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anxiety-elemental-kay · 6 days

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Howl All You Want, It Won’t Bring Him Back: Further Comparisons on Agency, Grief, and Villains in Warcraft and Warframe

Guess who’s back on their bullshit!

Here’s why I’m comparing these games again: they both involve a storyline with a blue-skinned villain (with some body horror physical feature) who recently showed up in the story, torturing and mind controlling someone. Both stories touch on grief for a family member and the relationship between a father and a son. One story was the final nail in the coffin for my love of the game and the other still makes me emotional thinking about it.

This time I’ll be comparing the A plot of Shadowlands, with the Jailer and Anduin, with the quest The Sacrifice in Warframe, with Ballas and Excalibur Umbra. Again, this may simply be the species of brainworms I suffer from, but I think these two stories make for an interesting comparison, and demonstrate how I feel the Shadowlands story could have been improved.

Some brief background for anyone who needs a reminder and/or is unfamiliar with the games. I've included relevant cinematics for folks who want some additional buildup/context. Big spoilers for both games, of course.

youtube

[Video is the opening cinematic for the Warframe quest The Sacrifice. This is the first time we see Excalibur Umbra]

For Warframe I’ll be talking about the main story quest The Sacrifice It focuses primarily around the major villain Ballas, who created the titular warframes, and Excalibur Umbra, one of the first warframes Ballas created. Except unlike warframes the player is familiar with, which are lifeless puppets for the player to control, Umbra is sentient, can be partially controlled by Ballas, and is very upset about pretty much everything. The Sacrifice is about the player discovering what (and who!) Umbra is, what Ballas did to him, and how the warframes were first developed.

youtube

[Video is the reveal trailer for Warcraft patch Chains of Domination. It's the first time we see dominated!Anduin]

For Warcraft I’ll be talking about the stories of both the Jailer and Anduin in the expansion Shadowlands. The Jailer is the primary antagonist of the expansion and Anduin is an established character who’s had a major role in several previous expansions. The Shadowlands are the afterlife in the Warcraft universe, and something has broken death, which the player now needs to investigate and fix. In the first content patch the Jailer mind controls Anduin and uses him as a pawn to enact his evil plans.

Among people who've played Shadowlands, it's pretty universally (in my experience) seen as, at best, a disappointment. In some ways Ballas feels like a demonstration of how a character like the Jailer could have worked. Though these are both different games and stories, there's a core they share that I find illuminating.

From Ballas and Umbra, there are four major things we can learn to improve the Jailer’s and Anduin’s story:

Foreshadowing

This is probably the most obvious criticism: The Jailer straight up did not exist until Shadowlands was announced. We’re supposed to believe he’s behind several major events in the story? Really? This guy we’ve just heard of for the first time?

Ballas, similar to the Jailer, doesn’t make an appearance in the story until quite late. However, references to him, and people like him, are scattered through the story. I want to go over this because I think it demonstrates mechanically how this kind of foreshadowing can work in an mmo.

In Warframe’s past, humanity used to live under a single united government called the Orokin Empire, named after the immortal ruling class. Long story short the Orokin solved every problem they had in the most inhumane way possible, until karma caught up with them. The Orokin were slaughtered and their empire destroyed. In the present day story, the Orokin are a long dead memory, but their legacy lingers. Every major antagonist faction has at least some connection to the Orokin, either they were outright created by them (the Grineer, the Infested, the Sentients) or were enabled by them (the Corpus, possibly the Murmur).

Ballas specifically is only occasionally mentioned by name before the player encounters him in-person. He’s referenced as the guy who first created warframes, he was on the ruling council of the empire, and had a creepy crush on the players’ surrogate mother, but didn't save her from execution, among other things. Not a great guy.

These references to the Orokin and to Ballas are small and scattered through the story, appearing in different places. It’s possible to overlook, but I find it works as a kind of background radiation for the setting. The legacy of this evil, decadent empire is still hurting people even long after it’s fallen.

Which transitions us nicely to the second big lesson:

Personal Investment

When you finally meet Ballas in-person, in the quest Apostasy Prologue, the first thing he does is literally mind control and walk off with the Lotus, your mission control/second surrogate mother. Literally the first thing this bitch does when he first appears is orphan you for a THIRD time.

Even if you’re someone who didn’t pay much attention to the lore until this point, and have no idea who Ballas is, he’s just affected the player on a personal level. This is reflected in gameplay, the Lotus’ normal mission transmissions are replaced with an imperfect replica. It’s a constant reminder that this fucker just walked into your life and effortlessly changed it.

And that’s before he appears in The Sacrifice, where he does some more evil shit, but I’ll cover that in detail in the next section.

The point of all this is the player, the actual person sitting at the computer, now has a personal relationship to Ballas. He’s not just some historical figure or an abstract bad guy to fight, he’s directly affected the player, affected you. Regardless of what his other plans are, which are unknown at this point in the story, the player is already invested in seeing Ballas defeated. You know who this guy is and you have a reason to hate him.

As for the Jailer…

...eh?

He just kind of drops Baine? He's just standing there being Evil(tm). It's not much of a first impression. In that Maw opening we see the Jailer one more time when he shows up with his army to try to stop the player and friends from escaping, and...

...eh?

I have no reason to be afraid of this guy. He dropped a tauren from a great height. Wowee. He hasn't made any meaningful demonstrations of power or cunning at this point, has done nothing to make me want to defeat him. It's just. There he is. The Bad Guy.

The player never really gets any closer to the Jailer after this point, and as such never presents a personal threat to the player. We can encounter him one or two times later and see him in cutscenes, but we never have any kind of meaningful interaction with the guy. Aside from breaking the sky over Icecrown, which really Sylvanas did, the Jailer hasn't really even done anything to Azeroth!

I remember early in Shadowlands theorizing that the final raid would take place, at least in part, in Silithus. Maybe for Reasons the Jailer wants to claim the Worldsoul, and he plans to turn Sargeras' sword into a giant mourneblade to do it. I still think that would've been cool! It would be a way to bring the threat of the Shadowlands back to Azeroth! Tie it all together into one cohesive world!

The Jailer being such a distant threat doesn’t even work in the sense of ‘the Jailer is so big and powerful as to be entirely indifferent to the player’. That kind of terror is possible to do in a game but that’s not something Warcraft is trying to invoke here.

This is a good place to shift attention from Ballas and the Jailer to Anduin and Umbra: how do these stories of mind control differ? What makes one work while the other fails?

Disempowerment

You’re in a hospital bed. You cannot speak or move. The best you can do is turn your head, your breathing wheezing and difficult.

There’s a man sitting at your bedside, the one who put you in that hospital bed. He assures you that you will receive the best care, and they have prepared the “finest serums” to treat you. At your other side is a young man, your son, worried for you. The man who is poisoning you assures your son that you will make a full recovery. You cannot warn him of the danger.

The man invites you to play a board game. How well or how poorly you do is irrelevant. Your poisoner looks down at his nails, unbothered, almost bored. You try to scream in agony as your body changes, and your poisoner speaks directly into your mind: explaining that the serums are transforming you into a monster, a weapon of war, a miracle!

“But all miracles require sacrifice,” he says.

He is going to make you kill your son.

The memory ends and the player Tenno is back in the real world.

At several points in The Sacrifice the player experiences Umbra's memories, or more accurately, memory singular. You go from the third person to first person, seeing the world through Umbra's eyes. Ballas messed with his mind as well as his body, and we're forced to watch several scenes where Umbra is helpless to stop Ballas from doing evil shit. The player not just sees but directly experiences what Umbra did.

The hospital scenes in this quest are so impactful because you spend the rest of the game in a power fantasy. You’re an immortal space ninja with magic powers and tear through hordes of enemies on the regular! The game knew exactly how to strip that all away. The hospital scenes in The Sacrifice are gameplay. Sure a similar effect could have been achieved with a cutscene, but by still giving the player some input, the illusion of agency, it makes everything hit harder.

This is something the game has done effectively before too, had a moment where your all powerful player is pitted against something they can't fight against. It's rare, but when it happens, it makes an impression.

(Pro tip: You can jumpscare any Warframe player by whispering “Hey kiddo.”)

(If you want to know why tough luck play the game yourself.)

(Or I guess. Google it. If you hate fun.)

It’s worth noting that Warcraft does have an impactful moment of disempowerment! It’s no longer in the game but it’s still a great quest!

In the pre-expansion patch for BfA there was a quest Alliance-side where the player tries to save as many people they can inside the burning Teldrassil. The task was designed to be impossible and your character collapses before you can get anywhere near the number of people you're being asked to help. You're setup to fail in a way the game doesn't do elsewhere, and it works!

...But when we get to the storyline about domination magic, the ultimate means of disempowering someone... and we never really see it. We never feel its effects. This is why I made such a big deal about the hospital scenes in The Sacrifice being gameplay, because even though there's very little for the player to actually do, that's the point of the scene. I wish I saw Blizzard experiment more with the medium of games and interactivity as a storytelling device. It doesn't happen as often as it could.

I think back to the Jade Forest quest lines in Mists of Pandaria, where you temporarily take over the role of an NPC as they relate a story to the player. Maybe there could’ve been a similar quest where the player experiences what Anduin does under domination when he’s not out doing the Jailer’s bidding. Maybe as Anduin the player is actively punished for doing things they shouldn’t. Try to walk out the front door? Nope! The Jailer seizes control and walks you right back to the start of the mission. You could really twist the knife here too, if it demonstrates that Anduin suffers as a consequence of the player’s actions. Trying to help? WRONG you fucked up and made things worse!

Now, what’s the second half of telling a good mind control story?

Transgression

I wasn’t sure what to call this section, transgression still doesn’t feel like the right word, but I’m stumped for what else to call it. Especially when comparing these stories, and what Umbra and Anduin actually do when mind controlled.

Through The Sacrifice, the player sees more of Umbra’s memories, more of what happened when he was trapped in that hospital bed. In the final one, the player appears at the foot of Umbra’s bed, even though they were not present for this event. The player speaks gently about how Umbra has been forced to experience this same painful memory over and over, but this time there’s someone else with him to help him get through it. In the memory Ballas seizes control of Umbra’s body, and Ballas makes Umbra kill Isaah. You kill your son. Umbra does not get to escape this, even in this final moment when he isn’t alone for the first time: it’s what happened and he cannot change it. A parent kills his child.

The objective truth that Umbra was not at fault for Isaah's death is irrelevant. Ballas achieved his goal in torturing Umbra by forcing him to do this terrible thing, and Umbra was consumed with anger and grief. The player understands Umbra's pain because we experienced it along side him, felt his fear and helplessness.

By contrast, even while under mind control, Anduin never transgresses in the way Umbra does. Sure he’s helping the bad guy fulfill his big evil plan, but the whole arc lacks teeth. He doesn’t even kill the Archon when he stabs her in the above trailer! Both Umbra and Anduin are equally blameless for their actions, but Anduin’s guilt feels vague and unearned, where as Umbra’s is specific and deeply felt. Anduin is never made to do anything that would cause him personal pain or loss.

This, I think, one of the primary reasons The Sacrifice works and Shadowlands doesn’t. Like the point about Blizzard being unwilling to give Anduin flaws in the last essay, they are also unwilling to make him do something bad, even if it’s against his will. They would never, for example, force Anduin to kill a family member. The ways he supports the Jailer's plans feels vague, and even when he's forced to fight the people he cares for... I don't feel anything about it? He doesn't even really hurt them. (Also because of a bug Thrall and Bolvar stand off to one side while Jaina does all the work. The story of her whole fucking life, let me tell you.)

So at the end of the story when Anduin expresses guilt over almost killing his friends and how his hands feel unclean... why? He did no lasting damage to any of them. Anduin suffers no material loss for his time under mind control. His hair even grows back and turns back to blond when he's free from domination! There was literally no consequence for the time he was forced to serve the Jailer. As a player I can't understand why he reacts to these events the way he does. It doesn't help that they seem to change the plans for Anduin's arc partway through Shadowlands, but that's a whole other can of worms.

To wrap up, how do these two stories conclude, how do Umbra and Anduin break away from mind control?

Finding Peace

One of the footnotes in the last essay I referenced a choice the player got to make in The Sacrifice. Once the player soothes and unites with Umbra, the player is presented with three options: Wrath, Acceptance, and Emptiness.

Regardless of which you pick, this choice is about Umbra making peace with what happened to him, and the player helping him achieve it. It doesn’t erase the harm done, it doesn't bring Isaah back, but now Umbra can begin to heal.

I especially like how it gives nuance to the concept of grief and how Umbra might move on from his son's death: does he use that grief to fuel his revenge, does he let the memory go so it cannot harm him anymore, or does he embrace a feeling of emptiness and find freedom that way?

Later the player helps Umbra stab Ballas, after he boasts about how Umbra cannot defy him. Get murdered, idiot.

That’s not the end of Ballas’ story because of Shenanigans, but god damn does it feel good. I’m disappointed that Umbra doesn’t get to be a character going forward, which is a painful missed opportunity. (But I can role-play it on my personal ship! He can wander around, I got him a new guitar, and he can pet my cat whenever he wants.)

As for Anduin… um…

The power of his ghost dads help him break free? After the players have hit him on the head a bunch? I guess?

You fight raid boss Anduin, and then there's a cinematic that's entirely disconnected from anything that happened in the fight. As far as I can tell nothing the player did had a material affect on Anduin’s ability to resist the Jailer. Did the player even need to be there? I don't know!

Anduin's story ends with him failing to make peace with what happened to him, and that's a good ending for him! It's a great setup for possible future story arcs for him! That said nothing about his emotional state or character development had any play in him breaking out of mind control, and the moment lost a lot of punch as a result.

To wrap up this essay...

Last time I referenced a monologue by Ballas in The Sacrifice, and included a quote. Here’s the speech in its entirety, which I’m including because 1) I love it to pieces and 2) it’s a great demonstration of Ballas’ character.

“— We had created monsters we couldn’t control. We drugged them, tortured them, eviscerated them… We brutalized their minds… but it did not work.

Until they came.

And it was not their force of will — not their Void devilry — not their alien darkness. It was something else. It was that somehow, from within the derelict-horror, they had learned a way to see inside an ugly, broken thing —

— and take away its pain.”

This is a perfect summary of why Ballas is a villain, why the players are meant to oppose him. He genuinely and literally, cannot understand the concept of empathy, of understanding someone else as a person. He cannot understand why the player Tenno’s effort to see Umbra as a someone who is suffering, and to give him comfort, achieved what Ballas never could with his cruelty and violence. This is all because he was the beneficiary of empire, at the very top of the highest pyramid, he's vain and petty and greedy, and there's nothing inside him capable of self-reflection or remorse.

The narrative doesn’t seek to justify Ballas’ behavior, or even go over the top in condemning it. It shows you the horrific things Ballas is capable of, and assumes the player can draw their own conclusions.

At the end of Shadowlands it tries to retroactively make the Jailer into a sympathetic (maybe tragic?) character by implying he was trying to protect the universe from some greater threat. But. Okay. Literally nothing before that point even implied such a motivation. He was just Evil McBadguy until now, and only when the players have literally killed him are the developers making a shred of effort to give the Jailer some kind of motivation or arc?

The Jailer isn’t even a character in his own right. Yeah he’s upset about being imprisoned, feels it was unjust, and wants to dominate the whole universe, okay, but… that’s it? That’s the skeleton of a character. He’s not even a fun skeleton! I get he's the bad guy because he wants to take over the world, but why? Why was that the choice he made? What need would that satisfy? What kind of person is he? What's his place in the universe and how did that affect his choices?

The Jailer could be replaced entirely with an especially malicious toaster and the plot would be the same.

I don't have a witty ending for this essay. Just. Dang. Shadowlands was such a missed opportunity.

#warcraft #warframe #kay writes things #have some more yelling about video games

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valentinoappreciator · 6 months

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saw your post about people who like Alastor but not Valentino and I hope you don’t mind me responding here instead of the post itself!

For me it’s because not only have we actually seen him+his personality (the only times I know of when Valentino has actually talked in-universe is Dirty Healings and maybe his Instagram, but I don’t have Instagram) and Alastor has like funny lines and a song in the pilot. I could probably defend every single bad thing he ever did if I wanted to but I don’t think anybody cares and my apologizing for him would be hollow anyway but as far as I know we’ve seen him kill/try to kill twice and one of those times was Sir Pentious, who attacked the hotel, and the butcher shop owner in A Day in the After Life, who was attacking a customer. Although Alastor did kill many other demons, we only know what happened from Vaggie’s possibly biased and overdramatized retelling of events, and since they are demons in hell it’s possible he was only killing bad people like a really horrible superhero. We also know he was a serial killer in life, but again, we don’t know the context, and he could’ve fancied himself a vigilante or something(which still doesn’t mean he’s innocent, because it’s still murder and very unlikely, but hey! Hasn’t been disproven). Also, as an asexual, I’m probably projecting a lot onto him and it’s way easier for me to like his character than Valentino.

