#(aside from the fact that i like good writing)

[eruverse]

People when I tell them that Ivan loves pussies too

[beevean]

I keep thinking of this interpretation of N!Hector (at the bottom). How, essentially, his growth revolved around his conception of love: how he's at his core a broken, love-starved man who had to learn how to let go out of selflessness.

They make some valid points. So I want to put together why the story still wastes a very intriguing concept and its morals are still disgusting.

Let's take N!Hector purely from this angle. His sloppy writing starts to make sense. N!Hector never warms up to Carmilla, because his last memory of Carmilla is her beating him up after she revealed that her apparent respect was a lie. Dracula is on thin ice: he was the first person who was nice to him, but he lied to N!Hector about his real plans, and most importantly, got convinced that he might have died if Dracula actually succeeded. (still doesn't stop him from wanting to resurrect him)

Lenore is "nice" to him. Lenore not only praised his voice, the strength of his character, etc., but she also has shown that she wants to be with him for no ulterior reason, and that she wants to protect him from mean Carmilla.

So N!Hector is totally fine with her. It's okay that she beat him that one time, because it was his fault (granted, an abused person might think like that...). It's okay that she made a sexual game out of taking him out with a leash: that's just how vampires are, right? It's okay that she used sex and took advantage of his feelings to put a trapping ring on him: it was with good intentions. It was for his sake. It was to protect him.

So, N!Hector falls in love with Lenore because she did everything in her power to keep him in a gilded cage, including resorting to rape by deception. Abuse is love. Selfishness is love. He, too, loves like a vampire, shown by the way he surrounded himself with pets magically compelled to be loyal to him, so the two have the same love languages.

This speaks of a profoundly ill mentality, the byproduct of a lifetime of abuse. It's a delicate topic that should be treated with the utmost respect.

exhibit a: respectful writing that truly gives trauma the gravitas it deserves.

After some more bonding over how similar Lenore and N!Hector are because no one loves them and they're just victims, they're so like each other fr fr, we get to S4E6. In a way, we can see N!Hector's actions here as a mirror to what Lenore has done to him: she used treachery to turn him into a tool and so "keeping him safe", and so he used treachery to cage her and protect her from N!Isaac destroying the entire life she built with the others. This is mercy for him. This is an act of love. Protect Lenore and stay close to her, but everyone else can die, even if it hurts her. I see the intention, I really do.

But add to this the fact that N!Hector's whole plan was for the sake of resurrecting Dracula, therefore risking another mass slaughter, for no other reason than to feel better about his mistakes, and we're starting to see a problem.

We're near the end of the show, and N!Hector hasn't grown one bit. Not morally, and not emotionally. He still has no empathy. He still loves like a vampire. He still has no self-respect. He went through unimaginable torture, and he's still the "manchild" we were supposed to laugh at in S2 - except now he's marginally cooler, I guess.

(also, is it really "love" if N!Hector genuinely thought N!Isaac would kill him and he accepted it? He didn't plan to stick around, he didn't plan to "keep" Lenore with him. So the point starts to fall apart.)

But then N!Isaac makes a speech to him about agency and the will to live, and a few episodes later, N!Hector has his "magnificent" growth. His sign of maturity is letting Lenore die. Not keeping her close, despite her being the kindest person to him (although I suppose N!Isaac will quickly replace her lol). Letting this woman, both a victim and an abuser, commit suicide on her own terms, the terms he never had, is N!Hector finally learning how to love.

All very nice and wholesome. On paper.

Lenore is forcibly made to be sympathetic in S4, to the point that it becomes blatant lying. Suddenly she has no sexual interest in N!Hector anymore, after all she did to him (and very interesting, that Lenore was only aroused when he was her prisoner - now that he has more freedom and seems to like her as a person, she doesn't care anymore). Suddenly her smug demeanour has vanished, treating him with almost real respect. Suddenly there's more focus on how alone she is, and how she and N!Hector can relate to each other and only have each other in the world. It's disingenuous, and all so that I could pity her, and believe that these two would care for each other, and be touched that N!Hector's big love gesture is allowing Lenore to find freedom from her unnatural existence, while in reality I'm just frustrated that this rapist got to find freedom from the consequences of her actions - she doesn't even feel bad for what she did, "I'm sorry for everything you went through", so much for growing to love him. It's not even framed as him being free of her, but her being free of herself, fuck that guy I guess. Hell, even her phrasing implies that the main reason she sunned herself was that she wasn't willing to live in a cage, even with Hector, basically throwing a tantrum because she didn't have power anymore. I get reading between the lines and connecting that what triggered her suicide was the realization that as a vampire she's inherently doomed to go insane with craving power, but she really painted herself in the worst light.

I can't even say that the show forgot about her previous behavior: it specifically calls out to Lenore "solving Hector's problem", but makes it a joke that is quickly brushed off. We are meant to be endeared at Lenore using sex as a tool of deception. Yeah, silly Lenore, that was awkward I guess. More seriously, Lenore neither had a solid change of heart/realization that she behaved like a monster in the name of her "good intentions", nor is she tragic enough compared to her actions - at most I can understand where part of her behavior is coming from, like her being happy to show her strength by beating N!Hector into the ground, but I don't feel sorry for her. The story had the chance to emphasize her conflict with her vampiric nature, if I was really meant to pity her hopeless existence, but it doesn't take it. So I have no reason to care about her, or think she's a good person for N!Hector. The fact that she is the kindest anyone has ever been to him doesn't mean that she is kind, just that this poor man has been spit on far too much.

