#..somewhat. I'll try to be vague.

[princiere]

finished the new hsr main quest in abt 5hrs 👍 I'm so fucking unwell for various reasons

[novelcain]

Isekai'd to the West

You moved to the city in hopes of outrunning your past and starting anew. As it turns out, that’s a little easier said than done. But when a bad day turns worse, you are given the chance to redeem yourself by an unlikely benefactor. Should you except the burden of knowledge, you may be able to earn a second chance at life, but is it worth the hardships that lie ahead? Only time will tell. 

Masterlist

Chapter One

[svtskneecaps]

i still haven't gotten real baghera and rivers interactions have i........... like the barest of interactions......... a drought........... i was so fucking curious...... i am still so curious............ twenty minutes of conversation and i would be fed forever............ i'd never ask for anything again.... baghera wasn't even there when bolas was doing the whole hostage situation she was off doing her own thing.......... i'm so curious........... i want to know..... what would the dynamic be........ how would they interact............ i'll never know.............. crying...........

[insertsickusername13]

Promises Made on October 30th

title is the concept and summary bc i thought of the title before the concept of the fic. whoops.

warnings: implied abuse, alcohol is referenced and consumed but not in like a bad way (most of the time), no smut but there's one scene where they kiss and i describe it in a gross way for some reason and sex is talked about once or twice

word count: 3.6k

 Jake spent most nights alone. He had friends, sure, and plans most evenings. Dates with girls, parties to attend, and though he’d like to spend the rest of his life swimming in a fuzzy unconsciousness where he was only just aware of his existence, half passed out on someone else’s couch, dawn always sunk her rosy fingers into the horizon and one hostess or another was forced to give Jake a pitying look as they showed him to the door.

 My parents will be home soon, some would say, and Jake would leave with a bitter laugh. If he was lucky, he’d get to stay and help clean up. On the best days, he could sometimes sneak in a quick fuck with whatever girl was still around. 

 Most nights, though, he left before anyone had the chance to kick him out. He spent hours sitting on the floor of his living room, staring at the front door and waiting for them to come home. If he pretended hard enough, the pictures on the walls weren’t the most terrifying thing he had ever faced. Photographs from family weddings, birthdays, anniversaries, and award ceremonies all taunted him. His parents’ faces stared at him, scrutinizing every move as he trembled, cried, and broke down. Every sob echoed back like a bullet ricocheted off metal. He was sitting expressionless in the middle of a war zone watching soldiers (read: dreams) and civilians (read: his future) bleed out and die on the floor around him. 

 Despite holding onto the childish hope that things would get better, that the future held something more than loneliness for Jake Dillinger, there was still the undeniable truth that it wouldn’t. Jake was doomed. Life wasn’t going to be anything special for him—he was going to suffer and he was going to have to get used to it young. He hated his parents, himself, his girlfriend, his life, and his house. He wasn’t going to kill himself, he wasn’t a coward, but he wasn’t going to wake up every morning and fight to be okay. He was resigned to his sadness.

 Until Rich Goranski knocked on his door at 10 pm on September 17th and showed Jake that silence wasn’t the only thing that could exist in his house. 

 He didn’t wait for an invitation inside. The second Jake had opened the door, Rich pushed past him and into the kitchen. He wasn’t quite fast enough for Jake to miss the bruises on his cheekbones or the way he favored his right leg over his left. Jake cataloged the injuries and promised himself he’d ask about them later. 

 “The hell are you doing here?” Jake called after him, his tone tipping over the border between annoyed and concerned.

 Rich shrugged and settled on the kitchen counter. He seemed to only be slightly aware of Jake’s presence, more focused on the empty floor in front of him. His eyes were glassy in a way that suggested he’d already been crying and was done with it. Jake studied him, searching for his next move in Rich’s body language. If Rich looked like he was going to cry again, Jake could probably swoop in for a hug without being called gay. If he didn’t, Jake would probably offer a drink. Or a movie?

 “Stop looking at me like that,” Rich snapped. He was looking up at Jake, his eyes narrowed and lips pressed together, almost like he was challenging him. Jake flinched back, unsure of what he’d done to deserve such treatment. 

 “Like what?”

 “Like I’m a fucking math problem or some shit. I’m not. Just fucking talk to me.”

 Jake considered him. Though it was invisible to Rich, Jake could still see bullets and spears flying through the air as people screamed out war cries and fought with everything in them for land or oil or their families. Metaphorical war didn’t end just because a friend had shown up. Jake was always surrounded by imagined violence; always on the verge of fleeing. 

 “I don’t know what you want from me,” Jake answered. His voice was barely loud enough to be heard over the sound of a bomb going off in the distance.

 Rich forced out a bitter laugh and hid his face behind his hands. 

 “God, fuck, me either. I don’t know why I’m here. Just fucking distract me. Do whatever the hell you want.”

 Jake found his parents’ record player in the living room and hit play. It was the only thing he could think to do—why, he wasn’t sure. But Rich had said anything, so Jake did anything. Some song by The Police (god, the irony) drifted through the room, a byproduct of his parents’ last anniversary together in the house. Jake had long since stopped caring—it didn’t even hurt to know they’d danced in this room, laughed in this room, raised him in this room. 

 He turned back to Rich and was met with a small, borderline amused, “What the hell, Jake?”

 “You said I could do whatever I wanted.”

 “This is what you want?”

 “I dunno.”

 Rich laughed as he hopped off the counter. The sound was so pure Jake watched the blood-soaked carpets go from crimson to pink as the rain washed away the worst of it. A white flag waved in the distance. Rich swayed to the music mindlessly, still favoring his right leg. 

 “Dancing?” Jake asked, the single word enough to get across his message. Rich nodded as he took Jake’s hand in his own and pulled him in close. 

 “Why not? We’ve got nothing better to do.”

 So Jake learned about music and dancing and how small Rich could feel when Jake had his hands on his hips, fingers digging into his skin just to convince himself Rich was real instead of some fantasy made up as a coping mechanism for his parents’ leering memory. Silence wasn’t the worst thing to exist. Jake knew how to make it go away.

 Still, that did nothing to dispel the obvious and ever-painful emptiness. Jake could play record after record as loud as he wanted until he had every song memorized and could sing it from any room in the house, but it was still empty.

He stumbled into the kitchen, drunk and disoriented, his feet dragging across the tile floor. Each step was like wading through the ocean, sea monsters grabbing at his ankles and trying to drag him under. He gripped counters and walls to keep himself afloat just long enough for Rich to knock on his door and saunter in, his presence a song in and of itself. 

 Jake followed his every movement with every sense: his ears, listening to the sound of Rich’s footsteps. Taste: kissing the corner of Rich’s mouth—never his lips, Jake wasn’t gay, but close enough that he could convince himself there was something like love brewing between them. Touch: holding onto Rich’s hand, his clothes, his hair, latching onto the warmth of him to convince himself the air conditioner wasn’t too cold or the empty spaces too vacant. 

 Sight: looking at Rich and only Rich. If he only looked at his hazel eyes and dyed-red hair and, on the days when Jake was weak and scared, his lips, then the shadows in the corners of the room lightened into something manageable and the photos on the walls that functioned as the closest thing Jake had to family faded into… well, photos. Just photos. 

 Rich helped, but he wasn’t enough to make the emptiness go away until October 15th.

 He showed up in the same way he had before. Glassy-eyed, hurt, and willing to do whatever Jake wanted to make everything slightly okay for a little while. 

 Tonight, Jake chose balloons. 

 “You can’t be serious,” Rich groaned. He was on Jake’s couch, a glass of white wine in hand. Something imported from Italy, or maybe France? All Jake knew was that it cost four hundred dollars.

 Jake shrugged. “Isn’t Brooke’s birthday coming up? It could be for her party.”

 “This is literally just a fucked up coping mechanism, don’t pretend it’s anything else.”

 Jake sighed disappointedly and leaned back against the couch. He was on the floor in front of it, a pack of two hundred balloons in his hand. They were all different colors—some neon, some pastel, some black, and others white. He’d bought them on a whim at a Walgreens for twenty bucks with no particular plan. Faced with his barren living room, the only signs of human existence the expensive vases on the end tables and the overstuffed throw pillows, he’d decided he’d blow them up and throw them around just to add a splash of color. 

 Jake looked up at Rich. He was half asleep but tense, his face scrunched up and hands clenched. It’d been bad this time around. It hadn’t just been Rich’s existence that pissed his dad off—he’d done something. Probably something minuscule, like broken a glass or clogged the toilet, but it was enough that what was usually a couple of light bruises and a limp had turned to black and blue blemishes over his right eye and up his chest. His lip was busted and every breath seemed labored and painful. Jake, unsure of what else to do, ran his thumb over Rich’s pulse and whispered, “Please?”

 Rich opened one eye to look down at Jake. Amongst the annoyance and pain, Jake saw a flash of pity. Rich shifted uncomfortably. 

 “Fine, but I have at least two broken ribs so you’re going to have to accept the fact I’m only blowing up one or two of these.”

 “Of course,” Jake rushed out, his hands already fumbling with the packaging of the balloons. “I wouldn’t—if it hurts, you don’t have to. Obviously. Just—”

 Rich thoughtlessly threaded his fingers through Jake’s hair. Jake’s voice gave out. 

 “I don’t understand you,” Rich whispered, not even bothering to look at Jake. “You’re confident all day, and then the second it gets dark you freak out. I’m the same person I am all the time. I know you don’t want to hurt me. Calm down.”

 It was, of course, a trend Jake had noticed as well. At school, he could control his tone and inflections to the point he sometimes wondered if he was accidentally manipulating the people around him into loving him. Then at night, when his defenses were already broken down by hours of facing the empty, stormy seas that were his house, he could barely find it in himself to get out a sentence without stuttering. 

 He blamed it on the one lie Rich had told in his claim: that he was the same person. He wasn’t. There was something different about nighttime Rich that had Jake’s face feeling too hot and the silence turning into the sound of his heart beating circles in his chest. 

 “Sorry,” Jake replied softly, “I dunno why it happens. You make me nervous.”

 Rich raised an eyebrow. Jake shoved a purple balloon in his face and hoped that would be enough for the topic to be dropped. It was still too sensitive, still too in the early stages of development, for Jake to be prepared enough to vocalize the worst of it. Someday, maybe. Probably. Once he didn’t have Christine to distract him or Jeremy’s constant insults to scare him into suppressing every urge that didn’t perfectly line up with the picture everyone else had of him in their minds. 

 Rich took the balloon and started to blow it up. For Jake, the process was effortless. Rich struggled through it tediously, taking small breaths and wincing after almost every one. Jake hated to say that he’d originally interpreted Rich’s complaints as a joke, but his worry hadn’t really spiked until Rich choked out an awkward, muffled cough and pained groan. 

 “Do you need—”

 “No,” Rich breathed, “No, I’m fine. Shut up, Jake.”

 Jake turned back to his neon green balloon without a word. He’d blown up almost twenty by now, enough to coat half the living room in a thin layer of color. He thoughtlessly kicked one with his foot and smiled as he watched it hit a picture of his mother and uselessly bounce off. Smiling, he kicked another one. It hit a picture of himself as a child. 

 He turned to Rich to tell him—about what, he wasn’t sure. Kicking balloons? Hitting pictures of himself and his family? His coping mechanisms were getting more fucked up by the second—and was almost immediately paralyzed by… fuck, by Rich. Just Rich. 

 He was sitting crisscross on the couch, a balloon in his lap. He’d spent the last four and a half minutes blowing it up to just a little bigger than Jake’s head. It was still smaller than it was supposed to be but Jake wasn’t going to complain. It was physically impossible when he could barely get enough oxygen in his lungs to speak. It wasn’t that there was a crushing panic on his chest stopping him from breathing, it was something much brighter. There were so many butterflies in his stomach they were flying into his chest and choking off every inhale. 

 Rich’s lips were wet. That was really what doomed Jake. He’d previously been unaware that every time Rich removed the balloon from his mouth he felt the need to lick his lips, but now that Rich was focused purely on tying the balloon off and was giving Jake ample time to stare, Jake was forced to acknowledge the way his vision tunneled at the sight. The way his whole body seemed to go warm. 

 Jake turned fully to face Rich, the balloon in his hand completely abandoned in lieu of watching Rich stick his tongue out in frustration as he struggled to keep the balloon inflated while tying the knot. When he finally succeeded, he burst into a smile louder than any record Jake had played over the past month.

 Rich looked up, eyes bright, and faltered when he found Jake already staring at him. He cleared his throat as his face flushed red. 

 “Uh, hi,” he squeaked out. Jake wanted to scream. This was one of the differences that left him speechless. Daytime Rich would smirk and call him gay. This Rich just looked flustered. 

 “Hi,” Jake whispered back. 

 “Whatcha doin’?”

 Jake considered his response carefully. One song or another was playing softly in the background, the balloons were filling up the emptiness. Everything was kind of okay. Jake had nothing left to cope with. He just… 

 “I really want to kiss you right now,” he answered. Rich froze. 

 “What?”

 Jake got up just enough so he was kneeling, purple and green and red balloons gathered around his knees and feet and the coffee table his back was pressed up against. He leaned up so he was close enough to run his pointer finger down Rich’s jawline and nudge his nose against Rich’s.

 “You heard me. You can tell me to stop.”

