#80s Marvel UK

[savage-kult-of-gorthaur]

BIOENGINEERED TO BECOME THE PERFECT KILLING MACHINE: PLAGUEDOG!!

PIC INFO: Resolution at 956x1254 -- Spotlight on a killer splash page from "Death's Head" Vol. 1 #4 (March, 1989) with Spratt and the hungriest Plague Dog you've ever seen! Marvel UK.

Also included the original inks for good measure, but the resolution isn't so great, which is too bad. It's barely at 567x800.

Story/script by Simon Furman

Artwork by Lee Sullivan (inks, too)

Letters by Annie H

Colors by Nick Abadzis

Source: https://readcomiconline.li/Comic/Death-s-Head/Issue-4?id=110846.

[browsethestacks]

Vintage Comic - The Thing Is Big Ben #04 (Apr18th1984) (Marvel UK)

[vertigoartgore]

Daredevil vs. Elektra by a young Alan Davis (when he was working for Marvel UK). Used back then for the cover of The Daredevils #10.

[pc-98s]

thanks to timeless child you can't prove that olivia "doc ock" octavius isn't a version of the doctor.

[mendely]

Sassy TF Marvel UK Flywheels with Yorkshire accent my beloved

[ohnostalgia]

Successfully had a conversation about comics at work without mentioning Hawkeye once

[arceespinkgun]

Essay: Galvatron, the Flawed Jewel

When I watched the 80s Sunbow cartoon, I always found Galvatron to be a rather shallow character. But in the Marvel UK comics, he is one of the most fascinating and compelling of all. I want to explore why that is. However, before I can, I need to briefly clarify who Galvatron was made from and how many versions of him are in this continuity. Time-travel makes this really complicated, but here's my best guess:

The first Galvatron (and Scourge and Cyclonus) went back in time right after he was thrown out of Unicron by Rodimus as he was in the movie. This Galvatron went back in time to escape from and find a way to destroy Unicron, but he, Cyclonus, and Scourge end up being erased from existence in the Time Wars arc after Shockwave kills Cyclonus, accidentally causing the space-time continuum to nearly collapse.

Galvatron II was plucked from an alternate future in which he tried to get Unicron to leave him alone by doing his bidding—killing and conquering. But the Unicron of the main timeline makes Galvatron II do yet more labor for him.

A third Galvatron was shown in the future stories, replacing the one who was erased from existence. This Galvatron temporarily succeeds in forcing the future Autobots off Cybertron, but ends up dead (maybe? He's shown slumped in a pile of corpses so) in a battle against Unicron.

I'm going to assume each Galvatron can be used to inform my interpretation of him in general.

Another detail to mention is that the Galvatron(s) of this continuity were always made from more than Megatron. All of them probably have some degree of Straxus in them as well. Straxus, who I must say sure is obsessed with Megatron's body, both injected his mind into Megatron AND built a second, lookalike Megatron out of some unnamed Decepticon to inject his mind into. In both cases, Megatron's personality seemed to reemerge as the dominant one, but this calls into question what Galvaton inherited from whom.

Straxus's alt-mode, which seems very similar to Galvatron's

With all of that out of the way, time to delve into the complexities of Galvatron's characterization!

One of the first things that surprised me about Galvatron in this continuity was the way he reacts to characters who are obscure and/or weak.

He knows all their names!

One big issue with this continuity is the overinflated cast (because the comic was supposed to sell the toys), so there were always tons of characters who almost felt like filler running around. A few characters who are known for their cool designs and toys, but still fill this role, are the Seacons. They're just described as engineers who were brought to Earth to fortify Shockwave's undersea base, not to fight. But when Shockwave sees Galvatron walking around on the ocean floor, he sends them out to fight him against Soundwave's advice, knowing they'll probably die. The Seacons' leader, Snap Trap, even just tells his team, "...do your best!" before the fight, which doesn't inspire confidence lol

But Galvatron is impressed with them, and even leaves them all alive! He says that by embarrassing Shockwave, it will all be in their best interest one day.

Some way too overexposed filler characters were the Sparklers/Sparkabots. When one of them, Fizzle, almost drowns, Galvatron... saves him for seemingly no reason?