And maybe N!Hector really is too broken to understand that being raped is bad. Maybe his abuser choosing to waste time around him feels like a banquet for someone as love starved as he is. But is that how he ends? Still not getting it? Still not feeling anything about the way he has been treated all this life? Is he really completely not conflicted about the two-faced way Lenore treated him?

And what about his relationship with humanity? Is writing a book about his mistakes really the best he can do? N!Isaac realized off screen that he wants to change the world for the better: what is, effectively, N!Hector's change in this aspect? Sure, maybe he won't keep resurrected pets anymore, but after jotting down how much he has fucked up in life, what does he want to do? What was his journey, made of nothing but suffering and mockery and the lesson "you are stupid for trusting", for?

If I am to read N!Hector as a victim of deep abuse, so damaging that he has lost all sorts of empathy, morals and self-worth... what is, then, the story told through him? He doesn't get better. He doesn't even get worse, in the same way Isaac did, for example - I proposed an ending where he snaps and sets the castle on fire as a bookend with his abusive childhood, which would have been tragic, but ofc it didn't happen. The climax of his journey is that he holds no resentment towards a woman who was both kind and cruel to him, and simply chose to forgive all the bad that was done to him without any struggle. He accepted the crumbs and lapped the plate.

The message: forgive the people who hurt you, if they think they are only helping you - in fact, don't even think about it. Not because it's unhealthy to let yourself be consumed by resentment. Because if they hurt you for your own good, then they are good people deep down.

Steven Universe became the internet's laughing stock for far less.

(it's not even that Lenore was his mother, or his long-time wife, someone that could be genuinely hard to distance yourself from if they abuse you. They knew each other for maybe two months.)

I cannot empathize with N!Hector, and I can't even sympathize with him, because this is not a character arc, this is a slop job. I don't think Lenore is so nice because she deigns to speak to him, and I don't think her wanting to protect N!Hector can make up for her disgusting behavior in S3. I have no reason to be happy that N!Hector is "free", because he's in the same position he started from in S2: cooped up in a castle, uninterested in getting closer with humankind, alone. And I have no reason to be sad that Lenore killed herself, because the story did a poor job of convincing me that she deserved to be happy with the man she treated like a pet before her character was disingenuously defanged.

I can assure you: Ellis did not have any intention of writing a story about how abuse warps your conception of love. He just liked kicking around a ball in the shape of a character, and then gave him a rushed "good" ending (that still feels bittersweet compared to all others) because of backlash. Trying to see a coherent arc here is like trying to squint to see an image on a magic eye poster, and the effort is not worth it. N!Hector deserved better, and abuse survivors deserve to be represented by characters written with love, not spite.

[the-valiant-valkyrie]

me writing a letter to schell games about how much i love their female characters in ieytd ESPECIALLY WHEN COMPARED TO THE SOURCE MATERIAL!!!!!!!!!!!!!!!!!!! (scary) (horny)

[letmetellyouaboutmyfeels]

can i ask you something? what makes this different from s4 with buck and eddie? didn't you say you lost faith after s4, so how was it restored and how did what happen in the s6 finale not make you lose faith in what would have been the series finale, they got buck and eddie together with random women they have no chemistry with?

I feel like I've answered this question a hundred times but, okay, once more with feeling! A one and a two and a three!

My faith was restored with season four after I a) calmed down b) took a step back and had more time to reflect and c) wasn't having a mental breakdown. As I've said before, my personal life was bad at the time, so when my fictional TV show didn't give me what I wanted and it was one of the few things giving me an escape/joy at the time, I didn't handle it well. But when I took a step back, chatted with others, and had some time to reflect, I realized I had been too impatient in my expectations. Season five was fantastic for me re: Eddie's growth and healing, as well as Buck approaching romantic relationships. I was honestly surprised they didn't get together in the season five finale, that was my expectation and it seemed properly built up, but then we had weird pacing in season six in regards to Buck and Eddie especially so I really suspect BTS stuff was going on.

I don't lose faith because I have seen what happens when people rush shit for a finale because they are cancelled or might be cancelled. You do not have to agree with my opinion on this. You are welcome to say, well if this was the finale I'd be pissed! But I, personally, would have been upset if they'd rushed my getting together moment because they were scared they'd get cancelled.

Additionally, again, we do not know what's going on behind the scenes. Clearly stuff was going on during season six. I don't mean to put on a tin hat here, but it's possible Fox said "no." It's possible Tim said "no." It's possible there was other shit going on that I can't even guess on because I'm not involved, that led to a "no" that will become a "yes" now that they've moved to ABC. We do not know.