 Rich remained silent. Jake thought he felt ocean waters rising around his waist, drowning his balloons and pictures in stormy salt water. So he did the only thing he could think of.

He kissed Rich like his life depended on it, because it did, and felt his heart start beating again for the first time in months when Rich kissed him back just as desperate and soft and messily. 

 Hands tangled in Rich’s hair, mouth open and his tongue practically shoved in Rich’s mouth, licking at teeth like they were nectar or ambrosia, he scrambled onto the couch, limbs slow and unsteady as he climbed over Rich and forced him back against the couch. He tried to get himself closer to his paradise, his respite, his island in the middle of the ocean, but all he got was a wretched screeching sound and the feeling of air-filled plastic against his chest. 

 He pulled away just enough for Rich to let out a small whine as they lost contact with each other.

 “Rich.”

 “Yeah?” Rich asked breathlessly, already trying to lean up and kiss him again. 

 “Get rid of the fucking balloon.”

 Rich’s eyes widened, almost comically so. Jake wanted to cry at the way that sent his heart into overdrive.

 “Yeah, yeah, right, hold on—”

 He threw it across the room. Jake found the balloons kind of useless now. He was so filled with giddiness and hope that he couldn’t even comprehend how anything could ever be empty. 

 Until October 30th. 

 Rich didn’t need to knock on Jake’s door or let himself in. Jake was at Rich’s house, banging on the door repeatedly, each knock echoing and panicked. He didn’t stop until Rich swung the door open, rumpled and half asleep. 

 “What the fuck?” 

 “I need to talk to you.”

 Rich glanced back inside—presumably at his dad—before nodding. 

 “Yeah, okay, lemme get changed and put on my shoes, then we can go.”

 Jake nodded rapidly. His mind was racing beyond what he could understand, landing on panicked responses before he even knew what had triggered his fight or flight. He didn’t stop moving even as Rich disappeared back into his house. His foot tapped against the concrete. His fingers picked at his nails and the fabric of his shirt and his hair. Curses ran through his mind like a broken record, repeated until the sound was imprinted on Jake’s brain. 

 Rich appeared and suddenly everything in Jake’s mind went silent. 

 “So… are we doing this here or…?”

 “My house. Not uh—” Jake glanced back behind Rich. Not near your father was the implied statement. Rich sagged with relief.

 “Okay, yeah. Let’s go.”

 Jake could feel Rich’s concern in his gaze. He was watching Jake’s every move as if preparing for something, like Jake was going to swerve the car off the road and into a ditch or shoot himself. It made Jake want to laugh. Or scream. Or cry. He was going to die. 

 He didn’t even make it back to his own house. It was only a six-minute drive and he only made it four minutes in before he pulled over on the side of the road and stormed out of the car, his whole body trembling. He didn’t know where he was going, just that he needed an escape from the cramped driver’s seat of his car. He needed the autumn air to stop him from overheating and the wide expanse of stars to talk him down from an anxiety attack. 

 Rich fumbled after him, too confused to be panicked and too disoriented to be calm. 

 “What the hell?! Slow down—”

 Jake halted and spun on his heel, eyes wide. They were by a pond with benches and a dock and a parking lot only twenty feet away. There were grills along the beach and a football in the grass. Jake almost screamed. Every sign of humanity felt like too much. If he was going to do this, he needed it to be in the middle of the desert or the empty expanse of space with no one but Rich around to hear his confession.

 No. Fuck it. He needed to do this now. 

 “I’m gay.”

 Rich seized up. He was only a foot away from Jake, close enough so when he finally regained control of his muscles, he was able to reach out and take Jake’s hands. 

 “Really?” he whispered, looking up at Jake with eyes that literally shone like gold or diamonds. Jake wanted to drown in it.

 He swallowed his shame, not caring that it burned at his throat, and said, “Yeah. Yeah, fuck. Not all the way. I like girls. But I like kissing you and I like boys and I… I just like you. All of you. All the way. I like you. I’m really sorry.”

 Rich broke out into a grin. 

 “Yeah?” he asked just for confirmation. Jake nodded again. 

 Rich jumped up into Jake’s arms, fully committed to getting as physically close as he could. He wrapped his legs around Jake’s waist and his arms around his neck and fingers in his hair and kissed him hard on the lips. Jake felt like he was at home for the first time in years.

 “Me too,” Rich said between kisses, “Me too. So much. So fucking much.”

 Jake smiled into every kiss, so ecstatic he could barely keep himself standing. He fell back into the grass whispering, “Run away with me. Forever. It’s terrible here. It’s so terrible.”

 Rich nodded in agreement and pressed a gentle kiss on Jake’s neck. 

 “They hate us and we’re gonna find someplace better. I have enough money. Just run away with me, please. We can go anywhere you want.”

 “Anywhere?” Rich asked. He sounded pained, like the word burned as it came out. Jake nodded and propped himself up on his elbows. 

 “Anywhere. Just promise me you won’t leave.”

 Rich smiled and kissed him again. 

 “I promise,” he murmured, “I promise you’re beautiful, I promise I’ll run away with you, I promise I won’t leave, I—”

 He paused. Dread burrowed itself like a bullet in Jake’s chest. He searched Rich’s expression for answers before Rich had the chance to start speaking again. 

 “Not… not tonight, though, okay? There’s something I gotta do first.”

 “Is it—?”

 “Don’t worry about it, Jake. It’s nothing. How about Sunday? Give me tomorrow to take care of things, then we’re gone.”

 November first. The day after tomorrow. 

 Jake could handle it. He’d host his Halloween party, break up with Christine, and tie up any loose ends he had left. He’d be gone before he ever had to clean up the hell of a mess his friends were sure to leave behind in his parents' house.

 “Promise?” he whispered.

 Rich nodded. 

 “Promise. I just need tomorrow.”

[elmaxlys]

claimed

[primrosebow]

♡Finally!♡

I found the artttt :))) it took me a surprising hour and a half but it could have been worse, really.

Content warnings!: Uhm?? Suggestive? Actually nsfw I believe. I have never done this before AHWHAHWHD(ToT) this is like my third post of all time!

(Somewhat vaguely) inspired by @bigfatbimbo 's STELLAR fanfic about Lucifer (^ー^) my first moot of all of time!!!

Here goesss :))

I imagine he'd try to cover his mouth because the noises are getting uhm, a bit too loud.

I haven't, well, re-read the fic for the 103949202nd time recently and soon after I finish reading it the thing grows legs and exits my memory, so, it isn't all the way accurate to what happened in the fic since I don't remember if this exact position was featured, but, for a 3:45am drawing while I was unimaginably high and didn't even remember making until lunch time of the next day, I'd call this a pretty successful run

In case you're wondering where his wedding band went, I ate it. Lilith is going to have to go look for a new husband now, or learn how to deal with getting cucked(￣ｑ￣)ｚｚｚ

I will see you all soon I believe!

To the ones I already know: these 10 days just mean daily, regular posting. I will still be very much active when they're up! I honestly think I'll be more active; it'll just mean I have to wake up at 5:40am and will have a lot of free time on my way to campus. A lot of time to put the mind to work ehehehe :))

[riding-the-sunset-bird]

Another day, another post dissecting Our Life's code! This time we'll be going over how Our Life decides whether your Cove will be Studious, Sporty, or somewhere in the middle!

If you've already seen my post on how the game decides where Cove is on the spectrum between warm and cold, then most of this will feel extremely familiar, but you don't need to check that post to understand this one! I'll be going over everything exactly the same.

According to GB Patch, getting a sporty or studious Cove is primarily based on what you do with him activity-wise.

Part of it is what Cove literally ends up doing in the events. There are multiple times where he can do something more physical or do something more low key. Another part is a somewhat meta “the player is creating their reality” type of deal. For example, if the player makes it clear that their MC is the sporty one around, that would have to mean Cove isn’t the sporty one. So even without interacting with Cove directly you’d rack up a lot studious points for him because your choices are describing a world where Cove isn’t that into sports. That’s not to say it’s impossible for the MC and Cove to both be into sports. Describing your MC specifically as the one into sports is excluding Cove from being super into sports, but he doesn’t have to be excluded. The most straightforward way to get a sporty Cove is to just really focus on it. Whenever there’s something that could possibly make him more interested in bookish things, lean away from that. And whenever there’s a way to encourage him to like or do physical stuff, do it. So, for example, don’t accept just being a silver medalist in Grown-up, don’t say that the MC is a faster runner than Cove when trying to get away from Shiloh, do ask him question that lead to him talking about outdoorsy activities he does, etc.

Calling it "points" is very accurate because it's very much a points system. Whenever you do certain actions with/say certain things to Cove, the game will add a "point" to either Cove being studious or Cove being sporty (in extremely rare cases, it will add two instead of even subtract one).

(also, shockingly, reading the book with Cove in Sleepover actually has zero effect on Cove being Studious/Sporty; I even had to read through the script to confirm and the only reasoning I can imagine is because it's related to getting a CG and the devs wouldn't want players who want the CG to feel forced into making Cove more studious just to get it)

The tutorial of the game also vaguely details the studious to sporty spectrum:

[Cove']s interests fall along a sporty-mixed-studious spectrum. It works similarly to the personality one. When he's young, Cove has a variety of interests. As time goes on that can stay the same, begin to focus on more athletic/outdoorsy activities, or become more interested in academic/indoorsy ways to spend time.

And, if you've ever been in the Cove Creator, you'd know that there are five "states" that Cove can be in when it comes to his interests, with one state being between Studious and Mixed while another is between Mixed and Sporty. However, as far as I can tell, the game will never actually check for these two states, meaning that Cove is either Studious, Mixed, or Sporty, without any sort of Studious-Mixed or Mixed-Sporty at all.

In terms of the first check of the game - after the end of Step 1, of course - the game will examine the points you've gathered and decide where on the spectrum Cove is. If you have more Studious points, then the game will look only at how many points you've gathered there and vice versa with Sporty points. If you have an equal amount of Studious and Sporty points, then there will be a sort of "coin flip" to determine which points the game will check (this actually happened to me once where I had to go back on a save and got a Sporty Cove instead of a Studious one even though I'd done nothing different, simply because I'd accumulated an equal amount of sporty and studious points with Cove).

The remaining points in the other category are thrown away, and if you don't have enough sporty/studious points (depending on what you had more of or what the game chose in the "coin toss"), then you get a Mixed Cove.

Interestingly enough, the game is actually uneven in how it calculates a "fully Studious" or "fully Sporty" Cove. If you have six or more points in Studiousness, then you get a "fully Studious" Cove, but the game only asks for five of more in Sportiness to give you a "fully Sporty" Cove. This means that you could have six points in both Studiousness and Sportiness, which would give you a "fully Sporty" Cove if the coin flip picked Sportiness, but if the coin flip picks Studiousness, you'll only get a "Studious-Mixed" Cove.

As stated above though, the Studious-Mixed and Mixed-Sporty states don't really exist and serve as Studious and Sporty respectively anyway. In the grand scheme of things, it won't matter, but I digress.

Keeping that in mind, the game only cares if you have three or more points in either Studiousness or Sportiness. If you have three or more Studious points, you get a Studious Cove, and if you have three or more Sporty points, you get a Sporty Cove (and a coin toss if you're equal in both to decide whether he's Studious or Sporty). If you do not have enough points in either, you get a Mixed Cove. A Mixed Cove is most likely if you either play through Step 1 without playing any moments or avoid leaning Cove towards anything Studious/Sporty at all.

Cove's personality and appearance are also unrelated to whether he's Studious or Sporty, excluding moments where a multiple choice option might affect multiple values at once (but this is coincidence rather than direct correlation and, yes, I'll mention them when they come). Cove will also still do things like go surfing in Wave even if he's Studious, it's just that he'll be an awkward surfer instead of a graceful one (no comment if he's Mixed).

In terms of things that affect the player directly, the gummy bear toss in the Step 2 DLC moment Birthday is one of the biggest things that come to mind, as you'll lose if Cove isn't sporty and your MC hasn't been given any "sporty points" of their own (since this post isn't about the MC, I'll keep it brief and just say that the game keeps track of your own athletic ability during Step 2, such as if you tell Kyra that you like to swim). If that matters to you, you can opt for a sporty Cove and save yourself the trouble as there's no Studious equivalent of the gummy bear toss.

As for all of the moments in Step 1 where you have a chance to influence Cove's Studiousness/Sportiness, here they are!

