#[ just making up my own lore ]

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[starry-bi-sky]

a half-ghost--? no- no wait, that's a changeling. that's even worse.

so i'd like to preface this by saying this stems from me going entirely off the rails thinking about tales of the passerine-- which is frankly quite on brand for me to think of one au, and then develop it so far left ways that it makes another au entirely.

bUT. Context! Danny's ancestors sometime before they immigrated to America had a fae marry into the family. This had its Side Effects. Naturally. The Fentonnightengale responsible for this charmed a fae thanks to their swagless nature and awkward demeanor, so instead of getting eaten the fae thought it was cute instead. The fae marrying into the family had an affinity for music, but that kinda repressed itself by accident -- blame the salem witch trials.

By the time Danny is born, the fae blood has become so latent that it really doesn't show up anymore other than the Fentons Eccentricity and obsession with the supernatural (a latent desire to return home to the fae realm - aka infinite realms). There's an unnatural charm surrounding the fenton that really only creeps almost every human within a visual radius, and Danny is no exception.

hoWEVEr. the accident that turned danny into a halfa in one timeline did no such thing in this one -- it just reactivated his latent fae blood, and reactivated it with a fervor. Effectively turning Danny from a human into a changeling.

Danny just thinks at first that he's a half-ghost -- only to realize later on from Clockwork that he's not one at all. He's very much fae -- which is a wild discovery for Danny to make. It also means his rogues are quite a bit more intimidated by him. Fae are above ghosts in the Infinite Realm Creature Hierarchy, no matter how powerful they are. A fae can still Steal the name of a ghost, so Danny's rogues are rather skittish/unsure around Danny until they realize he doesn't know he's a changeling -- after that, many of them vow to try and keep it secret amongst themselves.

Danny's 'ghost' form is rather birdlike, and in human form his appearance warps to match his comfortability. When he's alone with his friends he starts taking on unnatural features. -- his blue-green eyes brighten and his pupils elongate, his teeth sharpen, and his ears grow longer and animal-like. His hair softens to be more feathery, his nails sharpen. In general he takes on more 'bird-ish' features. At school, around his parents, and when he's stressed, tense, or scared, he looks completely human -- an instinctual survival mechanism.

As a ghost, he has large, pretty wings that gradient from black to dark purple-blue, with a shimmer across the feathers that resembles the aurora borealis. His limbs elongate, his legs becoming bird-like and his talons grow on both his feet and nails. His ears vaguely resemble a rabbit's, although they don't flop down like one. All his teeth sharpen. Razor sharp chompers, capable of biting through bone. His eyes take on a greenish-hue, but otherwise remain the same color, albeit his sclera becomes blue-ish and his pupils become diamond-shaped and white. Rings of seafoam blue circle around his iris, creating a reflective sheen. He makes chirping, creaking noises, and when he speaks there's a faint overlap that is very enchanting.

Overall he's rather beautiful in a terrifyingly inhuman way, its hard to take your eyes off him. He has a lot of feathers. He's very drawn to singing and music in general, and gets into music sometime after his accident. He likes flutes/ocarinas/woodwinds the most, followed shortly after by strings, and then piano. He also slowly loses the ability to lie -- which is really annoying and also terrifying until he learns how to reword himself and become a better wordsmith.

SInce this stemmed from an older brother dpdc au, its gonna stay an older brother dpdc au alsfh. i'll just get to the dpxdc part in another post since i wanted to get this off my chest first

[demaparbat-hp]

Almost

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[mutopians]

the way im so pissed about how shitty about the minecraft movie that i want to go back to my old high school minecraft fic out of spite because i could ABSOLUTELY do the players isekaied into minecraft better than they could when i was like. 14-15 years old.

[eye-of-the-hawk]

Orange peel theory but make it moicy

Aka criticizing the methodology yet still reaping the rewards lol

[oneluckydragon]

Thinking about how these two met. Get adopted, idiot.

More human!Echo.

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon (later suri laran, after her marriage). her story is linked to my swtor imperial agent, but most of her life for like. the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[luxaofhesperides]

Ghostlights as college roommates and maybe some identity shenanigans thrown in would be so fun! Maybe dannys doing a little vigilante work on the side as well to up the secret identity mayhem

Danny would like to say his college career is going well. Gotham isn’t where he was expecting to pursue higher education, but the engineering scholarship he got through the Wayne Educational Foundation was just too good to turn down. It even covered the cost of an apartment! Although, the apartment is shared with another student who got a Wayne scholarship. 

Even with that, Danny lucked out and got a great roommate. Duke Thomas is chill, kind, respects Danny’s space and doesn’t throw wild parties or invite random people in at all hours of the day. He even joins Danny twice a week for study sessions!

