#(yes this is regarding the previous two posts)

[supercantaloupe]

i don't think monocrhomaticism in a dramatic production's design is necessarily a bad sign but it does make me a leetle suspicious going in

[veiljumped]

Turning off Discord's New Mobile Layout [OUTDATED]

EDIT (Oct 22/2023): This was originally posted on Sept 8/23 and since then there are some people saying that the option to turn off the layout is no longer there. Currently I no longer have the option to turn the new layout back on so I'm not entirely sure where Discord is going with this. I still encourage everyone to leave Discord feedback regarding their opinions about the layout. (end edit).

EDIT (Dec 6/2023): Discord has started rolling out this new mobile layout permanently along with some other changes (such as adding the 'Midnight' theme for OLED screens, though how it's different compared to the previous OLED theme is unclear). The changes are discussed in this blog post as well as this YouTube video. Discord has acknowledged on Twitter that the new layout will "take some getting used to" but that the original mobile layout is no longer available.

As turning off this feature is no longer possible I have disabled reblogs on this post.

If you do not want this new update, and have not received it yet, you may need to consider disabling auto-updates in your app/playstore. For those already affected, some people have suggested that downloading an APK of an older version to get around this but I don't know how that works or how to do that so please don't ask me.

If you have any thoughts on this layout change I recommend sending them through Discord's Feedback forum as there is nothing that I personally can do about it.

The original post is underneath the read more. (end edit)

(Note: Discord themselves do have instructions on how to turn it off but it's buried at the bottom of their blog post about the change).

In case anyone else gets stuck with this garbage update, here's how you can turn it off:

In the bottom right corner there is now a section labelled "You".

Tap the "You" button to open the tab. This should bring up your Discord profile. In the top right corner there should be a little gear button for your Settings.

Tap on this to open the Settings up. You will need to navigate to your "Appearance" settings. Now there are actually two ways to do this now.

As normal you can scroll down to the Appearance section of the Settings:

Or you can utilise one of the actually useful things included in this update: The search bar. Yes, with the new layout you can type in the setting you're looking for instead of scrolling through them all.

Once you open up your Appearance settings you will need to scroll down until you find the section for the New Layout.

Tap on it to disable it and viola! You should be back to the old (and, in my honest opinion, more usable) layout. After turning it off you will be prompted to leave some feedback regarding your experience with the new layout, do with that what you will.

[ladybyakuya]

| ALL I WANTED + GOJO SATORU .

+cw. — female!wife!reader x clan-head!husband!(sub)!gojo satoru, arrange marriage, hurt, angst, canon typical elements, smut, f!masturbation + m!masturbation & orgasm interruption.

+wc. — 2.3k

+syn.— satoru comes home from a bunch of missions only to find his wife in their shared bedroom not wanting him, or waiting for him but busy seeking pleasure that was his share to pour into you.

+notes. — special thanks to @gojoest for hyping me up with this idea. & thanks to @sugurouge for beta reading otherwise this never get posted lol | redirect to blog navigation.

The current head of the clan you belong to, your father stands facing his back to you. He is now the housemaster, not your father. “You’re going to be married,” said he, as his palms remained tightly clasped at his back while he looked out through the window. What you once called home became a distant memory in an instant. “You’re going to be married—” as his face turned towards you, “to Gojo Satoru.” you could figure out why he was looking away. “That monster!” he screams tears streaming down his face as his lips tremble in rage and disbelief; how of all people did the marriage broker who has been his friend for a long time have even agreed with such a decision? The thought of him suggesting the idea to the council does not even cross your father’s mind. How utterly naive! a low grunt followed as your father swatted away his chair knocking it down to the ground before killing every bit of hope you had despite the rumors. “This marriage. . . it is nothing but a hopeless dream. ”

Yes! You knew that already. The housemaids and staff just love to gossip about the doom of their sole source of bread and butter. The moment your father summoned you into his study room and told you the news while staring at the greenery of the garden of this mansion you knew your life was going to turn upside down and it did, just like you expected yet you were still disappointed, frustrated even when you came back to your room. 

Satoru Gojo is the strongest jujutsu sorcerer in history ever known since Sukuna Ryomen was sealed. No other name has ever made it to the pages of jujutsu history. He is at the top of the jujutsu society regarding status, power, fame, and money. So, what do you do with the strongest of all? worship them out of devotion? subdue them with offerings lest it might lash out? swearing loyalty out of fear? Those were the thoughts that stemmed at the back of your mind when you first came to know about the fact that you were going to be the wife of the Gojo Satoru from a maid whose life never even crossed the threshold of your home. Her world was limited to the mossy parts of the mansion you resided in. Still, she could tell what kind of marriage you would be walking into.

Nothing shocking happened even on the night of your wedding. It was just as you anticipated. Two different futons were kept side by side. There was no sharing of words, glances, or kakebuton . Just both of your backs faced each other. At dawn, you woke up with your wedding kimono intact, a stainless white futon, and an empty room without Gojo. 

The maids here knew better than to talk about it, even behind your back. They were aware of the power and status you held and that made everything a lot worse than you expected it to be. You had access to a lot of things, the family history archives, the financial sources, his previous missions— everything tied to him. Your husband, Gojo Satoru, was the clan head as well as the master of this mansion so there were no elderly people pushing responsibilities onto your shoulders like back at home. There was a sense of serenity in the air but how could you breathe it in for the rest of your life? 

Satoru Gojo was the kind of man whom one could easily desire. Despite being his wife and the future mother of his children, trying to love him felt like a cyanide for you. You wanted your husband, not some Satoru Gojo oozing with knowledge and power. You wanted to look him in the eye, not just his back which you barely get a glimpse of at the crack of dawn as he occupies the sad side of the bed under a separate duvet. In earlier stages of this marriage, there was no curtain separating you and your husband’s side of the bed but after a month of utter silence and stealing glances, the first thing he installed was a curtain in the shared canopy bed. If he needed some privacy he could easily ask you to shift into another room but he bothered to talk one of those clan servants to install a fucking curtain as if the silence was not enough of a gulf in between you two. 

Sometimes you thought that he was cheating on you but you always pushed it under the rug telling yourself, “You’re the wife of Satoru Gojo. No one can take that from you unless you walk out of this marriage. Not your father. Not that marriage broker —”

— Not even Gojo Satoru himself because he only married you to silence those nosy elders of his clan who pretend to be oh-so-worried for him. You were not foreign to that concept, after all, you are wrapped in the same shroud for all your life.

“You’re the wife of Gojo Satoru . . .No one . . .” 

“You’re the wife of Gojo Satoru . . .” 

“You’re the wife . . .”

“You’re . . .”

But the thought of getting his dick sucked by some other woman or man, or him putting his dick into someone — it filled you with too much anger to sleep in bed that night. For the first time, you miss home because there you are free to go anywhere even at night. 

Satoru came home early that night, which was odd for his schedule, and was greeted with an empty bed after a long while. The sky is yet to be cracked open by sunlight. It is still too dark to be wandering around. Where could his wife have been gone to at this hour? He takes a spoonful of strawberry ice cream from the giant tub he held in his other hand before starting to look for you. But where should he look first? He does not know anything except the fact that he had put veils in different places of his house just to keep this house free of low-energy cursed spirits. Those veils sure did their job well but sometimes they would keep out non-sorcerers, people like you. His heart rejoices at the thought that he has to look for you in places only he is aware of, which means this is going to take a little less time, and he will find you much faster. Come to think of it, he has not been in the library section for a while but it is still as spotless as the first day he came here. Have you been visiting? Man! That sure worries him.

The pink layer of the tub has come down to half along with its skin being wet while the spoon is still experiencing the fierce appetite that Satoru had for anything sweet. He stands at the entrance of a long hallway before checking, thinking that this is the last place he has to look for but could it be possible that you were embarrassed enough to go back to your home?

Ahh…ahhh!

The spoon hits the wooden floor with a dull clatter as a wretched realization comes crashing down through his veins. Have you been cheating on him all this time? In his house? With some lowly servant ? Well, that sure makes it easier to end this sham of a marriage. He opens the door of a certain archive room as swiftly as possible trying to minimize the sound of his presence, making sure he does not shock you awake from your rendezvous. He is determined to catch you red-handed but when he opens the door he witnesses something that could have knocked the lights off his brain if he were not one of the greatest sorcerers of his time. The sight was not something of a fair appetite for ordinary people yet you sat by the marble slab of the giant window, with one of your arms nuked under your sapphire jinbei in between your legs as your skin glowed under that pale moonlight as if diamonds and pearls were embedded on your skin. 

You were sweating, arching your body, moaning and all your husband could do was watch in awe. Your free hand travels from the bottom of your cleavage and up to the apex of your nape as you turn your head opening your eyes for a brief moment. You see the world so blurred that it spikes your approaching high, but as you open your eyes for the second time your high is gone like it never existed. Your husband, Gojo Satoru stood before you like an ivory statue of certain abandoned ruined cathedrals. The dress covers most of your body so a wave of relief washes over him despite realizing how dangerous the spot you chose . . .to . . .umh. . . pleasure yourself . 

How long? How long was he watching you ? You shift your body to face him, and your hand slowly emerges from the warmth between your thighs. Satoru tries to ignore but traces of your arousal and his yearning are flourishing like fluorescence on your fingers as it rests on your thigh. You watch him gulp. Suddenly, Gojo Satoru is out of words. Teacher to his students of Jujutsu High, the strongest sorcerer, Nanami’s certified yapper is suddenly out of words. The slight slice of your boobs visible through your robe does not help either in the coherency of his thoughts. He had plans. He had plans to walk out of this marriage without being tainted as a “cheater” because the jujutsu society is so fucked up that they will not stop until they found this particular person that had made this marriage impossible to work on so that you, the wife, had to walk out it and dear God, they certainly are not fond of obstructions.

“What a nice place you chose to—” he finally looks away to keep the tub of semi-molten room-temperature strawberry ice cream on some bookshelf but before he could shift back his gaze on you again you were gone like a storm. The sound of your footsteps echoed in his ear till it stopped before he heard the click of a door. He does not understand if you are just too dumb or too brave to act the way you are acting right now. He follows you as a grunt of dismissal escapes from his chest. As he stands in front of the bathroom door he drowns yet again in utmost disbelief. He can still hear your shrill gasp of pleasure and he is not liking how his cock is responsive to it. At first, he hesitates to touch himself but the faint sound of your moans, the wet squelching sounds of your fingers moving in and out of your damp folds despite the door of the bathroom being locked buzzes in his ears like bees out in the hunt of honey. 

Satoru gave up . You hear a thud as you continue to finger yourself knowing full well that your husband must have followed you all the way here after witnessing you in such a state. Indeed, you could have been accused of cheating on him without him checking the door and it would have been much worse. He sits against the bathroom door unfurling the black ribbon with a swish to take his cock out of his baggy white pants. The tip is already leaking. His cock is throbbing in his palm as he encapsulates his fingers around it, moving his fingers up and down slowly. On the other side of the door, as you could finally feel the pinnacle of your high you heard a soft groan; a pain, that seemed familiar, was palpable underneath that shrill cry of pleasure. Still when your fingers touched the part inside you that almost felt like unknotting something from inside you, at the basal of your navel Satoru’s hand moved faster to chase the similar high that had started to bubble in his body under the influence of your ripples of pleasure. You heard your husband moan as tears rolled down your cheeks when you closed your eyes feeling the knot finally unwinding.