Step 1 - Prologue

When Cove and the MC try to flee from Shiloh (if the MC agrees to go along with Cove):

He was fast, but you knew you could outrun him if you had to. [sporty +1]

He was not that fast, you knew you could outrun him if you had to. [studious +1]

He was not that fast, but neither were you. [studious +1]

At that speed, you weren't sure if you could go fast enough to reach him. [sporty +1]

Shopping

When Cove is staring down absentmindedly at the sand:

"Are you looking for snails?" [sporty +1]

"Are you looking for shells?" [studious +1]

"What is it?" [studious +1]

"You didn't feel the need to ask why." [sporty +1]

When Cove goes back to not saying anything on the beach:

You didn't either. [sporty +1]

"What did you want to go to the shops for?" [studious +1]

"What do you usually do on the beach?" [sporty +1]

Grown Up

When Lizzie tells Cove and the MC that they won silver in the pretend Olympics:

"Silver sucks. I don't want silver." [sporty +1]

"I'm okay with that." [studious +1]

"Hey, we can do better than silver!" [sporty +1]

"Silver's not bad. Nice." [studious +1]

You stayed silent. [no change]

Long Day

When Lizzie asks the MC if they're a chicken who doesn't want to ding-dong-ditch the mean grandparents:

"Yeah. Cluck-cluck." [studious +1]

You'd rather just avoid them. [studious +1]

You thought they deserved worse. [no change]

"I'll do it." [no change]

When the MC gets to decide what they see in the clouds:

You saw a dolphin. [studious +1] {note that this will give Cove the dark blue short-sleeved shirt}

You saw a car. [sporty +1] {note that this will give Cove the red salamander sleeveless shirt}

You saw an alpaca. [sporty +1] {note that this will give Cove the dark blue short-sleeved shirt}

You saw a smiley face. [sporty +1] {note that this will give Cove the red salamander sleeveless shirt}

You saw cloud shapes. [studious +1]

Sandcastle

[NONE]

Fireflies

When the MC notices Cove lagging behind the group while en route to poppy hill:

"Are you not gonna come?" [no change] {but will give Cove cold +1}

You tugged him along. [sporty +1] {note that this will give Cove cold +1 on Indifferent and warm +1 on Fond/Crush}

You walked with him. [no change] {but will give Cove cold +1}

You waved at him to hurry. [no change] {but will give Cove warm +1}

You ran off. [no change]

When Cove fails to catch a firefly after the MC catches one:

You encouraged him to try again. [sporty +1] {note that this will give Cove warm +1}

You told him about the firefly you had. [studious +1] {note that this will give Cove cold +1}

You made a joke about what happened. [studious +1]

You did your own things. [sporty +1]

Library

When the MC chooses to go with Cove rather than participate in the quiz:

[sporty +1] {note that this will give Cove cold +1}

When the MC and Cove are about to be interrupted in their game of hide-and-seek (dependent on how good the MC has been at the game; answers marked with a * are the correct ones):

1st round of hide-and-seek

Next to a Peter Pan poster.

*Beside the fairy tale display.

*Behind the solar system model.

2nd round of hide-and-seek

By the fire awareness station.

Near the stuffed animals.

*Under the giant piece of fruit.

By the outlaw poster.

*In the fantasy section.

Near the toddler books.

3rd round of hide-and-seek

*In all the old Christmas stuff.

Next to the kid detective poster.

*Behind the Willy Wonka statues.

Final Tally

the MC won zero rounds (Cove will say "I'm doing good.") [sporty +1]

the MC won one round (Cove will say "I'm doing good.") [studious +1] [sporty +1]

the MC won two rounds (Cove will say "I can still win.") [studious +1]

the MC won all three rounds (Cove will say "I need to do good in at least one round.") [studious +1]

If the MC chose to go do the quiz instead:

[studious +1] {note that this will give Cove warm +1}

Ghost

[NONE]

Barbecue

When the MC is racing the other kids to catch the girl with the squirt gun (if the MC chose to go play with the kids in the first place):

You outran them easily. [studious +1]

You outran them with effort. [sporty +1]

You weren't as fast as them because they were speedy. [sporty +1]

You weren't as fast as them because you just weren't fast. [studious +1]

You moved to the side to let them pass; you didn't wanna win this race. [no change]

When Mr. Holden comments on his interests:

"Those are things Cove likes." [sporty +1]

"Wow. It's a good thing you live by the beach." [studious +1]

You stayed quiet. [no change]

Runaway

[NONE]

Sleepover

[NONE]

Step 1 - Ending

When Cove tries to skip a rock across the water (if the MC chose to stay with him):

You were impressed over how far he got it to go. It sailed way out into the sea. [sporty +2] [studious -1]

It was a good toss. That was pretty neat. [sporty +1]

It wasn't a long throw. But he didn't care to try for that. [studious +1]

The rock sunk kind of... like a rock and fell back down almost right after he tossed it. [studious +2] [sporty -1]

And that's all of them! A few surprises are in there, but it's mostly straightforward in either prompting Cove to talk about outdoor/active things he does or choosing options that imply he's particularly good/fast (whether compared to the MC or in general). Particularly tricky are the ones that might change Cove's appearance/personality when you didn't intend for that to happen and are trying not to use the Cove Creator to get the Cove you want.

Still, it's definitely easier to gauge than Cove's appearance or personality, so whether you wanted this for a guide or just for the data, I hope you enjoyed! :D

[sweet-as-an-angel]

Ghost w/ an Innocent S/O

Warnings: Reader isn't streetsmart, but they are booksmart, no pronouns used for Reader except 'you', mentions/implications of sex, fluff, Ghost wanting only to keep Reader safe 🥺, vague spoilers/implications of Ghost's past

You're the complete opposite of Ghost's brutal, cold personality.

And because of that, he worries.

He worries that someone would take advantage of your good nature, your eagerness to see the good in everyone and (potentially) misplace your trust.

And that's just when Ghost's home; imagine how he is when he's away.

Escorts anywhere and everywhere.

If you're smaller than him, absolutely no compromise.

Unless you know self-defense.

If you're as large as/larger than him, he'll be a bit more lenient, trusting that you'll be somewhat able to physically protect yourself.

Loves talking to you because your views and opinions are such a breath of fresh air to him.

No brutality, no intense hatred, no desire to see anyone suffer; just you and your wish that "Everyone would just get along."

Ghost knows it's not as simple as that. And you do, too.

You may be naive or innocent, but you're not stupid.

You're actually pretty booksmart.

You make up for things Ghost lacks, and he for you.

You provide the logical answers to something, he provides the practical.

He also adores how wholesome you are.

If you hold this man's hand when you're out and about, or even in private, he'll melt.

He won't show it, of course. But your delicate touches just do something to him.

Make life worth living.

Now, when it comes to sex, you're either quite bashful or absolutely oblivious, regardless of whether you and Ghost have done it before.

He usually has to initiate because there's no way you'll construe his hints the way he wants you to.

"Fancy an early night?"

A concerned look will cross your face.

"Oh, are you ill? Are you tired? You get your pajamas on and I'll bring you some water-"

You're so endearing, and were it not for the fact that Ghost is beyond horny right now, he'd laugh.

You're always willing whenever he initiates, though.

If you end up initiating first one day out of the blue after finally understanding how to give and take a hint, Ghost will likely be in your position.

Won't understand what's happening, believing that whatever vaguely erotic joke or request you'd just made was completely accidental.

Will only grasp the situation when he sees the mischievous look you're giving him.

You're not walking for a couple days after that.

This man lives for your kisses and cuddles, btw.

He loves engulfing you in his frame, protecting you from anything and everything.

He does love when you try and cover him, though.

Like a blanket trying to clothe a whale.

Doesn't care much for 'preserving your innocence' as he believes that you should be allowed to grow and learn as much as you want.

Will advise what you should stay away from, though, and only because he doesn't want you to be traumatised rather than enlightened.

Doesn't worry too much about the others making crude jokes around you since he knows you'll likely not care for them.

But if they make one to you or about you.

💀

They will receive a near-deafening grinding-down, either in front of everyone or in private, depending on how lenient Ghost is feeling.

If you're ever upset about something, Ghost will try and fix it.

Without fail.

He loves how compassionate you are towards people and animals.

Complete 180 from the blood-drenched world he's inhabited for the better part of his life.

Coming back to you feels like reprieve. Like all the trauma and bloodshed can't reach him when he's with you.

Lowkey loves how you decorate your home, even if it's not his personal favourite aesthetic.

It feels like you. Smells like you.

If you're an introvert, Ghost would happily just lay with you all day and never leave the house.

His favourite activity, regardless.

If you're extroverted, however, he'll go wherever you go, unless you explicitly state you want him to stay at home. But only if you're good at self-defense.

Even then, he'll be nervous until you return.

Only asks that you keep him updated about where you are so he can come and find you if needs be.

Hates the idea of becoming a helicopter boyfriend; lets you have your freedom.

Just wants to protect you from everything he wasn't protected from, both as a child and now.

But that's why he does what he does; why he works as a soldier.

And he'd do it all again if it meant keeping you safe.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

AO3 Wattpad

[exa-reblogs]

Some identifiers for AI generated fashion images that I've noticed

So, recently and not unexpectedly, I've seen a major uptick in AI generated images showing up in my searches for fashion photos, specifically. I've seen people make posts like this for specific art styles, and for 2D art in general, but I wanted to share some observations I made regarding clothing, fashion, and runways. I've seen a lot of people getting fooled by these, but it seems like for every one person thinking it's real there's about three people informing them that it's AI, fortunately. I'll admit, a lot of them look somewhat believable at first, but once you look closer it becomes apparent that they're off somehow.

To clarify: this is about common inconsistencies I've personally noticed in AI fashion images, so that you can learn where to look for these and similar inconsistencies and avoid sharing AI content by accident.

There's this one "collection" specifically that seems to come up a lot (also, click on all these images in this post to see the details more clearly):

There's more images like this and yes, despite the "houseofai" watermark I still see people asking who the designer is, or saying that they genuinely thought it was real at first. First and foremost: these are all clearly meant to be from the same runway show, right? Then why does each image look like it was taken on a different runway? The lighting and coloring are different in each one, and the middle one has vague red stairs in the background while the other two look like just a plain light-colored runway. This is something you'll obviously only be able to notice in groups of images and not singular ones, but it's a pretty dead giveaway if you see it.

Secondly: AI generated images, as a whole, tend to have this specific kind of super dramatic lighting with very bright, white lights and soft grey shadows. I'm not very knowledgeable about photography, so I can't explain it exactly, but I know it when I see it (and if someone reading this can properly explain it , please do.)

Thirdly: AI generated fashion tends to attempt perfect symmetry, but always fails somehow.

As for the actual outfits: the best that I can describe it is that a lot of the shapes and patterns just don't look like intentional human choices.

What in the hell is that monogram on the upper right supposed to be? It's clearly mimicking a logo of some kind, but it's messy and indecipherable, not actual branding.

The heart motif is clearly the running theme here, but the hearts don't really make sense. Like the main one in two halves across the chest here: why does it have those two notches missing at the bottom that prevent it from coming to a point at the bottom like a heart is supposed to?

The bottom hem is way longer on the left than on the right.

The little shoulder hearts are like, bleeding into the shoulder seams; those lines in the hair look like they're supposed to be headbands, but they disappear at the part with the rest of the hair; the embroidery on the pants isn't in a clear or intentional pattern.

Again, compare the lighting on this one's neck with the lighting on the last one's neck, totally different.

Those pink things on the chest look like they're trying to be hearts, but they're so clearly not actually hearts. If your collection is heart themed, why aren't you using actual hearts?

The quilting effect is uneven and the individual lines don't follow through and finish in the places they should. Look at the upper right sleeve, where the diamonds are misshapen and the diagonal lines are clearly disconnected. On the lower right chest, the lines just disappear. This can't actually with quilted garments IRL because the top layer is literally stitched to the bottom one along those lines with material in between. It can't fuck up like that, especially not a designer garment that costs your monthly rent.

Smooth zipper. Zippers seem to be a common fuck up.

You can't read the text on the hearts. It's nonsense. Nonsense, unreadable text and fucked up hands are the absolutely surefire ways to identify AI art like this. Conveniently, there are no hands in these photos.

What are those embossed shapes on the sleeves? They're not identifiable as anything in particular.

That is not how zippers work.

I suppose that weird folding beneath the hearts is something technically physically possible. But it's much, much more likely that they would create smoother, less ugly seams with less excess fabric.

These generative AI programs don't actually comprehend what they're trying to depict. Thus, they make mistakes like these. Physical inconsistencies that are often totally impossible, but even the possible things are just... stupid choices that an actual designer isn't going to do. Yeah, sure, designs can be weird, asymmetrical, and imperfect on purpose. But it's way, way more likely that this is just an AI.

Experiment: look at these two images of retro-futuristic headpieces/eyewear and determine whether they're real or AI.

Right one is easy, mostly because of the wonky bitch in the back. But some other inconsistencies I specifically wanna note: if the blue goggles color the "model"'s skin, hair, helmet, and the background behind the lenses blue, why doesn't it do the same for the eyes? And also, I've noticed that a lot of these images have trouble properly rendering the corners of the mouth, which is a weird detail but one you won't be able to unsee once you know to look out for it. Yes, there's a dark line where actual human lips meet, often with some subtle divots at the corners, but in the image on the right, it's rendered as a harsh, gaping hole more like something sculpted out of plastic than actual flesh. On the note of imperfect symmetry again: the left lens isn't perfectly round. And finally, this is a really good example of that giveaway lighting I mentioned. I don't know how you would actually achieve that lighting IRL, but it's so, so common in AI images.

The left photo is an actual model in 1967 wearing pieces designed by Pierre Cardin, a designer that the right image is definitely trying to emulate. The model has a look on her face that isn't super duper expressive, but it's still far beyond any of the AI images I've seen. Every AI fashion image I've seen thus far has totally blank-faced, expressionless "models". They might pout slightly, but I haven't seen any with visible teeth. Something tells me the AI would render teeth the same way it renders fingers. The emblem on the hat is actually perfectly symmetrical, and the glasses are clearly asymmetrical as an intentional design choice, not like the shapes are supposed to be the same but got messed up somehow. And she has ten fingers total, five on each hand.

