#.............. i have so many thoughts

[venusbyline]

god bless my autistic husbands <3

ib: 💌

[existential-queeer]

Ok ok ok I despise Gerard and wish him nothing but the worst, but here's all the GOLDEN scenarios we could get from this moving forward:

- Gerard sees how close Buck and Eddie are and begins to make jokes, pissing one of them off (let's be real it'll probably be Eddie) and then they get protective

- Gerard finds out Buck and Tommy are together and gives him shit for it and won't let it go, pissing off everyone but especially Eddie and Tommy

- Continuing the last one, Tommy finds out what Gerard is doing and charges into the fire house to scream at him because he can't stand to see Buck be broken down and berated the way he was. We heard more in this episode about how Gerard treated Tommy and knowing that Buck has to be on the receiving end this time sets him off and he won't allow it (please god give me protective Tommy I BEG)

- Gerard sees Buck and Tommy together and makes a homophobic comment or something along the lines of "I always knew you were gay, kinard" (but make it even more cruel and vicious) that sets Buck off and he starts berating Gerard for everything he ever did to Tommy

- Gerard openly bashes Hen and Buck for their sexuality and so for Pride Month, they decorate the station in rainbow colors and even when Gerard takes them down, they come in early everyday to put them back up, just to piss him off

- Eddie comforting Buck when/if Gerard makes his life hell (the buddie content we could get from this is sending me into cardiac arrest like bobby)

- DOUBLE BONUS POINTS if Tommy and Eddie come to Buck's defense

[another-lost-mc]

thoughts on obey me as an actual game? anything u wan a change if given the chance?

it honestly makes me mad everytime i think about the obvious lack of effort for world building but specifically for the nobility plotline... sooooo underutilized it's upsetting. like i've read isekai manhwas with better use/grasp of the nobility and political climate... also (can't remember if it's from swd or nb) the fact that lucifer and the brothers' are basically living off an allowance/salary set for them by diavolo is just... ugh. they couldn't have given them actual positions with titles ??? they couldn't have brought their title as princes/lords of the underworld into play ??? like i get they did it for the game, for shits and giggles and idk maybe it's just me lawl

sorry for ranting lmao i've sent asks a couple times and i quite like your insights and takes on things. was wondering if you'd have anything to say 🫡

I love talking about this stuff! I know it's a dating game and the lore/world building is basically an afterthought because the game's focus is on MC's relationships with the characters now, and not necessarily on the world/characters before MC existed or became involved.

I've mentioned before that the world feels really empty to me at times because they don't really talk about characters that exist (in a meaningful way) unless they're the established dateables (or soon-to-be dateables) for MC. Many of them are nameless demons/angels (the demon lords, the owner of The Fall that's been mentioned more than once by his title but not name), generic sorcerers and angels we know exist in the other realms. (For some reason, Uriel has been name-dropped twice with very little info besides that.)

Part of my motivation for developing the angel/demon OCs is to give more context and depth to the world that MC interacts with, even if they don't necessarily interact with MC in their own day to day lives. There are countless Devildom businesses that keep the realm running – who owns them? Who are the demons that develop their technology and vehicles? Who are the demons that acquire the raw materials used to build these items, or design/build the Devildom's architecture and homes? Who are the professsors at RAD and the other students? They're probably not all demons born from nobility, so where did they come from? What do the parts of hell outside the Devildom metropolis look like? Do they live on other levels? Rings? How easy can you travel between them, or why would you want to (or not want to)? Who are the demons that make up the demon armies and where do they live? Also, how in the world did Solomon end up in pacts with so many powerful demon lords, and now that he's not a power-hungry king, how do those pacts serve him (and the demons he's bound to)?

So yeah, maybe I think about the game world a lot because there's so much potential that goes ignored. I understand that the game isn't meant to be an in-depth look at the Devildom or Celestial Realm outside of what's relevant for character development or plot purposes, but it would be nice to have answers for some of the obvious questions that come up over time. Some of the information we're given in Nightbringer feels incomplete or doesn't match the tone/characterization we were presented with in the OG game either which makes me worry about continuity issues and retconning going forward.