Perhaps, both of you came simultaneously. Perhaps not, because you immediately opened the door after you had calmed from your high, only to be greeted with Satoru sitting right at the opposite wall of the bathroom door, legs folded in L-manner so that he could keep his hand over his knee. His cock is still visible through his white pants and it is still so hard. One of your eyebrows raises in silent reply . Satoru notices that. He looks at you and then looks away. You extend your hand towards his face, gaining his stern azure pair of eyes shining against whatever dim light the crack of the bathroom door could allow. There was no sign of resistance in him so as your palm touched his cheeks, you waited and gave him time to protest. yet none ever followed,  instead, he surrendered to your touch, and your fingers curled under his chin as you ran your thumb over his lips. Satoru coiled against your touch imbibing as much as he could like a tide being high enough to touch the moon . . .a familiar voice shocked both of you awake.

“Lady Gojo. . .” 

[weirdly-specific-but-ok]

doctor who but i've never watched it

and so it begins again. the people asked for it. the people got it. i will ensure the people regret it.

i have never watched this show, or seen an edit, but i am a thorough researcher and i feel that i've got the essence of it.

this is what i have gathered. academicians worldwide take note.

Firstly, so I don't anger anyone, I accept and acknowledge that the tardis is blue and not yellow. My misinformation was from a Drarry fanfiction, and I had hitherto regarded Drarry fanfiction as the absolute truth.

There are doctors, and there are at least fifteen of them. At least two of them are David Tennant, which I can respect.

I'm not sure why the doctors are doctors, because I can find no trace of any medical procedure except for one doctor who licks things, which he learned from the previous doctor. If this is sufficient reason, I apologise for doubting their credentials.

On the other hand, if they are doctors thanks to a postdoctoral degree, this is also fine, though I have never seen anyone study anything. There is however a doctor, and there were people upset about her, but the fandom pointed out she set the tardis on fire, which is apparently a very doctor thing to do. Setting things on fire is absolutely something any research scholar would love, so again, apologies for doubting their credentials.

At least one doctor is gay. It is probably one of the David doctors, which checks out. He says someone, I think a dentist, is hot. I envy the maybe-dentist.

A t least one doctor is trans. I was unable to find them. But they exist. Oh yes, the fandom assures me they exist.

David Tennant as well as Ncuti Gatwa were fanboys, first of the show, and second of David Tennant, and thus they got into acting. Just a fun tidbit from me, since I am now the authority on this fandom.

There are time machines with which the doctors have sex by piloting them, which is questionable because the time machines are only partially sentient. I am not sure if the time machines are the tardis. But the tardis is blue, and not yellow, of that I am certain.

There was a stage play. Or maybe that was a metaphor for the production budget of the early seasons. I am not sure, but toddler David Tennant watched it. I assume no one took a 3 year old to a stage play, so through scientific deduction, it must have been a metaphor.

At some point, Death is an agony aunt and they have to spill secrets to it, or drown in a lake of human skulls. Who is this they? It's so obvious that the fandom sees no need to explain it, and neither do I. I do know it though. Of that you may remain certain.

A David doctor has a niece and she likes being his niece.

A David doctor has a best friend named Donna. He kisses her head. She supports his fruitiness. It is wholesome. It killed him when he lost her.

Slight tangent, but younger David doctor looks like Andrew Garfield. Current David in photos does give Ben Barnes energy. Any Wolfstar shippers, I believe you've found the Wolfstar kid. It is David Tennant.

A lot of people are David Tennant. A reliable Pinterest post on Doctor Who, clearly well researched, gave me the statistic that 15% of Doctor Who is David Tennant. From the amount of David Tennant that I ran across in my research, I don't understand it but I don't doubt it, either.

Speaking of Andrew Garfield, he in involved in this somehow. I am not sure how, but you cannot escape Andrew Garfield. He is even a part of fandoms he never acted in.

There is an individual named Catherine, I think she is the actress, but she could be a character. She seems to have much less knowledge about Doctor Who lore than I do. David Tennant finds it funny. Maybe he would find me funny, too.

The doctors installed some things in the tardis, from a wheelchair ramp to a jukebox. I don't know why a jukebox was needed. If I'm honest I don't know what a jukebox is. I don't know what the tardis is. But it is blue, and not yellow.

There is a French catchphrase.

Something happens in Wales. I don't know what it is, but something always seems to be happening in Wales in these fandoms, so I don't doubt it.

There is an old Doctor Who in a wheelchair, and he is happy to see a David doctor.

They go around in space, and do things. Who is this they? You and I both know the answer, so we needn't talk about it.

The show intro is "doo wee doo".

There is an alien who is not a mouse, the alien is The Meep, and uses the definite article as pronouns. David doctor is supportive of this, which is very good.

I found baby Yoda in the show, but apparently they call it a 'goblin' there, and someone doesn't like it.

There is a lot to do with time. There is a time hole, and things happen, and people die and are resurrected. There is danger, but it is fun.

They have CGI, and it is not good, which is the best thing about it. Who is they? Please stop asking me. It is rather obvious and something I definitely know.

Someone's boyfriend dies and the boyfriend is then resurrected but then gets lost with his boyfriend but then is reincarnated as a girl who would still call herself the someone's boyfriend but then she is replaced by the boyfriend but he's different now. I apologise for any errors that have crept it, but the tardis is blue and not yellow.

Someone named Martha is a doctor, and someone is very proud of her for it.

The eleventh and twelfth doctors like bow ties.

David Tennant wants to be ginger. David Tennant always gets what he wants. Who can refuse David Tennant? David Tennant is then ginger.

A David doctor gets a happy ending.

Someone yelled at Neil Gaiman about this. It was a mistake. He said that since it had already been done, he wouldn't want to give David's character a happy ending in S3, that would be a trifle unoriginal.

A lesson to be learned, Good Omens fandom, just a bit of advice from your son, do not yell at Neil Gaiman, it does not go well. Rumour has it he murdered the people who complained about him always wearing black. Of course, there is the fact that he doesn't exist, but that doesn't seem to have stopped him.

The doctors manifest in the previous doctor's clothes, which is apparently so last season. The tardis also manifests. I don't know where, or how. But it is blue, and not yellow.

I know, there was a lot of lore, so many of you thought I wouldn't be able to gather it all. But look how much research I did! I've got it better than maybe-actress-maybe-character Catherine, I'm sure :"]

Anyway, all the major plot points are covered above, so anyone who hasn't watched Doctor Who, feel free to refer to this and impress your Whovian friends with your knowledge! [not to be judgemental, but what a dreadfully Dr Seuss name, I rather like it]

[flufftober]

🌸🍀 Hello and welcome to our (first) Flufftober Spring Edition 🌸🍀

SURPRISE 😁

Yes, we've decided that one month of the year simply isn't enough anymore! So we would like to fill two weeks in March with as much fluff as possible 🥰 for that to happen, we present you with 14 prompts, some of them neutral, some very much sping-themed.

How does this work?

Pretty much like our regular Flufftober event in October, so you'll find all the common rules and info below the cut. Contrary to the big event though, this one here only runs for two weeks instead of the entire month, and we set the date from March 11th to March 24th! So prompt one is NOT supposed to be posted on March 1st but instead on March 11th! Prompt two is for March 12th, prompt 3 for March 13th, and so on...

Since this is a smaller prompt list, you also won't find any prompt extras to switch these out with, sorry. Maaaybe if this event is a success, we'll think about changing that in upcoming years 😉

Below the cut, you'll find all our rules, posting info, and all the prompts in writing. If you have any more questions, please feel free to send us asks 🥰

Friends, we so hope you love this surprise and that the prompts may inspire a lot of fluffy creations! We wish you a great start to the new year and as always

Happy Creating 🥳

Standard Blog Rules & FAQ

(Due to previous asks, we made sure to add more points to this section - while they're not new rules, they're new to this list, so you'll find them colored green)

No inc*st or p*dophilia - we can’t keep you from writing it or creating art for it but it won’t be reblogged. No inc*st: This rule does not apply to distant cousins and such, as you might find in the LotR fandom (or basically in all of European Monarchy). The line we draw is at direct blood relations (siblings, (grand)parents, kids) and/or legal guardianship. No p*dophilia: This rule does not rule out fandoms that feature teenagers such as Harry Potter, Heartstoppers, Hunger Games, etc. It also doesn't mean you can't write about their time together as teenagers! It's aimed at ships in which one is a minor and the other is not - but since even that has grey areas, the rule is this: if you keep it SFW, all is good and allowed, we don't care; if it turns NSFW, be mindful of the legalities of the world/society/times your characters live in.

No hate or ship bashing - we’re all different and we all love different things. As long as it doesn’t go against rule #1, it’s allowed.

Tag correctly! Trigger warnings (including cheating!), ships, ratings, (pure) smut, etc - it’s all fine as long as you tag it.

There’s absolutely no word count restriction, write as little or as much as you like.

In regards to art, anything goes: drawings, paintings, collages, mood boards, gif sets, videos, playlists… the sky’s the limit (though not really…). If you would like to create a podfic, the fic you're using does not have to be new - your creation will be new!

You can mix and mash different mediums however you like, be it within one prompt or on different days.

While we can’t force you to write fluff or create fluffy art, please try to keep in mind that this is a fluff event 😉 that, of course, doesn't mean you can't combine it with angsty/whumpy prompts - hurt/comfort is absolutely welcome!

You can start creating as soon as you see this - but please refrain from posting before the respective day.

If you post early, we will schedule your post for the correct day; if you use multiple prompts in one creation, we will post on the earliest day you used.

You can participate on as many days as you like, even if it’s just one; you can also create multiple entries for the same day.

You can replace as many original prompts as you like with our prompt extras; you can also combine them with the original prompts or create for them in addition, that's completely up to you.

It’s okay to write one story/a series for all the prompts.

You do not have to stick to one character, ship, or even one fandom - switch as often as you like to or even write for multiple ships for one day.

The ship does not have to be a romantic one! Friendship and family feels are more than welcome (but this is not a way to get around rule #1!)

Original works as well as OCs in fandoms are welcome! But please make sure to mark these clearly, either in the tags or the post itself. We're not familiar with all fandoms (though we're definitely learning a lot!), so we're not always sure what might be an OC and what might be such an unknown side character not even Google can find them...

Reader insert fics (for example "character x reader") as well as RPFs are absolutely allowed.

Other languages are also welcome - just make sure to clearly mark the day and fandom so that we can still easily reblog.

This event can be combined with other events as long as the other event allows it.

Late entries are always welcome, even if it is months or years later.

All fandoms and ships are welcome - fanon and canon - as long as they’re of age (in case you want to add smut) and not related.

Posting

Posting to tumblr

Please use the tag #fluffspring2024 Make sure there is NO SPACE between fluff and spring and 2024! We will NOT be checking other variations of this tag!

