#(Not So) Hated by Life Itself

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[antidisneyinc]

so I'm learning that outside of the usual deluge of violent racism at having to see black skin onscreen, one of the major complaints about the acolyte is that it yet again doesn't portray the jedi as pure unabashed heroes who never did anything wrong. which is an issue I've seen in the tags on this site for other star wars things before and it is such an absolutely freakish hill to die on. why is the jedi's purity as an institution so important to you. are you vicariously defending a real life institution you believe to be pure and unproblematic? 🤨 why do you think what happens to the jedi is only tragic if they embody some ideal of heroism that doesn't exist? why do you demand that they fill a two dimensional role of goodness that isn't necessary in stories that go beyond the binary of empire vs. rebels? why are you allergic to exploring the flaws that exist in every religious organization fictitious or otherwise? why does this world need to be a cartoon in order for it to make sense to you?

[yumeyumeappleo]

it's incurable </3

[oceanwithouthermoon]

ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..

if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..

and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.

he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)

he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..

[lichilly]

“I had all and then most of you

Some and now none of you.

Take me back to the night we met.”

— The Night We Met by Lord Huron

cw implied death, angst, OWWW OWWWIE OWWW

The day starts as usual.

The sun rises, birds chirping as you push open the balcony door to let the morning air in. Joseph steps out, a cigarette already between his fingers. You join him, two mugs of coffee in your hands. He takes one from you with a grateful smile, you both settle into the routine.

The day is beautiful. The suns warm embrace on your skin makes you want to linger there forever, soaking in her rays.

“What d’ya want for breakfast?” he asks, smoke curling lazily from his lips.

You ponder for a moment, imagining the taste of different dishes. “How about…pancakes?” you suggest, feeling your mouth water at the thought.

Joseph chuckles, stubbing out his cigarette and taking a final gulp of his coffee. “Pancakes it is then.”

You eat breakfast together at the table. Joseph flips through his script between bites, humming under his breath and glancing at the clock occasionally. A quiet sigh escapes him as he polishes off his plate.

He rises, placing his dirtied plate on the sink, setting his empty mug on top. He walks over to you, gently pushing your hair back and kissing your forehead.

“I gotta go. I’ll see you later, okay?”

You hum, cheeks warming from the kiss. “I’ll pick up stuff to make your favorite for dinner tonight. I know we haven’t had it in a while.”

His eyes light up, “Sounds like a plan.”

He heads towards the entryway, grabbing his jacket. He looks back at you, a smile still lingering on his lips.

“Don’t worry, filming shouldn’t take long today. I’ll be home before you know it.”

The butterflies in your stomach flutter with his words.

“Okay, I’ll see you later,” you reply, eyes droopy with morning grogginess and love.

The door clicks shut behind him, you watch a moment longer. Your eyes trace over the knob, down the mysterious crack in the wood, and watch his shadowy steps fade away. A sudden uneasiness creeps in, filling your gut with a syrupy ache. The butterflies no longer flutter, their wings cut, leaving you with a heavy feeling in their place.

You try to shake it off, but the feeling lingers, the knot in your stomach tightening with each tick of the clock. Hour after hour, minute after minute, you try to distract yourself with meaningless chores. You go grab things for dinner, the hustle and bustle of the store creating a dull hum over the pit in your stomach. A weak balm that doesn’t last the second you step through the apartment door again.

Night falls, groceries left forgotten on the counter. Seconds tick by painfully slow, each one a reminder of his absence. You can’t shake the feeling that something is terribly wrong.

Joseph doesn’t return that night, or any night after that.

[galaxostars]

prongsfoot and wolfstar in the last chapter of Presque Vu by @starsworth

[stuckinapril]

i think i officially set my sights on a therapist and i'll be contacting her very soon?? therapy was legitimately not on my 2024 bingo card (or in the cards for me at all) but here we are????

[nedlittle]

need the historical romance girlies to go back to their roots and read forever amber (1944)

[ahollowgrave]

11. Blood at the corner of your mouth.

It is not your blood at the edge of your mouth. Not your blood that your tongue swipes from the corner of your lips.  Not your blood whose coppery tastes lingers between your teeth. 

But he fucking deserved it.

Sister Kindness has you tucked under her arm as she, to use her words, books it. Something she must not do often because she huffs and puffs her way through the crowded Shaded Bower. And though some call out ‘Sister’ to her with warm recognition she does not stop ‘booking’ it. (Sister Kindness would have you know that she is perfectly in shape for a woman of her age. She was ‘huffing and puffing’ from the extra weight of carrying you, thank you very much.)

She slows when the westshore pier appears around the corner and then she steps off the main path and sets you down. Kneeling to be something more like eye-level, she pulls a Roegadyn-sized handkerchief from the depths of her habit. Wetting a corner with a flask pulled from a separate, equally confusing pocket she begins to clean the blood from your face.