Two more:

These are both AI generated. I'm not gonna lie, i fell for the one on the left at first. The right is easy:

distorted faces

woman in back is being absorbed by the train(?) seat

those middle buttons on the jacket are totally useless

AI Lighting (TM)

But the "models" on the left look very, very convincing, and the lighting doesn't immediately register to me as AI lighting. The only really wonky thing on the faces is the mouth on the left "model". However, there's one dead giveaway: the headphone wires. Why are they different thicknesses? Why does the rightmost wire disappear into the jacket sleeve? Where the fuck does the leftmost wire even go? AI, I've noticed, struggles with thin lines, strings, and strands of things. Like with the quilted jacket above, you can often try and trace a single line, only to find that it drops off, distorts, or disappears. And sure enough, as soon as I noticed something was weird with those wires, I went to the Pinterest profile that posted it and found that they exclusively posted AI content. Speaking of the actual headphones, the leftmost ear cushion is sitting on an angle that doesn't make sense, and the one to the direct right of it is significantly thinner than the other three. Again, subtle failed symmetry.

This is by no means a comprehensive guide, and I encourage anyone seeing this to point out ways they've found to identify AI images like this. These are things I've just been on the lookout for lately. And when in doubt: conduct reverse image searches and try your best to identify solid sources for your images. AI images won't list designers, model names, photographers, stylists, makeup artists, etc., while actual runway and photoshoot images will, because there are human creatives behind them.

[koolades-world]

Can I request headcannons of MC getting in a fight with Solomon and Simeon (separately) about something pretty big and how MC (or Solomon/Simeon depending on the reason for the fight) makes up for it/apologizes? I just need some good old angst to fluff man.

Thank you and your writing is amazing!

hi! of course :)

the solomon one was def a lot more serious that the simeon one just because i couldn't think of much that mc and him would get into a serious fight about haha (this only thing i could think of was mc confronting him about his choices that led to him becoming humans and that needs it's own piece for sure)

i kinda deviated from the prompt as a wrote, so sorry about that haha. that happens sometimes as i write. the solomon one is much more on prompt

enjoy <3

Mc gets into a fight w/ Simeon and Solomon (separately)

Simeon

you get jealous that he's been spending so much time with the members of the school's art club

that in itself isn't the problem and you're glad he's getting out there more with something he doesn't normally do, it's just that you can tell that two other members in specific are very into him

they inserted themselves into your relationship and specifically tried to upset you, which cause you to blowup at them

"So, what time are you going to be home?" You pinched your D.D.D. between your shoulder and your ear as you got together the ingredients for dinner that night, since it was your turn to cook.

"In about an hour. Art club will take a little longer today. We're finishing our paintings. I hope you'll like it." The melodious voice of your boyfriend, Simeon, was piped into your ear.

"I'm sure it'll be amazing. If you're going to be late for dinner, let me know. I'll set aside a portion for you." You smiled at the nervousness you heard in his voice.

"Alright. I'll talk with you later then. Love you, Mc." Simeon said.

""Love you too. Stay safe." You put the phone down, and went back to preparing dinner. After you were done, you left it on the stove on keep warm and went off to get some homework done. Eventually, dinner time had rolled around, and still nothing from Simeon. You assumed everything was as normal, so you called your other housemates to dinner.

"Thank you Mc." Luke sat down at the table with his plate.

"Let me know what you think! I tried a modified recipe today." Before Solomon could speak up, the front door finally opened. You got up to greet who you presumed was just Simeon, but there were three people in the doorway.

"I'm home. Hope you don't mind I brought a few guests." Simeon stepped aside to fully reveal his two companions. You recognized them as two other members of the art club, an incubus and a succubus. They really liked Simeon, which wasn't wrong, but they liked him too much. They knew he was currently in a relationship, but that didn't seem to stop them.

The rest of what happened was somewhat of a blur. You vaguely remembered getting progressively more upset at the two newcomers, until eventually, you stood up from the dinner table and went upstairs to your room.

"Mc? I know you're in there." Simeon knocked on the locked door. you didn't answer him. "I'm sorry for bringing them home. I didn't know they'd say that to you. You can blame me all you want." Instantly, you felt bad for unconsciously pinning the blame on him. He had such an alluring personality, so it wasn't really his fault that everyone liked him.

"It's not your fault." You opened the door, and pulled him into the hug. "They were trying to get a rise out of me, and I took the bait. It was a result of pent up feelings I should've share before. I'm sorry."

Simeon sighed and patted your back. "No need to apologize. It's normal to be jealous. I could have done better and asked, but the past is in the past, isn't it?" He took a step back and picked something up that was leaning against the wall. "This is for you. I'd wanted to prepare some of your favorite cookies to go along with it, but I thought now might be a good time to give it to you." In his hands was a portrait of you.

"Simeon! This is beautiful. Thank you!" You hugged him again.

"I'm glad you like it." Simeon moved to set it down, but you stopped him.

"Let's hang it up right now. I have the perfect spot." Simeon was glad to have been graced with seeing your beautiful smile once more.

Solomon

the two of you get into a fight about his tendency to hole up in his room for days at a time

he says he's doing important experiments but you just want to spend time with him

when he does leave his room, it's a weird hours and it's at one of these times that you happen to run into him

"Sol." You held up your D.D.D.'s flashlight. In front of you was your boyfriend, looking like he hadn't slept in at least a few days. The situation might had been funny if you weren't so upset with him. He froze in the beam, looking like a deer in headlights.

"Mc, my love, my joy, my sunshine. What are you doing up this late?" He chuckled nervously, trying to rub the sleep out of his eyes.

"I could ask you the same thing." You stared at each other in silence. "Babe, it's been three days since I last saw you." He smiled at you sheepishly.

"I've been doing important work." The response he came up with was lackluster.

"What could be more important than your significant other?" You sighed, lowering the flashlight. Solomon didn't respond. "Our anniversary was yesterday. You promised to take me out to dinner. I waited and waited, and even knocked on your door, but you told me you'd be out soon. You never came out." Tears began to well up in your eyes despite promising yourself you wouldn't cry. As the realization hit him, Solomon began to move towards you to comfort you, but you took a few large steps backward.

"My work really is important, but let me make it up to you. We can go out tomorrow morning for brunch, or whatever you'd like." He kept trying to move towards you, but stopped once he realized you didn't want him to close the distance.

"Maybe. I don't know. My feelings are hurt is all. I got dressed up and even had a present ready. I left it outside your door, not that you noticed." You wiped the tears away with your sleeve.

"I made a real breakthrough in my research, if that helps." Solomon suddenly looked much more awake.

"It doesn't. At all. I only wanted one thing from you, but somehow you've managed to avoid it at every turn. I admire your passions, really, I do. But sometimes, I feel like that's the only thing you care about." You turned around, and ran out of the room, taking the only source of light with you.

"Wait! Mc, come back!" Solomon promptly ran headfirst into the door you'd just slammed shut, leaving him alone in the dark, and upset himself.

The next day, he showed up at the HoL, bouquet of flowers in hand. He hesitated for a moment, but knocked. Unfortunately, Satan greeted him. He looked mostly collected, but that didn't stop him from being nervous.

"Hello." Solomon smiled at him.

"I presume those flowers aren't for me." Satan raised an eyebrow.

"Haha, no. They're for..." Your name died on his tongue when he saw you in the background. Your eyes were rimmed red and you had messy hair, but you looked rested. When the two of you made eye contact, you froze.

"Mc, I'm sorry." He held out the flowers to you over Satan's shoulder. He rolled his eyes and stepped a little out of the way. Far enough to give him room, but close enough to force him back outside if needed. You burst into another round of tears, and before Belphie, who was next to you, could grab you, you ran towards him and hugged him tightly.

"That's all I wanted to hear yesterday." Solomon held you close with his free hand.

"I'm sorry for making you think my research was more important that you, I'm sorry for forgetting our anniversary, and I'm sorry for not communicating better." He extended the flowers to you again once you stepped back.

"Thank you. You remembered my favorites." You took them, and gave them a quick whiff.

"Is it too forthcoming of me to ask if you're still up for brunch?" Solomon chuckled.

"No. I'd love that. Just let me get changed." You handed the flowers back to him temporarily to run back inside to get out of your pajamas. Satan had left at some point, but Asmo had found his way into his place.

"Sol. I love you, but if you ever try that again, I think I'll have to put your heart on a spike in the RAD courtyard." Asmo giggled. That was the second time he'd heard his usually endearing nickname spoken in such a threatening way in the past day.

"Noted." Just the reminder he needed never to piss off his s/o or Asmo ever again.

[betweenlands]

It takes exactly two seconds between Impulse looking up at the top of the Secret Keeper and him realizing what he's actually seeing up there to decide he is officially sick and tired of seeing ghosts.

There are seven entire ghosts around the thing today -- a couple appear to be tinkering with the secret delivery mechanisms. Impulse squints at them.

"What are you doing?" he says.

"Trying to figure out how to load more tasks into this thing," one of them replies, kicking one of the blocks with buttons on them. He's got a full beard and some weird green glowing mushrooms poking out of cracks in his face. It's definitely... a look, Impulse will give him that. Very Mycelium Resistance. "But whoever designed it used freakin' command blocks, and you can't even see the randomizer run."

"How many times did your randomizer break again?" one of the other ghosts calls from up on top of the Secret Keeper.

"Never!" the mushroom ghost protests, causing at least two other ghosts to crack up laughing. "It worked completely flawlessly except for user error."

One of the ghosts, someone who appears to have a floating cactus block for a head, snorts. "And programmer error."

"You shut it," the mushroom ghost responds.

"He's not wrong," the more normal-looking brown-haired ghost over by the command blocks says absently, purple eyes clearly focused on trying to trace the wiring back to the actual command blocks.

Impulse just stands there, bewildered -- both because the ghosts are actually talking to him, and also because these are extremely weird ghosts to be talking to who look nothing like anyone he's even vaguely heard of.

"Fine," he says, "you know what, I'll bite. Why are you guys here?"

"Checking in," a ghost sitting on one of the lower rocks says. He's wearing blue and yellow, looks to be a little more transparent than the others. "Y'know, new season and all that?"

Impulse squints at him. "No, I meant, why are you following me?"

"Ohhhh!" The ghost laughs. "Hadn't looked into what you were doing yet, and these guys wanted to see if they could get some of their tasks into the machine, so I just brought everyone along."

"That's not really a good answer," a ghost leaning inside the alcove under the Secret Keeper says. He's got a mask pulled up over his face, though his voice doesn't really sound muffled at all.

"What," the blue and yellow ghost says, "am I supposed to say something like it's because you're one of the people with no hard-and-fast thematic associations to stick to and therefore easier to facilitate a meeting with and freak him out more?"

Impulse squints harder. "Are you guys Watchers?"

The blue-and-yellow ghost snorts. "Hah! That's Martyn's lore, bud, not yours. Nope, nothing to do with the Watchers."

"Aren't you technically--" the ghost in the alcove starts.

"Tsssssshhhhhh," the other ghost replies by way of shushing him aggressively, "spoilers!"

"Alright," the alcove ghost says, spreading his hands in mock defeat, "fine, have it your way. He's right though. Not Watchers."

"Lowercase-w maybe," the brown-haired ghost still inspecting the redstone with the mushroom ghost says, "but otherwise, no."

Impulse is starting to feel like he's wandered into something way above his pay grade.

The alcove ghost snaps his fingers. Impulse notes somewhat absent-mindedly that he has, like, a lot of piercings on one ear. "Hey," he says, "come to think of it, we might be able to help you out with some stuff."

"I swear to God," another ghost says from on top of the Secret Keeper, "if you try to sell another person on your weird coffee god thing again-"

"I wasn't going to!" he responds. "Honest! I was just gonna say, it looks like there's a plains biome here, that means oxeye daisies, that means suspicious stew with regen if you can get a good source of mushrooms."

"Unfortunately," the mushroom ghost says, looking up from where he and the other ghost appear to now be trying to cram books into the ground, "the space for the hearts seems like it just kinda vanishes when people get hit. At least, if I'm not misunderstanding the programming."

"If you're misunderstanding the programming then we're both reading this code wrong," the brown-haired ghost says. "And I'm pretty sure I used something similar here for Dark Path stuff, so probably not?"

"Dang," the alcove ghost says, then tilts his head back towards Impulse. "Maybe make splash poison potions, then? That'll take out a good chunk of someone's health if they can't regen."

"He is green," the cactus-headed ghost says. "Why's he gotta make poison potions right now?"

A shrug in response. "Never hurts to prep early."

The blue-and-yellow ghost leans forward, squinting at him. "Alright," he says, "one of my wisps give you that idea or what?"

Another shrug. "I mean, what if they did?"

"Last time you started listening to his wisps," the brown-haired ghost says, "they told you to try and kill everyone just because I beefed it before the dragon fight."

"It would've worked if you hadn't warned them," the ghost in the alcove replies. "I can't believe you tried to sabotage my attempt at avenging you."

"I can't believe you listened to them in the first place," the blue-and-yellow ghost says. "They're bloodthirsty, they don't really give good advice."

"And I," Impulse says, having inched his way over towards the new task button, "am going to take my task and leave, because you guys are weird."

He hits the button and flips through the taskbook.

"End every sentence said to another player in a question?" he says, squinting down at it.

"You're already doing better than some of us were!" one of the ghosts on top of the Secret Keeper yells down.

"Oh my god, shut up!" the mushroom ghost yells back, and then turns to Impulse. "Hey, by the way, have you considered getting a pet parrot?"

