#3/14/2019
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@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D
Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)
Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…
Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious
And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:
All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3
(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)
#my art#artists on tumblr#the legend of korra#original characters#jinora#wow. nia drew a canon character? what is this?? who was I replaced by???#but joking aside. a small explanation for this crack ship#originally it was me editing my timeline and realising that Kumisai would be around 14/15 during book 4. the same age as Jinora#so my mind immediately went 👀👀👀 and I decided to go for it#since in sotrl I sorta implied Jinora had a gay awakening by watching Suiren. so.. why not go all out and make her another baby queer?#no offence to Kai. what they had was rather cute tbh. but it felt kinda out of nowhere and just added for the sake of parental drama#plus she was a young girl meeting someone her age for the first time. of course she got a crush#doesn’t mean she has to stick with it you know?#anyway. as for how they would meet. Midori could introduce them :D#Kumisai is Daneli’s daughter. who’s a friend of Summiya’s. who’s Zaheer’s sister. who’s Midori’s uncle. who’s friends with Jinora#and spirits know Jinora deserves to act her age a little more often. she has way too many responsibilities on her shoulders#so maybe Midori would think that a friend her age would do her some good#and don’t even try to tell me these two wouldn’t be absolutely adorable puppy crushing on each other. look how cute Jinora turned out here#might be the first time I’ve drawn her? not sure. maybe I did before but it was A LONG time ago. 2019 ish#but okay. enough rambling about Jinora. back to Kumisai#I don’t really have too many headcanons about her yet. but she’s probably rather happy and carefree#having a large support system as a result of being raised communally#I think she considers Daneli her mom and the others are her aunties. auntie Shezan in particular is a notoriously bad influence :)#and maybe one day she’d get to meet her bio mom. but only if that’s something both of them want. not sure yet#I feel like she’s rather disconnected from her water tribe heritage since everyone around her is Earth Kingdom. save Phailin who’s half FN#but she still has small hints of blue in her clothing. the colour matching her beautiful eyes. maybe she is curious about her bio dad a bit#since unlike with her bio mom no one knew him and can’t tell her anything. that’s bound to come as a natural curiosity at some point right?#maybe that can be part of her story when she’s an adult. trying to find her bio dad. but ultimately it doesn’t matter that much#because Daneli is her mom and the only parent she needs <3 I’m really just throwing out suggestions here to fill the tag space#kaaatttt come discuss all this stuff with me I waited all night for you to wake up >:) distract me from my grandma’s tv watching
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Other upcoming features of this month include:
Saint Patrick's Day
My best friend's birthday
The day Cosmo had an idea
Anniversary of both The Fairly OddParents and Invader Zim
#March 14th#March 14#The Day That Krabs Fries#Pi Day#March 15th#March 15#Denzel Crocker Day#Ides of March#Julius Caesar#We should totally just stab Caesar#Et tu Brute#Joker#Joker 2019#Batman#Spider-Man#Spider-Man 3#Peter Parker#SpongeBob SquarePants#The Fairly OddParents#Straight From the Dragon's Mouth
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IT JUST OCCURED TO ME SPOTIFY WRAPPED SEASON IS NEARLY UPON US
#ruby rambles#spotify wrapped my beloved <3#i love finding out which song i streamed over 300 times in a year#it reminds me how mentally stable i am HAHAHAHA#2023 it was 'like real people do' by hozier (clocking in at 354 plays)#2022 it was 'new constellations' by ryn weaver (clocking in at 500 plays)#2021 it was 'pierre' by ryn weaver (clocking at at 232 streams)#and then 2020 i'm 100% sure it was 'sex' by eden#double-checked and i was right#i have no screenshots from 2016 to 2020 tho#but i love yapping about music so i will be telling you what the top songs were#2016 was 'ode to sleep' by twenty one pilots (i was 13?)#2017 was 'hold on' by chord overstreet#2018 was 'the last of the real ones' by fall out boy#2019 top song is something i don't speak about so you'll get my 2nd song of the year#which was 'hearts' by jessie ware#but these songs i still stand by to this day#i will yap about them and i know every goddamn lyric and will scream them#MANIA is not one of fob's best albums but idc#last of the real ones slaps SO HARD#it lived rent free in my brain for so long and still does#i would jam the fuck out to it#i literally have a playlist called “reliving my (not so) emo years” and i will sing those songs like im 13/14 again#anyway yap over
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The duality of life is so crazy. I was back on campus today, I’ve been feeling pretty ancient all week because it’s been frosh week which means I have to deal with the fact that this year’s class graduates in 2028 (that’s not a real year) and were born in 2006 and 07, years that I can remember writing in the margins of a school notebook.
