#((we don't leave him alone))

[fridayyy-13th]

i swear sometimes i think people forget that Jon's s1 skeptic act was just that—an act. it was an act!!! he believes the statements!! he's believed them since episode one! do we so soon forget that he denied the statements were real because he knew the Eye something wanted him to be scared, and he knew that was bad, so he decided to act like the statements just didn't scare him? remember, he was working with extremely limited information ("when i record the tape statements, i feel watched, like something knows i'm afraid, and i don't want it to know that"), and came up with a genuinely solid solution with what he had! not his fault that the thing watching him was a literal unknowable eldritch entity that feeds on fear, and he was just some underqualified archivist.

[bright-eyes-strawberry-lies]

Luke is so secretive about his powers. "Don't like to advertise" - oh a boy who holds his cards close to his chest, fully aware that others knowing his hand will cause trouble for him.

That being said, I wish we got to see Luke's other powers.

He does a couple of things one time with no explanation as to how or why (magicking the flying shoes, cutting a portal with Backbiter, and moving a chair with telekinesis) but a deeper dive into his powers would be nice.

Luke barely even steals and when he does, he's like "yeah there was no one around so I just took what I wanted and walked out." How is that using his power? Or is his power to redirect the attention of others away from himself?

[cerise-on-top]

Easter with König

It's another holiday, which means I'm going to make my favorite fictional Austrian go through the holidays as well. First was Fasching, now it's Easter! If I have to celebrate it, then so does König, except he gets to have a better time doing it!

I wouldn’t be surprised if you’d meet his family during Easter. It’s a tradition of his to go to his parents’ home during that time for a visit and a chat, he only sees them maybe twice a year, so he can appreciate having a small get together with them. He normally gets along well with his parents, but he’s lost most of the contact he had with them ever since he hit his mid 20’s, but he does look forward to seeing them. Naturally, he’d take you along for the ride, regardless of whether you actually know German or not. He can play interpreter for you, it’s not a problem for him. But if you know German already? All the better, that way his parents and you can just talk to each other with no problems. He does hope that you’ll get along with them, they did play an important part in his life when he was younger.

König genuinely hopes that you will like the traditional Osterjause*, though. He’s loved Easter for that reason, and for the freshly baked lambs, but mostly for the best Brettljause*. In fact, he’s probably called his mother two weeks before his visit to let her know what kind of meat and sausages to get for him and you as well so that there shall be plenty to go around. If you’re not from around, then you likely don’t know what a “Gsöchts”* or “Schweinsbratn”* is, but he will assure you that it’s something delicious. König could rave on and on about that one farmer’s “Hauswiaschtl”. In fact, if he can, he’d love to go to the farmer’s market on Friday with you just so he can get you something to eat. Not above grabbing some Bauernbrot* and Krenn* either while he’s at it. Mans needs his Krenn when eating his Osterjause. Although it will have been a while since he’s seen everyone, he will introduce you to all the farmers there since he knows a good chunk of them growing up.

Naturally, he’ll be drinking a few beers here and there as well. He’s Austrian, it’s in his blood. Will have you try everything off the plate, from the Nuss* to the low-fat Karree*. Loves having you with him and will actively try to involve you in any conversation there may be so that you get to talk as well. Again, it might be a bit awkward if you don’t know any German, especially since he’s not the most reliable translator, but you’ll get by somehow. His parents have been curious about you for a while now anyway and have been wanting to meet you.

Although he claims to be far too old for that sort of thing, he wouldn’t mind looking for an “Osterkerberl”* with you. It’s a nice tradition that he used to love as a child and he wants you to experience Austrian Easter with him, so he likely asked his mother to hide one for you somewhere around the yard so you can go find it. She won’t give you any clues as to where it could be found. It’s childish, but it’s a lot of fun. In fact, if König were to ask her to prepare a Kerberl* for you, then chances are she prepared one for him as well, for old time’s sake. And then the both of you, two fully grown adults, will run around the yard, looking for the basket. Once you found it, you had to admit it was rather cute, filled with a few hand painted eggs, some colorful chocolate, a baked lamb and some crafted chicks and bunnies. Clearly, his mother put in a lot of thought into what goes into such a small basket. In fact, even the “grass” was made of edible paper, it seemed.

König would feel somewhat stupid, looking for a basket of all things during Easter, but it did remind him of his childhood, so he wouldn’t outwardly complain. Besides, you walking up to him, all happy with your little basket, does something to him. The sight was just too adorable, so he’d likely ask you, the master sleuth, to assist him in his hunt. Once you’ve both found them, you’d return back to his parents’ apartment and continue just chatting while occasionally eating a bit of the Jause*.

_________________________

Osterjause - Food that’s been prepared for Easter. It usually consists of meat, sausage, cheese, tomatoes and horseradish.

Brettljause - Same as Osterjause except it can be eaten at any point during the year.

Gsöchts - Geselchtes - Salted and smoked meat.

Schweinsbratn - Schweinebraten - Specifically prepared roast pork, eaten cold in this context.

