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possiblyimbiassed · 3 years

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Ships and Cars - The Sign of Code

There have been lots of discussions about code in BBC Sherlock, and the possible metaphorical meaning of different things that appear frequently in the show, such as coffee/tea, water/fire, dogs/cats and many more. This show indeed seems filled with ciphers, code and secret messages. In this meta (X) I tried to decipher the encrypted name of the fishing boat that Sherlock and John hijacked in TFP, when it was called upon from Sherrinford: “Golf-Whisky-X-ray”.

The Ship coding

At first I thought this was referring to the international spelling alphabet for wireless communication (X, X) where there’s a word for each letter. “GWX” didn’t make much sense to me, though, until I stumbled upon something deeper: ‘Golf’, ‘Whisky’ and ‘X-ray’ are also part of the marine Code of Signals (X) that was established in Britain around 1850. It’s still used by water vessels to communicate important messages regarding safety of navigation and such, and the signals can be sent by, for example, flaghoist, signal lamp or flag semaphore. Conan Doyle worked on a ship at least in 1880 and 1881, so the signals could totally have been known to him already in Victorian times. And since Sherlock and John are on board a boat in TFP,

I think it’s reasonable to assume that the marine code is the relevant one here. In this signal code, the flags for “Golf”, Whisky” and “Xray” mean the following:

Golf = “I require a pilot.”

Whiskey = “I require medical assistance.”

”Xray = “Stop carrying out your intentions and watch for my signals.”

Which in other words could be read as:

I need a pilot (a maritime pilot to help me navigate)

I need a doctor

Pay attention to code

But is this use of marine signals something that only appears in BBC Sherlock? Is it Mofftiss’ own idea to use them, or could there possibly be any canon references to them? In the discussion that followed my meta (X) @frailtyofgenius pointed out to me that ACD’s canon actually does mention “Naval signals” in His Last Bow (LAST), which I think might be very significant. And the one who uses the naval signals is Holmes himself.

Continued under the cut, because this is reeeally a long ‘transport’... ;)

So I took to read LAST and realized that there are several ’naval’ references (my bolding) in this story by Conan Doyle. In the beginning, as a romantic landscape framework, we’re told about the surroundings of the German spy Von Bork’s house:

Above, the stars were shining brightly, and below, the lights of the shipping glimmered in the bay.

LAST takes place on the English east cost, near the port of Harwich. The spy Von Bork is chatting with Baron Von Herling, a German diplomat, bragging about the intelligence he’s gathered for his country, and then he shows the Baron the contents of his safe:

And all in four years, Baron. Not such a bad show for the hard-drinking, hard-riding country squire. But the gem of my collection is coming and there is the setting all ready for it.” He pointed to a space over which “Naval Signals” was printed.

But apparently the naval authorities have changed the code:

“But you have a good dossier there already.” “Out of date and waste paper. The Admiralty in some way got the alarm and every code has been changed.”

So Holmes, posing as the Irish-American spy Altamont, is supposed to bring new ones. I think the real ‘feature of interest’ in this story, however, is the coding that Holmes/Altamont uses in his telegram to the German spy:

“Will come without fail to-night and bring new sparking plugs. ALTAMONT.”

And the conversation between Van Bork and the Baron continues:

“Sparking plugs, eh?” “You see he poses as a motor expert and I keep a full garage. In our code everything likely to come up is named after some spare part. If he talks of a radiator it is a battleship, of an oil pump a cruiser, and so on. Sparking plugs are naval signals.”

So here in ACD canon we’re explicitly told that the spark plugs, the ignition of the car’s engine (which generates an explosion in the engine’s combustion chamber) actually represents code - marine code. And other car references, according to Van Bork, are also marine code. I can’t help wondering if water was actually meant to represent emotions already in canon? ACD canon is packed with references to water: sea, coast, lakes, ponds, rivers and waterfalls but also ships, steamers, boats, submarines and such. Some of the criminals in canon are seamen and the navy is mentioned in some cases. And in two stories (NAVA and BRUC) the ‘naval’ issues contain secrets of national importance.

I’d love to try to analyse all the water and boat references in ACD canon and see if/how they tie into emotions, but that’s for another meta. :) But what if something similar is done in BBC Sherlock; what if Mofftiss have used not only canon’s water metaphors for emotions but also the same general secret cipher as Holmes used in LAST? But maybe Mofftiss also took the cipher one step further, interpreting anything car-related not as general metaphors for emotions, but specifically as code for sexuality.

In TFP there’s a great explosion at 221B, and next thing we know, Sherlock and John are aboard a fishing boat, which is called upon with naval signals. But there’s actually very few ships in BBC Sherlock (while canon, as mentioned, is full of them); the fishing boat in TFP is one of very few boats in the show. As for seamen, there’s also very few in the show. Except for the fishing father and son in TFP, there’a also Sherlock’s deductions about the unemployed fisherman and his mother in THoB. @sagestreet has written an excellent meta suggesting a significant symbolic meaning of ‘fishing’ in this case (X).

In this self-censored post on John’s blog, however, there’s a cruiser mentioned in the title: Tilly Briggs Cruise of Terror. But we never get to know anything about this case; the post is taken down entirely since, according to John, “the ship’s owners are launching an appeal”.

Why is this post even there, if no one is allowed to read it? Every other blog post from John has some kind of content in it - at least since he met Sherlock. But this one only has a title (and a teaser in the post before: “I'm going to tell you about a couple of the smaller cases we've been involved in. What really happened on the Tilly Briggs pleasure cruise.” (X))

So the supposed ‘pleasure cruise’ was turned into a ‘cruise of terror’ and then deleted. Maybe it’s just me, but I strongly suspect this is a clue from the show makers telling us that a certain ‘ship’ is not allowed in BBC Sherlock, for ‘legal’ reasons having to do with the ‘owners of the ship’ (ACD Estate).

Actually, there’s more info than this about the ship even in ACD canon, although it’s scarce. In The Sussex Vampire (SUSS) “Matilda Briggs” is mentioned in a letter to Holmes from the company Morrison, Morrison, and Dodd:

“As our firm specializes entirely upon the assessment of machinery the matter hardly comes within our purview, and we have therefore recommended Mr. Ferguson to call upon you and lay the matter before you. We have not forgotten your successful action in the case of Matilda Briggs.”

After Watson has read it, Holmes explains to him (my bolding):

“Matilda Briggs was not the name of a young woman, Watson,” said Holmes in a reminiscent voice. “It was a ship which is associated with the giant rat of Sumatra, a story for which the world is not yet prepared.”

If this is an allusion to a possible relationship between Holmes and Watson, indeed the world would not have been ‘prepared’ in Victorian times, since homophobia was prevalent and same-sex couples illegal.

Source: (X)

Directly after this, while perusing his lexicon for ‘Vampires’ (the actual topic of the letter), Holmes also mentions another ship that was associated with Victor Trevor’s father’s secret past as a mutinous convict:

“Voyage of the Gloria Scott,” he read. “That was a bad business. I have some recollection that you made a record of it, Watson, though I was unable to congratulate you upon the result.”

Indeed this voyage in GLOR was a ‘bad business’; it ended in mutiny and disaster. The ship Gloria Scott exploded and sunk in the Atlantic, and most of the crew and passengers died.

So, not many ships appear in BBC Sherlock. But instead, there’s plenty of cars in the show. What if all these car references actually somehow actually refer to a ship - a very particular ‘shipping’? ;)

The Cars

So, might these cars code for some hidden secrets? And/or is it possible to tie the car references to ’naval code’, as Holmes claims to do in LAST, assuming that naval = water = emotions but also sexuality?

Returning to canon, please note that Holmes and Watson (both in disguise) arrive in a car to the scene of this story in LAST. This is one of the very few cars that appear in canon, since they weren’t yet very commonly in use by those times. Holmes’ and Watson’s car is modestly described as “a small car” and “a little Ford” (as opposed to Baron Von Herling’s car, which is a huge limo). But at the end of the story, Holmes says about the little Ford: “Start her up, Watson, for it’s time that we were on our way.” And there they go, happily together, with the criminal tied up in the back seat, heading for Scotland Yard. Sweet, isn’t it? :) This is the very last we see of Holmes and Watson in canon. (Unfortunately, I can’t find any illustration of it).

BBC Sherlock, however, is full of cars. So, if we apply this analogy to BBC Sherlock, what car references can we find that could be translated into marine (= emotional) terms? Well, the first thing that comes to mind is the cab, the taxi, which is Sherlock’s preferred means of transport.

A taxi has a driver, which is the word that the little girl on the plane in TFP uses instead of ‘pilot’. But we don’t see any taxi boats in the show, do we? In the Unaired Pilot, however, the cabbie drives Sherlock home to Baker Street (not to Roland Kerr’s), and there he tries to ‘kill’ him. One could even assume he makes a kind of sexual innuendo when Sherlock is sprawled face-down on the floor and the cabbie says “I could do anything I wanted to you right now, Mr ’olmes.”

As I explained in my other meta about marine code (X), a marine pilot is someone who leads a ship through dangerous waters. Mofftiss haven’t included any marine pilots in their show, but they do use aircraft pilots, even if they’re not labelled as such:

But if ‘driver’ should be read as ‘pilot’, then Jeff Hope - a John mirror - in the Unaired Pilot, the ‘driver’ of the show, guides Sherlock home emotionally and sexually, doesn’t he? ;)

But there’s more about the signals in LAST. This is what the counter-agent Sherlock ‘Altamont’ Holmes says when he arrives at Von Bork’s place:

“You can give me the glad hand to-night, mister,” he cried. “I’m bringing home the bacon at last.” “The signals?” “Same as I said in my cable. Every last one of them, semaphore, lamp code, Marconi – a copy, mind you, not the original. That was too dangerous.”

This seems very similar to Wikipedia’s explanation of the Marine Code of Signals, as I quoted above: apart from flag hoist, the signals can also be transmitted by, for example, flag semaphores, radio communication or signal lamps. We do have radio communication in TFP, when Sherrinford receives the message from the boat ‘golf-whisky-x-ray’. But are there any signal lamps in BBC Sherlock? Yes, in fact there are - and they’re tied to a car!

A blinking, grinning Peugeot, no less, in THoB. And it’s definitely connected to sex, because that’s what’s happening inside. ;) Even if we’re lead to believe that this isn’t actually code, John does try (unsuccessfully) to decipher the blinking lights from this car as Morse signals and gets “U M Q R A”.

Apparently this code is not referring to the Marine Code of Signals. But @bug-catcher-in-viridian-forest has written an excellent meta (X) deciphering the possible code “UMQRA” as meaning “TORCH”, using the Ceasar cipher, which Sherlock refers to on his website (X) in combination with another cipher. In my opinion this does make a lot of sense. John does indeed use a torch to try to decipher this message, and there are also lots of other possible metaphorical meanings of ‘torch’ in the show.

So I think it would still be wise to pay attention to code, wouldn’t it?

As for Holmes’ quote from LAST above, “a copy, mind you, not the original”, I’d interpret this at Holmes pointing out that these signals can be copied (’mirrored’?) and also that they can vary in type (I imagine that ‘Marconi’ stands for radio transmission (X)). All in all, these naval signals are of national importance in canon, just like the Bruce Partington Plans and the Naval Treaty. And these are all military top-secrets clearly connected to the British navy. At some point in LAST, believing he has won the spy game, the Baron says:“There may be other lights within the week, and the English coast a less tranquil place!” Seems like the East Wind is coming. ;)

But back to the marine codes and cars: in canon (LAST) the car references hide secrets of national importance, connected to Britain’s naval defense, and some of those secrets, in turn, are encrypted with naval signals. That’s double coding, right? Also: the navy defend British waters and water = emotions.

As for cars, there’s a lot more of them in the show, while canon has very few; cars weren’t in use during most of Holmes’ career. I think LAST is the first time that cars appear in ACD canon? And the spare parts that Holmes/Altamont talks about as code in LAST never actually appear in the story, only the Baron’s limo and Holmes’ little Ford, where Watson is the driver.

But in the modern show there’s plenty of cars, of course; they’re literally everywhere. Many people have long ago pointed out that cars represent transport metaphorically, which is how Sherlock views his bodily needs in the unaired Pilot. Which ties in well with the assumption above that cars also represents sexuality, which is related to emotions even if it’s not the same thing.

But let’s also try to decipher the car references with Holmes’s code in LAST in mind, shall we? Where can we find water and/or possible hints about emotions and/or sexuality?

Apart from the taxis, which run like a red thread through the episodes (ASiP, TBB, TGG, ASiB, TRF, HLV, TST), and the abundance of police cars and ambulances, I can think of the following:

Mycroft’s black governmental car which is used to kidnap John in ASiP (and other episodes).

If Mycroft represents Sherlock’s brain, this might be about Sherlock trying to examine and test John with his intellect, to get an idea of who John is and what to expect from him. But this task is driven by his car - bodily needs - and behind them there’s still emotions, if we apply Sherlock’s code in LAST.

The first hostage’s car in TGG, where she is wrapped up in semtex.

This woman is literally trapped inside her car and metaphorically trapped inside her bodily needs, which are threatening to explode (remember Holmes’ ’sparking plugs’ in LAST?) if Sherlock doesn’t solve the puzzle about Carl Powers. And in this screen cap she is literally juxtaposed to Sherlock:

So it seems like Sherlock is now trapped inside his ‘transport’, yes? Still driven by emotions rather than intellect. And he probably sees this as very dangerous.

The finding of The ’dead’ man’s car with (fake) blood in TGG.

This ill-treated transport device (John calls it ”an abandoned sports car” on his blog X) leeds to more cars - Janus cars - and it turns out that the driver - Ian Monkford - isn’t dead; he’s just on ’vacation’ in Colombia (with the real purpose of cashing in his life insurance money). Sherlock figures this puzzle out and the poor fellow wrapped in semtex can breathe out; he’s not going to explode, either physically or emotionally. And no-one is dead in this case, but the driver faked his own death to avoid exposure and get his ‘security’.

The car with a dead body in the boot in ASiB

Licence plate: PYO3 HYN. The dead man in this car was destined for Germany according to his tickets - another ‘vacation’? But he never reached there; his plane crashed but he wasn’t in it, because he was already dead - trapped in his transport a car. Now, this case seems intimately connected with Sherlock in the boot of Mrs Hudson’s Aston Martin in TLD (see below). Except that Sherlock was being transported alive in that boot, but this guy is dead.

The client’s back-firing old SAAB in ASiB

The client stops near a wetland area and a stream because of problems with his engine. The driver - a John mirror? - tries to fix his ‘engine’, but the old car just won’t start. Sherlock analyses this case in his (drugged) Mind Palace together with his libido Irene Adler.

People have pointed out long ago (sorry for not remembering who - was it LSiT?) that the back-firing SAAB engine in the hiker case in ASiB might represent John’s dysfunctional sexlife with women; Sarah in specific and probably their trip to New Zeeland after TGG. (Maybe this is also why Sherlock in TSoT, when John has just been married to Mary, deduces that one of the wedding guests - a doctor - has ‘erectile dysfunction’?)

Irene’s black car in ASiB

Licence plate: SKO8 ZYL. This black car, which has a private driver, is used to transport John to the Battersea station on New Year’s Eve in ASiB. In spite of being in midwinter, Battersea seems to be flooded with water. And this is the place where Irene exposes John’s sexual relationship with (or at least interest in) Sherlock while Sherlock is listening to the conversation from another room, but John declares that “I’m not actually gay”. This car is so similar to Mycroft’s black car (see above) that John thinks this is Mycroft who kidnaps him again. If Irene represents Sherlock’s libido, what does her black car stand for?

Sherlock’s and John’s hired Land Rover in THoB

Licence plate: OEI0 HFK. The Land Rover is a British car, known for its four-wheel drive and vast off-road capacity. Sherlock drives this car to “deepest, darkest Devon” with John in the passenger seat, so it seems like they were prepared for a ‘bumpy ride’. And this car actually has a visible spare part; an extra wheel in case of emergency:

And their journey really became ‘bumpy’ - at least on an emotional level, since they were both dosed with a fear-inducing gas, had a quarrel, and the gay couple who were running the Inn where they were staying took for granted that they were indeed a couple too.

John’s and Mary’s car in HLV and in TST

Licence plate: SP56 LJY, black Audi. Mary is the driver in HLV. (By the way, why has this car the steering wheel to the left, in a country with left-hand traffic?). Here we’re presented with the interesting idea from the billboard that “Information is the power to change 1895″. In HLV we actually do see something like a spare part for this car; John’s tyre lever. ;) (which looks more like some sort of pipe key, if you ask me, but whatever; it’s still a spare part - or at least a ‘tool’ - associated with John’s transport car):

So this would be consistent with Holmes’ cipher in LAST. And this spare part is treated with very sexual overtones in HLV, so I think the influence of Sentiment and Sex is pretty clear here.

Mrs Hudson’s red Aston Martin in TLD

License plate: APIS CXJ. Now, this is a really interesting and beautiful car I think, and it shows its capacity when it goes speeding in TLD. Mrs Hudson has more resources than some people might believe. But John is only allowed to use her sports car - the ultimate symbol of male virility - when he’s off to rescue Sherlock. ;)

The license plate reads APIS, which I’m sure is a reference to bees and bee keeping, because Apis mellifera is the scientific name of the honey bee. Holmes’ main occupation as retired in ACD canon is bee keeping, which is shown in LAST, where his secret ‘sparking plugs’ turn out to be the Practical Handbook of Bee Culture. ;)) So Holmes stood by his words in his telegram to Van Bork; he did “come without fail to-night” (he came together with Watson) and he did “bring new sparking plugs”. It’s just that the ‘spark’ wasn’t maybe of the sort that Van Bork had expected...

Anyway, in this scene in TLD, Sherlock is being kidnapped and handcuffed by Mrs Hudson and transported in the boot of that sports car; he’s literally trapped inside the rear end of his transport, which has John as its direct destination.

Sadly for all of us, however, John refuses to ‘examine this body’, and this is instead done by the John mirror Molly (inside an ambulance), who tells Sherlock that he’s dying and that “it’s not a game”.

The next time we see this red sports car, however, John is the driver, and he’s using its great capacity as it should be used: to come to Sherlock’s rescue. ;)

Come to think of it, there’s actually at least one more car spare part mentioned in the show, even if it might not be meant as this specific part:

This car has a steering wheel nevertheless, and Sherlock is sitting in the car while saying this. And yes; this show is indeed repetitive when it comes to certain topics. Like ‘transport’, emotions and bodily needs. But I do hope we’ll finally see some new turns on this topic in the next series. ;)

Thanks for your patience in following this marathon meta to its end! Tagging some people who might be interested (please alert me if you don’t want to be tagged):

@raggedyblue @ebaeschnbliah @gosherlocked @sarahthecoat @lukessense @therealsaintscully @thewatsonbeekeepers @sagestreet @tjlcisthenewsexy @thepersianslipper @loveismyrevolution @shylockgnomes @frailtyofgenius

Screencaps in this meta are in some cases borrowed from this site (X).