I have not lost faith because guess what! It was NOT the series finale. I do not care for the "almosts" of other timelines. This is the timeline I'm in, thanks, and what matters to me is not what might have happened or what almost happened but what did happen. In my opinion, the writing team chose to take a risk and not get Buddie together, not compromise their relationship, in the hopes they'd get picked up somewhere else. It's a risky move, but once you get Buddie together you can't take it back, and so I respect that they stuck to their guns.

YOU DO NOT HAVE TO AGREE WITH ME. But this is my opinion of why I'm not upset. As a writer, I respect when someone has the integrity to hold to their vision even if it means taking a risk.

(And frankly I didn't like it for a series finale for any of the characters, not just Buddie! As much as I love all of them. I want to see the Madney wedding, I want Athena to quit her damn job, I want Chim to get a storyline not tied to Maddie... etc.)

As far as where the boys are now, given this was not the series finale:

Back when it looked like Eddie would get with Ana, a lot of us were excited, because we felt it was important Eddie date other people before he dates Buck. Shannon is the only relationship he's ever had and we felt that for his own sake, his confidence, his maturity, he date at least one other person.

But that's not how his relationship with Ana went. He did it to give Chris a parent, he did it before he was ready, he did it because he felt he had to. Whatever sexuality you believe Eddie to have, the entire Ana relationship was steeped in comphet. It didn't give him confidence or help him learn to have an adult relationship. So Eddie needs, in my opinion, to date around a little. For himself, because he wants to. Then he'll have the confidence to be with Buck.

Buck's relationship with Natalia will, I hope, give him the growth I wanted him to have with Taylor. He did a lot of growth regarding his platonic family this season, but it was also made more clear to him than ever that he wants to be a father and a husband. But as we see he once again let someone else pick his couch. This time, Natalia. She seems like the band-aid solution to his post-death trauma, but the audience has already been set up to see that Eddie is what's right for Buck, not her. It's clear to me from the writing that they had to hedge their bets, again for whatever BTS reason, but they are still priming the audience to know Natalia's not right for Buck, Eddie is.

Personally, given Natalia's reaction to Buck's relationship with Kameron and Connor, I think Christopher will be the breaking point. Buck will never, ever choose anyone else over Christopher. And I don't think Natalia, who didn't seem super comfy with kids in the first place, will like that her boyfriend has a parental and unshakable relationship with someone else's kid. And who can blame her? It's hard to build a life with someone when they're co-parenting another kid already. It's kinda the number one concern divorced parents have when dating again - I already have a child, and I share that child with someone else, but I'm not romantically with that someone else, how can a new person accept that? It's hard! It's uncomfy! It's difficult!

Again, we saw Buck fall asleep on Eddie's couch. Eddie is Buck's true partner. Buck is already a father (and possibly will be again, I think it's looking more and more likely that Buck and Eddie will adopt a child once they get together, Buck loves Chris but clearly also wants a baby - c'mon writers give me a safe haven baby), to Christopher.

Just as he realized with his coma dream that Bobby is his true father, the one he already has, and that means he can forgive his parents for his own sake and meet them where they're at, because he knows from where his true support comes (Bobby especially, but the rest of the 118 as well)... so season seven will I think be Buck realizing that Eddie is his true partner and Chris is his true child. And Natalia is not Taylor. Natalia is a good person. She's a selfless person who helps people come to terms with their death and makes such a terrifying experience joyful and loving. Buck needs to reject the "perfect woman" because no matter how "perfect" she might be, she can never be what he wants. No one can, because Eddie and Chris already have his heart.

So that's why I'm excited. I'm excited for Eddie to get confident in his ability to be a romantic partner. I'm excited for Buck to reject the "perfect woman" because he needs to realize he already has what he wants.

I don't think it's like the season four finale. The season four finale they should not have gotten together. It was too soon. It would've been steeped in the trauma they both just experienced (and have yet to talk about heheheheh). I think that season six just gave us what we hoped would happen when Eddie dated Ana and Buck dated Taylor but Eddie especially was acting from a place of comphet and trauma, and Buck LITERALLY DATED TAYLOR BECAUSE EDDIE NEARLY DIED, it was a MASSIVE trauma response and he continued to be with her because she wouldn't leave him, even though he was absolutely miserable with her to the point where the intensely-loyal Buck drunkenly kissed someone else (I think that kiss was equally about Eddie, Eddie didn't show up even though Buck invited him, and Buck clearly is angry and missing him).

Season six finale gave us Eddie learning to ask someone out, Eddie trying to date casually, Eddie learning how to be an adult in adult romantic relationships. And it gave us the "perfect" woman for Buck, while ALSO showing us how she ISN'T what he really needs, to set us up for Buck realizing nobody will ever work out because nobody will be Eddie.

That's why I'm not worried. They're two entirely different scenarios. And while you may not agree with how the writing team chose to handle the possible cancellation and that is allowed, I do not agree with you, I will never agree with you, and people who do not agree with me need to stop dropping into my inbox because they will simply be deleted and also, a little bit, mocked. Privately. In silly voices. To my cats.

(Not saying that's you nonny, but I have had some rather annoying people drop me a line.)

So there you go. I got my faith back with season four because I was impatient and I just needed time to reflect, and I have not lost faith here because I believe they're two different scenarios, I like to give the benefit of the doubt to an excellent writing team because I don't know what BTS bullshit is going on, and I would've done the same damn thing and not compromised my vision of how I wanted Buck and Eddie to get together and taken that risk.