Sorry this is so long, and I’d like to make it clear that I didn’t intend for this to be any kind of anon hate or something; I bear no ill will towards you. I just saw your post and couldn’t resist answering your question, I suppose. Again, I’m really sorry if this comes off as rude, I don’t mean for it to be! We just have different problematic faves I guess, and that’s fine! To each their own or however it goes

TL;DR: I find Alastor to be very entertaining and a fun villain, while nothing really stands out for me with Valentino

thank you for clarifying that you didn't mean this ask as hate. i didn't read it as such, but its still nice of you!

i dont know how to answer this without sounding like an asshole though. but, all im hearing in this is still "defending" / "reasoning" why a serial killer (and potential (?) cannibal) is better than a sexual predator. which, that's fair, that's fine, we're all different after all! and Alastor and Val are both evil, so like we're both on the wrong side of the fence, but y'know

#asks #my post #oh boy do i tag this?#yeah sure why ntot #hazbin hotel #alastor hazbin hotel #valentino hazbin hotel #hazbin critical #i guess????#either way #i didnt mean to be rude to you anon! i hope it didnt come across as such #no hard feelings

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reyna-isabellaa · 2 years

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My thoughts on common things the show has been hated for:

“The main plots from book have now been replaced with political storylines which no-one asked for”

it’s clear here you did not read the books because Lissas entire plot is her growing into her political power and taking a seat at the table, speaking against injustice and against the crazy policies from extreme royals. Rose consistently explains the political context of what’s going on in the books and especially points about the commodification of dhampir women. This is all in the books AND NOW represented in the show. Don’t know what you mean about main plots because I see a lot of book plots being set up to play out through out the season. Main plot IS Dimitri training Rose to adequately protect Lissa when they graduate. That is EXACTLY what the show is about. if you watch longer than 5 minutes before throwing a fit you would see that. Each episode continues the story in an accurate compelling way, and the developing of characters and relationships begins to show. Most shows have 22 episodes and 10 seasons to see everything. we’ve been given four, of the very beginning, obviously not EVERY SINGLE little thing will be represented yet nor would a word for word adaptation make sense or be interesting because that first book has BEEN done already. But those general elements for the plots and characters are present.

“origins of mythology is gone”

This was NEVER represented in the books, in the sense that everywhere Richelle drew inspiration from wasn’t throughly explained and context for WHY each vampire is who they are. The intro DOES explain the lore for this specific story and weaves bits through dialogue. Don’t know why it was expected to do a deep dive to where certain things come from because that was never the books strigoi were strigoi, moroi were moroi, if you want that it’s interviews and discussions with the author in her inspirations not the show.

“romanian and russian backgrounds of most of the characters”

no one dug their feet in on this until the cast wasn’t fully white, characters were never stated to for sure NOT have these backgrounds. Representation is important and there is still time for this to be seen and represented. Like Dimitri still being from Russia but ppl constantly hated assuming he had no link at all and roza/comrade was gone (it’s not if u haven’t given the show a chance yet). I know this is important to people and don’t want to disregard anyone but using it to hate the show when the movie didn’t explore it that much either let alone the books that mentioned moroi ancestors being from there every once in a while which again could be mentioned in the show.

“Stunts are unrealistic”

they aren’t meant to be it’s a fantasy show with vampire hybrids who are LITERALLY build different to fight vampire monsters

“Outfits are all over the place”

ROYALS wear designer clothing and attend balls and ceremonies.

Non Royals try dressing up for these events but dress “normal”

Dhampirs dress in athletic clothing for training, all black uniforms for various events, and “normal” outfits.

The book discusses Rose dressed more practical as she began taking her training more serious, and the moroi esp royals would be in designer dresses and outfits, non royals wanting to imitate that on a budget which is exactly what’s is represented.

It’s clear the lack of understanding of how television works, we as book readers would LOVE to see every single last word played out EXACTLY how it was in the books but it’s not possible storytelling wise when creating a hit show that lasts and gains viewership. Some things and characters were changed because in the long run it will all come together and make sense both to book plots and the whole story the show is telling. If you weren’t so hellbent on hating this show you would see just how much Sisi, Daniela, and the whole cast play these characters so well, and what is being set up for the season and later seasons. The intention is to have all the books represented across many seasons and to even have bloodlines adapted. but it’s OUR support that will allow that to happen. So tired of the same ridiculous comments most of which stem from racism towards the cast and it’s unacceptable. Having a different/negative opinion is fine but hating and dragging the show down because you can’t open your eyes to what’s on the screen and making comments that are just false or hateful isn’t okay. I’d understand saying that you can’t enjoy this because the books aren’t playing out in the order you expected or wanted, or a character you liked was missing but saying the entire things is the absolute worst because natalie and aaron, the two most important VA characters are gone. natalie is in sonya and mia, a change, but one that connects these characters for many seasons provided direct links to each other to keep them in the show universe, not being gone for a season or two and coming back because a link between one random character to another small character back to another character do you see what I mean? anyways. I’m a virgo mercury and hate seeing things posted that are easily explainable and tear the show down because the cast doesn’t deserve that. Also yes Richelle does love it she doesn’t have to post or be on podcasts talking about how she appreciates the changes, ships victor and robert, loves seeing the show but she does!

#vampire academy #rose hathaway #lissa dragomir #dimitri belikov #christian ozera #adrian ivashkov #mia karp #eddie castile #mason ashford #sonya karp #mikhail tanner #victor dashkov #tatiana vogel #richelle mead #bloodlines

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l3tterk · 11 months

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NEW MUSIC: Carmen Caska ~ To Be Plugged

NOTE: I originally posted this to AOTY, but thought I'd drop here as well

I have been really excited for this project, ever since it was first mentioned all the way back in 2019/2020.

Over the last few years, it has been relatively quiet on Caska’s front regarding their musical output; a couple demos here and there but otherwise not so much.

In 2020 there was “WHACK” - a more classically hip-hop styled track complete with chipmunk vocals and a real sense of Spaß (to appropriate a Brechtian term) in both Caska’s vocal delivery and lyrics as we learn about the artist’s personal convictions and how they navigate through the world.

In 2021 there was “220 - 2” an interesting listen that with hindsight, due to its pitch shifting and glitchy, yet serene drops, could be viewed as a forecast for the musical direction Caska was headed.

These aside, the last substantial offering Caska was the 2019 mixtape, “ARI”- a project that saw the artist take a dramatic leap forward from their early days of Acoustic-y Lofi Hip-hop (under the alias Toph, or Topshiba) into a world of more industrial/Alternative hip-hop. On “To Be Plugged” however, we see Caska take yet another step - this time incorporating flavours of hyper-pop and electronic music into the mix, yielding a more ambitious, confident and engaging listen.

Over this span we’ve also seen several artist name changes for this project, starting with Ari Mori, moving to Aari Mori finally arriving at Carmen Caska - a fact that is useful to note as they are the literal stages of Caska's devopment.

Context aside, the review begins below

The album opens with “through me” an electronic, shoegaze-y number that sets the sonic stage for what we are about to listen to. Lyrically, Caska establishes a recurring theme of snow - something that is referred to again later on the project. As a listener, you very much “descend” into the world of this project during it’s runtime and it definitely feels so beginning with this track.

“You will drop everything” is an uptempo track that could have fit in on “Ari” - not that this is a bad thing. Instrumentally, this song feels like you’re travelling in a race car, with bending synths, glitchy drums, and a roaring bass.

“Lil Hoe” - is an alternate version of what was the lead single titled “Gutted” released with an accompanying mv in 2020. Due to this song, or at least the idea for it being in the ether for so long relative to the rest of the tracks, I feel most attached to this one. Though I miss the clearer original’s lyrics, in particular section in the original with the lyrics “Made into an addict but I loved her” I appreciate this track for what it is, which at the end of the day is still a hyper-pop banger.

“Have Mercy” is probably one of my favourite songs off this album, there is a fantastic sense of progression throughout its run, the “This is like this many rings” part just goes HARD and I also love the line “all the angels have fallen”

“Last Dance” is an apocalypse party anthem, with fluttering/growling arpeggios - which echo Portishead’s “the rip”

On “Heart Ate Whole” Caska flexes their fantastic production talents - its just a marvel to listen to.

“Tear” is a powerful, yet serene stroll down memory lane, as Caska manages to express the feeling of growing up - I have already written a review for this so I won’t go on much longer- but I wanted to note that it is my thinking that the reference to snow on this record could be a symbol of purity, or innocence, which becomes more powerful considering its use on this particular song

“Kill Me now” - feels Jpegmafia influenced in the best way, especially with the gang vocal chops - there’s a great sense of balance between braggadocio and vulnerability, which reminds me specifically of Peggy’s song “Kenan vs Kel”.

“Valhalla” is another banger - nuff said.

The project ends on “East River”, which I think is one of Caska’s best penned songs. I LOVED the passage “What did he think about?/In those very last breaths before the air ran out/Was it someone/Who gave meaning to every bubble/Who made his heart more than a muscle”. Instrumentally, I liked the distorted guitars and the way the whole composition builds is immaculate. - A truly epic closer.

All in all, I believe that this project is very well conceptualised/executed. Fantastic production, Unique vocals, some decent to brilliant lyrics as well. Would highly recommend. My only critique is that the lyrics are still buried in the mix, of course this is in no small part a stylistic choice, however I still feel that it obfuscates what could otherwise make for a more engaging listen.

This also happened to release on my birthday, so thank you for the amazing gift and keep up the great work, Caska!

#carmen caska #new music #review #long reads #hyper pop #electronic #alternative

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weak-aesthetic · 1 year

Note

I think this had potential to be such a great story for Velasco that’s been executed very poorly. If they want to bring Churlish on it’s such a bad poisoned intro unless and Liv going hard for her is weird considering how she even told her what she did was illegal. Unless she messes up a cases doing something else illegal so she doesn’t stick around that long? Then what’s their endgame for Velasco? I can’t imagine how he feels being on a squad that doesn’t trust him. Then the one person potentially in his corner (Muncy) was MIA all episode. I’m really hoping we get more context with what Muncy did with what she knew. Cause I really don’t see her keeping it from Velasco. Sigh. So much potential but it’s just not there for me.

Mariska did AMAZING with the storyline for the victim and his wife. It was a truly beautiful storyline but Velasco’s character arc and backstory suffered dearly because of it. This was a huge pivotal point in the development of Joe’s character and it was wasted away.

Like when Liv asked Fin, what do we know about Velasco, the answer truly was what Fin gave. We don’t know much about him except he has a kinda dark past. Like Velasco has been on there for going on this is his second season and what did we know about him before tonight?

His dad wasn’t the best father and he kept his belt to remind him of what he overcame in childhood. He had been forced into a gang when he was younger, made a vow to only do good if this one kid who he helped set up for an assault lived and then was shipped to Nebraska to get out of the gang. Also we know he’s a huge soccer fan and is into wrestling and that he’s single, trying to find a girlfriend. That’s about it (I may be missing some things because my memory is fuzzy). I feel like we knew about Amanda’s sister Kim than we do Velasco tbh.

And it’s like, Liv is THIS quick to turn on him like he wasn’t a HUGE help in the BX9 case. She even said he would be her “maestro” at one point because he had so much knowledge on how gangs worked. And now all of sudden he’s “180 lbs of water in the shape of a man”???

Okay side rant here:

Velasco had to learn how to camouflage. He had to learn how to blend into his surroundings to survive when he was younger. His friend killed those people and lied to the cartel for YEARS because he knew Joe couldn’t do it because that’s not who Joe is. Joe isn’t a killer. He’s a protector, a friend, a lover if you will. But he had to learn to act like one to survive. His whole life he’s been forced to play a role (like Olivia pointed out) because it’s the only way he knows how to live. Joe’s self defense mechanism is to blend in with what’s around him and so that’s what he’s been doing. And I feel like this whole storyline can be a HUGE arch for him if we finally see him develop a sense of self. He doesn’t need to find his friend and turn him to prove himself to Liv, but to prove to himself that his past is behind him and he can stop blending into his surroundings. The only person we’ve seen him even be himself with is Muncy (the whole scene of him buying her a soccer ball). So it’s like, this has a chance to be a huge thing for him and it was handled so poorly.

And going to the Churlish thing, I really hope it blows up in Liv’s face tbh. Liv is being such a hypocrite when it comes to everything related to Velasco. She threatens Muncy and tells her not to tell him but if it had been her, Stabler and Cragen, she would have lost it on Cragen. And then let’s Churlish, a white shield, do the interview with Fin that was only happening because of her ILLEGAL recording. Are we forgetting all the times Ms. Benson crossed lines for Elliot? She’s being so hypocritical and it’s honestly making me so irritated. Like she’s okay with Churlish committing a FELONY of recording a conversation with an inmate and let’s her join the squad but pretty much gives Velasco an ultimatum of turn in your friend who SAVED YOUR LIFE or your job is toast. Yeah both committed a crime, but you shouldn’t reward Churlish’s criminal act with a spot on the team and threaten Velasco for his. And also?? Churlish being so defensive that Velasco looked into her background as if she didn’t record a personal story of his life?? Like bitch sit down and shut up.

Honestly as much as I’m for “women empowering women” I hope Muncy chews Churlish out because no one else seems like they’re gonna do it. Churlish seems like a VERY toxic character and tbh if she does stick around, Idk how long I’ll be able to stand it. She committed a whole crime and gets rewarded? Fuck that.

I really want to know what did Muncy do with the information too. She’s the only who seems to even care about Velasco because Fin and Liv turned on him so quick.

#joe velasco #grace muncy #olivia benson #law and order svu #tiff talks #law and order special victims unit

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perhaps-in-anotherdream · 2 years

Text

“Holding The Entire World In Your Arms”

⌚WARNING⌚ This is just some random rambling LOL, containing spoilers from unreleased contents~ :>

Most of my rambling and fangirling usually don’t make it to my blog as I mostly tend to be more active on twitter and discord haha~

But–– this thought that suddenly hit me two days back somehow actually made me sit down and try to enlist this rambling on tumblr as well in a not-so-very articulate manner skfkskl LOL 💀

—

[it’s important to read the date since I’m not providing any context LOL]

The link of the date translation: Here💘

—

Those of you who are familiar with Victor’s contents, it’s no surprise that “holding hands” is practically Victor x MC’s lifeline haha~

And MC brings this to a whole new level when she says in the date—

“A long, long time ago. The first time you held my hand, I was bound to you right away.”

–

Snippet from S1 CH 4 MC’s dream sequence:

—

Now that throwback to 泽言哥哥 skfkskl

💘 • The significance of 泽言哥哥 ⁄(⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄

🎥 • Cilp of little MC calling little Victor 泽言哥哥 🥺

—

Anyway, moving on, next is the “hug,” or to be more precise – they both LOVE wrapping their arms around each other’s waist ⁄(⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄

To be honest, the word “Love” seems like an understatement when you realize that the current counting of Victor x MC’s “arms around the waist karma” alone is 26 (it’s 27 if we count the shower karma too LOL).

However, in all of them, either Victor has his arms around MC’s waist, or it’s the other way around, except for one karma.

It’s his 5th birthday karma. In this one, they both have their arms wrapped around each other’s waist at the same time. This also perfectly symbolizes the gist of his birthday date––

MC’s grand confession, followed by Victor’s, and the both of them re-validating how the other person is their entire world.

–

The concluding remarks of their confession—

“I don’t have the whole world to give you. I only have myself. My most direct feelings, my unreserved heart, and my determination to bring you happiness infinite number of times.”

“This is an invitation. I don’t know how I can arrange you into my future, and this is the only way that I can think of. When one is used to being accompanied by someone, to being taken care of by someone, to being valued by someone, they will unavoidably become spoiled. Not only will they want it for every moment in the present, but they will want it for every moment in the future as well.”

More on “The World” (MC’s monologues):

Even if it is insignificant, I still want to give this person who has led me through the darkness countless times, a path of light sufficient to illuminate the curtain of night. I don’t know how many times I have gazed into his eyes and quietly told him about my greatest wish.

Victor, do you know… what a grand miracle it is to have you in this world.

Just like in that very moment he appeared in my life, sun shone through the cracks and fresh flowers bloomed in the wilderness. Since then, every curtain of night I have seen has magnificent stars. And, every daybreak that I have waited for, the first glimmer of dawn has filled the entire landscape.

—

Also,

MC’s single white rose in the form of a love letter––

When a single rose is given to someone you’ve been with for a long time, it means “You’re still the one” and white rose symbolizes “marriage”, also known as the “wedding rose”~

—

Needless to mention,

This date was the starting point of the unbroken escalating streak of Victor contents we’ve gotten so far, followed by—

them signing a new contract as business partners and taking on major projects together i.e. not just saying the words, but actually taking the actions towards building their future together 📝🚀

then “THE PROPOSAL,” which truly couldn’t be more perfect 🥺💍

and them moving in together, decorating their own home and everything—— 👩‍❤️‍👨🏡

All in all,

This karma practically is the visual representation of “holding your entire world in your arms” 😭💘🤲

–

ON A SIDE NOTE: EVERYTHING aside, I still am not over how MC literally arranged an exclusive drone show just for him. JUST LIKE THE CN FANS DO ON HIS BIRTHDAY EVERY YEAR HNNNGNNNNN 😭🤲

ALSO,

The word “gnomeshgh” in the karma refers to the tenderness you feel when someone shares an idea, a photo, a song, a passage etc., accompanied by a note that conveys that you were the face that came to the forefront of their mind when this thing first occupied their senses – that you’ve organically nestled your way into this other person’s cortices so that they no longer just sees remote objects in time and space, but rather a set of associations that lead back to you – recovering you once again from the self inflicted fallacy of aloneness.

