#'let's be worst together'

[etrevil]

Somehow Dazai saying, "hey, let's kill them together," to Chuuya at the fight against Rimbaud held as much gayness as when he said, "that what makes me love you!" a few hours after they first met.

[bigfatbreak]

Birds of a Feather previous / next

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[jeeaark]

I couldn't really think of any fun shenanigans for this incident, but! I did think of a sad silly. Or at least Greygold is trying to make their situation seem silly. Neither of them are conflicted at all~

Anyway, everything is ✨fine✨ as long as nobody talks about the hollyphant in the room and they both entirely focus their short reunion together with returning Greygold back home.

Bonus cheesy goodbye:

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[f1shart]

*clawing my way out of a deep dank pit or something* erm hai guys..College gays1!! 💗

ive been playing a little early strangetown and starting thinking up college hcs for these gyals theyre still kids in my game.. whatever. im the planner

★ rambling below ★

ok first, ages since theyre all fucked up in game: Instead of the twins being older than all of glarn's kids, they're only a year older than lazlo which Yeah would mean glarn got mpregnant and disappeared from the house for some months to hide it (idiot), dropped the twins at his lovelorn ex-wife's house, and returned home to his "normal" kids. They'd otherwise be in their mid-late 40s living with these recently graduated young women and like for what 😭 As of 2004 they are 26, erin is 24, and kristen is 23. she skipped a grade so she was a college freshman at the same time as eri ^_^

but anyway this drawing is set in 1998 HERE ARE THEIR MAJORS: Lola in poli-sci, Chloe in philosophy (she never fucking chose), Erin in psychology, and Kristen in public health but in-game it would be biology stop i wanted them all to begin with P beacuse. silly. kristen's mom, being an older and more traditional parent, wanted her to pursue a career in medicine but after her death kristen got the courage to choose the major she wanted, which was <whatever major gives you a boost in athletic LOL i havent checked>

gah i didn't mention but college is where the 4 of them met :3 I'm thinking of placing them in this university because i want it to be pretty far from strangetown hence the Actual Grass, plus kristen isnt actually from there so mission u may be closer to her hometown? maybe? Post-graduation they all get a house together because of their money situation even though chloe is a bitch to kris and erin 😭 (kris doesnt mind though eheh... my idea is that her and chloe had a fling in college but while chloe is a romance sim and does not gaf, kristen is still a bit hung on her) (i dont necessarily ship them tho im a diehard misten/lost waters/whateverthefuck fan OK. kris is a simp for pretty femmes & i cant exactly blame her...)

I LOVE HER!!! toothy ass grin god that face is just meant to be butch i can fix you kristen loste my beloved

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[chalkrub]

werewolf on da prowl

[asthedeathoflight]

Idk why everyone is always so convinced Armand has a master plan behind the scenes. Like at this moment obviously his story doesn't line up and there's certainly a lot of things he's not saying. But i simply dont understand the appeal of a version of this story in which Armand was secretly in control the whole time. I think what makes him interesting is that he's weak. Hes a coward. Obviously him saying 'i could not prevent it' is a bald faced lie. But that doesn't mean the truth is that he CAUSED IT. I just think its way more interesting if he had nothing to do with the trial and he just kind of. Stood there and did nothing. Hes telling himself he could not have prevented it the same way Louis told himself Lestat didn't warn him about Claudia. Its not a calculated lie meant to deceive Daniel and Louis. It's a lie he's been telling himself for decades. The truth isnt complicated or clever its just very banal and therefore even more tragic. The truth is very simply that he could have prevented it, and he didn't.

[stop-breaking-my-heart-dragonage]

Every time I see someone earnestly say that Carver hates Hawke, I have to exercise such restraint to not scream.

Every day I get closer to writing a deep dive about him because that's my guy. He's so interesting. He feels so much. He tries so hard when talking to the other companions and some of the dynamics he has with them are so good. He can be so fucking funny and sweet and awkward. He so badly wants to be wanted and appreciated and to protect everyone he loves.

Carver Hawke, they could never make me hate you.

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[thepunkmuppet]

#i just think they would be friends

↳ buffygunn + parallels

[shaadowmilkcookie]

he

[idiotwithoutagoodname]

Oscar: The only thing I regret was leaving him alive.

Arthur:

[izzystizzys]

can i just say the fox/dooku ship names are outstanding. fooku. doox. they’re so stupid. they are the superior ship just for that. do they have anything in common? no. have they met in canon? also no. is dooku sort of singlehandedly responsible for most of the systemic miseries in fox’ life? yeah. so what. ship name funny

[driftingballoons]

Day 6: Farewell

Imagining it takes Partner a while to feel comfortable letting Hero out of their sight

@heropartnerweek