#cars in BBC Sherlock #Ships in BBC Sherlock #ACD canon metaphors #transport metaphor #water = emotions

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anti-endings · 4 years

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I’m fairly sure at this point that Naruto is more or less fascist propaganda. There are so many things that we as a fandom want to turn a blind eye to yet when SNK was called out for being fascist, we had no problem boycotting it because it wasnt an anime that we’d come to love throughout our childhood. Unfortunately Naruto was a lot more subtle and pulled a fast one on us towards the end - 14/15 years after its initial release.

Theres a lot of intricate reasons as to why I’d call it fascist but I’ll list the general points to be made that everyone can easily recognize.

• Genocide for the good of the nation. This one is pretty obvious but I thought I’d get it out of the way. Slaughtering possible defectors of the state is apparently an honourable and justified choice. Even if some members of the oppressed minority were completely unaware of their leaders planned coup or had no desire to revolt against the system, each and every single one of them apparently deserved death.

• Brainwashing children into military violence goes completely unquestioned by the narrative. The only people who challenge this idea are portrayed as “hateful.” The best example of this is how the narrative feels the need to emphasize that Itachi murdering his clan was his own decision. I just find it awfully strange that we’re expected to believe that a 13 year old, who was sent to fight in a bloody war for his country when he was just a toddler and was shown to suffer from severe PTSD, apparently wasnt brainwashed with threats of war on his impressionable child brain when he was already completely numb to the concept of killing people. Itachis history details the story of a brainwashed child soldier yet goes to great efforts to brush it aside and give Itachi the autonomy that he never actually had. On a meta level it’s pretty messed up that Itachis actions as a result of his brainwashing, was praised by Hashirama Senju - the ultimate force of “peace” who founded the village and “the will of fire” that were so expected to admire.

• Consistent denial of blatant military violence. In the manga, the truth about the Uchiha massacre is covered up by Naruto, Sasuke and eventually Sakura to “maintain honour of the Uchiha.” This makes absolutely no logical sense whatsoever. How is it more honourable to say that a clan was slaughtered by a rogue criminal of their own (further perpetuating the selfish, bloodthirsty and power-hungry stereotype) when the truth is that an oppressed group of people were slaughtered off by the government? How can an act of genocide be prevented by a future government when the truth is actively censored by the governemnt? Neither Naruto nor Sasuke did anything to implement some sort of bill of human rights, laws or Geneva conventions in honour of Uchiha to prevent more innocent bloodshed at the hands of the state.

• Ultranationalism at every opportunity. The village is literally gated off. No one enters or leaves without permission from authority. The unification of the village under the statist military + the slaughter of any and all potential defectors is pretty telling. Its scary that “the will of fire” and protecting the state is the only honourable and good goal/ideology to have in this series as shown by Sasuke only ever being seen as “not evil” when he is beaten down into conforming to the government.

• Evil is in the genetics of the oppressed. This was pretty unsettling to witness and I’m surprised there havent been more people speaking out about it. Ideologies are inherited not just by fate, but by your genetics. The Senju-Uzumaki obviously have “The will of fire” which is known to be the supreme ideology. It consists of uniting and enduring the hardships of the world under the totalitarian government but NEVER pursuing revolution or change for the better. “The curse of hatred” is its counterpart which has its origins exclusively to the Uchiha. Its explained to be Uchiha culture to some degree. The narrative very desperately tries to paint the pursuit of revolution to prevent more violence as evil, bloodthirsty and selfish. This, in reality, makes no sense. Why are the Uchiha hateful for trying to fix a situation for the better of their family yet somehow the senju arent characterized by hatred despite openly hating the Uchiha? Simply put, the Uchiha are GENETICALLY undesirable and their push for equal rights are characterized as hateful, selfish and lonely. In reality, Madara Uchiha would not become a rogue ninja who decides to attack the entire village including his own family with Kurama because he could not get equal rights for the Uchiha. This doesnt add up with why he was so angry in the first place. Non of the “bloodthirsty” actions of any Uchiha do. They’re a fictional race of people that are only evil by the design of the author to portray oppressed people as selfish and aggressive. Towards the end of the fourth war, the story of Ashura and Indra is told to Naruto and Sasuke. Indra is apparently the original Uchiha who was influenced by some deranged evil spirit to pursue power over unification for completely selfish purposes. This is very unfairly equated to Sasuke and the rest of the Uchiha clan to explain to audience that the Uchiha are inherently evil and selfish detractors.

• To be a revolutionary is to be lonely. This ties into my last point. Sasuke is constantly referred to as lonely by just about everyone in the cast, Naruto especially. This has always been bothersome because Sasuke wouldnt have been lonely if his entire clan wasnt slaughtered by the very same people that Naruto stands by. This point is incredibly simple yet its overlooked because the anti-uchiha propaganda is so successful in what it sets out to do. To add onto this point, what if Naruto had simply said to Sasuke “I believe you have every right to bring the murderer of your clan to justice and I’ll stand by your right to justice every step of the way” instead of physically fighting him and screaming at him all the time? Sasuke isnt inherently lonely exclusively by his own means, he is alienated by everyone around him. The narrative acknowledges Sasukes emotional unfulfillment, IGNORES the real reason why hes lonely and then states that the only way that Sasuke will find a sense of family through the acceptance of his peers is if he conforms to the government and adopts the hegemonic ideology…. after “repenting” for ever daring to get justice for his clan in the first place. This eerie emotional blackmail is completely normalized and unquestioned by the narrative. It sends a harrowing message to the audience that it’s more desirable and fulfilling to conform to the government despite their poor treatment of your people and should you question otherwise, you must repent for forgiveness.

• The leader of the village is the most powerful member of the military, who is chosen exclusively through nepotism by a rich man who owns the land instead of the people, and is in power for an indeterminate length of time. Again with the military obsession! Not even necessarily the best military commander or anyone with experience in any leadership position at all. This is partly fascist due to the fact that theres no limitations on what a Kage can do to their village, they’re selected through nepotism and not democracy and they’re in power for as long as they please no matter how the public feel. The leader is not necessarily someone who is shown to be compassionate, responsible, trustworthy, intelligent or reliable. In fact, you could be a known, unpersecuted war criminal like Danzo and still get the position.

• To add on to that, war criminals in the Government or Military go completely unpersecuted and often unpunished - as shown by Danzo and the village elders. The village elders are still in the same position during the events of Boruto as they were in over 20 years ago when they conspired to execute the Uchiha massacre. Naruto and Sasuke know of their involvement yet havent held them accountable in any way.

• Child soldiers are sent to die for the government. It seems that only Obito notices this when Rin dies. The second he becomes critical of the fact of this reality is the second he becomes “hateful” and “evil."

Theres plenty more but I’ve already spent an hour typing this up and checking over every little detail. Generally speaking, much like SNK, the theme of Naruto is to just simply ENDURE hardship, stay loyal to your government at all costs even if they cause the hardship and NEVER revolt. Naruto as a character serves as the purpose of being as reductive as possible to every single character that faces hardship with "I too was lonely and oppressed but I coped by worshipping the government for a sense of emotional validation and you can too!"

#anti naruto #anti konoha #submission

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scottymcgeesterwrites · 3 years

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Final Fantasy IV Review

Year: 1991

Original Platform: Super Nintendo (Originally introduced to Western audiences as Final Fantasy II, since the real II and III were not released outside of Japan at the time.)

Also available on: Nintendo DS, PSP (Final Fantasy IV: The Complete Collection), GameBoy Advance, Playstation One (Final Fantasy Chronicles), Steam (DS remake)

Version I Played: PSP

Synopsis:

Cecil Harvey is Batman a dark knight who follows orders from King Baron. The king tasks Cecil and his partner Kain with taking the crystals from the surrounding nations and cities. Cecil questions his king’s motives, leading to the revelation of a grand conspiracy. Cecil then goes on a quest to right his wrongs.

Gameplay:

The novel feature of this game was the ATB system – Active Timed Battle. This means that instead of you and the enemy waiting for your respective turns one at a time, each character takes their turn according their respective speed. One character may be slower than the other, so they will take longer to be able to perform an action. Basically, with ATB, if you wait too long to think about what to do on your turn, the enemy can hit you - JUST AS IF YOU WERE REALLY BATTLING IN REAL LIFE.

While Final Fantasy IV introduced ATB, it did not utilize the ATB gauge in actual battles. The ATB gauge is a visual bar during battle that shows your character’s speed. Whenever it’s filled, your character can perform an action. The gauge itself was first seen later in Final Fantasy V. Later remakes of Final Fantasy IV displayed the ATB gauge. Some configuration options were introduced later to give you the ability to change the battle system to active or wait. Putting it on wait would allow the timed battle to pause while you thought about what to do during your move.

Final Fantasy IV forsakes the customizable Job System and introduces characters with individual jobs. Kain is a dragoon, who can jump in the air and deal destructive damage. Rydia is a summoner. Yang is a monk. Etc, etc.

The Super Nintendo and PSP versions are more or less on par with each other in terms of difficulty. The Nintendo DS remake is really hard. Like REALLY hard. Like “throw-your-DS-across-the-room hard”. I myself have had trouble finishing it.

Graphics:

I haven’t played the original SNES version of Final Fantasy IV, but judging by the images it appears to be in this liminal state between NES and SNES. Not quite NES but not quite utilizing the full power of the SNES either.

The PSP version is somewhat reminiscent of the Anniversary Editions of Final Fantasy and Final Fantasy II, but it still has its own flair that outshines them.

Final Fantasy IV DS is pretty much a 3D remake in the same vein as Final Fantasy III DS, with an awesome opening FMV. The in-game cutscenes however now have VOICE ACTING.

Now, the PlayStation One version has a FMV sequence that hasn’t aged well at all. We’re talking worse than the Final Fantasy and Final Fantasy II FMV sequences from PlayStation One. I can’t even find a good snapshot from Google Images, probably because nobody wants to look at them ever again. You can find it on YouTube though.

Story:

Final Fantasy IV is well known for being the first GOOD story in a Final Fantasy game. Cecil’s personal journey of redemption rung in the minds and hearts of audiences. There’s a nice balance of focusing on individual struggles and an epic adventure to save the world.

The cast of characters is pretty wide. Like Final Fantasy II, several secondary characters come and go. There is one difference but I don’t want to spoil anything. I guess the least I could say is that Final Fantasy IV subverts what to expect after having played Final Fantasy II.

Like Final Fantasy III, Final Fantasy IV includes crystals as an important plot device. This time they hold enormous power that the villain Golbez wishes to obtain for nefarious means.

While the story is infinitely superior in storytelling to Final Fantasy II, there are still some silly moments. I could best describe the bulk of the story as “Cecil and friends are on a race to capture each crystal around the world but something always gets in the way at the last minute.” While for the most part the story is done well, there are seemingly cartoonish moments involving random trapdoors and bewitched dolls. One particular moment I found myself thinking, "So you're just going to stand there while he does that?"

But I think the most admirable part of the story is how they approach Cecil and Rosa’s romance. While most RPGs, especially today, try to hash in a childish romance subplot, Cecil and Rosa are that rare couple that are already together at the beginning of the game. Their love is tested throughout the story.

The most popular quote from this game involves a complicated matter of translation. Western releases of Final Fantasy games (and Japanese games in general) often had awkward translations. “You spoony bard!” is one such awkward translation that originates from this game.

The character who spoke this line, Tellah, is arguing with the character Edward. The translation came out at “spoony” due to the Japanese writers believing it was still used today in English. It’s an archaic term meaning “enamored in a silly or sentimental way”. It technically fits, but clearly, nobody uses that word anymore, and players laughed at how nonsensical it seemed.

While I don’t want to spoil why Tellah is angry at Edward, the scenario in question is dramatic, and so Tellah saying “idiot” or “moron” wouldn’t quite suffice. The original Japanese word that Tellah uses is “kisama”, which in the given context is akin to telling someone they are a “son of a bitch” or “bastard.” Western releases, especially North American, were very often censored and demanded less or no profanity.

Overall, Final Fantasy IV is the first notable story in the Final Fantasy series, way better and much more original than Final Fantasy II.

Music:

With the Super Nintendo, Uematsu was able to play with more sounds. The drumming that Uematsu had wanted in his battle themes is more apparent. He also added an accompaniment to the Prelude. The main theme of Final Fantasy IV is scattered throughout the score, just like a motif in a movie score. The main theme is the map theme, and I like how, for example, the theme changes to a different beat when you venture into the underworld. The main theme even pops up in the final battle, which to me is awesome because it illustrates the heroes collectively trying to banish evil.

In one interview with Uematsu, he stated he was a huge fan of Elton John. For some reason, after I read that, I totally see the main theme of Final Fantasy IV having an Elton John vibe, especially in the epilogue with the drums and the bass.

Red Wings, which is the theme for Baron’s elite air force of the same name, is notable for its unorthodox time signature. I swore I read that somewhere years ago but now I can’t find it, so if someone happens to come across it – let me know. The theme for the Red Wings sounds both heroic and sinister, referencing Baron’s underlying motives and Cecil’s dual nature.

Cecil and Rosa’s love theme is actually taught for schoolchildren in Japan as part of their music curriculum.

Uematsu pretty much matured at this point, in my opinion.

Notable Theme:

There are so many but my personal favorite is “Dreadful Fight”, a.k.a “Battle with the Four Fiends”.

youtube

I’ll also highlight the “Theme of Love”, because it needs to be out there as the first love theme for the Final Fantasy series.

youtube

Verdict:

Hands down, the perfect place for a beginner. You want to start getting into Final Fantasy? Start with Final Fantasy IV. The gameplay is easy to pick up. The story is simple and straightforward compared to the rest of the series but still effective. To those having played the later games first, it could seem trite. Unlike most of the Final Fantasy games, the different re-releases can be quite offer a different experience due to the translations, graphical changes, and differences in difficulty. At the end of the day, I would say any 2D version is fine, the best is probably the PSP version, but save the DS remake for later, since it is more difficult.

Direct Sequel?

Yes. Final Fantasy IV: The Complete Collection was released on the PSP in 2011. This is the version that I played. Square created two sequels for that collection: Final Fantasy IV: Interlude and Final Fantasy IV: The After Years. I haven’t played them myself yet, but there is criticism surrounding their stories, which apparently pale greatly in comparison to Final Fantasy IV.

By the way, the PSP version starts by showing the new FMV opening to Final Fantasy IV: The After Years, not the one shown in Final Fantasy IV DS. That’s a minor change but it really irked me, because the sequel’s FMV opening therefore spoils some of the story if you never played it before. I guess they wanted to distance themselves from Final Fantasy IV DS. Even so, why not just play that opening when you select The After Years?

#final fantasy #final fantasy iv #cecil harvey #rosa farrell #nobuo uematsu #square enix #onvideogames #video games #rpg #video game rpg #fantasy

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my-darling-boy · 4 years

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im wondering if you think that edward brittain and geoffrey thurlow were lovers. because i know the movie implied that perhaps there was something more there, bu from reading the book as well as 'letters from a lost generation' i didnt get that impression. just wondering your thoughts!

Right okay I’m about to InfoDumpᵀᴹ because the love Geoffrey and Edward had is one of the main things that got me into learning about WWI years ago!!! So allow me to shed some light on these boys specifically!

So firstly, Geoffrey Thurlow was inserted swiftly into Edward Brittain’s life and the two got on INSTANTLY in early 1915 after Edward was commissioned to the Sherwood Foresters. For a long time, Victor Richardson had been Edward’s trusted friend, as of course they knew each other from their Uppingham days, but it’s apparent in Testament of Youth, Letters From a Lost Generation, and the other works by the family’s historian Mark Bostridge, that Geoffrey and Edward became VERY close VERY fast. And while it could be written off as a friendship..... there is a lot of evidence that, even ignoring my own conjectures, is hard to dispute the fact that their relationship was more than friendship, even if it never became sexual or explicitly physical.

On top of the two becoming quickly inseparable, they also frequented expression of their desire to be with one another while the other was away, Thurlow often sending Edward very affectionate and borderline romantic letters and postcards on a whim, even sending him one rather Cryptic postcard on Valentine’s Day one year. The two insisted on doing many activities together, and many found them a perfect fit, Geoffrey a rather dreamy, expressive, and emotional young man, while Edward was practically the opposite; it’s suggested that they adored each other so much due to their personalities complimenting the other’s quite well: Edward was able to provide Geoffrey with reassurance and That Officerly Gay Protectiveness, while Geoffrey’s understanding and soft demeanor provided an open window for Edward to share his insecurities when he couldn’t show them to the other men. And while it could be said that Edward was more hesitant to be with Geoffrey in such a manner, even if Geoffrey felt no personal conflict, the two wanted to be very, very personal.

Both boys stayed connected regularly, no matter where they were, through intimate correspondence. As I mentioned, a good majority of their letters involve either one of them, but specially Geoffrey, longing poetically to be out in nature with the other or wishing they were together, but not at present, not wanting the other to be in harm’s way. A lot of Geoffrey’s letters to Edward, as I’m sure you’ve noticed, are signed “Him that thou knowest thine” or just “thine”. Of course this means “yours” or “you who know that I am yours”. And while this sort of thing, at least in my latter wording, was not an uncommon expression between men at this time, it’s..... the first way it’s worded that surprises me. For lack of a more eloquent explanation, it’s Gay as Hell to be THAT poetic to your new soldier friend, even for 1910s standards. One might ask why he simply wouldn’t just write “yours” instead of adding the special style, and making the extra effort to imply “not only am I yours, but you know as well as I do that I’m yours”. One might even ask if it was to refer to a special meeting, or inside romantic reference, such as the way in which Roland and Vera signed their own letters to each other, “au revoir”. Literally one letter from Thurlow to Edward simply ends with “In Life, in Death, Yours”.

There were also several letters marked “private” sent to the Brittain residence from Geoffrey in the span between 1915 to 1916 when Geoffrey would have occasionally been on leave, and could write whatever he damned well pleased to Edward without fear of the military censors poking around. What makes this crucial evidence to support they were having homosexual correspondence is the fact that Vera burnt the private letters before she died to protect the boys’ wishes to keep them private, if not by Edward’s direct request for her to do so, something which by itself doesn’t seem so odd given the fact letters were burnt all the time for a number of reasons, but is especially compelling given the fact other evidence makes a strong case that they were together. What was contained in those letters is lost to history, but they shouldn’t be confused with the letters taken off the censors which later may have began the domino effect to Edward’s untimely death, as that was in 1918, over a year after the death of Geoffrey, and were about different homosexual matters with other ranks at the time.

Additionally: while Edward’s reaction to Geoffrey’s death is argued not to have been as strong as his response was to, say, Victor’s death, as support for the fact he didn’t actually care much for Thurlow, he wrote to Vera “I have been afraid for him for so long and yet now that he is gone it is so very hard—that prince among men with so fine an appreciation of all that was worth appreciating and so ideal a method of expression . . . Always a splendid friend with a splendid heart and a man who won’t be forgotten by you or me however long or short a time we may live. Dear child, there is no more to say; we have lost almost all there was to lose . . .” In my own mind, this letter is just the tip of the iceberg to how he felt. It’s clear that Geoffrey’s death had a greater toll on him in the long run, while Victor’s death seemed to affect him immediately. I can only assume this is due in part to Edward being so emotionally invested in Geoffrey versus Victor, and that Victor’s death evoked an immediate and present sadness, while Geoffrey’s was so difficult to handle, he couldn’t think but to react in a collected but sorrowful manner, one I feel was meant to conceal just how heartbroken he was, as though he was worried if he showed as much outward devastation as he showed for Victor, he feared one may speculate why he held so much sadness for Geoffrey...as though he was afraid people knew what was between them.