THIS IS JUST SO VICTOR x MC!!!! AND IT JUST RE-VALIDATES EVERYTHING I RAMBLED ON SO FAR ಥ‿ಥ

—

#ALL I CAN SAY IS BLESS THE WRITERS RESPONSIBLE FOR VICTOR’S CONTENTS 😭🤲❤️#mlqc victor #mlqc li zeyan #mr love victor #mr love queen's choice #love and producer #恋与制作人 #李泽言 #mlqc cn #mlqc

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erodasfishtacos · 3 years

Text

Not So Easy

prompt: Harry and Y/N have both had a rough week. Ivy is in the prime of her terrible twos. It’s a disaster waiting to happen.

word count: 6.2k

warnings: swearing, smut, a little angst

AN: Fulfilling this request ***. This is part of the CEO!Harry verse. If you enjoy please like, reblog, and come chat with me about it x

*** <--- click for visuals

-----

It was a gorgeous, cool Saturday evening and Y/N had been cooped up in the house all week due to nasty rainstorms that lasted the whole week. All of Y/N’s friends had canceled plans for one reason or another. Anne came down with flu and couldn’t visit like she was suppose to.

Harry had an extra awful week at work - which was saying something - and hadn’t been able to let it go. The frustration and irritation he usually was good at leaving at the office at the end of the workday hadn’t been happening.

Ivy was in the midst of her terrible twos and quite frankly it was disaster for all of them.

They decided on one of their favorite restaurants about an hour outside of London near the beautiful, green countryside. ***

It was a family-owned Italian establishment with outside seating on the patio. The tables were filled but Harry always managed to squeeze himself into a non-existent reservation with his charm (and wallet).

When they’re escorted onto the deck, Ivy had Harry hitched up on his hip and wriggles her into her wooden high-chair with little difficulty - she had just woken up from a nap and was in a seemingly okay mood.

Y/N notices a few pairs of eyes watching them from the table close to theirs but decided that she was just being paranoid. And if she brought it up to Harry she knows he’d immediately tell them to fuck off and mind their business.

They get Ivy settled with her favorite little sensory book and her plush baby doll ***, as they look at the menu, “I’m so hungry,” Y/N grumbles, unable to decide what she wants to eat, Ivy literally running her around all day with no time for refueling.

“Me too, y’didn’t let me finish my meal earlier,” Harry murmurs cheekily, looking at his wife over his menu with a raised eyebrow, “Guess I’ll just have to wait for dessert.”

“Baba’s asleep, she was out as soon as her head hit the pillow,” Harry tells his wife, trotting in their bedroom. He’s already stripping the shirt off his head and wriggling his running shorts down his narrow hips.

Y/N’s laying on the bed, too distracted by her romance novel to notice Harry’s actions - well until he yanks at her ankles until her bum skids towards the end of the bed, she lets out a surprise yelp at her husband’s strength.

He plucks the book from her hands and tosses it to the floor with a thump. His hands are hurriedly reaching to pull down her shorts and panties with impatience at having his wife bare before him.

“Someone’s a bit horny,” Y/N teases, raising her hips to let him slide them down before they join the book on the floor. He ducks down to bite at the soft skin of her hip bone, suckling a dark mark there in ownership.

“Have y’seen yourself, pet?” Harry replies lowly, unable to help himself as he dips down and swipes a long, languid lip up her center with no warning. It has her moaning and pushing herself into his mouth.

“We don’t have long, H. Need you in me,” His wife whines, pulling him up by his hair until he’s slipping his tongue right into her mouth, wasting no time to hike her hips up around his waist and pushing in with one strong, directive thrust.

Y/N blushes and darts her eyes back down to the menu, “If you’re good, maybe I’ll let you.”

Harry laughs, eyes wrinkling around the corners, “Y’know even when I’m not good, y’let me.”

It was very very true.

“Oops!” Ivy squeals when her doll falls to the ground. It was one of the new words she’s finally understood in context and it’s unbelievably cute to hear her high, little squeaky voice.

“S’alright, here you go bab,” Harry titters, reaching down to toss it back onto the table for his daughter. She looked so fucking adorable tonight in what Y/N had dressed her in a little Gucci jean jacket with matching jeans. ***

Ivy manages to keep herself pretty occupied until she needs a diaper change. The meals had just arrived, steaming hot and smelling like heaven, but Y/N slings their diaper bag over her shoulder and totes the baby off to the bathroom.

Harry watches them, like the protector he is until they make it to the bathroom safely. He can sense eyes on him (the same group Y/N thought was watching) but unlike his wife, Harry makes eye contact with the table who were staring directly at his wife and then him.

“Can I fuckin’ help you?” Harry asks bluntly, not hesitating to stare down every single person at the table. He didn't want anyone staring at them, staring at Y/N, staring at Ivy. He wanted to enjoy his dinner in peace with his family. He assumed they probably worked for him.

They avert their gaze from the intense man, acting nonchalantly and sipping at their glasses filled with wine as if they weren’t just staring at them. It makes Harry scoff loudly enough so that they can hear it.

When Y/N appears back with Ivy and attempts to plop her back into her seat, her limbs go wiggly and her eyebrow knits with refusal, letting out little kicks, “No mummy, no!”

“Baby, we’ve got to eat now. How ‘bout after we’re done?” Y/N hums in her daughter’s ear, attempting to steady the toddler’s legs to slide into the slots of the chair.

Y/N knew it was going to be a struggle since Y/N told Ivy she couldn’t have the big stuffed animal that was in the gift shop on the way to the bathroom.

“Mummy! Don’t wanna!” Ivy protests loudly, her face pinched with her terrible twos anger as she squirms and twists in her mother’s grip.

“S’okay, give her to me,” Harry tells his wife, taking Ivy in his lap. She smiles with deep dimples up at her father before going to reach her little fingers into his pasta. “No, Ivy. S’hot, it’s goin’ to burn you.”

Ivy pulls her brows together, decidedly not liking what her dad had to say, because she’s reaching out once again. “Ivy, daddy said ‘no’. Be a good girl and listen.”

“Mine.” Oh god, her favorite word at the moment.

“Ivy Elizabeth, s’not yours. S’daddy’s. Mummy ordered you chicken, which she very nicely cut up for you. You need to eat that, lovie,” Harry uses a bit of a firmer voice with the little girl, pulling her plate of cubed of food over.

“Here, bub,” Y/N takes a small piece, bringing it up to her daughter’s full lips. Only to be met with a hand batting it away until it’s being flung limply to the wood floor with a screech.

“No, want that,” Ivy huffs, once again reaching for her father’s steaming plate. She’s nearly close to getting her finger into the burning sauce so Harry has to scoot his chair out a bit so she can’t reach it anymore.

The parents give each other a knowing look because of what is surely about to come. The baby was struggling with being told ‘no’ as of late, as well as claiming nearly everything as ‘mine’. Tantrums were in their prime right now and they thought the pre-dinner nap would have helped.

Spoiler Alert: It doesn’t.

When Ivy realizes she’s no longer able to reach the food, she furrows her brow and pulls back her little fist, hitting at her father’s shoulder. It wasn’t often she tried to hit, likely because most times it landed her on the step for two minutes, but it’s like she knew they couldn’t do that here.

“Ivy,” Harry takes her small hands between his, “We do not hit, do you understand Daddy? S’not nice. If you can’t behave, you’re not getting ice cream before we go home.”

At that point, the little girl would normally calm down a bit and readjust because she really loved ice cream but it didn’t do anything to quell her anger tonight. She shakes her head, curly hair bouncing, before the tears start rolling.

“Should we just get this to go?” Y/N asks, knowing that the whole restaurant doesn’t want to hear the sobbing baby throwing a fit over not being able to dig her hands into her father’s dinner plate.

“Probably best,” Harry grunts when Ivy wriggles and twists in her father’s grip with a frustrated whine, “She’s not goin’ to settle.”

“Down, let me down!” Ivy demands against her father’s grip, like she’s the one running the show.

“Here, give her to me,” Y/N mutters, wrangling the toddler into a tight hold while Harry gets the waiter’s attention to get take away boxes and the check. He’s pulling out his wallet to slide out his black amex and put it on the table.

“Ivy, I’m going to put you down so I can get the diaper bag and your toys. Are you going to stay right next to mummy?” Y/N asks her daughter firmly, making sure her daughter’s little green eyes are meeting hers.

Ivy nods but as soon as her feet hit the solid ground, she lets out a giggle and dashes from beside her mother. She doesn’t get very far because she’s running straight into the legs of another patron and tumbling on her bum.

She’s not at all hurt but takes it as an advantage to throw herself onto the floor, screaming and tears - the whole dramatic show because she’s not getting her way and well....she’s a two year old - that’s all the reason she needs, right?

Harry’s in full dad mode now, “I’ll get her to the car. Y’got this, love?”

Y/N nods, sighing at the loss of their nice dinner as her daughter has all eyes directed on their family - the last thing she wanted to happen. But she just focuses on shoveling the still hot foot into the plastic containers to take home.

“S’enough of that, Ivy. This isn’t how we act, hmm?” Harry hums, pulling his daughter off the floor and into his arms - “What’s gotten into you, bug?”

Ivy sniffles, knuckling at her wet eyes, “Home, daddy.”

“We’re taking you home, don’t you worry,” Harry chuckles, smiling softly when she tucks her head into the crook of his neck, thumb finding her lips. His large palm came to rub at her back and bounce her lightly.

When Y/N finally gets everything together, one of the waitresses - an older woman, stops by the table, “How old is your daughter?”

Y/N smiles, “Just turned two a month ago.”

The grey lady has a kind, knowing grin on her face, “What an age, huh? She looks like a little replica of your husband.”

The girl laughs, they can’t go anywhere without hearing that from someone, “Oh, believe me. They have the same attitude too,” She jokes, slinging the bag over her shoulder.

“I wish you two luck. Two is a very hard age, I have five kids of my own. Just appreciate it, even though the tantrums are a pain in the arse,” She says, patting Y/N on the shoulder before heading back to a table who was waiting on her.

---

Both the parents were frustrated, more so than they usually are with Ivy’s tantrums. They thought she’d simmer down once they’d gotten home but it had just revved up again when she realized she really wasn’t getting any ice cream.

“Shouldn’t have even promised her ice cream in the first place,” Y/N mutters with frustration as they stand near the staircase. Ivy sat on the step for two minutes in timeout, kicking her little feet against the marble.

“Right, because I knew she’d decide to have tantrums all night,” Harry shoots back, matching his wife’s tone. The screaming was echoing through the house, high-pitched and it just made you want to cover your ears from it.

Y/N rolls his eyes at him, motioning towards their daughter, “Well, this is your doing because you reminded her that she wasn’t getting it. You deal with it, I’m going to shower.”

“You’re not doing much to help anyways,” Harry hisses, their voices both low so that their daughter doesn’t hear - not like she would over the screaming match she’s having with herself.

They rarely fought to be honest. This wasn’t even a fight - really. It was hard raising a two year old and they were learning as they went along. The couple was good at communication and working through their problems most of the time.

“I’m not doing much to help?” Y/N asks in disbelief, “Then if I’m no help at all, why don’t you put her down for bed? You don’t need me, obviously.”

Harry narrows his eyes at her, his hand gripping the railing with a hard grip, “Don’t go twistin’ my words, that’s not what I said. Now you’re just lookin’ for a fight.”

“Yeah, because on top of a fussy two year old - I want to deal with a childish husband. I’m surprised you're not on the stairs, cryin’ about ice cream too with how you’re acting,” Y/N laughs - the sound crawling under Harry’s skin with irritation at her fake carefree attitude when she’s just as annoyed as him.

“You’re being an even bigger brat than our daughter right now,” Harry tells her, trying to keep his voice at a low volume but it comes out louder than intended. He felt himself straighten up and kept direct eye contact with his wife.

Y/N’s lips form into a tight line before gritting out, “Do not raise your voice at me. We agreed that no matter how frustrated we got we wouldn’t do that in front of our daughter.”

“Then don’t act so immature, ever think of tha’?” Harry bites, hating the he hears his work voice being directed at his wife when he never wants that.

“How am I being immature? You promised her something that she didn’t get, then reminded her that she’s not getting it. I’m allowed to be frustrated with you!” Y/N whisper-shouts, Ivy is now distracted by taking her little shoes off and watching them tumble down the stairs.

“I have so many better things I could be doing right now than stand here and fight with you over our daughter having a stupid tantrum. I’ll be in my office,” Harry replies, because when he doesn’t know what to do and refuses to admit he’s wrong - he falls back to his best excuse, work.

And he automatically regrets it when he sees a flash of hurt cross his wife’s face. Harry wants to swallow back those words and wrap his wife up into a hug. Never wanting to make her feel like his work is worth more of his time.

Deep down, they both know she knows that it’s not the truth but in the midst of the fight it doesn’t sting any less. He opens his mouth to apologize, to tell her that he’d rather put their daughter to bed together any night than be in his office.

But he can tell she’s already past the point of being pissed when she replies calmly, “I’ll put our baby to bed. Go work on whatever is more important than us, Mr. Styles.”

Harry wants to reach out and grab at her arm, tug her into his chest, and murmur in her hair how much he loves her more than anything. He said that because he knows it’s hurtful and it’s his only way to win an argument with her.

However, she’s moving up the stairs, scooping the somewhat calmed down baby into her arms and trudging up without another look at her still brooding husband.

Harry hears Ivy shout back down the stairs, “Daddy, come on!”

He hears his wife tell his daughter, “Daddy’s too busy with work, Ivy. S’just mummy.”

But that has Harry absolutely fuming, storming up the stairs after then, “Do not make it seem like I’m ever too busy for my daughter. That’s completely uncalled for, Y/N.”

Y/N doesn’t turn back to face him, instead keeps walking, and says with a monotone voice, “Oh, but you just said you had better things to be doing than dealing with your family. So go take care of your work, hot shot. I’ll take care of our daughter.”

“Why are you making it seem like I put my work before Ivy? I’ve literally never let that happen and you know that. You’re blowing this whole thing out of proportion because Ivy’s been having tantrums and you can’t put on your big girl pants and deal with them.”

That’s when Y/N spins around on her heel, letting Ivy down and encouraging her to go play in her room for a little before bedtime. Her face is turning red - which rarely happens unless they’re really about to get in an argument.

“Big girl pants? Really, I’m at home dealing with her tantrums twenty-four seven. You get to come home from work and only deal with it half on the time. Do not act like you know how stressful it is to stay at home with a toddler in their terrible twos all day.”

“Do not act like it’s harder than running a multi-billion pound business,” Harry scoffs, his voice becoming lower with frustration with an argument that was going nowhere. He had a cocky lift to his voice that made her want to scream.

“Oh, because it’s so difficult half the time? Last week, you got to go on your private jet to Paris for three days for business aka dinner and golfing while I sat at home alone!” Y/N raises her voice, angry tears forming over her lids.

“Sat in our 35 million pound house with a pool, playground, plenty of shops in town, unlimited money doesn’t sound like a hardship, love,” Harry replies, jaw clenching but his fingers itching to brush the tears away.

“You know what? It’s Sunday tomorrow. I’m going out. You watch her for the whole fucking day and see how easy it is. For now, enjoy the guest room,” Y/N spits out, storming down the hall to Ivy’s room to get her ready for bed.

“With pleasure,” He tells her, retreating back into his office and slamming the door. He wasn’t a fucking inadequate father.

He never put work before his family. He knew it wasn’t easy being at home and as soon as he sat his arse in his leather chair - he realized what a douchebag he was being to his stressed out wife.

Harry didn’t want to sleep in the guest room, he wanted to be spooned up next to his wife, whispering apologies for letting the stress of the week get to him. Remind her what an amazing partner and mum she is to him. How lucky he is.

The issue was - Harry had pride issues. He wasn’t one to admit defeat even when he should. He thrived on challenges so he was eager to show his wife that he’d have no problem taking on his terrible twos daughter.

He sneaks into his daughter’s room after she’s fast asleep in her crib, checking on her to make sure she’s okay before hesitantly entering their bedroom where his wife is fast asleep but a pile of clean clothes for him on the floor tells him she was serious about him sleeping in the guest room.

It was torture, not being able to be in the same bed as his wife. The love of his life. He thought about it multiple times - going in and groveling but his stubborn brain wouldn’t allow it. After such a long week, he was looking forward to sleeping in and his head hit the pillow in no time.

“Rise and shine,” His wife's voice wakes him up, it wasn’t with her normally cheery tone but with the same irritation as the night before. She definitely hadn’t magically forgiven him yet - dammit. Her voice is nearly drowned out by a fussy curly-haired baby.

“Wha’s wrong?” Harry grunts, sitting up to see Ivy still in her pajamas with sheet wrinkles across her face. Skin pink and warm from her nice, peaceful sleep.

However, she decided to wake up today with a massive chip on her shoulder.

“Ivy’s upset because she can’t find her ballerina doll,” Y/N replies.