Hauswiaschtl - Hauswürstel - A hard sausage.

Bauernbrot - A special type of bread.

Krenn - Horseradish.

Nuss, Karree - Types of meat

Osterkerberl - Osterkörbchen - Easter basket, a basket filled with easter themed food. Sometimes has a gift in it as well, mostly for children.

Kerberl - Körbchen - A basket

Jause - In this context it refers to the Osterjause.

[sciderman]

And like THAT we learned the cast for MCUs Fantastic Four and by extent.....Johnny Storm *shudders* God save us all from the Mouse and from how fucked the Johnny Storm (and also SpideyTorch) tag is gonna be once the movie comes out.

we are going to get SO MUCH johnny storm porn lads

[mewtwo24]

Something about Hua Cheng's expression here is killing me--I know this is supposed to be a delicate moment of reassurance but the pure hater energy radiating off of him is just immaculate

[kayvsworld]

his new wings look so good. his new suit looks SO good. i'm so mad oh my god

[redwinterroses]

headcanon that Scar is the only one we don't see die after winning a Life series because time is a loop and he moved on alone in the world, which then became the start of his The Crafting Dead series.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[chill-vibes-but-rainbow-panic]

Looking at images of Gladmane for a drawing, but doing so lead me to a Secret Subsection of images I like to call "Concerned Flam in Gladmane's close vicinity"

Bonus:

He be shooketh

[segueintoromanticism]

what is up with all the hate Ishan gets??

Even if you are a hater, which I obviously don't support, apne account pe hate karo na usko. Why are you commenting everywhere and picking up fights with the handful of people who do support him and say anything barely nice about him?

The amount of hatred for some players and blind support for others is hypocrisy at its finest.

Like put all the blame on a young player when none of your players have played consistently this season?? Fucking morons!!! No matter what's the outcome of the match, or whoever plays bad, how bad the team is performing, galti Ishan ki hai???? Amazing!

Has no other player ever been out of form or played badly ever?

Funniest bit? Calling him overhyped. Show me the hype, man!! I would like to see it too. None of the senior players support him, commentators don't appreciate him even when he plays well, gets mocked for taking a fucking break for his MENTAL HEALTH!!!

All he has received is hate and unkindness.

But then again, what can you expect for the Indian crowd...

[shivasdarknight]

one of the things that gets me about fanon lens - especially when you entrench yourself so much in a fan version of a character - is how a character can just slowly be stripped of what they are and who they are because of the self referential nature of fanworks (which isn't inherently bad, don't misunderstand; neglected characters can have new life breathed into them)

which is a long way of getting to: where did people get the idea that estinien's not one to talk, or is bad at effectively talking? I don't mean selectively mute hcs, i mean just very curt. like he's not as flowery as many of the scions or even compared to aymeric, but he's still dramatic and talks a lot. he's precise when he needs to be and extremely blunt, but just because of that doesn't mean he won't ramble

like his whole tangent about where he is today because of the wol right before the Dead Ends in Ultima Thule. his chattiness seems to fluctuate with how comfortable he is with someone, so i'm not really sure where "estinien's bad with words" came from?

he's no politician, but he's good at saying what needs to be said and saying it in a way that matters. yes, there is the whole aymeric thing but avoiding a difficult conversation rooted in guilt isn't the same as being bad at talking. he clearly knows how to get to people - especially to antagonize them into action (see: tiamat, azdaja) - so where did this come from?

[ask-my-memoir]

???: "..."

Anon , @ask-everything-nice

Thank you so much for the asks!))

[maddy-ferguson]

i don't like j0pper either but when people say joyce should've stayed with bob they always lose me because i have a hard time believing she even liked the man

[fr-wiwiw]

Posted my 1st ever GaHan sketch on twitter about 4 months ago. I paint over it recently because I'm bored and miss them

[boxwinebaddie]

HI Uncle Nina <3 Can we hear about how your Rm!Style met as kids?

listen, you guys. i am SO excited for this!!! words cannot express how excited it makes me when i get to talk about the prequel, like they are sooo stikin' cute in the prequel!!! ilysm baby raven and jersey. MWAH!

*eldritchhorror!kenny!nina cracks knuckles n opens up a portal* okay girls, gays n gays, we're going on a field trip,

TO THE PAST!

( i’m chaotic bi ms. frizzle in the pink y2k hello kitty bus )

so, i gotta be honest, my friends, i don't know EXACTLY how old the boys are, but i am gonna say they are anywhere between 6-8 y/o. it's summer time and the broflovski's have just moved to southern park, colorado from sheila's hometown in new jersey...and have moved in right next door...to the marsh family, namely:

ravenstanley r.w. marsh.

who i am using as a primary narrator...FOR ONCE!

because to tell you this was the best day of his life was an goddamn understatement...to tell you that this changed his life, even, is a fkn understatement because this moment, this fateful day GAVE HIS ENTIRE LIFE MEANING. meeting kyle broflovski...was Everything.

again, it wasn't just like 'oh, this boy who moved next door to me is kinda cute, i might have a crush on him'

It Was Dead Serious, Guys.

a teeny tiny, itsy bitsy, ickle ravenstanley marsh heard a single loud, angry, brutal note of the kyle broflovski new jersey slaughterhouse and was immediately irreversibly head over heels IN LOVE with him.

fresh from jersey kyle asked stan if he could open his fresca and the man's synesthesia was flashing, spinning, ringing and dinging like he was playing the world's biggest slot machine and just hit JACKPOT.

and that was before he got a good look at him because...