I'm walking around campus for the beginning-of-year campus clubs fair, and it's all, people love me, people think I'm cool, people are coming up to me saying they like my fit, in the meanwhile I'm internally getting jumpscared thinking wait; these incredibly well-dressed kids are approaching me whilst I'm shovelling fucking peanuts into my mouth out of a bag in my tote bag
There comes a point when you officially get Older and become invisible to cool young tiny things, and then you can do whatever you want because they sort of stop noticing you. I've been feeling a bit old this week, I'm at Big Person work, everyone around me is like half a decade younger, we're at quite different stages in our lives, I've been thinking. But I also have the sort of face that would pass me for a 19 y/o clearly, because these kids all have pulled me in like I'm some sort of counter culture bohemian trendsetting cool kid, and whatever the hell that means, it's definitely instantly made me feel a lot younger and connected with 'the youth'
#it's funny saying that because I am literally the exact age that you'd call youth#but if you're in a student-y area you're bound to feel old the minute you hit 22 because you're now older than 3/4 of undergraduates#fellas. I am not 22. I feel fucking historic sometimes. The kids look at me in awe because I saw Greta van Fleet live in 2019.#That was not even their first tour but these kids were 14 when that happened. I was old enough to go alone#(This is also why I have been feeling like I've got to move eventually. Student towns are great at perpetually being 21#You go to a real city and the young people are 30#Also my planned city is where all my favourite bands tour so it's a win-win#it's just I've been So Scared because I don't know anyone in said city and I work remotely out of elsewhere#Eventually I will take the plunge. Maybe next year! It'll be a bitch to rebuild but you know. Can't stay stagnant forever)#chitter chatter#I'm still a little thrown off when cool-looking people think I'm cool. My mum thinks I dress like a slob lol
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“amazon is bli”
thank you anonymous fandom.com user for extending my irl killjoys au.
#3/14/2019 thank you for your service 🙏🏻#Ive been saying korse is jeff bezos since like. January.#danger days#korse#fabulous killjoys
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`
#Anima Mundi 37-3 Ed.#2016/2019#Acrylic painted on plastic foil#18 1/10 × 14 1/5 in#46 × 36 cm#Edition 2/5 + 2AP#imi knoebel
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icon pipeline
#a lot of these are. Weirdly similar#uighean made that 4th one for me. the pride month I came out <3#there may be more but these are just the ones I remember/wayback archived#I've actually changed my icon more in the past year and a half than in my first decade on tumblr#first was my earliest tumblr in 2011 and from tyson hesse's sonic comic#because it was the early '10s I was 16 and Funny Face Icons were In lmao#second is roughly 2012-14#third is late 2014-mid 2019#I feel like I definitely had a different two icon at some point but I don't remember it#fourth is mid-2019 to maybe about. early 2020?#fifth late 2020 to I'm guessing may 2021 or something then the panel caps all kinda blend together#long post
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the first time i rode on a plane i was 7 but then after that one trip i didn’t ride on a plane again until i was 22
#sounds like 15 years but it was really only 14 because it was june of 2005 and i turned 8 that july#and then my next flight was in august 2019 exactly 3 weeks to the day after i turned 22#then the next time after THAT was december 2021 and then february 2022#have you guys ever spent 5 hours trapped in a confined space directly in front of a man who simply will not stop barfing on VALENTINE’S DAY?#when you die and go to hell i’m pretty sure it’s literally that.
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17/12/23 this masterlist has been completely revamped with free access to all material. It will be updated and edited periodically so please click on my username and reblog the current version directly from me if you're able.
14/8/24 reboosting this post with How to Help Palestine updated. Please scroll to the bottom to donate or boost the links.
The Big Damn List Of Stuff They Said You Didn't Know
(Yes, it's a lot. Just choose your preferred medium and then pick one.)
Podcasts
Backgrounders and Quick Facts
Interactive Maps
Teach-Out Resources
Reading Material (free)
Films and Documentaries (free)
Non-Governmental Organizations
Social Media
How You Can Help <- URGENT!!!
Podcasts
Cocktails & Capitalism: The Story of Palestine Part 1, Part 3
It Could Happen Here: The Cheapest Land is Bought with Blood, Part 2, The Balfour Declaration
Citations Needed: Media narratives and consent manufacturing around Israel-Palestine and the Gaza Siege
The Deprogram: Free Palestine, ft. decolonizatepalestine.com.
Backgrounders and Quick Facts
The Palestine Academy: Palestine 101
Institute for Middle East Understanding: Explainers and Quick Facts
Interactive Maps
Visualizing Palestine
Teach-Out Resources
1) Cambridge UCU and Pal Society
Palestine 101
Intro to Palestine Film + Art + Literature
Resources for Organising and Facilitating)
2) The Jadaliya YouTube Channel of the Arab Studies Institute
Gaza in Context Teach-in series
War on Palestine podcast
Updates and Discussions of news with co-editors Noura Erakat and Mouin Rabbani.