Geoffrey’s death seemed to CRUSH Edward, leading him down this path of dark despair and depression following his passing, and it lead to a lot of misdirected tension between he and his sister at times, and he subsequently turned far more reserved, uncommunicative, and apathetic than ever before. I’d even go so far as to say that Edward might have felt guilty about his own relations with Geoffrey after he died, possibly believing he could have done more to be closer with him, or felt guilt in having distanced himself from him in some way later in 1917. And after such events, he showed more distaste for the war, more lack of emotion towards his own life and its worth, and his letters often took a downhearted turn towards the end.

When he died, Geoffrey’s letter, the last one he sent to Edward in 1917, was found in his breast pocket, and I would assume this to be over his heart. It ends by saying “Till we meet again, Here or in the Hereafter,” and it’s speculated he carried this ever since the day Geoffrey died, and, most defintely, died with it close to his heart.

By my own conjecture, I say that Edward felt that he was both conscious of and without objection to his homosexuality, most likely because it was suggested in private schools at the time (take Evelyn Waugh’s comments on being interested in boys at boarding school as a phase that one grows out of) that it was a passing curiosity, and that such interests would diminish when one reached adulthood. I felt that he did romantically love Geoffrey, even if it never had the opportunity to become sexual or physically intimate. And because our own understanding of homosexuality did not exist at the time for him to have any model from which to reference comprehension of his own sexuality, I believe, that like most of his queer contemporaries, he had a rather ambiguous—near procrastinating—outlook on his own sexual orientation and relationship status, along with his view concerning his future life and possible wife.

The war created a near diversion from having to consider the possibility of being with a woman, and he could instead allow to let his homosexuality subconsciously flourish while being in the presence of so many men, and allow his romantic love for Geoffrey to remain raw and intimate without having to confront the implications such a future would hold for him socially, all due to the war being the only thing on his present mind. And furthermore, I firmly believe that Geoffrey held a deep admiration for him: he looked up to him as well as loved him. Though he was training to be a priest, he seems to express no distaste—rather the opposite, based on his letters to Edward—for flirtatious relations between men, and remains such a gentle and deeply poetic figure to Edward I have only seen reflected in that of homosexual bonds. In my opinion, being gay myself, and with having delved into scattered studies of male affection in earlier centuries, they were in love. It’s a story I so often encounter between men of their class in this era, specifically during the war.

I will also admit that, for some reason, from standing afar, the recollection by itself of what information is told to us about Edward and Geoffrey is rather.... timid...in some instances amid the background of Vera and Roland, of Malta and France. And the ones provided alone from most books are merely the “friendly” letters. The ones I’m sure we would really like to see were lost on Geoffrey’s side and burned on Edward’s side, and what others remain are held in private facilities and university archives, and only available in brief mentions online. However, looking closely, reading sections purely between the two boys, isolating only their letters, their language, and even digging further into works written from Mark Bostridge and other minor historians piecing together dots not having previously been connected, what love they shared feels warm and strong, if not simultaneously distant and foggy at times: such is the way the world remembers homosexuals unfortunately.

These boys never got the oppertunity to be with each other in the way we would like to see historic gay people, the way we swoon over the way Maurice and Clive or Alec were together in Maurice for instance. Geoffrey and Edward were in the middle of war, and there’s both so much poor documentation on homosexuals and so little chance in the chaos to a have a ditch-lectures-to-go-on-a-motorbike-ride-into-a-meadow relationship we expect to see, compared to other circumstances where it would obviate the way they felt about each other. But because of the war, it made it even harder to progress gay relationships due to combat, death, anxiety, and just a general lack of space and oppertunity to be with a man all the time without someone seeing.

I later discovered a while back this historian’s articles about the lives and intertwining of Edward and Geoffrey and they are packed with a brilliant compilation of sources and their own take on the relationship, which I was quite excited to have the pleasure of reading, for we share very similar viewpoints on the matter and even caught onto hints and details during our own reading of the sources no other readers seemed to talk about!

Edward’s || Geoffrey’s

What fragments which are left to us, if we understand just how forcibly hidden life had to be for these men, letters marked “private” and passing remarks of desiring to walk among trees with someone special speak of a louder and more profound story buried deep beneath them. It’s important to take into account that many of the known gay relationships we have record of today are not as well documented as Oscar Wilde. Sometimes, the only record we have of their love lost to time is held in the way it’s held here, in the signing of “Thine”.

I can only hope now that since they could not hold each other in life, that in death, they could finally be together.

Anyway, there’s my Novel, thanks for the ask!

#I love them sm #testament of youth #vera brittian #edward brittain #geoffrey thurlow #asks #long post #wwi

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menalez · 4 years

Text

ive been saying that i’ll be posting receipts on the hetfem server, which was also heavily requested by plenty of people on here. this post is going to be pretty long, so i’m putting it under a read more. keep in mind, this isn’t every single wrong thing that has been said on the server, some may disagree with some parts even being wrong to begin with, and this post may have more added to it afterwards in the reblogs. the individuals who have provided me with receipts were all feeling threatened due to knowing how vicious and prone to harassing others the women in this server often are. so ive been sent countless receipts with context, which i have tried to summarise as well. please remember that the point of this post isn’t to call out specific individuals, but rather it is to showcase that the concerns and ‘rumours’ going around about this server were reasonable and true, and to show how lesbophobic and racist this server is (which many have publicly stated before being dogpiled by members of the server).

first is the zionism and racism in that specific regard. “theHettyishere” is black-diaspora, “Autumn” is probablyaterf. both are partaking in the erasure & justification of how israel is treating palestinians, erasing palestinians proven ties to their country, erasing the war crimes israel partook in, and also erasing the racism within israel which prioritises ashkenazim over mizrahim and black jews.

then they got more blatant and started saying that if you’re anti-zionism then you’re .. anti-semitic ?? keep in mind these people aren’t even jewish

then they go onto defending christianity

and falsely claim hitler ‘deeply respected’ islam. interesting considering hitler called muslims ‘half-apes’ and all but oh well!

second set of receipts is the defending of blackface and justification of it. in both these ‘debates’, they literally only present one side and then act like they had a great discussion at the end of it when they’re all just confirming their pre-existing beliefs and using one another to support that. anyways, girlsfrommars had previously come under fire for publicly defending the blackface tradition existing in her country, the netherlands. this is her doing it again after backpedaling on tumblr on this topic, and people in the server standing by her. battleking is bookrebelwordwarrior on tumblr.

the conversation kinda goes on for a bit and girlfrommars does the same thing she did on tumblr not long before this convo, which was give a “oh ok i’ll reconsider!” which may not be her truth anyways.

next is people on the server saying straight women don’t have enough good representation and even talking about being upset over bi women and even lesbians being represented?? again, autumn is probablyaterf. laughing bird will appear in the screenshots a lot, although i’m not sure what her url is.

idk how to tell these het and bi women.... that lesbians have practically no good representation. especially not as much as het women. there’s a lot of parts of this conversation that are highly questionable. tldr its bad if lesbians or bi women headcannon gnc women as bi or lesbians. also its bad if gnc characters aren’t straight.

this next screen is coming from a het woman so keep that in mind. i don’t know how to put into words why i find this iffy so yall can see it and decide for urselves

she justifies it w this when a couple of members make it clear they find her message questionable:

on a different occasion, girlsfrommars, a white woman, decides to randomly ask other white women in the server what they think about reparations. a bunch of racist white women show themselves during this conversation. please keep in mind i was not the one censoring their usernames so i myself have no idea who these women are, but the person censored in white is emanon, who has a tumblr. i dont know what her tumblr is, but she will appear in multiple other receipts after this. keep in mind this entire channel ends up being deleted by probablyaterf to cover up the racism and prevent the collection of receipts, which you’ll see evidence of later on in this post.

then one of the white women dismisses the impact of racism, basically,

then woc start to chime in (white is the white woman, ‘emanon’)

then, after this conversation went on for a while, a mod decides to tone-police and shame the woc for taking issue with what the white woman was saying. this mod is also white.

“my race doesn’t matter, but i’m jewish” sounds convenient. especially since this person admitted to being white and stated thats why she should stay in her lane the previous day:

back to the dispute between LB and the woc:

remember LB’s tone and behaviour in the above screenshots as you’ll see how different it is from how she acted when a white woman was being lesbophobic on the server.

probablyaterf eventually comes in with “both sides were bad :)” basically

girlfrommars makes a non-apology apology about bringing up reparations the way she did

the next set of screenshots is just.. i dont even know what to say about it? yall can see it for yourselves because i think its self-explanatory. battle king = bookrebelwordwarrior, thehettyishere = black-diaspora, autumn = probablyaterf.

then the subtle lesbophobia comes in

this convo was then moved to a channel that was eventually deleted (receipt of that will be shown on this post).

probablyaterf then comes in and says lesbians are All saying the things mentioned above

then radfemkitten talks about how upset she was and probablyaterf goes on about how this conversation should stop or something

PAT then lowkey admits that part of the point of her server is to be able to talk shit about lesbians without being criticised for lesbophobia:

radfemkitten more or less confirms this

PAT basically says “if you think women here are lesbophobic then leave but if you keep criticising what is said then i’ll mute and maybe even kick you!” ok

after this PAT muted that woman for saying that some of the women were being lesbophobic.

someone showed exactly where lesbophobia was present

“straight women should have a space where they can shit talk lesbians without criticism” basically ^. this is the 3rd screenshot where members of the chat, specifically the creator PAT, states that the server exists partially so that non-lesbians can say shit without being criticised for being lesbophobic.

this was then said by emanon (racist reparations lady):

then probablyaterf coddles the women who were upset for being held accountable and kicks out the women who called out lesbophobia

probablyaterf deleted entire channels which involved members being lesbophobic and racist for the bullshit reason she provided here, basically admitting she would remove things to prevent the collection of receipts:

this is why she is so confident on her blog about how people can’t possibly have receipts on her server. because she makes sure to delete the evidence. issue is, she did it too late. she then started twisting the story and lying to save face. she removed the conversations regarding reparations, separatism, the accusations of racism & lesbophobia, them complaining about there not being enough good representation of straight women, etc were all removed. evidence:

then it gets even more blatantly sketchy, where PAT basically tells the members of the group to not repeat the drama or dish the details of it, as any honest and open person not hiding questionable shit would do, apparently.

the details and specifics of this drama were all kept quiet by those involved as well, and those involved agreed to not talk about what has happened in detail.

the bit “one of the members was crying SO MUCH because you called her lesophobic that she almost LEFT HER JOB :(” is funny as y’all can see the situation for yourself up there, she said something and people questioned her on it. this wasn’t a case of a poor defenseless victim being cruelly attacked or whatever.

“a lot of them do tho clearly” keep in mind that there were like what .. 4 lesbians that took issue with the server? and initially there was even less than that.

radfemkitten then goes onto a lesbophobic rant.

then they changed the story within the server and claimed that the accusations of racism were directed at woc... when it was directed at white women exclusively, as shown above. keep in mind the person claiming this and putting racism in quotations is a white woman herself so. hmm.

next incident is some white woman being very blatantly lesbophobic on the server. several people took issue with it, and she received multiple warnings but was not kicked. keep in mind that earlier, someone was kicked simply for questioning a member on the server and saying they were being lesbophobic. yet when someone is blatantly lesbophobic, they receive multiple warnings and then get away with it. “pinkie the feral one” goes by roxxy, i don’t know if she has a tumblr. notice how laughing bird is comparatively very civil and patient with this roxxy person.

bi & het women determining that lesbians talking about thinking of pussy somehow implies ‘homosexuals are sex crazed deviants’, is what’s homophobic, btw.

next are when the hetfem server came under fire after TD spoke against it and drama ensued. i was initially 100% for the hetfem server and said those opposing it were being illogical. however, after a while of that drama, some lesbophobia was starting to come out from the hetfems which is when i said i think both sides are wrong. the hetfems took this very personally and proceeded to make lesbophobic comments about how im just bitter bc i dont have a gf or something (altho i was in a relationship back then so lol) and then they blatantly said they dont think het women have power over lesbians. the convo resulted in them full on arguing that lesbians have it easier than het women.

next coming is the hetfem server arguing that abrahamic religions actually *helped* women and how radfems should be talking about that. keep in mind some of these are the same people that mock people who say islam is a ‘feminist religion’.

next is them arguing on the hetfem server that Nasime Aghdam, the youtube shooter, is male and referencing a meme as a source. they completely ignored the fact that Nasime’s childhood photos make it pretty obvious that that meme was inaccurate anyways. also probablyaterf argued that it’s somehow racist to note that nasime aghdam resembles many other people in the middle east (somewhere im from & where ive lived my entire life). its interesting considering how many things she argued weren’t racist or homophobic, yet noting that someone isn’t a Weird Unusual Looking Alien like she wants to claim is ..racist

the probablyaterf goes on to strawman that i claimed all iranians are clones of each other or smth simply bc i said nasime aghdam’s face is not unusual in countries like iran. also keep in mind the person censored in red is a white woman lol.

henryhetta = foxfur-nadine.

listen.. ive seen women wearing borderline clown makeup in my country. it doesnt make them male. anyways then PAT says ‘maybe im wrong but ill insist im not anyways’, basically.

next is the time black-diaspora posted a pic of my mom taken from my country’s gov facebook page, which provides people with her first & last name. this was brought up on the server. they said i was lying (i was not) and went on about how im crazy and need to get laid. also calling me a ‘nigel’ in one of those screens.

then they just keep justifying it and insulting me. instead of taking issue with what a member of their server did.

so basically “calling out lesbophobia is bad, but posting information that leads to someone’s mom’s full name and facebook is ok, and somehow posting something from a ‘public news article’”

then they said “homosexuality is legal in bahrain” to somehow justify any of this??? as if Bahrain doesn’t have a history of killing, imprisoning, torturing, and exiling Bahrainis that they see criticising the government (which i frequently do) or anything. not like around 200 people have lost their lives for critiquing Bahrain’s government or anything. moreover, plenty of things are ‘legal’ in Bahrain but still lead to punishment. sex outside of marriage is illegal and gay people can’t legally get married, for one. and people have been imprisoned in Bahrain for kissing members of the same sex. but whatever i guess. anyways then radfemkitten argues that i sent a picture doxxing my own fucking mother to black-diaspora. so i endangered my own mother and then begged these people to delete the information they posted, apparently?

sadly, that is the end of the receipts i have on the topic of BD endangering my mom and the hetfem server justifying it and finding ways to blame me for BD’s actions. so i don’t have the bit that confirms how she explained herself to others and justified it, however she did justify and defend it publicly when i called her out on it. BD was not kicked or muted or anything of the sort for what she has done, and as you can see, everyone justified it and took it as an opportunity to insult me. this wouldn’t have been as much of an issue if i wasn’t from a dictatorship and if my blog wasn’t so political. what BD posted is STILL present on another blog and i could not get staff to delete it, so if the information falls into the wrong hands i don’t know what’ll happen to my mother, or even to me.

next is them justifying allying with the right despite their homophobia, racism, etc. keep in mind some of these women reblogged white supremacist propaganda in agreement with it so this isn’t particularly shocking. christmas begins in november = autumn = probablyaterf.

the issue with this, by the way, is associating with a group that is often misogynistic, homophobic, and racist solely to have a slightly larger platform of people who are more or less heavily for gender, gender roles, and more, sends the message that somehow these are ok things to side with as feminists. yall notice how many ‘radfems’ are literally just conservatives who are against some aspects of misogyny or trans people? these are the people you’re roping in a lot of the time. and this makes the voices of radfems easier to dismiss by the left as well. instead of establishing a space in the left, you end up placing yourself closer to the right and effectively putting the success of your movement to a halt.

these coming screenshots are the hetfems arguing het women have it The Hardest in radfem spaces

separate event is just some lesbophobia, again.

“imagine a straight/bihet woman wondering what the purpose of a lesbian is” go outside. there’s plenty of that. one idiotic woman saying that about bisexuality doesn’t somehow override that.

more blatant lesbophobia in a separate event. note the reactions underneath the text (all in agreement)

how often have gay people talked about how the stupid “you have equal rights now uwu” bullshit is simply bullshit? this is exactly what men use to dismiss feminists, why do it to dismiss talk of homophobia?

a bunch of white & het/het-passing women joking about making a straight pride or kkk march

remember the white woman, emanon, who argues against reparations because “what about poor white people? :(” she comes in with more racism, and some intersexism too! this is her calling caster semenya, an intersex black woman, a man and using ‘he’ pronouns for her. girlfrommars, the white woman keen on defending blackface, comes in to express her agreement.

then they argue that semenya was raised as a male.. because she refused to wear feminine clothing including in school & because some people thought she was, and thus treated her as such until they realised shes not, a man??

this is more recent than a lot of the previous receipts. i reblogged one post by radfemkitten a while back, and she was so flattered she felt the need to complain about it on the hetfem server, to which someone replied by likening me to a male hippo from madagascar.

#whitefem racism #long post #liberal lesbophobia #hetfems #hetfem server #probablyaterf #black-diaspora #girlfrommars #radfemkitten

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woeismyhoe · 4 years

Note

Spill the tea, what's the deal with you and the BSG group (avatar-chang and her squad in particular)?

Ok anon, sorry for taking so long! I wanted to get everything right and honestly collecting the posts took a longass time xD

Anyways, the only ones I have a problem there are avatar-chang, hexful/dykesia/bizukos, catrademption, cardboardseagulls (never seen interacted b4) and bizulas (also never interacted b4).

I’m going to be really transparent about this whole thing so it’s gonna be long as there’s gonna be several links and I’ve included the dates so it’ll be easier to understand. Since I’ll be fully transparent about this, i’ll probably get hate or whatever. Honestly, I just want to put everything out there without being biased or hiding anything. I’m going to disclose everything here.

So, the whole thing between me and avatar-chang started off with this post I made last year on 10 March 2019. Afterwards, she PMed me on the same day and this was the conversation:

After that, I thought the argument was over because she blocked me lmao. The only ones I spoke to about this was nbw and my real life friends (who had nothing to do with ATLA lmao I just ranted to them).

And then the next incident I think was on 16 March 2019 when I made this post about Azula’s abuse of her friends. I was new and 16. I genuinely wanted to know why people labeled Azula as an abuser. It was dykesia who responded to me at the time.

Now, unlike avatar-chang, I had a few conversations with dykesia (who was bizukos then) that was generally civil. I first interacted with her when she made a post calling out Zucest shippers or something?? I was very new. Like fresh newbie baby ATLA tumblr fan new lmao so I thought what she said was too aggressive. I didn’t realize that there were actual Zucest shippers until after some time. And then she PMed me on 13 March 2019, saying that she doesn’t always agree on characters with me but I do write some interesting pieces on Azula— that she’s a huge fan of Azula but she just tends to stay away from her fandom. I apologized about the previous incident of the Zucest thing and it was fine after then. We talked about zuko, the fandom, the comics, Mai etc etc. I thought we were on fine terms.