Really, it would be the perfect college experience except for one thing: the ghosts.

Danny thought they’d stay in Amity Park. They had no reason to stray from the city where the portal was, and his parents are more than enough to keep most ghosts away. It took his friends, Jazz, and even Vlad to convince Danny that he wasn’t abandoning Amity Park and that the city wouldn’t fall while he took a few years to focus on himself. 

He worried right up until he got to GCU and walked the campus for the first time. Then he decided to enjoy the four years he had on the scholarship to get his degree and live his own life like a normal person.

To say he’s pissed about the ghosts is an understatement. 

The one thing he was looking forward to most is not being Phantom. Gotham is home to the Bats and they’re more than capable of handling everything in the city. It means there’s no need for him here and he can focus on school and enjoy going on invisible flights without worrying about being hunted down or having to fight a ghost. 

“Are you fucking kidding me,” he mutters under his breath as he feels the familiar chill race up his throat, A cold mist wafts out of his mouth, curling around his words, and Danny quickly ducks his head and hides it from sight. 

“Did you say something?” Duke asks, looking up from where he leans against the kitchen counter, squinting at a recipe on his phone. 

“Nah,” Danny lies. “Just stressing.” He gestures to the papers he has spread out on the dining table, then stands up. “I’m gonna take a walk. Maybe that’ll get my brain to work correctly tonight.”

“Got your phone on you?”

Danny reflexively drops a hand to his pocket, checking that his phone is where it’s supposed to be. It’s what Duke asks every single time Danny mentions going out, worried about Danny being unprepared for Gotham. It’s nice of him, though Danny does wish he can say that he’s survived a lot worse than a few muggers. 

“Got it.”

“Alright. I’ll try to work on dinner while you’re out.”

Danny nods and offers Duke a small wave before pulling his shoes on at the door. He grabs his keys and heads out, double checking that the door is locked behind him. 

Then he glances around the hallway, checking that the coast is clear, and pulls up the chill of awareness in his chest. Slowly, he breathes out, watching the blue mist waft out and lead towards the stairwell. 

“Wonder who it is this time,” he mutters to himself, going into the cold, concrete stairwell. It always feels a little off in there, as if he’s been removed from the rest of the world when the door closes behind him. His footsteps echo oddly in the space, so Danny chooses to fly instead, keeping his feet off the floor. 

A few flights down is when he sees her: pale and translucent, a faint blue glow around her. She’s a familiar face. Emilia is one of the first of Gotham’s ghosts he’s met, leading to the rather unpleasant realization that ghosts don’t only come from the Infinite Realms. There’s a strange sort of magic in the very foundations of Gotham that makes it the way it is, creating ghosts that are different enough from what he’s used to that it leaves him off balance. 

Gotham keeps her dead. Few get to pass on peacefully, and most have to wait until they grow weak and wither away, a second death, before they can be released from the living realm. The ghosts of Gotham are pale and weak, for the most part, and try to cling to him so grow stronger from his ectoplasm. 

Most want him to help them pass on, or give them a way into the Infinite Realms. Some want him to bring justice to their killers. Others want to kill him and take his ectoplasm for their own so they can continue their reign of terror in Gotham, unable to be stopped even in death. 

Emilia gives him warnings. It’s not always her, but she tends to be the one to draw him out of his apartment, pulling him into a vigilante lifestyle because he can’t bring himself to refuse anyone who asks for his help, and the dead in Gotham have no one else to ask.

“Danny,” she greets. “Nueve is out again. He’s going after the ghosts near Chantilly Street.”

“The sun isn’t even down yet,” Danny grumbles. Nueve, an old gang enforcer who died a few decades ago, cannibalizes other ghosts. It doesn’t destroy the other ghosts, not really, but it makes them feel pain when they shouldn’t be able to feel much at all. Taking their limited reserves of ectoplasm makes him momentarily stronger, and he uses that stolen strength to try to harm the living.

He’s been successful a few times. Danny makes sure to rip him apart as much as possible these days; he won’t be here forever, but he’s hoping that within his four years at GCU, he’ll be able to permanently stop Nueve.

Times like these, he misses having a Fenton Thermos with him. Though he’s not entirely sure it would work on Gotham’s ghosts with how different they are. 

Emilia follows him down the stairwell to the ground floor. Once there, Danny shoves his hand into the floor, taking out the backpack he’s hidden in it. He’s done this change of clothes so often he can do it in just a minute now, hiding his face and pulling on gloves beneath a large hoodie with old ectoplasm stains along the sleeves and hem. A gas mask is pulled on as well, covering the bottom half of his face, a necessary addition to his Ghost Work Outfit™ after he almost got caught in some Fear Gas during Scarecrow’s last attack. 