[goldiipond]

at some point when i can gather my thoughts i would like to make an in-depth post (would probably end up being more of an essay honestly) about how tpn treats its characters of color because like. there's definitely a colorism problem with anime/manga in general and i think tpn has some really solid black and brown characters for a medium that is severely lacking in that department but there's also some things it handles poorly and it would be good to explore that i think

[nomaishuttle]

gd. i need to watch 10 things i hate about you again

[kadoodles-on-ao3]

Sickness update: Still coughing, but it's (mostly) dry coughing now, and my headache is gone! But I'm not at 100% back-to-normal mental capacity yet either :(

Writing update: I've been hard at work on my angsty longfic! I was going to work on something lighter (especially with my cold) but all of a sudden more and more ideas to add to my AU kept popping in my head and I just had to jot them down.

Before long I was finally organizing my outline by putting all my previous bullet-point came-to-me-at-random-times-of-the-night-and-put-in-an-equally-random-order concepts into plot-chronological order as they should be, and making headings/sections for the major location changes to find stuff easier, and getting down how exactly series-and-collection-wise I want to go about categorizing the fic and its sequels, and finalizing their titles (which are all names of songs on The Glitch Mob's Drink the Sea album, give it a listen with good headphones if you haven't before, it's great background music!!) and oh yeah I needed to go over the h2hs again better open that doc, and I definitely need to have the game's script and cutscenes on hand for reference as needed (which was very frequently) and now baby I've got a stew going

I'm having so much fun writing characters I haven't gotten to write before, and (minor/vague Xenoblade spoilers) digging into the details of the lore about Face Mechon and expanding on my take of what was happening on the Mechonis before the party got there, and fitting lots of little puzzle pieces that the game gives you but doesn't directly tell you they belong together which is why I love it so much, and getting into such a nice flow state with it all and gjshfhskfh I love Xenoblade 1 so muchhhhhh!!!

So all that is to say I will hopefully be posting the prologue tomorrow or the day after! :) No promises as it's gotten much longer/more-detailed than I planned for (although I really should have expected that, it's always how it goes with me when I'm having fun writing I just can't stop haha) but it is most definitely on the way to being published soon!

[adhdo5]

K so the reason we sniched was our friend found it straight up in call,told us and got heated in the moment and are now embarassed together with the author over sending that ask. The persons already feeling bad about being impulsive and adding fire to our friends embarassment

OK this is fair tbh and honestly like . I've been there

I am sorry we did this publicly that was Not fair of us. We discussed this and like I think we srsly got 2 comfortable considering our blogger collective as #irrelevant – which like we are, to be clear, but we r still like . In Public nd it was rude of us 2 be doing shit like this to Some Guy's work like it was the latest DJK article. I do think I will go dig up some stuff from middle school from myself or smth to shred bc like Fair's Fair

But yeah I . Am genuinely sorry I can definitely see why that would be upsetting to come across. I should in fact probably take my part of it down which I will do like . Tomorrow (later today) bc I did just fully wake up at 4 but yeag . It was our bad 2 thoughtlessly clown on your comrade's writing, in public no less, and I Am sorry, and will not b doing it again

[cruelsister-moved2]

apparently people on tiktok already started commenting on those miami boys choir videos like ummm did you know yerushalayim is hebrew for jerusalem? like in israel?👀 and then people were filling the comments of random videos of jewish children singing 1000s of years old psalms with ‘free palestine’ (including ones posted by a vocally pro palestine jewish creator) so im kind of feeling like maybe its time to blow up the world

[exbeaut]

ok yes loving daisy jones so far bc i did just re read the book today so i’m back in it but my one qualm so far is that daisy is not unhinged like?? i don’t mind what minor plot/story changes they have made so far in fact i like it bc the book is completely told by multiple unreliable narrators that’s the whole point esp with the “plot twist” billy’s version (and daisys to less of an extent but still close to it bc she cared about camilla so she wouldn’t want to hurt julia) of things can’t be believed at all lmaooo so i don’t mind the changes i feel it’s a good way to frame it more real or whatever but my issue is why is Daisy so like put together??? she was insane and off her shit from age fourteen but so far three eps in she’s so ?? composed?? even in daisys unreliable pov of the book she knows she was an addict and a disaster and billy too on the first tour but in the show it’s so toned down maybe for viewer rating sakes? like maybe they can’t show heroin on prime shows idk lmaooo

[killbaned]

being a rural disabled queer is so fun bc not only are you marginalized for being disabled and queer and yes, at risk because of being rural and in/from smaller towns and areas, but then you’re also distinctly othered in the lgbt community at large for being fucking rural by fucking annoying ass brain rotted white liberal lgbt people that think being gay is all about going to gentrified coffee shops and being more enlightened than those damn dirty dumbass rednecks 

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[roseverdict]

it is 4 AM which means it's Desperately Claw At Hobbies In An Attempt To Make Some Form Of Money To Set Aside So I Can Go Be An Adult Instead Of The Parentals' Puppet time!

