtime, which means that she was definitly killed sometime after according to his logic. He probably figured it wasn't in the afternoon since it would be much easier for the killer to run into potential witnesses, so the evening was the only option.

Wouldn't David deduce that Nico might be the prime suspect? They were feeding the fishes sometime before David entered that room. Nico saw David use the elevator.

He might've been seen by Nico, but it doesn't mean the opposite applies. It's very likely possible that when David used the elevator, he never saw anyone passing through because Nico had already gone out a while ago. Nico probably noticed David when they were roaming around the first floor.

In any case, he needed to figure what he could do to make the others follow the "right path" into deducing that the crime happened sometime around the evening. David couldn't directly tell them, as ridiculous as it may sound. Remember, he doesn't want his secret to be found out. If he told the group about the actual time of death, they would start questioning him.

They'd be like : "How do you know that she died at that time?" That'd just make him become suspicious no matter what he tries to come up with. Because of that suspicious, they would then press on David which would lead to uncovering his secret.

So what could he possibly do to help them without directly telling them about the "right" time of death? That's when he came up with this crazy idea!

Truth bullet used : Dead fishes

Truth bullet used : Relax room's nighttime features

Truth bullet used : Ball of clothes

He remembered about the fishes in the pond and the nighttime features of the relaxation room. What if he brought those fishes to the playground? It would seem very weird and confusing that there's dead fishes found in the playground, but because of the fact that the relax room closes at 10:00 PM and reopens at 8:00 AM, they would conclude that the fishes were brought to the playground before the relaxation room closes.

Even though the fishes has most likely nothing to do with the whole crime in itself, the others would probably not think too hard about it since it's a seemingly very convoluted crime scene to begin with. He figured that a little "red herring" wouldn't hurt as long as it helps them in knowing the time of death.

That way, he wouldn't need to open up about what he found out, the dead fishes would tell the story for him. Of course, he couldn't simply grab them with his hands. Maybe one by one, but that would be incredibly inefficient.

That's why he used the blanket of old clothes instead. He used that to scoop as many fishes as possible and then brought them to the playground. It's confirmed, everyone! David is a mass murderer! He killed all those fishes that we saw in the playground! (Oh nooo!)

Anyways, once that was taken care of, there was one more thing that he needed to do : get rid of these darn clothes. He doesn't want to leave them in the relaxation room, that would obviously indicate that something or someone must've been hidden there. He can't bring it back to the first floor eitheir, that would be incredibly risky since he could run into someone.

So the next best thing he can do is hide them and also hide what they were supposed to be to begin with. David rolled up that blanket of clothes into a perfectly shaped ball and hid it in the changing room inside the dress-up room. This would explain why Charles found a ball of clothes in the dress-up room.

Now that all of that was done, he headed back to the first floor and called it a day. Nothing else significant happened that night.

Act 27

It is now DAY 4, 8:00 in the morning. Everyone gathers up to the movie screening room. Everyone except... well... you obviously know who by now. It's been 4 days already, so it was time for MonoTV to reveal the secrets, but before that happens... David goes : "Wait! Stop!"

So everyone starts counting and they notice that there's indeed someone missing. So David leads them by saying : "Arei isn't here."

So people start to panic and proceed to look for Arei. Teruko picks up Whit and Eden to make a group of 3 people to find her if she's indeed dead. That way, it would definitly trigger the BDA if all three of them are innocent. Otherwise, one of these three would be suspicious.

Of course, Eden expected that to happen, but she was prepared with her whole murder scheme. Someone should've found the dead body first already last night so it shouldn't be an issue.

So Teruko's group investigates the second floor. Teruko looks inside the gym, she's not here. Whit looks inside the dress-up room, she's not here eitheir. Eden looks inside the relaxation room...

Two things of note here...

Eden did not find the dead body in here even though that was the last place she left it. So she knows for sure someone found the body first and moved it somewhere else.

She could've easily lied about claiming that there's no place where she could be hiding. That would make a lot of sense for her to lie if she was indeed the culprit and hid the body there previously.