(This got long so the rest is going behind a read-more link. lol)

When I started developing/outlining The Fall, it was meant to be a personal interpretation of the game's lore and my own creative spin on filling in all the gaps. At the heart of it, it's a love story between two angels-turned-demons. But the worlds they live in change over time, and there's a lot of nuance and deeper insights to explain how and why those things happen.

Some of the topics I wanted to explore in this project include:

Rank/power structures in the Celestial Realm. Basically, how do the various ranks of angels interact with each other, and how do they view angels with ranks higher or lower than their own?

Xenophobia. How angels and demons interact and perceive the other races/species. Metatron is an angel that was originally born as a human and ascended to the Celestial Realm after being chosen by Father to do so. Knowing that, how does his former human life impact what other angels think of him, if it does at all? (Spoiler: It does.) There's also significant issues that come up with the arrival of fallen angels, although Meta and Azra falling has very different reactions compared to Lucifer and the others later.

The role of the Seraphim. This story begins before the Celestial War with Lucifer, so he and Michael are still the two primary beacons of power in the Celestial Realm. How often do they agree or disagree on handling disputes, and how do they resolve their differences of opinion? I also wanted to explain the role of other Seraphim – basically, it's not just Michael or Lucifer calling the shots, and the other Seraphim are expected to lend their voices to discussions/debates about serious matters and it's treated almost like a council where majority vote wins if they can't all agree on something.

Side note: I really don't like the idea that Michael (or any of the other Seraphs) are free to do whatever they want without any sort of accountability or repercussions. I think the things Michael might want to do (ex. sneaking into the Devildom in disguise) and what he should do (literally anything but that) are two completely different things, and being emotional/grief-stricken isn't a good excuse for a leader that wants to YOLO his way through his problems when he has an entire realm of citizens he is responsible for. Gabriel is my solution to some of Michael's emotional impulses and rash decision making. He's the angel OC that acts as Michael's voice of reason when he struggles to separate logic and reason from emotions. He keeps Michael in-check when he wants to do things that are too erratic or personal, but he whole-heartedly supports Michael's plans or ideas that benefit the Celestial Realm. I like to imagine Gabriel and Barbatos are similar in that way and have the potential to be good friends as they bond and commiserate over their loyalties to leaders that sometimes act like spoiled children.

Fallen angels in general. There are a lot of fallen angels besides Lucifer and his brothers. Meta and Azra are two angels that go through the process of falling together and I had a lot of ideas about how I think that looks on a physical and spiritual level. There are differences for angels that are cast out by the Seraphim for breaking the rules/putting the Celestial Realm at risk vs. angels that choose to fall vs. angels that are punished by Father for defying him regardless of what the Seraphim choose. Azra and Meta's motivations and reasons for how/why they fall are slightly different, and how that plays out (and the impact on the angels left behind) are different too. They don't have a pre-existing relationship with Diavolo to pave the way for their new lives in the Devildom either, so how do they cope? Who helps them start their new lives, and how do they navigate being strangers in a foreign land while undergoing the physical and emotional changes of becoming demons? Diavolo's father is still the Demon King when they fall and it's only Belial's involvement that keeps things from completely going off the rails after their arrival. The fact that Belial himself is a former angel has its own significance. There isn't a manual or one-size-fits-all approach to this either, and Azra and Meta demonstrate how the Devildom's negligence of their newest citizens can lead to disastrous results sooner or later.

Navigating tension and conflict between the Celestial Realm and Devildom. There is violence that breaks out between the two realms, so how does the Celestial Realm respond to that sort of crisis? Once in the Devildom, there's a glimpse of how the Demon King (Diavolo's father) handles these developments and why the conflict happened at all. (Spoiler alert: Belial is an antagonist in this part of the story for a reason.)

What is Solomon up to? He has all these pacts with powerful demons and he's no stranger to the Devildom, so of course he's going to be interested to meet some new fallen angels – especially one with as much power and common interests as Metatron. Solomon is very human in this story too. He has his own selfish motivations for getting involved, but he also shows genuine care and concern for those he considers friends. He gets involved maybe more than he should, but for good reasons. He's a useful bridge to help the demons understand some of the obvious implications of having ex-angels living in their world. He also manipulates things a bit behind the scenes because of his connection to Barbatos (and therefore Diavolo) but there's no immature feud souring their relationship in this story. (Gonna be honest, I do not think Barbatos's problem with Solomon had anything to do with his place on Solomon's list of demons.)