At the same time, though, I think it's significant that this odd fondness does seem be predicated on these people not actually being able to do much to him or anybody close to his level. For example, several characters I'd classify as being on the level of fodder, Guzzle (another Sparkabot), Getaway, Chainclaw, and Crossblades are initially some of the only surviving Autobots in the future Galvatron II was from, but when they actually manage to defeat Scourge and Cyclonus, Galvatron is so disgusted that he saves Cyclonus's life just to immediately punish him by killing him himself.

When it comes to the big names, Galvatron seems to feel only contempt. In Galvatron II's future, he strings up Rodimus's corpse and shoots him again and again, symbolically killing him over and over. And in the multi-issue story ...Perchance to Dream in which Galvatron tries to trap various Autobots who are in stasis in visions of moments in which they demonstrated their inner weaknesses/flaws, we get to see Galvatron's own nightmare. While it's meant to be humorous, I think the fact that Galvatron's worst fear is being killed by Rodimus over and over again is important.

In fact, it's not just the Prime I suspect Galvatron is afraid of. Sure, maybe it was just cruelty or his desire to turn the Decepticons against the Autobots, but in the Time Wars arc, I think he used Scorponok as a shield because he didn't want to face Ultra Magnus in a fair fight, since Magnus had previously defeated Galvatron a couple of times.

So, Galvatron's afraid of other people who can best him, but what does he desire? Well, the entire series follows his mission to free himself of Unicron. He has major setbacks given multiple versions of himself die, and Galvatron II suffered a rude awakening when he realized his attempt to satisfy Unicron by following his orders was for naught and that that he remained a tool. In fact, I believe that Galvatron's interest in weak, obscure characters stems from how eclipsed he himself feels by Unicron.

Also, I love how much of Unicron's and Primus's personalities we get to see in these comics. Unicron is so immature which is great, because like, who does he have to impress? XD

Galvatron sometimes says he wants to take over the Decepticons and conquer the world when he's free of Unicron, but I honestly question if that's even true. Galvatron II doesn't spread his "empire" beyond the Americas, something that bothers his troops. They note he's acting like a child, revelling in random acts of destruction to no purpose.

The first Galvatron spent a long stretch of issues (like a hundred or so IIRC) in the present time, wandering around and doing nothing in particular, only lashing out when he's reminded of Rodimus Prime, or attacked by other people, like his former lieutenants Scourge and Cyclonus, or the Wreckers. All of that on top of the fact that he very intentionally didn't start his fight with the Seacons... in fact, after that battle, he embarrasses Shockwave and undermines his command by claiming he'd come in peace. Galvatron also doesn't really take initiative to team up with his old self, Megatron, instead only doing so after Shockwave attempts to get over that humiliation by using Megatron as a weapon against Galvatron. And yes, then he finally starts to take initiative and battle people... but I almost wonder if that was Megatron's drive for conquest propelling the initial conflict, not Galvatron's.

This brings up another really interesting facet of Galvatron's character: his relationship with Megatron. In the story arc that introduced Galvatron, Target: 2006, his initial plan is to get Megatron's help in building a weapon to destroy Unicron. Notably, Galvatron does not tell him they are one and the same, and unsurprisingly, Megatron does not agree to work with him.

However, some time after incapacitating Megatron, Galvatron does tell the captured Jazz about his entire backstory. Also, the first ever glimpse of Galvatron's unstable state of mind came when Megatron decided to team up with the Autobots to defeat him. He can't seem to handle the cognitive dissonance of this.

Later, leading up the Time Wars arc, Galvatron does manage to get Megatron's assistance by instead convincing him they're the same. One of the first moments that peaked my interest in Galvatron was during this arc. When he sees the Wrecker, Roadbuster, about to shoot Megatron, and remembers that in his timeline, he suffered that injury as Megatron. And in that moment, Galvatron decides to spare his past self the pain.

There are so many layers to this. Imagine remembering horrible pain that your past self suffered and then deciding to suffer that as your current self to spare them that agony. It's not a selfish act, because you still have to feel it. It's bizarrely compassionate in a way. (It's also worth noting that as the timeline diverges more and more from his original one, Galvatron becomes more and more unstable, to the point that even Megatron grows tired of his madness and vows to not end up like him. Once again, something about cognitive dissonance is extremely difficult for Galvatron to handle).