“Alright,” he says, “Lead the way.”

Emilia takes off through the wall and Danny hurries to follow, going invisible as he hits the streets. 

It’s still early evening, the sun not yet fully set. Plenty of people walk along the sidewalks and cars pass by endlessly, honking at each other as they try to go twenty above the speed limit. Danny does his best to avoid running into everyone, deftly dodging the reaching hands of a few ghosts who spot him as he sprints by. 

They only go a few blocks away from his apartment building, turning into a dead end alley where a group of teens (living, for once) are stuck with their backs to the wall, clinging to each other as they warily watch the man in front of them carelessly twirl a gun around his finger. 

The man makes a strange clicking noise in the back of his throat, and it takes Danny a moment to realize that he’s trying to talk. 

Still invisible, Danny sneaks around to stand in front of the teens, ready to bodily protect them. The man looks alive, and Danny see any ghosts around save for Emilia, standing at the mouth of the alley. There’s something strange about him; his movements seem just a little off, not quite as fluid as they should be. It’s not the movement of someone on drugs. It’s something that screams uncanny valley.

The gun’s handle drops solidly into the man’s palm. He makes another few clicks, then raising the gun to point at the teens.

“Bad idea, pal,” Danny says dropping his invisibility. The teens behind him startle, gasping and trying to press themselves further into the wall. 

The man’s eyes flash weakly and the pieces click into place in Danny’s mind. Nueve must have gotten strong enough to possess someone. That is… alarming, to say the least.

He rips the gun out of the man’s hand and tosses it aside. Then he pushes away the man’s arm when Nueve makes a clumsy attempt to punch him. With his chest left wide open and undefended, Danny takes the chance to shove his hand into the man’s chest, feeling for the familiar chill of a ghost. 

And then he wraps his fingers tight around it and pulls out Nueve, leaving the man to collapse. 

The teens behind him scream and Danny winces. 

Pulling out a faintly glowing human figure from someone’s physical body does not look good. It’s the best way to end a possession, but it does look alarmingly like he’s just ripped someone’s soul out of their body.

Keeping hold of Nueve’s ghost, Danny steps to the side. “You guys should go now. Take care.”

The teens don’t need any more prompting. They take off in a run, tripping over each other in their haste to get away.

Danny spares a glance to the man unconscious on the ground, but there’s nothing he can do with an angry ghost in his hands, so he has no choice but to leave him there as he flies up to a rooftop farther down the street. 

“How many times do we need to do this, Nueve?” he asks tiredly, shaking the ghost.

“These streets should be mine!” Nueve howls, trying to break free of Danny’s grasp. But he’s quickly growing weak, his energy fading, and Danny’s holding back his own ectoplasm as tightly as he can. “They may have killed me, but that doesn’t mean I can’t still take what I’m owed!”

“Dude, you’re dead. There’s nothing here for you. Move on.”

“You don’t get to speak on this, outsider. You think a freak like you has an say over us? You can’t stop us. You don’t even know what’s coming.”

Danny squints at him. “What, are you planning a heist or something? With your gang of dead people too weak to lift a piece of paper?”

“We’re not all dead. We’ve got living folk helping us and we’ll be taking you out first when we hit the streets.”

“Good luck with that,” Danny says flatly, “Begone with you.” 

Without giving Nueve a chance to say another word, he rips Nueve’s head off his body. His ghost wavers, then dissipates like smoke, fading away. 

Another side effect of whatever it is Gotham does to her dead: their ghost forms are remarkably fragile and it takes only a bit of strength to tear them to shreds, giving him some peace before they reform again. It won’t stop Nueve from striking out again, gathering enough strength until he’s able to possess some other unfortunate soul, but Danny’s bought himself some time to figure out what the hell was he talking about?

There are living folk involved with whatever he’s planning. It’s probably another gang, maybe someone with magic who is able to see ghosts? Which is not great. Danny doesn’t know much about magic; even when facing ghosts who used magic or magical artifacts, his go to method of dealing with them is to start throwing hands like there’s no tomorrow.

Well.

It’s a problem for later.

For now, Danny needs to get back to his apartment and work on his calculus homework. Hopefully he can finish it before he gets frustrated enough that he gives up and lies face down on the floor until Duke manhandles him onto the couch, where he’s less of a tripping hazard.

He’s just about to get back to street level when his Fenton Luck strikes again and he hears someone land on the roof, just a few feet behind him.

“Hey there, stranger,” the Signal says. “You know, we run into each other so often it feels rude not to introduce ourselves. Why don’t you go first?”