"That's still a bad loophole and you know it," the blue-and-yellow ghost cuts in.

"I heard him just fine," the brown-haired ghost says. "Hey, hang on -- that's one of ours! It worked!"

Impulse decides he's not even going to bother trying to be polite about leaving. He has had entirely enough of these ghosts in particular.

[bella-rose29]

Deck the Halls (and not your partner) - part 3

Word count: 3.9k

Warnings: swearing, Stephanie is a bitch, lockwood was a complete arse in the past, he's also very guarded in the present, they kiss for like three seconds (because Steph makes them), mentions of sex, mentions of lockwood's family being dead, neither of them can deal with emotions, proof read maybe once

series master list

Anthony Lockwood was starting to think that this family Christmas would be a disaster.

He had no issue with playing the perfect boyfriend at all; in fact, he was doing rather brilliantly at it.

But something wasn't quite right with Y/n.

Now he didn't know how large families were meant to work, since his own relatives were either gone or lived too far away and his only experience with larger gatherings was the few times he'd been to George's, but he did know that the snide remarks about how much cake Y/n should be given and the fake laughter from her aunt wasn't particularly regular.

The cake and tea situation had certainly been strange.

Normally Y/n went through around four cups of tea before noon, and if cake was offered she would have such a large slice that Lockwood would often joke about leaving some for the rest of them. Instead of cracking one of those jokes that afternoon, he was currently staring at her half-drunk mug and a plate of cake that hadn't even been eaten, and Y/n was in the toilet instead of glaring at him.

He didn't exactly like her, but he hadn't been raised to not be a gentleman. He excused himself with a smile, pushing himself out of the loveseat and making his way out of the living room in a search for his fake girlfriend. It took him nearly five minutes to check all the bathrooms in the house, and naturally the last one that he knocked on was the one she was in. There hadn't been any answer, but he had heard sniffles from the other side of the door of their en-suite bathroom and had assumed that it was Y/n.

"Are you alright?" He was starting to get tired of asking that question, but she was clearly not alright, and if this whole charade went wrong then she'd just have more reason to hate him, so he was attempting to carry out damage control.

"I'm fine, just... go back downstairs, Lockwood."

"Anthony."

"Whatever." He could hear her huff in annoyance, and bit back a retort, instead settling for a frown. Lockwood sat down, his legs pulled up to his chest and his arms wrapped around his knees to keep his balance as he leant backwards.

"I'm not going back without you," he said to the door. "Your sister looks like she's going to eat me alive, and I don't think I'll be given the satisfaction of dying afterwards which scares me."

"...What?"

"I said that-"

"I heard what you said, I just... don't know what you mean."

"Your sister... is going... to eat me. And I don't mean 'she's going to eat me like Christmas dinner', I mean 'she's going to... eat... me." He was trying to get his point across through euphemisms, but apparently that wasn't working. It didn't help that Y/n couldn't see his face or hand gestures, but at least he heard the door lock click.

He had barely registered the sound before the door opened behind him and he fell backwards, only being stopped from landing on his back like an upside down beetle by Y/n's legs.

"What the fuck are you doing? Get off the floor, you dipshit."

He stood up, brushing himself off and turning around to inspect her face. She'd obviously been crying, but was trying to hide it, and was now shoving past him into the bedroom.

"What do you mean, eat you?"

"You know..." he gestured vaguely, now feeling embarrassed. He sighed when Y/n only looked quizzically at him. "She keeps looking at me like she wants to fuck me and it's making me uncomfortable."

"Oh, poor you. What a shame for you."

"Oh shove off." She was irritating him again. At least that meant she was somewhat back to normal. "Are you going to come back downstairs? I think your mother has nearly finished cooking dinner."

"Right... uh- I don't know, really." She was folding her arms now, closing in on herself and looking away. Lockwood felt like he was missing something, the key piece of the puzzle that would give him all the answers, and it was frustrating him. It was so close, he was sure of it, but what 'it' was he couldn't say.

"Well you can't leave me down there on my own! You dragged me up here to be your boyfriend for the holidays!"

"You'll be fine. You're great in these situations!"

"Yeah but this is your family, Y/n, you should spend time with them. You never know when-" He couldn't finish, his throat closing up slightly.

"I don't exactly want to spend time around them when I have to pretend that I'm hopelessly in love with you!"

"Well you don't have to go that far with it!"

"Oh like you aren't? What was that earlier? 'Best Touch in England' and 'there's nothing that could have stopped me from falling for your daughter'!"

"I've got to butter them up somehow, haven't I?" She huffed again.

"Look. I have no issue with pretending to date you. I have no issue with pretending to date you in front of my family to make them think I'm not a lair, even though I am. What I do have an issue with is you trying to tell me how to live my life in my own home, and how to act. I know my family, Lockwood, and I know what I'm doing."

"Do you? Because so far I've seen you leave half a mug of tea and an entire slice of cake, which is entirely unlike you. And what the hell was that thing that happened with Stephanie saying you don't need a large slice? Is that why you don't want to come down for dinner?"

"No, it's not that, I just... Stephanie always makes comments about me because she doesn't like me, and I don't really feel like spending an entire meal being watched by her."

"Well then I'll tell them you're not feeling well because of the journey and could we eat up here!"

"You-!" she was still shouting, but broke off when she registered his words. He had only just realised what he'd said himself, and he was taken aback at his offer. "That... would actually be nice, actually. If you don't mind."

"No, I don't. It means I don't have to fake liking you for a while."

Y/n scoffed, but she looked somewhat less disgruntled than she had before.

~~~

Ten minutes later Lockwood was knocking on the door, demanding to be let in.

"Seriously, can you hurry up? My arms are going to fall off in a second!"

"You are such a drama queen," she replied as she opened the door. He would never survive as a waiter, which was surprising since given he had clearly practiced with a rapier for years and had a strong throw, Y/n had assumed that he had somewhat sturdy arms. With the way he was acting now anyone would think he'd never held a thing in his life.

"Yeah, sure, let me come in. I need to put this down, I think I'm going to die."

"Fucking idiot," she muttered, stepping back and allowing him room to walk inside. He put the tray down on the desk, dragging over a second chair to put beside the one that was already there and sitting down. Y/n stood nearby, unsure about sharing a meal with Lockwood as he got stuck in, but then he paused for a moment and looked back at her with a frown.

"Well? Are you going to sit down? Imagine what your family will say when they find out I let you starve."

"Of course all you're worried about is what other people will think of you," she grumbled, reluctantly pulling out the desk chair and sitting on it.

"What is that supposed to mean?"

"You're so obsessed with your image, Lockwood. It's a wonder that nobody has suffocated on your ego yet."

"I am not obsessed!"

"Ok, sure. Remind me, how long did you spend on your hair this morning?" Y/n asked, her face the picture of innocence. Lockwood floundered for a moment, then stuck a forkful of food in his mouth.

"That's irrelevant."

"I think it's entirely relevant."

"Shut up and eat your veg, Schmoopie."

Y/n threw a piece of carrot at him, and laughed when it landed in his hair and made him shriek.

~~~

Y/n had snuck downstairs with their empty plates and glasses while Lockwood used the toilet.

She had thought she could simply put everything in the dishwasher and go right back upstairs, but just as she closed the door to the machine and turned around she was greeted by her cousin.

"So," Stephanie started, attempting (the key word being 'attempted') to look disinterested. Y/n internally groaned, knowing exactly where this was leading. "How long have you two been... a thing?"

"8 months. And it's not a 'thing', Steph. He's my boyfriend."

"Sure, sure." Her tone suggested that she didn't believe Y/n at all, and was agreeing with her in much the same way that one might agree with a child who had said something wrong, but looked proud of themselves for saying it. "How'd it happen, then? Who asked who? What was the first kiss like?"

"Steph, I'm really tired, alright? And I'm only going to have to repeat this story multiple times tomorrow to literally fifty people, so please just let me go to bed and I'll make sure you're the first one I tell in the morning, yeah?" Y/n started heading for the door, pushing past her cousin.

"Oh, so you have more time to come up with the perfect lie?" Stephanie's words made her freeze with one foot out of the kitchen, and when she turned back the other girl was stood with a smug smile on her face.

"What do you mean?" Shit, her voice was shaking, and she was certain that if Stephanie came any closer she would see the slight sweat that had broken out on her forehead.

"Oh please. Nobody like him would ever go for someone like you, Y/n. I mean, he is way out of your league!"

"Personally I think that Y/n is way out of my league, but each to their own, I suppose." She hadn't even heard Lockwood come in, but now he was wrapping his arm around her waist like it belonged there and smiling softly at her like they hadn't been arguing about five minutes before (the argument was about something pointless, but that didn't stop Y/n from gloating when he gave in and said that she was right). "You alright, darling?"

"Yeah, just tired. Could we-"

"Oh, since you're both here, maybe you could share the story of how it all happened?" Stephanie cut her off, and completely ignored Y/n's responding scowl.

"I think we'll save that for tomorrow, Steph. If it'll make you happy we'll tell everyone at the same time and give a big speech," Lockwood said, and Y/n's insides started churning at the thought. She would have to find a way to convince Lockwood to do all the talking, or even her deaf older relatives would know that this whole relationship was a farce.

"Well, how about a kiss then? I still find it hard to believe that my little baby cousin has a boyfriend!"

"There's two months between out birthdays, Steph. It's really not that much. And we're not just going to kiss for your entertainment!"

"Aw, darling, you wound me. You don't want an excuse to kiss me?" Y/n could tell that Lockwood was having far too much fun with this, pouting and clutching his chest, pretending to stagger backwards in pain, and finally offering up his mouth in a ridiculous attempt to gain a kiss. She knew that he didn't actually want to kiss her, and what he really wanted was to rile her up, but she couldn't help but feel nerves in her stomach at the idea of it.

"Not really. You get enough of them as it is, Anthony." It felt weird, his first name in her mouth, and he paused for a moment in his actions to stare at her, tilting his head and frowning slightly.

"Oh, just one little kiss? You are under mistletoe, after all," Stephanie piped up again, pointing gleefully at the plant that had been badly taped to the doorframe.

The doorframe that Lockwood was leaning against, and that Y/n was stood under.

Shit.

They had an audience now, since her parents and siblings had come out of the living room to see what the conversation was about in the kitchen. Even her grandparents had emerged from their downstairs bedroom to join in. Y/n swallowed thickly as she looked around at everyone, her eyes finally landing on Lockwood. His frown was still in place, but his face was more relaxed. He pushed off of the doorframe, stepping forward and placing his hands on Y/n's waist as he leaned in a little.

"Is this... I mean... do you-?"

"We probably should. We were gonna have to at some point, right?" He was close enough now that she could feel his breath on her cheek, and his eyes kept flicking between hers and her mouth.

"Right." Lockwood brought a hand up to her face, holding her jaw gently as though he thought she might break if he applied any more pressure. His nose was brushing hers, and she had to push herself up on her toes and wrap her arms around his neck to bring her lips to his.

The kiss was short, only a couple of seconds at most, but as soon as they pulled away from each other she missed it.

Why did she miss it?

Claps from Y/n's family followed shortly after, and she was glad for once that Lockwood had no sense of personal space because it meant that she could hide her face in his chest without it coming across as strange to him, since he hadn't let go of her waist.

She absolutely could not start craving a real relationship with Anthony Lockwood.

Not when they hated each other with a burning passion.

And especially not when she had previously heard him say that he would never like her because she was 'not good enough for the company'.