So everything's going really well for Eden. It's all going according to plan. The last room remaining to explore was the playground. At this point, the culprit knew that it must be hidden there. There's no way someone would drag a dead body back to the first floor.

But then, before they enter, Whit makes this silly comment : "Do you really think that she'd be hanging out in the playground right now?"

It seems absolutely goofy at first since whether the viewers were making the prediction or they already saw how she died, they would find Whit's comment to be pretty unintentionally punny (or perhaps intentionally even).

For Eden however, that was literally the worst case scenario. She took Whit's comment seriously. Or maybe she didn't at first, but then quickly started to doubt that he was joking. At some point, she must've thought : "What if it was Whit that discovered the body first?"

So as Teruko's about to open the door, in a moment of panic, Eden shouts : "Teruko, wait--" And that's when they discover the corpse of Arei hanging by the swing set, which then triggers the BDA later on.

Unfortunatly for Eden, she made a little slip-up there which could be really troublesome if Teruko catches on to this. Fortunately for Eden however, the BDA still happened, so she's still looking innocent there. On top of that, it doesn't seem like eitheir Teruko or Whit noticed her slip-up (...yet).

And that's how this whole murder mystery happened. From DAY 1 to DAY 4. And you know what? I'm not even done yet. I still have a few remaining events to explain after the body discovery announcement. Let's get into it! We're almost there!

Act 28

Everyone gathers at the playground, they find the body and they're all shocked and stuff. It's investigation time! Obviously, I won't talk about the investigation much details since I've already explained all of the evidence that was found there. Instead, I'm gonna talk about a few noteworthy things that happened during the investigation.

Eden's reaction to finding Arei's dead body is kinda suspicious. Naturally, she would act all sad and in grief upon losing dear Arei. The suspicious thing is what happens afterwards.

Not even a minute after finding the body, she quickly recovers and claims that she's ready to investigate. I know this is a class trial and that they need to take it seriously, but wouldn't it be more natural for Eden to need more time to recover from this? Especially when she was supposed to be friends with Arei according to her narrative.

The next thing is the secrets reveal. J was about to ask MonoTV about the secrets reveal since it would probably help in solving the murder. But then David interjects by claiming that MonoTV would only reveal the motive if a murder didn't happen in the allocated time. But since a murder happened, he's not obligated to reveal them.

Then he goes on about if MonoTV were to reveal the secrets based on the deadline (8:00 in the morning on DAY 4), it would mean that she died very recently, which would narrow down the time of death.

Of course, David knew that she didn't die then. He was just practically forcing MonoTV to not reveal the secrets since he knows that Arei died in the evening of DAY 3, according to his deductions. Basically playing with the rules of the motive reveal deadline. He didn't want his secret exposed, after all.

Sadly for him, MonoTV claims that it's based on the time of the body discovery and not the time of death. So if it was found shortly after the deadline, then it's already past the deadline.

This messes up with his plan to keep his secret from being exposed. So he has no choice but to see that list to find out what this is really all about. At the very least, David knows that it won't directly show whose secret it is since MonoTV himself doesn't know who it belonged to (because of the mixed up secrets).

So later on, David goes to the movie screening room to see the list and he sadly sees that his dark secret is actually there. So he's gonna have to do everything he can to make sure it doesn't get exposed. Of course, all of the actions David's done ever since the beginning of Chapter 2 made Teruko grow very suspicious of him. At least a lot more than the Prologue and Chapter 1.

Enough talk about the investigation. Let's talk about the trial!

Act 29

Kinda like the investigation phase, I'm not gonna go too much into details. I'll only reveal parts of the trial that would line up and make sense if it went according to my theory. So there are three characters who play a big role in this trial.

Eden wants to make sure that no suspicions would be thrown at her. She wants to be the most innocent out of everyone in that trial.

Ace wants to keep up the tough guy act, doesn't want to be seen as someone useless in trial and he doesn't want others to find out what really happened during the attempted murder.

David is hoping that the group will figure out the truth of the trial with a narrowed down time of death (dead fishes) while also being able to keep his secret from being exposed.

Let's start with episode 9! Eden doesn't reveal Arturo's secret. She's going to later, but she needs to build up an innocent girl narrative first.