Unlike this Galvatron, Galvatron II initially resents Megatron. Galvatron II actually manages to best Unicron by making Emirate Xaaron wake Primus to get the god's help (!) and then inspiring all the Autobots and Decepticons to fight Unicron (!!!) and eventually Unicron is destroyed.

Galvatron in this continuity is such a badass, I really can't overstate that

But with Unicron gone, Galvatron then sees Megatron as the one thing still holding him back. This is where the header image of this post comes from: Galvatron views Megatron as the flaw to his otherwise-perfect jewel. When Galvatron sneaks aboard the Ark, which Shockwave and Starscream have stolen, and discovers Megatron there, Galvatron blames Megatron for his mental instability. He nearly tries to kill him before he comes to his senses and snaps back to an attitude more like that of the first Galvatron and decides he might need to protect Megatron and team up with him.

This is the (not Straxus-made clone) version of Megatron and Galvatron II, who hadn't met before this point

However, this isn't to be. The Ark crashes when Ratchet sacrifices himself and only Galvatron is seen leaving it. He kills some humans and then unsteadily walks away from the ship, until he ends up at a settlement.

He ends up being tracked down by Fortress Maximus, who shoots him in the back, which triggers Galvatron and causes him to go into a rabid frenzy.

Pictured: Galvatron eating the forbidden noodles

Fortress Maximus beats himself up over causing this for a while until his Headmaster component, Spike Witwicky, tells him to own up to his mistake and fix it.

I want to shift focus for a minute to this final opponent Galvatron ends up facing. Fortress Maximus in this series is an extremely flawed Autobot: so worn-down and eager to stop fighting and have peace that he ended up essentially being a colonialist whose actions and inaction nearly destroy a once-peaceful world. He's a character who is super averse to conflict to the point of being callous at points, and he needed to learn to do his duty and take responsibility for his actions. I mention him because I think Galvatron is a parallel inversion of those character traits: what he actually needs is to just stop fighting, since it's when he isn't that he is actually at his most stable... but that need is getting obscured by his immense power, arrogance, and mental illness.

This conclusion may be reaching, but here is my ultimate take on Galvatron's character here: Galvatron's past self, Megatron, is someone with an indomitable will. No matter how embarrassing the defeat (and he has so many humiliating ones in this continuity, from standing on a cliff that falls out from under him, to freezing up because he was hangry and ate too much raw coal), he keeps going seemingly shamelessly. No matter how many times people like Straxus and Shockwave try to take over his mind, Megatron's personality just keeps reasserting itself in the end. He gets inappropriately intimate with his enemies, and just become more driven and more obsessed if anyone ever manages to get the better of him. He lives to fight, and enjoyed executing people before he ever started the War.

But I think Galvatron is not only a transformed Megatron (+ whoever else was sharing Megatron's head at the time), but a transformed Megatron whose will was shattered by Unicron. That deep down, Galvatron doesn't particularly want to keep fighting and conquering—that he's not at his happiest when he's fighting and killing some powerful opponent the way Megatron is. Instead, fights with people who could threaten him scare him. He doesn't even really care that much about conquering the world... the passion that Megatron had for being a dictatorial strongman is all but gone. Galvatron seemed most satisfied when he was just hanging around on Earth, doing nothing in particular, maybe in a body of water or something, alone, with nobody around to trigger memories of Rodimus Prime or Unicron or anyone else powerful enough to hurt him. Hot take, but I feel like with Galvatron, there could be a chance that he could be open to living peacefully if he were left alone, which is something I didn't feel was possible with Megatron.

...Also, this color scheme for Galvatron is the best ever. Just saying!

[stra-tek]

Lots and lots of random spoilerific things about Star Trek comics

Gold Key's old run was written by people who had never actually seen the show. Later they involved fans like Doug Drexler to make things a bit more authentic

This however made them, IMHO, amazing

Blond scotty. Wearing green.