Since tags are sometimes wonky, make sure to also mention us with @flufftober in your post

We will try to catch them all, but please don't be mad if we miss a post or if it gets reblogged a bit late

If you're absolutely certain a post has slipped past us, feel free to send an ask with the link to your post

To make reblogging easier for us, make sure to add the following tags: #fluffspring2024 #day [xy] #[fandom] #[ship and/or main character(s)]

Posting to ao3

You can add your creation to the collection Flufftober Spring Edition 2024 (flufftober_spring_edition_2024)

Late entries are always welcome, on tumblr as well as the ao3 collection! Neither will close - but like always, reblogs will become less regular the more months have passed...

Prompts

1. New Beginnings

2. Banter, Joking, Fun

3. Spring Cleaning

4. “Let me take care of you.”

5. Honey & Bees

6. Sharing a Blanket

7. Giving someone a Present

8. Breakfast in Bed

9. Daisies

10. Iced Beverage

11. Enjoying the Fresh Air

12. Claiming, Clingy, Possessive

13. “It’s still too cold.” - “No, it’s not.”

14. Putting down Roots

[wishful-thinking64]

One Hell of an Unpopular Opinion #02

Note: This opinion is longer than the first one as I'm super passionate about this one compared to last time. Because of that it might come across as a bit of a rant. Side Note Regarding My Previous Post: I came up with a proper acronym for C.H.E.R.U.B. as I plan on using them in my rewrite for HB and what I came up with was the Capable. Habitual. Earnest. Reliable. Upbeat. Bureau. This took me all of two to three minutes to come up with. _______ Adina should've/should be in Hazbin Hotel's series due to how much she fits with the whole, "Heaven is corrupt," idea that the show is going for.

For context, Adina was a character from Viv's Zoophobia days who was featured in the scrapped Angels vs. Demons arc alongside Emily. That's right, much like most of the Hazbin Hotel cast, Adina and Emily were in the same Zoophobia arc too! However, unlike Emily, Adina's character was ultimately scrapped and replaced by Sera (by the way, you're not being clever with that name Viv) who is nowhere near as much of a threat as Adina was.

These three images ALONE already express so much about Adina as a character to the point where you can tell JUST BY LOOKING at them that if anyone were to try and convince this woman that her beliefs are wrong, they would probably either be murdered or tortured immediately. By the way, if that silk ribbon bow that Adina wears wraps around anyone that isn't herself, it not only reveals but forces demons (as seen by beta design Angel Dust) to RE-LIVE their MOST UNPLEASANT AND TRAUMATIC EXPERIENCES. And on top of all of this...

HER TRUE FORM WOULD'VE BEEN THIS GIANT ELDRITCH LOOKING DRAGON CREATURE! VIV, ARE YOU TELLING ME THAT YOU TRADED AN ACTUALLY GOOD VILLAIN WITH A GENUINELY BAD ASS FINAL FORM THAT FOLLOWED THE SHOW DON'T TELL RULE FOR ONCE ALL FOR A STATIC CHARACTER WHO'S FINAL FORM IS BASICALLY JUST A FUCKING BIRD!?!? ... Obviously, the answer to that question is yes. That being said, it will never cease to piss me off how or why the answer to that question is yes. Moving on, I heavily believe that Adina's character could still work incredibly well within Hazbin Hotel and to where you could still keep Sera if you wanted to. Simply, have her be Sera and Emily's mother. That's what I'm doing for my rewrite of Hazbin Hotel. To me it makes sense especially how Adina being Sera's mother would explain why she's so hesitant in stopping Hell's yearly exterminations. Although, that isn't exactly what I plan on doing for my rewrite you, reader, could use it for yours (if you plan/want to rewrite the show that is.) In conclusion, I'll never forgive Viv for replacing Adina with Sera because even if I wasn't a writer that was just a terrible decision to make. Like, you literally had all the material and potential there and you chose to scrap it. But hey, that's Viv for ya. Always scrapping good ideas.

[myargalargan]

Polin's theme - a musical Polinalysis

Alright...I am very rusty with this stuff (I studied music theory ohhh 15 years ago or so) but I couldn't resist delving deeper into the subject of this post. Anyone else with more expertise in this area, I'd love to know your thoughts!

So, we hear a lovely soaring orchestral theme in the background when Colin and Penelope kiss for the first time, yes? To remind ourselves, here's the theme in full.

The actual theme starts at about the 18s mark, but I included those initial 18 seconds because what's going on in the strings at that point helps orient us in the proper key. There's a resolution to a D-flat Major chord around the 5s mark as Colin's starting to lean in. Given that, and the rest of the notes in the theme and how they relate to each other, I'm assuming we're in the key of D-flat Major. (And I'll get into why it's meaningful to know this throughout the analysis.)

The theme we hear in this scene is made up of two main musical phrases. The first goes like this:

The second starts the same but takes a slightly different path at the end. It sounds like this:

What I think is interesting about both of these phrases is that we neither start nor end on the tonic (aka the first) note of a D-flat Major scale (which is D-flat). The phrases start on A-flat and end on E-flat. Why is this interesting?

Think of the tonic note of a scale as "home." If you start a musical phrase on the tonic note, that gives you a good sense of where you are harmonically right off the bat. The phrase will always take you away from that tonic note, but what creates tension and movement in the music is that ever-present desire to return home.

The phrases in Polin's theme neither start us at home nor return us there. In fact, the last part of the first phrase descends within a D-flat Major scale from A-flat to G-flat to E-flat and then hangs there. E-flat is one note in the scale above the tonic. Musically, we desperately want to resolve from E-flat to D-flat, but the phrase suspends us in that desire. The next line, instead of giving us a nice solid D-flat, drops us back to A-flat and starts the phrase over again.

I think this is a beautiful bit of musical storytelling. Just like the music dances around the tonic note without ever grounding us there, Colin and Penelope's relationship at this point is heading into uncertain territory. And just as the tension in the melodic line builds and never quite resolves, we are left at the end of the kiss scene with a dramatic transformation having occurred in Colin and Penelope's relationship and no clarity as to what's next. (Except that we would desperately love for them to keep kissing. 😉)

Then we have Colin's dream. And in the dream, the moment his and Penelope's lips meet, we hear that theme again. But hark! Something's different...

It's subtle, but this repetition of the theme is a half-step higher than the previous iteration. Instead of being in D-flat Major, we're in D Major. I think this is cool for two reasons.

First, it sets the dream scene apart from the real kiss scene in a psychological way—by giving it a slightly higher musical tonality, it has a slightly higher emotional tone. There's a little less uncertainty, a little more freedom.

Which brings me to the second cool thing, which is that, historically, D Major was regarded as the key of triumph and victory. Composers liked to set marches in D Major. The "Hallelujah" chorus from Handel's Messiah is in D Major.

And what could be more triumphant than marching into your crush's firelit garden, brazenly confessing your feelings, and having those feelings returned in a passionate kiss? You can even hear in this variation of the Polin theme that the tempo is a bit more expansive. It feels more like a confident stride with your head held high than the previous iteration, which is just a touch more frantic.

Then Colin wakes up. His world has been rocked. The next time he and Penelope see each other is in the willow scene, and just before they duck under the willow tree's cover, we hear a third variant of the Polin theme (thank you to @i-know-the-endss for pointing this out!!)...

Two things that I think are interesting about this return of the theme are 1) we're still in D Major, and 2) the end of this variation, unlike the previous variations, actually resolves down to the tonic of the key (which in this instance is a D)!

What does this mean? Personally, I think it's a fun little tease. We're hearing the tune the same way it appeared in Colin's dream... Will this first real-life meeting between Colin and Penelope since the dream play out the same way? The phrase grounds us on a D at the end rather than leaving us suspended on the note above with a desperate need to resolve that tension. Does that mean we'll see a resolution to the tension in Colin and Penelope's relationship?

And of course we do not, which is why it's a tease, but I love that the music builds the excitement at seeing Colin and Penelope interact for the first time since their kiss—for the first time since Colin's newfound emotional conflict—in this way. Like dangling a little carrot for us and then yanking it away.

Finally, later in that same episode, we hear the theme one more time at the first party Penelope attends since her self-flagellation in Whistledown.

This time, however, we're back in D-flat Major. Back to the reality of the first kiss, where things were uncertain and unsteady, instead of in the hopeful triumph of Colin's dream.

This is also the shortest iteration of the theme we hear. It abruptly ends partway through the first phrase. In this case, we are left dangling on an F, which is the third note of a D-flat Major scale. Because we are not yet "home" on the third, we still feel a lack of resolution here. However, unlike the very first iteration of this phrase, where we traveled down to the second note of the D-flat Major scale and were left with a desperate feeling of wanting to resolve just one more note down to the tonic, the third note of the scale lacks the same urgency and sense of direction. We are unresolved, but without knowing exactly where we want or need to go in order to achieve that resolution.

I think this is a great bit of musical storytelling, as well. At this point in Penelope's arc, she just wants to move on and find a suitor, and she still does not believe Colin could ever fill that role. Later in that party scene, she makes a connection with Lord Debling, and her objective for a husband is renewed. Colin, on the other hand, is starting to pine for Penelope something fierce, but he's still battling with himself about who he is and what he really wants. The outcome that will bring them both happiness, while obvious to us viewers, is not clear to either Colin or Penelope. Thus, a dangling F in a D-flat Major key without a clear path home.

A couple more notes (ba-dum-tss) about this theme... I speculate in the musical transcription at the top that the first occurrence of this theme is in 12/8 time. This is because the strings that are running underneath the main theme have a dance-y triplet-like quality to them which made me feel like each beat of the theme is actually a quick three-count. I bring this up because the first movement of Beethoven's Appassionata, which Francesca indicates is a particular favorite of hers in her conversation with Lord Petri in ep2, is also in 12/8 time. Not only that, but the second movement of the Appassionata is in D-flat Major, the same key I postulate we're in for the first occurrence of Polin's theme. Nothing profound here...I just think it's neat.

And to anyone who read all this, know that I appreciate you deeply!! And I'd love to know what you think. <3

I wrote a part 2! | and a part 3!

[waitingonher]

dating percy jackson

pairing: percy jackson x gn! reader

content warning: kissing & couple-ly things

word count: 2,144

author's note: first post on this account!! if any of this sounds familiar, it's cuz i used to have an account but i deleted it cuz i wanted to redo it or smth…LOL 😭😭 but requests are open and i'll be coming out with more original work. enjoy!!

dating percy jackson would be like dating your best friend who you kiss and cuddle with occasionally.

percy’s not a very high maintenance kind of guy, so dating him would be more chill and relaxed. despite this, he’s still so, so incredibly sweet and cares about you so much.

even if he’s very oblivious sometimes…he’s still a sweetheart! 

he’ll do absolutely everything in his power to ensure that you’re safe and alright.

going on quests with him can lowkey get annoying sometimes because he’s always trying to protect you. 

but don’t get me wrong, he knows for a fact that you can definitely handle yourself, but he’s been through so much and the last thing he wants is you becoming injured or worse!! 

his protectiveness comes from a very genuine place, and you know that, but you sometimes like to tease him about it. 

your boyfriend suspiciously eyes the cave you’re supposed to inspect for your current quest, “y/n…” he pauses, turning to look at you, “are you 100 percent sure you’re gonna be okay all alone in there? i don’t like how quiet everything is.” 

you quirk an eyebrow at him, “percy, you’ve asked me this so many times that now i’m starting to think you’re doubting me and my abilities.” 

his eyes widen as he gives you a look of panic, “wait y/n no, i swear i didn’t mean it like that, i was just-” 

you put your arms around his neck, “babe, i’m teasing. i know you wouldn’t do that,” you say, chuckling at his reaction. 

percy rolls his eyes at you and places his hands on your waist, pulling you in for a kiss, “you’re the worst.” 