3) The Palestine Directory
History (virtual tours, digital archives, The Palestine Oral History Project, Documenting Palestine, Queering Palestine)
Cultural History (Palestine Open Maps, Overdue Books Zine, Palestine Poster Project)
Contemporary Voices in the Arts
Get Involved: NGOs and campaigns to help and support.
3) PalQuest Interactive Encyclopedia of the Palestine Question.
4) The Palestine Remix by Al Jazeera
Books and Articles
Free reading material
My Gdrive of Palestine/Decolonization Literature (nearly all the books recommended below + books from other recommended lists)
Five free eBooks by Verso
Three Free eBooks on Palestine by Haymarket
LGBT Activist Scott Long's Google Drive of Palestine Freedom Struggle Resources
Recommended Reading List
Academic Books
Edward Said (1979) The Question of Palestine, Random House
Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge
Ilan Pappé (2006) The Ethnic Cleansing of Palestine, OneWorld Publications
Ilan Pappé (2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press
Ilan Pappé (2015) The Idea of Israel: A History of Power and Knowledge, Verso Books
Ilan Pappé (2017) The Biggest Prison On Earth: A History Of The Occupied Territories, OneWorld Publications
Ilan Pappé (2022) A History of Modern Palestine, Cambridge University Press
Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury
Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books
Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance 1917–2017
Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press
Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.
Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press
Jeff Halper (2015) War Against the People: Israel, the Palestinians and Global Pacification
Jeff Halper (2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press
Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World
Noura Erakat (2019) Justice for Some: Law and the Question of Palestine, Stanford University Press
Neve Gordon (2008) Israel’s Occupation, University of California Press
Joseph Massad (2006) The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians, Routledge
Memoirs
Edward Said (1986) After the Last Sky: Palestine Lives, Columbia University PEdward Saidress
Edward Said (2000) Out of Place; A Memoir, First Vintage Books
Mourid Barghouti (2005) I saw Ramallah, Bloomsbury
Hatim Kanaaneh (2008) A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel, Pluto Press
Raja Shehadeh (2008) Palestinian Walks: Into a Vanishing Landscape, Profile Books
Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books
Vittorio Arrigoni (2010) Gaza Stay Human, Kube Publishing
Ramzy Baroud (2010) My Father Was a Freedom Fighter: Gaza's Untold Story, Pluto Press
Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury
Atef Abu Saif (2015) The Drone Eats with Me: A Gaza Diary, Beacon Press
Anthologies
Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)
Letters From Gaza • Protean Magazine
Salma Khadra Jayyusi (1992) Anthology of Modern Palestinian Literature, Columbia University Press
ASHTAR Theatre (2010) The Gaza Monologues
Refaat Alreer (ed) (2014) Gaza Writes Back, Just World Books
Refaat Alreer, Laila El-Haddad (eds) (2015) Gaza Unsilenced, Just World Books
Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books
Jehad Abusalim, Jennifer Bing (eds) (2022) Light in Gaza: Writings Born of Fire, Haymarket Books
Short Story Collections
Ghassan Kanafani, Hilary Kilpatrick (trans) (1968) Men in the Sun and Other Palestinian Stories, Lynne Rienner Publishers
Ghassan Kanafani, Barbara Harlow, Karen E. Riley (trans) (2000) Palestine’s Children: Returning to Haifa and Other Stories, Lynne Rienner Publishers
Atef Abu Saif (2014) The Book of Gaza: A City in Short Fiction, Comma Press
Samira Azzam, Ranya Abdelrahman (trans) (2022) Out Of Time: The Collected Short Stories of Samira Azzam
Sonia Sulaiman (2023) Muneera and the Moon; Stories Inspired by Palestinian Folklore
Essay Collections
Edward W. Said (2000) Reflections on Exile and Other Essays, Harvard University Press
Salim Tamari (2008) Mountain against the Sea: Essays on Palestinian Society and Culture, University of California Press
Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury
Ramzy Baroud (2019) These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons, Clarity Press
Novels
Sahar Khalifeh (1976) Wild Thorns, Saqi Books
Liyana Badr (1993) A Balcony over the Fakihani, Interlink Books
Hala Alyan (2017) Salt Houses, Harper Books
Susan Abulhawa (2011) Mornings in Jenin, Bloomsbury
Susan Abulhawa (2020) Against the Loveless World, Bloomsbury
Graphic novels
Joe Sacco (2001) Palestine
Joe Sacco (2010) Footnotes in Gaza
Naji al-Ali (2009) A Child in Palestine, Verso Books
Mohammad Sabaaneh (2021) Power Born of Dreams: My Story is Palestine, Street Noise Book*
Poetry
Fady Joudah (2008) The Earth in the Attic, Sheridan Books,
Ghassan Zaqtan, Fady Joudah (trans) (2012) Like a Straw Bird It Follows Me and Other Poems, Yale University Press
Hala Alyan (2013) Atrium: Poems, Three Rooms Press*
Mohammed El-Kurd (2021) Rifqa, Haymarket Books
Mosab Abu Toha (2022) Things You May Find Hidden in My Ear: Poems from Gaza, City Lights Publishers
Tawfiq Zayyad (2023) We Are Here to Stay, Smokestack Books*
The Works of Mahmoud Darwish
Poems
Rafeef Ziadah (2011) We Teach Life, Sir
Nasser Rabah (2022) In the Endless War
Refaat Alareer (2011) If I Must Die
Hiba Abu Nada (2023) I Grant You Refuge/ Not Just Passing
[All books except the ones starred are available in my gdrive. I'm adding more each day. But please try and buy whatever you're able or borrow from the library. Most should be available in the discounted Free Palestine Reading List by Pluto Press, Verso and Haymarket Books.]