Voodoo planet, with papier mache versions of Earth landmarks which, when blasted with a death ray, cause the real ones to collapse

Spock learns voodoo to combat this threat

The Enterprise completely razes a planet of hostile plant spore things. Like full on extermination of all life

There's a locked room on deck 7 full of evil Vulcan spirits. A yeoman blunders in and all hell breaks loose

Kirk doesn't know what a god damn black hole is

Spock is kidnapped by aliens, has their entire knowledge downloaded into his brain which makes him into a bobblehead for awhile

The Enterprise is briefly taken from Kirk and given to Captain Zarlo, who is a total bellend

Spock forgets to have pointed ears sometimes

The old UK newspaper comic strips were even worse. The first few issues feature "Captain Kurt" and he wears a red shirt. Bailey is also a lead character, giving away which one episode they had knowledge of

Depictions of the Enterprise in their very first strip will shock and horrify you, but after that the art becomes amazing and maintains a very high standard

Marvel did a series following The Motion Picture, and it was a vast improvement, although they technically had rights to the movie and not the series, which led to a little weirdness. Tons of references still were snuck in, though

There's a series of Book and Records, which you can listen to on YouTube and are goofy fun. The Enterprise desperately needs a meal in the art, though.

They draw Romulans as green wizards

They didn't have the rights to Nichelle Nichols or George Takei's likenesses, so get ready for White Uhura and Black Sulu!

They didn't have the rights to The Animated Series either, so M'Ress is a human with weird face paint and Arex is substituted for just some guy

There's an unlicensed Chinese adaptation of The Motion Picture's novelisation (made with zero prior knowledge of Star Trek), which features an all-star cast like O.J. Simpson as Decker and James Brolin as Kirk. It's called The Star Trek, which is a better name than The Motion Picture, IMHO.

DC comics' first run is considered some of the best Trek ever. They're made with love and a deep knowledge of the source material

You know how Star Trek III takes place right after II? WRONG. It was several months later and the crew (with Saavik taking over from Spock) had tons of adventures in the interim. It just seemed like it was right after😂

Before Worf and long long before Ash Tyler, Kirk had a Klingon on his crew

He was a cowardly Klingon named Konom who fled the Empire

He fell in love with a human woman named Bryce

They adopted an albino Klingon/human child with dwarfism which they named Bernie

Kirk has an unhinged, insubordinate crewman on board named Bearclaw and they hate each other

Tension escalates and eventually there's a stabbing

Sulu/M'Ress happens and I don't think people knew what furrys were in the 80's

You know how Spock comes back at the end of III but isn't his old self until the end of Star Trek IV? WRONG AGAIN. He came back just fine, and lost his marbles following an incident months later that just happened to line everything up to make it all seem like it was right after.

After STIII, Kirk becomes captain of the U.S.S. Excelsior NX-2000 and Spock becomes captain of the U.S.S. Surak. We get a few issues exclusively focusing on Spock's ship and his band of merry weirdos.

The U.S.S. Surak keeps changing design, starting off as a sort of Oberth-class ship, then randomly becoming an Excelsior-class ship and finally ending as the warp sled shuttlecraft from The Motion Picture

The Surak's crew include a giant chicken man, a Vulcan hating racist lady and a balding man with a bicycle

They all die horribly and a massive reset button is pressed so everyone is exactly where they were at the end of Star Trek III

In order to make that work they had to bs that the Klingon Bird of Prey was hidden in Excelsior's shuttlebay all this time despite it being way, way too big for that

There's a full on mirror universe invasion

Kirk becomes a celebrity from saving the galaxy all the time

Mr. Arex comes back and becomes chief of security but doesn't really do much

HORTA CREWMEMBER. It's as amazing as it sounds

The first Next Generation comic miniseries was made with knowledge of the first 2 or 3 TNG episodes and nothing else

Everyone is hench as fuck. Picard has washboard abs and bulging muscles

Data is emotional and Troi feels the emotions she senses a la "Encounter at Farpoint"

Wesley is drawn as if he's 10

The B-shift con and ops team are a husband and wife who wear caped superhero versions of Starfleet uniforms with bare legs.

They argue. A lot.

The crew meet an alien Santa Claus and Q loses his powers years before "Deja Q"

The whole Q Continuum visits the Enterprise and they're all John De Lancie but in Starfleet uniforms of every colour under the sun.