No, she couldn't crave a thing with him other than their usual dynamic.

~~~

Lockwood was warm.

They had turned out the light and gone to bed about forty minutes ago, and after around twenty he had heard Y/n's breathing even out as she drifted off. As per usual he was still awake, left to stare up at the ceiling while he tried everything he could think of to fall asleep.

Normally it was the fear of nightmares that kept him awake, and if anybody asked tomorrow he would tell them that, or possibly something about how he was so used to working at night that he now found it difficult to sleep.

Realistically, though, he was too warm.

He had contemplated the pros and cons of taking off his pyjamas (pro: he'd be cooler, con: Y/n might scream at him and attack him with a blunt object) for the last thirty minutes, and had heard an owl hoot for the sixth time. He was also relatively sure that there was a fox somewhere outside the house, but since he had spent his whole life living in the city he wasn't entirely sure what they sounded like. The ghosts normally attacked any animals that tried to make a home in London, and as such wildlife was limited.

Another five minutes later and Lockwood decided that if he was going to die by having a lamp thrown at his head, he would much rather be more comfortable than warm and stifled, and peeled off the blanket that Y/n had given him when he first got comfortable in the armchair to take his pyjamas off. He folded them neatly, creeping around so that he didn't wake up the witch sleeping in the bed, then got back in the armchair and pulled the blanket over him again.

Why was he still warm?

He huffed in frustration, making a mental list of all the reasons his body could be overheating, then froze.

Somewhere along the way he'd added 'kiss' to the list, and then all of a sudden his mind was filling with the events of earlier and images of mistletoe.

Shit.

It had been awkward after they kissed in the kitchen doorway, Y/n's whole family watching and clapping with joy afterwards, and he had been very glad that she had hidden her face in his chest, because that meant that she couldn't see his own flushed face.

He had told himself that he was blushing because that had been his first proper kiss, and then followed that up by listing all the annoying things about Y/n.

They had been forced back into the living room for another two hours after that, with introductions being made to Y/n's grandparents (the ones that owned the house) and siblings (since they hadn't had the chance to say a proper hello yet). He had felt a little scared when all four of Y/n's brothers crowded around him, including 11 year old Tom, and made a promise to have a chat the next day, and then he'd been downright fearing for his life when Olivia pushed through and draped herself over his arm.

Y/n had simply been snickering in a corner at the whole thing.

Lockwood had glared at her in response, hoping that she might come and save him, but instead she turned back to her grandparents with a smirk and left him to her sister.

When they had finally been allowed to leave for bed, Lockwood and Y/n had got stuck in the doorway in their rush to go upstairs.

"After you, darling."

"No, you go first, Anthony."

Her family had been not-so-secretly watching the whole affair, and after a moment of staring at each other Lockwood had stepped back and swept his arm out for her to go first. He told himself it was because he had been raised to be a gentleman and also so that her family would think of him as the perfect boyfriend, but realistically it was so that he could hide his second flushed face of the evening when his gaze darted down to her mouth.

They had got ready for bed in silence, the only words spoken between them "excuse me" and "thanks" as they moved around, and then Y/n had given him the throw blanket from the end of the bed and turned out the lights.

"You sure you're fine in the chair?"

"Perfectly fine, Schmoopie."

"Do you want to die, Lockwood? Because you're getting dangerously close to seeing my rapier sticking out of your torso."

He hadn't answered her question, instead opting to shuffle around in the chair until he was as comfortable as he could be and bidding her goodnight.

And now here he was, around fifty minutes later, attempting to go to sleep while he also attempted to not think of the feeling of Y/n's lips on his.

He really should give up the game of hating each other that the two of them had going on.

Since that first night where they had met by quite literally bumping into each other, Lockwood had maintained the belief that she was no good for his business.

His meaning for what that meant had changed over the years, though.

Originally he'd thought that she would be clumsy and ineffective in a fight since she'd walked right into him and nearly pushed him over, and then when she'd come for an interview and walked into the doorframe his mentality had stayed the same. He was in too much debt to waste money on an agent that was as accident prone as Y/n.

But then? Then he'd seen her in action.

It had been around four months after she first joined Lockwood and Co (as he had stubbornly refused to go on jobs with her). George was behind on research for other jobs, and Lucy had a case of her own to deal with. Lockwood would have taken this particular one on his own, but Holly had recounted the client's report of what could be felt and dictated that he needed backup or he wasn't going. She herself had claimed there was a mountain of paperwork with her name on, and so Lockwood had been left with Y/n as his only option.

The taxi ride had been silent, with Y/n ignoring him and instead looking out the window, and when Lockwood thanked the driver his mouth was dry from disuse.

He knew he'd been an arse the last few months when all she was doing was attempting to be nice, but now he felt he was too far in to stop. She likely wouldn't believe he was being sincere anyway.

Two hours later they were done, worn out from running around trying to find Sources, and Lockwood had taken a new stance on his feelings towards Y/n.

It would have taken them at least twice as long to locate the Sources if Y/n hadn't used her Touch, and from what he could gather she was actually seeing the scenes play out in front of her, complete with sound and all as though she was actually there. He had never seen anything like it before, and when he went to tell her in the taxi home he was met with a very different Y/n to the one that had been trying to be his friend.

"You were incredible back there, Y/n."

"Not sure why you care, Lockwood. You've spent the last four months avoiding me and putting me on different jobs so you don't have to be around me." Her tone was harsh and cold, so far from the warm voice she had had only a few hours before, and Lockwood couldn't help but bite back.

"Of course I don't want to be around you, I was only saying that to make you think you're actually worth keeping around." It was awful, and he would never normally say something like that, but she was an enigma and he was tired and scared that if anyone found out about her Talent then she would take the spotlight away from him, and the words were out of his mouth before his brain could catch up and tell him to stop. She had stared at him, and for a moment he thought she might start crying from the way her eyes glistened and her lip trembled slightly, but then her expression was turning hard and a scowl settled on her face, and after that it became the norm for Lockwood to catch her eye and be glared at.

He knew he should apologise, but he couldn't figure out how to do it in a way that she would accept, and they were so entrenched in this hatred now that he was struggling to see how they could ever leave.

No, better to stick to what was normal and safe.

Not his normal mentality, but when venturing into the unknown meant exploring why he felt so warm, he was perfectly fine with staying behind the iron chains he had placed around his heart.

part 4

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let me know if you want to be added to/removed from the tag list! <3

[cowbellghuleh]

Still very new to the Ghost "fandom" (literally discovered them within the last couple of months). So please accept my offering.

My first attempt at drawing Papa IV and not entirely happy with the face (trying to get my more cartoony art style to even vaguely resemble a real person is a bit difficult XD)... And is robe design is so bloody complicated XD This was somewhat loosely inspired by the dragon priests of Skyrim.

IDK if I'll properly colour this at some point...

[braxiations]

What is Hylics Canon? - The Accretion

Preamble/Disclaimer

Hi! This post will be a bit different from my previous analysis and theory posts. Unlike those, I'm going to be doing very little theorizing or speculating -- at least, that's not my primary goal. What I want to do today is go over everything we know about "The Accretion," a vague event referred to numerous times throughout Hylics 2. Additionally, I'll try to draw some conclusions about what I think is Mason's authorial intent with the Accretion. I'll do my best to walk through my logic and view multiple sides, and whenever I speculate or make a stretch I'll try and be clear about it.

Before we start, I want to apologize for if I come off as rude or dismissive of certain headcanons or interpretations. Later on I'll be tackling 3 of the main theories I've seen floated around and I intended to be critical and clear when I think they contradict the established canon. However, I do not mean to invalidate these interpretations. Hylics' lore is very interpretive and vague and "canon" isn't something that needs to be strictly abided to. If your interpretation conflicts with what I've shown here, that's perfectly ok!

Basically, my post is for people who either care about adhering to canon or are just curious as to what evidence there is. That being said, let's jump in!

The Basics

"Gibby! Emerge from that vessel. The Hylemxylem was a failure. Only now does the Accretion's long dark age begin to subside." This dialogue, said by Wayne to Gibby before the final battle, is perhaps the only piece of required dialogue referencing the Accretion. This paints the Accretion as the cause of a "dark age," although it's unclear what this entails, which the Hylemxylem threatens to begin again. Many have taken this to indicate that the Hylemxylem caused the Accretion, but there isn't substantial evidence for or against this. It's certainly a valid possibility.

"Back when the accretion hit, the strongest gesture was buried." This line, spoken by one of the Waynes at Waynehouse is one of many indications that the Accretion was an event. Many other pieces of dialogue have wording that confirms this, this is just the first the player is likely to encounter. I bring this up to dispel the idea that "the Accretion" could be the name of the dark age itself.

This is also the first instance we see of the Accretion being claimed to "bury" things. This might indicate that certain objects either hit the ground with such tremendous force that they sank deep in. Alternatively, the Accretion might have actually produced a layer of matter that buried objects on the surface.

Known buried objects: - Disthlarn Moon. (New Muldul NPC: "When the Accretion buried the sage's great ship, Disthlarn Moon, my wife and I were stranded here on the surface.) - The Bombo-Genesis monitor (The TV Wayne and various other NPCs. The monitor is in Disthlarn Moon so this makes sense.) - The labyrinth ("The key is ancient. Whatever door it unlocks is likely deep underground, buried in the Accretion." Said by Smuldunde, referring to a key that unlocks a door in the labyrinth.)

You'll notice that many of the things explicitly listed as buried in the Accretion are specifically those that belong to the Sages. This makes sense given what we'll discuss in the next section.

"A great gesture may oppose Gibby. But accretions place it beyond our reach, and embolden his agents as they seek reconstitution." The Sage of Accretions gives this line, and like their name it confirms that the Accretion is just a singular instance of an accretion, and in fact there have been multiple. The Accretion, denoted by "the" and also capitalized (at least by me, the in-game dialogue is inconsistent) may have just been a particularly damaging one.

Given that a Sage of Accretions exists, they're likely not all catastrophic and could be somewhat akin to weather event. They happen from time to time and aren't necessarily bad, but under particular conditions or if emerging suddenly, they can be a disaster. These are all just assumptions though. Accretions could happen over massive spans of time and the Accretion is only referred to as such due to being the most recent. As we know that the "great gesture" referred to here was buried in the Accretion, the fact that multiple accretions place it beyond their reach may indicate that smaller accretions have occurred since. This is all just speculation.

The Age of Sages

"Our empire was undone by a sudden accretion. Only the cabinets recall its grandeur now." This line, spoken by the Sage of Monitors deep beneath Viewax's Edifice first establishes an "Empire of the Sages" and the idea that that empire was undone by the Accretion. The Empire of Sages is also referred to by Pongorma and Gibby. Pongorma specifically refers to Disthlarn Moon as a "remnant" of their empire. This indicates rather clearly that the "Age of Sages" as I've decided to call it was specifically ended by the Accretion, which cast the labyrinth and Disthlarn Moon deep into the subterranean.

"The surviving sages hid themselves, one in Viewax's edifice, another under the fortress at Foglast, and a third in those halls which recently held this ship." This line from an NPC within Disthlarn Moon directly implies that many Sages perished in the Accretion. The mention of three survivors is interesting in regard to the other three Sages we know from Hylics 1. This is something we'll talk about later in the theory section.

This provides us a pretty solid layout of events. For a time, the Sages led a prosperous empire. However, a sudden accretion ended this era of prosperity, plunging society into a dark age.

The Cabinets

An often overlooked detail is that the arcade cabinets provide some of our only looks at the world of Hylics before the Accretion. The cabinets can be presumed to have been built by the Sages, given that they protect items like the deep key that corresponds to the Sage's labyrinth. We see many within Viewax's Edifice in complete disrepair, with only one functional, as one might expect from ancient machines caught in a catastrophe.

The Sage of Monitors also remarks that "only the cabinets recall its [their empire's] grandeur now." This may suggest that the games within the cabinets are actually designed to tell important stories of the Sage's empire or hold information. This would make sense given the story we see play out, which follows a Wayne transforming into the Sage of Satellites. It's not a stretch to suggest that the Sages chose to immortalize the ascendance of one of their own.

With this in mind, we can use what's seen in the cabinets to date certain things to the pre-Accretion times.

A flag bears the image of Odozeir and Gibby, suggesting they're not only older than the Accretion but were even allied back then.

The, or a Hylemxylem, seen in the background. It resembles the reconstituted Hylemxylem in Hylics 2. This is probably the previous Hylemxylem before it grew into the Moon seen in H1.

A structure resembling the Waynehouse. Notice the egg pod in the basement, the bathroom, the bedroom, and the tv.

At least one Wayne (the player aka "Sat-Wayne.")

Poolmen

Coutures

Truculents

Numerous kinds of airships

Various other enemies

The labyrinth and drill site also indicate what species existed before the Accretion, albeit less directly. Tyros are depicted in numerous statues in the maze, and a tyro in the drill site seems to refer to a herd of galliforms as being pre-Accretion (although this dialogue is kind of vague and could refer to the labyrinth itself.) The labyrinth also has a pool hooked up to the Afterlife, implying that it existed back then too. There are also numerous enemies found inside the labyrinth which one could assume were sealed down there in the Accretion, but they may have crept in through breaches in the structure or other means. I'm not comfortable saying they're definitively pre-Accretion, although I won't disregard the possibility.

There is another character heavily implied to have lived before the Accretion, Pongorma.

This dialogue amounts to show us that Pongorma lived during the Sage's rule, and I believe we've successfully concluded earlier that the Accretion is what ended their empire. Thus, Pongorma is pre-Accretion. This fits in well with his introduction in the first game: we find him sealed away within a vault "through long ages."

The Three Main Theories / When Did it Happen??

Okay, so this is the real meat of this discussion. I'm going to lay out the three main theories I've seen discussed and go over evidence for and against each of them. I'll also be making the case for what I personally believe to be the canon intent of Mason lindroth.