Sister Kindness’ hand is firm where it grips your chin, holding as little of you as possible. For once the contact does not send you recoiling. Perhaps it is the way your rage has left you as quickly as it had flooded you, leaving you feeling drained of everything else as well. Now that the moment has passed you tremble and, to your horror, you can feel a well of tears rising to fill that empty space.

“Was a helluva bite, darling girl,” Sister Kindness’s voice is quiet as she tilts your head to the light, searching for any blood she may have missed. You focus on her creek colored eyes and swear you feel their waters lapping at your ankles. Her smile is sudden but woozy around the edges; she is just as shaken. "Reckon he'll have a scar, too. Bet he lies about who gave it to him." ‘He’ was an elezen man -- maybe a merchant but likely not, as Sister Kindness did not know him -- with a face as sharp as his ears and a smile that spoke of too much confidence. And you had hated him on sight. His crime was making Sister Kindness uncomfortable and his mistake was not being aware of his surroundings. 

It does not take much pressure to break skin. 

Pleased with her work, Sister Kindness rises and disappears the handkerchief away. Handing you the flask, she instructs you to take a sip, swirl it around your mouth, and spit it out. There is some confusion about what 'swirl' means but, eventually, she is satisfied with this too. “Well, we didn’t get what I came for but we’ll be headed home all the same. Come now, before the ferry leaves without us. We will, ah, not be telling the abbess about this.” You don’t know if she means the bite or the trip to the city. 

You don’t ask.

Thank you for the ask, Anon! ][ Sensory Prompts ][

[stellerssong]

IMPORTANT QUESTION.

[outlying-hyppocrate]

well. did you fucking miss me.

[prototypelq]

The Most Unreliable Narrator I Have Ever Seen

soooooo I had a Cyberpunk-obsessed phase pass recently, and this time Johhny Silverhand's character caught my eye. His story, more specifically, and how... inconsistent he seems, depending on each source.

In the game, Johhny acts like a bastard for most of the game. He panic-rages on his first meeting with V, throws many threats around, but is later beaten into the background with the blocker pills Misty gave to V. Even Johnny's friends' are well, they react Loudly to his return. Y'know, make it known his presence alone provokes a lot of anger from them.

Even during his first appearance, when V gets thrown into Silverhand's memories of his SAMURAI concert, the only real thing V recalls is the all-consuming rage that he felt, which he tried to shout out through the microphone, but it never felt like enough.

And doesn't this sound weird then, that the only thing Johnny does throughout the game after that first meeting is help V out? He learns about the Smasher guy hideout at the docks (he does that through dubious means but that's Johnny for you), he helps V out when the seizures become worse, he calmly agrees to Any decision V makes, despite V clearly Not being in any real state to oppose him in the finale of the game, he plans the whole thing with "Alt" so V can get his body back at Johnny's own expense, from the beginning, and he doubles down on that claim at the end of the game.

Do you see the dissonance? The egoist rockerboy that admitted to using his friends to getting what he wants, and the downright self-sacrificing hero and a friend that is Johnny at the end of the game? People change, sure, but this divide is very massive and too sudden, so I wanted to dig into that. And what I've stumbled upon, with the help of canon Cyberpunk materials like the Red sourcebook (or, more specifically, LayedBackGamers' reading of the canon books and his lore videos on different topics), is that

Johhny Silverhand from Cyberpunk 2077 is the Most Unreliable Narrator I've Ever Seen.

Count with me here:

Johhny's personality in general. No matter what your interpretation of him his, it's impossible to ignore that Johhny is very much a people person and he exploits that knowledge and charisma to suit his own goals. If you choose to trust him, then you might have already been played.

2) Johhny has been alone, only his lovely self for 50+ years inside the Arasaka chip. Don't ask me how he is still even remotely sane, I haven't got a clue (hopefully the time as a construct without outside stimulation flies differently and he hasn't felt those 50 years in real time). The thing to mention here, however, is that, being alone with your thoughts and emotions for a long time, having nothing else for entertainment, is a great opportunity to rewrite your own memory of events or emotions you've felt.

3) Lack of a body. The aforementioned constant rage, that was the dominant emotion is Johnny's life (before Alt, at least, if Never Fade Away is anything to go by, and I mean, that's literally a love ballad), is a symptom of his PTSD from his too-young years serving in the corpo war, same as his signature silver hand. I'm not a specialist here, but I do know PTSD, especially for war veterans, is a physiological illness just as much as it is a mental one. Johnny's body literally had trouble living normally after that experience, and knowing this bastard - he never managed to treat that. Existing as a personality construct frees him from the many bonuses of being corporeal, but it also free him from the physiological side of PTSD. His day-to-day existence is fundamentally different from that of the Johnny Silverhand that the world knew 50 years ago, so yes, as a 'time traveler' or a source of information and comparison about the 70's and 20's of cyberpunk world Johhny is not a good source.