Danny turns to face the daylight vigilante, standing with his arms crossed as if that would make him look any more approachable. He’s been popping up wherever Danny’s out dealing with ghosts, which is very not great for Danny’s plans to have a peaceful, normal college life. 

Biting his tongue, Danny gives the Signal a quick two fingered salute, then goes intangible and drops down through the building. His invisibility sweeps over him and then he’s running through the streets, hoping it’s enough to keep the Signal from following him to his apartment.

He skids to a stop in the stairwell, dropping his intangibility just in time to crash into the wall. Panting, Danny waits for a tense minute to see if he’s been followed. 

When the door to the stairwell remains closed, he lets out a slow breath, then pulls off all the pieces of his Ghost Work Outfit, shoving it back into his bag. He takes a moment to fix his hair, messy from the hood, then shoves the bag back into the floor, safely hidden from curious eyes. 

Then he very casually walks up the stairs to the fifth floor and walks down the hallway to his apartment. His keys clang together when he opens the door, and Duke usually hears it when it does, but just in case, Danny calls out, “I’m back!”

He’s learned to announce himself after a few late night walks almost ended with him tackled to the floor when Duke thought someone was breaking in.

Duke doesn’t respond as he toes off his shoes. The stillness in the apartment feels off, as if the world is holding its breath. Cautiously, Danny walks in, trying to find his roommate.

He’s not in the kitchen. The living room is empty. Duke’s bedroom door is open and he’s not in there either. 

Something cold lodges itself in his chest. 

“Duke?” he tries again, looking over their apartment again for any sign of struggle, or something terrible happening, or even a mess that Duke needed more supplies to clean up. 

There’s nothing. The apartment is as it’s always been, just with an empty space where Duke should be.

Worried, Danny stands in the middle of the hallway, trying to figure out what he should do next. It’s because he’s standing so still, surrounded by silence, that he hears it: a light thud outside the window. 

Danny turns and he can swear he sees something large moving outside the window, disappearing from sight just as Danny takes a step into Duke’s room to check on it. He rushes to the window and pushes it open, looking down at the street, then side to side, and finally up to the last three floors of the building.

Nothing’s there.

Slowly, Danny pulls his head back inside, closing and locking the window. “Must be my imagination,” he says, trying to convince himself it’s not a big deal. 

He leaves Duke’s room and begins pacing down the hall, anxiety building steadily in him. 

His phones in his hand before he can think his actions through, Duke’s contact pulled up on the screen. He should call. He should make sure Duke is okay, but Danny hesitates. Is this something to be freaked out over? Would Duke thing he’s clingy and nervous and a bothersome roommate? He doesn’t want to risk Duke asking for a new roommate next year when the lease renews.

But he’s worried. It’s Gotham and Danny just dealt with a violent, murderous ghost threatening him. Duke can deal with a stressed out, worried Danny if it means he’s alive.

He hits the call button before he can talk himself out of it. It rings on and on and on until Danny starts to panic about having to find Duke’s ghost to avenge his murder. 

The front door is thrown open so suddenly and so loudly, Danny jumps and his phone clatters to the floor. 

“Danny! Hey!” Duke says with a bright smile, trying to catch his breath. He’s still holding onto the doorknob, slightly hunched over as he pants for breath. “I didn’t expect you back so soon.”

“Are you okay?”

“Yeah! Yeah, I’m totally fine.”

“Where were you?”

Duke straightens up and closes the door, kicking off his shoes. “Oh, just… out. Shopping. For dinner.”

Danny looks over his empty hands doubtfully. “No luck finding what you needed?”

“Nope!”

“What did you need? Maybe I can go to a different store and get it for you.”

“You don’t need to!” Duke says. “I just needed… tomatoes?”

Danny blinks at him. “We have tomatoes. Did you not know we had tomatoes in the fridge?”

“Oh, do we? Good to know.”

There’s something very weird about this conversation, but Danny doesn’t pry. Duke is weird sometimes, but it’s fine because he kindly ignores some of Danny’s oddities that come from being a halfa and a semi-retired hero. 

“Do you… maybe wanna sit down? Catch your breath? I can make dinner tonight if you want.”

Duke waves a hand in the air. “No, no, it’s fine. I got this. Anyways, how was your walk?”

He definitely shouldn’t talk about the cannibal ghost and his threats to take out Danny with his gang. “It was nice. Very quiet. You know, for Gotham.” He punctuates this with an awkward thumbs up and immediately regrets it, but it’s already done so he commits to it.

“Cool! Great. Just wondering, did you see anything weird?”

“Depends on what you’re asking about?”