Wooooowza. <3

all the hundreds of little freckles speckled over his skin like sun-stars, his big, beautiful curly red hair, his gorgeous, glowering mean, green eyes ravenstan was legitimately Breathtaken by kyle's beauty, omfg.

however, the funniest part abt all of this to me is that poor sweet pre!rm rae is legitimately having divine visions and hearing angelic choirs, meanwhile pre!rm jers is just staring blankly at this weird, giant-eyed freaky mouth-breathing rural colorado kid ( who ig is his neighbor now, smh ) that's just staring up at him and sweating and shaking and looks like he's having a Stroke.

edit: i forgot to describe what they looked like so know that ravenstan had come out of the house because his mom told him to say hi to the neighbors and help them with boxes and stuff, say hi to their son, etc.

i think his hair is shoulder length, but its in a lil ponytail, he's in randy's gigantic black sabbath t-shirt, probably has a gigantic edgy boy temp tattoo of a skull or a snake on his neck, smh, little like hot wheels, boy section of target-esqe stickers all over his face and arms, little other edgy elementary school boy marker tattoos on his arms because he literally has always been a rockstar.

meanwhile, jersey, in canon ncu baby kyle fashion, is wearing his gigantic kyle signature orange coat and green ushanka IN THE MIDDLE OF SUMMER because he is self conscious and sheila bought both on sale at the mall during summer when the winter stuff is all half up because she's a thrifty queen and wants him to get wear out of them and break them in...smh.

so he is sweating like hell and just wants to get his fresca open, which is very vintage and still comes in the bottle.

but regarding The Fresca Of Fate,

stan Does eventually ( open / it. )

...in the most chaotic, unhinged way possible, btw.

which is that baby ravenstan bites, rips and twists the cap off with his teeth like a feral fucking animal ( which i think happened because he was legitimately panicking like holy shit, what do i do, what the Fuck do i doooo?!?! i don't know how to get this open but the beautiful spotty boy w/ the perfect voice asked me to do it, so ¡oRALE! )

note: it is this party trick that he'd seen randy do a couple of times and just replicated, but totally ripped his lip open in the process, btw.

anyways, rae hands the fresca back to baby jersey and because he is a fkn idiot but also a superstar ( i love u raven ) shoots kyle the signature stanley marsh wink-peace sign-finger gun combo wombo.

and jersey is just SHOOK because that was, in fact, criminally insane, but also...kinda cool? and an oddly touching gesture because he could have just handed the bottle back or said go fuck yourself, new kid! because he didn't give a shit about this kid from next door and his parents were both busy...but wanted kyle to have his little drinky poo so bad that he literally busted his lip open turning into a can-opener for ky...and did the cutest, weirdest most awkward hand-sign ever.

tldr; it was brave and reckless and boyish and radiant. and kyle, who usually is highly disgusted by the germs of other people...finds that brings the lip of the fresca bottle to his with ease, sips his drink, which tastes like victory and probably a bit like cinnamon red hots, watches his weirdo neighbor give him the wink peace sign finger gun combo and is so weirdly endeared by this that he...

gives stan a rare kyle smile and even rarer kyle laugh. :’)

and this is so glorious and gorgeous to ravenstan that he literally cannot breathe, his heart is pounding in his chest, he is fkn shaking, goes to say something and immediately THROWS UP ALL OVER KYLE AND PASSES OUT. skhdlksahdsh HEEEEELP NO.

but yeah...that's how dad and dad met. please note that in canon ncu fashion ravenstan followed jersey around like a lovesick puppy, ignoring all of the kids trying to get his attention and play with him, desperate for kyle to acknowledge his existence for literally five seconds or accept his offer of being super best friends...

all the while, jerseykyle is trying to get away from him because he doesn't like other people, doesn't want to be friends, just wants to be left alone and be alone skhdld and is like weird kid with the giant eyeballs PLEASE FUCK OFF ( this does make stan fall more in love with him, stan i need you to go to therapy for the type of guys u like ) and this apathy and disinterest continues until...

stan takes the stark's pond hockey puck for him.

and suddenly, kyle's cold dead heart starts beating again, he sees ravenstan in the hospital recovering from slicing his face and mouth open again, who smiles so hard he RIPS his stitches open again, smh and from that moment on, they are Super Best Friends.

but both secretly want something more, legend says.

-uncle nina, obsessed with the prequel <3

[annoyinglyloudcat]