4) The chip with Johnny is literary inside the head of another person. The characters in game question, multiple times, just which decisions is V making on his own, and which of them might be Johnny's doing. Not consciously, no, but V and Johnny are clearly not your simple neighbours. They are not your 'close friends that start subconsciously copying each other' too. It is quite possible that the chip with Johhny is adapting to the 'hardware' it is running on, so it is specifically implementing parts of V's personality into Johnny, to minimize the 'friction' between the personality and the body it is supposed to inhabit. Everyone say hi to existential horror)

5) How does Soulkiller ever work? Is there data on how much the resulting engram actually resembles the person it tried to copy? How did the process of copying Johnny go? I can answer the last one - very badly.

Death of Johnny is told in excruciating detail in the Cyberpunk sourcebooks. Johnny died on the floor of Arasaka tower, torn in two by a shotgun blast from Smasher. There is no information on how much time it takes Soulkiller to create the engram from the brain, but it better have finished doing that before Johnny's brain started dying from a lack of blood and oxygen, and he clearly didn't have much time either, considering bisection is not the best for bodily fluid preservation, so it's a wonder the engram even works properly. Plus, during the initial heist to steal the chip with Johnny, the chip was damaged further before the idiots decided to stick an unknown harddrive into their heads to preserve it. Basically, it's nothing short of a miracle, that engram-Johnny is actually a whole damn person, that he can function, think and feel properly (well, as much as Johnny can do those things)

It is very sad that V can't talk to Johnny about this, as the man does blame himself over things he hasn't even done, and he had done enough emotional damage to himself and people around him without that kind of burden on top of it.

6) Johnny's memories are literally false. The attentive reader had to pick this up in my previous point - didn't Johnny die in the hands of Arasaka after they interrogated him? Nope. Nope, and I can say that confidently because,

(drumroll please)

Cyberpunk tabletop sourcebooks! Mike Pondsmith, the creator of the Cyberpunk universe and the TTRP series of games, has worked closely with CDPR writers during the production of the 2077. He oversaw everything, and he says that 2077 is in the same cyberpunk universe too, it's not an 'alternate reality' or anything.

Johnny Silverhand died while trying to buy time for his friends to escape, from a shotgun shot from Adam Smasher. That's it, he died on that floor, there was noone to interrogate, no rooftop helicopter he ran for.

The sequence of 'memories' we see from Johnny's POV in the game is a mishmash of two different assaults on the Arasaka towers, yes towers there were two of them. There is a great video explaining all the small and Major details Johnny's version of events got wrong, because we have the sourcebooks and the text inside. You may accuse me of holding a 'holy canon' argument ... and well, yeah, this is kind of holy knowledge, as it was written for gamemasters.

Still, some of the things in Johnny's version are Major, and while the media certainly covered the whole story extensively with corpo propaganda (oh, btw, Johnny didn't bomb anything, he probably didn't even know there was a nuke involved, he is literally just a scapegoat), there are some holes that a citizen of this world might know and wish to poke. The aforementioned Two Arasaka towers, or the absence of the legendary solo Morgan Blackhand from Johnny's story. Interestingly enough, there is a radiostation of Maximum Mike in-game, who is actually just pretty much Mike Pondsmith, and he does propose a couple of questions the 'official' version of the attack doesn't cover (like, where would a rockerboy even get a nuke, he might have been popular, but that's not just something you find without military contracts, and that means corporations). Another thing is that since Arasaka owns Soulkiller and has had the engram for a couple of decades, it is quite possible they are the ones responsible for messing with Johnny's memories.

So uh, yeah, Johnny is the Most Unrealible Narrator I have ever seen. Johnny of 2077 is most certainly not the Johnny of 2020's, but this might be a good thing. Maybe the 'real' 2020's Silverhand could never have made the progress the engram did, or become such a good friend and companion for V, or maybe he could have done those things too. We'll never know. I really love this story anyway.

[vv-ispy]

anyway my other venti's history shaping how he is headcanon is that as a wisp he was rarely taken seriously — people are kind to him and will put faith in him due to his being an elemental being, but between a little wind wisp vs a storm god, the wisp isn't doing much they're in the middle of the archon war, great strong gods are getting struck down all the time. (Even later as a god he's seen as the weakest god, possibly the god with the unlikiest of origins out of a group who were gods and powerful being before reaching archonhood)

But the bard treats him not as a contender, not as a god candidate, not even as their hope to take down Decarabian but as a friend.