We get a confirm from Nico that they intentionally try to make a serious attempt on Ace's life when Charles asks the question. The important thing to note here is that this could mean a lot of things. Their mind was most likely set on wanting to kill him, but it doesn't mean that they did all the setup required to make that attempt.

But Rose claimed that they lied and stole from her. Nico's response was : "I--! I didn't kill Arei! I swear!". He didn't deny Rose's claim. That's practically a confession!

Not necessarily! Despite the implication, it could also very well be them wanting to deny that claim, but stopped themselves to simply swear that they didn't kill Arei. There could be various reasons for it, but one that could be the most reasonable is if they were having doubts about it. What if they weren't sure if they actually stole from her or not? His mind could've definitly been chaotic ever since they snapped. So they probably were unable to remember it.

But they were able to remember feeding the fishes and seeing David use the elevator during the evening!

Sure, but that was on DAY 3, not DAY 2. Like I said before, there's still a lot that we don't know about Nico during the events the evening/night of DAY 2. And because it's such an unknown variable, it also leads to a massive amount of possibilities.

Besides, remember what I said in Act 12? It could've been a massive red herring by making us easily believe that Nico's the one responsible for everything involved in the attempted murder on Ace. That trial interaction could also be another trick made by the creator to make us further believe that they're indeed respondible for it all.

Anyways, sometime later, Rose believed that Arei's death was an assisted suicide where the victim played a big role into this. Eden goes out of her way to convince everyone that can't be true. There's no way that someone like Arei would commit suicide.

Why would she do that if she was the true culprit? Wouldn't it make sense to let them believe it was suicide to end the trial early?

There's no guarantee that the smarter people out there (especially Teruko) would let it end that soon. She would've figured out by herself that there's no way it could've been a suicide. So Eden went out of her way to deny the suicide claim simply to direct the group into the proper narrative in regards to Arei. It was a necessary step since she wanted to reveal the incident that happened in the infirmary. That would further confirm that this wasn't suicide.

Next up, Teruko manages to narrow down the time of death by bringing up the dead fish. Based on their knowledge that they last saw the victim at 12:00 PM on DAY 3 and the features of the relaxation room. They were able to narrow it down to sometime between 12:00 PM to 10:00 PM.

Not a satisfying time window for what David had in mind when he placed those fishes, but that will do for now. At least, his plan kind of worked. They won't think that it happened during nighttime. Maybe they'll find out a more accurate time later on.

Act 30

On episode 10, before Eden gives the note, she quickly claims that she didn't do it, whoever did it is trying to impersonate her. So we get the reveal of the torn up note which gives us the letter we all know by now.

She would seem a tiny bit suspicious at first, but that was all part of her plan. Most wouldn't think that she'd be the killer if she wanted to help put the note back together. But in fact, she needed to help for both the narrative and making sure that the ripped apart note would be properly put back together.

She needed to play the scene of the revealed note to make sure that it would eventually lead to the reveal of Arturo's secret. When she would feel like that it'd be best for her to tell the truth, she would also explain the incident in the infirmary.

That would explain why she's friends with Arei. That would explain why she was insistent on believing that she wouldn't kill herself. That whole play would make Eden look the least suspicious so far. Everything's going according to her plan.

Fortunately for David, that note helped narrow down the time of death more accurately. Unfortunatly for him however, this is a fake time of death trick pulled by Eden, the real culprit. Until something major happens, no one's going to believe that Arei actually died in the morning of DAY 3, slightly past 8:00 AM.

Moving on... everyone's discussing their alibis now that the suggested time of death is sometime between 7:30 PM and 10:00 PM.

Hu talks about her time spent with Eden in the kitchen during that whole evening. Which further proves her innocence thanks to Eden's carefully crafted alibi plan. A few have alibis, a few don't have one like Nico.

So Ace lashes out at them as usual, nothing new here. Hu gets defensive and asks for his alibi.

Truth bullet used : Ace's actions in the gym

Truth bullet used : Ace acting tough

He thought about it for a little bit, but then he came up with a great idea. He lied about going to the gym that evening. That'd make him look kinda badass going there the day after being nearly killed.