After that initial miniseries, the Next Gen crew lose a lot of their muscle mass and start resembling their on screen counterparts a lot better

Picard had a brother who fell down a hole and died as a child. Q offers to rewrite history so he doesn't die. Claude Picard grew up to be Space Superhitler and turns Starfleet and the Federation fascist.

Before all this Q turned Jean-Luc into a goat for the lolz

Marvel's The Early Voyages was very literally Strange New Worlds before Strange New Worlds.

They have a pyrokinetic security officer named Nano and he's awesome

Marvel lost the Trek license quite suddenly, and so the series ends on a cliffhanger where Admiral April is up to something iffy.

Marvel did a Starfleet Academy series featuring Nog and its utterly fantastic

A female Andorian cadet tries to make Nog feel at ease by greeting him in the nude, but Nog fails to take it as an innocent gesture and she immediately sends him flying across the room

Romulan agents with split personalities in Starfleet Academy!

They visit Talos IV and get help from Captain Pike, who's still alive

IDW comics did a prequel to the 2009 reboot where Picard is an ambassador, Data is captain of the Enterprise-E and Nero has hair. It was co-written by the movie writers and was considered sort of vaguely semi canon ish for a time

They originally wanted the Romulan supernova to destroy a lot more, including Earth and have Nero kill the TNG crew. It was the Star Trek Online devs that got them to scale things back because they'd have no universe left to set their game in.

Nero's ship looks like it does because after Romulus was destroyed he took it to a secret Romulan base and had it equipped with reverse-engineered Borg technology

You thought DC struggled to keep ship designs correct? IDW's comics keep using traced fan art from Google Images, and fan art (sometimes with unique ship designs) has shown up on multiple occasions as the Kelvinverse U.S.S. Enterprise

In one IDW TOS comic, the bridge is totally covered with TNG LCARS graphics.

In another, an Orion ship is a gigantic Stargate sticking out of the middle part of Battlestar Galactica.

Wanna see Kelvinverse versions of TOS episodes? That was their first comics run, picking up after the 2009 reboot movie. They start off very faithful and as the series goes on things diverge more and more

To the extent some stories have very different backstories and outcomes

We visit 2 Kelvin mirror universes and a genderswapped universe too. No, Kirk doesn't do what you're thinking.

Q visits the Kelvin Universe and brings the crew forward in time to their version of Deep Space Nine

Nero's time in Klingon prison (from the Star Trek 2009 deleted scenes) and escape is fleshed out

Nero meets V'ger.

Nero mind melds with V'ger.

V'ger turns away due to the sheer force of Nero's hatred.

I wish I was making that up.

Klingons get their hands on Narada's technology and go to war

We get a Khan backstory where the Eugenics Wars are a full on nuclear conflict and "Khan" is the title that little Noon Sing adopts when he takes power

After being revived in the 23rd century, Admiral Marcus has Khan surgically altered to look like Benedict Cumberbatch as part of his John Harrison cover identity

They did a series of shorts called Waypoint, and in the first one Geordi is captain of a future Enterprise and his crew is made up of holographic versions of Data and it's a really sweet concept (this was several years before before ST: Picard brought Data back twice)

There's a prequel series centred around Number One where nobody manages to say her name before being interrupted. If you put the bits together it seems her name was Eureka Robbins. Of course, this is long before novels and SNW made her Una Chin-Riley.

[terastalungrad]

The biggest thing Doctor Who fandom gets wrong is the assumption that Doctor Who works the same as Star Trek, or Star Wars, or Marvel comics.

You see this when people ask whether something's "canon", or when they refer to the Doctor Who "extended universe".

But the show's too old and too strange to work in this way.

By now, Doctor Who's spinoff media are more similar to other big franchises. But until the show's 2005 return, the spinoffs carried greater weight in a lot of ways.

From the late 70s, the writers and artists working on Doctor Who comics were more prestigious in their fields than the writers and directors working on the TV show. Even before this year's adaptation, The Star Beast was already a stronger influence on the Russell T Davies version of the show than anything shown on TV the same year.

Before the mid-80s, Doctor Who wasn't available on VHS. And since the UK didn't syndicate the show like the US did for Star Trek, most of the show was unavailable in the present day.