Human Rights Reports & Documents
Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’
UN Commission of Inquiry Report 2022
UN Special Rapporteur Report on Apartheid 2022
Amnesty International Report on Apartheid 2022
Human Rights Watch Report on Apartheid 2021
Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)
Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004
Films
Documentaries
Jenin, Jenin (2003) dir. Mohammed Bakri
Massacre (2005) dir. Monica Borgmann, Lokman Slim, Hermann Theissen
Slingshot HipHop (2008) dir. Jackie Reem Salloum
Waltz with Bashir (2008) dir. Ari Folman † (also on Amazon Prime)
Tears of Gaza (2010) dir. Vibeke Løkkeberg (also on Amazon Prime)
5 Broken Cameras (2011) dir. Emad Burnat (also on Amazon Prime)
The Gatekeepers (2012) dir. Dror Moreh (also on Amazon Prime)
The Great Book Robbery (2012) | Al Jazeera English
Al Nakba (2013) | Al Jazeera (5-episode docu-series)
The Village Under the Forest (2013) dir. Mark J. Kaplan
Where Should The Birds Fly (2013) dir. Fida Qishta
Naila and the Uprising (2017) (also on Amazon Prime)
GAZA (2019) dir. Andrew McConnell and Garry Keane
Gaza Fights For Freedom (2019) dir. Abby Martin
Little Palestine: Diary Of A Siege (2021) dir. Abdallah Al Khatib
Palestine 1920: The Other Side of the Palestinian Story (2021) | Al Jazeera World Documentary
Gaza Fights Back (2021) | MintPress News Original Documentary | dir. Dan Cohen
Innocence (2022) dir. Guy Davidi
Short Films
Fatenah (2009) dir. Ahmad Habash
Gaza-London (2009) dir. Dina Hamdan
Condom Lead (2013) dir. Tarzan Nasser, Arab Nasser
OBAIDA (2019) | Defence for Children Palestine
Theatrical Films
Divine Intervention (2002) | dir. Elia Suleiman (also on Netflix)
Paradise Now (2005) dir Hany Abu-Assad (also on Amazon Prime)
Lemon Tree (2008) (choose auto translate for English subs) (also on Amazon Prime)
It Must Be Heaven (2009) | dir. Elia Suleiman †
The Promise (2010) mini-series dir. Peter Kosminsky (Part 1, Part 2, Part 3, Part 4)
Habibi (2011)* dir. Susan Youssef
Omar (2013)* dir. Hany Abu-Assad †
3000 Nights (2015)* dir. Mai Masri
Foxtrot (2017) dir. Samuel Maoz (also on Amazon Prime)
The Time that Remains (2019) dir. Elia Suleiman †
Gaza Mon Amour (2020) dir. Tarzan Nasser, Arab Nasser †
The Viewing Booth (2020) dir. Ra'anan Alexandrowicz (on Amazon Prime and Apple TV)
Farha (2021)* | dir. Darin J. Sallam
Palestine Film Institute Archive
All links are for free viewing. The ones marked with a star (*) can be found on Netflix, while the ones marked † can be downloaded for free from my Mega account.
If you find Guy Davidi's Innocence anywhere please let me know, I can't find it for streaming or download even to rent or buy.