So he doesn't take himself seriously either, he knows he has the power now yes but habits remain and he doesn't want to be a tyrannt, and in the end the most impactful relationship in his life will always be the bard who treated him not for his role or his potential but as a friend to love and cherish and understand

[shorlinesorrows]

every once and a while I think about how the narrative / characters in stormlight archive canon actively denied and downplayed kaladin’s experiences with oppression the second he became a radiant and a “light eyes” and the way that people in real life treat people that “pass” as white and “pass” as cis and “pass” as abled

sometimes I think about how shallans experiences as a light eyed woman led to her directly press on those wounds, about how she told kaladin he was wrong to be angry or distrustful of her, and how the narrative agreed with her. because even if it wasn’t directly her fault, shallan is a member of an oppressive class that quite literally forced kaladin to fight in pointless wars of pride and enslaved him, who were ultimately responsible for his brothers death, because to them tien was not a child. he was expendable.

shallan did not do bad things to kaladin directly, but the narrative treats his distrust and anger at light eyes as irrational when it is anything but. of course kaladin doesn’t trust her. of course kaladin is angry. she is not trying to be cruel, but sometimes ignorance feels a lot like cruelty.

sometimes I think about how the narrative and the people in it try to separate kaladin from his identity when he becomes a radiant. About how they say he is a lighteyes now, about how those around him try to tell him it doesn’t matter anymore. what happened to him doesn't matter. what happened to his family doesn’t matter. about how, potentially for the rest of his life, kaladin is going to have to sit in conversations with privileged people and listen to words that cut the wrong places, rub old wounds, but it’s okay, don’t be so dramatic, that’s not even you anymore, why are you so angry it was just a joke

I'm thinking about how they act like he isn't darkeyed, when that part of his identity will always be there, and about how it was stolen from him. about how the narrative says "you are now in a position of privilege, so you are not allowed to be angry that the color of your eyes determines what these people think you're worth"

I'm thinking about how he may not have dark eyes anymore, but he is still seen as 'less than' in some respects, about how he's treated like either a weapon or someone to be discarded, about how his life didn't matter to the people above them until he had something to give them. Until he was interesting enough.

I’m thinking about how the narrative tries to sterilize, steal, his identity and his anger and says those things are wrong.

And it makes me want to scream.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[drkineildwicks]

More BH6

Been working more on the sequel to (Not So) Hated by Life Itself this past weekend (read it now on FFN and AO3), so have some more art for it.  For those of you just tuning in, the Live and Learn AU involves Obake accidentally being blasted back in time to a little before the events of the movie, as a teenager.  Shenanigans ensue, as they do.

This is one of those traditional art sheets where I fill a page out for my art for the day, polish it up, and then post it.  In this case, it’s all for the sequel, Ready To (Live Life Anew) and is mostly for the vibes.

Starting from the top left:

I learned that March was Noodle Month and it seems like the sort of thing Noodle Burger Boy would celebrate. XD

Mini-Max is always great for filling in a tiny bit of empty space.

Below that, Hiro and Tadashi were really excited to learn about the revival of the Pirates of the Caribbean Online MMO.  Obake is less excited.

To the right of that, Obake is quoting the “Cluelessness” demotivator to Hiro, punctuated by Fred quoting Louis Stevens in the Even Stevens episode “Snow Job” (quote starts here)—yes that is a very young Shia LeBeouf, and that one girl is Christie Carlson Ramono, AKA Kim Possible AKA Trina Aken.

To the right of that…was listening to some videos critiquing the Jurassic World series (as they should) and one guy was saying how genomes are not the same as genetic code…since Obake is taking a few Bio classes in the sequel it seems like the thing both he and Karmi would say, to everyone’s annoyance.

Below the PIRATES!! one is Gogo taking Obake out to birdwatch to wind them both down, something that probably takes place after the “Fate of the Roommates” episode when they’re on better terms.

To the right of that—the boys also have a writing class and Hiro has been writing about their escapades in the Pirates MMO for those assignments, here he’s brainstorming Obake’s backstory; Obake is unamused.

To the right of that is something that takes place in the “Supersonic Sue” episode—Obake and Megan have an antagonistic relationship for most of the fic and right here is right before that falling out starts up.

Bottom left takes place during the “Fred the Fugitive” arc—the Hamada brothers do up some Shadow the Hedgehog shoes for Obake to test, Gogo takes it upon herself to help him learn how to skate.

Bottom right is Hiro testing a combo of Knuckles’ and Vi’s gloves, although they require the nano-dex in order to lift them.

Bottom center…Trina does not need the nano-dex to lift those gauntlets. :O

So.  So far we’re at 381 pages, 155+k words, 27 consecutive chapters, somewhere between a third and halfway through, and I’m once again in the situation I was in last year when I suddenly had the big burst on the first book: stuck on my laptop in the living room because my big computer decided to go blooey.

Hit it.

Big Hero 6 © 2014 Disney

Done in Pencils.

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