And then I made a post about the cliff scene in the comics on 16 March 2019. Avatar-Chang made a post that was pretty directed at the post but it seems like she’s deleted it.

On 17 March 2019, I received an anon mail telling me that avatar-chang was talking shit about me behind my back. I censored her name then because I didn’t want to believe without any evidence. No one sent me any screenshots about it so I just dismissed it.

On the same day, avatar-chang answered an anon and talked about the 13 child post theory I made on 9 March.

On 23 April 2019, I received another anon mail about avatar-chang, asking if I’d seen the post she made about Azula. I censored her name again cuz I didn’t want to start any shit over having differing opinions. I’m assuming this is the post the anon was referring to.

On 28 April 2019, dykesia/hexful/bizukos PMed me to ask if I was talking shit about other people behind their backs, and her. I denied this because I hadn’t. This was how the conversation went:

Yes, I didn’t censor any name because as I said, full transparency. I have afp blocked because we’ve clashed several times and he’d still come for my posts last year despite already being blocked. If you’ve followed me long enough, you probably would’ve rmbered that time lmao

Anyways during then, I don’t think I realized that dykesia was actually being passive aggressive. It’d been barely a year since I started the blog and I just didn’t want to full out make enemies. Reading the messages now tho lmao she really was passive aggressive. But yeah then she said this in bsg so I don’t even know why she bothered to ask me if she wasn’t even going to consider believing me.

The 9th of June 2019 was the last time she messaged and it was to ask if I mind her discoursing this Zuko post while ‘hard and drunk’. It was the first time she could apparently agree with me so it was I quote a ‘Yay??’. Afterwards I don’t know when she did it but she blocked me lmao

On 17 July 2019, I received another anon mail telling me that avatar-chang publicly called me a bitch when she was answering an anon about me posting the scans of the EK Chronicles. She mentioned this in bsg again on 19 April 2020 lmao (she’s that petty) it seems:

On November 8 2019, an anon (one of avatar-chang’s friends actually) asked about my thoughts towards the allegations against Aaron Ehasz. I still believe in the system of ‘Innocent before proven guilty’, so I didn’t side with anyone. I tried to be as objective as possible. When I said that I hoped men would also come forward, I said that because I don’t want men to just sit on the sidelines and let the women get the heat if they were telling the truth. At the end of this whole thing, I concluded that Ehasz was a dick of a boss to the girls. Being called an abuser carries more weight than just being a dick. Everyone has been a dick at one point, but being an abuser is something else. Just because Ehasz was a dick doesn’t mean I’m going to stop watching TDP or dismiss his involvement in ATLA.

The next day, BSG brought the issue up despite both avatar-chang having already blocked me by then lmao

On 5 February 2020, after Legacy of the Fire Nation came out, I made a post calling out Iroh’s bs to Azula (guy literally blames Azula for everything that happened to Zuko (something which avatar-chang agrees with apparently, and Iroh even sees Ozai in a better light).

That’s so far what I’ve remembered that involved avatar-chang and dykesia.

Moving on to the next three attackers: catrademption, cardboardseagulls and bizulas.

I’ve seen catrademption around, but I don’t remember if we’ve clashed before. We must have though cuz she’s got me blocked lmao and I mostly only debate back to people when they reply to my posts. For cardboardseagulls and bizulas, I don’t think I’ve ever seen them them before but obviously they’ve seen my blog and misinterpreted everything I’ve written.

But according to them, I’m apparently a Azula apologist, extremist, irrational, toxic, coddles and woobifies Azula, justifies everything she does and invalidates abuse victims.

You can see the posts I’ve made to judge whether I actually am an irrational Azula apologist who blames everything on Zuko. One of the most recent posts I made about Azula’s character is this, and there’s still several more posts like that. Just search #meta or #analysis in my blog search and all of them will just pop up. I can assure you, I have never acted as if Azula has done nothing wrong or did everything right or whatever lies these people are spewing.

If anyone has proof that I’ve talked shit about people in the fandom to other people before, please, present your evidence. I highly think this is impossible because I actually don’t have many friends on Tumblr, nor do I usually initiate conversation because I’m awkward af.

I’ve also tried approaching those I recognized in bsg to find out more about the situation (and at least give my side of the story). Most of them have chosen not to speak to me LMAO but one of them who’s chosen to remain anonymous for their privacy, admitted that dykesia (hexful) forced them to block a blog before (after realizing they were interacting with said blog) and if not, they would be blocked themselves. I can’t post the conversation publicly because they’re afraid their speech mannerism will give away their identity. @space-sword has also shared his experience with avatar-chang on his blog and was pressured to cut off ties with ppb21 just to join the oh so magnificent Ba Sing Gay.

There’s absolutely no reason to judge someone based on their sexual orientation, race, color or age either. They rant about being discriminated against or being generalized or stereotypes but they’re the ones hypocritically committing these actions, and then justify their actions by saying ‘we’re oppressed, they’re not, so it’s not racism or discrimination’. And yet people still wonder why discrimination is still rampant LMAO

I can’t speak for the blogs they victimized in bsg, but I personally don’t agree with talking shit about them on a public server and then criminalizing them as if they’re actually predators. I also don’t agree with involving the blogs�� friends simply because of their association. I also don’t agree with demanding people to block blogs they don’t like because that’s just pure manipulation. That’s wrong and marginalizing people. Unless someone has actually been harassing or literally preying on people, then there’s no reason to actually go around warning blogs about them unless they’re asked about it.

If they feel uncomfortable about something? Then avoid that blog, filter their tags or even block that blog if they’re that uncomfortable—BUT they shouldn’t demand others to do the same just for their own benefit. It’s not up to them to decide what a person can or cannot see or who they can or cannot interact with. They’re not their parents, and they obviously have no right to pressure people into doing things they don’t want to. If they think it tactless that I shared the conversations? Oh honestly, a line was crossed when they spread shit about me so idc. If they actually feel terrible for being called out? GOOD. That’s what they should feel, because in no way was any of what they were doing right or justified. If they’re going to shit on me then expect to be burned because I’m not someone who’ll just shrivel in fear because they have a bigger following.

#ba sing gay #bsg

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catrasredemption-moved · 4 years

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I’m just say that Reylo wasn’t abusive. The reason why Catra and Kylo were “abusive” was because they were the villains prior to their redemption arc. The abusers in She-Ra and Star Wars were Snoke and Shadow Weaver. Catra and Kylo were the ones being abused. Catradora was heavily censored due to being a same sex relationship on a children’s show and due to apparent cases of homophobia within DreamWorks. Reylo was poorly written due to Rian Johnson and Kathleen Kennedy fucking up Star Wars.

Okay, make me take this seriously I guess.

First off, comparing Catra and Kylo Ren is like comparing potatoes to sand. Catra was raised in an abusive, toxic environment with her life being constantly threatened, knowing the only reason she was still alive was because one person cared about her, and she came to build her entire life around that one person. KR, by all accounts, had a pretty decent childhood - some daddy issues, for sure, and that whole thing with Luke, but it’s not like he had a literal shadow over his head every day threatening his life and trying to break down his will. Also he was a grown-ass man when he made his choices, so miss me with that please.

Second, Adora and Catra have a very different situation. They grew up together. They were best friends. They had an entire life together before Adora found the sword and things went to hell. And while I’ve never defended anything Catra did (nor will I ever defend it), this is a very important part of their story. They had a time together when they were happy, before the fighting, and that relationship always comes back in some way. They pull punches with each other. Catra tries to outsource fighting She-Ra whenever she can. Their fights usually involve more snark than actual fighting. Catra had Adora in vulnerable positions several times, and more often than not, her go to choice was talking, not fighting. And yes, words are just as damaging as fists, and again, I’m not defending it. But you don’t seriously expect me to believe that childhood friends ending up on different sides of the war is somehow similar to “some rando Rey has never met fighting/hurting her but it’s okay because they have a Force connection.”

Third, KR had no redemption. Not particularly his fault that self-sacrifice is seen as the only “valid” redemption, but the point still stands. And even if he hadn’t died, it’s not like there was much of a foundation for him and Rey to build a relationship on - they’ve only ever known each other as enemies (which goes back to Adora and Catra being friends before being enemies). Self-sacrifice is a cop out. Catra tried to pull the same shit and she was forced to live and actually deal with her mistakes anyway.

Which leads me to fourth - Catra wanted to make amends for her mistakes. Once she got over Adora not letting her die, she started trying. She saved the collective brain cell of the Best Friend Squad, she fought Horde Prime’s forces with the Rebellion, she forced herself to overlook her very bad history with Shadow Weaver to save Adora, she was prepared to sacrifice herself again, and she ultimately played a pretty key part in saving Etheria. Whether this is enough to warrant redemption varies from viewer to viewer, but it’s certainly more than KR did.

Fifth... no, okay? Just. No. Catra’s villainy was rooted in a lifetime of abuse and feeling the need to prove herself and show the world she was better than anyone gave her credit for. She was always a conflicted villain, but the universe punished her any time she showed weakness, and culminating in her breaking and pulling the portal lever, then spending season four trying to be the big bad she thinks she’s meant to be while simultaneously having a mental breakdown. Stop trying to compare it to KR.

I’m done with this. I don’t even like Star Wars, but I’ve seen the movies and I know the story and I am not doing this. You’re not going to convince me Reylo and Catradora are the same, so please take your abusive straight relationship and hit the unfollow button.

#Mystery Person #Sam Answers

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flyingcatstiel · 4 years

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1of2 Tired of metas blaming executives / defending writers. Writers can write horrible endings. Proof - GOT, HIMYM, Lost etc. Executives didn't force those bad endings. Reading all these conspiracy theories feels like I am listening to Trump. Executives are homophobic but ok with incestous ending? I asked my SO (who never watched SPN) to watch SPN final with me. I quote him "didn't you say they are brothers. It almost looks like they are going to kiss - Ewww - is this what you want me to watch?"

2of2 Even if we look at bottom line - Executives - apparently don't care the fact that Destiel was trending FIRST world wide - in middle of pandemic, middle of historic US elections - such free publicity to gain more viewers and money - but they care about incestous endings which grossed out lot of people. I wish these metas and conspiracy theorists stop baiting people and stop defending writers. Even before covid - Dabb had intended for this bad ending with proof that only 30% will like it.

Oh, nonnie. If you have sent this just 2 days ago, I’d be there with you, all salty about metas defending writers. Today tho, after going through some serious posts about the CW involvement with the show, about Russian market, about professional dubbing practices I have my thoughts in different order.

So, from what I’ve seen so far (barely past midnight November 26 in the US as of writing this). Jensen went to re record audio stuff for 15x18, most likely Cas confession scene. Now we have info from Latin America (2 separate dubs) that Dean actually reciprocated Cas’s love declaration and only after that The Empty took Cas. Nonnie, this changes everything. The first thing so many viewers noticed and commented on was the weird way the scene was cut and how little emotions Dean showed. The running gag on twitter was that Jensen is homophobic and Misha strong-armed him into that scene. Non shipper said that it was platonic love declaration from Cas, coming out of nowhere. But most importantly, we, shippers were robbed from proper celebration of our ship going canon. After 12 years of sticking with the ship, they still took it from us. This is totally on the CW shoulders.

But also, this means that destiel was at some point greenlit by the executives to be reciprocated in canon. Until someone at the CW backpaddled in late September. The writers are not responsible for this, they are victims of these changes as well. Dean’s answer changes the emotional beats of several scenes in 15x19 in addition to the scenes that were cut. 15x19 has that strange montage at the very end which most likely was added to cover cut scenes, say like Lucifer, Jack and Cas scene in the empty? Because if Misha was in 15x19, that would mean that the prank call was never meant to be his last contribution. I mean, the disrespect to the fans, the writers and Misha, all in one episode.

And then there’s 15x20 which looks so weird that a lot of fans immediately said that it is a butchered episode. Thing is, we have no idea what kind of script was written pre covid, how much it was changed and when, and how much was cut out from filmed episode. I’ve seen posts sayin that the script for 15x20 was still in rewrites when they finished filming for 15x18. Which is very, very late for a shooting script. I personally think that Dean’s death was the thing Jensen disliked so much, but even then - we don’t know how it was framed in earlier scripts and how they arrived at that horrific scene in 15x20.

I’m not saying that SPN writers are the most amazing TV writers out there, and I look forward times when we will be able to discuss all problematic stuff SPN is filled to the brim with, but. We just don’t know what exactly happened in the SPN writing room and how much executives meddled with it. COVID happened. Nothing of this is normal. This is why the most important thing right now is to pressure the CW for some answers. Look at them throwing Misha under the bus today. That tells you bunches how well they know fandom and how to manipulate us.

Now about that incestuous scene, aka Dean’s death, and why homophobic executives would be OK with it but not canon destiel. Under the cut we go, mostly for space reasons.

Ok, this is so funny but I actually just finished writing my second answer about wincest in 15x20 and had problems posting it and that’s how I learned that we broke tumblr and destiel went canon in spanish. Here’s my post, check it out bc I’m not repeating it here.

I think wincest, aka incest between two able bodied, adult male brothers is something casual viewer outside the fandom is not even thinking about. If it was sister/brother deal with intimate embrace, people would notice faster. But two masculine, 6 ft tall macho dudes during the death scene? Nope. Here comes plausible deniability which viewers also use to ignore anything “funny” between Dean and Cas. I’m glad that you and your partner noticed incest vibes, but, I’ve see plenty people even in destiel fandom being fine with such scenes between Sam and Dean. I’ve seen some destiel fans saying that they really loved 15x20, so, there are viewers out there for whom it worked.

Now let’s look at the bottom line. TBH, I’ve no idea where to look? Where is the projected revenues for a show that is ending? You say that Destiel trending during pandemic is a proof that our fandom is huge, but. No one knew that we had such power! And trending on twitter is not something that translates into money easily. And it happened 2 weeks before finale. There’s no time to change finale anymore. I personally think that destiel fandom has been shrinking for past couple of years, since so many folks left due to bad writing and queerbaiting. But they came back for tweeting. At this point destiel is bigger than it’s fandom. I personally think that the CW would have benefited from canon destiel, but they made different call.

I agree with you that in general, fandom should not defend the writers so much and ought to be more critical about the stuff they write, but today, November 26, 2020, the game is happening on completely different plane. I’m pretty sure that we got a butchered finale, and I’m very much inclined to believe that it is somehow connected to their efforts to promote The Walker show. Maybe Dabb’s original finale was really bad, but show me the script then. If destiel was supposed to be reciprocated, then they might have gone overboard with bro love in Dean’s death scene. Only now, when destiel was one-sided, that scene becomes very wincesty seemingly on purpose. A good creative writing, in it’s finished form, is a very tightly woven fabric. You pull out some threads, you unravel whole fabric. And that’s what 15x20 is.

2 days ago I’d be roasting metas who defend spn writers, today I want to storm the CW. (pitchforks anyone?) Destiel shippers were robbed, queer love story was censored, this should be the focus of or anger today, not the writers or actors. We can do both - demand truth about the Cas confession scene and roast original Dabb’s ending if we ever get it.

ETA - after writing this up, I checked out some posts by blogs who debunk all conspiracies, including Spanish dub. They sound very convincing! But in that case we have to talk about long term queerbaiting that was taking place on this old CW show till the very last minute. Cas was used in promos for 15x17 he was not in. They (ppl who make promos) deliberately used Cas barn scene from 4x01 in those promos, then actual barn in 15x20 promo but somehow it is shippers who are delusional? Don’t start me on Song of the day. Angel with a shotgun for 15x19? What was that about? After 15x18 there was no official goodbye to Cas which made ppl to watch finale. Like? Even if the Spanish dub gets officially debunked by the CW and not some random blogs, we are left with the fact that destiel fandom was gaslighted during the last stretch of s15. And not only by writers.

And if this was the finale they so lovingly crafted and deemed to be good, where are the celebration of the SPN ending? Why we had to watch documentary before the episode? Why 15x20 was so short? Why Canada watched the episode first (and leaked spoilers online) They filmed after quarantine, the script had to be the usual length. And so on, fandom has been through all the things that didn’t match several times already. PITCHFORKS -> the CW

#anons #flyingcatstiel has thoughts #spn finale is a gift that keeps on giving #15x18 #15x20 #andrew dabb #te amo #wincest for ts #///#i'm putting this in the queue #and I'll try to reblog more stuff re this issue #scroll down and read my tags #destielgate #PITCHFORKS

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catflowerqueen · 4 years

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Okay, I finished Hiveswap 2 in... basically all one go. I will definitely have to do multiple replays to get all the Steam achievements, but that can wait until I do all my actual work and projects. Thoughts and major spoilers below.

Well Hiveswap 2 was certainly interesting! I can see why it took so long to make, and why Friendisms had to come first. That game certainly gives some more background lore to certain situations, though it also kind of… gave me certain character expectations that I feel were left unfulfilled. Like… given it is Alternia, and Doc Scratch admitted to messing around with everyone involved via his whatever-it-was making people more open to befriending the reader, I guess I’m not entirely surprised how certain situations ended up? Just… severely disappointed.

As far as gameplay goes, I think that the item management system was a little better than in part one, and it was cool that you actually got to switch between playing as Joey and playing as Xefros, and that they each had different commentary when you clicked on things. There is also a replayability factor, which is nice. The music was also really cool, especially how you could tell that the same melody was being used in every train car, just changed up a little to better fit the “theme” of the castes present in the cars. And that even held true when it got a lot darker/more depressing during the final quest! I’m also extremely glad that there was a functional hint system, because there were times when I really, really needed it.

But the bee minigame came pretty much out of nowhere, and the formatting for the directions was horrendous because it gave them to you after the game already started. Not in a tutorial fashion, either! Which meant that I couldn’t really read or understand what was actually going on until I’d failed the game two or three times, making the whole thing really tedious. Also… I’m kind of annoyed at how little actually got carried over when you use the “import Act 1 data” function? Like… inventory was the same, and maybe there were some things I missed, but it didn’t keep the name I gave Dammek’s lusus! It didn’t even use the default name for that option, either, or even throw in a line about Xefros telling you what it’s actual name was at some point while you were fleeing, which would at least explain the discrepancy.

Then there was the jade and teal car… and oh boy do I have a lot of complaints against that car. It’s honestly the one I had the most problems with, from both a gameplay and story perspective. For one thing, it dragged on way, way too long—especially for a middle section of the game. It would have worked a lot better as an endgame thing, I think, just in terms of the way games and stories are supposed to ramp up the action as you play, so things get progressively harder as you go. While there was some nice foreshadowing of how depraved the purple caste really is during that section… like the early game foreshadowing for it, it only really works effectively if you know the source material.

I mean. I guess Xefros’ discomfort in general works and gives it more of a wham/gut-punch for those who don’t know the source ahead of time, but… still.