For most people, then, the definitive versions of Doctor Who stories were novelisations. The books are a stronger influence on the Moffat era than the TV serials were.

When the show ended in 1989, the books continued - now telling original stories (known as the New Adventures). Writers from the show moved into this medium. Unrestrained by the limitations of the TV show, these novels became hugely influential.

This can be counterintuitive for a Star Wars fan, where the films take precedence over novels, or for a superehero comics fan, used to a strictly-defined canon that determines what "counts".

[canonmisogynyvictimstournament]

PROPAGANDA

ARCEE (TRANSFORMERS) (CW: Transphobia)

1.) Transformers has had a troubled history with female transformers as a whole. They didn't really even exist until Season 2. And while they've all gotten the short end of the stick until recently, Arcee, who kinda ended up The Main Girl (sorry Elita) has gotten the brunt of this mistreatment. Mostly talking G1 here.

Toys kept getting cancelled over and over even though she's a main, important character of Season 3. She didn't get a decent widely available toy that actually resembled her G1 version (first one was a Botcon exclusive Blackarachnia redeco which I disqualify because convention-exclusive spider is not what I was looking for, and Binaltech is just kinda a pink and white robot who looks nothing like her, just with her name slapped on) until 2014. I wish I could use bold here, because there's no such thing as uppercase numbers. Before that, you just kinda had to look at the toys from other canons and squint because Hasbro doesn't think the pink girl toy will sell well.

And misogyny present in the fiction? A lot can be summed up in a couple words, namely, "Furman, why?" While most people go with his excuses of not believing in Cybertronian gender, it really comes across as him seeing men as the default, neutral state of being, and women as something that must be explained. Poorly. Explained very poorly. Not to explain things in Tv Tropes terms, but I have to, it reeks of the 'Men Are Generic, Women Are Special' https://tvtropes.org/pmwiki/pmwiki.php/Main/MenAreGenericWomenAreSpecial trope.

Let's get us started with Prime's Rib. Oh my goodness, Prime's Rib. So, Furman doesn't believe in Cybertronian gender (and male is seen as default), and this has reflected in his writing. He's going along perfectly fine writing his dudes in the US run of the Marvel comics, Arcee entirely ignored… but what's this? The connected UK comic has her. He can't just ignore her. So, well. He needs an explanation. Explaining a plot hole isn't bad. It's how he did it. Arcee was created in response to a feminist mob who was mad Cybertronians were all guys. I don't think I need to explain this one.

I'm too tired to explain her treatment in IDW now. Something something unnatural attempt to introduce gender into a genderless species, something something, really weird uncomfortable treatment, it's a long story and I'm not an IDW expert, read the TFWiki page for Spotlight: Arcee.

I'm sure there's more in other media, but I've blathered on way too long and I'm starting to get frustrated and tired and AGH FURMAN WHY. He's gotten better, too, definitely not judging his present self over comics that are from many years ago, but asdfghjkl

Ok fine, one more thing. This isn't G1 but Michael Bay stated in interviews that he gleefully killed her movieverse version off specifically because he didn't like her. It's not NECESSARILY misogyny motivated. I wouldn't deem it misogyny coming from a different director with a different film series. Transformers writers have had personal beef with random characters which they wished to unceremoniously kill off before--Animated Beachcomber comes to mind, even if the writers never got the chance. But it's also Michael Bay's Transformers we're talking about here. Can you blame me for thinking that?

Arcee has gotten better treatment in recent years. Furman's clumsy attempts to explain Arcee's gender in tbe IDW run were slowly retconned into some pretty decent trans rep by other authors, she's really just come into her own as a character. But it was a long and rocky road to get there, and I believe we all need to acknowledge that.