Lesser demons and the nobility. I wanted to explore the lives of lesser demons versus the lives of noble demons. Where they live, what they do for a living, how they view demons of higher/lower ranks than themselves and other races. Zee's an example of a lesser demon who does whatever he needs to do to earn a living for himself, and Azra doesn't have much clout behind him so they almost meet each other as equals. It's an interesting look at their friendship and the way connections to more powerful demons (like Belial) help them both make better lives for themselves in the central Devildom where they eventually grow their business and social reputations. Meta, despite being a fallen Seraph, has practically no motivation or reputation to speak of and this has its own consequences later. But Zee's not the only lesser demons in this story, and if you thought the nobility in Nightbringer had problems with fallen angels, the lesser demons are far more hostile towards them – they're the ones on the front lines whenever war with the Celestial Realm breaks out, so its understandable they might not be very welcoming. For the demon nobility, the ones that aren't actively criticising fallen angels are mostly indifferent to them, but that's not such a great thing either.

There are other areas I wonder about that I don't explore in The Fall, but I hope to do so for the various OCs and their stories. The Devildom's power hierarchy/use of titles is one of them. The demons of the Ars Goetia all of their own armies at their disposal, and some are dukes while others are kings. That doesn't seem to have any meaning or impact in the game world, but surely there are ways that can affect how the demon nobility interacts with each other? It certainly made a difference to Solomon, I doubt he would've wanted so many pacts if the demons didn't have anything to offer him at the time. The how and why of Solomon's pacts is it's own area of exploration, which I hope to do with Belial and Bathin.

[milchreste]

[echosbento]

Normally when the bats had to work with the Justice League, Jason was left out of it. He was violent in a way they didn't approve of, and didn't exactly like mincing his words. But this time, apparently they were working with someone from a more violent culture, and they thought Jason could bridge the gap.

The Ghost King they called him, or just the Phantom. Apparently he was the resident hero of the afterlife itself and the ghosts currently terrorizing New Jersey, New York, and Ohio were his jurisdiction. But they were clearly targeting Justice League affiliated locations, so the idiots in spandex wanted to work together. And in ghost culture, physical violence is a show of respect or even a form of affection, so Jason had been called in. A few years ago they probably would have called in Damian, but the kid was currently having a morality crisis as he realized he wasn't as okay with murder as he thought. Fair, Jason guessed. He'd done pretty much the exact opposite after all.

"So did you guys actually establish contact with this Phantom guy, or did you just leave a note and expect him to follow it?" Jason gave the idiots a Look, because it really wouldn't be the first time it was the latter.

"We established contact Hood, gods just wait like thirty seconds." Fuck these moral high-ground types were the fucking worst.

"We've been waiting here for two hours, I have a right to be a bit snippy." Of course, as though to mock Jason specifically, a glowing green portal opened up as soon as he'd spoken. And out walked, wait-

"Danny?!"

"Jason?!"

Jason's twin brother.

[lavarad1o]

minor obsession doodles

[savagegood]

welcome to the nhl bottom training camp. i mean biosteel training camp. i mean. i. i mean.

[assignedpeanutallergyatbirth]

I just finished watching Dead Boy Detectives, and I really, really love how this show handled its queer characters.

It’s so interesting to me, because Edwin died in 1916, and while he wasn’t killed for being gay, his sexuality isn’t unconnected with how/why he died. But his whole arc in the season is about accepting himself and his feelings for both boys more generally and Charles in specific. And by the end of the season, he is able to discuss his crushes with Niko and confess to Charles, and even extend this acceptance to Simon—the boy who bullied and killed him. And in the confession with Charles, I think it is so beautiful that nothing changed— that Charles was so accepting not only of Edwin being gay but also being in love with him.

And I love the scene with Simon, and the moment that the show gives to Edwin, where he is able to accept that being gay isn’t a curse of inherently wrong. And after extending that acceptance to Simon, Simon is able to move on from his eternal punishment in Hell.