Also, he doesn't want the others to know the truth about what he actually did during the night of DAY 2 as he wants to hide that kind of strength from the others since he doesn't trust them.

That doesn't make sense. Ace is actively trying to act tough according to your theory!

I know, it seems kinda contradictory, but here's the thing. Ace's kind of an idiot. He's trying not to, but you just can't really improve that in an instant as if you drank an intelligence potion or something.

Truth bullet used : Ace's testimony

There's another reason however. He really wants to tell the others about David's secret. About what he saw and heard in the relaxation room. But so far, he only knows that David's been to the second floor that night. He couldn't have known about DAY 3 since according to my theory, he stayed in his dorm.

So if he decided to reveal it at the earliest time of the trial, he would have no choice but to admit that this happened during the night of DAY 2 which would then lead to others asking "wait, isn't that the night where you almost died?"

This would lead to more questions and getting closer to the truth and they'd find about what Ace was hiding from them since then. Ace doesn't want that to happen. So he holds that information for the time being.

But then a golden opportunity arrived! Teruko calls out David that he should've been in the relaxation room during the evening of DAY 3.

At first, David was starting to play dumb, hoping that no one actually saw him so that he could lie about it and pretend that he went somewhere else. That didn't happen however, Nico saw him use the elevator, so David can't lie his way out of this sadly. Luckily for Ace, that was the perfect opportunity to expose David. He was in the same location both nights? Sweet!

So then Teruko asks the two if they saw anything strange going on in the playground. Ace claims he saw nothing. This is technicly the truth, even though he lied about being in the gym during the evening of DAY 3.

David claims that he didn't find anything odd and never looked at the playground. That's obviously a lie. He doesn't want others to suspect him. Otherwise, that would make them start being curious about his secret.

Then he adds that he never saw Ace once, which he finds strange. You could believe that he's just lying to put the suspicion on Ace, but there's a better idea that would make a lot more sense. David is telling the truth about never seeing Ace because Ace never went to the second floor during the evening of DAY 3 to begin with.

Unfortunatly for him, that was the perfect time for Ace to expose David's secret and making his claim of being in the gym on DAY 3 more believable.

Act 31

Almost done! Time to tackle episode 11!

So Ace starts explaining what he saw and heard in the relax room. We get a flashback scene regarding that event and then-

We literally get a flashback scene! There's a few details that would indicate that Ace is telling the whole truth, including the fact that he heard this on DAY 3, not DAY 2!!!

No, that's wrong! You should never take everything from granted once the author starts giving us more than 1 character point of view. Some could easily lie about the events to fit their narrative and fantasy.

I haven't read or played a lot of mystery novels, but there's a certain tactic that's sometimes used by the author, if not often. It's called unreliable narrator. From a google search, it says : "An unreliable narrator can be defined as any narrator who misleads readers, either deliberately or unwittingly."

Ace could've easily been an unreliable narrator. Here are a couple things that he could've lied about.

There's a missing fan on the right side. Could've been an illusion to make us believe it happened on DAY 3.

We see Ace with neck bandages. Could've been an illusion to make us believe it happened on DAY 3.

When Ace was eavesdropping, Arei says : "Nico got super pissy and tried to turn Ace into cat food." Could've been a line of dialogue that Ace made up to make others believe that it happened on DAY 3.

Then Ace claims he didn't catch anything else. Which, once again, would make sense if he's been knocked unconscious right after that. But he doesn't want to admit that since it would reveal the truth on when the meeting actually happened.

As a few others claimed, it's very strange that Ace brings up that important testimony this late into the trial. So it would make sense if he didn't want to expose him just yet because he didn't want the others to know the actual truth in the gym.

In any case, David's plan is ruined. He eventually gives up and confesses that the manipulative liar secret is actually his secret. (pretty amazing reveal, by the way!) His career's officially over.

We get a few interesting lines from David that would match up insanely well with my theory.

"Normally, I would continue to insist that Ace is an unreliable witness, and a worthless lying piece of shit as well... But I know how it is with you people. Once you've reached a conclusion, you'll refuse to believe any evidence that contradicts it. So I'm not going to bother."