“i know,” you respond, laughing at your boyfriend. 

if you’re going on a quest without him though…expect him to be 100x more worried about you.

part of him wants to sneak out of camp to join you, but he knows that you’re more than capable of handling a quest without him.

all he can do is just make sure you’re prepared.

nothing, and i mean nothing will be forgotten as long as you have percy.

the night before you leave, he’ll ask you to sneak over to his cabin so he could spend as much time with you as possible.

percy claims it’ll be “a night full of relaxation before your big quest,” but with the way he’s bombarding you with questions regarding your preparedness, you don’t think you’re going to be in for a very relaxing night.

after taking a sip of your tea, you peer over at your boyfriend who opens his mouth to say something, “okay-” 

“love, if you’re going to ask me if i have everything, then the answer is yes,” you utter, leaning in to fix the crooked sheet mask on his face. 

percy chuckles, “how’d you know that’s what i was gonna say?”

“maybe it’s because you’ve been asking me that ever since i got here.” 

he smiles sheepishly, “oh…right.” 

and when you leave in the morning he’s asking you again if you have everything?? as if your supplies somehow vanished as you guys slept the previous night…

iris messages are also a HUGE thing between you guys. 

whether the two of you are away at school, or on a quest without each other, iris messages would be made at every single opportunity. 

cabin sleepovers are a regular for you and percy!

you guys try to have them every couple of weeks and it’s actually a mystery as to how you haven’t been caught yet.

you’ve definitely curated many funny stories of how you’d almost been discovered by a harpy.

percy prefers that you come over to his cabin instead of him going to yours.

this may or may not be due to that one incredibly embarrassing moment where a few of your siblings caught you guys kissing in your cabin’s bathroom… (you and percy were teased for a solid week after that incident) 

it’s safe to say that your boyfriend’s cabin has been the location of all your sleepovers since then. 

you and percy DEFINITELY come up with a really intricate handshake.

it’s the type of handshake that takes more than thirty seconds to complete and consumed most of your free time while you two were memorizing it.

“percy, i love you, but i swear to the gods, if you mess this up again…” 

“um…sorry y/n, but does my leg move this way or that way?” 

but once you and him had the routine down, your friends and other couples around camp were SO annoyed with you guys! 

looking back on it, you two lowkey feel bad for making them watch you guys perform your handshake for minutes on end. 

but what can you say? it’s just too good to not show off.  

you glance up from your interlocked hands with percy and turn your head to face your friends, “okay, are you guys sure you’re looking?” 

annabeth nods tiredly, “yes y/n…we’ve all been watching for the past ten minutes.”

“guys, i swear this is the last time we’ll do it and then you guys can go to bed,” percy announces to the group. 

your friends all collectively let out a groan at the thought of sitting through yet another round of your guys’ handshake. 

you overhear percy talking to one of his friends at the campfire, “okay sure, she might’ve written a song dedicated to you, but did you two create a thirty second long handshake that took literal weeks to memorize? that’s right. i didn’t think so dude.” 

dates are kinda limited at camp, but you guys make do with what you have! 

beach/lake dates are a total must for you and him. 

if you’re not completely confident in your swimming skills, then he’ll take it as an opportunity to teach you!

but if you are a competent swimmer, expect tons and tons of competitions.

whether it be races across the lake or seeing who can hold their breath the longest, you guys have done it all. 

percy then has the audacity to be surprised when he wins every single time…as if he isn’t a son of poseidon?? 

one of your favorite dates of all time was when you and percy went strawberry picking! after picking them, you two attempted to make your own homemade strawberry jam. and to your amazement, it actually turned out okay?? :O

all your friends were pleasantly surprised to hear that no one had burned the kitchen down. 

he also loves to participate in any activities or hobbies that you’re into.

on his own time, percy would try to research or ask your siblings/friends about your hobbies! (he doesn’t want you to find out though) 

he wants to learn more because he genuinely finds them interesting and wants to understand all the terms and definitions of the things you talk about.

but the biggest reason why percy does it, is so he can see your reaction when you talk to him about the subject and he actually responds with an educated answer on the matter instead of his usual head nods! the way your eyes widen and your lips pull back to display the beautiful grin that he’s grown to love so dearly!! it’s like he’s fallen in love all over again. 

once he sees the way you’re smiling at him, he thinks that he wouldn’t mind spending a few more hours in the library. 

percy loves that you show genuine enthusiasm when it comes to his passions and hobbies, so it’s a given that he wants to make you feel the same way. 

if he could, percy could honestly spend all day listening to you talk about your passions. it’s just something in the way your eyes light up that has him utterly hooked.

percy looks at you with such adoration that sometimes you think he’s bored of your rambling.

“ugh, i just love it when-” you gaze down at your boyfriend who has his head resting on your lap. you notice that he’s staring at you, “oh sorry percy, i didn’t mean to bore you.” 

he shoots up out of your lap and looks at you, absolutely dumbfounded, “bored?”

you nod.

“babe, how could i ever be bored of you?” your boyfriend questions with such certainty, as if it were a genuine mystery he wants to know the answer to. 

you give him a shy smile, “i dunno, it’s just you weren’t responding so i thought you got tired of me talking.“

percy smiles sheepishly, “sorry, i just didn’t wanna interrupt you, you looked so happy. and trust me, y/n, i’d listen to you talk all day long if i could.”

you chuckle at his reassurance and lean in for a chaste kiss, “okay weirdo.” 

you guys are that one couple who literally can communicate solely through eye contact. 

someone’s acting stupid in public? you look at percy and he looks at you. next thing you know, the both of you are stifling your laughter. 

on a quest and something feels off? one swift glance at each other and you immediately know what your next plan of action is. 

sometimes it does get annoying though. because now you’re in the middle of a serious camp meeting, tearing up while attempting to hold in the loud cackle you’re both about to let out. 

all because you looked at each other at the wrong moment.

#telapathicconnection

percy also loves it when you wear his clothes!

especially when it’s a jacket or hoodie of his. it’s more personal to percy because it’s not just any other camp half-blood shirt that everyone has. 

he just feels so prideful knowing that it’s you walking around in his clothes. he just goes wild at the sight of you in them. to him, it’s a very effective way of telling everyone that you guys are dating. percy wants the world to know that you’re his and his only! 

one thing about percy is that no matter what, he’ll always make time for you.

oh you’re not feeling well? he’s dropping whatever he’s doing to go see you. you need someone to talk to? he won’t leave you feeling upset, so he’ll create an excuse to leave the sparring arena. 

you obviously do the same for your boyfriend, but you think it’s endearing how he’s so dedicated to you and will do absolutely anything to be there for you. 

when it comes to pda, he doesn’t really mind. his favorite form of pda is hand holding! whether you’re holding hands, linking pinkies, or linking arms, he just loves to show you off while walking about the camp grounds. in general, he just prefers to be touching you in some sort of way. 

at the campfire, he likes to have your hand in his lap so he can play with your fingers. (or your rings/bracelets if you do wear them!)

when you’re in bed, he likes to wrap his arm around your waist. but if you’re not big on cuddling, percy makes sure that his leg is touching your leg, or that he’s at least holding your hand. the list goes on but it’s just his way of telling you that he’s there, by your side!! 

you guys also most definitely have a polaroid camera. one christmas, you gifted him a dark blue polaroid and ever since then, it’s just been nonstop photos of one another. because of the fact that phones aren’t allowed, this is the next best thing to capture memories.

percy can’t even name how many photos he has of you in his nightstand, there’s a lot. so many to the point that he uses an old shoe box of his to hold them all.

but his absolute favorite photo (he keeps this one in his wallet) is a photo of you two sitting on the edge of the pier at the canoe lake. it was taken just after training, sweat drips down both of your temples, and your guys’ cheeks are flushed red. percy is holding the camera with his right hand while he has his left hand wrapped around your shoulders, both of you leaning into each other. and the sun is setting, shades of purples and oranges swirling together to create a gorgeous backdrop for the photo. you two are both smiling, eyes scrunched tightly (partially due to the sun) and teeth wide on display.

he just thoroughly adores your smile.

percy thinks you’re the prettiest person he’s ever seen. especially when you smile like that. and to think that’s how happy he makes you?? he could die happily with no regrets.

all in all, percy jackson is such an amazing boyfriend who loves you with all of his being. 10/10 would definitely date again!! 

[lucrezianoin]

Approval and devnotes for Astarion act 3 (spawns, bloodmerchant, pre-Cazador)

I will check here only act 3-Astarion related quests, pre the final confrontation. I just wanted to see if there was anything interesting, and I will do confrontation and the two paths later on.

Act 1 is here, act 2 here. Keep in mind that for act 1 and act 2 I just checked some interesting and surprising approvals. My plan was to do the same for act 3 and I am, but I stumbled upon some devnotes so for act 3 I will check both!

SPAWNS (at tavern)

There is not too much about the tavern meet up with Dalyria and Petras regarding approval but there are some interesting notes. In particular, if the player agrees to help Astarion complete the ritual:

Astarion will say "You're a true friend" but think "lol, sucker". This is ONLY for non Astarion romance.

Another note that really clarifies what ascended Astarion will be:

The notes for the player asking him about who will really get the power are:

"Yes, technically only I will ascend" -> "Well yes TECHNICALLY only I will have the power"

"We're a team, if I become powerful then we become powerful" -> "emphasis on I and we as if speaking to a child"

"You're still with me?" -> "testing the player's loyalty"

BLOODMERCHANT (act 3): spawn vs ascended

First of all, I never allow Astarion to drink from her, but if you do, when he sees her he will comment that:

Which is pretty hearbreaking.

There is also the chance to meet her after Cazador, which changes Astarion's dialogue if he becomes the vampire lord. If the player talks about Astarion's feelings and how Araj made him feel last time, Ascended Astarion will reply "I appreciate the thought, but I am not the person I was the last time we met", vs the non ascended Astarion who says "I appreciate the thought, truly". Furthermore, Ascended Astarion will remarks on how NOW the player belongs to him, while last time Araj thought Astarion was basically the player's slave:

After this, the player can remark that maybe they should leave if Astarion is uncomfortable, and again you get different answers based on previous events:

Highlighted spawn Astarion says that she doesn't bother him, he pities her. In blue there is ascended Astarion (after that he says that they can leave her in a ditch), in red if you make him drink her blood he remarks about how NOW the player cares about him (the notes says that he is annoyed at the player), and the last one "Let's just get this over with" is for pre-Cazador Astarion.

If you made Astarion drink her blood, you will end up breaking up with him (or if you don't make him drink, but then you force him into sleeping with you). In this case the player can even accuse Araj:

Very proud of Astarion remarking on how "You mostly ruined it all by yourself".

Interestingly, the comment of Astarion worrying for the player, saying that the only think she can offer is pain is only said if Astarion did not ascend:

I suppose this is because ascended Astarion cares too much about power.

SPAWNS (attacking at night)

When Astarion comments that you are the only one and no one else looked out for him (post attack dialogue) it looks like this option is dependent on the blood merchant scene. I wonder if you get the confession and you do not visit the merchant, if this happens:

Interestingly, all the answers also get approval ("The world can be a kind place"/"There are many others who will care for you"/"I am rather special").