[aperrywilliams]

That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!BAU!Reader.

Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.

Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.

Word Count: 4.2k (no self control here)

Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.

A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!

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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.

But the crush he has on you seems to grow every day.

He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.

From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.

But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.

You were extremely shy and reserved.

In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'

He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.

But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.

You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.

At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.

It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?

If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.

From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.

You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.

'What if I don't have anything more interesting for him to say?'

'Does he just talk to me because he feels sorry for me?'

And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.

And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.

But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.

Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.

In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.

The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.

---------------

A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.

Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.

All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.

Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.

"Okay, what options do we have?" Emily asks.

"The witnesses haven't gotten us anywhere," Luke complains.

"Although we've narrowed down his hunting grounds," Rossi shrugs.

"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.

"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.

You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.

It's a fraction of the time before she comes back to behave like herself.

"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.

"Lurk him?" Matt repeats.

"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.

That's it—the elephant in the room.

Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...

There's silence in the room, and you can feel like the team's eyes are all on you.

Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.

"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.

And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.

But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.

"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.

"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.

"Not to mention he likes rough interactions," Luke adds.

"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.

And the fact you can blow up the entire plan.

Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.

When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.

"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.

That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.

You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.

Emily is who stops everyone's rant.

"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."

And this is how the discussion is settled.

Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.

When it's just you and Spencer in the room, he still looks at you in silence.

"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"

You downcast your gaze, exhaling deeply.

"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."

"The team? Not you?" You narrow your eyes to him.

You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.

Spencer closes the distance between you both but doesn't invade your personal space.

"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."

Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.

"You do?" You ask, not so convinced.

Spencer nods and smiles at you.

"And we'll be there when you catch the guy."

If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.

---------------

You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.

Everyone has a role in the plan.

Rossi will be the chauffeur who will drive you to the club.

Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.

When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.

"What?" you ask, and Emily chuckles.

"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"

Your cheeks redens.

"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.

"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."

You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.

"Come on, don't say that. You are not helping to my nerves."

"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.

One of the SUVs drives you to the van parking point. You needed to review the operation details.

At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.

For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.

Spencer feels like he died and was resurrected after seeing you.

"Okay, guys, we need to check the details again," Emily announces.

The plan is in motion, and everyone is in position.

As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.

Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.

Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.

Almost instantly, you start to attract the looks of men who are eager for a woman like you.

You exude determination, and you don't go unnoticed.

Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.

At the same time, Tara is stationed at the bar.

"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.

"Show time," you mumble to yourself.

You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.

That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.

You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.

Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.

"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.

JJ, who's following the cameras inside the club, sees someone who looks suspect.

"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."

Emily confirms JJ's observation before giving you the next instructions.

"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."

You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.

Matt and JJ look confused at each other but say nothing.

Your next step is to find another dude to seduce before delivering the coup de grace.

Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.

Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.

JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.

As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.

"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.

Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.

There is no longer any doubt that it is him. Now you just have to catch him red-handed.

"(Y/N), we got him. It's time for the last play," Emily tells you.

With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.

He tries to play it off, but he has no idea why you're approaching him.

"Is this seat taken, handsome?" You ask, with your drink in hand.

"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.

Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.

The thing is, Spencer isn't playing. He's definitely baffled by you.

"Are you okay?" You ask him, masking your question with a seductive smile.

"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.

You get closer to him to speak in his ear.

"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.

Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.

You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.

"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.

You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.

It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.

Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.

When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.

As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.

Everything that happens after is too fast.

The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.

But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.

There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.

You shyly approach him.

"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.

"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.

"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.

"I know. It was fake," Spencer cuts you off.

Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.

Everything except that kiss.

If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.

A tense silence takes over the moment. This is not okay.

You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.

What the hell! Tonight has already been a total of 180 from a usual day for you.

"It wasn't," you mumble, and you see his eyes flicking to yours in a second.

"What?" Spencer asks, narrowing his eyes at you.

"Everything was fake, but not the kiss," you say with a stadied voice this time.

Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?

"It wasn't fake?" He asks for clarification. You nod.

A smirk forms on Spencer's lips, seeing your cheeks redden.

There you are. The girl he had fallen for in the past two years.

"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.

"I know," you say with some hesitation.

"And as a man of science, I need evidence of things, you know?"

Now, you are the one who smirks at him.

"Evidence, huh?"

"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.

"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.

Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.

This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.

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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 

[churipu]

"SHUT UP, MAMA." 𓆝 ⋆｡𖦹°‧

ִ ࣪𖤐 featuring. gojo satoru, toji fushiguro, nanami kento

ִ ࣪𖤐 warnings. fem! reader, husband! au, i made names for your children but feel free to disregard it

note. i remembered this tiktok trend, just figured i should write about how the jjk men would react to their child doing this.

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

gojo had a day off. it's rare for a jujutsu sorcerer like him — being the strongest, he's an asset to the jujutsu world. so him being in a day off is like a miracle to both you and your seven year old son, who might i say, is an exact carbon copy of your husband.

"honey, you need to put your toys away. it's almost dinner time," you said from the kitchen, gojo by your side, ready to help you with anything.