Harry notices she is already fully dressed *** and made up for the day. “Might want to get up and help her find it. I’m heading out like we agreed on.”

“Fine,” Harry replies with a tight lip, rubbing his eyes as he’s still half asleep. “Y’look pretty.”

“Thanks,” Y/N replies nonchalantly, leaning over to kiss Ivy on the forehead, “I’ll see you later bug, I love you.”

Ivy looks at her mother in betrayal as she leaves Harry to manage their little ball of fury. He tries to tug her in for a big, warm hug but she shrieks and screams at her father, “Ballerina!”

“Ssh, okay. We’ll go look for y’ballerina, dove. No need to yell, s’too early,” Harry grumbles, sitting up and automatically being pulled by the hand off the bed to search for this doll that could be anywhere in this thousands upon thousands of square foot home.

After extensive searches, Harry realizes that he’d left it on the roof of the car when he was tucking her into her carseat last night. The cute little plush doll is now mostly likely roadkill on the country stretch.

“Ivy, y’literally got a whole room dedicated to stuffed animals and dolls. Let’s go pick somethin’ from there, yes?” Harry tries, his daughter’s arms crossed and glaring at Harry like he had just killed her hopes and dreams.

“No! No!” The toddler absolutely wails, plopping her little diaper-clad bum on the ground before kicking her feet against the marble. She had herself worked up until her cheeks were cherry red and tears were staining her shirt.

Harry couldn’t lie - he’d only been watching her for about two hours and he was starting to feel anxiety creep up in his throat over what to do. It wasn’t that he couldn’t parent her, but it was a lot of crying and he hated seeing her upset.

“Why don’t we go eat some breakfast? Does that sound good, lovie?” Harry offers hopefully, having to contain a laugh at how much she looks like him when he’s angry. The little crease between her eyes, the green in her eyes sparkling a little darker than usual.

Her eyes peek up at her father, “Yes, Daddy.”

Harry sighs in relief, scrubbing at hand down his face, taking her into the kitchen, strapping her in the highchair before whipping up some cheesy eggs for her.

When he puts down the plate in front of her, he has to say she’s surprised when she slaps it off the tray and onto the floor, spilling everywhere. “No, want mummy’s breakfast.”

Her father looks at her with a comically bewildered expression before turning on his dad voice, “We do not throw things on the ground. Do you understand me, Ivy Elizabeth?”

Her full little lips are drawn into a tight pout as she tosses her baby fork on the ground to join the still warm eggs in a heap.

“Mummy’s breakfast.”

The scolding goes in one ear and out the other, she doesn’t acknowledge her father but continues on her demands.

He caves after trying to no avail to decipher what ‘mummy’s breakfast’ means.

Ivy threw her eggs on the ground. She’s demanding mummy’s breakfast.

She’s hated eggs for the past two weeks now. Vanilla yogurt with diced strawberries and blueberries in her red baby bowl.

He does as she says, arranges a nice little bowl of yogurt with the fruit. He couldn’t find the red bowl so he substituted for a blue one.

It results in the yogurt also being smacked to the ground.

She threw that on the ground too.

Did you put it in a red bowl?

I couldn’t find it, just put it in a blue bowl

She only wants to eat breakfast out of red bowls right now

Harry groans, he didn’t know his daughter was this difficult about breakfast time. He was usually gone by the time she’d woken up for the day. Y/N usually let him sleep in a bit on the weekends until ten or so.

After digging for the specific red bowl, doing up her breakfast again - Ivy happily begins eating until it drips down her sleep clothes, rubbed all over her cheeks, and it even manages up in her tangled locks.

“S’that just so yummy, Vee?” Harry hums after she’s finished. “Looks like it’s bath time.”

He really should have guessed at this point when she shakes her head and squeaks, “No!”

“Yes, s’bathtime,” Harry says sternly, traipsing upstairs with the wriggling toddler who is doing everything in her power to fight against her father’s hold.

“No, no, no. Ballerina,” Ivy brings it up again, making it a near impossible task for Harry to wrangle her out of her clothes and diaper.

While he’s running the bath, she darts from the bathroom and through the hallways, right towards the grand staircase where the baby gate isn’t closed. Harry really really didn’t want to yell at his daughter but she could seriously get hurt.

“Ivy Elizabeth Styles, if you don’t get your little bum over to Daddy right now, you’re going on the step and y’not having playtime at all,” Harry orders loudly, but breathing a sigh of relief when his daughter skids in her tracks to a halt.

The little girl turns on her heels, eyes wide in fright at her dad’s raised voice - which rarely ever happened unless she really wasn’t listening. She begins to cry but not in her now typical anger-induced haze but in a legitimate sad wail.

His heart aches as his daughter toddles obediently back over to him with her little head hung low in regret, “Daddy, hold me?”

Harry can’t deny her so he scoops her up into the crook of his arm, “M’sorry for yellin’, bug. But y’need to be good for Daddy? You could have gotten really hurt and that would have made Daddy sad, okay?”

Her eyes are watery as she looks up at him, her hand curling around his neck before burying her still yogurt-sticky face into his skin, hiccuping with sad whines, “Sad Daddy.”

“Mhm, now are you going to be nice and get a bath f’me? Y’dirty, bubby,” Harry smiles down at her to brighten back up her mood and it works because her dimples pop out of her cheeks and she flashes her small blocky baby teeth.

Ivy surprisingly does well in the bathtub, allowing her father to get her all cleaned up until she accidentally opens her eyes and gets baby soap in them, it’s another round of tears that cannot be controlled.

Harry totes the sobbing toddler into a cute little Moschino onesie and brings her into their bedroom. He’s so fucking exhausted and it was barely noon. His stress level was near a hundred as he couldn’t keep her from being pissed off for more than twenty minutes at a time.

Luckily, it seems like the screaming and crying for the last how many hours had taken a toll on her because as soon as she sprawled on her stomach on Harry’s chest, she’s out like a light. The cutest small snores coming from her as she smacks her lips together while she dreams.

He gives her a few minutes to fall into a deeper sleep before tiptoeing her into her nursery and laying her very carefully into her crib. She doesn’t wake, just whimpers softly and turns on her side, away from her father.

When he’s sure she’ll be okay, he goes back into their bedroom, and well...he just breathes. He didn’t realize how high his anxiety had been up to this point and his whole morning had been nothing but trying to get his daughter calm. He didn’t even have one moment to think about himself.

It really wasn’t that he didn’t appreciate Y/N being a stay at home mum - of course, he did. He already knew how bloody amazing and strong she was as a person, he didn’t need this to prove what he already knew. It was his stubbornness to not decline a challenge and they both knew that was the case.

Y/N really didn’t think that Harry doubted her abilities. He nearly spent most of his days telling her how proud he was of her and her abilities as a partner and mum. It doesn’t mean it didn’t sting when he brought up his job compared to hers.

Harry’s in his own world of thoughts that he doesn’t notice a figure leaning against the doorframe of the bedroom, “You got everything under control, H?”

His eyes darted up to meet his wife’s, “Not really. She’s a little terror,” He jokes (kind of).

“It’s easy compared to your job, right?” Y/N asks but it’s obviously rhetorical. She drops a few shopping bags on the floor before leaning down to unstrap her high heels, kicking them off along with throwing off the blazer to the floor.

“I never said your job was easy. Y’puttin’ words in my mouth,” Harry argues, sitting up straight and moving to sit on the edge of the bed.

“No, you’re right. It’s just not as hard as your job,” Y/N huffs, unbuttoning the tight jeans and shucking them off her thighs. She didn’t have any idea what she was doing to him right now, his mouth nearly watering when her thighs jiggle a bit.

“You’re right, it’s not as hard as my job,” Harry replies, studying his wife’s face when she looks up in surprise - that he was really going to take the fight that far.

“Wow, you re-”

“It’s not as hard as my job, it’s harder,” Harry murmurs, reaching out to pull his wife to stand between his legs, her looking down at him with her hands on his shoulders. “

What I’m doin’ is nothin’ compared to your job. Y’raising our little baby, shaping her into a good person, spending every moment of y’day with her, giving up a lot of who you are for her. That’s more difficult than what I do any day.”

“Har-”

“M’sorry, lovie. Y’know I think you’re the most amazing mum and wife. You do everything for the baba and I. I shouldn’t have taken my anger from my week out on you yesterday and then said the things that I did,” Harry apologizes, his face sincere and open as he leans forward to nuzzle at his wife’s stomach.

When her hands come to run through his unruly locks, he knows he’s forgiven, “I appreciate how hard you work too. I really do, H. You’re the best husband and daddy to Ivy we could ask for. I’m sorry I took my frustration out on you as well.”

“Do you ever feel like I put work before you or Ivy?” Harry asks softly against her thin tank top, his hands come to massage at her full hips. There was a hint of insecurity in his tone that made Y/N’s heart sink a bit.

“No, I really don’t. I was just...I was just upset and I knew that would upset you. I’m sorry, baby,” Y/N murmurs softly, leaning down to kiss at the top of his head.

“Y’going to let me show you how sorry I am, how good of a wife and mum you are?” Harry drawls, his hands going to tug up the fabric of her top and humming appreciatively when she lifts her arms to let him do so.

“Yeah, remind why I married your crabby ass,” Y/N teases playfully, reaching behind herself to let her bra fall down to the crooks of her elbows before tossing it to the floor with everything else. As she’s doing that, Harry takes it upon himself to shimmy off her panties.

“Y’sayin’ you just married me ‘cause I fuck you good?” Harry grunts, standing up suddenly and pulling her up into his arms until her legs are wrapped around his waist and arms around his neck.

“Mmm, mostly. Also for your bank account was pretty good-looking too,” She lies blatantly but he still rewards her with a bruising kiss to her lips as he backs her against the wall so he can use one hand to tug down his running shorts.

“I’d still have married you, best decision I’ve ever made,” Harry says, sobering up from their playfulness. He slows down to be careful as he slides up into her warm heat, her head falling back with a thud against the wall.

“Harry,” She moans approvingly, heels of her feet digging into his backside to goad him into moving faster, “Right there.”

“So bloody in love with you. Please tell me y’know that baby, c’mon, tell me,” Harry begs, leaning down to smear kisses against her collarbone.

“I know, H. You’re so good to me, I love you,” Y/N whines and Harry knows that whine like the back of his hand, she needs more. He reaches down to rub tight, rough circles against her swollen bud until she’s tensing and coming.

“You feel so good, every single time. Don’t know how you do it, s’like you were made just for me,” Harry chokes out, stuttering and coming with his lips suckling a deep spot onto her breast as he rides it out.

After they redress and are cuddled on the bed, murmuring sweet little apologizes and affirmations of love, they interrupted by an angry squeak from the baby monitor - signaling their daughter’s woken up.

“Ballerina!”

hope you enjoyed. please inbox me what you think, like, reblog.

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naruhearts · 4 years

Text

I’m done keeping my composure.

Sorry, this will be a LOADED post! (And I’ll be repeating the points others have made)

for real, to everyone being nasty and telling heartbroken fans that “Dean was always supposed to die get a grip you’re just butthurt etcetera etcetera—” F you royally.

How dare you police the brutal feelings that’s been embroiling us since the Finale That Must Not Be Named aired.

The show you think you all watched, the show you all believe was the same SPN from Season 1-4, changed at some point. Kripke wrote his original vision, put it to screen, saw it through in S5 as he intended, and closed the door on that era.

In 2008, Supernatural was adopted and inherited. As you know, there was a supreme paradigm shift post-Kripke era. The show FLOURISHED (we won’t talk about Gamble thanks). It evolved, transformed, grew beyond trauma-induced self-worthlessness and toxic masculinity and endless death and hegemonic social ideals and conservatism and repressive anti-revolutionary ideas. Castiel, the iconic favourite and beloved staple of the series portrayed by Misha Collins, was introduced in Season 4 as the core lead character, and he ushered in a brand new era of Christian mythos that SPN took advantage of. Longevity SKYROCKETED. Audiences were INTERESTED. SPN amassed an incredibly groundbreaking fanbase infused by non-nuclear principles. A massive subversive wave began, fighting the Status Quo of the times since 2008. It’s precisely why such an abysmal ending to a show of extensive Freud-Jungian metanarratively meta META complex stature and social POWER will render us totally and unbearably broken for years to come.

Point is, DEAN WINCHESTER NO LONGER WANTED TO DIE. HE WANTED TO LIVE. HE WANTED TO SIT ON THE BEACH, PLUNGE HIS TOES IN THE SAND, AND SIP UMBRELLA DRINKS WITH HIS BROTHER AND HIS BEST FRIEND. He said this in Season 13. And then, a season later, he told the ghost of his long-deceased father — the source of his deep-running trauma and the figure of self-reductive authoritarianism permeating his arc since Season 1 — after being questioned why he didn’t pursue the Nuclear Fam, that he already has his own: his brother Sam, his adopted child Jack, and Cas.

Dean’s best friend Cas. Oh god, Cas, who made his inevitably permanent mark on Dean’s soul beyond allyship. Castiel, renamed to Cas, God’s -iel removed by Dean. Dean, the human spark that lit the fire of pre-existing autonomy in the inherently rebellious angel who was, this entire time, the catalyst for free will in God The Writer’s puppet show. Their friendship set on goddamn fire. I can also write paragraph upon paragraph about my love for Cas while devastated tears stream down my face, but I digress—

Cas’ romantic love for Dean pushed our main Heart of SPN to love himself. Love is free will. Free will is also love. Of note, Cas’ love confession in 15x18 was supposed to offset something so vastly important and fundamental...to maybe (read: most likely) pull the trigger on SELF-TRUTHS in conjunction with free will. And The Great Anticipated Follow-Up to the episode penned by the passionate Berens should have included (read: seemed like it was going to be) Dean, closeted trauma survivor in love with his best friend, being given the opportunity to do it right: to SPEAK HIS TRUTH, and then that very singular opportunity was STOLEN so grossly. After poring over it for days, I refuse to believe we made their years-long story up out of thin air, spun it out of fantastical-delusional dream cotton candy, because we DIDN’T. IT WAS REAL.

As I said in another post: “I’ve just been feeling physically ill for the past >40 something hours with the terrible knowledge that 19/20 undid years of vital progression towards healthy interdependence, autonomy, and a positive endgame, where Sam, Dean and Cas close the ring of found family in final empowering self-fulfillment...where Dean, no longer repressed and set free, is able to use his words and speak his truth as a queercoded trauma survivor, henceforth confirming and self-affirming his own bisexuality since S1 by reciprocating — by telling Cas that he always loved him, too, loved him endlessly, which would have altogether divested Supernatural of its cult status and catapulted it into global worldwide significance as the longest running sci-fi genre show in American broadcasting history that actually dared to defy and, by proxy, empower LGBTQ2IA+ everywhere who found profound personal meaning in Destiel through VALIDATION,” — found themselves mirrored in Dean and Cas’ respective character journeys individually and as each other’s queer love interests.

THIS IS WHY DEAN WASN’T MEANT TO DIE.

THEY WERE SO ESSENTIAL, NOT JUST TO THE OVERARCHING STORY AND HEALTHY INTERPERSONAL THEMATICS OF MODERN SPN, BUT ALSO TO THE SOULS OF THOUSANDS OF PEOPLE ACROSS THE WORLD WHO FOLLOWED THEIR JOURNEYS, HOPED FOR THEM, ASPIRED TO BE LIKE THEM, TREASURED THEM, WEEPED FOR THEM, AND FOUGHT FOR THEM, LIKE YOU AND ME.

Heck, how could anyone think Sam Winchester had a well-deserved characteristic ending? He didn’t. Dean’s brother was shafted so badly. He stopped hunting when seasons ago, he had canonically accepted that he no longer wanted an apple pie life. He simply...turned the lights off in a resoundingly empty bunker and left — abandoning his dead brother’s room — never to return (he did return later to get the Impala, family photos etc, I mean this symbolically)...as if — dare I say it — Supernatural itself eerily told us, in the negative-spaced pitch blackness, that the organic show and the wonderfully complex, matured characters we’ve grown to love weren’t going to survive or be revisited...that it was all going to perish, and that they no longer gave a single shit about their own show, which, to me, is the worst cardinal sin, because how dare they throw Team Free Will, an immovable and indomitable and passionate found family they built from the ground up, a found family CHOCK FULL TO THE BRIM OF LOVE AND LIFE RAGING AGAINST THE AUTHORITARIAN MACHINE IN ORDER TO ACHIEVE FREE WILL, under the bus no matter who is to blame. Growth was stomped on.

Then Sam married a faceless wife who wasn’t his textually established (and deaf) love interest Eileen, named his son Dean Jr., and grew old miserably, still mourning the passing of his older brother, shaken and sombre. Back to square one. IT WAS ALL ANTITHETICAL, even OUTSIDE a shipping context, and I ripped my hair out at this point in sheer disbelief.

This 15x20 ending would have fit somewhere between S4-7. Now? IT DOESN’T FIT. IT’S A JAGGED PUZZLE PIECE THAT DOESN’T BELONG ANYWHERE. IT’S THE FOREBODING UNKNOWN STRANGER IN ITS OWN LAND, BOTH LITERALLY AND FIGURATIVELY. This kind of ending was basically an illogical, unsound cluster of metastasized cells that, to me, ruined the viability of previous seasons to sustain bold praise and respect and dignity and rewatches and classic nostalgia in such insidious ways.