Unreliable witness and a liar... interesting. Doesn't that match perfectly with my claim that Ace is lying about being at the gym during the evening of DAY 3 as well as my claim that he is an unreliable narrator?

"But I will admit, I did indeed meet with Arei last night in the relaxation room." He's telling the truth. He met with her alright on DAY 3. Doesn't mean she was alive though.

"As for what I actually talked about... Well, I've already forgotten! She's dead now, so who cares?" He's lying... or to be more accurate, he's hiding the truth. He doesn't want the others to know that he found her dead body.

Why not? Why wouldn't he tell the whole truth?

For a few reasons. First off, everyone just learned he's a liar. So they might simply think that he's lying about it. Secondly, that would make him incredibly suspicious. He wants to avoid being seen as the main suspect if he can avoid it. Not that it matters anyways since most of them think he's the culprit shortly afterwards.

Also, another reason to explain it is because he's probably still angry about the fact that they exposed his secret. He's been letting all out ever since the reveal anyways. So he probably wants to act like a butthole as a mean to vent off.

But still, he tries to convince them that he's not the culprit (in his own way), but quickly realises that this is pointless since most of them are so stupid and quick to draw to conclusions, just like last trial.

So then he got an idea. He gives up and confesses that he's the murderer. He's gonna lie all the way through up until someone calls him out on it. The interesting thing to note here is that as soon as he made that confession, he looked incredibly nervous. It's almost like... he's afraid of something. Something like being afraid of losing the trial if no one realises that he's lying?

By the way, another interesting thing to add here : As soon as David confessed, Eden starting being "emotional" and "seriously believes" that he actually did it. The real culprit figured that she may as well push the direction of that accusation to end the trial and be the sole winner.

Here's another interesting thing about Eden. I think she made another slip-up and created a contradiction. No one seemed to have noticed though, thankfully. She made those comments about David that she couldn't believe that he would mentally push Arei into commiting suicide.

That's strange... because I'm pretty sure that at the beginning of the trial, she was very insistent on claiming that Arei would never commit suicide.

Anyways... Teruko asks David about how he killed Arei into more details, but will later realise that his story doesn't make sense and that he's just lying. Then Teruko and David argues about it back and forth up until Charles stops the argument.

He realised something major and says : "Teruko, we really fucked up." Most of us fans seem to believe that this refers to the time of death being wrong (7:30 PM ish on DAY 3). My theory that the actual time of death was slightly after 8:00 AM on DAY 3 would match that up perfectly.

Time For The Finale

Phew! That was quite the long closing argument! With everything I've written here, hopefully that should explain the whole truth behind that murder mystery and explain most of the clues out there. So... what do you guys think about this theory?

.......NO!! It just doesn't work! It's incredibly CONVOLUTED! Way too convoluted for such a murder mystery! It's also very RISKY! Eden is doing a lot of risks to make her murder scheme work. A single mistake could've ruined it all. There's no way that plan works! It's impossible. Also, there's still a lot of things that wouldn't work. Like the disguise trick, there's just no way! She doesn't look anything like Arei! She doesn't have her physique. You've overthinking this! There are certain things about your theory that wouldn't be able to explain how things actually work in real life, like the blood wipe. It's just not realistic! Your theory doesn't work!

...It's pointless... all of this is just pointless...

...huh?!

You heard me. This is all pointless. All these counterarguments, even those that I refused to elaborate and would talk about it here instead... they're all actually meaningless in DanganRonpa Despair Time.

When it gets to finding errors in a theory by relying on reality or very niche or minute details. Or things like risk factor or things like no one would be able to pull off x trick, unless it's an actual contradiction of the actual facts of the fangan, then all of these arguments are actually pointless!

How dare you?! You can't just simply ignore these arguments because they hurt your theory!

As a matter of fact, I actually can ignore those. After all... most of these arguments fail to follow a certain rule in this murder mystery.

What are you even talking about?!

Alright... let me tell you! THIS IS FICTION, NOT REALITY!!!

!!!