So this show does a really beautiful job handling internalized homophobia and repressed feelings, but, at the same time, it also has a really casual approach to queerness. It was never suggested that Jenny’s secret admirer could be a man, and Niko just already seemed to know Jenny was gay. And it was never considered odd or surprising by the characters that Monty and the Cat King could be attracted to Edwin. For a show that really treats Edwin’s journey so beautifully, there is just also a level of accepted queerness without homophobia which I found really interesting and enjoyable to watch.

[number-one-momfriend]

[fuckyou-saidtheraven]

Bruh the fact that you can feel Morpheus’ anger through the screen. You can see him tremble with rage as his voice becomes cold hard steel. We already knew Neil was right about what he said about Tom’s gravitas, but that scene was on a whole other level. Even I was terrified, Jesus Christ.

And you contrast that with how gentle he is with Calliope. How upset and terrified he is for her. How he actually begs her to accept his help, because he cannot bear to see her in this situation a second longer. How scared he is she’ll refuse out of pride as he did, because he’s been there and he knows the regret that comes after, and because he sees her imprisonment as so much worse than his. Because he knows Calliope, and it horrifies him that something like this has happened to her.

And at the end, you can really tell how part of him still loves her, and regrets so much about what has happened between them. Because like all his lovers, he’s given her a piece of his heart, and that will never change as the millennia go by. And for chrissake, their relationship lasted long enough for him to marry her, to father a son with her. To raise him and watch him grow up and be there with her and the rest of the Endless on Orpheus’ wedding day. And for Morpheus, even after thousands of years of bitterness and sorrow and regret, to come to her aid and demand she be freed, and to tremble even as she talks of forgiveness and presses her forehead to his cheek.

[crybaby-bkg]

just saw a video of this girl saying she had her first make out session with this guy and he came so hard that it soaked through not only his jeans, but hers too and may I just say. choso. may I say it.

[venusbyline]

my type: pretty boys who are professors, FBI special agents, ex-con, probably autistic and have real puppy eyes

[arrowsperpetualcringe]

HOT TAKE.... They'd be cute :]

[oakt733]

needles has the potential to be a genuine tragic character, someone (something?) who craves affection but is cursed to hurt anyone they touch, they can’t hold delicate things like balloons or paper because they pop or tear, maybe it hurts them if they move in certain ways. how log have they been Needles? did they grow up unable to play with other kids because of something they can’t control? did they seek love but was only met with rejection?

instead they are a cringefail loser

[nb-n0v4]

Hey Maestro I mean they

[dclovesdanny]

DC XDP prompt

OK, I made a similar prompt to this one for dead on Main earlier, but I want to slightly change it up

Demon twins AU where Danny was sent to the Fenton by Talia, so that Ra’s could not kill him. He and Damian both believed the other two be dead until about age 16, when they meet due to the justice league summoning Danny.

They did the whole reconciliation thing, but the world ended up going into chaos. The GIW destroyed part of the portal, damaging Danny’s grave, and causing him to go into something similar to shock, severely weakening his powers. The league of assassins also made a mess of things, and now Danny and Damian are the only members of the family who are still able to fight. Damian has just sustained a massive injury on his side, and Danny is getting sick the longer he goes without good ectoplasm, becoming almost feral.

Clockwork offers them a deal to go back, but their bodies will carry over all injuries, including Danny being half dead. They will also have to destroy the Lazarus pits, (in this AU, the pits are a natural portal that was forcibly anchored, making it very toxic ectoplasm, similar to mold and poison.) 

They accept, and Danny and Damian wake up. Danny wakes up alone in his room at 10 years old, and Damian wakes up in his bedroom first tonight he ever spent with the Wayne’s.

The problem, is that Jazz finds her brother crying in his bedroom, with lots of scars, and his eyes glowing green. She is trying to calm her adoptive brother down as he cries in her arms, but she can hear her parents downstairs talking about the portal flickering, and has a sinking feeling in her chest.

In Manor, Alfred has gone to wake up the new master Damian, only to find him staring out the window as he bandages an injury on his side that seems to have not been treated before. The angry boy from last night seems to be gone, and his place is a scared child, one who immediately goes into a defensive position when he notices someone entering, before calming when seeing it was only him.