I also love that Astarion does EVERYTHING he can in this convo to differentiate himself and the player from everyone else. So he thinks the player is the only kind thing in the world (kind to him), no one else is like them. He refuses to admit that he is like the other spawns, "WE are better" (him and the player character). In this conversation there is a whole branch about him justifying killing his siblings because they are just spawn, and the player can basically call him out, telling him that in turn, what does his life mean, as he is just like them.

Ascended-Astarion-oriented talk is in general focused on the "me" =/= "them". He does see himself in the other victims but he refuses to address it.

A bit about a note: when you ask Astarion if he is really letting his siblings die, Astarion replies with "don't look at me like that disappointed" and the note is:

Next post will be about Cazador stuff!

I am also playing through act 3 now, so if I see any interesting approval I will add it too.

Btw, the Yenna thing is actually... every companion approve of giving her food or money, even Minthara.

[violetasteracademic]

Yesterday I came across a Gwynriel comment on a pro-Elriel post that said: “I like Azriel. Which is why I want him to find his mate.”

I’ve always found this Gwynriel/Elucien rhetoric ironic because they’re making it clear they don’t actually like Azriel. Because if they like Azriel, wouldn’t they want him to find LOVE, first and foremost? SJM has mentioned multiple times that a mating bond is not equivalent to romantic love, and yet Gwynriels, especially, only ever argue that they want Azriel to find his mate.

I’ve found that this is the biggest differentiator between Elriels and Gwynriels/Eluciens: Elriels want Az to find happiness. We want him to find LOVE—whether it’s through a mating bond or not. The emphasis is always on LOVE.

To be honest, it took me a really long time to think through this, because I have SO many things to say on the topic! But in the interest of keeping this concise (false when have I ever kept things concise), and addressing this issue head on, we are going to go ahead and say yes, sure, maybe SJM is a "fated mates only" author (even though some of my favorite SJM couples are not mates) and that has no bearing on whether or not Azriel and Elain are still likely to be endgame.

It comes down to active and inactive storylines, as well as facts from the books versus ideas and theories of what could be true.

Throughout her multiverse, Sarah has told the "Fated Mate" story in a variety of ways, and she continues to tackle it in new ways. We have had faked mating bonds, villainous cosmic interference with mating bonds, bonds that were revealed slowly, bonds that snapped quickly, bonds that solidified over oceans before two people even met, two people literally just *deciding* they are mates and making it so, and mating bonds where the pairs were miserable and not well suited, and they lived in misery until they died.

Prythian is the only world in the multiverse where there is even a conversation about the female being able to reject the mating bond. Those are the rules set forth in Prythian. You cannot ignore them. If Elain doesn't want Lucien, she gets to reject him. Them's the rules. This isn't even an *option* or mentioned on the other worlds. Prythian is the only one where, time and time again, we are reminded that there are many unhappily mated pairs. Rhysand's own parents were miserable. So miserable that Cassian thought the mating bond was all lies and bullshit for over 500 years, until Rhys and Feyre, for the first time in his centuries of life, proved him wrong. (ACOFAS, Chapter 2.)

Narratively, Prythian has set up and established a mating bond rejection. No other SJM world has. More than that, Feyre questioned why Lucien and Elain were paired together, and seeing Elain be placed with Lucien even though Feyre thought Elain and Azriel would be a better fit made Feyre realize how lucky she and Rhys were to be mated *and* in love. Directly comparing Elain and Lucien to Feyre and Rhys further proved how special Feysand was.

Then Azriel questions the Cauldron, asking if it could be wrong. (again, the second time this question has been asked in regards to Elain and Lucien specifically.)

Now, in HOFAS, the most up to date publication, that narrative continues as we discover the Asteri pooled their power into the Cauldron to make it serve their will. (HOFAS, Chapter 25) This answered Feyre's question; Who are the powers that decide to force people who don't like each other to be mated and create the most powerful offspring? (the Asteri, because they need to eat their souls for sustenance and gain control of the world) And of course Azriel is the one watching this all unfold and learning this information. Azriel questioning the Cauldron has now been laid out not only in ACOSF, but the last two books Sarah has published. These are the facts that will set up the next book, just as Feysand and Nessian were set up in previous books.

Feyre and Rhys were already tied together in book one. We knew, heading into book two, that Feyre and Rhys had connected. They trusted each other. And while their bargain was not consensual, she chose to go to him when he called through her bond of her own free will, because they had developed a connection. We head into book two knowing exactly where things were headed. She has an interesting/developing relationship with Rhys, and she is guaranteed to see him again. This sets up the "Ordinary World" (I've made a few posts on the hero's journey book structure SJM follows, more on that here) for book two. By the end of ACOTAR, Rhys and Feyre are in an active storyline together that picks up in ACOMAF.

Nesta and Cassian had their entire plot laid out in A Court of Frost and Starlight. Cassian is dealing with Devlon and the struggle to get Illyrian females training. He describes the Blood Rite, and muses on what the one from the upcoming spring will bring. Nesta is in her alcoholic I hate my family era, and Cassian is fighting to get back what occurred between them during the war. The kiss they shared, and the willingness to die together. And they are both fighting like wildfire. By the end of ACOFAS, these are active storylines. Everything discussed about or between them in ACOFAS picks up and comes to pass in ACOSF.

Whether you want them to be together or not, the active storyline in ACOSF and HOFAS is between Elain and Azriel. Questioning the Cauldron, fighting their feelings for each other, and the tension between them escalating was their story in ACOSF. People who argue the bonus chapter ended their story are factually incorrect. Because as of this day, in this year 2024, Azriel's "What if the Cauldron was wrong" storyline CONTINUED in House of Flame and Shadow.

Azriel stood there and learned first hand how the Cauldron had been corrupted and warped by creatures who came to Prythian in search of sustenance, and, as previously mentioned, "pooled their power into the Cauldron so that it would work their will." (HOFAS, Chapter 25) They then "protected their interests" by turning the Cauldron into a killswitch, ensuring it could never be destroyed and that their will could continued to be enacted on Prythian or the world would cease to exist.

So, these are the active storylines when Azriel and Elain wake up in Prythian today (thus setting up the Ordinary World in the three act structure) that expand upon the previous two books:

Elain and Azriel have feeling for each other.

Azriel's feelings for Elain are so strong that he questions the Cauldron, and is willing to fight to the death over it.

Azriel has learned that the Cauldron was completely corrupted and fucked up by an evil species that used to rule over Prythian, and now rules over Midgard, and eats souls by churning them through a "soul meat grinder for food." (HOFAS, Chapter 16)

Azriel has learned that all of the Dread Trove items were created by the Asteri in the Cauldron, the same beings that warped the Cauldron and turned it into a kill switch to ensure power over their world. (HOFAS, Chapter 24) Only the Archeron sisters can wield the Trove, and are protected from it being used against them.

Azriel learned that Truth-Teller and the Starsword were also made in the Cauldron by the Dusk Court ancestors to destroy the Asteri. Currently, only Azriel can wield both Truth-Teller and the Starsword. Elain can also wield Truth-Teller. (Possibly Nesta as well, but Elain used it to travel through shadows while Nesta used it to cut off a head.)

All Cauldron Made items, both for and against the Asteri, are now in possession of the Inner Circle along with the knowledge that they need to discover what they can truly do, and to find the hidden cache's of magic stored in their world.

Elain has stated that she is a member of the Night Court and will do what is needed to serve it.

Elain is reacquainting herself with her powers, and is ready to be used to locate and wield Trove items.

Elain has feelings for Azriel.

Azriel has feelings for Elain.

Here are inactive storylines:

Elain using her sight to deal with Koschei, which is what I understand to be the largest E/ucien theory at play tying Elain to the BoE. Elain has not been involved in the Koschei storyline since ACOWAR, nor does she have an active storyline with Lucien besides shrinking into herself when he is around, not speaking to him, and not liking his presents.

Lucien however, is involved in the Koschei storyline as of ACOSF as it pertains to Vassa. He stares at the sea, as if setting his target on Koschei, (ACOSF, Chapter 7) and is living with Vassa and Jurian. This is what is active for Lucien. Nothing else. Any possible storyline for him outside of this is theory and speculation does not exist yet.

Gwyn does not have an active storyline at the end of ACOSF. "Gwyn, despite the Rite, had returned to living in the library. Gwyn had said she might leave for Nesta and Cassian's mating ceremony in three days." (ACOSF, Chapter 80) Her story as a Valkyrie completing the Blood Rite with Nesta has resolved and she has not presently been tied to anything else. Any ideas on how she might have a plot created are theories and speculations, but she is inactive.

Elain and Azriel are both active regarding the Trove, the Star-Sword and Truth-Teller, their feelings for each other, and Azriel is personally so propelled forward in being the Cauldron's number one hater that if a mating bond were to suddenly snap between him and Gwyn in his current headspace, he would not just forget about Elain and the dark damage done to the Cauldron and would likely not entertain the bond without more information.

If Sarah wants to make Azriel and Elain fated mates, she will. She has done everything under the sun with mates and will do more. She can do whatever she wants with magic. But you have to understand that the next book will start, as Sarah always structures it, with the "ordinary world" picking up where the last books left off. And it left off with Azriel and Elain, the fight against the Cauldron, their feelings for each other, and the reveal that all Trove items as well as the Dusk Court and Starborn heir items are now in the Inner Circle's possession, to be wielded by the sisters and Azriel alone.

And yes, as mentioned by @enigmaticexplorer we want Azriel to find love. He already has found it with Elain. Now it's just a matter of if Sarah chooses to make them mates, or if they say to hell with mates because we chose each other. Either option is great in my book!

[torchstelechos]

sometimes i think about the scene where Siffrin has a momentary breakdown over the Universe watching and clapping and not doing anything to help, to lead, and i wonder about an interpretation where the Universe is helping, is leading, is telling them what to do. where the Universe is favoring one of the two people from the Country like the King calls out. its us, the Player, the ones that 'create' their universe in a sense by installing and playing the game and leading Siffrin around through it

i wonder if it'd make it better or worse for him in that moment if they could look through that glass window to the stars above and see a glimpse of how helpless we, the Universe, were in that moment too, trying to guide him and failing just as much as everyone else

do you get me. does this make any sense.

Okay Bell, you do not fucking get how much this means to me. I have been on the theory of “the universe is actually the players” since I started wandering about this fandom. I do think ALL the players are part of the universe, but are not the universe as a whole. Like, one player is one star and yes, they are part of the overall universe, but there are more stars to see in the same universe so they aren't the universe specifically. My reasoning for this is actually part of how I see Loop’s wish, and thus I get to discuss how I think wishcraft works alongside Loop’s wish and how it affected the timeline. >:3c 

First, I will be using a general assumption of 1.) The looping only affected Vaugarde like The King’s “curse” 2.) There is only one Timeline and 3.) The theory Path of Least resistance (will be explained in conjunction with wishcraft).