In 2018, BDS urged Netflix to dump Fauda, a series created by former members of IOF death squads that legitimizes and promotes racist violence and war crimes, to no avail. Please warn others to not give this series any views. BDS has not called for a boycott of Netflix. ]
NGOs
The Boycott, Divestment, Sanctions (BDS) Movement
Euro-Mediterranean Human Rights Monitor
UNRWA
Palestine Defence for Children International
Palestinian Feminist Collective
Al-Shabaka: The Palestinian Policy Network
Addameer Prisoner Support and Human Rights Association
Institute for Palestine Studies
Al Haq
Artists for Palestine
The Palestine Museum
Jewish Currents
B’Tselem
DAWN
Social Media
Palestnians on Tumblr
@el-shab-hussein
@killyfromblame
@apollos-olives
@fairuzfan
@palipunk
@sar-soor
@nabulsi
@wearenotjustnumbers2
@90-ghost
@tamarrud
@northgazaupdates
Allies and advocates (not Palestinian)
@bloglikeanegyptian beautiful posts that read like op-eds
@vyorei daily news roundups
@luthienne resistance through prose
@decolonize-the-left scoop on the US political plans and impacts
@feluka
@anneemay
(Please don't expect any of these blogs to be completely devoted to Palestine allyship; they do post regularly about it but they're still personal blogs and post whatever else they feel like. Do not harrass them.)
Gaza journalists
Motaz Azaiza IG: @motaz_azaiza | Twitter: @azaizamotaz9 | TikTok: _motaz.azaiza (left Gaza as of Jan 23)
Bisan Owda IG and TikTok: wizard_bisan1 | Twitter: @wizardbisan
Saleh Aljafarawi IG: @saleh_aljafarawi | Twitter: @S_Aljafarawi | TikTok: @saleh_aljafarawi97
Plestia Alaqad IG: @byplestia | TikTok: @plestiaaqad (left Gaza)
Wael Al-Dahdouh IG: @wael_eldahdouh | Twitter: @WaelDahdouh (left Gaza as of Jan 13)
Hind Khoudary IG: @hindkhoudary | Twitter: @Hind_Gaza
Ismail Jood IG and TikTok: @ismail.jood (announced end of coverage on Jan 25)
Yara Eid IG: @eid_yara | Twitter: @yaraeid_
Eye on Palestine IG: @eye.on.palestine | Twitter: @EyeonPalestine | TikTok: @eyes.on.palestine
Muhammad Shehada Twitter: @muhammadshehad2
(Edit: even though some journos have evacuated, the footage up to the end of their reporting is up on their social media, and they're also doing urgent fundraisers to get their families and friends to safety. Please donate or share their posts.)
News organisations
The Electronic Intifada Twitter: @intifada | IG: @electronicintifada
Quds News Network Twitter and Telegram: @QudsNen | IG: @qudsn (Arabic)
Times of Gaza IG: @timesofgaza | Twitter: @Timesofgaza | Telegram: @TIMESOFGAZA
The Palestine Chronicle Twitter: @PalestineChron | IG: @palestinechron | @palestinechronicle
Al-Jazeera Twitter: @AJEnglish | IG and TikTok: @aljazeeraenglish, @ajplus
Middle East Eye IG and TikTok: @middleeasteye | Twitter: @MiddleEastEye
Democracy Now Twitter and IG: @democracynow TikTok: @democracynow.org
Mondoweiss IG and TikTok: @mondoweiss | Twitter: @Mondoweiss
The Intercept Twitter and IG: @theintercept
MintPress Twitter: @MintPressNews | IG: mintpress
Novara Media Twitter and IG: @novaramedia
Truthout Twitter and IG: @truthout
Palestnians on Other Social Media
Mouin Rabbani: Middle East analyst specializing in the Arab-Israeli conflict and Palestinian affairs. Twitter: @MouinRabbani
Noura Erakat: Legal scholar, human rights attorney, specialising in Israeli–Palestinian conflict. Twitter: @4noura | IG: @nouraerakat | (http://www.nouraerakat.com/)
Hebh Jamal: Journalist in Germany. IG and Twitter: @hebh_jamal
Ghada Sasa: PhD candidate in International Relations, green colonialism, and Islam in Canada. Twitter: @sasa_ghada | IG: @ghadasasa48
Taleed El Sabawi: Assistant professor of law and researcher in public health. Twitter: @el_sabawi | IG
Lexi Alexander: Filmmaker and activist. Twitter: @LexiAlex | IG: @lexialexander1
Mariam Barghouti: Writer, blogger, researcher, and journalist. Twitter: @MariamBarghouti | IG: @mariambarghouti
Rasha Abdulhadi: Queer poet, author and cultural organizer. Twitter: @rashaabdulhadi
Mohammed el-Kurd: Writer and activist from Jerusalem. IG: @mohammedelkurd | Twitter: @m7mdkurd
Ramy Abdu: Founder and Chairman of the Euro-Mediterranean Human Rights Monitor. Twitter: @RamyAbdu
Subhi: Founder of The Palestine Academy website. IG: @sbeih.jpg |TikTok @iamsbeih | Twitter: @iamsbeih
Allies
Lowkey (Kareem Dennis): Rapper, activist, video and podcast host for MintPress. Twitter: @LowkeyOnline IG: @lowkeyonline
Francesca Albanese: UN Special Rapporteur on the Occupied Territories. Twitter: @FranceskAlbs
Sana Saeed: Journalist and media critic, host and senior producer at Al-Jazeera Plus. IG: @sanaface | Twitter: @SanaSaeed
Shailja Patel: Poet, playwright, activist, founding member of Kenyans For Peace, Truth and Justice. Twitter: @shailjapatel