"let me take that," he sings out, grabbing two plates from your grasp — you chuckled, letting him take the white colored ceramic disk, "looks good, baby."

as you and gojo walked out of the kitchen, placing the plates on top of the dining table. gojo pulled out your seat for you. habits die hard, the male has always pulled your seat out for you since the very first date.

your son. marise gojo. a boisterous little boy, absolutely loves to play with his rocket toys, and somehow believes he's a little astronaut. there he sat in front of the TV, playing with his toys, an astronaut helmet covering his small head.

"buddy," gojo calls out to the boy, "it's dinner time, clean up your toys. mama made some good food."

when gojo's call didn't work, you tried doing it next, "marise, your food's going to get cold, honey."

the young boy didn't make any visible movements, but you heard him yell out with his high pitched voice, "shut up, mama!"

gojo looks at you briefly. i mean — as a father, he couldn't believe his own son said that. to his mother. gojo wasn't one to get mad, in fact, marise is a total daddy's boy. but he felt angry, frustrated, annoyed, all at once.

he wasted no time leaping up from his seat, approaching the young boy. his smile no longer visible; gojo was unhappy. the male used one of his hands to take off marise's astronaut helmet, tossing it aside before grabbing the young boy by his small waist.

marise didn't complain, and he still has no idea of what his father is about to do. so he just sat still in gojo's embrace — until gojo puts him down beside you, "say sorry."

marise's bright blue eyes stared up at gojo in confusion, "say sorry to mama, marise."

it wasn't "baby" or "buddy" like gojo used to address him by, and marise wasn't stupid. he knew he did something wrong, but he just didn't get what or why his father is telling him to apologize to you.

"sorry mama . . ." marise's soft voice resounds.

"do you know what you did wrong?" gojo questions sternly.

marise shook his head, his eyes watering at gojo's tone of voice, "no papa . . ."

gojo sighs, he squats down and gazes into his son's eyes, "you should never say 'shut up' to mama or papa, okay? not to anyone, 'ts not polite. don't ever do that again, now say sorry to mama for saying that."

marise nods his head and turns to look at you, his eyes watering — it's not everyday that you get to see papa gojo get angry, "'m sorry mama, i will never do that again," the young boy finally cried, letting his tears fall out of his doe eyes.

you can't help but to smile at the young boy, pulling him onto your lap to cradle him, "don't do that again, baby. 'ts not polite," your fingers grazed his chubby cheeks, wiping his tears away, "and if mama or papa tells you to stop playing and eat, what do you do?"

marise sniffled, "stop playing and eat."

"good boy," you kissed his little forehead, "go give papa a kiss."

and that marise did, gojo immediately picking the boy into his arms with a big smile, "give papa two kisses, buddy."

sure, gojo is a fun parent. but he knows how to teach his children boundaries — what to do and what not to do. he's scary when he's angry.

𝐓𝐎𝐉𝐈 𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎

megumi is the child that made you and toji think you both should have another child — fukuo is the child that made you and toji stop wanting more children. not saying that fukuo is a bad kid, but the boy is relentless.

with a pretty large age difference between megumi and fukuo with six years, sometimes megumi had to teach fukuo some manners, telling the younger boy what's right and wrong. when fukuo misbehaves, it's megumi and you to the rescue — while toji would usually chuckle it off since, well, he's a little minus on the manners part as well. but you're working on that.

toji said so himself, he wouldn't mind fukuo misbehaving on some things. but the male did set some boundaries up for both of his boys and how they should act well towards you (and him).

today, megumi is twelve and fukuo is six. both of your boys look alike, "mama, 'm gonna be staying late at school because we have a play coming, 'm gonna help my classmate decorate the stage," megumi tells you as he puts on his shoes.

"alright, baby. have a good day at school, i love you," you pressed a kiss on megumi's head, waving him goodbye.

as megumi disappears behind the front door, you walk back inside the house, "toji, wake fukuo up, please. 'm getting his breakfast ready," toji who had his eyes on the television curtly nodded, sluggishly walking towards the boy's room.

"hey, champ." toji approaches the boy, who was sleeping soundly, "your mother's made some good food f' you. if you're not gonna eat it, i'll steal your portion."

fukuo squirmed a bit, but his eyes were still shut tightly, "fukuo," toji gently shook the boy, poking his cheek.

like anyone, fukuo didn't like his sleep disturbed, "papa, stop . . ." he mumbled out, shifting his small body so his little back was facing toji, "five more minutes."

toji sighs, "five more minutes."

he then went out of the room, "he asked for five more minutes," he informs you — sitting back down on the couch.

"five more minutes," was not an unfamiliar statement to you, especially coming from fukuo who had always managed to, of course, butcher the concept of time right after. it was either an hour, or more.

so you waited five minutes, and when the young boy didn't emerge from his bedroom, you found yourself walking towards it, "fukuo? baby, come on, mama made you breakfast . . ." you turn on the light, which made fukuo subconsciously twitch.

"fukuo, come on, papa will eat your breakfast . . ." you shook the boy gently.

"shut up, mama."

you blinked in surprise, but only managed out an exasperated sigh at the boy's sudden outburst, until all of a sudden toji appears beside you — his hand wet, and he slides his palm across the boy's face with a serious look on his face.