Anyways, the length isn’t my only complaint with that section. The story was very interesting, I’ll admit, but the execution was not very good, especially when it came to the evidence. Now, I know this is apparently a common complaint with Phoenix Wright games, which that section is based on—that there is a specific order and place you need to use specific pieces of evidence, even when logic dictates that there is a far simpler solution to the problem. Like… at one point you need to come up with a motive for Tegiri to be hanging out by the Jade lockers. Considering that the entire trial has to do with the theft of a “forbidden book on rainbow drinkers,” this is something you find out during the evidence collection phase before the trial even begins, and another piece of evidence collected clearly states (or at least implies extremely heavily) that Tegiri is into rainbow drinker stuff, one would think that piece of evidence would be enough for a motive, right? Wrong. Instead, you have to use a broken action figure… and then you STILL use the other piece of evidence to show that he’s into weird romance stuff and would have been interested in reading the book! And that’s not the only time stuff like that happens!

Not to mention the section in the middle where the trial takes recess. The dialogue implies that what’s happening is you’re getting the chance to collect more evidence and statements… but, no, what’s actually happening is that you’re supposed to be taking this time to accuse other people of actually being the culprit by combining two pieces of evidence. The problem is, it doesn’t tell you this is what’s happening, give you any warning that you won’t be able to talk to the people you’re accusing again if you combine the wrong evidence, or let you use any selection screen aside from the evidence ones when it would be extremely helpful to be able to check on the timeline or suspect section again in order to get a refresher on where everyone was. And one of the pieces of evidence is a diary—but once you have it in your possession, you can’t check the relevant entry again! It only says who the diary belongs to and that some of it is censored. And since there is reason to believe that someone else messed with the diary to implicate the owner, it would be very helpful to actually get to explore that further in depth!

I really do hope that this is a case where there are multiple different endings, since the way it left off on my playthrough left an extremely bitter taste in my mouth, especially in regards to Tyzias’s character, who I actually really, really liked in Friendisms! But here… I got the “Scapegoat” achievement (which is why I’m hoping that there are other ways to complete this section), with the end result being that even though we got our client declared innocent, we also got an innocent (or at least, one heavily implied to be innocent afterwards) person declared guilty—in part because our co-counsel did not inform us of the fact that she witnessed evidence being tampered with and, in fact, knew who the true culprit was all along. And while her “Experiment” was deemed a success—and, I suppose, was technically successful within the set rules and did actually follow the whole “innocent until proven guilty” thing—it just highlighted that legislacerators still don’t actually care about justice. She could have, at any point, chimed in about what she saw, but was more interested in “keeping the peace” afterwards than actually getting the true culprit. And, yeah, baby steps and all, but…

I suppose thematically it does work well considering what happens at the end of the game when reaching the purple car, but…

I just thought better of Tyzias, is all. Friendisms implied that she was a real revolutionary for change, and, yes, I know that this wouldn’t be obvious to someone who didn’t play that game and some allowances must be made for that, but… even so, it just seems really out of character, and I don’t think it can all be blamed on forgetting lessons they learned while hanging out with the Reader/those things not actually happening in this continuity, for whatever reason (though, given how Fozzer was acting, and the fact that Chixie brings up the whole “Mask” persona, I’m pretty sure that we can assume they all remember some things that happened… just in a way that’s vague enough that those who played Friendisms can catch the references while those who didn’t won’t be lost on what’s going on)

…And, in hindsight, the whole thing was probably unnecessary to begin with since the book actually got found before the idea off a trial even came up??? I mean, part of that is because Marvus suddenly wandered in and seemed very interesting in holding one, and they didn’t want to upset him, but… yeah, it’s definitely a case of “this all could have been avoided,” especially since the book is apparently only forbidden for the jades to read. But I’m willing to give that one a pass, since trolls are weird and there were various circumstances escalating the situation.

I still think that Tagora had something to do with it, given what we know about his infatuation with Rainbow Drinkers from Friendisms… but that never actually came up in the game? I see where there may have been an opportunity for it, but it wasn’t a very clear-cut one and, at least the direction my playthrough went—would have required the player to actually have done his route in Friendisms.

(EDIT: Apparently there are some different ways to do this trial, according to some things already up on Steam, but they are dependent on some very early choices in the game--which would presumably affect some other choices in later games, and which means that i’m going to have to do many different playthroughs if i want to see everything available--and it still isn’t likely to remove the taint on my feelings towards Tyzias. After all, I’ll know that such capabilities for ruthlessness remain in her character, whether or not they’re actively showing.)

Also, hero-mode Xefros looks a lot older than I thought he was. And apparently joey is old enough to at least be a Freshman in high school??? I thought she was still in middle school!

As for other characters… some I felt were still in-character, some weren’t. Like… for what little we actually saw of Karako’s personality, considering he doesn’t really talk, I thought he was fine… despite being extremely surprised he was actually on the train at all considering his youth and, well, what little personality we saw indicating that he doesn’t really do “civilization” much. But the twins… while they were spot-on amongst themselves (resulting in an extremely chilling and heartbreakingly well-done scene near the ending), they seemed a lot more vicious in regards to their interactions with others. Wanshi apparently developed a real cruel streak in this game, and, ironically, Tirona was actually a whole lot nicer and not actually a suspect of that trial, despite being put on the stand as a witness.

I was also a bit disappointed that there weren’t more of those clever fight scenes we had from Act 1, where there was puzzle solving going on mid-fight—there were only two of them, one being so forgettable that I pretty much only remembered it existed just this second, and only the last one was really clever. There was at least one, maybe two other points where it would have been really cool/creative if Joey could have solved things with dance in a battling format… but her use of her dancing shoes was only plot important at two points in the game—and that first point wasn’t even her doing actual dancing, but, rather, as a buildup for the bee minigame. And then she never even got to use her “bee dance” skills again. At least Xefros finally got to use his bat—but, again, it was only once where it was actually a useful tool. He did get to use psionics more, though.

And there was a plot point with Skylla that was pretty much completely dropped? I mean… they did bring it up as something that was still unsolved right at the end, but… well, hopefully this just means that they’ll actually solve it for real in Act 3, because otherwise there was a perfectly good opportunity for a solution that Joey had in hand, but which didn’t get utilized. The issue is that Skylla’s lusus is apparently sick. One would think that this means that, assuming you carried over from part 1 (and I would assume even if you didn’t because it looks like a lot of the problems would be game-breakingly unsolvable if you didn’t have certain items you would have picked up through a playthrough of part 1. I guess that’s something to test for next time), this would require you to use the bestiary and vet kit, right? Wrong: I tried that and nothing happened. Apparently, the solution is that you promise Skylla you’ll look for medicine further down, and use that as a reason that Marsti should move away from the door so that you can pass by. But there’s never actually an option for you to look for the medication.

…Now that I think about it, though, this would be the prime opportunity for some inadvertent (or intentional, as the case may be) foreshadowing from Act 1. Two opportunities, even, with one being far more obvious than the other. One could be that Joey makes some commentary about knowing exactly what to do, having seen a similar problem in her own “lusus”—her pet dog back home. The other could be that Ladyy isn’t actually sick, but is instead pregnant and having little lusus puppies—which would be a callback to that Puppy Surprise doll from Act 1 where Joey hid her keys.

Still. I don’t like the fact that it never got solved in this part. Also that Vikare didn’t really get to do much (despite how annoying and confusing I myself find him) and that we didn’t get to see Fozzer again on the train even though we got to see several others on the train who we first saw at the station.

I’m also wondering what’s going to happen in part 4? Obviously part 3 is going to be either the party or further attempts to reach the party (and the suddenness of what happened with the ending does lend some more seriousness to the whole “you only have eleven days before everything gets destroyed thing), but… I’d assumed going in that two parts would be dedicated to Joey’s story, and two to Dammek’s, but apparently that’s not the case? If Joey really does get four parts to herself… then what the heck is Dammek’s story going to entail? I mean… those monsters, obviously, and whoever Jude’s “friends” are, but… I don’t know. I feel like it’s going to be hard to top this.

As far as lore goes… apparently the maturation trials are not the same thing as the exile, since Zebruh mentions already having gone through his, yet he is still on Alternia for what is implied to be… at least two sweeps, I think it was? I think he said he went through them at seven, and Chahut is approaching 9 or ten and mentions being only a perigee away from leaving. So that’s interesting. I guess the maturation trials are the equivalent of a career aptitude test or something?

It does make me wonder what happens with the Jades, though. Unless there are more mothergrubs on other planets, what do they even do when they’re off world, since apparently they are specifically tested when they are a lot younger to see who actually is assigned to the caverns vs. just living outside with everyone else. I guess maybe they just get jobs that are slightly more prestigious than olives, but still under teals? That would at least make sense for the ones who weren’t assigned to work in the caverns. Though it does make me wonder about Kanaya a little bit—had there been no game involved, would she still be considered “special” like the jades from Hiveswap given what her lusus was, except that because of said lusus she had to live outside of the caverns? It was, after all, implied that virgin mother grubs and their matriorbs were extremely rare.

Also, considering how full this train was, and the caste segregation going on, I’m wondering why the train from Sollux’s route in Pesterquest was so empty, and how he could apparently just get on any car he wanted. I mean—sure, he ended up in a car that only had an olive on it, but considering they were literally the only other passenger besides reader, that may have just been a coincidence. It can’t have been that there were separate waiting platforms for the different castes, either, since everyone was mingling together in Hiveswap before separating by car. Is it just that everyone was going to the party, but the train otherwise doesn’t get much use, or something like that? Or did it have more to do with whatever the ramifications were for Trizza’s defeat? …Or possibly the fact that the attack on the train at the end just made people still extremely wary about travelling by rail even sweeps after the fact?

There’s probably some more lore I can touch on, but… honestly, the trial section left me so upset that I can’t really put much of that together right now. I think I was going to say something about how the Jades would also be a good source of keeping culture alive between heiresses, since apparently they’re actually charged with doing so… but it’s hard to tell how much of that culture is just jade culture specifically vs. the rest of Alternia. Or even how much of it was actually serious, rather than a thinly veiled reason to let everyone indulge in things like tabloids, celebrity magazines, and rainbow drinker books.

Oh, yeah, and I’m pretty sure that Diemen at one point implied that his hot dog was actually made out of someone specific, though I’m not sure at this point whether that someone was his lusus, or if it was a troll. Either way, if that’s true, then it definitely explains why he is so protective of that specific hot dog.

EDIT: I remembered what the other bit of lore I wanted to discuss was. Well. I mean, it might not be considered “lore” as such, but... it’s interesting that of the two major rebellions we know of, both were headed by bronzebloods--that being the Summoner and Dammek. At least, I assume Dammek is the one heading the current rebellion. I wonder it it’s just a coincidence, or if there is something in bronzeblood nature that makes them more likely to lean towards these sorts of reactions? We know Dammek’s breed of lusus apparently favors strong leaders, and given the blood color would only be seeking out other bronzes (except perhaps when they hit the “my charge just died/got culled” stage and go looking for someone else to adopt, given what is happening with Joey), but presumably the Summoner had the same lusus type as Tavros. I dunno, it’s just interesting to think about.

Anyways... Overall I did really like the game! I loved the tone, despite how depressing it got at times, and Xefros’ and Joey’s developing relationship is amazing. I look forward to part 3. Hopefully it won’t take as long to come out.

#homestuck #hiveswap #spoilers #massive spoilers

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extremepineapple2 · 4 years

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I've been thinking a lot about how the way the CF route is a contradiction between what the player is told versus what they see. Edelgard saying she wants to dismantle the church, then rebuilds it as an 'empire approved' version in some endings. Edelgard stating one of the reasons she hates Rhea is that she rewrote history, yet apparently does the very same regarding Faerghus and the Church of Seiros (and at first also censors Dorotheas opera company). (1/3)

She claims to have no problem with actual faith and only wants the church gone because Rhea is abusing her power, yet all routes shows belivers being persecuted and oppressed by the empire. She says she wants to build a meritocracy, yet she takes credits for the players work because “an emperor can’t be seen taking orders”.There are many more examples of this but some of it is only noted in optional content and specific ending cards, (2/3)and I feel that makes the entire route somewhat interesting if the writers counted on the players spotting the inconsistensies between what Edelgard says and what she actually does (though I wish they made it a bit more obvious, because in that case many players seems to have completely missed it). I mean, its either ‘these inconsistensies were intentional’ which gives the route some more depth, or the writing is just contradictory by accident which just makes it shitty. (3/3)I think it’s likely a mix of both shitty writing and intentional. Keep in mind that for almost the entirety of party 1, Edelgard is lying to you. Unfortunately this didn’t seem to register in the heads of some players for some reason, but Edelgard is a very dishonest person. The game kind of tells that Edelgard’s problems trusting people is one of her flaws/character traits. She lies to your fucking face over and over in Part 1. I’m really amazed that people then still take her at her word for what she says.

So I think some of it is intentional. The game, even though some people are too blinded by waifu tits to see, is still telling you she’s a liar who will say what is convenient to her.

However, as the game itself doesn’t even seem to acknowledge many of the inconsistencies and hypocrisies that you have pointed out (and others), I think it’s also a case of shitty writing. Other people have theorized that there was a rewrite to make Edelgard softer. And the reasons for that been theorized to be related to her viability as a waifu.

I’ve said this before multiple times, but one of the problems is that Byleth, the self-insert character is unable to challenge Edelgard and is even forced to defend her in routes that aren’t even hers. Meanwhile? Part 2 in Blue Lions is all about Byleth calling Dimitri out on his bullshit. Byleth physically prevents Dimitri from doing something that Byleth disagrees with.

In general I really don’t like Edelgard, in several ways.

I don’t like her as a character (she’s all over the place), I don’t like how the characters interact with her (ie. Byleth may as well worship her), I don’t like she interacts with other characters (ie. she may as well worship Byleth), I don’t like her “as a person,” and I don’t like much of the fandom surrounding her.

There’s all sorts of nasty racism, nationalism, biphobia, ableism, warhawking and religious prejudice involved in fandom discourse about her. I’m not one to use those words easily and flippantly. I have genuinely seen them in fandom discourse.

So I honestly wish Edelgard as she exists didn’t exist. I would have honestly preferred the generic enemy mole people to what we got.

#Anonymous #edelgard critical #fire emblem spoilers #fire emblem three houses spoilers #spoilers #ask #text

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mobius-prime · 4 years

Text

203. Sonic the Hedgehog #135

The Tommy Trilogy (Part One): Agents of K.N.O.T.H.O.L.E.

Writer: Romy Chacon Pencils: Ron Lim Colors: Jason Jensen

Well, the title of this story kind of gives away the mystery of the cover image, huh? Sonic finds himself once again traveling to the Forbidden Zone in search of a undercover contact who just so happens to be a turtle. Interestingly, his narration as he makes his way into the bar that they're supposed to meet in notes that though the Forbidden Zone is apparently under Eggman's control, the Mobians that live there have refused to defect to the side of Knothole, instead keeping their heads down and hoping to not get involved. This is the first inkling we've ever gotten of a population besides Angel Island trying to stay neutral in the war, and since Eggman has more important things to focus on than the residents of a small out of the way town in the middle of nowhere they've been largely successful so far.

As this is going on, in some undisclosed location, Eggman and Snively talk about a mysterious project of theirs. Whatever they're creating, apparently the first hundred models of it failed, but their hundred-and-first is operational. Sounds suspicious… Back in the bar, Sonic slides into a booth across from a similarly hooded figure, reciting some code words, and who pops out of his cloak but Tommy Turtle! Yeah, turns out he survived the explosion at the factory a year ago, and only recently managed to message Sally and Sonic about his continued existence.

Now that's interesting. It seems Ceneca-9009 thought of everything, and tried to make sure that a Mobian once deroboticized can't be reroboticized, but somehow Eggman has found a way around that. Sonic and Tommy's conversation is then interrupted by none other than the same "friends" Tommy was hanging around last time we saw him - Sleuth Dawg, Drago, and the Fearsome Foursome, all roboticized once more! What a conveniently relevant conversation there, guys! The roboticized goons try to place the two friends under arrest, but Sonic easily dodges their attacks and begins kicking their metal butts with ease. He even gets his chance to throw in some sass here and there - but Tommy isn't doing as well as he is, being a noncombatant.

Sonic decides to hurry things along, finishing off his own opponents and rushing to Tommy's aid. However, he's startled to find that somehow, Drago and Sleuth have both disappeared from the scene, with Tommy looking perfectly unharmed. Tommy explains that he was able to hotwire the two of them and reprogram them to go throw themselves into the nearest lake, and that's good enough for Sonic. Together, the two leave the messed-up bar behind, with Sonic glad to have Tommy back and alive once more…

Anonymous

Writer: Romy Chacon Pencils: Art Mawhinney Colors: Jason Jensen

So what exactly is the deal with the roboticization thing, anyway? Time to find out in a story that clearly takes place before the previous one. A.D.A.M. gets Eggman's attention in his base and directs him into a room where stand the six villains of the story prior, all roboticized and awaiting commands. The twist? Eggman didn't do it. He's just as surprised as we are to see them standing there roboticized once more. Eggman is of course eager to find out who has managed to reverse the anti-roboticization effects on them, and has A.D.A.M. run diagnostics on their memory banks to find any useful information.

Several hours later, A.D.A.M. rouses Eggman from his nap only to give him the bad news - their memory banks are totally locked down from accessing information about who retransformed them. The only thing he was able to find was a brief image of their benefactor, which has been similarly censored out, leaving only the impression of someone Eggman-sized behind. The final piece of information A.D.A.M. is able to retrieve is that the person behind it has signed their work merely as "Anonymous," which only frustrates Eggman more, as he has no idea if this person is friend or foe. Hmm, so the famous hacker group is behind this, eh? Watch yourself then Eggman, they tend to not like fascists.

Mobius 25 Years Later: Dealing With the Devil

Writer: Ken Penders Pencils: Steven Butler Colors: Jason Jensen

It's time for another riveting piece of teen drama! Lien-Da, after dropping Salma off at home, is ready to interrogate Rutan about where he was last night. Rutan isn't looking forward to the repercussions of his actions, but is grateful when Dimitri steps in to give his two cents.

This sucks in so many ways. Like, how can you make me cringe so much from just a few lines of dialogue? Yes, teenagers often want to sneak off to make out with their crushes. Lien-Da should know this, especially as she appears to be a single mother with no father in sight, indicating Rutan is perhaps the result of a one night stand. But then Penders has to go and make it all weird and have Lien-Da get like, bizarrely feminist on Dimitri, and not the reasonable kind of "I just want equality" feminist, more the "rabid social justice warrior who takes offense at everything" kind of strawman feminist. When has any of this ever been established as part of Lien-Da's personality? Why did we need this weird "man, boys and girls are sooooo different" tangent? It's just… so weird and out of place.