Dean Humanity Winchester and Cas, after everything they’ve been through, were silenced and lost in death, ripped apart from each other, unable to love each other the way they deserved, because of disappointing, vile incompetency and homophobia. The greatest love story ever told, again obliterated in less than 60 hollow minutes.

You know what this tells your audience, CW SPN? Death without self-growth is the way to go, and no one is allowed to forge their own path to freedom.

HOW INSULTINGLY HARMFUL IS THAT?

I don’t think I’ll ever stop grieving.

We all deserve answers.

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bestiesenpai · 3 years

Text

Hostage - Okkotsu Yuta

At first when I saw this my internal response was that there was nothing that I really wanted to write, no scenario that would warrant answering such a question. But I’ve given it time and well...what better thing to write than a horny for love delusional yandere? Gender neutral and Okkotsu in this has graduated from the school, I imagine him to be mid-20s 4.8k words

Content warnings: yandere shit(which in this context includes kidnapping, past stalking and being really fucking creepy), manipulation, noncon hand job

How long had you been here in this dark basement with only a red couch and a TV that wouldn’t turn on? There wasn’t a single window to tell you if it was day or night, no clock on the wall to say if it had been ten minutes or ten hours since you were kidnapped. You didn’t even know who could have taken you, knocked out from behind after hearing a mysterious voice.

There wasn’t a single lead to go on except for the fact that you would pass out from time to time and wake up to food on the low coffee table, hot meals that helped to soothe your otherwise empty mind and body for however short a time it allowed. Sometimes there would be candy stuffed into your pockets as well, candy that you never ate and let pile up in one of the corners of the room.

The door at the top of the stairs leading down to where you were stayed locked at all times and no amount of banging and screaming and trying to break it down worked. All your efforts were for nothing, you didn’t even make a scratch in the wood.

Whoever put you down here seemed too hesitant to show you their identity. You never heard anyone outside the door and whenever you thought you did, you would wake up however many hours later with food and no recollection of what happened before then.

Until today, when the door silently swayed open and there was the barely there tap of footsteps coming down to greet you. Scurrying behind the couch and crouching down, you were scared to finally meet your captor.

“Hello there.” He wasn’t at all what you imagined. A young man with noticeable bags under his eyes, hair with a few strands that fell into his face and an otherwise unassuming and slim build. His voice was soft and gentle like he was talking to a baby as he roused them from slumber.

He immediately noticed the way you were trying to stay away from him, making sure to keep the couch between you as he rounded it. A sad sigh left his lips, a short sound like he was already getting frustrated with what you were doing.

“Darling, why don’t you sit down? There’s a lot to discuss.” Gesturing toward the couch, he took a seat at the end. It was then that you noticed the sheathed sword he had on his back as he took it off and laid it on the table.

Your mouth hadn’t been used to speak to anyone in a long time, tongue heavy and foreign in your mouth. Having given up screaming for help a long time ago, you didn’t speak to anyone unless to yourself, and even then it had devolved to being just thoughts in your head.

So you shook your head no, trying to keep your sudden anxious breathing down to a minimum. You’d waited for this day to finally see who took you but now that he was here in front of you, just his presence brought you great stress.

“Are you feeling okay?” The man asked again, brows furrowing slightly. The look of genuine concern on his face is what caused you to speak, spiking anger in your heart.

“No!” You shouted, surprising both him and yourself.

“Why don’t you sit down, hm?” He patted the cushion next to him and you shook your head harder.

“No, no. L-let me go!” Tears were already beginning to collect in your eyes, some spilling out the sides. Were they from anger at being held captive? From how concerned he looked when he was the one who put you there? Was it from fear of what he could do to you? Perhaps hopelessness at the whole situation was starting to set into places you tried so hard to keep it out of.

“You shouldn’t yell, (Y/N), it’s not good for your throat.”

“What the fuck would you know.” Now anger was truly taking residency inside your chest, making it tighten with each pounding beat of your heart. This man had the nerve to call you by your first name as if he was a friend, the syllables rolling so smoothly off his tongue it sounded as if he had said it a hundred times.

“Don’t swear at me.” He snapped, face immediately going hard as he stared you down. The look made a shiver go down your spine, the anger quickly making space for fear to come as well. He sighed again, glancing at his sword before looking at you again. “Now please, won’t you sit down?”

This time when he asked, you listened. Hovering on the very edge of the cushion farthest from him, your entire body was painfully stiff and unyielding even to your own breathing. It was different when you were standing and he was sitting, it felt like there was a level of control that you still had.

But this felt like you were just a pitiful little rabbit with their neck caught right in a lion's mouth.

“Oh darling don’t cry, don’t cry. I didn’t mean to snap at you.” His tone immediately shifted back to the soft and gentle one from earlier. Reaching his hand out, he stopped short of touching your arm when you curled yourself away. Putting his hand into a fist and tucking it back into his lap, he let out a sharp exhale. “I’m sorry, I shouldn’t touch you, should I? You must be nervous now that I’m here.”

Sniffling and nodding were all you could do to answer him. Maybe there was a logical reason he might have taken you, there had to be a solution to whatever problem he had that involved you.

“It’s funny, I’d say. We’re soulmates and yet we’re still so nervous with each other.”

What?

“Why, it took me almost two weeks just to do this much! I finally stopped having Inumaki put you to sleep and-”

Huh?

“Before you know it this will all be a distant memory, we’ll be living together-”

“Wh-what the fuck.” Your voice was meek and trembling and there were fat tears streaming down your face that couldn’t be stopped now. Listening to this man go on and on about this life he’d made for the two of you all in his head was going to drive you insane.

“What was that?” He paused, a hopeful smile on his face. Glancing at him, you set your bleary eyes on the sword.

“What the fuck are you talking about?” As the swear left your lips, you flinched at his sudden inhale. “I-I don’t- I don’t know you. We’ve never met.” Burrowing your face in your hands was probably a bad idea, it was probably best to keep him in your line of sight, but you just couldn’t face him.

“Physically we’ve never met, but our hearts have. Our souls are connected, we just had to find each other.” There was a dip in the cushions and the ghost of his knee brushed yours.

“I don’t even know your name!” You croaked, further curling in on yourself by dropping your head to your knees. At this rate you were set to fall off the couch and onto the floor and you welcomed the reprieve not being next to him would bring.

“I’m Yuta. Yuta Okkotsu.” The first touch of his fingers on your shoulder made you yelp and jerk away, and you could imagine his hand hovering in the air. “But you can just call me your boyfriend, okay?”

“You’re fucking crazy.” Getting up from the couch the second time he touched you, you pressed yourself against the furthest wall next to a chess table with no pieces.

“Darling-”

“No, don’t fucking call me that!” Stamping your foot on the ground, you ignored his warning tone.

“(Y/N), I told you-”

“I don’t give a damn! I don’t want to be part of whatever bullshit you said earlier! Just- just let me go!” You were getting hysterical at this point, your whole body was hot and sweaty and your face was on fire. It was hard to hear anything over the ringing and pounding in your ears giving you headache.

Except you were able to hear the sound of a knife going through the air and feel it graze your cheek before sticking into the wall behind you. Everything fell away as you looked at the silver blade glinting in the harsh fluorescent light above you. There was just the tiniest hint of red at the edge, further proof that what you felt was real.

“I don’t mind you getting upset, I don’t mind you yelling and screaming at me. It’s a normal reaction to such a new situation.” Yuta’s low voice cut through the sudden silence and he stood up slowly, swaying slightly on his feet before planting them firmly on the ground. “But what I won’t have is such ugly words coming out of your mouth. That type of language doesn’t belong in a mouth as pretty as yours.”

He walked over to you slowly, building the tension with every step he took. It was then that you noticed, when he was only a foot away, that the silver of the knife matched the silver buttons on his shirt.

“If I have to remind you again, I promise I won’t miss.” Letting the sentence hang in the air, Yuta gave you a once over before grabbing onto your wrist and upper arm tightly and dragging you back to the couch. His strength was much more than you first assumed, there wasn’t a chance in hell that you could ever hope to wiggle out of his hold.

Sitting down with a huff, he pulled you onto his lap, forcing you to straddle him. Putting your hands on his shoulders, he settled his on your hips, making sure you were properly seated on his outstretched legs. Staring at the buttons on his shirt, you tried to avoid getting too close - keeping at least some semblance of an arms length between you and making sure your sex was far from his.

“This isn’t so bad, is it?” It was amazing how easily his mood shifted from one to the other. What had just been a quite heavy and intense moment was washed away by a little uptick of his lips and the tilt of his head to the side.

The things you wished to say were lodged in your mouth, waiting on the tip of your tongue for you to open up and let them fall out. But you couldn’t afford to keep testing his patience like this, not after what just happened.

“I suppose.” So you bite your tongue hard and say what you think will get you closer to getting out. Whatever it is he wants you can give him so long as it keeps him happy and lets you walk free.

“I knew you’d come around.” The smile on Yuta’s face takes proper form, pushing the apples of his cheeks up and wrinkling his eyes. One hand on your hips dares to venture further onto the small of your back. The warmth of his palm would be comforting in another setting.

“Y-yuta.” It almost makes you sick to say his name.

“Yes?” It makes his eyes light up.

“When will I get to leave?” Somewhere along the line you’d stopped crying and now only your eyes burned with the memory of the tears.

“When I know you’re ready, (Y/N).” He said softly, rubbing a hand on your back.

“Ready how?”

“I just want to make sure of a few things before we start our new life together. Is that okay?”

Did you really have a choice?

“What things?” You pushed, your fingers digging into his shoulders.

“Don’t worry about that right now. We’re together now and that’s all that matters.”

“Please tell me, I really want to know.”

“(Y/N).” He sang your name but it was anything but cheery. “I don’t want to talk about that right now, so drop it please.” Even though he was speaking his mouth barely moved, jaw locked tight in hardly hidden frustration.

“Okay.” You quickly let the subject go.

“Now darling…” Yuta brought a hand up to your face, trailing his fingers down your cheek softly. “Won’t you smile for me? You have such a pretty smile.”

The question of how he knew what your smile looked like cropped up in your head but you quickly stamped it out. Now wasn’t the time to worry about those things. Doing as he asked, you gave him your best smile.

“Absolutely gorgeous.” Skimming his thumb along your bottom lip, Yuta grasped your chin in his fingers. “I’ve been missing your smile so much lately, the recent missions I’ve been on have really put a damper on my mood.”

“I’m- I’m sorry to hear that.” Extending an olive branch wouldn’t hurt, right? It was clear he wanted your compliance in this scheme of his, desperate to have you love him. Your words shot straight into Yuta’s heart, making him bite his lip in to stop a shy giggle from coming out.

“It’s okay, it doesn’t matter. All that matters is that I have my darling with me.” A light blush went over his cheeks and Yuta let a sliver of the giggle out. “But there is something that would make me feel even better.”

“What’s that?” It didn’t take a genius to figure out what he meant when his thumb touched your lip again.

“A kiss. Just one, I promise.” Licking his own lips, Yuta grabbed onto your jaw more firmly. “I swear I’ll be gentle.” Weighing your options, the inkling that it wouldn’t be ‘just one’ was in the back of your head. But as long as it stayed just kissing, maybe you’d be okay.

“One.” You repeated, allowing him to pull you in and close the gap between you. Kissing Yuta was something that, once again, would feel nice in any other circumstance. The texture of his lips wasn’t bad, his breath didn’t smell and he seemed to know what he was doing. Maybe in another world, you really could have been soulmates.

Breaking the first kiss to take a short inhale, Yuta immediately went in for another. The hand that was on your jaw slid up to the back of your head, holding it firmly in his calloused hand to make sure you didn’t move.

“Y-yuta!” Whining against his lips, you tried to push away from him.

“Just one, I know! I know but-” He mumbled back, the tip of his tongue daring to touch your pursed lips. “I can’t help it, I love you so much.” Crushing you against him, Yuta got his tongue into your mouth when you gasped for air. The urge to bite him arose and you almost did, but he pulled away right as you made the decision to.

“You said only one!” Giving his chest a hard push, you wiped the spit off your lips in disgust.

“I know, I’m sorry! I’m sorry!” Putting his hands on your back, Yuta grimaced at you. “I’m sorry darling, I just got excited! I’ve been dreaming of kissing you for so long, can you blame me for wanting more?”

You could blame him for that and a few other things. Wiping your mouth off again, you huffed angrily and avoided his sorry eyes.

“Don’t do it again.”

“I won’t lie to you anymore, I promise.” Yuta mumbled, already forcing you closer again. “Let me make it up to you.”

“Yuta, no.” Shaking your head, you put a hand over your mouth. The blush that was on Yuta’s cheeks got darker and a hand gripped the back of your neck.

“It may be a bit soon, but there are other places where I can kiss you.” Latching his lips onto the side of your neck, Yuta sucked on the skin lightly. He didn’t want to leave any unseemly marks on you and he wouldn’t dream of using his teeth.

“Yuta, get off.” Tugging on his collar, you squirmed at the feeling. “P-please, Yuta, get off.” You were getting more desperate by the moment, accelerated by his lips going down the column of your throat and to the collar of your top.

“I just want to kiss you, (Y/N).”

“No, no I don’t-” As his head nudged your chin up, you started to sweat and really yank at the fabric in your hands. “I don’t want you to kiss me there, Yuta!” Your voice reached a crescendo and the soft sound of his kisses stopped. Pulling away slowly, Yuta kept his head ducked down.

“I’m sorry (Y/N), I didn’t mean to make you uncomfortable.” Releasing the hold on your neck, Yuta smooths his hand down your back once more and threads his fingers together at the base of your spine.

Struggling to catch your breath, you force yourself to relax and let your head dip down, uncurling the fingers fisting the fabric of Yutas shirt and letting the blood naturally flow back to them.

As the silent seconds tick by, there’s something that comes into your consciousness that can’t be ignored. There’s already a good amount of heat built up between you and Yuta from the kisses you shared and the struggle that ensued.

But was he that much of a repressed man that just kissing your lips and neck had his cock standing at half attention? It seemed so, because when you made a face at it, he chuckled sheepishly.

“Sorry.” Yuta wasn’t sorry for what was happening. He didn’t feel remorse for any of this, especially not the thing that was causing you distress now. It was only natural for such a reaction to occur! You were squirming so much on his lap while he kissed you that it was like you were begging him to get hard.

Gently raking his nails up and down your back, Yuta stared hard at your lips. His gaze almost pierced right through you and he wasn’t subtle about wanting another kiss. Another slurry of apologies left Yuta’s lips as he once again grabbed the back of your head and forced you to kiss him. His words got mushed together, spoken against your lips as he tried to work his tongue into your mouth.

Whatever screams of protest you had didn’t matter in this moment, Yuta was a man on a mission and desperate to take what was his. He felt bad about pushing your boundaries and ruining the chance of growing an actual relationship any time soon, but those were things he was willing to sacrifice.

And after all, good boyfriends help their partners grow in uncomfortable situations.

Moaning in a high pitch when your crotch just barely grazed his, Yuta took advantage of the fact you were too busy trying to push him away to focus on your lower half. Grabbing you tightly at the hips, he dragged you forward and fully pushed you against the front of his pants.

“I’m sorry, I’m sorry, I’m sorry.” He panted as he moved your bodies in tandem, getting bolder and bucking his hips like a sad teenager dry humping for the first time. This continued for a while and you were sure he was going to cum when he suddenly stopped and flopped his head back against the couch.

Fervently wiping off your lips, the urge to slap him came over you in a blinding rage, and you quickly swiped your hand down. Fully expecting to make contact with his face, you put all the strength you could into the motion only to be stopped by Yuta grabbing your wrist.

“Hitting isn’t very nice, (Y/N).” He sounded like a disappointed preschool teacher and when you raised your other hand to try and slap him he caught that one as well. Holding both your wrists tightly in his grasp, Yuta stared at your heaving chest as he thought about what to do.

“Let me go.” You said, trying to tug yourself free.

“Sshh, I’m thinking.” His eyes wouldn’t leave your chest and he licked his lips. “I think I know a better use for your hands.” Letting go of one of them, Yuta was quick to go to the button on his jeans and undo them.

Your fingers were touching his clothed cock before you had a chance to protest. The speed Yuta moved at was dizzying and you seemed to be about 10 seconds behind him, left to scramble and catch up on whatever he’d done.

“Just a little, please?” Yuta whined and gripped your fingers around his cock, digging into the fabric of his dark underwear and outlining the shape of his cock.

“Yuta…” Back were the tears, a light misting this time that blurred your vision. It was gross touching him, even as the scent of a minty body wash rolled off him. This was gross, the heat from his cock and the way the skin moved beneath your fingers all felt horribly off.

“Just be good for me, (Y/N), I know you can do that.” Giving your lips a quick peck, Yuta let out a shaky exhale. His hand was holding yours so tightly your hand pulsed, throbbing from lack of circulation.