"wake up, fukuo. i won't tell you this again," toji mutters out, "three."

oh, god. the countdown was every kid's nightmare, "two," including fukuo's — shown by how the young boy immediately sat up on his bed, "apologize to your mother."

fukuo furrowed his brows, "why?"

"you don't tell her to shut up. apologize." you were just there silently, a little shocked at how toji had become so serious when he's usually so laid-back with the boys, "say sorry and eat your breakfast."

fukuo swallows his saliva nervously and scoots over to you, "'m sorry for telling you to shut up mama, i promise i won't do that again . . ." he whispers, throwing his short arms around your neck — burying his face into the crook of your neck.

you pulled him close, carrying the young boy in your arms, "'ts okay baby, no more telling people to shut up, okay? 's not nice, it'll hurt people's feelings."

"okay mama . . . 'm sorry for hurting your feelings," fukuo pulls back slightly, pressing a chaste kiss on your cheek before facing toji, "'m sorry for hurting mama's feelings, papa."

toji placed his palm over the boy's face, covering it entirely, a sheepish smirk plastered on his lips, "go brush y'r teeth and eat your breakfast, mama made some pancakes."

𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

nanami is such a girl dad. ever since he found out that both of you were going to have a baby girl, he's delighted. just knowing that he'd have a mini version of the both of you made his stomach churn in happiness.

hoshi. nanami hoshi is her name. it was a very peaceful six years of raising her — but they said there will be a devil baby phase, and here she was. whining, throwing tantrums over things she didn't get. it was honestly tiring, but you knew this was a risk of raising a child.

"hoshi, baby, please stand up." you cooed down at the girl who was lying down on the ground. in the middle of a mall, "mama and papa will buy that toy for you next time, i promise."

nanami was by your side, holding onto the baby stroller. his eyes were unreadable, you don't know what he had in mind, but the look he peered at your daughter was plainly and eerily terrifying.

yes, there are moments where he spoils hoshi with what she wants. toys, food, drinks, you name it. but there are times where he declines because he didn't want her to grow up too spoiled, "i wan' that toy, mama!"

you inhaled sharply, trying to slide your hand underneath her armpits to pick her up, but hoshi refused by kicking your hands away. her little kicks barely scratched you — but the people looking at your small family as they passed by definitely got a little kick to you.

"baby, people are looking at you . . ." you whispered.

"i don't care, shut up, mama!"

that was the last straw for nanami who had been silent. he grabbed your arm and tugged you up gently, nodding at you as if telling you to leave this one to him.

you backed away slightly, taking a hold of the stroller nanami had let go a few seconds prior as he squats down. forcefully but gently slipping his hands underneath hoshi's armpits, carrying her into his arms.

"mama said we will buy that toy for you next time, okay?" he sternly said, eyeing his little girl who was now silent as she gazed into his eyes, "and you never. never tell mama to shut up, do you understand?"

hoshi nods her head slowly, lips quivering at her father's sudden lecture, nanami's eyes visibly softened and he rocked her in his arms, "papa's not angry at you, hoshi. but papa wants you to know that telling mama to shut up is not polite, okay?"

again hoshi nods her head.

"go and say that you're sorry to mama," he pecked her chubby cheeks before letting her down onto the ground.

hoshi's little legs ran towards you, hugging your leg, "'m so sorry mama," she muffles into your leg, "i don't want the toy anymore, mama. 'm sorry for being a bad girl."

you squat down, nuzzling your nose to her, "you're not a bad girl, baby . . . mama and papa will buy you that next time, okay? we promise."

"okay, mama. i love you."

© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE

[yandere-writer-momo]

Author’s note: I am stuck in a slump so I’m going to write a guilty pleasure of mine… the body swap trope except this time, with a twist. And of course with the one that got away trope. I adore it so very much like black cherry ice-cream.

Yandere Head Canons:

The Husband Swap

Yandere Shapeshifter x Married Fem Elf Reader x Neglectful Drow Husband

TW: yandere content!! Mentions of smut, dubcon, tentacles, monster fucking, size kink, manipulation, voyeurism, oral, and unhealthy relationship.

Art from Veil Manga

You had been married to your husband, Nikolai Sokolov, for many years. An arranged marriage set up amongst your people as a peace treaty… you, a high elf, wed to a drow, dark elf. And Nikolai was often cold to you… despite how often you attempted to bond with him.

Nikolai refused to eat any of the food you made and he constantly brushed aside your attempts to get to know him. He cared little for this arranged relationship and treated you as if you were some mere commoner, a fact that only made your heart sting.

Nikolai would occasionally share a bed with you, but it was often out of fulfilling his needs. He cared little for your pleasure and only cared to satiate his own.

One day, Nikolai bought you a servant just to get you to leave him alone (outside of sex). A shapeshifter.

A magic collar was bound tightly around their silver neck as a preventative to their ability to shift. They were now powerless and subservient. A trait that most shapeshifters didn’t have since they were quite sly by nature. You wondered what this creature had done to have been reduced to a servant…

Their name was Lev Snegur and they were close in age to you and Nikolai. The shapeshifter was somewhat masculine looking with sharp features and pitch black eyes. A genderless species that never uttered a sound, what wonderful company to have.