“Just some guy wearing black with a hood covering his face. He’s been active in this neighborhood and I saw some people talk about him online. Apparently he just appears out of thin air.”

Danny tries not to wince. That’s him, alright. Gotham’s newest neighborhood menace. “I don’t think so, but there’s a lot of people in Gotham that were all black and walk around with their hood up.”

“True,” Duke concedes. “Well, just be careful when you go out, alright?”

“I always am.” He gives Duke the same two fingered salute he gave the Signal. Duke stares at him for a moment, eyes dark and almost dangerous, then he smiles and walks into the kitchen. 

“Wanna make dinner with me? I think we can figure out this recipe together. Unless you need to do your homework.”

“It can wait!” Danny hurries to join Duke, grateful for an excuse to push off calculus a little longer. He understands what he’s doing in the class, there’s just… so much work. He doesn’t even want to think about the tests. The tests make everyone cry.

“Alright, let’s get to it, then!”

“You’re in charge, chef,” Danny says, laughingly, and bumps against Duke’s side. He expects a light shove in return, something Sam and Tucker always did, but Duke goes tense instead, letting out a sharp breath that Danny is all too familiar with. “Wait, why are you hurt? What happened?!”

He goes to lift up Duke’s shirt to inspect his shirt, see the damage for himself, but Duke smoothly moves out of the way, grabbing Danny’s wrists and stopping him in his tracks. “I’m fine, Danny. I just got hit. Lightly. Minor bruising, really.”

Danny looks at him doubtfully, then wrenches a wrist free to lift up his shirt before he can move again.

Minor bruising is not how Danny would describe the blues and purples that decorate Duke’s entire side. He can see the outline of Duke’s ribs through the bruising. “How is this being lightly bruised? What hit you?”

“A car?”

“A car?!”

Duke winces, then pulls his shirt down. “I’m fine, Danny, really. It was just from a car that didn’t want to stop at a red light. I stopped another person from being hit, but the car got me pretty solidly. You know how bad Gotham drivers are.”

“Sit down!” Danny says, pulling Duke out of the kitchen. “I don’t understand how you’re still standing. I’ll get some ice, and I’ll handle dinner. You just stay there and stop pushing yourself for no reason.”

“Playing nurse for me now?”

“If I have to.”

“Would you wear a nurse costume for me, too?” Duke jokes.

Danny looks him dead in the eye and says, “If I have to. Would that make you follow my instructions? A tight little nurse dress?”

Duke sputters, cheeks darkening, and looks away. Danny grins, victorious, and darts back to the kitchen to grab an ice pack from the fridge. 

“Maybe I’ll wear one for you anyways, once you’re all healed up. Only if you’re good, though.”

“Danny, you’re killing me here.”

“Better me than a car.”

Duke laughs and takes the ice pack, pressing it against his side carefully. “Oh, for sure. Thanks, Danny.”

“Hey, what are roommates for?” Danny shares a warm smile with Duke, then pats his shoulder and heads back to the kitchen to start making a simple pasta dinner. 

Life in Gotham is weird and stressful and full of ghosts and heroes who won’t leave him alone. But it’s not all that bad, really. He’s happy with how he’s doing in college, and he’s beyond lucky to have Duke as a roommate. So long as Duke never finds out about his halfa status, then he’s sure they’ll be able to last all four years rooming together.

He just needs to keep a secret. 

Shouldn’t be too hard, right?

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[aergate-fr]

elaborating on my previous Auraboa doodle, with more thoughts about what my Ideal feathered snake dragon would look like

python face, with no eyelids. why are they called auraBOAs if they're modeled after venomous snakes (i am aware pythons aren't boas either don't @ me. but it's closer than what they have now)

body is entirely feathered, save for the belly scales. in the original drawing, they had a head crest of long feathers that was supposed to get shorter down the neck, and blend into the feathery back mane. in this one i shortened it greatly and made it more of a cockatoo crest thing. a longer crest could still be fun though

the wings and tail feathers have a rounded, elliptical shape to them. elliptical wings give great maneuverability, and would be ideal for a jungle-dwelling dragon

the original doodle had paws and coatl feather ear things, but i'm getting rid of both of those. i like the sleeker snake look that Not having them adds to. also someone in the notes opened my eyes to the hand possibilities, and if this redesign DID have limbs, they would have parrot feet

also sidenote about their name: is it just me or is Auraboa kinda. clunky to say? my brain keeps autocorrecting it to Aurabora, which rolls off the tongue so much nicer. maybe even Auraboras, to make the ouroboros reference clearer

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[cryptocism]

I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.

whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.

ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.

but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.

like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.

classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.

but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.

they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention

anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)