Touching him through his underwear quickly became not enough for Yuta and he hurriedly pulled his cock out, shoving his underwear down his thighs a bit to make more room. Unbuttoning the large overshirt he had on, Yuta let out another exhale as the sweat evaporated off his body.

“Are you shy? Here, touch it like this.” Gingerly now he wrapped your hand around his shaft, squeezing with just enough pressure to make sure you were really holding it. You tried to avoid looking at it, staring at the tanktop Yuta had on underneath his other shirt.

Tilting your head up, he kissed you gently as he worked your hand up and down his cock, slowly loosening his hold the longer he went until he was able to let go and you were still stroking him.

“I love you so much.” He whispered, breaking the kiss to press his forehead against yours. “So, so much.” You whimpered in response, keeping your eyes tightly closed to avoid looking at him. “I’ve followed you for so long now, it feels amazing to finally be here with you.”

“Followed?” You didn’t want to know, you didn’t want to know, you didn’t-

“Six months. For six long, agonizing months I watched you from the shadows. Making sure you were safe, following you home from work to make sure no one messed with you, going into your home when you weren’t there to make sure you didn’t have the stove on-”

“Stop.” Sniffling back another wave of tears, you shook your head. “I-I can’t, please-”

“You’re right, I’m killing the mood.” Chuckling softly, Yuta kissed at the corner of your eye. Putting his hand back on yours, he sped up the pace and bucked his hips up. “A-and I really don’t want to do that.”

Kissing you again lest he start rambling again, Yuta moaned freely into your mouth. He had dreamed of this moment and so many others, staying up late at night just fantasizing about you touching him and finally being in his arms.

To say he was pent up was an understatement. Ever since he saw you, Yuta vowed not to touch himself, wanting you to be the only one that gave him such pleasure. It was a painful wait, but every time he saw you he knew it was worth it - and it was. He was already nearing an orgasm and it hadn’t even been that long.

“Oh darling-” His face started to screw up and Yuta broke the kiss, putting his head on your shoulder and making your hand go faster. “God I love you, (Y/N)! I lo-love-” He was babbling now, unable to focus on any full sentence coming out of his mouth. “Say it- tell me.”

“Say what?” You asked, struggling to keep your breathing even as you felt him get closer to the edge.

“You love me. Tell me you- tell me you love me, even if it’s not true yet.” Yuta was so close it hurt, but he refused to cum unless you said those words.

“I-I-” The desire to not say it was strong, keeping you from really forming the words. It wasn’t true right now and it would never be true. You would never love Yuta for as long as you lived.

“Say it, say it please!” Yuta wailed, his other hand gripping your waist so hard you were afraid he was going to break something. “I love you so much, just say it back!”

“I love you! Yuta, I love you, okay?” His hold was really starting to hurt and as soon as you said it, he let go. “I love you, I love you.” You repeated over and over until his body locked up and he came with an almost sobbing moan.

“Oh god, darling, I love you.” Yuta wasn’t crying but he might as well have been. His hand stopped for a brief moment before continuing, coating the back of his hand and your fingers in his cum. He kept going until he was able to squeeze the last drop of cum out of him, swiping at the tip with his thumb until the sensation began to hurt.

It was too quiet now in the room without Yuta’s frantic breathing and mindless babbles. Taking deep, gasping breaths, he forced himself to calm down and let go of your hand, letting his softening cock fall down against him.

“Here.” In his pocket he had a handkerchief and Yuta wiped your hand clean, diligently going between the digits and getting every last pearly drop. Throwing it onto the coffee table, Yuta collapsed back onto the couch with a heavy sigh.

His face was impossibly blissed out, a dopey smile stretching his face and showing off his teeth. He couldn’t be happier in this moment, the weight of your body on his lap a constant reminder that this was real life, the reality that he had been dreaming of and striving for for so long.

The door he had entered from creaked open much faster than when he entered, and there were thundering footsteps descending the stairs quickly. Yuta immediately perked up, hugging you close to his chest as he turned over his shoulder to look at who came in.

“This is a surprise.” There was a tall, lanky man standing at the bottom of the steps, his white hair sticking up in all directions. You wondered how he could see with a blindfold on and Yuta seemed happy to see him.

“Gojo, hello!” Rushing to fix his pants, Yuta helped you off his lap and stood up.

“I see you’ve finally made yourself acquainted.” Gojo grinned, his head flicking towards you for a moment.

“Mhmm! We uh- we’re having a great time getting to know each other.” Yuta flushed, trying to not make it obvious that his pants had just been undone and that you’d just been jerking him off.

“Well I hate to break up a happy couple, but there’s a visitor here for you. I think you’re going to have another mission soon.”

“Really, so soon? I just-” Glancing at you, Yuta bit his tongue. “I’ll be back soon.” Grabbing his sword and the knife still stuck in the wall, Yuta gave you one more look before walking past Gojo and up the stairs. As soon as the door clicked closed, you shot up from the couch and walked around to Gojo.

“Please, you have to help me, get me out of here!” Clasping your hands together in front of you, you pleaded as hard as you could. “H-he’s absolutely crazy, please help me!” Unable to look Gojo in the eye, you could only assume he was looking back at you from the way his head moved.

“That’s not very nice, now is it?” He questioned, quirking a brow and crossing his arms. “Yuta loves you so much, you shouldn’t say those things about him.”

“Sir please, you don’t understand!” Shaking your head hard, you let out a frustrated groan. “I don’t belong here! He kidnapped me, don’t you understand?!” It felt like you were the only sane one left in the world. Gojo chuckled and sighed, placing a large hand on the top of your head and leaning forward.

“Actually, Yuta wasn’t the one that actually kidnapped you.” A soft ‘no’ escaped your lips and Gojo laughed again, drinking in the sinking feeling in your gut and the way it twisted your face in agony. “It was me.”

#tw: noncon #tw: yandere #jujutsu kaisen #okkotsu yuta #yuta okkotsu x reader #jujutsu kaisen smut #jujutsu kaisen scenarios #jujutsu kaisen imagines #jujutsu kaisen fanfic

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makeste · 3 years

Text

BnHA Chapter 324: Is There a Force Field Around Him??

Previously on BnHA: Flashback!Rat Principal was all “please tell Midoriya that I spent a concerningly small amount of money upgrading U.A. into a wacky physics-defying funtime grid so as to make the final battle much more confusing for everyone.” Present Day!Mic (or Present!Mic, if you will) and Jeanist were all “if only somebody could deescalate this dangerously unhinged mob, we’ve tried nothing and we’re all out of ideas.” Ochako was all “LISTEN UP PEOPLE.” The mob was all, “god??” Ochako was all, “NO, IT’S ME, OCHAKO. I’M REALLY HIGH UP ON THIS BUILDING AND THE VISIBILITY IS LOW DUE TO THE RAIN, SO I CAN SEE HOW YOU MIGHT MAKE THAT MISTAKE. ANYWAYS, DEKU WAS OUT THERE RISKING HIS LIFE FOR YOU CLOWNS EVEN THOUGH HE’S JUST A KID, SO I WOULD REALLY APPRECIATE IF YOU COULD ALL REMEMBER HOW TO BE DECENT HUMAN BEINGS, THANKS.” Let’s see if her Big Scolding Energy has any impact.

Today on BnHA: Horikoshi is all “so I have this speech planned out, and it’s really good, but it also only really needs about 6 to 8 pages, but I’m gonna see if I can stretch it out to 17 pages so I can kill time before we get to the next volume cliffhanger two weeks from now.” Anyway but it really is a good speech though. There are feels, and tears, and more talk about how Deku is so in need of a shower that just looking at him requires a tetanus booster, and more feels, and more tears, and bonus ship drama, and an iconic callback to the very first chapter which reframes the entire series in a new context in a totally epic and moving way, and it’s all very good. Except that Horikoshi is determined to never let anyone actually give this kid a hug. Who hurt you, dude.

omg we are opening on a callback to chapter 212, a.k.a. the chapter with by far the cutest flashback that doesn’t involve any baby Todorokis

baby Ochako is lethally cute. she could literally murder someone with her cuteness. I just want to scoop her up and play airplane with her until she accidentally activates her quirk while we’re spinning around and we both helicopter up into the air never to be seen again

“a child’s insistence” huh well that’s all well and good, but I sure hope this doesn’t mean we’re going to drag out the whole “sternly lecture the obnoxious citizens” plot for another whole chapter. no offense but I think we’re good

so page 2 is just continuing the whole happy/worried faces monologue, which of course is very important to Ochako’s character as it provides the context for why “who protects the heroes” ended up becoming her thing. and this is making me think we actually are in for a whole second chapter of this sob. when will my boy finally get to rest

OH MY GOD SUDDENLY THESE PEOPLE HAVE EYES IMAGINE THAT

HORIKOSHI: [reaches for a box of tissues while tearfully penning an homage to his beloved Spider-Man 2, specifically the train scene where the crowd sees Peter without his mask and they suddenly realize just how young he is]

HORIKOSHI’S HOMAGE SCENE: “COME TO THINK OF IT, I GUESS IT WAS KIND OF MEAN FOR US TO PICK ON THIS TEN YEAR OLD KID WHO WEIGHS 75 POUNDS AND LOOKS LIKE HE LOST A FIGHT WITH SATAN’S MOLDY OLD BASEMENT”

lol at this one guy who can feel the mood of the crowd shifting and is all “WAIT, NO, I WANTED TO KEEP BEING AN ASSHOLE DAMMIT”

as many pointed out last week, this man is wearing an All Might shirt. that’s some fantastic irony there

-- SDKFJWIGKS

“LITTLE GIRL, I HOPE YOU’RE NOT SUGGESTING THAT WE SHOULD ALL BE WALKING AROUND DRESSED LIKE A SOVIET-ERA BUS STOP.” heh. last week I said I was ashamed of BnHA being my favorite manga. that was a lie, actually

(ETA: in the original Japanese Ochako’s next two lines are basically “the only ones covered in mud will be us heroes!” followed by “please give us some time to get rid of the mud”, with that second line basically being the single funniest thing I’ve ever read rdslkjl. Ochako thank you so much for supporting my running gags. “YEAH WE KNOW HE’S DIRTY. WE ARE GONNA TRY AND CLEAN HIM UP, BUT IT MAY TAKE A WHILE, I’M JUST SAYING. I MEAN LOOK AT HIM. HE LOOKS LIKE AN ASBESTOS COSPLAY.”)

doesn’t the megaphone kind of look ever so slightly like an axe that she’s wielding maniacally here

easy there Lizzie Borden

also that’s a really bold claim to make there. and not one she necessarily should have to make, either. but as we all know, there’s nothing that shounen manga likes more than having its heroes bravely hoist heavy burdens of responsibility like good self-sacrificing citizens

p.s. lowkey loving how Kacchan is positioned here standing slightly behind Deku. not presuming to stand in front of him all overprotectively (because he would hate if anyone ever did that to him), and kind of being unobtrusive and letting others take center stage -- but still being close enough to Deku that he can catch him if he stumbles or passes out again

(ETA: or maybe not lmao.

DEKU: [falls to his knees]

KACCHAN: [glancing up from his phone a few minutes later] “someone just sent me the stupidest meme about milk crates -- oh. uh. you good...?”

really, son. “the burdens you can’t carry, we’ll carry them for you. ...later, I mean. right now it’s late, and we’re all cold and wet.”)

also lowkey loving this OchaTsu moment here

I was going back and binging Ochako chapters this past week for reasons, and I gotta say it really stuck out to me just how often these two are paired with each other. they do everything together. it’s a really sweet friendship that often goes unappreciated but it’s very cute

meanwhile, not to be outdone by the OchaTsu, Iida is staring at Ochako with open admiration talking about how she’s fighting too. it’s been so long since we’ve had any IidaRaka you guys. I was starving and I didn’t even know it

oh my lord IT’S FINALLY HAPPENING

THE LIGHT IS BACK. he finally looks like him again. what a cathartic fucking moment omg

ffklkdw

“I KNOW YOU ARE ALL SCARED, BUT THE GOOD NEWS IS, WE DEFINITELY CANNOT GUARANTEE YOUR SAFETY AND WE ARE ALL SCARED TOO!” good pep talk there kiddo

BUT, jokes aside, truth be told this is the exact right approach to take imo, and something that’s long overdue. I’ve said this before, but this new generation of heroes is shaping up to be much more transparent than the All Might generation. they’re basically abandoning the almighty, untouchable Superman “heroes as gods” concept in favor of the more nuanced “heroes as people” concept instead. and that’s a good thing. seeing their heroes as humans, with human limitations and weaknesses and flaws, will hopefully not only lead to more scrutiny and accountability, but also more awareness of how hard some of them are working and how much they’re sacrificing. that’s something All Might never quite grasped back at the start of the series -- that the weak, vulnerable, injured him could be just as inspiring as the mighty, invincible him -- perhaps even more so. there’s a power in seeing otherwise ordinary people show extraordinary bravery and compassion. it inspires others to try and do the same

SSDLHK AIZAWA SIGHTING AAHHHHHH

so he was still back at the hospital this whole time?? smdh at this disrespect. that feeling when your sexy self-insert character’s powers of rationality are too strong, and so you have to nerf him so that he doesn’t ruin your Deku Angst arc twice over by (1) immediately talking some sense into Deku and making him come home Right This Instant Young Man, and (2) not allowing him to leave U.A. in the first fucking place. excuse me, you want to do WHAT now, Midoriya?? that’s it, go to your room

also living for Katsuki and Hawks’s soft expressions. Shouto’s too, although his is tinier and harder to see. and Jeanist’s 12-foot-long neck. imagine Jeanist’s head with Mic’s hair. maybe Jeanist had a mohawk back in the day and that’s why U.A.’s doors are so big now

speaking of soft faces, Enji’s is also excellent

what could this random close-up possibly imply?? hell if I know. but Horikoshi truly fears no discourse and that’s what I love about him

OMGGGG

“smh my child is so dumb.” poor Ochadad. your child is cute af count your blessings

SDOFFHSMH

I’m telling you guys. lethally, catastrophically cute

this speech is still ongoing lol. Horikoshi you’re doing so good but I think we get the point now my dude. you gotta learn how to transition out of these things

UNEXPECTED TOGA WHAT

“there we go” Horikoshi says, crossing off the last line on his list of Ochako ships. “that’s all of ‘em”

poor Ochako is just repeating the same “LET HIM REST, PLEASE, WITH EVERYONE’S COOPERATION, IF YOU DON’T MIND, WE APPRECIATE IT” talking points over and over again hoping someone will throw her a bone and acknowledge her already. SOMEONE PLEASE HELP HER

literally they’re all just staring up at her silently omg. work with me people!!

now she’s saying it for the 56th time but more dramatically all of a sudden

they got so dramatic that for a minute I thought she had suddenly leaped off the building or something

look, not to rush you or anything Horikoshi, but I’m starting to get the feeling that this is yet another one of those “the volume is ending soon so I need to either hurry things up or slow things down in order to make sure we end it on my perfect cliffhanger ending” chapters where you go to ridiculous lengths to drag things out much to the exasperation of your week-to-week readers

(ETA: ftr, volume 31 ended on chapter 306, and I’m predicting that vol. 32 will end with chapter 316 (a.k.a. “you’re next!” [explodes]). I’m guessing vol. 33 will follow suit and likely end on chapter 326, so keep your eyes peeled for a big cliffhanger in two weeks’ time. Deku’s dad?? All Might in peril?? U.A. traitor at long fucking last?? we shall see.)

is Deku straight up falling in love with Ochako right on the spot lol what is happening

I know I just said that I enjoy when Horikoshi gives zero fucks about discourse, but shipping discourse is a whole different beast lol. I hope he’s prepared

(ETA: and for the record, I have no interest in shipping discourse either, as always. and I think this scene can be interpreted as platonic, tbh, with the context being that Ochako was literally introduced as someone who was willing to help him so casually without a second thought, and now here she is saving him again.

I don’t think it really fully hit Deku until this moment how much he needed saving. like I said in another meta somewhere, selflessness is basically just selfishness on behalf of others. and Deku is selfless to a fault, but that’s okay, and it doesn’t mean he needs to change -- he just needs friends who are willing to be be selfish on his behalf in turn. and I think the full emotion of what it means to have friends like that just hit him at last. everything his friends have done for him, how much he needed it and didn’t even realize, and how grateful he is. anyways what a terrible day for rain.)

-- son of a --

is he apologizing?? or pleading?? please tell me that’s not the case, because what the actual fuck. Deku you beautiful precious radiant selfless child, this is the exact opposite of how this should be. all these motherfuckers should be on their knees apologizing to you

DEKU WHY

I DIDN’T ASK FOR THIS FREAKING BOMBARDMENT OF EMOTIONS GODDAMIT. OUT HERE ARMED WITH YOUR FREAKING TREBUCHET OF FEELS TO LAUNCH AT ME UNPROVOKED. WHAT’S WITH THAT

FREAKING CHRIST. THIS BOY IS CRYING HIS EYES OUT AND HORIKOSHI IS JUST ZOOMING IN WITH THE CAMERA, LIKE CAN WE JUST CUT HIM A BREAK ALREADY. ENOUGH OF THIS. HE’S SO YOUNG AND HE TRIES SO HARD AND I JUST NEED HIM TO FEEL SAFE, HORIKOSHI PLEASE CAN YOU JUST GIVE ME THAT ALREADY WHAT IS THE FREAKING HOLD UP!!