Theory #1 - The Human Extinction theory: It is widely accepted that the world of Hylics is a post-human one, following some kind of apocalypse that wiped out humanity. This theory suggests that the Accretion is the event that caused this. Note that some believe humanity didn't necessarily die, but rather that they were transformed or evolved. Regardless, this event is what caused humanity to stop being human, which is really the only thing we can prove or disprove. I'm going to say "extinction" for simplicity.

Theory #2 - The Moon Crash theory: This is the only theory of the three that actually proposes a cause for the Accretion, being the crashing of the Moon at the end of Hylics 1. This theory states that, after Wayne's crew killed Gibby and trashed the Moon, it crashed into the planet, causing the Accretion.

Theory #3 - The Other Apocalypse theory: This theory is kind of vanilla compared to the other two. It just states that the Accretion happened before Hylics 1 (and presumably long after the extinction of humanity if you believe that to have also happened.) Because this theory says so little definitive about the Accretion, it's sort of the default if the other theories are disproven. As a result, it's the theory I personally subscribe to, and I will explain why below.

This is where we get into harsh, potentially theory-"disproving" territory, and I want to again reiterate that I don't intend to invalidate anyone's personal interpretations, I'm just speaking in terms of what the games show us and what I think to be canon. That being said...

The easiest of these theories to """disprove""" is the Human Extinction theory. This comes from the views of the pre-Accretion world given to us by the cabinets. The world depicted in the Accretion is very Hylics-y, still comprised of clay, having Hylics-age species, and no traces of human civilization or typical Earthen life. Even if the world and the people in it underwent some kind of transformation and the Sages and Pongorma were originally human, this directly shows that clay species and landscapes existed pre-Accretion. There are a few explanations for this, hence why I put "disprove" in quotations. One could argue that only parts of the world were clay'd at this point, or maybe the scenes depicted in the cabinets have changed over time as did the world. I personally find these explanations kind of contrived (the former would make the Accretion seem nearly redundant if the world is already transforming, and the second would make it incredibly strange for the cabinets to "recall" events if they can't recall them accurately.) There's also the language in which the Accretion and its ensuing dark age is described. Wayne calls it a dark age, and Gibby seeks to return to the Age of Sages' grandeur by forging a new zone. The "dark age" in this theory wouldn't just be a more stable society, it would be a completely different world that, to put it simply, none of the characters we know would fit into. It seems especially odd for Gibby to want a return to this sort of world when the fortress he launched transformed the inhabitants into surreal creatures. Personally, I find the Human Extinction theory to be uncompelling. While it can't be outright, factually disproven, explanations for it require inelegant contrivances. There isn't really any evidence for it either, and in my opinion it removes depth from the world's history.

Now we'll discuss the advantages and disadvantages of the Moon Crash and Other Apocalypse theories. First, I'll give what (to my knowledge) is the main evidence for the Moon Crash theory. As Oxford Dictionary defines it, "Accretion" can have a few definitions, but two are primarily relevant to us. 1. the process of growth or increase, typically by the gradual accumulation of additional layers or matter. 2. the coming together and cohesion of matter under the influence of gravitation to form larger bodies. The second definition, astronomical in nature, is particularly intriguing and relevant, especially with Hylics' themes of moons. This brings light to the idea that maybe the Moon crashing into the planet is what caused the Accretion.

"Pongorma, you witnessed the empire of the Sages." Here, Gibby speaks directly to Pongorma as someone who witnessed the empire of Sages, something we previously established ended at the Accretion. This heavily implies --but again does not directly confirm-- that the other characters didn't see the empire. Why would Gibby call out Pongorma specifically if what he was saying applied to everyone? And, if the gang indirectly caused the Accretion, how could they have not witnessed the time before it? There's also the general language with which the Accretion is spoken of. As previously mentioned, Wayne says the Accretion caused a "long dark age," and Smuldunde says that the labyrinth must be "ancient." The monitor containing bombo-genesis is also called the "monitor of the ancients," indicating that the Sages must be viewed as ancient too. While Hylician lifespans and therefore general scale of time may be amplified compared to ours if that was the case we would expect adjectives such as "long" and "ancient" to be equally stretched. However, there's no indication that such timespans have passed since Hylics 1. It'd be especially odd to refer to a time as ancient if most people were alive for it. While Pongorma certainly was, his age is portrayed as an exception. Although I understand that this is ephemeral, the general vibe is that only a few years have passed (or whatever the equivalent is to Hylicians.)

The only evidence against the Other Apocalypse theory I can gather is how the remaining Sages are described. One inhabitant of Disthlarn Moon says "The surviving sages hid themselves," going on to describe the locations they're found in. Another says "Tokens from the three sages." This could be taken to say that only three Sages are currently alive, which would imply that the Sage of Computers, Brains, and Monitors from the first game have since perished. Otherwise, there'd be six. I would like to counter this with two possible explanations. For one, this dialogue exists specifically to tell the player where to find the Sages. If the NPC also said "another sage can be found in the hall of deadly statues," players would be confused because that location doesn't exist in this game. It'd defeat the purpose of this dialogue in the first place. Secondly, we know that the Hylics 1 and Hylics 2 locations are different, evidenced by Somsnosa's dialogue about moving away from her island home from the first game. It'd make sense for the NPCs to not be discussing Sages from distant lands. If you were talking about a natural disaster in your country that only left 3 politicians alive, no one would correct you saying "actually, there are plenty others in other countries!" That's simply not what you're talking about. It's even possible that the Accretion wasn't a worldwide event. The Hylics 1 location could've been unscathed and thus be equally irrelevant.

Conclusion

An analysis of all the dialogue referencing the Accretion brings us to a few conclusions I find to be rather sound.

The Accretion was a particularly sudden or strong instance of an event called an accretion. This particular accretion buried numerous objects like the labyrinth and Disthlarn Moon, as well as ending the empire of Sages and plummeting the Hylics 2 location (and possibly others) into a long dark age. "Only the cabinets recall its grandeur now." We know that Pongorma, Gibby, and Odozeir witnessed the time before the Accretion, and it seems likely that Wayne, Somsnosa, and Dedusmuln did not. As indicated by the cabinets, the previous Hylemxylem (likely the one that later became the moon) existed before the Accretion. The labyrinth shows us that so did the Afterlife. The pre-Accretion world is shown by the cabinets to be similar to the current one, still made of clay and containing many of the same species. Given the general language in which it's discussed, it's likely that the Accretion occurred before the events of either games. Less catastrophic accretions may have occurred since the large one, further burying Disthlarn Moon, but this is unclear.

I hope you all enjoyed this analysis! It was tough to write because basically everything is vague, and with this vagueness, it's tough to not rope in a billion other subjects and ideas. I ended up leaving out quite a few things because otherwise, it would've come out even longer and more bloated than it already is. I might make a follow up post containing every piece of dialogue I could find about the Accretion, the Sages, and their associated artifacts, just in case there's something significant I missed.

[invinciblerodent]

So, uh.... my boy has finally got a boyfriend, I finally got Gale's second romance scene, and... man. I have a LOT of thoughts and feelings, and woefully few words to describe them. (But I'll try to keep it vague, lol.)

I honestly love how the writers didn't shy away from writing this to be something so earnestly, unapologetically STRANGE, but so heartfelt and romantic. That Weave scene, while it sounds weird on paper, I honestly don't think I've seen a romance scene that was more representative of a character before. I already felt like I related to Gale quite a bit, but now, I feel like I see him on almost a whole new level. Now, he showed just how deeply INTENSE a man he is.

Yeah, there is a bit of showboating in him (though I've always kinda seen that as less of a "look how awesome I am" and more a "look how useful I can be, please like me"), and overall he presented a pretty restrained image- but now, with that recolored by this, I feel like it all goes to show how he really just YEARNS for someone to know him. It most shows in how after telling him that you love him too, he immediately throws all his doors open, invites you in, whisks you away to the part of the world that feels most meaningful to him, shows you all that he feels important- the Weave included.

He wants to show you everything, to share all that he feels is himself with you, be DEEPLY, INTIMATELY KNOWN by you... and he just wants to GIVE you so much, show you so much love, so much pleasure, so much OF HIMSELF, that just one set of limbs, just one of him isn't even enough! He wants to melt into you, hold you with more limbs than a human could ever possess, become one with you and give you all that he is while taking in all that you are...!!!!

And all he wants in return is that you accept him, with a his... unusual, eager, awkward, kind, smart-mouthed, somewhat melodramatic, loving, silly, deeply DEVOTED self, and his love that feels so vast, he wouldn't be able to fully express it even if there were three of him. This man is so full of love for you, he's all but bursting at the seams.

I feel... emotional. I don't think I've ever been THIS moved by a video game love scene (I can't even bring myself to call it a sex scene, these mfs didn't just have sex, they made love), like I know that feeling!!!! I've FELT that before!!!!! And I, as myself, a person, not as someone roleplaying a character, felt weirdly SEEN just now!!!!

I'm just overall very impressed.

.... Oh, and the way he drops on one knee to kiss his new, dwarfy boyfriend? Just adorable. I know all companions do that when they touch a shorter player character (I still love the way Karlach crumpled into my boy's arms in the hug scene), but it still feels kinda special.

(You just know these two assholes are going to be so deeply OBNOXIOUS about being in love. Like yes, they already were, but now that they know their feelings are mutual, they'll be like... fkin holding hands while traveling, and cuddling by the fire, and all that cutesy shit. God, I'm so endeared.)

[fxtalitygod]

「 𝙱𝚕𝚊𝚌𝚔 𝙲𝚘𝚏𝚏𝚎𝚎 」

Pairing: Gojo Satoru x Fem!Reader (or Afab!Reader)

Synopsis: You preferred your coffee to be black, at least you used to– Gojo Satoru changed that.

Genre: Fluff to Angst

Warnings: Fluff to Angst (Heavy angst), language, Light JJK chapter 236 SPOILERS, character death, vague imagery of mutilation (nothing overly descriptive), reader has a nightmare, depictions of a dead body/corpse, mentions of pregnancy, themes of grief, (only at the end)

Word Count: 3.9k

A/n: I wrote this mainly as a fem reader, but it can also be read as afab since the reader's pronouns are never specified.

P.S. I know it looks like someone needs to stop me from thinking of ways to write angst for Gojo after reading chapter 236...but that's only because someone needs to stop me from thinking of ways to write angst for Gojo after reading chapter 236!

JJK Mlist•Taglist Rules•

"How do you like your coffee?"

"Black."

"Black?!"

"Yes, what is that unusual?"

"No, it's just...how can you drink that?"

"I put it to my lips, and I ju-"

"I understand how the function of drinking works. I mean, how can you drink something so...bitter."

Satoru's question was more of a statement than a question, as he cringed at the thought of consuming such a bitter beverage. You and Gojo had been dating for a few months and were still getting to know each other, exploring your interests, preferences, likes and dislikes...tastes in coffee.

"Alright, how should I be drinking it?" you questioned, smiling as you watched him think before perking up as if a lightbulb had gone off in his head.

"You wanna go on a coffee date?" Gojo asked, smirking as he did so.

"Don't you think that's a little cliché?" you responded, quirking a brow at him.

"Nothing can be cliché if it's with you, my dear."

You could only laugh at his witty comment, glancing over to see him wiggling his brows as he awaited your answer.

"Alright, fine! But for future reference, try to come up with better pick-up lines than that, or I can't see this relationship lasting long." You joked as you stood from the bleachers you had been seated on.

You watched as your boyfriend clutched his chest in faux hurt, letting a theatrical gasp as he gave you a pained look. You could only laugh at his dramatic behavior, shaking your head as you stepped towards him, bending down to kiss him on the cheek. Gojo sat there accepting your offer of affection but wasn't entirely satisfied. Before you could walk away, he grabbed your wrist and pulled you down to give him a proper kiss before pulling away slightly.

"I'll meet up with you after class?" the second-year mumbled on your lips.

"If you even survive because I'm pretty sure you're late, and Yaga isn't going to be too keen on the explanation that your tardiness was due to you swapping spit with your girlfriend." you teased.

"We didn't even make out though."

"Try explaining that to Yaga," you knowingly stated.

Gojo knew you were right, sighing and cursing under his breath before standing, giving one last peck to your lips before running off, mumbling to himself as he tried to think of a reasonable excuse for his late arrival, something that would be somewhat justifiable to his instructor. You felt a warmth rise in your chest as you watched him make one last turn towards you, waving as he continued to make his way to his classroom. How did you manage to pull a guy like him? That question would forever remain a secret, but you wouldn't dwell on it– you would focus on whatever remaining time you had left with him.

"My head still hurts," Gojo murmured as he rubbed the tender spot on his scalp from where Yaga had bonked him.

"I told you," you teased in a sing-song tone, leaning towards him with a smug smile plastered on your face.

Your partner only shoved you away lightly as he tried to control the amused smile that began to grace his features before pausing. You hadn't noticed that Satoru had stopped until you turned to see he wasn't by your side anymore. You looked behind you to notice that he was staring at a display window. You couldn't see what was inside due to your current distance, but you could tell your boyfriend was definitely drawn to it.

"Is everything alright over there?" you called, tilting your head in curiosity as you stood in your current spot.

"How do you feel about going on that coffee date?" Satoru called back, looking over at you.

"Now?"

"Right now."

You hesitated for a moment, not feeling entirely comfortable going on a date in your uniform, but reasoned that it would be ridiculous to postpone a simple date based on your apparel– Satoru was still in his uniform, so why did it matter? With that internal debate out of mind, you walked toward your partner, taking his outstretched hand and walking into the coffee shop.

"You sit over there."

"Huh?" you were confused by your boyfriend's instruction, giving him a puzzled look.

"I'll go order the coffee and a few treats, don't worry, go sit over there and relax," Gojo explained, an overly enthusiastic smile plastered on his face for a guy who was going to simply put in an order for 'coffee and a few treats.'

You gave the fellow shaman a look of suspicion before walking over to a clean table, taking a seat, and watching the tall individual walk toward the counter. You couldn't hear what he had ordered due to his almost hushed tone as he spoke to the barista behind the counter. You waited a short while before being presented with your companion and all the items he had purchased.