Jairo I. Fúnez-Flores: Researcher in curriculum studies, decolonial theory, social movements. Twitter: @Jairo_I_Funez
Jack Dodson: Journalist and Filmmaker. Twitter: @JackDodson IG: @jdodson4
Imani Barbarin: Writer, public speaker, and disability rights activist. IG: @crutches_and_spice | Twitter: @Imani_Barbarin | TikTok: @crutches_and_spice
Jewish Allies
Katie Halper: US comedian, writer, filmmaker, podcaster, and political commentator. IG and Twitter: @kthalps
Dr. Chanda Prescod-Weinstein: Associate Professor of Physics and Core Faculty Member in Women’s and Gender Studies at the University of New Hampshire. Twitter: @IBJIYONGI | (https://chanda.science/)
Amanda Gelender: Writer. Twitter: @agelender | (https://agelender.medium.com/)
Yoav Litvin: Jerusalem-born Writer and Photographer. IG and Twitter: @nookyelur | (yoavlitvin.com)
Alana Lentin: Professor of Cultural and Social Analysis at Western Sydney University. Twitter: @alanalentin
Gideon Levy: anti-Zionist Israeli journalist and activist. Twitter: @gideonlevy
‼️How You Can Help Palestine‼️
Click for Palestine (Please reblog!!)
Masterlist of donation links by @sulfurcosmos (Please reblog!!)
Water for Gaza: Donate directly to the Gaza Municipality
Operation Olive Branch Linktree for vetted fundraisers, donations and political action resources. TikTok and Instagram: @operationolivebranch | Twitter: @OPOliveBranch
Gazafunds (vetted and spotlighted GFMs)
The Butterfly Effect Project (spreadsheet of vetted GFMs)
Spreadsheet of Gaza fundraisers vetted by @el-shab-hussein and @nabulsi
If any links are broken let me know. Or pull up the current post to check whether it's fixed.
Political action to pressure the Harris campaign to stop arming Israel (for US citizens): Uncommitted Movement (TikTok: @uncommittedmvmt) (Please reblog!!)
"Knowledge is Israel's worst enemy. Awareness is Israel's most hated and feared foe. That's why Israel bombs a university: it wants to kill openness and determination to refuse living under injustice and racism."
— Dr. Refaat Alareer, (martyred Dec 6, 2023)
From River To The Sea Palestine Will Be Free 🇵🇸🇵🇸🇵🇸
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Edit 1: took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.
Edit 2: All recommended readings + Haymarket recommendations + essential decolonization texts have been uploaded to my linked gdrive. I will adding more periodically. Please do buy or check them out from the library if possible, but this post was made for and by poor and gatekept Global South bitches like me.
Some have complained about the memes being disrespectful. You're actually legally obligated to make fun of Israeli propaganda and Zionists. I don't make the rules.
Edit 3: "The river to the sea" does not mean the expulsion of Jews from Palestine. Believing that is genocide apologia.
Edit 4: Gazans have specifically asked us to put every effort into pushing for a ceasefire instead of donations. "Raising humanitarian aid" is a grift Western governments are pushing right now to deflect from the fact that they're sending billions to Israel to keep carpet bombing Gazans. As long as the blockades are still in place there will never be enough aid for two million people. (UPDATE: PLEASE DONATE to the Gazan's GoFundMe fundraisers to help them buy food and get out of Rafah into Egypt. E-SIMs, food and medical supplies are also essential. Please donate to the orgs linked in the How You Can Help. Go on the strikes. DO NOT STOP PROTESTING.)
Edit 5: Google drive link for academic books folder has been fixed. Also have added a ton of resources to all the other folders so please check them out.
Edit 6: Added interactive maps, Jadaliya channel, and masterlists of donation links and protest support and of factsheets.
The twitter accounts I reposted as it was given to me and I just now realized it had too many Israeli voices and almost none of the Palestinians I'm following, so it's being edited. (Update: done!) also removed sources like Jewish Voices of Peace and Breaking the Silence that do good work but have come under fair criticism from Palestinians.
Edit 7: Complete reformatting
Edit 8: Complete revamping of the social media section. It now reflects my own following list.
Edit 9: removed some more problematic people from the allies list. Remember that the 2SS is a grift that's used to normalize violence and occupation, kids. Supporting the one-state solution is lowest possible bar for allyship. It's "Free Palestine" not "Free half of Palestine and hope Israel doesn't go right back to killing them".
Edit 10: added The Palestine Directory + Al Jazeera documentary + Addameer. This "100 links per post" thing sucks.