GIGANTIC FOX LADY!!!

GIGANTIC FOX LADY PLEASE BE MY HUGGER BY PROXY!! SERIOUSLY GIRL IF YOU JUST HOLD YOUR UMBRELLA OVER HIM OR SOMETHING AND DON’T GO THE EXTRA MILE I’M ABOUT TO LODGE AN OFFICIAL COMPLAINT. THIS IS GETTING RIDICULOUS NOW

!!!!

A KOUTA IS GOOD TOO!!! oh my god if Kouta hugs him I will seriously 100% straight up cry. go on and test me

FOR THE LOVE OF --

is this man expressly forbidden from drawing hugs in his contract or something. DO YOU DO IT JUST TO SPITE ME?? this is tyranny, sir

AND I KNOW, THIS PAGE ACTUALLY CHALLENGED THE VERY PREMISE OF THE SERIES ITSELF, AND HERE I AM COMPLAINING ABOUT HUGS, OR THE LACK THEREOF. “this is the story of how we all became the greatest heroes.” and just like that, he waves a polite middle finger at all of the Strongest Greatest Chosen One shounen protags of old, in favor of something much less conventional, much more interesting, and much more suited to Deku’s character. because if that one sentence doesn’t just sum up Deku to a T. he gladly relinquishes his Greatest Hero status in favor of acknowledging the hero in everyone. what a class act. that’s my protagonist

I love this kid so fucking much I swear. only just PLEASE. FOR THE LOVE OF GOD. GIVE HIM HIS HUG

#bnha 324 #uraraka ochako #midoriya izuku #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

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itsclydebitches · 3 years

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I keep seeing people calling Good Omens queer bating and a I can't help but ask why? I read the Aziraphale/Crowley relationship threw an Ace lens and they are clearly as close to married as they are probably going to get without stepping on holy ground.... and they love each other... why is it considered queer bating?

Personally, I think it's mostly young queer fans turning legitimate grievances on the wrong target. A case of getting so fed up with queerbaiting in media as a whole that they're instinctually lashing out at anything that seems to resembles it on the surface, without taking the time to consider whether this is, in fact, the thing they're mad at. Good Omens is a scapegoat, if you will. The equivalent of snapping at your partner after a long day. Your friend was an asshole, your boss was an asshole, the guy in traffic was an asshole, and then you come home to your partner who says something teasing and you take it as another asshole comment because you've just been surrounded by assholeness all day, to the point where your brain is primed to see an attack. Your partner wasn't actually an asshole, but by this point you're (understandably) too on guard to realize that. Unless someone sits you down and kindly reminds you of the difference between playful teasing and a legitimate insult - the nuance, if you will - your hackles are just gonna stay up and you'll leave the room, off to phone a different friend to tell them all about how your partner was definitely an asshole to you.

Only in this case, that "friend" is a fan on social media doing think pieces on the supposed queerbaiting of Good Omens, spreading that idea to a) people who aren't familiar with the show themselves and b) those who, like that original fan, have come to expect queerbaiting and thus aren't inclined to question the latest story with that mark leveled against it. Because on the surface Good Omens can look a lot like queerbaiting. Here are two queer coded characters who clearly love each other, but don't say "I love you," don't kiss, don't "prove" that love in a particular way. So Gaiman is just leading everyone on, right?

Well... no. This is where the nuance comes in, the thing that many fans aren't interested in grappling with (because, like it or not, media is not made up of black and white categories; queerbaited and not-queerbaited. Supernatural's finale is proof enough of that...) I won't delve into the most detailed explanation here, but suffice to say:

Gaiman has straight up said it's a love story. He's just not giving them concrete labels like "gay" or "bi" or "asexual," etc. because they are literally not human. Gaiman has subscribed to an inclusive viewpoint in an era where fans are desperate for unambiguous rep that homophobes cannot possibly deny. The freedom to prioritize any interpretation - yes, including a "just friends" interpretation - now, in 2021, feels like a cop-out. However, in this case it's an act of world building (they are an angel and a demon, not bound by human understanding of identity) meeting a genuine desire to make these characters relatable to the entire queer community, not just particular subsets. Gaiman has said they can be whatever we want because the gender, sexuality, and romantic attraction of an angel and a demon is totally up for debate! However, some fans have interpreted that as a dismissal of canonical queerness; the idea that fans can pretend they're whatever they want... but it's definitely not canon. It is though. Them being queer is 100% canon, it's just up to us to decide what kind of queer they are. This isn't Gaiman stringing audiences along, it's him opening the relationship up to all queer possibilities.

We know he's not stringing us along (queerbaiting) because up until just a few days ago season two didn't exist. Queerbaiting is a deliberate strategy to maintain an audience. A miniseries does not need to maintain its audience. You binge it in one go and you're done, no coming back next year required. The announcement for season two doesn't erase that context for season one. No one knew there would be more content and thus the idea that they would implement a strategy designed to keep viewers hooked due to the hope for a queer relationship (with no intent to follow through) is... silly.

In addition, this interpretive, queer relationship between Crowley and Aziraphale existed in the book thirty years ago. Many fans are not considering the difference between creating a totally new story in 2019 and faithfully adapting a story from 1990 in 2019. Good Omens as representation meant something very different back then and that absolutely impacts how we see its adaptation onto the small screen. To put this into perspective, Rowling made HUGE waves when she revealed that she "thought of" Dumbledore as gay in an interview... in 2007. Compare that to the intense coding 17 years before. Gaiman was - and still is - pushing boundaries.

Which includes being an established ally, particularly in his comics. Queerbaiting isn't just the act of a single work, but the way an author approaches their work. Gaiman does not (to my knowledge) have that mark against him and even if he did, he's done enough other work to offset that.

Finally, we've got other, practical issues like: how do you represent asexuality on the screen? How do you show an absence of something? Yeah, one or both of them could claim that label in the show, outright saying, "I'm asexual," but again, Gaimain isn't looking to box his mythological figures into a single identity. So if we want that rep... we have to grapple with the fact that this is one option for what it looks like.

Even if he did want to narrow the representation down to just a few identities for the show, should Gaiman really be making those major changes when he's only one half of the author team? Pratchett has, sadly, passed on and thus obviously has no say in whether his characters undergo such revisions. Even if fans hate every other argument, they should understand that, out of respect, Good Omens is going to largely remain the same story it was 30 years ago.

And those 6,000 years are just the beginning! Again, this was meant to be a miniseries of a single novel, a novel that, crucially, covered only Crowley and Aziraphale's triumph in being able to love one another freely. That's a part of their personal journey. Yeah, they've been together in one sense for 6,000 years, but that was always with hell and heaven on their backs, to say nothing of the slow-burn approach towards acknowledging that love, for Aziraphale in particular. We end the story at the start of their new relationship, one that is more free and open than it ever was before. They can be anything to one another now! The fact that we don't see that isn't a deliberate attempt on the author's part to deny us that representation, but only a result of the story ending.

So yeah, there's a lot to consider and, frankly, I don't think those fans are considering it. Which on a purely emotional level I can understand. I'm pissed about queerbaiting too and the knee-jerk desire to reject anything that doesn't meet a specific standard is understandable. But understandable doesn't mean we don't have to work against that instinct because doing otherwise is harmful in the long run. We need to consider when stories were published and what representation meant back then. We need to consider how we adapt those stories for a modern audience. We need to acknowledge that if we want the inclusivity that "queer" provides us, that includes getting characters whose identity is not strictly defined by the author as well as characters with overtly canonical labels. We need both. We likewise need to be careful about when having higher standards ends up hurting the wrong authors - who are our imperfect allies vs. those straight up unwilling to embrace our community at all? And most importantly, we have to think about how we're using the terms we've developed to discuss these issues. Queerbaiting means something specific and applying it to Good Omens not only does Good Omens a disservice, but it undermines the intended meaning of "queerbaiting," making it harder to use correctly in the future. Good Omens is not queerbaiting and trying to claim it is only hurts the community those fans are speaking up for.

#good omens #mymetas #queer

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groovesnjams · 2 years

Video

youtube

“Western Wind” by Carly Rae Jepsen

DV:

On one hand I don’t want to neglect the sort of careful close reading and unpacking that a new song from Carly Rae Jepsen warrants, but on the other hand I’m absolutely fascinated by the context in which “Western Wind” exists. Here’s the thing: every lead single Carly’s released for literally a decade now has been a transparently-label-driven attempt to recapture “Call Me Maybe”: “I Really Like You”, “Party for One”, arguably even “Cut to the Feeling.” They’ve all been very good songs, on albums filled with great ones. In that oeuvre, “Western Wind” is a complete outlier: it sounds like absolutely nothing Carly’s released before, makes no attempt to mimic her breakthrough hit, and perhaps most importantly it’s a tremendous departure from her previous work - singles or otherwise.

“Western Wind” takes its time; it builds; it feels spacious and lush. Some of that may be due to co-writer/producer Rostam, but compare this to “Warm Blood”, their previous collaboration: in 2015 their collaboration was intensely anxious and obsessive. The change feels like Carly’s. She’s spent her entire career as the embodiment of too much-ness, as urgent and undeniable excess bottled up and exploding in ways that are violently overwhelming. She cuts or she hijacks you or she crushes your heart . Carly Rae Jepsen has long been driven by the visceral, in the most literal sense: “Western Wind” is interested in different kinds of pleasure. “We were pressed into the/ Love, we were pressed into the breeze up on the mountain” is an elision that suggests bliss - rather than the violence it might have in the past. Just as significantly, the song makes room for a short guitar solo, a form of structural decadence we’ve never heard Carly indulge before. Here, she’s no longer overwhelmed and uncontrolled; here, she has time. Even when singing about heartbreak, even throwing a “golden arrow”, incongruous and full of symbolism, into the mix (She’s still the same Carly, only now she’s different.) The question that remains is, will “Western Wind” be a signpost to the rest of the CRJ5, or is it an inverted version of the misleading lead singles she’s dropped in the past?

MG:

I’m so glad DV mentioned the guitar solo first, because, of course, for me that’s what stood out most and immediately about “Western Wind.” It’s not just short, but also delicate and full of light, mirroring the song’s structure in miniature. In its seemingly off the cuff simplicity, the solo sounds like catching a glimpse of the sun reflected off the surface of a lake at mid-afternoon. The notes bounce and sparkle and I’m so starved for luscious guitar work that it’s enough to make me forget that California is a desert.

It reminds me of something -- and I hope everyone is ready to hear the stomach-curdling thing I’m about to say -- it reminds me of The Joshua Tree, U2′s naturalist look at America with production helmed by Canada’s Daniel Lanois. Lanois is behind all beautiful bent and broken guitar sounds necessary to offset Bono’s chest puffing, but both are integral and essential to capturing what’s so thrilling about the west coast. On “Western Wind” we’re treated to Canada’s Carly Rae Jepsen and East Coaster Rostam conjuring a very intimate, specific utopia. Sure, we’d all like to divorce the wildfires and rising sea levels from our image of California. We’d all like to see the state from the shade of the redwood trees to the tops of ragged, immovable mountains, to inlet beaches covered in purple sand. In these ways, “Western Wind” captures a shared cultural imagination of a world free from peril, a place where we can bask in natural beauty and feel peace, maybe for the first time. But “Western Wind” is also a uniquely shared fever dream, one that accommodates Jepsen’s throaty voice instead of juxtaposing it against bright colors and racing pulses. And as much as “Western Wind” provides Carly with a space to exhale fully, it’s also Rostam’s best work yet. The degrees of tinker between “Western Wind” and his previous high heights like “In a River” and Haim’s “Gasoline” are infinitesimally small but too profound to enumerate. Just listen! This song is warm like water in July. Rostam needed a body of water bigger than a river and a warmth cooler than fire; Carly needed the same. Together they sound freer and looser than I thought possible.

#western wind #carly rae jepsen #music #a very long one

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baeddel · 3 years

Text

discussion on this post, @horatiovonbecker asks @otatma their opinion about extended families as an alternative to the nuclear family. @otatma replies that it is “a good thing to strive for” but “depends hugely on the family being nontoxic.” true enough!

as it’s my activity feed and they can’t stop me i’ll butt into the conversation. i grew up in an extended family. i lived with my mother and my maternal grandparents, and my aunt would live with us some days out of the week. all of this was accomplished in a 2-bedroom bungalow. i had very little privacy and i hated it; when i was 15 i ran away. my mother pleaded with the council and we managed to secure a terraced house in a socialized housing estate with a bedroom for each of us, plus a spare room (almost unthinkable today). we live near our grandparents and they visit every day.

when i was 16 i met my absentee father. he had been homeless in England and imprisoned in Scotland and when he returned to Ireland that year i found him living in a rhizomatic extended family scenario spanning four generations and three households. they were always being chased out by landlords or paramilitaries and relocating and, in any case, one could never predict who would be living in which house at any time; children would live with grandparents one month, parents the next, aunts and uncles the next, and so on. even husbands and wives did not always share a home.

[long post: 3k words, on the historical development of family structure in Ireland and England and what it means for monogamy, the family and anarchy]

based on this i believed the extended family to be an Irish institution. this is an assumption i shared with most sociologists and historians until about the 1990s (Seward et. al., 2005, pg. 2). the standard narrative was that, world-over, families historically lived in large, three-generation households and that thanks to the industrial revolution this was deteriorating. “Max Weber himself implies in his magisterial way that the rise of capitalist organisation was associated with 'the household community shrinking' ” (Laslett, 1974, pg. 7). Ireland was traditionally conceived of as an exception to this process of deterioration as, on this account, the extended family remained dominant while the rest of the world was going nuclear. it turns out to be the reverse in both cases: the extended family was never the dominant family structure anywhere (ibid. pg. 2-3; Vann 1974, pg. 3-4), except for in Ireland beginning in the 19th century, where over the course of the 20th century it did deteriorate (Laslett, 1974 pg. 34; Gibbon & Curtin, 1978).

the reason for this is embarassingly obvious once you realize it. the fact is that not all families in a society can be extended families. if all children remain in the family home along with their children into perpetuity this house will soon have the population of a small town. this is actually the origin of society proposed by Filmer in Patriarcha (1680), where parental authority becomes the “fountain of all Regal Authority” as their progeny multiply, until humanity is scattered about in the Confusion of Tongues (pg. 11-15). without a Confusion of Tongues to interrupt the exponential increase (and millions, rather than thousands, of years to account for) we have to imagine another sort of family structure. the 19th century sociologist Frédéric Le Play proposed that a new family structure emerged out of ancient patriarchy which he called the Stem-Extended Family. on this account one son was selected to inherit and he remained at the family’s residence; the other siblings were dispersed (Gibbon & Curtin, 1978 pg. 2-3).

to the extent that this form of family organization did exist, it could not have been the dominant form. in a family with three sons, two of them would have to go and form nuclear families with their spouses. they might go on to build their own extended family, or they might not. in many societies the extended family was indeed considered “a good thing to strive for”, and this was the position adopted by the conservative Catholic Le Play, and later accepted by the Catholic Church, who lobbied for policy interventions that would stem the tide of nuclear proliferation in Ireland, particularly by limiting employment opportunities for women. For example, women were barred from civil service positions until 1973 (Seward et. al., 2005, pg. 7).

if this is the case, how could the extended family become the dominant form of family structure in Ireland in the 19th and early 20th centuries? the most significant factor was the reorganization of agriculture carried out by English colonial interests; after the infamous Potato Famine the population of Ireland almost halved (after already more than halving after Cromwell’s genocides), as well as the almost constant state of war that Ireland was submerged in (continuing into the 90s in the occupied North). in the aftermath it was necessary for families to consolidate (Seward et. al., 2005, pg. 3). on top of this, fertility was exceptionally low and emigration was exceptionally high (in the North it remains very high, especially among Catholics). as a result, more generations could live together, and children were more likely to leave the country than disperse elsewhere in Ireland (Seward et. al., 2005, pg. 14). throughout the 20th century, as industry and free secondary education were introduced to Ireland, more children began to move from country to town and nuclear families rapidly replaced extended ones (Seward et. al., 2005, pg. 6).

my family tree more or less follows this narrative along. in the chaos following the Land War my great, great grandmother was the head of a large intergenerational family involving aunts and uncles, as well as an adopted street orphan. my great grandfather met a homeless woman possessing a child out of wedlock and fell in love with her; they moved to this town and rented a house while he sought work as a street sweeper, starting a new nuclear family. in the 40s my grandmother worked in factories until she married my grandfather, a sailor, and they began their own nuclear family in the same town, renting different little apartments until, thanks to the state of the housing market in the 80s, they purchased the modest accomodations aforementioned. by the 90s this arrangement threatened to become a new Stem-Extended Family (with my mother and i playing the role of inheriting sons), but it proved inoperable in the new context of the 21st century’s mechanized Ireland, and we spilled over into our own single-parent home. given that both me and my aunt are infertile, the maternal line terminates here.