As I have mentioned in a previous post I do think that Siffrin’s wish piggybacked off the King’s wish and used it as a blueprint for how far the Timecraft went, which meant that it only turned back the time of Vaugarde. The King says, when asked about wishcraft: 

He says that the country is skipping, stopping, rewinding, restarting, and how that must look from the outside. Which! I would like to point out that the king is NOT a reliable source of information because the King will lie to get you to lower your guard, however! It’s corroborated by the change god, even if they don't implicitly state it, during the Who’s on the Phone event they say: 

“Dormont, repeating! Dormont, Unchanging! Stagnating!” + “In this bubble, where everything stays the exact same…” The Change god also acknowledges that the extent of Timecraft is smaller than the whole world and specifies Dormont, which is the last place affected by the Time Curse (and thus the last place to change in all of Vaugarde). I would take this to mean that the whole world is still going on while Vaugarde is, well, glitching like a DVD with scratches. 

Next, which I think a lot of people tend to skip over, is that there is only one timeline! This is confirmed by Insertdisc5 (Adrienne), on Tumblr on their ISAT spoiler Q&A: 

Which has such interesting implications, but it does help explain something that I want to connect with the third assumption!

Now! The path of least resistance theory! Craft is an energy based magic, which uses the users energy unless powered by an outside force (however it appears to still take energy to direct the craft). This means that it has rules and if I had to guess, is very similar to electricity. Electricity doesn’t actually only go down one path when we apply this theory, instead it has an inverse in output depending on the resistance of the path. So if one path has less resistance then it will have more energy go down that path with more output, if the other has more resistance than that path will have less output/energy. We can apply this to wishcraft and how it affected the outcome of the two wishes that directly went against each other, the Kings and Siffrin’s wishes. Since Siffrin had a lot of energy behind his wish and the king less, Siffrin’s wish went above the King’s own in regards to who ended up with their wish “granted.” (the output was greater due to the fact it was less resistant to the whole of Vaugarde’s wish + Loop’s wish)

So, with all this written out, how do we the Players come into this? :3c well… We are a self contained paradox wish! Siffrin’s initial wish was to (insert one of the initial options) and “You want to stay with them!” which is the wish that caused the Timecraft ability for Timelooping (if I wanted to be pedantic I would actually say Siffrin can Travel time and isn't looping but that's a whole ass other post). This wish DID NOT bring us to the loops nor did it give Siffrin a guide, it was just a wish made to stay with people already in this timeline/universe. This made it impossible for outside help as it was VERY specific to only this universe, “stay with them.” But when Siffrin gave up, they made a secondary wish, 

(Loop: For someone… Anyone, to help me!!!)

This wish let us, The Players, directly able to interact with ISAT and SAAP. As they reached out into the universe and called for help, the Universe answered by letting outside help interact with timeline by guiding the new Siffrin. We are only able to help out by Loop making this wish! But, now, how does that make us a self contained paradox wish? Well… Thats because in order for the wish to happen, we needed to help Loop make the wish in the first place! By playing the SAAP, we helped Loop get to a position in which they made the wish which allowed us to help them which allowed them to make the wish etc etc. 

Thus we the players are now able to continue helping out when the timeline goes forward into ISAT, alongside Loop who’s wish allowed for a second try (a Start again if you will). 

The reason I also added the other information is because I think its important to remember that craft takes energy, and what Loop says about their wish is that they “destroyed” themself rather than “destroy the world” which… I think it means that Loop basically blew up like the Big Bang rather than become a Black Hole like Siffrin did. This “restarted” the timeline as a whole rather than just Vaugarde as we can see differences in Loop’s timeline and Siffrin’s, and if they’re the same timeline why are there such big differences? Well, yeah,,, Loop remade the entirety of the timeline rather than just Vaugarde… Oops! Big Bang, yaknow? Its still a singular Timeline, it’s just that it restarted the timeline’s progress pretty far back as a whole rather than specific segments. Also, Loop doesnt appear to help until after the initial ISAT wish, so we can just assume that the Universe plucked them from their wish making directly into this timeline section. 

As for why I added the whole Path of Least Resistance Theory for wishcraft… that’s cause Siffrin having Loop’s wish actually helped guide Vaugarde’s wishes into an easier path which allowed them beat the King easier <3. Without Loop’s wish, it would have been impossible for Siffrin to actually progress and get out of the loops alive. Lol. ANYWAY, this is all to say, I do think the Universe is a separate entity to the Players BUT by virtue of how the Players interact with Siffrin I would say we are part of the universe via proxy measures. :3c

This really got away from me,,, hope this is all good and understandable I had to use a google doc to write this all out,,,,

[beauty-and-passion]

So... The Thunder Saga

Or, as we can call it, "Of Intentions and Pride".

By now, Mr. Rivera-Herrans is a guarantee of quality: he makes a song, it will be a bop. He will also psychologically destroy you and hype you up at the same time and give your brain a good scratch - especially if you know the Odyssey already - and the narration is so clear and the characters so flawed... let's just say, you will leave by being completely satisfied.

Fine, the songs might not be musically incredible, but the references, the voices and the lyrics are absolutely perfect. They pick up from all we experienced through Act I and introduce us to an Act that, with those premises, will definitely be characterized by pain. But, like, a lot of pain.

And we all like some sweet sweet angst in our lives, so let's talk about the songs a little more in detail.

__________________

Suffering & Different Beast: We! Got! The! Sirens! In my first post about EPIC, when the Underworld Saga wasn't out yet, I hoped we would have the sirens here and so here they are: the sirens!

I like how Mr. Rivera-Herrans decided to change the events regarding them, compared to the Odyssey. In the original story, Odysseus wanted to hear the sirens' song, so while the crew plugged their ears with beeswax, he was tied to the mast and he actually listened to that song. And yes, it drove him crazy, he begged and ordered to be released, but the crew didn't listen to him, until they were at a safe distance.

So the original Odysseus' encounter with the sirens was characterized by curiosity. He knew they were dangerous and still wanted to listen to them.

But the premises in EPIC are completely different: in the previous song, Odysseus just sang about wanting to become a monster. He won't let anyone stop him from coming back home. This is his main focus - it has always been his focus, since Troy: coming back home to his son and wife. He's not curious about everything, he's not willing to take risks. He's different from his Homeric counterpart.

(I think this also explains Jorge's short about not using EPIC as main source while talking about the Odyssey: he was about to change one of Odysseus' main characteristics, of course he wanted people to not mix up the two things)

So, when Odysseus meets the sirens here, he's not curious about them: he just sees them as a means to his end. He plugs his ears too just like his crew and gets to them the information he needs. That's it. No curiosity, no interest. They're just another enemy.

Hence why, he has to slay them. It doesn't matter if they're begging: he made a mistake once, he won't make the same mistake again. As Poseidon taught him: ruthlessness is mercy upon ourselves.

Speaking of the sirens, I also love how their "luring song" isn't just a simple song: they literally use Penelope's voice and shape, to trick Odysseus into getting in the water. And that makes it way more impactful: just imagine this man, after promising himself he will come back home to his wife, sees his wife calling for him. The perfect temptation.

I would also like to point out this sentence from Wikipedia regarding the sirens:

"Some post-Homeric authors state that the sirens were fated to die if someone heard their singing and escaped them, and that after Odysseus passed by they therefore flung themselves into the water and perished."

I don't know if Mr. Rivera-Herrans knew about this, but I love the idea that Odysseus was responsible for their death both in the Odyssey and in EPIC. The only difference is that he was indirectly responsible in the original, while in EPIC he's a ruthless beast ready to slay the sirens firsthand.

Speaking of that, I really appreciate how his crew united around this new version of their captain. He's a "man-made monster" and, as someone on Tumblr pointed out (can't find your post anymore, I'm so sorry!), this can both mean "a monster made by a human" and "a monster in human shape" and they both perfectly sum up who Odysseus is now. Still, they accept this and actively support it... at least when the monster's ruthlessness is directed towards others. They will regret that soon.

One last thing; I like to think that the last line "Odysseus" is a reference to King, because that's another song when he will "kill them all" too.

We're off to a dark start and I love it.

__________________

Scylla: her voice is haunting and beautiful and I will never stop falling on my knees weak with love for those incredible singers. Mr. Rivera-Herrans, thank you for always finding great voices.

I also noticed how, from the moment Odysseus decided to become a monster, the monsters/powerful figures started to understand him. We will see this with Zeus too, but we see it way, WAY more with Scylla.

Odysseus barely talks for the entire song. He says three lines only. But he doesn't really have to talk, because Scylla perfectly explains everything that is going on in his mind.

Odysseus says he doesn't have a lot to say? She says he's hiding "a reason for shame", because he already planned the death of his men.

Eurylochus confesses he opened the wind bag? That left Odysseus "feeling betrayed" and "broke the bond of trust the two men made".

Eurylochus is sorry? Still, Odysseus already made up his mind to sacrifice these men and, since now Eurylochus confessed his betrayal, then he can be one of those six. As Scylla says, "There is no price we won't pay" and "We only care for ourselves".

About the last part, I love how cool and dark her voice is, so driven by bloodlust... it's perfect. And it still explains what Odysseus feels, the heaviness, the regret, the sadness: they're still his men, his companion, his brothers. And if all other times their death was unintentional, this time he actively betrayed them.

But still, despite what he feels, he did it. Because "We must do what it takes to survive". And so he did: in order to survive, he sacrificed the expendables.

And yes it's dark and terrible, but it's also perfectly coherent with the character he is now. He knows he has no chance against Scylla and he must pay a price. He knows must survive, to come back home. So, he decides to pay that price and sacrifice six men, to save more - and most importantly, to save himself. Because in the end, it's like Scylla said: everyone wants to survive. Homo homini lupus.

Even darker. Love it.

(One tiny mistake I would like to point out, because it's the second time it happened: "We're lonely demons from hell", what 'hell' are you talking about, Scylla? Maybe the Christian one? Because I can assure you, there's no 'hell' in Greek mythology. But okay, fine, I'll let it pass, because I've seen this same mistake in a lot of works too - especially fantasy stories with a made-up religion, mentioning a 'hell' that doesn't exist)

__________________

Mutiny: as said before, in Scylla (and in Thunder Bringer) we see the monsters/powerful understand Odysseus and see through him. Here, on the other hand, we see how Odysseus' crew doesn't understand him anymore.

Once again, I love it because it makes sense! Odysseus decided to become a monster, so of course now he's more similar to their enemies, than to the other humans. He's driven by one thing only: home. Empathy, kindness, brotherhood, nothing else makes sense anymore, except for home.

It was still okay, when Odysseus directed his ruthlessness towards their enemies. The problem rose as soon as he directed his ruthlessness toward his own companions.

Why? Because of intentionality. When Odysseus' (and Eurylochus') actions led to the death of most of the men, it was never intentional. It was always a mistake. A mistake he paid dearly, but not something he wanted. Hence why, despite blaming and probably having a grudge against him, the crew never rebelled against Odysseus.

This time, it wasn't a mistake. This time, he purposely sacrificed these six men. And he didn't do it to save others, he didn't even try another plan: he did it, because he had to survive. It wasn't even for his own crew: it was for himself.

That's why, despite six being way less than 500+ held more weight for them. An unintentional sacrifice means "I've tried hard to save everyone and failed"... but an intentional sacrifice means "I'm willing to kill everyone, to save myself".

So, we get the sun god's cows. And considering the premise, this episode is even more impactful. It's not just "Odysseus' men are fucking idiots and ate the cows despite knowing they were the sun god's cows". It's a crew of tired, broken people who went through a lot of shit and have lost all hope of coming back home. They're just men.