Edit 11: more documentaries and films
Edit 12: reformatted reading list
Edit 13: had to remove @palipunk's masterlist to add another podcast. It's their pinned post and has more resources Palestinian culture and crafts if you want to check it out
Edit 14 6th May '24: I've stopped updating this masterlist so some things, like journalists still left in Gaza and how to support the student protests are missing. I've had to take a step back and am no longer able to track these things down on my own, and I've hit the '100 links per post' limit, but if you can leave suggestions for updates along with links in either the replies or my asks I will try and add them.
Edit 15 10th August: added to Palestinian allies list and reworked the Help for Palestine section. There's been a racist harrassment campaign against the Palestinian Tumblrs that vetted the Gaza fundraisers based off one mistake made by a Gazan who doesn't understand English. If you're an ally, shut that shit down. Even if you donate to a scam GFM, you're only out some coffee money; if everyone stops donating to all the GFMs in fear of scams, those families die.
#free palestine#palestine resources#palestine reading list#decolonization#israel palestine conflict#israel palestine war#british empire#american imperialism#apartheid#social justice#middle east history#MENA#arab history#anti zionism#palestinian art#palestinian history#palestinian culture#palestinian genocide#al nakba#ethnic cleansing#war crimes#racism#imperialism#colonialism#british colonialism#knee of huss#ask to tag#Youtube
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مسلسل سوبر ميرو | الحلقة 14 الرابعه عشر | - Super Miro Episode 14 HD
مسلسل سوبر ميرو | الحلقة 14 الرابعه عشر | – Super Miro Episode 14 HD
في إطار كوميدي فانتازي، حول “ميرو” وهي من الأبطال الخارقة مثل “سوبر مان”، وغيرها من الشخصيات الخيالية
وتدور أحداث مسلسل سوبر ميرو في إطار الفانتازيا الخيالية الكوميدية، حيث تجسد إيمي شخصية طاميرة البطلة الخارقة وهى في الواقع تعمل كصحفية في أحدى المجلات، وتمر بالعديد من المواقف الكوميدية
:بطولة
إيمي سمير غانم
حمدي الميرغني
بيومي…
#HD#Miro#Super#super miro#اغنية مسلسل#الحلقة#الزوجه 18#امير كراره#ايمي سمير غانم#تتر#تتر مسلسل#تحميل#حمدي الميرغني#رامز جلال#رامز فى الشلال#رمضان#رمضان 2019#زلزال#سمير غانم#سوبر ميرو#سوبر ميرو 14#سوبر ميرو 2019#سوبر ميرو الحلقة 15#سوبر ميرو الحلقه 14#فيلم#كلبش#كلبش 3#لاخر نفس#محمد رمضان#مسلسل سوبر ميرو
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flickr
No Place Like Katmai at Brooks Falls (Katmai National Park & Preserve) by Mark Stevens
Via Flickr:
I captured this image at the Falls Platform with a view looking to the northeast at the Brooks Falls while observing brown bears in Katmai National Park.
#Alaska 2019#Alaska Peninsula Brown Bear#Alaska Peninsula Ranges#Alaska-Yukon Ranges#Aleutian Ranges#Azimuth 36#Bear in Water#Brooks Camp#Brooks Falls#Brooks River#Brown Bear#Day 14#DxO PhotoLab 3 Edited#Falls Platform#Image Capture With Arsenal#Katmai#Katmai National Park & Preserve#Katmai National Park and Preserve#Landscape#Landscape - Scenery#Looking NE#Nature#Nikon D800E#No People#Outside#Peninsular Grizzly#Project365#River#Scenics - Nature#U. a. horribilis
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A grown ass man lured a 14 year old girl out to a park at night, abused her, killed her, dismembered her and scattered her remains in public parks and rivers. Now if that girl was a cisgender girl, the general public would rightfully put the blame on the perpetrator for taking advantage of and murdering a minor.
But because Pauly Likens Jr was a transgender girl, the general public is going full trans panic defense, even though the perpetrator said they met on Grindr, if that was even true. Grindr doesn’t verify the age of its users and legally doesn’t have to due to Section 230 of the Communications Decency Act, which means half of sexually active queer adolescents will use this app and fall into the hands of predators.
https://www.wgbh.org/news/national/2021-07-12/unseen-part-3-popular-gay-dating-app-grindr-poses-exploitation-risk-to-minors
Grindr has been known to have a sexual exploitation of minors issue, and I just know that people are going to see that Pauly Likens Jr and her killer may have used this app to blame Pauly for her own demise.