For a moment, we actually take a turn into something mildly interesting - that is, the matter of how exactly Lien-Da and Dimitri got to be where they are today. Apparently, at some unspecified time in the past, when Eggman's empire was on the verge of crumbling, he captured Dimitri with the intention of using him to somehow fix everything. When Dimitri refused, Eggman took his revenge… somehow, which resulted in Dimitri becoming the disembodied head that he is today. Lien-Da thinks that he holds a grudge against her for not saving him from his fate, but he retorts that he's only angry because once he was incapacitated (and decapitated), she drove the Legion forward in her own self interest instead of following his vision… which we're not even sure what it was supposed to be in the first place. Again, all of this is extremely vague - seriously, this entire story arc seems to want to gloss over everything that could actually be interesting in favor of the awkward domestic dealings of heroes past their prime and their annoying, bratty offspring. Lien-Da cuts the budding argument off at this point to go right back to the clearly most pressing question of the evening - namely, what exactly Rutan was doing with his girlfriend last night.

I love how this entire thing comes across as though Penders thinks he's danced around the issue of teenagers boning oh so carefully, when really it's done with all the finesse of a drunk baby deer trying to navigate its way through a room full of glass figurines. Like, who do you think you're fooling, dude? A five year old could read this and know you're talking about sex. Furthermore I'm trying to decide if the shocking part is that Rutan was trying to get it on with his girlfriend at all, or if his mother's life lesson was merely not to lose his virginity in a park specifically. Either way, he's able to deflect her anger by relating what he overheard of the conversation between Knuckles and Rotor, which granted, isn't much. However, it's enough to catch Lien-Da off guard, and after thinking for a moment, she suddenly gets unnervingly sweet, saying that she believes him and sending him off with a firm "just don't do it again" to his room. Rutan catches the chill from her sudden attitude shift and leaves gratefully, and when Dimitri tries to talk to her, she brushes him off, clearly calculating her next move. Next thing we know, Julie-Su, chopping vegetables for dinner, finds herself getting a video call from Lien-Da asking to talk…

Again, though, I just have to point out that nothing we're seeing makes any sense here. Everyone is so scared of Lien-Da finding out anything important, but if she's so dangerous, then why hasn't she been arrested and incarcerated for her former crimes yet? Either she's a dangerous terrorist who should pay for her transgressions against echidnakind, or she's a reformed and upstanding member of society. You can't have it both ways, guys! And now, with the new information gleaned from her son, she's all ready to scheme and plot her way to… what, exactly? The only thing she knows as of now is that Knuckles and a friend of his met in a park at night so that the latter could make a request of the former. How does she know it's anything important at all? Remember, Rutan didn't overhear anything about spacetime breaking down, so for all Lien-Da knows, Rotor just wanted to ask Knuckles if he could borrow his hairdryer. There's nothing here to even begin to be suspicious about! This entire arc is held together with duct tape and Penders' tears, and there's so many weird plot holes that rely on us essentially just taking Penders' word for it that this person is bad, and that person is totally in character, and this other person is at all interesting. And I hate to say it, but we haven't even seen the worst yet! We've yet to see King Sonic and Queen Sally enter the picture, and once they do things only get weirder…

#nala reads archie sonic preboot #archie sonic #archie sonic preboot #sonic the hedgehog #sth 135 #writer: romy chacon #writer: ken penders #pencils: ron lim #pencils: art mawhinney #pencils: steven butler #colors: jason jensen

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athomeinmybooks · 4 years

Text

Laws of Anime

Version 6.2

Compiled and Edited by - Ryan Shellito and Darrin Bright

Slightly Altered by - Dexyuo Metallium

The Laws of Anime is a growing list of physical, universal, and natural phenomenon that seem to appear in various forms in all sorts of anime. The original intent was an effort to classify these incidents into a list of "laws" that explained how Anime physics are different from our own (real?) world. Due to the rather dynamic nature of Anime Science, theories and paradigms are generally in a state of constant flux, often shifting or changing with the tide of whimsy. By no means all-inclusive and sometimes not even remotely instructive, the following is an enumerated list of semi-empirical islands in an ocean of conjecture. It is our hope that you find them useful to studying Anime, or at the very least, worth a good chuckle.

#1 - Law of Metaphysical Irregularity:

The normal laws of physics do not apply.

#2 - Law of Differentiated Gravitation:

Whenever someone or something jumps, is thrown, or otherwise is rendered airborne, gravity is reduced by a factor of 4.

#3 - Law of Sonic Amplification, First Law of Anime Acoustics:

In space, loud sounds, like explosions, are even louder because there is no air to get in the way.

#4 - Law of Constant Thrust, First Law of Anime Motion:

In space, constant thrust equals constant velocity.

#5 - Law of Mechanical Mobility, Second Law of Anime Motion:

The larger a mechanical device is, the faster it moves. Armored Mecha are the fastest objects known to human science.

#6 - Law of Temporal Variability:

Time is not a constant. Time stops for the hero whenever he does something 'cool' or 'impressive'. Time slows down when friends and lovers are being killed and speeds up whenever there is a fight.

#7 - First Law of Temporal Mortality:

'Good Guys' and 'Bad Guys' both die in one of two ways - either so quick they don't even see it coming, OR it's a long drawn out affair where the character gains much insight to the workings of society, human existence or why the toast always lands butter side down.

#8 - Second Law of Temporal Mortality:

It takes some time for bad guys to die... regardless of physical damage. Even when the 'Bad Guys' are killed so quickly they didn't even see it coming, it takes them a while to realize they are dead. This is attributed to the belief that being evil damages the Reality Lobe of the brain.

#9 - Law of Dramatic Emphasis:

Scenes involving extreme amounts of action are depicted with either still frames or black screens with a slash of bright color (usually red or white).

#10 - Law of Dramatic Multiplicity:

Scenes that only happen once, for instance, a 'Good Guy' kicks the 'Bad Guy' in the face, are seen at least 3 times from 3 different angles.

#11 - Law of Inherent Combustibility:

Everything explodes. Everything.

First Corollary - Anything that explodes bulges first.

Second Corollary - Large cities are the most explosive substances known to human science. Tokyo in particular seems to be the most unstable of these cities, sometimes referred to as "The Matchstick City".

#12 - Law of Phlogistatic Emission:

Nearly all things emit light from fatal wounds.

#13 - Law of Energetic Emission:

There is always an energy build up (commonly referred to as an energy 'bulge') before Mecha or space craft weapons fire. Because of the explosive qualities of weapons, it is believed that this is related to the Law of Inherent Combustibility.

#14 - Law of Inverse Lethal Magnitude:

The destructive potential of any object/organism is inversely proportional to its mass. First Corollary - Small and cute will always overcome big and ugly. Also known as the A-Ko phenomenon.

#15 - Law of Inexhaustibility:

No one *EVER* runs out of ammunition. That is of course unless they are cornered, out-numbered, out-classed, and unconscious, (or if they happen to be Trowa Barton. -- added by Dexyuo-kun).

#16 - Law of Inverse Accuracy:

The accuracy of a 'Good Guy' when operating any form of fire-arm increases as the difficulty of the shot increases. The accuracy of the 'Bad Guys' when operating fire-arms decreases when the difficulty of the shot decreases. (Also known as the Storm trooper Effect) Example: A 'Good Guy' in a drunken stupor being held upside down from a moving vehicle will always hit, and several battalions of 'Bad Guys' firing on a 'Good Guy' standing alone in the middle of an open field will always miss.

First Corollary - The more 'Bad Guys' there are, the less likely they will hit anyone or do any real damage.

Second Corollary - Whenever a 'Good Guy' is faced with insurmountable odds, the 'Bad Guys' line up in neat rows, allowing the hero to take them all out with a single burst of automatic fire and then escape.

Third Corollary -Whenever a 'Good Guy' is actually hit by enemy fire, it is in a designated 'Good Guy Area', usually a flesh wound in the shoulder or arm, which restricts the 'Good Guy' from doing anything more strenuous than driving, firing weaponry, using melee weapons, operating heavy machinery, or doing complex martial arts maneuvers.

#17 - Law of Transient Romantic Unreliability:

Minmei is a bimbo.

#18 - Law of Hemoglobin Capacity:

The human body contains over 12 gallons of blood, sometimes more, under high pressure.

#19 - Law of Demonic Consistency:

Demons and other supernatural creatures have at least three eyes, loads of fangs, tend to be yellow-green or brown, but black is not unknown, and can only be hurt bladed weapons.

#20 - Law of Militaristic Unreliability:

Huge galaxy-wide armadas, entire armies, and large war machines full of cruel, heartless, bloodthirsty warriors can be stopped and defeated with a single insignificant example of a caring/loving emotion or a song.

First Corollary - Whenever a single war machine (mecha, starship, etc.) goes up against an entire army, the army always loses.

#21 - Law of Tactical Unreliability:

Tactical geniuses aren't....

#22 - Law of Inconsequential Undetectability:

People never notice the little things... like missing body parts, or wounds the size of Seattle.

#23 - Law of Juvenile Intellectuality:

Children are smarter than adults. And almost always twice as annoying.

#24 - Law of Americanthropomorphism:

Americans in Anime appear in one of two roles, either as a really nasty skinny 'Bad Guy' or a big stupid 'Good Guy'.

First Corollary - The only people who are more stupid than the big dumb Americans are the American translators. (Sometimes referred to as the Green Line Effect)

Second Corollary - The only people who are more stupid than the American translators are the American editors and censors.

#25 - Law of Mandibular Proportionality:

(from A. Hicks, Tom Williams, and Ben Leinweber)

The size of a person's mouth is directly proportional to the volume at which they are speaking or eating.

#26 - Law of Feline Mutation:

(from A. Hicks)

Any half-cat/half-human mutation will invariably:

1) be female

2) will possess ears and sometimes a tail as a genetic mutation

3) wear as little clothing as possible, if any

#27 - Law of Conservation of Firepower:

(from Tom Williams)

Any powerful weapon capable of destroying/defeating an opponent in a single shot will invariably be reserved and used only as a last resort.

#28 - Law of Technological User-Benevolence:

(from Tom Williams)

The formal training required to operate a spaceship or mecha is inversely proportional to its complexity.

#29 - Law of Melee Luminescence:

(from Tom Williams)

Any being displaying extremely high levels of martial arts prowess and/or violent emotions emits light in the form of a glowing aura. This aura is usually blue for 'good guys' and red for 'bad guys'. This is attributed to Good being higher in the electromagnetic spectrum than Evil.

#30 - Law of Non-Anthropomorphic Antagonism:

(from Tom Williams)

All ugly, non-humanoid alien races are hostile, and usually hell-bent on destroying humanity for some obscure reason.

#31 - Law of Follicular Chromatic Variability:

(from Spellweaver)

Any color in the visible spectrum is considered a natural hair color. This color can change without warning or explanation.

#32 - Law of Follicular Permanence:

Hair in anime is pretty much indestructable, and can resist any amount of meteorological conditions, energy emissions, physical abuse, or explosive effects and still look perfect. The only way to hurt someone's hair is the same way you deal with demons... with bladed weapons!

#33 - Law of Topological Aerodynamics, First Law of Anime Aero-Dynamics:

*ANY* shape, no matter how convoluted or odd-looking, is automatically aerodynamic.

#34 - Law of Probable Attire:

(from various sources)

Clothing in anime follows certain predictable guidelines.

Female characters wear as little clothing as possible, regardless of whether it is socially or meteorologically appropriate. Any female with an excessive amount of clothing will invariably have her clothes ripped to shreds or torn off somehow. If there is no opportunity to tear off the afore-mentioned female's clothes, then she will inexplicably take a shower for no apparent reason (also known as the Gratuitous Shower Scene).

Whenever there is a headwind, Male characters invariably wear a long cloaks that don't hamper movement and billow out dramatically behind them.

First Corollary (Cryo-Adaptability) - All anime characters are resistant to extremely cold temperatures, and do not need to wear heavy or warm clothing in snow.

Second Corollary (Indecent Invulnerability) - Bikinis render the wearer invulnerable to any form of damage.

#35 - Law of Musical Omnipotence:

Any character capable of musical talent (singing, playing an instrument, etc.) is automatically capable of doing much more "simple" things, like piloting mecha, fighting crime, stopping an intergalactic war, and so on...especially if they have never attempted these things before.

#36 - Law of Quintupular Agglutination:

(from Daniel Mikula)

Also called "The Five-man Rule", when "Good Guys" group together, it tends to be in groups of five. There are five basic positions, which are:

1) The Hero/Leader

2) His Girlfriend

3) His Best Friend/Rival

4) A Hulking Brute

5) A Dwarf/Kid

Between these basic positions are distributed several attributes, which include:

1) Extreme Coolness

2) Amazing Intelligence

3) Incredible Irritation

#37 - Law of Extradimensional Capacitance:

(from Jason Bustard)

All anime females have an extradimensional storage space of variable volume somewhere on their person from which they can instantly retrieve any object at a moment's notice.

First Corollary (a.k.a. The Hammer Rule) - The most common item stored is a heavy mallet, which can be used with unerring accuracy on any male who deserves it. Other common items include costumes/uniforms, power suits/armor, and large bazookas.

#38 - Law of Hydrostatic Emission:

Eyes tend to be rather large in Anime. This is because they contain several gallons of water, which may be instantaneously released at high pressure through large tear ducts. The actual volume of water contained in the eyes is unknown, as there is no evidence to suggest that these reservoirs are actually capable of running out. The reason water tends to collect in the eyes is because Anime characters only have one large sweat gland, which is located at the back of the head. When extremely stressed, embarrassed, or worried, this sweat gland exudes a single but very large drop of sebaceous fluid.

#39 - Law of Inverse Attraction:

Success at finding suitable mates is inversely proportionate to how desperately you want to be successful. The more you want, the less you get, and vice versa.

First Corollary - Unfortunately, this law seems to apply to Otaku in the real world...

#40 - Law of Nasal Sanguination:

(from Ryan Pritchard and Jason Aylen)

When sexually aroused, males in Anime don't get erections, they get nosebleeds. No one's sure why this is, though... the current theory suggests that larger eyes means smaller sinuses and thinner sinus tissue (see Law #38 above). Females don't get nosebleeds, but invariably get one heck of a blush along the cheeks and across the nose, suggesting a lot of bloodflow to that region.

#41 - Law of Xylolaceration:

(from Lyndon Harris)

Wooden or bamboo swords are just as sharp as metal swords, if not sharper.

#42 - Law of Juvenile Omnipotence:

(from Erin Alia)

Always send a boy to do a man's job. He'll get it done in half the time and twice the angst.

#43 - Law of Triscaquadrodecophobia:

There is no Law #43.

#44 - Law of Nominative Clamovocation

(from Luiko-Ysabeth and Adrian Hsiah)

The likelihood of success and damage done by a martial arts attack is directly proportional to the volume at which the full name of the attack is announced.

#45 - Law of Uninteruptable Metamorphosis:

(from R. A. Hubby)

Regardless of how long or involved the transformation sequence or how many times they've seen it before, any 'Bad Guys' witnessing a mecha/hero/heroine transforming are too stunned to do anything to interrupt it.

#46 - Law of Flimsy Incognition:

(from Conrad Knauer)

Simply changing into a costume or wearing a teensy mask can make you utterly unrecognizable to even your closest friends and relatives.

#47 - Law of Gravitational Consequence of Velocity on Mammary Glands:

(from Dexyuo-kun)

Any woman's breasts in anime, no matter how clothed or unclothed the woman may be, her breasts have the potential to bounce at least five times every time she moves. Wheather she jumps from a building, runs away from a bad guy, or transforms into her costume or teensy mask (see Law #46 - Law of Flimsy Incognition and Law #34 - Law of Probable Attire).

#48 - Law of the Death Monolouge:

(from Dexyuo-kun)

Believed to be related to the First Law of Temporal Mortality, any character who doesn't die within seconds will ultimately have to give a drawn out monolouge. The character may be a 'Good Guy' who must, very calmly, tell everyone present what they need to do to be able to win the fight against the 'Bad Guys'. This is also used to snap 'Good Guys' out of a trance (also known as the Trowa Barton 90-Second Monolouge). Or, the character may be a 'Bad Guy' who must, through tears, tell everyone present their heartbreaking story of why they became a 'Bad Guy'.

#49 - Law of Providential Endings:

(from Dexyuo-kun)

This law states that in any Anime, no matter how horrible or angsty the Anime might be, has a happy ending. This law ultimately exculdes any and all CLAMP productions.

First Corollary - One of the heros' is wounded (ie. stabbed) and the series ends. Yet, they must always have a sequel to the season, so that it may be known that the injured hero did indeed live at the end, regardless of being wounded horribly. This also applies to any 'Bad Guys' turned 'Good Guys'. They will ultimately live.

#50 - Law of Invariable Coupling:

(from Dexyuo-kun)

The hero of the story must always have a love intrest. The hero of the story must always save their love intrest, possibly multiple times. There will always be a conflict between the hero and their love intrest, wheather it be it an annoying blonde, blue eyed princess who has a tendency to yell out the hero's name and scream for him to come kill her, or a war, there will *always* be a conflict between the hero and their love intrest.

3 notes · View notes

courage-a-word-of-justice · 4 years

Text

Waver 1 - 13 (FINAL) | Prisma Illya 1 - 10 (FINAL) | Prisma Illya 2wei! 1 - 3

Another (and to be honest, the last) batch of impressions from the Fate/ project.

Waver 1

Well, this’ll be interesting. I’ve been hyping this show up for a while for myself, so let’s see how it goes.

Geez, this intro is like a dang movie! I’d love to see a proper Troyca movie! (<-Says the fan of Troyca.)

Wait, if it’s Kayneth Archibald, then is Archibald relatd to Archisorte? Or am I just making thing up here…? Also note Reines refers to Kayneth as “Kayneth El-Melloi Archibald”, possibly meaning Archibald is the middle name, since El-Melloi is a shared surname (or is that a title…?). That probably means Archibald =/= Archisorte and both are similar-sounding middle names. The fact Reines is Kayneth’s niece also explains things quite a bit.

Why is Waver upside down…? Won’t the blood rush to his head soon? (Sure, it allows me to ogle his hair more, but…logic rules more than my stupid whims, y’know?)

Interesting. You can see that although Waver grew out his hair, there’s two layers to it – the longer one in the front and the shorter one in the back. (I’m just curious because I like the hime cut – which is pretty similar - and long hair on dudes in general, in part because both are fairly rare.)

Okay, that explained my gripe with upside-down Waver. Thanks, Reines. (<-genuine)

Aw, Waver buddy, even at this stage, you’re plenty cute. Don’t ever change! (<- As you can see, I am an easily pleased person in most cases.)

Melvin who now???

Troyca’s comic animation rules! It’s too bad Idolish7 Second Beat is using chibis instead of this…

Professor Kayneth. I forgot he had a formal title. I wonder, does Waver - I mean, El-Melloi II – have that title as well?

I guess I should’ve known Saber had the capability to look scary, but…I never knew Saber could look so scary…

*cut to eyecatch* - *points at eyecatch* Okay, someone tried to save budget here, didn’t they???

Aw, friendship between fiction boys is cute…until it involves the puking up on blood on one end.

Waver is the OG underdog here…don’tcha think?

“…with several demands.” – Uh-oh…this is gonna be bad, isn’t it?

You need a Tuner for Magic Crests? (…Like a tuning fork, but a person?) *brow raised in suspicion*

…is it appropriate for me to say “Oh, good lord!” now? (Okay, I did that rather deliberately, but normally in these notes I’d self-censor it to be “oh, goodness” or something like that.)