Let me explain. For quite some time, we've been trying to prove/disprove certain theories by claiming that a certain event would be impossible because that's not how it works in real life.

One of the examples in regards to debunking my theory would be that the disguise trick would be impossible because it would've been incredibly risky and the plan could've easily failed if someone decided to speak with her or looked at her closely. Another example would be when Eden knocked out Ace without being noticed by Arei or David, seems incredibly unlikely and really risky.

From a reality perspective, it would be indeed ridiculous of a plan and nearly impossible to pull it off. But that's exactly the problem! Danganronpa Despair Time is a work of fiction, not reality! Anything that seems completly ridiculous or painfully impossible can become a miracle in the world of fiction!

You don't even have any proof that the DRDT creator is using that rule!

I do, actually. Think back on Chapter 1. I don't know if this chapter had weekly releases like Chapter 2 but regardless, let's give ourselves a scenario in regards to what would happen if the latest trial episodes of chapter 1 were not revealed, then the creator takes a break, so the fans have time to investigate and come up with theories to solve the murder mystery. I personally believe that this is made so that you could solve the murder mystery without watching the climax of the trial.

Anyways, let's say there's someone out there who comes up with a theory that's practically the solution of chapter 1. Then, we get to the actual murder method which is from the light switch that's been stripped. So Xander got electrocuted by trying to turn on the lights when he was soaking wet.

Most people who would see this without knowing what the actual solution is would simply believe that this is just impossible. This seems extremely likely. Like even if it was really dark and Xander wanted to turn the lights back on, he should've heard the sound of something being removed. Otherwise, he should've still been able to see light since the door would've been opened anyways.

Or what if the theorist came up with the idea that the culprit lure Xander into the light switch by taunting him or something? What exactly would be the odds that Xander would charge straight towards the light switch?

Yet, Xander truly died from the light switch because he wanted to turn on the lights. Seems really crazy and unbelievable, but when we think about it, the creator made it possible because this is fiction.

So there you have it! I'm sure none of you see it that way (and it's fine!), but to me, this is the perfect solution to the murder case of Chapter 2. I'm running out of lines to write, so there are two things I wanna say before I go.

Feel free to try to debunk my theory or come up with alternatives to this theory or anything else that's related to it. I don't mind. I'm most likely not gonna reply to it however since I have other projects unrelated to tumblr to work on.

I'd like to thank @1moreff-creator, @venus-is-thinking, @accirax and most likely a couple others for trying to find faults in my theories or points that I've made. Even though it may not seem like it, there were some points that helped me get closer to an answer that I would be satisfied with. Also huge thanks for anyone else who's been supporting my theory.

While I'm at it, feel free to disregard some points I've made to debunk certain theories that rely on stuff like reality. As long as you believe that it could work within the world of fiction, then that's good enough! Sorry for the long post! Thank you for everything! Take care!

[jackdaw-kraai]

Hi Jackdaw! How are you doing? I noticed you haven't posted anything on ao3 for quite some time, but there's lots of references to Biggs on tumbrl, did you start posting your works somewhere else? I hope you are doing good

Hdjsgs I haven’t posted in a while, that much is true, but I can assure you that Ao3 is my one and only. The reason I’ve posted so much about Biggs is because he’s the upcoming character in the installment I’m working on. One of them, at least. We’re taking a bit of a detour before returning to the main story because I need to set up some plot of some… extremely complicated and wild shit that happened before the first Guides installment.

It involves heresy, magic, spacetime manipulation, history so old it faded even from myth, an amulet, a monster I genuinely hate writing because it creeps me the fuck out, and so, so much more. It’ll… probably be up in the next few months. At least one of the stories I’m currently working on. There’s a lot of background work that goes into making the Guides, not the least of which is copious amounts of research, worldbuilding, conlanging, and brainstorming, never mind having to actually write down and edit everything. It just takes time to create this stuff, I’m afraid.

If you wanna know more though, I’m basically active daily in the specific Guides discord server where I brainstorm all of this, get tricked by my own characters, and get yelled at by my friends for the hell I put said characters through. It’s great fun, I talk to basically anyone whose brave enough to talk to me, link’s in the pinned post.