2.) Was initially introduced in the 80's transformers movie only after being strong armed by Ron Friedman, being the first female presenting robot to be seen in the show. bright pink, cause, ya know, female. has the most romantic involvement of any transformer ever across all transformations media, cause, ya know, female, and god forbid she be her own person when hasbro can stick to her to Some Guy. she was made trans in the 2005 continuity and was immediately made berserk as a result. marvel made her a freak science experiment to shame feminists. why does the robot have curves when no one else does istg

i love her too much to stand by idly while she's treated this way

3.) hasbro keeps trying to convince people that her and elita-one (another pink fem character) are actually the same. "who cares same lore different names. what do you mean they're different characters?" and constantly flips their lore, designs, and names around with every single FUCKING continuity ie transformers rise of the beasts where they use arcee's design but call her elita-one SMASHES MY HEAD INTO THE WALL bro there's a whole group of autobots called the "female transformers". i don't. there's so little female representation in this series that hasbro decided the best way to fix it would be… segregation, ig. arcee is apart of it obviously. elita-one leads it. reminds me that i should (and maybe sick a couple friends on this poll) make a submission for elita because JESUS CHRIST hasbro fucked her up also apparently in some continuities arcee is trans. upon getting bottom surgery it fucking. idk how turns her berserk?? it's so weird. mind controlled/sleeper agent in like half of the fucking continuities for some reason. in every single one of these continuities she either gets with Springer or Hot Rod and ends up betraying them. every single time why does the robot have boobs

NAOMI MISORA (DEATH NOTE)

1.) I know everyone is gonna submit Misa but honestly she had it worse.

She gets introduced as this competent lady who's gonna help find Kira but then she just, decides to show some teenager her real ID as a show of trust and whoops that's Kira.

Also part of her introduction was her fiance going "You don't need to worry about this tracking down the killer nonsense, you're gonna be my wife, you should just be worried about raising kids in the future :)" or some shit. And it's barely addressed, because she just fucking dies.

2.) She was the only woman in the series to show any level of competence. She figured out more about how the death note works from some small context clues than L did in considerably less time. She was apparently so competent that the author decided to kill her off despite initially planning to make her a main character, fearing she would distract from the L and Light rivalry.

3.) the victim of “writer doesn’t understand women and also hates them” disease. Like, seriously, the author of Death Note could only imagine a female FBI agent as the fiancée of another, more senior FBI agent. The main character Light kills her fiancé Raye Penber (in honestly a really tightly written and cool episode) and so she tries to figure out who killed her husband. Unlike Raye who only figured out that Light was Kira as he was dying because Light basically told him, Naomi figures it out a lot sooner so oops guess she’s gotta die because she’s too good at her job.

[istherewifiinhell]

grand finale baby okay. (what do u mean their are 80-300 more of these...)

[ID: Optimus looking up to a hole in the ceiling, a beam of light filtering through, rubble around him. He says "That was Megatron's way of letting us know he has come!" END]

badum tssk 🥁🔔

its marvel tf no 4! or 7-8 in uk reckoning, winter of 84, the cartoon is now on air!

okay lets hear it- Writer: Jim Salicrup, Pencils: Frank Springer, Inks: Ian Akin & Brain Garvey, Letters: John Workman Colour: Nelson Yomtov, Editor: Bob Buduansky, EiC: Jim Shooter Digital Re-master by Digikore Studios Limited. Collection Edits by Justin Eisinger and Alonzo Simon. Editorial notes and assistance by Mark. W. Bellomo

it wouldnt be some 80s comics without some pain so lets get hurting

[ID: Caption box: Meanwhile, at a ballet class attended by Buster's girlfriend Jesse… A gratuitous panel of four presumably teen girls in sleeveless leotards looking out the window. Jesse asks "What is it?" One answers "Looks like the Rolands are leaving town! They've packed everything --including the kitchen sink!" Close of three looking out the window, mild expressions of shock on their ingenue faces. The speaker continues "I really can't believe anyone would take this robot business seriously!" Jesse cries a single tear thinking "There's no escape from this Madness!" In the dance locker rooms, Jesse stands in elegant contrapposto of distress thinking "I thought coming here would take my mind off Buster--fora little while, at least. But knowing that he's risking his life to save his father is eating me up inside! Guess I was only fooling myself! I can't stop wondering if I'll ever see Buster again!" Caption Box: While back at the ark… Buster kneels over his father, fingers to his pulse. Optimus, looming in the fore asks "Is your father still functioning?" Buster pleads up at him "My father's not a machine! He's flesh and blood! And if we don't get him to a hospital fast--he'll die!" Ratchet in the back says "Perhaps I can help!" END]

sorry thats as long and as hateful as i ever intend to be here. boy i hate comics tho...

this episode of transformers is brought to you by: jarring cuts!