Seriously, the black-haired dude in the Ionian Hetairoi is my favourite, even if only because he looks like Waver (and he’s really easy to spot, to boot).

Why is this in first person??? I’ve dropped entire shows based on their usage of 1st person cam! Room Mate and Makura no Danshi basically scarred me for life on that front…and both of those are TV shorts!

Hey, wait a second. This “use a quote on the titlecard” thing is clearly an Ei Aoki sort of thing to do. I mean, it’s in ID: Invaded as well…

Waver 2

*new blonde girl appears* - So this is the rumoured Animusphere girl (Mary), huh?

Bounded field, huh? I’m glad I chose to watch F/Z before this, then. Now I actually understand the (rough) mechanics of how that works.

There’s assassins and then there’s Assassins…*thinks about the Holy Grail War*

As it turns out, astromancy is basically astrology.

The one thing that bugs me about “Modern Magecraft” (there’s a similar concept of New Magic in Mairimashita! Iruma-kun) is…how is the magic “modern”…? Especially in a work like this, where the magic is based in arcane rituals and bloodlines…you really need to establish how the “modern” bit works.

Gray is facing away from the Animusphere girl (Mary), I noticed.

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” – Sherlock Holmes – Basically, the fact I’ve memorised this quote is one of the lingering impacts of my time in the Detective Conan fandom, as it can be used on things like quizzes, not just mysteries.

Can we please use proper English, Waver??? (Says me to a character whose name I still find nonsensical enough to not be proper English.) As I said previously, “whydunit” is modus operandi or motive…the new bit is “howdunit”, which would be the method.

I do believe the geocentric model was overthrown by people like Kepler.

Gray kind of looks like Saber with that hairstyle, come to think of it.

With the way Gray hides herself under that hood, it’s no mystery as to why guys love her…at least, I know ThatRandomEditor does. Of course, I’m heavily neutral on the whole affair because I don’t swing that way, but…you know…

LEMPC seems to stand for “Lord El-Melloi Production Committee”, if I’m guessing right.

I seem to remember there was a quote somewhere that said the only constant in this world was change…hmm.

Waver 3

They seem to keep calling Japan “the Far East” (or at least, Japan is part of the Far East). That’s a pretty antiquated term for a supposedly “modern” magic anime. I get vaguely peeved by the term “the Far East” because it causes people to take an oriental viewpoint on things and thus it’s kind of like people from the Anglosphere looking down on Asians. (I also get vaguely peeved by the term “Westerners” for much the same reason and “Caucasians” because it implies all people of the Anglosphere come from the Caucasus, which is false…then again, these niggles are specific to international studies, so I have a vested interest in explaining them.)

…Wow, that star-eyepatch girl is…really something, to be thirsty specifically for Waver’s Iron Claw. (Then again, with my weird tastes in things, who am I to critique her?)

Flitz von Erich. I was surprised to learn this guy actually exists…on Wikipedia, at the very least.

“Any lady should know about wrestling.” – I disagree, Luvia.

Blue furry electrical creature…I dunno how the zoology in this show works, but the fantasy series I’m reading as of the time I was typing this comment has a blue creature called a Raiju (literally “thunder beast” in Japanese, so it would suit the “Thunder” in the episode title). If it’s anything like that, I’d laugh myself silly.

This girl on the poster seems to be called Flan Noir (or something similar).

“…yellow, round, fluffy-smelling…” – What? Svin, you have no right to call a girl those words!

When is this series set if people don’t have phones as a standard? *Googles* Okay, if F/SN is set in 2004, then F/Z is 1994. That would make sense, actually. The internet as we know it was first used in 1995 and didn’t become widespread for home use until a few years later, as I remember having computers in 2004 (albeit the blocky ones with the dial-up).

I was looking at images for the source material and I think I know why I like Waver (aside from the fact he has long hair). Normally I like the boys whose appearances are hard to get right, such as En…Waver in the novels and manga for this series sometimes looks grumpy, sometimes he looks constipated and worst of all, sometimes he looks like Snape with a hook nose.

Okay, so I googled Caules to figure out who his sister was…and I got Apocrypha spoilers. See, his sister is Fiore, who is apparently in that series.

The videos got encoded funny again…

There seems to be a mystery around why Svin and Gray can’t be together…well, one deeper than just “Svin is gaga for Gray [for reasons we don’t know at this point in time]”.

Ha, the El-Melloi Class is basically just the Misfit Class from Mairimashita! Iruma-kun.

“Only the flesh was bitten off.”

This Jupiter gibberish, I assume, is drawing upon the mythology of Jupiter – that is, Zeus – as the god of thunder and king of the gods (thus presiding over living beings).

The English is good on the bill, bar a space between “Mystics of magecraft”.

Norwich is apparently a “faculty” which the Modern Magecraft Theories guys – i.e. Waver – rule over.

Can you imagine Waver swearing? Since I had the volume off, I basically made him say “…if Sir Gueldoa had resorted to brute force, we would’ve been f***ed” in my head…and that was hilarious.

Aw, thanks 7Mononoke. “A cowardly thief sneaks away in the night. If you stride away, bursting with song, you are a conquering king.” That’s a quote from Rider himself.

So the Association has set positions for Masters in the War? Geesh…that must be hard on Waver to find out they’re closed, considering how much Waver pines for Rider.

Waver 4

I finally got the chance to listen to the ED last ep and now it’s the OP I can hear properly. This OP isn’t particularly impressive, considering it’s an instrumental (instrumentals always seem to have less impact for me unless I’m looking for something to chill to), but it does capture the London-esque spirit of the setting very well.

What’s up with this metal (?) maid off to the side, anyway?

“Good thinking to leave the door open…” – For some reason, even though it’s a completely different and much more benign context, this made me think of KyoAni and my heart sunk.

Atrum Galliasta…I hate that man. He may look hot, but he was nothing but a b*stard to Medea.

Bolo ties…nrgh…Basically, ever since Arima wore a bolo tie, I’ve become fairly bugged by them. That’s why Bram’s bugs me.

Aw, Waver, buddy, plase don’t sacrifice yourself again. I read on the wiki you become a Servant’s vessel (specifically for Zhu Ge Liang), so keep your hopes up.

I’m seriously feeling ID: Invaded vibes from this episode, what with the lightning.

I suspect a locked room murder is going to happen soon, knowing the genre. Either that or some other crime.

Considering Fate/ was an eroge-based thing initially, these sex jokes…there’s probably plenty of them out there.

Well, it seems this series only makes sense in that non-Detective Conan way, i.e. you want to know how it all comes together and can’t necessarily figure it out for yourself until you know how the magic works. I’m randomly going to guess this is more Jupiter-based stuff and call it a day on that front.

Seriously, I never got what was up with nightgowns (or just pyjamas in general) having hats. You don’t need protection for your head at night…that’s what pillows are for, yeah? (The only reason I see a hat-like thing working with nightwear is a onesie and that’s meant to be part of the inherent appeal of the thing.)

Waver 5

I feel like Adashino is meant to be an Irene Adler-type figure…

“Peaceful Fairys” (sic)

Where did Kairi’s scar come from…?

The Black Dog was in Mahoutsukai no Yome as well, but this one looks a lot less inviting, huh?

It seems, like the name Rail Zeppelin implies (as “Demon Eyes Collection Train”), most of the people involved in this case have Magic Eyes (or whatever they’re actually called). I wouldn’t be surprised if Kairi had them as well, considering he’s wearing dark glasses in the middle of a thunderstorm.

“King Arthur is a dude, right?” - *laughs madly* They finally managed to parody their own bulls***! (Well, I’m not counting Carnival Phantasm or whatever else because this is the first time they threw a meta joke in there in the whole of this project, as far as I can remember.)

Trimmau seems to be the maid’s name…huh. They never mentioned that earlier, I don’t think.

So what’s the difference between Fairy Eyes and Mystic Eyes?

Wait, does that even work…? The entire house is the murder weapon? That’s basically breaking the “secret passageway” thing on a larger scale.

So what’s Trevor’s motive…?

The dogs running towards the Workshop reminded me of the Hunger Games for some reason…must be the climax.

That fairy isn’t emoting much…

Oh cra-Wills is going to sacrifice himself, like Adashino was going to do! That’s the second time I’ve seen that in 2 days (the first was in the Hypnosis Mic manga about the Dirty Dawg).

Uh…Waver’s not particularly fit or fast, is he…?

Can you be paid for your case if your client is essentially dead…?

Adra? I read around and Adra seems to be a way to spell the location (or whatever it is) in the first case…which got adapted into a stage play, but not an anime. That’s probably what he’s (Waver) referring to.

Notably, the title is translated to “lance” but yari means spear…

Waver 6

I seriously wanna slap that pink-haired girl…Update: Her name is Yvette.

This is basically Gray fanservice…

If Gray = Saber and Saber =King Arthur…hmm…does it count as a girl’s party?

Homeland? Since Britain is Saber’s (aka Gray’s) home country, I think they meant “hometown”…I’d hav to listen to the Japanese to make sure, though.

I still think Waver is a stupid, or at the very least false, name for a boy, especially if he did come from Britain. That’s basically my one limitation on him as a husbando.

The red bit of the eyecatch was shapd like an eye…it did catch eyes in a sense, after all.

So Trimmau is sustained by magic.

Locked-room…or rather, bounded field…mystery time!

Luvia did mention wrestling in another episode…

I had to google that, but the Separation Castle is from the Adra case mentioned in episode 5. No wonder I don’t remember it…

“Are you suggesting there were faults…” (from Luvia) - Ooh, I was thinking the perpetrator was caught inside their own bounded field or maybe it was an outsider, but that works too, Reines.

Add calld Luvia out for her extravagance, LOL.

Catch-as-catch-can appears to be “no-holds-barred fighting”, particularly wrestling.

That case was both informative and possibly solveable by the audience. Both good qualities for a mystery.

If you summon the spirit again, is it the same Rider with the same memories? Or can you summon a different version of the same Rider with amnesia, much like Rin did with Archer? Update: Oh yeah, I did read this on the wiki at one point but then forgot about it. The next episode (7) confirms that Rider wouldn’t remember Waver if he were summoned again.

Waver 7

…C’mon, admit it, show. The glasses are not only there for plot reasons but to up Waver’s status as megane boy for the rest of this case. Not that I mind – I actually really like megane boys, but I’m nowhere near the love of Meganebu – but in the case of plausibility, I wanna poke holes into it.

Auction for which Mystic Eyes now…?

There’s a guy…with an elephant head…I know I shouldn’t be bugged by it, but I need the MST3K mantra right now.

This is gonna be a Murder on the Orient Express thing, isn’t it? All cases set on trains seem to take cues or make homage to it. (I may not be that proficient on Christie in comparison to Holmes, since Holmes was Conan’s inspiration, but Murder on the Orient Express I have read and I did secure an anthology of 4 Christie novels at one point specifically so that I could improve in this area.)

The main series never explained the bad blood between the Church and the Tower, did they…?

*sweatdrop* Let me guess…when Yvette mentions “multiplay”, she means a threesome, right?

How do anime people see out of those blindfold thing, anyway??? (Or is it that Leandra has Mystic Eyes that were sold off or otherwise tampered with?)

I believe the word is “palate”, Kairi (or subbers).

Anime characters being bagworms with their blankets is always appealing, no matter the gender. It’s funny and/or relatable, after all.

Does Gray get motion sickness…? Update: Seems I spoke about a minute too soon. She does.

Waver 8

How does Waver know that Adashino got the documents about the train? Is it because she was in all those places at all those times and he connected the dots?

This lady has heterochromia. Specifically, one is brown and the other is blue or green.

Hmm? I thought the character design was familiar for this. As it turns out, Jun Nakai (who did the character design for this) also did Gate’s, which explains it.

Dionysus is the Greek god of wine, IIRC. Hephaestion is, as (s)he explained, the confidante of Alexander the Great (had to google this one).

It’s hard to see before the brightly-lit scene where Olga reappears, but as shown, Waver seems to have cut off part of his forelocks on the left side.

What’s an Odo???...ooh, fanservice…*ogles*

The summoning of Hephaestion and Trisha’s murder may or may not be related…we just don’t know how, yet.

I think a Detective Conan Murder on the Orient Express-style mystery would be a good video ga-*googles* There’s at least one of them out there already (albeit only in Japan)...namely, this one. Spoke too soon.

Oh yeah…this is Olga’s new room, isn’t it? I almost forgot about that.

Update: I think this look at the Adra Separation Castle case is interesting. It’s similar to posts I would write, but done by a professional – namely Richard Eisenbeis of Kotaku and Anime News Network.

Waver 9

So if there’s a Servant…you have to find the Master.

Olga reminds me of Reines…kind of.

LOL, whoever thought of a zombie cooking show…?

This series really goes all-in on the zombies and the fake-outs thereof, huh? Dangit, Melvin, don’t scare us.

Melvin has a really odd relationship with Waver, huh? If you’re really insisting you’re “the only person to ever be able to hurt Waver”, I don’t quite see how you guys can be friends in the normal sense of the word.

Why would someone have a violin at a time like this…?

Interestingly, they don’t bother to do any fanservice of Caules. That scene with Gray and Yvette was fanservice for those who like them, but the only guy who’s getting to do any fanservice in this series is Waver himself…(what with him being naked and knocked out right now.)

“Sibyl” seems to be a synonym for “virgin”…(*whispers “Awkward…”*)

Update: After reading some of Marth’s posts on this series, I’m inclined to call this “Murders on a Train (with an Exploding Helicopter for Good Measure)”.

Waver 10

For some reason, there’s episode 0 – 9, then 11 – 13 on the service I’m using. Where’s 10?

I think Waver’s relationship with Rider is interesting because of the way I think of relationships myself. Waver has made it clear that he wants to see Rider again so he can basically prostrate at his feet all over again (and maybe win a wish and/or see Oceanus while they’re at it), but – hey, hear this! - I used to believe, when I was still an impressionable kid, all relationships, whether they be between friends, family or even lovers, lasted roughly in the same state basically forever (as in, friends stay friends forever, they’ll never be so far apart that they can’t kep their relationship alive etc. etc.)…Obviously, I was wrong and arguably, this change in thinking, plus the related changes in technology, are where my ability to fleetingly but passionate love both 2D boys and the series they come from comes from.

Wait, so the Child of Einasshe (sp?) is the forest, yeah? I don’t think I got that 100% straight.

I never thought the shield form of a Mystic Code could be used for snowboarding down a mountain/hill…whatever Gray just went down. I didn’t even know Add had a shield form, for that matter.

“[U]sual individual” – LOL. What a way to refer to Waver.

“Wait a minute!” – I’m just imagining Phoenix Wright all of a sudden. A Waver legal mystery series would be boring as all get out – I’m far less interested in the courtroom versions of mysteries and more interested in how the pieces fit together. (Update: Then again, I am a person who likes the action genre and courtroom mysteries don’t have much of that, which might also explain my choice.)

“…lacking the element of motive to begin with.” – Well, Waver’s not wrong…

I’m observing this apple and noticing someone skimped on the detail around the stem. Does anyone still remember Art Academy for the DS? After looking at some promo material for it, I basically learnt how to draw a proper apple (and nothing else, really). If an apple is just drawn as a circle, it doesn’t quite look like an apple up close. (Two of the main things I screw up on when drawing are perception and the colour of highlights, both of which are covered in something like an apple stem and the related indent.)

Oh goodness…I was hoping Karabo would keep his vision (or actual eyeballs)…but that’s gruesome.

I’m guessing, based on the wheelchair, that Waver’s still paralysed or otherwise not able to move around like normal. Update: Spoke too soon.

Someone encoded the video funny again…

Waver 11

What was that crossword thing…? A warding spell of some sort?

Is that an owl in the back?!

Stealth fighter…Rider wanted on, didn’t he?

Every time he appears on screen now, I basically curse Melvin. He’s entertaining to watch, sure, but he’s annoyingly prodigal (= wasteful). He’s basically Dice from HypMic at this stage (aka he’s the sort of person who’d bet away his own clothes, given the chance and incentive).

Look at the way Waver’s hair drags behind him as he walks…it’s gorgeous…

“Residual Image” (as translated in the title) is literally “the left-over image” (zanzou). Not surprising, but I find the exact combo of characters used interesting since it could be short for “nokoru eizou” (where the nokoru’s character is read as zan in the combo, as you can guess).

Waver 12

Wow…this series really pulled something out of its butt this time, huh? “The guy without a heart”…no viewer would’ve known that actually referred to a character called Dr Heartless unless they knew of his existence somehow (the closest they would’ve been was having an inkling that this pointed to a name of the culprit).

There is an owl in the back of the auction room!

Ay? So what the heck is Pandemonium in this case?

“dotard” – Turns out this means “an old person, especially one who has become physically weak or whose mental faculties have declined.” You can’t say I don’t enrich my vocbulary through watching anime, huh?

I’m still wondering…why adapt case 7 of this series (Rail Zeppelin)? Why not case 1 (Adra)? Update: I don’t know where I pulled the number 7 from, since this is volume 4 – 5 of the series. Apparently some of the cases were anime-original though.

Waver 13 (FINAL)

Oh, Flat, you stupid…

Waver’s exasperated faces are great. No wonder Reines likes to toy with him…

I can assume Rail Zeppelin is a Ghost Liner, yes?

Can I guess that Adashino ~likes~ Waver…? Update: Turns out that’s not quite the case.

Ooh, Waver without his shirt is se-okay, I’m getting distracted. Seriously though, Waver never showed his Crest in F/Z. I never even knew what it looked like until now! The fact it’s such a simple design in comparison to his Command Seals is…kinda underwhelming, really.

I think there’s a bit of a pattern between Jakurai (from HypMic) and Waver…namely, they suck when it comes to drinking. (Also, of course, the long hair. Don’t forget it, never forget it.)

Shut up, Add!

For some reason, I felt like a lot of that last part, while getting closure for Waver, it almost had connotations of “I’ll meet you on the other side, Rider”…so it felt kind of sad, to be honest. That talk between Reines and Olga I don’t think I’d understand without Apocrypha and Grand Order, but I guess that’s to be expected in such a huge franchise. Anyways, moving right along!

Illya 1

I’ve been a bit worried about what I’ll have to subject myself to for the sake of Magical Girls…

Was that…Taiga?

Who’s Liz…?

Okusama, huh? (Okusama = someone’s wife, although it seems to be used in the plural here since I don’t think Kiritsugu and/or Iri are dead in this timeline.)

The subs I’ve got say Shiro is adopted here too (when it’s not in the Japanese), although I wonder exactly how much of UBW is going to be true in this anime…

Hmm…a bit of digging reveals Luvia’s not a Master. So throwing out Lancer is really just a joke on how Lancer gets roasted early on in Grail Wars, right?