And so, as men, they make a mistake. They forget how powerful and vengeful gods can be.

But if they forgot, Odysseus did not and the last part perfectly shows his fear, the sense of urgency, the dread. He knows who is coming, everyone knows it and there's no need to tell who is coming, because everyone just knows he will come and that silent threat is enough to make them run away as fast as possible.

Jsut not fast enough.

__________________

Thunder Bringer: the other songs might just be good, but this one SLAPS SO HARD. I love dramatic songs and this one is INCREDIBLE. The singer's voice is deep, rich, powerful. It's truly a thunderous voice and you immediately know who he is.

That's another great choice: no one calls Zeus' name, nor introduces him. All other gods were announced by something/someone or introduced themselves - but Zeus doesn't need to. He's THE king of the gods, he's THE powerful one. He doesn't need others to tell his name, because everyone knows who he is.

And that makes him SO. FUCKING. COOL. Also because, consider what he said. He didn't tell "I'm pissed" or explained why he was there and his motives. He doesn't need to explain his motives. He just said "I'm here and someone will die, make your choice".

This alone emphasizes the sheer power this figure has. He doesn't need to justify his actions to the mortals: the mortals already know what they did. He's just here to deliver. As he said, he's "the judgment call/The one who makes her kingdom fall".

This is great too, because it's what Zeus does in myths too! In most of the myths, the final decision is up to Zeus: he decides who should be punished or rewarded and his choice is final. (Only the Moirai are above him, but they represent fate and fate was an unmovable aspect of life, so they don't count.)

And the whole metaphor Zeus uses to talk about pride is great too. Sure, it's sexual, but I wouldn't expect less from the guy who fucks everything that breathes. Still, the main focus is not on how much he wants to fuck (which is what most of the people who do rewrites focus on), but on his power. And, in this case, on his ability to unmask every pride and every pretense, to show people's true colors.

Just think about it: when he asks Odysseus

If I were to make you choose The lives of your men and crew or your own Why do I think they'd lose?

he's literally revealing his true colors.

As said before, Odysseus has ALWAYS been obsessed with coming back home to his wife and son. He said it during the Troy Saga, he reconfirmed in every saga: he fights for Penelope and Telemachus, because he wants to come back to them. His crew is made of his brothers and companions, sure, but he never said "I will come back home with them". He always said "I will come back home".

What Zeus is doing now is revealing who Odysseus has always been. He's giving him a choice, already knowing what the answer will be, because he wants him to admit who he truly is.

Do you know what that reminds me of? Berserk. I haven't read it in full, but I know the story and if you've read/heard of the Eclipse Arc, you know too and you understand what I mean.

If you don't know (and don't care about the spoiler - otherwise, skip the next two paragraphs), Griffith is the leader of a powerful army and, during the story, he talks about his dream and how he's willing to sacrifice anything to his dream. His companions? He owes them, he says. Why? Because they sacrificed their own dreams, to help him achieve his. They died, to let him follow his dream. So he needs to fulfill his dream, otherwise their deaths would be in vain.

And when everything goes to shit and after he loses everything and gets one final chance to fulfill his dream, but the price would be the death of ALL of his army... he does it. He willingly sacrifices them. Because that's who he has always been. Because that's what he has always done. Because his dream has always been more important than everything else.

Back to Thunder Bringer: I also love how all voices softer and more subdued, in contrast to Zeus' thundering one. It's a wonderful effect, it emphasizes how "huge" he is, compared to mere humans. Odysseus can't escape, no one can. The tears in his voice are full of pain. But he already made his choice back in Troy - he made it even before sailing from Ithaca.

Now, his nature has finally been revealed. and he will deal with the pain it brings.

But hey, he's not the only one to do it. You have to deal with it too, because, as I said, sweet angst is sweet and these songs are bangers. So listen to them, stream them and shower Mr. Rivera-Herrans with love because he deserves it.

And also, don't forget to stream the new versions of the Troy and the Cyclops Saga! They're new, updated, more beautiful, with better sounds and, most importantly, the revenue will go to Mr. Rivera-Herrans' company and not to the old company that never gave him a cent for them. Fuck them and their greed, this man deserves money and credit and to work on more cool stuff.

Now, if you'll excuse me, I'll do my 30th listen of Thunder Bringer...

[matan4il]

Daily update post:

Yesterday, there was a terrorist attack, two people were stabbed in the area where my mom's cousin and his wife live. I found out about it as I was returning from a medical appointment, going through a road where in Nov, a terrorist shot to death a young Israeli man.

Based on what the IDF has found of Hamas' armaments (which surpassed Israeli estimates), based on how things stand now, Hamas would be capable of continuing to fire rockets into Israel for at least 2-3 more years. That's why, even as the fighting continues, there are new defensive measures that will be built along road 232, the same road mentioned in the NYT's article about the Hamas rapes during the Oct 7 massacre.

Speaking of that article, apparently despite the insane amount of evidence in it, and mentioned recently in regards to the subject of the rapes, some are trying to deny that this part of the massacre happened. This is a perfect response (IMO) from feminists.againstantisemitism on IG:

Cyberwell, a watch dog that monitors antisemitism on social media, has reported a sharp rise in antisemitic posts since Oct 7. And not just of the new, anti-Zionist kind. There has been a rise in 1000% in posts accusing Jews of killing Jesus (yes, the Jew crucified by Romans almost 2,000 years ago... funny how you never see people going around saying Italians killed Jesus... almost like the whole thing isn't about who actually killed Jesus, and more about providing yet another excuse for antisemitism, a hatred that pre-dates Jesus), and 1600% in the hashtag saying that Hitler was right, the guy whose antisemitic, genocidal ideology, the attackers, maimers, rapists, kidnappers and murderers of Oct 7 would happily co-sign. All of this, while the world appropriates the Jewish slogan "never again" to use against Jews defending themselves. Make it make sense.

And here's a reminder that what starts online, doesn't stay online. There have been unprecedented levels of antisemitism in many places, including in New Zealand. What got to me the most is the report on antisemitic incidents targeting school kids, and that only 40% of parents report these (sometimes 'coz previous cases have not been treated right, or the school is seen as being ill-equipped to deal with antisemitism). A 2021 survey found that 60% of New Zealanders agreed with antisemitic statements, so it might be argued that this recent outburst has been waiting to happen for a while, just waiting for an excuse to.

Here's another piece that I sadly could only find in Hebrew so far. It reveals some more of the interrogations of Hamas terrorists, this time covering how Hamas terrorizes civilians in Gaza. Here's my loose translation of a testimony's summary, from a Palestinian Islamic Jihad terrorist (Muhammed Darwish Amare). It can be found (with the full testimony in the vid and appearing) at the above link: "Someone told me that they took explosives, to place them from his apartment to a spot 2 meters (6.5 feet) away from him. The man came down and told [the terrorist]: 'Oh man, how are you placing the explosives by the door, and then if they explode, my kids and I will be gone.' He responded, 'If you don't like it, then get out of here.' The apartment owner said to him, 'These are my kids, this isn't right,' and the explosives placer replied, 'I will lay them even if you don't like it, and I will even place them between you and your wife.' Then he took out his pistol and shot the apartment owner in the leg."

Another testimony, found at the same link, this one is of a former Hamas member (Zuhady Ali Zahdy Shahi): "I felt that we civilians are human shields. Why should we protect them? We want to be saved, too. That's Hamas' mistake. People left their house [during the fighting], and there was a safe passage, because the army told us to go south, that there will be food and water there. They drew a safe passage for us, and then we ran into [Hamas terrorists], who made us go into one of the neighborhoods. They told us, 'No one is going south, there are bombings, and no one can continue on the street.' We went into the Shifa hospital, and we got stuck inside. [The terrorists] sat among us, with the civilians. They were scared of the soldiers. I even argued with one of them, and told him, 'Your place isn't here, with the civilians, but downstairs [in the terror tunnels].' He told me that the moment the war would be over, he will punish me, he started threatening me." When asked what he thought of the IDF, Shahi said, "Truth is, based on what I've seen, I wish you would stay with us. If they would have stayed where we lived, we wouldn't be starving. The moment the army came into Shifa, we were scared of what would be done with us, but it was the opposite. They brought us food and water, and sat with us. We felt safe."

This is 56 years old Ilan Weiss.

His 53 years old wife Shiri and 18 years old daughter Noa were kidnapped by Hamas, and released in the hostage deal. Ilan himself, who was a member of the emergency team at kibbutz Be'eri, left his house on the morning of the massacre, as first reports came in, and wasn't heard of again. He was considered missing (meaning, it was unknown whether he was kidnapped or killed on Oct 7). Today it was announced that his body was identified, and he had been murdered during the massacre. May his memory be a blessing.

(for all of my updates and ask replies regarding Israel, click here)

[leafington]

𝙪𝙣𝙙𝙚𝙧𝙬𝙖𝙩𝙚𝙧 .ᐟ - kei t. 📼 ; 001

ᐟᐟ☆ fun facts 🥂

₊ ⊹ yuki, cyuti, and yn have trained under the same company but they didn't know each other until final selection pre-debut. ₊ ⊹ MELODEE has a count of ten scandals within the three years of their debut. The one yukimura is referring to, regarding hoshima, is projected off by their company as something mild as a mere misinformation, but only the two of them know the explicit details. ₊ ⊹ while we're on the topic of her (hoshima), when she says "You'll end up like me." she's talking about how both her and yn are basically neck-and-neck for total scandals. (hoshima has 4 and yn has three.) ₊ ⊹ yukimura is in a relationship with another idol. ₊ ⊹ there's a popular interview roaming the internet from about 6 months ago that has cyuti saying "I love the girls." then playing it off by hugging the group, but fans know she's gay LMFAOAOOOO ₊ ⊹ yuki and yn have a similar dynamic to tamaki and kyoya from ohshc ₊ ⊹ yn went through ALL of tsukishimas posts, highlights, and viewed his story for the day. bonus, ran around her hotel room a few times trying to build up the courage to send that message

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play the next tape? ──── yes. / previous.

current taglist! - @eujoana89 @cr4yolaas @nbcvs @muskratlove @phoenix-eclipses

©2024 leafington dont steal please!! :)

[spaceorphan18]

The Lady Whistledown Papers : 1x07 Ocean's Apart (Part 2)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Ocean's Apart

It just occurred to me that this scene does not take place in the normal Bridgerton drawing room. Is this Hastings House? Or another room in the Bridgerton home? I haven't paid enough attention to Daphne's story line to notice.

Anyway... Daphne makes good on her promise and has arranged a meeting between Colin and Marina. And I should note the title of the episode -- ocean's apart. It is, of course, a nod to Daphne and Simon's issues, but also to Colin and Marina. And... as I brought up in the previous post -- a nod to the Leander and Hero myth, where the two lovers are split by the ocean. Simon and Daphne, obviously, will find their way back to each other. But Colin and Marina truly are ocean's apart. They are just not meant for each other, and this scene is going to close the book on their romantic story.

Colin starts out by asking for confirmation about the pregnancy. But his wording of it is interesting -- Lady Whistledown cannot be true. Right? Right??? He's so deeply in denial, despite everyone around him telling him otherwise. There was an ounce of hope he had in the faith he had in his own love that the pregnancy was a made up lie to scorn him (them).