Before you could say anything, Gojo slid one of the cups toward you, presenting it as your coffee before pulling back and staring at you. Your eyes flitted from the cup back to him a few times, feeling apprehensive as he persisted in staring at you. His awaiting gaze was a little unsettling at this point.

"What did you do to it?" you asked, pushing the beverage away.

"Nothing, just take a sip," the eager-looking individual insisted as he slid the cup back to you.

"You didn't do anything weird to this, did you? Didn't poison it or anything? I don't want to be the victim of a crime of passion case."

"No, I didn't do anything weird to it. Also, if I were to kill you, I wouldn't poison you– that would be boring," Your boyfriend answered.

"How reassuring," you stated, taking a deep breath before looking at the cup sitting idly, "Here goes nothing."

After collecting all your courage, you lifted the cup so that the rim rested on your lips, taking one last look at Satoru before taking a sip. The sweetness and thickness of the drink hit you unexpectedly, causing you to choke suddenly. You pulled the cup away from your mouth, grabbing a napkin to cough into as you registered what had happened.

"Are you okay?" Satoru spoke, trying to hide his laughter– he was failing miserably at that.

"Yeah," you sputtered, "What the hell did you put in that coffee?"

"Technically, I didn't put anything in that coffee; the barista did," your companion corrected.

"Alright, smart aleck, what did you tell the barista to put in that?" you responded, grabbing another napkin to wipe at your mouth, slowly catching your breath from the initial shock.

"Relax, I just asked her to add creamer and a few packs of sugar."

"How much do you consider is a few?"

"Uhhhh... so how was it?" Gojo redirected, deciding not to answer that question.

"It was definitely a shock," you sarcastically answered as you glared at your boyfriend.

"It couldn't have been that bad. Come on, just give it one more try, pretty please," Satoru pleaded, looking at you through his snowy eyelashes, batting them innocently.

You sighed, giving in to him begrudgingly as you brought the beverage back to your lips, pushing your hesitance to the side as you took a sip. You let the flavors rest on your tongue, tasting the sweetness of the sugar and brew combined with the thickness of the creamer that also enhanced the sweetness. The drink wasn't your preference, but you couldn't admit it was entirely dissatisfactory. If you had been the one who controlled how much sugar and creamer was added, it may have been more to your liking.

"Soooo?" your partner drew, waiting for an answer he would be satisfied with.

"It's alright, a little sweet for my liking, but it isn't god awful," you admitted, "next time, I would balance out the sugar and creamer ratio."

"So you're saying there is a next time?" Satoru teased, raising a smug brow.

You had the urge to punch the cockiness off of that ever-so-handsome face of his but decided against it as you leaned over the table and pecked his lips, catching him by surprise.

"Yeah, there is a next time."

"I'm so sorry for your loss, Y/n."

You hung up the phone, setting the device down on the nearby table as you stood in place, looking out the window, repeating the apologetic statement in your mind. What was the point of apologizing for such a loss– it won't bring anyone back; it won't mend your broken heart; it won't resolve the fact that you're standing here rubbing at your stomach, knowing that you were about to conceive a child without a father figure present, which you only figured both out recently.

You fiddled with the silver band around your ring finger before slowly sliding it off and placing it on the table next to your discarded phone. Your legs felt weak as you only stood there, staring at the window, not even looking at the lovely scenery beyond the pane– you only stared at the glass barrier that separated you from the outside world. There was a slight quiver in your breath as the events of your life played in your head. All the firsts you had with the man, all the important events you shared with him, all the tender moments. From the day you met to the day you eloped with him.

This was another day to add to your memory.

The day you created a life and the day you lost a life.

You stood there unmoving and noiseless until someone came and escorted you to your room, saying you should rest. Laying in your bed felt like torture that night, and every night after that– it was a constant reminder that you were now a widow, that you had lost your lover. When you would dream, you would dream of him, but those dreams quickly turned into nightmares. The images were vivid, as you imagined your lover's mangled body, surrounded by his own blood that had turned cold with time. Your heart would hammer against your ribs, and your breathing would grow heavy as if someone was sitting on your chest. A ringing sound could be heard the longer you looked at his corpse, crescendoing as your gaze took in every detail of the horrific sight before you.

And then you'd wake up to the sound of your own alarm.

You gasped as you sat up, waking up in a cold sweat, goosebumps littering your skin. You looked at your phone, seeing it was past the original time set, meaning you had slept through the initial alarm. Taking a moment to collect yourself, you sat there, looking at the empty side of your bed blankly; however, before you could dwell on the situation, your phone went off. You quickly reached over and looked at the caller ID, seeing Shoko's name illuminating on the screen.

"Hello," you groggily asked, not having the energy for your usual friendly greeting.

"Hey, are you sure you want to do this?"

You were puzzled by her question, but when you pulled your phone away in confusion, you noticed the date and what that meant.

"Yeah," you answered, your voice barely above a whisper.

"Alright, see you soon then..." a pause as you were about to hang up, your finger hovering over the red button, "Hey, Y/n, if I had the power to bring him back, I would...even if he was an idiot. I just wish I had that kind of power."

"Hey Shoko, it's alright. I need to get ready, but I'll see you soon," you reassured her, knowing that your husband's death was just as painful for her as it was for you.

"Right, see you soon."

With that, you used what little energy you had to press the red button and stand, heading to your bathroom to freshen up. Walking up to the mirror, you could see how disheveled you were– it was frankly ridiculous– seeing your messy hair and your sloppy choice of clothing. You scoffed as you looked at yourself, disappointed in how you let yourself go because you knew Satoru wouldn't have wanted this for you, especially in your circumstances.

You took a deep breath before exhaling, trying to push your emotions aside so you would be able to accomplish the basic necessity of taking care of yourself. This was the daily morning routine currently, waking up a sweaty mess from your night terrors before cleaning yourself to look as tidy as possible. If somebody were to ask someone close to you how you were doing, they would say you were handling it well, complimenting you on how strong you were being. Although, those people only saw you in broad daylight. When you were left in the solitude of your bedroom, you would let go of the strong composure, permitting yourself to slouch and remove the concealer from your undereye to reveal your eye bags, allowing yourself to remove the neutral expression from your face to reveal the cold, stoic one beneath it, which wasn't very flattering.

After a few hours, you stood on the border of Tokyo's Jujutsu High. It took every part of you to step past the barrier, but you managed to do it after shutting down every impulse to turn around and break for it. You walked the grounds, feeling unfamiliar with the surroundings, although you had walked through these halls more times than you could count. The atmosphere just wasn't the same.

"Over here," you heard a voice exclaim, turning to see it was Shoko, "I thought it would be best to meet up out here first."

You only nodded as you stood in front of her. The air was thick with tension as you both stood in silence. You distracted yourself by messing with the chain around your neck.

"You could always back out if you want to..." Shoko broke the silence, although in a hushed tone as if she were trying to preserve the stillness.

"I need to do this, Shoko."

The brunette looked at you hesitantly before nodding, gesturing for you to follow her. You walked through the cold hallway for about a minute before stopping in front of a door. A shaky breath escaped your lips as you stared down the hunk of metal, not knowing what to expect.

"He's already in there," Shoko spoke once more, placing a hand on your shoulder, "Look, you can leave whenever you are ready; you don't have to stay in there, and if you need me there at any point, do not hesitate to ask."

You only gave your friend a curt nod before walking through the door, letting the heavy metal shut behind you as you scanned the features of the lifeless room. It was nothing special, but if you happened to get locked in this room, you would probably go insane. Before you could distract yourself with ridiculous scenarios, you were struck with the reality of the situation as your eyes landed on the oddly shaped white cloth draped over the examination table.

Without even thinking, you approached the table, pausing just short of it as you examined the shape of the cloth. You sucked in a breath, holding it as you grabbed the corner of the fabric. There was a moment of hesitance as you gripped the material before pulling it back to reveal the lifeless face of Gojo Satoru, your beloved husband.

You didn't know what to do or say at the moment– I mean, what could you do or say when being met with your lover's cold body? However, you did have to breathe. You hadn't noticed, but when you began to feel the tightening in your chest, you remembered to allow breath into your lungs. Your dreams were nowhere accurate to the state of his current corpse, and you didn't know if you should have been disturbed or grateful for that. He wasn't horrifically mangled, but his lower half was no longer attached to his upper torso.

You looked into his cold, lifeless, blue eyes, the same eyes that used to gleam with mischief and pride. If your heart wasn't broken before, it was positively demolished at this stage. You brought your hand to hover just above his eyes before letting them touch his skin, moving them to force his eyes closed. Your hand rested there for a moment before moving to swipe away at the stray hairs that sat on his forehead.

Standing there, unmoving, you took a moment to look at your significant other, seeing his peaceful-looking expression, one you recognized from the mornings when he had successfully gotten a satisfying night of rest– now he's resting eternally; hopefully a peaceful one as your lover had always struggled with sleep. God, you wished he was just sleeping, that he would wake up and tell you it was all a sick joke, but you knew better– Satoru would never let you suffer like that. As you were about to back away and leave the room, starting to move your hands from the table, you felt something brush over your knuckles, causing you to lightly gasp.

You moved your gaze to look at what you unintentionally touched, revealing something that managed to cause your shattered heart to drop.

The sight of the ring on your lover's hand, the cold metal idly sitting on his unmoving finger.

You choked back a sob, a suppressed sound emitting from your throat as you took Satoru's limp hand, gripping it tight as your other hand found its way to his forehead, pushing back more strands of hair. You suppressed your cries as you bent down, closing your eyes, not having the heart to look at him like this anymore, as your quivering lips kissed his forehead. Your body silently shook as you continued to contain your sobs, tears escaping your eyes as you slipped the ring off his finger, placing it in your pocket.

You were in that position for some time before finally pulling away and walking out of the room before you could look at his dull state and linger any longer. Upon stepping out of the room, you were greeted by Shoko's gaze of pity– it sickened you. The last thing you wanted was to be pitied, but in predicaments such as these, you had no choice but to be pitied. So, if you were to be pitied anyway, what was the point of hiding the underlying issue?

"I'm pregnant," you blurted, watching Shoko's face drop.

"Y/n, I didn't even know, I would have never-"

You cut off Shoko as she attempted an apology for something out of her control, "How could you have known? I for sure as hell didn't until a few minutes before I got the call that my husband was dead," you weakly smiled, "At least I'll always have a part of him with me, right?" your voice shook as you sarcastically asked that question, allowing more tears to spill.

"Y/n, I-"

"Please don't apologize, Shoko. It isn't your fault that things ended up so shitty," you reassured her, placing a hand on her shoulder, "Look, I'm getting too tired considering that it's still early in the day, so I'm gonna grab a coffee, you could join me if you'd like," you offered, shrugging your shoulders as you wiped at your tears.

"Y/n, I wish I could, but I have to..." Shoko trailed as she chose her words carefully, "I need to work with him."

You gave the doctor an understanding nod, waving goodbye as you made your leave from the school. Leaving the isolated school to the city was almost refreshing as there were plenty of things to distract you from the reality of your predicament. To some, the walk may have been boisterous and annoying, but for you, it was calming and relaxing to be fixated on mundane things that didn't affect you.

That didn't last long.

Your feet stopped moving due to muscle memory of your route to your current location. You looked up to see the usual coffee joint you visited– the same one where Satoru had taken you for your first coffee date. You smiled for a moment due to the nostalgia; however, it faded quickly, remembering you weren't visiting with your usual partner. Despite the upsetting realization, you managed to hold your composure, fiddling with the chain around your neck before pulling it out from beneath your shirt, watching your wedding ring dangle from the delicate item. You took in a shuddering breath as you pulled your spouse's ring from your pocket, taking your time in slipping the metal band onto the chain to dangle next to yours before placing the necklace back around your neck, tucking it underneath your shirt once more.

"Y/n, is that you? It's been quite a bit. For a moment, I thought you found a new spot to lounge at," one of the familiar baristas chuckled before halting her laughter to look at the area around you, "Satoru isn't with you today?"

You sucked in a breath before plastering a smile onto your face and replying simply, "No."

"I see. I'll get you your usual then?" the barista asked, ready to turn away and prepare your drink before you stopped her.

"No, today I'd like it black, a plain dark roast," you replied.

A bitter drink for a bitter situation.

"Oh, alright then."

You could hear the hesitance linger in the barista's voice as she walked to the machine. It only took a couple minutes for the girl to prepare your simple order before handing it to you. Thanking the young woman, you bent down to pull some cash from your purse, coming up to see a stunned expression as she looked at your chest. Without thinking, you quickly looked down to be met with the sight of your necklace and the two rings dangling from it. Before the worker could speak, you placed the money on the counter and walked over to an isolated table– conveniently enough, it was the same table you and your husband would sit at, the one you always sat at since your first visit to this cafe.

"Yuck, how do you drink this Mommy?"

"Well, it's simple dear, you just bring the cups to your lips and-"

"I know how to drink, Mommy, but how can you drink something so icky?"

The mother lightly chuckled.

"Well, how would you have made it?"

"Hmmm...Here! Try my hot cocoa, Mommy! It is much better than that yucky drink."

"Oh, I bet it is, Sweetie."

You could hear them smiling as the mother-daughter pair giggled, enjoying their shared time, reminding you of a similar moment you shared with your lover– you were happy for them, nevertheless. Bringing the cup to your lips, you took a whiff of the dark brew, letting the scent linger for a while before taking a sip. The rich taste was almost foreign but satisfying nonetheless, at least that is what you told yourself as you slumped in your chair.

The room went eerily quiet as eyes were drawn to your form, watching as you cried into your beverage. Your shoulders shook as you sobbed breathily, putting the cup onto the table to cover your mouth to muffle your soft cries, your other hand placed gently on your stomach. You knew that they were looking at you, that you were causing a scene– it was embarrassing, but you didn't care. You had the right to grieve because god...

That coffee was so fucking bitter.