Uhhhhhhhhhhhhh…squick, much…(Thank goodness the source I was using edited out the loli fanservice, so I can tolerate this series a lot more…but still, suggesting you have a romance with your step-brother, even if it’s known you’re not related from the beginning, is…you already know my feelings on that, based on my reaction. Shiro is, what, 15? About twice Illya’s age!) Update: Okay, so he has no confirmed age in Prisma Illya, but he’s 17 in F/SN so I’d assum the same or similar, seeing as he attends the same school. It’s fine if it’s platonic, but this is clearly an Onii-chan, daisuki! thing the likes of which Oreimo throws down! Thank you for calling it out though, Ruby.

Oh my gosh, this looks like the Rhongomynaid (Detective Waver) and Excalibur (or whatever Saber’s Noble Phantasm is called) summoning beam! LOL!

Ruby, you lech! Don’t go praising the angles! *shakes fist* (Seriously, what if magical girl mascots were paedophiles…? *blank face* Welp, considering what’s out there on the internet, I wouldn’t be surprised if a hentai or something had such a concept.)

Hmm? Turns out the word for Servant means something like “celestial hero”. Makes sense.

Nice callback to Saber and Shiro!

Illya 2

I thought Illya would say that her parents are dead…turns out the show’s not that grimdark (to the point where it wouldn’t set the show after Kiritsugu and Iri’s deaths), huh?

Do the sticks have a gender? The subs said “she” for Ruby…

LOL, it’s Rider. I thought Lancer was gonna get his butt kicked all over again (thinking more along the lines of CCS).

It’s Gay Bul-I mean, Gae Bolg! (I’ve been reading TV Tropes again…can you tell?)

This episode was pretty pedestrian. I like it more than the first one.

What’s up with the CGI…?

Oh! Bunbun, who does Yuki Yuna! Update: They only did the illustrations for some of the series. They also did SAO illustrations, although that’s of less significance to me.

Illya 3

The sticks do have genders!!! That’s like claiming Jesus for kakera with Mudae! (Yes, that’s possible. I got him in one server.)

The power of fujoshi…is amazing! How did it get to a girl who’s so young?!

These angles are a bit disturbing…

“Casao”, LOL.

Magical girl nakama, huh?

Illya 4

MST3K mantra!

Whose quote is that again…? “Don’t think, imagine”? Update: It turns out to not be anyone’s quote at all, if Google results are to be believed.

Uh-oh! Saber Alter!

Illya 5

Padding the episode already…?

The mist is a quality of a Berserker, right?

Geez the angles piss me off…

These sticks have brains???

Can you call it teamwork if they’re always complaining about each other?

Illya 6

More padding…

Illya’s UBW!

Geesh, that last-minute shot of Rin and Luvia popping out of the ground scared me for a bit…

Illya 7

*sigh* It’s the sick episode…

I recognise the vacuum cleaner. I have the same one at home.

*sigh* Random fanservice of elementary school girls. This is what gives anime a bad name.

*Sapphire pulls out a USB port* - Ohhkay, is that stick fanservice, in a sense…? Because that’s awkward too.

Maids went out of fashion years ago…

“Lyrical Radical Genocide” - I think this Lyrical Radical things is parodying Nanoha.

Based on the cloak, it’s an Assassin.

“Listen, if you aren’t careful, you’ll die!” – Yep, because people die when they are killed. I almost missed that meme for a bit.

Illya 8

Illya’s still reeling from Miyu’s talk, huh?

I noticed it said tomoda(chi) in the background at one point.

Does Miyu exist in any of the alternate universes?

Ah, there’s yuujou (friendship) in the background as calligraphy.

I think the video got encoded funny again…

Geez, complaining about boobs? The series got worse…oh, I forgot Shiro was around in this series.

…who’s left? There’s been Saber, Archer, Lancer, Assassin, Rider, Caster and…who? Berserker, that’s who.

Illya 9

Ohhhhhhhh brother, not more bath scenes…

Iri looks almost exactly like she does in the Eiznbern Consultation Rooms! (I found those around and watched them today.)

Thank goodness the fanservice is censored…

I never realised Berseker had heterochromia until now…

One thing that I assume makes Saber’s outfit look nice to thos that like girls is the window in the top…but it goes to waste on Miyu, LOL.

I find it interesting Illya has all these concerns – the ones (or similar ones) Iri harbourd in F/Z.

Hey, the bridge! This is the bridge where Rider dies inn F/Z, yeah?

The ED looks different this time…

Illya 10 (FINAL)

E-Eep…loli fanservice…

Now Miyu is basically what Waver is to Rider, no doubt about it.

Bulls***! Speak of the devil! I was wondering what Waver looked like in the Illya style, because I read on the wiki he makes a cameo in season 2, and…here he is. Didn’t expect him in season 1, though.

Another new ED animation. I find it interesting they’ve never once had to recast any VAs throughout the entire existence of Fate/ anime…not that I know of, anyway.

Hiroyama Hiroshi is the original Illya creator.

Okay, that’s the end of one season. I feel kind of fatigued since I finished the Eiznbern Consultation Rooms today as well, so I’m going to take a break from watching more Illya until it’s necessary to watch again in a few posts’ time.

Now that they’ve collected the cards, I’m wondering what the series intends to do next…

Illya s2 Pt 1 Ep 1

They clearly skimped on the budget when Shiro was leaving the house…

I keep forgetting Illya is meant to be German…

That bad English…is actually there in the ep. title…

Oh great…schoolgirls talking about erotic swimsuits…

This s*** is what you call “Class-S”! I have no interest in it, because I don’t swing that way! (Sorry, yuri fans…)

The problem with series that aren’t 100% made with you in mind is that your favourite characters might look ugly…that’s especially the case with En, Jakurai and Waver.

Ryudou Temple, eh? Let’s hope Assassin still looks good.

I don’t think I’ve seen that before…namely, being able to hear what’s going on outside the transformation while it’s happening.

Now this 2 Illyas thing…this is new, alright.

Illya s2 Pt 1 Ep 2

LOL, what a horoscope.

Truck-kun! I don’t think Illya would make a good isekai protag, come to think of it.

Who is this nurse? I feel like she’s from some other part of the Nasuverse… Update: My guess was right. That’s Caren Hortensia, protagonist of Fate/hollow ataraxia and Kirei’s…uh, daughter. I know he had a wife. We never met said wife, but seeing the daughter really drove that fact home.

Uhhhhhhhh…okay, now the lesbian loli scene just made things go off a cliff for me. I’m not against lesbians or yuri – to each their own – but that scene was clearly meant to be pleasing to a certain audience.

How does anyone kill anything gently…?

Ohhhhhhkay, strike 2 for loli fanservice.

I seem to remember…that’s right, Alice from the [something] no Kuni no Alice series was evaluated on her coffee-making skills (by Julius, I think it was). That’s why I’m thinking of Alice when I see Luvia praising Miyu on something similar.

Wa-hey! It’s Rin’s Azoth dagger!

Well, the mechanics of the transformation are also something you have to think about. I’ll give the show kudos for that.

Illya s2 Pt 1 Ep 3

Can we not with the whole “Onii-chan, daisuki!” thing?! That’s it! That’s the last straw! I’m finishing this episode and aborting early so that I can preserve my dignity…and get some proper sleep for once.

The fact Miyu thinks Shiro resembles her brother must not be a coincidence…(I’ve become far too Fate/ savvy, haven’t I?) Update: It seems I was right. Apparently, Miyu was taken in by Kiritsugu in a certain universe, but apparently this is a bunch of spoilers.

Genki na aisatsu was in the back.

This is just getting worse and worse…

So now Kuro’s name is Kuroe (Chloe), huh? Anyways, good riddance, loli fanservice! So long! I won’t miss you one bit!

#lord el-melloi ii-sei no jikenbo #Lord El-Melloi II's Case Files #fate/kaleid liner prisma illya #Fate/Kaleid Liner Prisma Illya 2wei!

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violetsmoak · 4 years

Text

Pieces of April [5/?]

AO3 Link: https://archiveofourown.org/works/21099044/chapters/50202530

Summary: On the anniversary of his death, Jason’s second life takes an abrupt new turn and he’s faced with a challenge that neither Batman nor the All-Caste prepared him for.

Rating: PG-13 (rating may change later)

Warning(s): Past Jason/Isabel, kidfic, minor canon character death (pretty sure you can guess who, not either of our boys!), I’ll add more warnings/tags as I think of them.

Canon-Compliance: Takes place in between the two RHATO series, so after Roy and Kori and before Artemis and Bizarro.

Author’s Note: And now, for a change in POV!

First Chapter

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Of course, right after Jason leaves, the baby wakes up.

And starts to wail.

Tim freezes, all of his reflexes seemingly dissolved by the unyielding sound that such a tiny creature should not be able to produce.

Whatever Jason said about him being calm, in actuality, he’s completely freaked out over this whole baby thing.

Over the whole Jason’s baby thing.

This whole situation is just not in his area of expertise, nor does it require any of his previous training. And he can’t really see a situation where, on the infinitesimal chance Jason decides to give up vigilantism and become a stay-at-home-dad, he’d ever ask Tim of all people to babysit.

But then, right now, Jason’s not here.

The nurse from earlier returns, offering him a sympathetic look.

“It’s about time for her next feeding,” she tells him. “Do you want us to take her, or would you like to do it?”

Take her, please, Tim wants to say but bites his tongue.

He wasn’t talking out of his ass when he acknowledged that babies needed to be held. Human contact is good (even if that wasn’t basic medical knowledge, his own semi-neglected childhood can attest to that) and he all but volunteered himself for this to help Jason. He should at least do what he can.

Holding down the fort apparently includes holding down the baby…

“If you could just show me…?” he suggests, a sheepish smile pasted on and hopefully hiding his inner unease.

As expected, the woman’s expression turns into a mixture of amused and charmed. She chatters, motioning for him to take the chair Jason was sitting in before; Tim sits and lets her arrange the baby in his arms, showing him a light, gentle rocking motion to try to calm her.

“I’ll be right back with her formula,” the nurse says, though Tim barely hears her over the furious wailing.

He squints down at the scrunched-up face, trying to figure out how he ended up in this situation. Also, what exactly possessed him to call Jason his partner?

Because it’s the first believable thing to come to mind that didn’t involve spontaneous resurrections?

And technically, it’s even true. Sometimes.

And he was worried about Jason.

They may not be brothers, but they are family, and with that comes a certain awareness of each other. He knew the minute he saw Jason outside the dive bar that he was freaked out. He decided he would help him then, and he’s not about to back out now even if things have become way more complicated than anticipated.

The nurse returns with the bottle of formula, and as soon as she’s explained how to properly position and feed the baby—apparently there’s more to it than just sticking a synthetic nipple in her mouth and waiting for her to chug—and prevent gas, she vanishes again.

To allow them “bonding” time.

Not what I thought I’d be doing when I got up this morning…

Tim’s done the baby thing before—sort of. But Steph’s daughter was bigger when she was born. Jason’s is tiny, and Tim is half expecting her to break into pieces before his eyes. Whatever manufactured confidence he had before, had been in the moment—and mostly for Jason’s benefit.

It had been imperative to get the infant out of the other man’s arms while he was clearly on the verge of a panic attack. Especially since no one ever knows how a cornered Jason Todd might react.

Not that I think he’d ever hurt an infant, but he doesn’t exactly process shock the way normal people do. It never hurts to have contingencies.

As he watches the baby guzzle her formula with surprising gusto, Tim finds himself going over a mental list of things that have to be dealt with if they’re going to get through life’s latest curveball more or less intact.

Paperwork for the baby. Arrangements for the mother’s body.

Isabel Ardila.

He knows her name only from the files as the woman Jason was seeing prior to the Joker’s last assault on the bats. She was caught in the crossfire, forcibly dosed with heroin to play on Jason’s past traumas, and following her recovery, ended things with Jason.

Or Jason ended things with her, Tim’s not sure. He never asked and he doesn’t intend to.

However it ended, clearly there was enough estrangement that she didn’t bother to tell Jason he was a father. It’s a decision he can, unfortunately, imagine the reasons for, even if he’s not sure he agrees with them.

Not like we can do anything about that decision now, though.

The baby slowly goes limp in his arms, and Tim has a brief moment of irrational, paranoid panic—has she been drugged?—before realizing she’s just fallen back asleep.

“Right. Because that’s a normal thing that babies do,” he murmurs to himself, and carefully maneuvers himself over to her crib to put her down on her stomach, like he’s seen in countless television commercials.

Then, uncertain, he pulls his phone out of his pocket and does a quick internet search, balking at the sheer amount of SIDS related articles, and scoops her up again to reposition her on her back.

Should probably tell Jason about that when he gets back…

Assuming Jason comes back.

Or even wants his help.

Which, Tim decides, he’ll offer anyway. Though that may mean playing to his strengths more than anything, preparing for every eventuality and having a series of back-up plans.

He highly doubts Jason’s thinking of any of that right now.

Phone in hand Tim begins typing quickly, pulling up tabs in his search engines for whatever concern pops into his head as he reads.

He suspects Jason is too uneasy about the whole situation to want to keep the baby, so Tim’s going to have to research adoption agencies through official and unofficial channels.

Open or closed, not sure what option he’d go with.

And then, there’s always the small chance he will keep his child. It’s a possibility that seems as likely as Bruce’s sudden predilection for joining the Russian ballet, but stranger things have happened in the family.

He skims through several forums and advice blogs for how to care for a newborn, makes a list of important supplies they might need in the immediate future and forwards it to Tam.

It’s several minutes later that his phone chimes, notifying him of her list of replies.

- Why the hell did you send me a list with diapers?

- Is this for a baby?

- Omg, did you kidnap a baby?

- Is that a thing that happens?

-First ninjas, now baby-napping?

Tim sighs and rolls his eyes. Normally he’d find her bemused and slightly-panicked responses a little amusing, but he doesn’t have the energy to go into details, even if Jason hadn’t sworn him to secrecy.

-A friend of mine has an emergency. Drop everything off at my apartment, please.

There’s a beat, another chime, but Tim doesn’t get a chance to read the message as his screen suddenly switches. The air is filled with a generic ringtone that Tim hastily mutes, eyes flicking to the baby and back to his screen. The number flashes ‘Unknown’, but Tim recognizes the number from earlier that day.

He stands, wanders away from the crib to answer quietly. “What is it, Harper?”

“Jay called me,” the older man says without preamble. “Told me everything. About the kid, about Isabel.”

“Yeah,” Tim agrees quietly. “I’d say shock is an understatement.”

“No shit.” He sighs. “Listen, I talked him down as much as I could, but the rest is on you.”

“What? Why?”

“He says you’ve been helping him.”

“For now, until someone more qualified comes along,” Tim retorts, implication heavy in his voice.

Roy catches it because he lets out a bitter laugh. “Sorry to burst your bubble, bird boy, but that ain’t gonna be me.”

“What are you talking about? You’ve been in literally the same situation.”

“And I can’t right now. So I need you to be there for him.”

“He needs his friend,” Tim argues. “And he’s made very clear I’m not one of those.”

“Then you'd better become one fast, because I can’t.”

“Why the—” Tim’s eyes flick to the infant, and he can’t help giving in to the impulse to censor himself, lowering his voice, “—heck not?”

“Because I’m in a bad place right now,” Roy snaps. “I’m not in a good way for being around a kid, okay? I…” He pauses, like he’s weighing something, and then exhales. “I…fell off the wagon again.”

Tim's stomach sinks.

“Roy…”

“Don’t tell Jaybird,” Roy orders. “I just…I need to sort myself out before I can be any kind of help for him. I show up there now, I’ll just add to his problems.”

“But—”

“This is you being tagged in, okay? Don’t fuck it up.”

There’s a harsh click in Tim’s ear, leaving him listening incomprehensively to the dial tone for several seconds.

“Are you…are you kidding me?!” he hisses after a moment, only just refraining from throwing his phone across the room in frustration.

He didn’t realize before Roy’s call just how much he was counting on someone else to step in and take over in the emotional support department.

I’m not cut out for this. This sort of thing…it should be Dick. Or Alfred.

He spends the next hour once again reviewing what he did to get roped into all this.

When Jason comes back—and something inside Tim unknots in relief that he did come back—he’s as ashen-faced as before. This time, though, there’s a determined set to his shoulders.

They stand and stare at each other in silence for a good five minutes before Tim realizes Jason’s waiting for him to speak first.

Right. Tagged in. Let’s do this. Ease into it.

“So, what are you going to do?”

Tim winces.

Yeah, that wasn’t exactly subtle.

Jason doesn’t seem to notice the awkward, though.

“No idea,” he replies heavily, leaning against the doorjamb and letting his head thunk lightly against it.

“Social Services is obviously an option.”

“No way in hell,” Jason snaps, straightening up and looking fierce. “I don’t trust them. And you can’t tell me with all the Wayne resources you’ve got access to, we can’t find something better.”

Tim expected that. He might not have had the exact same harrowing experiences with foster care as Jason did, but his very brief stint left him with a hint of that same disillusion with the system.

It’s not something I’d wish on any kid, least of all Jason’s.

“We can look into it. Organize the best possible adoption scenario without dealing with Social Services. There are actually a lot of couples in the community who would be willing to adopt.”

“No. This kid isn’t growing up anywhere near capes or masks or stuff like that.”

Okay, that’s understandable. It also makes it less likely he intends to keep her.

“Whatever we do, it will take some time,” Tim cautions. “Placing a child with a family isn’t going to be as easy as sticking someone in Witness Protection.”

Jason snorts and shakes his head. “Only you would think that’s easy.”

“So, now that that’s figured out—what are you going to do once the tests are finished?” Tim asks, focussing on the practical. “I don’t find a family within the next day or so, you’re going to need to bring her somewhere. Assuming you’re adamant about keeping the rest of the Family out of this?” That receives only narrowed eyes in response. “Stupid question, sorry. But she’s going to have to stay somewhere until then. I wouldn’t recommend leaving her here at the hospital, for a number of reasons.”

Jasons frowns, thoughtful. Then,

“I’ll keep her for now,” he decides with a heaviness that Tim suspects is caused more by fear than dislike of children. “Until we find a better place for her. Some family that won’t mind doing this in private.”

“Okay,” Tim nods. “On that note—where exactly will you take her?”

Jason falters, looking like he’s not entirely sure what to say to that.

“I…my safehouses aren’t exactly babyproofed.”

“I don’t think that’s an issue until they start crawling,” Tim replies, trying for humor but the very idea sparks another flash of panic in Jason’s eyes. He’s looking at Tim now with something dangerously close to expectance, and a realization hits Tim.

He doesn’t want to be alone with this.

And it’s the fact he’s never seen Jason look so vulnerable that sparks a truly terrible idea.

I’m so going to regret this.

“I have a spare bedroom,” he offers, earning a sharp glance from Jason. “Just until you wrap your head around this and figure out the next move.”

He half expects Jason to scoff, or laugh in his face or say something insulting.

It’s decidedly worrying when the only thing that happens is Jason’s shoulders slump and he nods.

Jason’s shoulders slump, and he nods.

“Yeah. Yeah, that would be…good. Thanks, Drake.” He pauses, considering something, and then adds, “Tim.”

Next Chapter

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#jaytim #jaytim fanfiction #babyfic #accidental baby acquisition #enemies to lovers #Tim Drake #Jason Todd #Baby!Todd #coping with big news #eventual slash

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