It’s just like they did with Gwen Araujo in 2002 (a 17 year old trans girl killed by 4 grown ass men), Mercedes Williamson in 2015 (a 17 year old trans girl killed by a grown ass man) and Nikki Kuhnhausen in 2019 (a 17 year old trans girl killed by a grown ass man). You stop being an innocent kid who is capable of being victimized when you’re trans. You’re a threat to other kids your age or younger, and you’re a precocious sexual provocateur towards adults. This applies especially to transgender girls - complete dehumanization and transmisogyny.
This pattern of transgender teenage girls being taken advantage of by adults and killed is completely unacceptable, and society should start acting like it.
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Various doodles/shitposts of my SplatOCs from the past months
Main ones are the 4 mfs on the first pictures (names : Iori, Delta, Midori and Niko). There's my agent 4 and 8 ocs who briefly appears as well but they are less important (sorry. )
#oc art#splatocs#iori is an asshole. delta is a weirdo. midori has a crippling arcade game addiction. niko is a deranged gyaru#one day i'll properly introduce them i promise#iori is 22/delta and midori are around 27/niko is 14#iori is my neo agent 3. delta is my agent 3 except that he took midori's place (it's complicated). niko is just iori's younger sister :)#iori exists since s2/2019 while delta and midori were created thru s1 in 2021#niko started off as me jokingly drawing fem iori and she then became her own character in march 2023#i got around 30 other splatocs (most of them coming from my s2 era) but i practically never draw them#oc: iori#oc: delta#oc: midori#oc: niko#2023#doodle#smh i wrote a tag wrong and i notice it days after. adhd moment#my art
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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship
by Ren Basel
renbasel.com
The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.
The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)
On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)
Then the Walt Disney Company made a huge mess.
On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)
The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.
The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)
While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?
It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)
Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.
While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)
When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)
Nimona, however, is hard to kill.
While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)
Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.
Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)
When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)
Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.
Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.
Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.
The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.
There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)
The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.
To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.
The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.
Enter Nimona.
The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.
“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.
It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.
A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)
Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.
When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”
Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.
In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.
The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.
Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)
When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.
About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.
Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.
When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.
Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.
Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.
Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)
The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.
Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.
During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.
After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.
When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)
Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)
In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.
Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.
Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.
Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.
After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.
When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.
Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.
But she isn’t safe from the Director.
In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.
When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.
Nimona, however, is hard to kill.
Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.
The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.
The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.
In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.
In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)
The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)
Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.
Long live Nimona, and long live the transgender community she represents.
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This piece was commissioned using the prompt "the Nimona movie."
Updated 6/16/24 to revise an inaccurate statement regarding the original comic.
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Notes:
1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.
2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.
3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.
4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000.
5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.
6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.
7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.
8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.
10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.
11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.
12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.
13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.
14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.
15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.
16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.
18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.
19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.
20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.
21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200
22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.
25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.
26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/
27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos
28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.
29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.
33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.
37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.
38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.
39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.
40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.
41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.
42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.
43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.
44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.
46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.
47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.
49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
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2, 13, 14, 26!!!!
2. What's your feel-good movie?
Spider man into the spider verse. It's pretty, has a great soundtrack and spiderman. OR the nightmare before christmas.
13. What's your comfort food?
...poutine.
14. Favourite feel good show?
Yuri on Ice. It was one of the first things I watched with queer characters in it but while still having a plot outside of that.
26. What movie would you want to live in?
If I could be a fish in Ponyo, happily swimming along, I think that would be a good time. (I realized halfway through that all of these are animated. And for children. Listen, the moving pictures fascinated me as a child. Uhhh, I'll try and think of one non-animated tv show or movie that would fit into one of these categories... Alice in Wonderland- where she gets a sword a like twelve different dress changes. Jeez that took a long time to think of)
#ask#stranger things is an outlier#for some reason its the acception to the two rules i have for media i enjoy#well- three but it meets the third requirement#1. animated#2. not animated but i saw it before i was 15#3.queer#wait. when did s3 come out#june 2019... i was 15. actually i was barely 15 so i definitly watched s1 when i was 14#i recall watching all s1 and 2 for the first time a little before s3 came out#so nevermind#it does indeed fit 2/3 catagories#this is embarassing#correction july 2019#still doesnt change anything#but s3 came out in july
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A poll designed to make you recoil at the passage of time
cheat sheet with dates/years under the cut
if you joined in 2007 - 17 years
if you joined in 2008 - 16 years
if you joined in 2009 - 15 years
if you joined in 2010 - 14 years
if you joined in 2011 - 13 years
if you joined in 2012 - 12 years
if you joined in 2013 - 11 years
if you joined in 2014 - 10 years
if you joined in 2015 - 9 years
if you joined in 2016 - 8 years
if you joined in 2017 - 7 years
if you joined in 2018 - 6 years
if you joined in 2019 - 5 years
if you joined in 2020 - 4 years
if you joined in 2021 - 3 years
if you joined in 2022 - 2 years
if you joined in 2023 - 1 years
if you joined in 2024 - 0 years
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