Marina is done with the lying. She didn't even want to be there, and is only there because Daphne requested her and she can't really say no to a duchess. She tells Colin the pregnancy is real, and Colin's whole world shifts in that moment (and a nice bit of physicality as Colin himself shifts).

He kind of stutters, asking her really - you're with child? He looks her up and down, too, as if wanting physical proof of this.

Then he says something that is very telling -- 'I do not understand, we were to be wed. You said you loved me.'

And this is where Colin's romantic nature is his undoing. First of all, marriage and love are inextricably linked. You agree to marriage than you agree that love is its basis. In a time where it really was rare, that is one of the values that is at Colin's core. And it shakes him to his very core that Marina lied to him.

Marina tells him - I hold you in the highest regard. Admitting, though, that she does not love him. And that is when Colin's heart is truly breaking. If she had been pregnant and still wanted to get married, was actually in love with him, he could continue playing the romantic hero, could continue drowning in his own love. But she's ripping the mask of the rouse now. She used him, yes manipulated him, and yes used his own love to her advantage.

He gets angry, but it's retrained but emotional. Colin isn't a lash out kind of guy, not like Simon or Anthony. But he does show his hurt visibly, and the words come pouring out as he tries to sort out the situation. He is at an utter loss that she doesn't feel the same way, he's processing all the lies, and claims she's committed a great sin - and it's funny, that yes, the sin is being with child out of wedlock and using someone to cover it up... yes, the sin is, in general, lying. But what it is the most for Colin -- what hurts him the deepest, is lying about love him back.

Colin lives for love. He feels love deeply. He wants to be loved back just as deeply. And for Marina to cast that all aside, to claim she was not there in it with him, feels like the biggest part of the betrayal.

Marina lays down a huge dose of reality though. She stands up for herself, claiming she's not going to allow herself to be shamed by either Colin or Daphne (who isn't really reading in the corner). And while they may think she's a villain, the situation just isn't black and white like that. She takes a moment for herself, when she says that no one ever led her in the right direction, and no one taught her any better - so she's been trying to do what's best for herself.

And it's important to note that Marina did like Colin as a person. She picked him because he was kind and empathetic. That she does appreciate the depth of how he loves. But in all of this, not only was she needing to look after herself and her unborn child, her heart had been utterly broken. And she just cannot with the idyllic love. She cannot with how Colin lives in the clouds with his fantasies. Her reality is a much, much darker place.

The more she talks, the more his heart breaks, and you can see him start to well up. And this is when the emotion, the betrayal, the hurt, the anger really come out. He mocks her a bit when starts saying that he should feel lucky that she chose him? And, it's interesting, as he yells at her, it gets more emotional and for a moment slightly unhinged, and then he immediately pulls himself back and recomposes himself. Another reminder that even at the height of emotion, Colin always pulls inward.

After he collects himself, he tells her, basically, that he's done with her. (It's deliciously dramatic, lol)

She doesn't really have anything else to say, either. But she's upset, too. It's an emotional confrontation. She's sad for herself and her situation. But she truly never really wanted him to be hurt by any of it either. She wasn't being malicious. She was looking out for herself. And now it's all unraveling and she's alone again.

As Colin moves to leave, he pauses and turns one more time to her to say -- the ironic thing is that if she had told him about her situation, he'd have still married her. Because he loves her that much.

And here's my thing about that....

First of all, note the present tense when he says 'that is how in love I believe myself to be'. His heart is shattered, but that love he (thinks he) feels is still very real and still very present. And it's going to take going to Greece to get over it (and even then he won't really be over it until she again firmly shuts the door on him a second time).

Colin loves love and wants love so badly that he's holding onto things that aren't good for him because the alternative is not having that love at all, and he really just doesn't know what to do with it.

The second thing is that hero complex that's coming into play -- the fact that saving her from her predicament means that he'd have self worth. He places a lot of his self worth on his ability to help others, and it's reiterated in this sentiment. If you hadn't deceived me, I would have helped you, I would have been your hero, I would have done anything and everything for you. Because Colin seems to believe that is conditional - and if he isn't helping you, isn't saving you, well then, what good is he? (ah, we will be revisiting this later...)

But here's the thing, the thing that really gets me. As romantic as this sounds? It's TERRIBLE.

If Colin had married Marina, either knowing or not knowing of the pregnancy, he would have ended up utterly miserable. His love would always be unmatched. Even if she did grow affection for him -- and who knows, maybe she would have, but I kind of doubted it. Colin is a bit smothering when in love. And he really needs a partner that not only can cope with that, but doesn't mind getting lost in that themselves.

Not only are Marina's feet a bit too firmly on the ground (she is a practical realistic, who would always burst Colin's bubble) her heart belonged to another and it got shattered. And I don't know that she'd ever really allow anyone to hurt her in that way again, so there'd always be something between them.

Their marriage would end up being incredibly cold. Marina would push him away. Colin would become resentful. And he'd probably throw himself at his kid or traveling or whatever work he could find. But would never really feel that sense of connection that he so desperately desires.

Marina only sees him for her use to him, not for who he is himself. And he may not realize it yet - but he does need someone who likes him for him, not someone who needs him.

But... (I say because I can't shut up about this scene) Colin needed to go through this. It's not a bad thing that he's dosed with reality every once in a while. It's not a bad thing that he gains the experienced of not having been loved back. It's not a bad thing that he learns the difference between infatuation and real love - because he'll be able to recognize real love for what it is when it finally presents itself.

It's all, really, a part of growing up. And Colin is, after all, a young man in that awkward stage between child and adult, where you do go through all of this stuff.

So, we end the scene with a heartbroken Colin rushing away. This is the last time they'll see each other (until Season 2), and it closes the book on the Colin side of this story. (Marina's story will go on without him now...)

But this whole experience not only gives great insight into the type of character he is, but it's going to shape his world in a fundamental way, and have effects to his stories in later seasons.

And... that's where I'm going to stop for now.

[alice-after-dark]

One Day I'll Do a Proper Ship Meme But for Now Here Have My Vox Agenda

Thoughts/headcanons/rambles under cut

TW for abusive StaticMoth and Vox having been a bitch to Sir Pentious.

Alastor/Vox - Do I really need to explain this one? Are you new here? I'll just direct you to search "radiostatic" on my blog. I̸͎̝͛́ ̷͙̲̊̄͐l̴̮̲̭̍͌͆ȏ̶̜v̵̞́̑͒̆e̷̡̡͉̰̍̽́ ̷̇͝ͅt̶̡̛̬̖͓̆h̴̠͎̞͕̑e̵͕̼̜̘͆̈́̃̔m̷̤̜̒

Valentino/Vox - Again, unless you're new here, you'll pretty much know my thoughts on them. Check out my "staticmoth" tag and you'll understand.

Charlie - I see so many parallels between these two and I desperately want them to officially interact in season 2. They're on completely opposite ends of the spectrum and aaaahhhhh I just want to see Vox's cynicism clashing with Charlie's idealism and it could be so good you guys. So good. I do also really like the idea of Charlie being the catalyst to Vox realizing just how much he's changed since arriving in Hell (like he used to enjoy the TV scene for the pure creativity of it and now that's all been replaced by the cold corporate greed).

Vaggie - Honestly, I just think it would be interesting. Also I really hope Vaggie doesn't have a carbon-copy reaction to him like she did Alastor. As I mentioned in a previous post, while yes, she might be cautious, she has less of a reason to be so hostile towards him. Plus their mutual dislike of Alastor would be a bonding moment, but also presents an opportunity for Vaggie to find out more about Alastor (albeit from a biased party).

Angel - I've brought up inklings of these two before, but I think them having a very complicated relationship due to their mutual connection and experiences with Valentino would be interesting, especially in regards to how they both handle it in similar yet different ways. They both bury their pain, Angel by leaning into the sexuality, drugs, and alcohol to forget how much he hates it and Vox by refusing to even acknowledge that he's in pain at all. And Vox's refusal to acknowledge it also makes him complicit in Angel's pain as well. He could do something, could try to stop it, but he doesn't to protect himself. I think seeing the two of them try to heal side by side, both from their issues with Valentino and the issues between each other, would be fascinating.

Husk - Knew each other from back when Vox and Alastor were still friends. Husk calls him "kid" (Vox was in his 30s when he died in the 1950s while Husk was in his 60s when he died in the 1970s) which annoys Vox as he doesn't think he's that much younger than Husk to warrant being called a kid. Vox knew him as an Overlord and was very shocked and kind of sad when he found out about Husk losing his soul to Alastor some time after their falling out (just one more thing to embitter him towards the Radio Demon).

Niffty - Anyone who has been on my blog when I started posting about Hazbin Hotel knows it started with these two. I think a dynamic between them would be fun and interesting to explore. Like Husk, she knew him from back when he was friends with Alastor. I like to think that Vox was literally there when Alastor brought her home with him ("What is that?" / "I'm calling her Niffty! Isn't she precious?" / "She is actively biting your arm." / "What a darling little thing!"). He was a little weirded out by her at first, but has since grown to care for her as much as Alastor does. Despite her size and lack of power, Vox fully trusts in her ability to take care of herself...he's seen things that can't be unseen.

Rosie - Vox definitely respects her for her ability to keep such tight control of a horde of bloodthirsty cannibals and actually turn them into a polite society. Despite not being very physically strong, her charisma and drive keep her on top and well respected. I like the idea that he met her through Alastor when they were still friends and though he hasn't really engaged with her too much since the fallout, he does still hold respect for her and frankly won't tolerate anyone disrespecting her. She is the only one outside of the Vees who knows about Vox practicing using his electrokinesis to heal.

Mimzy - They're not exactly friends, but she will not hesitate to approach him if she sees him. It's Mimzy so she absolutely expects special treatment. She's way more up front with him about wanting something than she is with Alastor simply because she knows Vox operates differently than the deer demon. If she wants something, she's gotta be prepared to pay up in some capacity, but Vox is usually willing to be flexible in terms of payment because she has her uses.

Sir Pentious - Okay, so I know this one is a bit awkward cause it would involve Vox actually apologizing to Sir Pentious for the cruel things he said and telling him to unalive himself, but I really think they'd be interesting. They're both innovators and creators and the two of them combining their skills would be both awesome and terrifying. I do think that Sir Pentious, while he does think all the Vees are incredible, idolizes Vox specifically for these exact reasons.

Velvette - They're both bitches, but they love the other for it. Can snark at each other for hours. They're the two who get shit done, even if Velvette can sometimes take her bitchsona a bit too far and Vox has to reign her in. Politics aren't her strong suit, but he can always count on her to take care of the business side of things.

Zestial - Based on my recent post about them, I like the idea that Vox has a respect for Zestial that he doesn't give to most other Overlords (Rosie being the other exception). Sure, he'll play nice and professional with them, but he doesn't truly respect them like he does Zestial and Rosie. I honestly see them having a mutual respect for each other (though Zestial wouldn't say he approves of Vox's choice in colleagues) and we do see in that Zestial can be a little sassy so I 100% believe if Vox had been present during the Overlord meeting in episode 3, Zestial literally would have ignored Velvette entirely to speak to Vox about the angel's death instead (and we all know how much Velvette would have just loved that).