You often tried to engage in small talk with them, but they remained as silent as the depth of night. Not a peep left their lips to ever give you input. It unnerved you.

You were very sweet to them and even offered to share meals, but they only stared at you. Talking to Lev was like talking to a brick wall that nodded at times. Lev was an incredibly good listener.

Lev’s company did little to satiate the ache in your heart and the all consuming loneliness. You were so isolated in this empty home filled with bitterness. And you started to accept that you’d never find any warmth with him. Nor would you find solace in your silent servant’s company.

Occasionally you’d wake up covered in a slight sweat, a puddle of dampness below you. The room would always feel of sex, yet you hardly had any of that… but you were always a bit sore between your legs when you’d wake up on mornings like this. Had you been having wet dreams due to your consistent loneliness? Or was there something foul at play?

So it was a surprise when Nikolai bounced into your room like a puppy one morning. His arms wrapped around your side while he inhaled your scent. What on earth was he doing?

“Nikolai?” Nikolai placed a finger on your lips, a mischievous look in his crimson eyes.

“Shh, I have a surprise for you!” Nikolai gave you a bright grin that made you do a double take. You’ve never seen your grumpy husband smile in his entire life. This had to be a dream… you gave yourself a pinch and hissed at the pain you inflicted on your poor arm. Nope. Not a dream.

Nikolai lead you out of the room to where a grand meal was set before you consisting of all of your favorite delicacies. You had no idea your husband even knew you adored such food…

“Do you like it?” His face was hopeful as he took your hand in his. “I’ve come to a realization that you genuinely care for me… so I will treat you better.”

And from that day forth, Nikolai was more attentive than he ever had been. He insisted you should move into his room and he often cuddled with you… it was so odd. This entire situation was bizarre, almost as if this was another person and not your husband.

It was when Nikolai went down on you for the first time that your mind truly began to believe he was another man. When did he learn how to please you and why did he eat you out like a man starved? This wasn’t your husband… this was an imposter.

When ‘Nikolai’ made love to you, he felt bigger. You swore he was nearly two to three inches than he used to be, which made your stomach protrude like you had a baby bump. And his hands ardently grasped at every bit of your body as he could.

It wasn’t too uncommon for you to find your husband sniffing your hair like some sort of animal. You were so scared…

The longer you spent time with ‘Nikolai,’ the more paranoid you became. There were less and less drows around now and your servant was missing… you were starting to become afraid.

But you never were able to get much time to think about it too much since ‘Nikolai’ was always dutifully by your side. There was never any time to ask questions… until tonight. You decided to ask him… for you feared you’d fall off the deep end into insanity if you didn’t.

“Where’s Lev?” You softly asked Nikolai whose fingers paused their dance over your scalp. His crimson eyes glanced over to your face.

“And why do you care so much about a shifter when your husband is here?” Nikolai asked in a bitter tone, but you could see a bit of excitement in his eye. And it made your heart pulse in your brain.

“Well, I miss Lev.” You softly whispered. It wasn’t a complete lie. You did miss your servant who always listened to you, but you preferred his silent company over the overbearing presence of your changed husband.

“Hmm… well, we can go see him if you’d like.” Nikolai rose up from the bed and wrapped a black robe over his bare chest. “He’s in the dungeon.”

You were a bit shocked by your husband’s words. “What do you mean? Lev never did anything wrong-“

“My wife is too kind for her own good.” Nikolai held your chin to pause you from rambling on even more. His eyes were filled with so much emotion, it froze you in place. “It’s what I love most about you.”

You gulped and averted your gaze, your cheeks felt hot.

Lev lead you down the hallway and down the winding stairs to the dungeon, his hand gently held yours. You felt dread creep up into your stomach the closer you went to the dingy dungeon. Your nerves felt as if they were on fire…

And the sight before you terrified you to your core, the angled corpse of Nikolai laid sprawled out on the brick flooring. His lifeless eyes turned toward the door and his mouth agape in a horrific scream forever frozen on his rotting face.

You tried to flee but your ‘Nikolai’ began to shift, slender hands now held you firmly in place while your captor’s face slowly morphed into the bewitching creature named Lev.

“It didn’t take much to overpower him. Your husband was too cocky to notice I figured out how to disarm the collar.” Lev’s voice made your blood run cold from how raspy it was. His voice low and monotonous despite the various emotions that hid beneath the surface of his eyes. “To whack him over the back of the head with a sword hilt and drag him down here. It was child’s play really.”

“Are you going to kill me too?” You whimpered when his grip tightened around your arms. His face filled with concern.

“Kill you? Nonsense, I’d never kill my wife!” Lev began to pepper your face with numerous kisses while his arms snaked around your waist. “I mean it when I say I love you, I love you more than that bastard ever could.”

You try to protest, but you feel something slimy wrap around your legs and give them a squeeze. Your eyes are wide in terror at the black tendrils that snaked around your plush thighs. What on earth?!

“And I can certainly fuck you better than he ever could… I can show you things no other monster could ever show you, so won’t you indulge me? I promise I’ll blow your mind.”