does it follow that we ought to give in and admit that the nuclear family is the natural unit of human society, and that the extended family is possible only in the middle of an ongoing genocide? despite what we’ve just said, there doesn’t seem to be good evidence for this either. while Gibbon & Curtin characterized a debate where Laslett “advanced the iconoclastic [proposition] that there had been little essential historical change in family structure” (1978, pg. 3) this doesn’t seem to actually be Laslett’s position. Laslett argued that family size has not changed considerably throughout history, but on the very first page of his landmark Household and Family in Past Time (1970) he emphasizes that he is “not concerned with the family as a network of kinship” and instead defines his area of research in terms of “coresident domestic groups”, which might bear little relationship to kinship structures. in the past the household very frequently involved not just blood relatives but “lodgers, boarders and visitors” (Vann, 1974, pg. 5) as well as slaves and servants. Vann quotes Etienne Hélin's caution that “[a]rithmetic means, although they varied so little covered a whole series of different situations” and describes how post-industrial English households had twice the number of blood relatives per house as pre-industrial ones, but fewer lodgers, and thus about the same mean. the difference between historical and modern families might not be one of size but of an increasing emphasis on blood relations.

it may come as a surprise that, as a matter of fact, Old English has no word for family. they have a word for relatives in general (sibb), for tribes (cynn, the root of Modern English kin), but the basic social unit known to the Anglo-Saxons was the hiw (and its many compounds), which might be translated ‘household’ (or, indeed, ‘coresident domestic group’). who belonged to a hiw? it was somewhat nakedly a property relation. it was not only a man’s wife and children but also his servants, his slaves, as well as his animals (Stanley, 2008, pg. 1). the Textus Rofensus makes only one distinction between members of a household, that they be “slaves or free” (ibid. pg. 7). it could also refer to a monastic group, involving the whole cloister. Stanley notes (and it seems true to me) that there is a virtual absence of family relations in the corpus of Old English literature. in fact i cannot think of a single example, except perhaps for the monster Grendel and his mother. in the mournful Wife’s Lament and the passionate Wulf and Eadwacer the emphasis is on completely personal affections and seductions, and in any case both depict forbidden relationships outside of the hired.

correspondingly, we find that the average Anglo-Saxon home was a large one; typically they were a single room which measured about 50 square meters and “could have accomodated up to about a dozen or so people” (Hines, 2003, pg. 139). there is no reason to suppose that this was to accomodate several generations of blood relatives; the Anglo-Saxons had many, now very unfamilliar, relationships to populate their houses with. there was husband, wife, and concubine, along with their children; there was slave and hostage (Lavelle, 2006), including many orders of slaves with different status (such as the relatively respectable title of bryti, a sort of ‘head slave’); and indeed guest, visitor, boarder, and in the case of lords and aristocratic thegns, perhaps retainers. in Beowulf about thirty thegns sleep with their lord in Heorot, pulling aside the bench-planks and replacing them with straw beds at night (and when the Geats arrive they incorporate them as still more visitors). we know that at least some beds were placed in recesses in the walls and had curtains (Wright), perhaps to accomodate private intimacy between husband, wife and concubine or, indeed, guest, retainer, hostage, slave, or (why not?) animal. even when husband and wife are the only kin relatives in residence we would hesitate to call this arrangement a ‘nuclear family‘, or indeed an ‘extended family’ should it include a grandparent.

why has industrial modernization corresponded with the narrowing of the productive unit of society to the nuclear family (or, increasingly, the single parent family)? why have non-blood relations become so systematically excluded from the household? these seem like open questions to me. our own experience leads us to suspect conditions placed on family structure by the labour market together with city planning. until the 70s in Ireland, as we discussed, it was typical (and indeed lawful) for wives to stay at home and husbands to work; today very few workers could afford to keep their wives at home, even without children. houses are also too small to sustain extended families (nevermind concubines, hostages and the rest). old council houses such as ours have two bedrooms, one for the parents and the other for the children, along with a room for guests. today they do not include the guest room. there are, in addition, only two common rooms: a family room and a kitchen. it is not only difficult to accomodate three generations in these houses (the small guest bedroom is a poor substitue for the reitrement room of many 19th century Irish houses), it is difficult to accomodate even two generations. teenagers will already complain about sharing a bedroom, and one sibling might take up the guestroom. but we know of women with six, seven, as many as twelve children who live here. as adults they could fill at least three of such houses. all of this is possible only on the theory that as the children grow up they will move out into their own homes.

so. it is tempting to analyze the family situation abstractly, counting up the merits and dysfunctions of different systems and comparing them. for example, using Hirschman’s well-known framework of “exit” and “voice”, we might ask how effective the different forms of family structure are at responding to dysfunction (abuse, neglect and so on). the extended family, we might say, gives a child better access to “voice” - they can turn to parents, grandparents, aunts, uncles and siblings for help. your mother might answer to your grandmother who is therefore well poised to address parenting issues, while your father can probably smoothe things over with your uncle if you quarrel. this means that you actually have to worry less about “toxicity” in the family compared to a nuclear family where parents aren’t accountable to anyone. however, in case of a family wide problem, you may have much less room to “exit” compared to a nuclear family, where exit is expected.

which one is better? you might reply that the extended family sounds better. it very well might be; but in reality you’ll never get to act on this exercise in judgement no matter how much striving you do. the nuclear family does not predominate because of the tyrannical thirst for the awesome power of parenthood (no matter how much we do find this thirst satisfied), but because of the given conditions of labour, housing, inheritance and so forth. this is why @horatiovonbecker can reply that all of this is “fair enough” but that they ”don't think it follows that discouraging monogamy will help.” no, surely it does not follow. especially now that we know that family size and kinship relations are not essential features of domestic organization. why was monogamy ever implicated in the first place?

now it seems like a curious slip of the tongue that when Goldman and Parsons disagree about monogamy they do so by attacking and defending the family by turns. but at that time monogamy was not so easily separable. free love was not really polyamory. it was this and also the abolition of both marriage and parenthood, as they understood both as property relations: “marriage slavery”, as even Parsons called it, and parental ownership of children. it was also the abolition of sex work, which they understood as the "public” expression of the subjugation of women which finds its “private” expression in marriage (Marx & Engels, 1848, pg. 24-25), ie. that women are dependent on men’s property and must acquire it by marriage or by sexual labour. as a corrolary they advocated for divorce (which became an immense priority to later Soviet planners who designed mobile, modular homes which would allow couples to separate and cohabit arbitrarily). it was also access to contraceptives and to abortion, as well as, believe it or not, very often the advocacy of eugenics (on the account that with abortion, contraceptives and the freedom to select partners, the previously blind and mute force of sexual reproduction would become domesticated to the rational will; see the anarchist journal Moses Harman founded in the 1880s, Lucifer the Light Bearer, later renamed the American Journal of Eugenics).

this constellation of problems no longer appear all together. after most women entered the conventional work force we could no longer as easily see monogamy and marriage as a relationship of slavery. as we say in the previous post, for many women the struggle is that they are too independent, saddled with childrearing and wage labour and housework with only the cold comfort of the day-care for assistance. for this reason sex work no longer appears as anything special compared to the other forms of labour women do out of necessity; “sex work is work” is the guiding catchphrase of militant sex workers. contraceptives and abortion still appear as a leading issue in feminist agitation but we no longer imagine they have the power to transform the everyday life of the household (nevermind summon forth the genetic Ubermensch). all together the abolition of marriage was replaced, as @birlinterrupted reminds us, with its extension: gay marriage. as of right now monogamy and marraige are still inseparable (i can now marry one of my girlfriends but not all three), but we think it need not always be. all together the program fragmented as its success was realized in pieces and none of them were actually irreparably fixed by the property relation (even if they did emerge from it).

Engels actually believed that a true equality of the sexes would, “according to all previous experience,” result in monogamous men and polyandrous women (Engels, 1884, pg. 43), but he admits that we can only conjecture about “the way in which sexual relations will be ordered after the impending overthrow of capitalist production.” he finishes this thought with this remarkable little statement:

[W]hat will there be new? That will be answered when a new generation has grown up: a generation of men who never in their lives have known what it is to buy a woman’s surrender with money or any other social instrument of power; a generation of women who have never known what it is to give themselves to a man from any other considerations than real love, or to refuse to give themselves to their lover from fear of the economic consequences. When these people are in the world, they will care precious little what anybody today thinks they ought to do; they will make their own practice and their corresponding public opinion about the practice of each individual – and that will be the end of it.

the straightforward correspondence between property, economic dependence and monogamy is still here, and which to us now seems insufficient to the problem (ie. the problem still persists after these given conditions are eliminated). broadening the question from questions of marriage, sexual access and economic dependence to the more general question of the organization of the household in general and the necessary social and economic conditions proper to it would clarify what’s really at stake in domestic oppression, the organization of reproduction, and so on. but it remains true that we can only remain sensitive to trends, to those of us organizing new experiments with the household, and where new opportunities might open as the present conditions dig their own grave.

Let’s give the final word to an old friend. What is the Family, Renzo Novatore? Why, nothing but “the denial of life, love and liberty.” Nevermind his entry for Love, which is a “deception of the flesh and damage to the spirit, disease of the soul, atrophy of the brain, weakening of the heart” and so forth.

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cerastes · 3 years

Note

What do you make of Specter's operator record? Personally I liked it, but that's with the knowledge we're getting more Specter backstory soon.

Ok, so! Just as you pointed out, I went into it with the knowledge that:

We're getting Under TIDES soon.

Specter gets a second Operator Record later, some time after Under TIDES.

And with that in mind, I'm fine with it, but if I was a CN player and all we got was Specter's first Operator Record without any knowledge of the future, I would be pretty pissed, lmao. In fact, CN players were pretty pissed, the reception to her Operator Record was pretty bad. Specter is a popular character both in terms of gameplay and character (the latter more so in China, she gets a steady influx of cosplayers, fanart and fanfic in Weibo, Lofter, and such). It's believed that Hypergryph announced her second Operator Record because of this backlash.

Now, with the context and preamble on the table, I want to say: Great idea, not so great execution. Overall, I enjoyed it, but again, that's only with knowledge of the future. Despite that, I sincerely praise Hypergryph for actually having the balls to try a narrative approach like this one on a mobile game. The thing is, just because an idea is interesting doesn't mean it's good, and I think a lot of aspiring writers and designers need to hammer that in their head, especially armchair game designers that like to theorize oh so much about how cool it would be to have a game that did this or that. I don't care if it's cool or not, is it enjoyable to experience?

And that's just the thing with Specter's Operator Record: It felt lackluster in many regards. The approach was definitely interesting, bold, I'd even say, but that doesn't really matter too much if the result isn't a success, now, does it? Let's immediately address the Originium Slug in the room: Specter doesn't even appear in it. Now, is that an interesting approach to an Operator Record? Sure! Is it good? I don't really think so, especially with a character that fans really have been clamoring to see more of in actual cutscenes, given the wealth of clues they've put regarding Specter in other places:

Blue Poison' Files -> We learn that Blue Poison knew Specter personally before her descent to madness, addressing her with her real name.

Skadi's Dialogue -> Skadi implies that Specter was on a very important mission, and more or less confirms she knew her before she went crazy.

Several pieces of official art -> Specter is associated with the phrase "All seas are singing your name".

Ceobe's Fungimist -> It's implied the cursed painting depicting the end times is the same confusing painting Specter painted in her Token.

Rosmontis' Files -> It's confirmed that Specter's spinal cord is filed to the brim with originium fluid, and the Medical Team theorizes that, just like Rosmontis, her infection was artificially induced. It also confirms that they have no idea how Specter is able to fight such an insanely high level of infection.

So, see, this has been a character that fans have really been clamoring to see again. The only cutscene Specter's ever been is the secret cutscene of Grani and the Knight's Treasure AKA the very first event in the game. Understandably, after two years of the game existing, people were a bit miffed that once again we just get breadcrumbs and a non-participation 'appearance', to say the least, in what's supposed to be her day in the limelight.

Now, personally, I kind of get how they are handling her, and the Operator Records are a very faithful reflection of this: Specter is meant to be this mysterious force that we don't have clearance to know about, as Kal'tsit herself is the only one authorized to treat her or even enter her containment quarters. And, in this regard, I think the Records succeed:

It all starts innocently with Suzuran drawing Specter in a Secret Santa and then having to start deep diving to find out who the hell even IS Specter, because absolutely no one knows of her. Eventually, Suzuran lucks out by asking Meteorite, who did participate in a mission with Specter once, to which Suzuran immediately reacts: "Hey hold on, don't they send you on pretty dangerous missions all the time?", and Meteorite's answer is, "Yeah, and she's right at home there."

Now, this is really interesting because we, as Doctor, have some level of clearance: We know things about Specter and can even converse with her to a certain degree, because Doctor is a high authority in Rhodes Island, but the average Operator, like Suzuran, Aosta and Chiave, doesn't even know of her existence. She's one of Rhodes Island's well kept secrets, even within Rhodes Island. Even Meteorite, a veteran Sarkaz mercenary and a bombardment expert, only knows about Specter in a need-to-know basis (because they deployed once together). More telling is the fact that Meteorite doesn't think she'd get along with Specter, simply based on the fact that, just on that one operation, the level of violence and carnage brought upon by Specter unnerved even her, a Kazdel Sarkaz veteran. Well, to be precise, it's not the sheer level of destruction that Specter is capable of that unnerved Meteorite, it's the fact that she does it all seemingly without a care in the world, expressionless, soundless, simply following orders to the letter without showing or taking in a single emotion. To paraphrase Meteorite, "someone that can unleash such destruction and violence upon others so easily, and that can then just not mind it in the slightest, has something wrong and concerning going on with them, no doubt".

Next up, we also learn that Folinic has very restricted, also on a need-to-know basis access to Specter. Keep in mind that Folinic is extremely competent and not at all a stranger to danger: She handles Phantom. So this is a huge hint: There's perhaps more to the secrecy regarding Specter than just her being a dangerous, unstable element. Folinic could reasonably handle Specter professionally, but it's not about whether she can or not, it's about information, and this brings us back to Grani and the Knight's Treasure: Kal'tsit makes it clear to Skadi that Specter is, as a whole, inaccessible to everyone but her, that only she has clearance to access Specter's quarters. Keep in mind that Skadi does not operate in the same conditions, despite also being an Abyssal Hunter. In fact, it's well known that Skadi is infamous among other Operators for being unreasonable and obstructive in operations, as well as unapproachable outside of them (unless you are Grani, who managed to successfully befriend Skadi and vouches for her). There's things about Specter that are so sensitive, so important, that Kal'tsit can't risk them getting out, and even using her as an Operator is something reserved for very dangerous operations. Not even Warfarin, senior staff and Operator that's been with Rhodes Island for a very long time, has full access to Specter, but she clearly knows the importance of keeping her under curtains, given she immediately diffused the Folinic-Suzuran situation by coming up with a compromise on the spot.

There's another interesting contrast between Files and the Operator Record: Meteorite describes Specter as "dead silent". Mind you, we knew from before, thanks to Specter's Files, that the shark is completely silent in battle, but we also do know that she incoherently rambles quite a lot. Folinic sheds some light onto this, explaining that Specter intentionally stays silent most of the time so as to not say anything that could be misunderstood when around others. When she's in a more private setting, however, she does let loose with the insane talk. This is confirmation of something that had been hinted at before: Even though she's insane, there's a fervent part of her clinging onto sanity for dear life with bloodied, splintered fingers, and it manifests itself in how she'll never harm an ally, and how Specter is, to a certain degree, aware of how far gone she is, and thus keeps her mouth shut around others that aren't Doctor or Kal'tsit, so as to not spook them out or accidentally threaten them with her insane rambling.

Then, at the very end, after Suzuran managed to get her present to her, Specter does in fact deliver a thank you present back to Suzuran: A music box, consistent with Specter's love for the arts. Of course, the gift might have been chosen by a proxy of hers (Skadi or Blue Poison, both known to also enjoy music), but the message is all the same: Specter clearly appreciated the gift, and was mentioned to see an improvement in her condition after receiving the doll Suzuran gave her.

So, in paper? All of this? I love it. Of course I do, she's my favorite character, and it was such a bold way to present her Record, too, I respect them trying out new things, it managed to capture the essence of "the mysterious, terrifying fighting machine Operator they don't want us to know about that's actually a pretty sweet and decent person, just going through some really hard stuff" that they've been going for with Specter, it's just, I can also understand (and agree with) fans because... It's been two years, bwahaha, let us see her again, you know? It's her Operator Record, we've gotten some VERY good insights into the lives and days of other Operators through those, like with Angelina's or Kroos'! Of course we also wanted something like that, bwahaha.

What I would've loved, and what I think would've made it all better with fans, is if the final scene had Specter actually show up in Suzuran's room like the cryptid she is, with Suzuran noting the security door had just sort of been casually pried open, Specter's perpetual smile on her face as she's holding her thank you gift before Warfarin and Folinic just sort of storm into the room like "DUDE, WE SAID YOU CAN'T--", she thanks Suzuran wordlessly, gently hands her the music box, and then she calmly turns back and walks back to her confinement quarters.

But, yeah, I've gone on for long enough. I appreciate it overall, knowing what's coming, and I appreciate the idea, I just think they could've handled it better, but the whole essence and message of it, I think lands pretty nicely.

#beta elekid #long post #arknights #specter

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