[ID: A military jeep driving, a human voice inside it says "I'd give anything to get a little sleep, but if you and this truck aren't delivered to the 4067th M.A.S.H unit in time, my goose'll be cooked! This is all your fault, old friend! If you weren't such a hotshot mechanic they wouldn't need you to repair their ambulances.' END]

[anime girl image] MASH REFERENCE 🎊🎉🥳 (yes sparkplug will be having war flashbacks the whole comic. technically. theres a point to it)

[ID: Two EMT's get into the front seats of Ratchet in alt mode. Passenger: This is the only ambulance available, and we need it. Ratchet: What? Driver: Did you hear that squeak? Passenger: We'll get it fixed after we bring back that heart attack victim! As they drive off Ratchet thinks: These men seem to mean well! I'll just keep quiet and help them! After all, it's the least I can do as a doctor-- even if an earthling is my patient--and it's better than waiting! END]

oh by the way ratchet is just parked outside the hospital cause he drove sparky there. what a nice fella. also im not showing any of it but actually the AUTOBOTS are the ones that hurt him... like. accidentally but they werent being.. VERY NICE either. bad vibes all around.

[ID: Various dinosaurs in a cretaceous vista. A character narrates. "In a volcano-ringed valley, inhabited by weird, alien creatures, some even larger than ourselves. The drone found its answer…" A single transformer walks fully over one of the dinosaurs in the clearing. The speaker continues "The cybertronic life form was none other than the Decepticon known as Shockwave!" Editors note: "Long-time marvel readers will recognize this place as the savage land, prehistoric domain of the present-day Ka-zar!" END]

(sees 5 specific kinds of dinosaurs) OH BOY OH BOY. shut the fuck up marvel editor. THATS DINOBOT ISLAND where my friends the DINOBOTS live. jeez... also shockwave bigfooting it up, as tfs are wont to do.

anyway get ready for the meg.op comedy hour

[ID: Ironhide shouting: What are we waiting for? Let's get him! Optimus: No! That's exactly what he wants!-- so he can pick us off easily! Let him come to us! END]

[ID: Caption box: One after another, the Decepticons enter Mount St. Hilary, pushing the attack… Megatron stands in the left fore, his troops in the mid, and Optimus high on distant hill on the right. He calls out: I'm coming for you, Optimus. Our war is nearly ended! He thinks: Too many of my men stand between me and Optimus! My fusion cannon would destroy them as well! Bah! A small price to pay to rid myself of my constant foe forever! END]

normal thinks to say and think megs. wow

[ID: Optimus large in fore, looking same direction the camera is focused. He and the other Autobots shaded in dark purple and black. The Decepticons, in full colour, seekers flying above, and the rest charging down the middle, all firing weapons. Megatron yells "Prepare to be DESTROYED!!!" END]

HEY. THATS NOT HALF BAD. a panel with dynamic composition and values that direct the eye??? I CANT BELIEVE IT. also i just noticed. lets all thank soundwave's head being obscured in this panel. THEY LEFT IN A PURPLEWAVE!!!! he endures... seek him out where the remaster dare not go.

[ID: Megatron firing his fusion canon, shouting "You're mine, Optimus!" Optimus yells in pain, his arm melting, and his gun dropping to the ground. END]

as im always saying...

anyway yeah the autobots win in the end cause sparkplug sabotaged the fuel he made for them, JUST LIKE HE DID WHEN HE WAS A POW IN THE KOREAN WAR... jesus. comic of people who like. have heard how drama is supposed to work, without perhaps. really getting why it works. at least it looked nice...

fucking hell. anyway and then shockwave shows up and tramples the autobots. THE END

[ID: Printed comic. Caption Box: --Into Shockwave! Shockwave stands in full view, light emanating behind him, rubble, and injured Autobot's at his feet. He speaks "After four million earth years I have accomplished my mission-- The Autobots are no more!" END]

(dont he look great in printed purples. mwah)

[savage-kult-of-gorthaur]

NO "DOOM" BUT BRITISH COMICS DOOM! -- DOOM OR BE DOOMED!!

PIC INFO: Spotlight on the use of onomatopoeia in British comics, particularly the kind found in "Death's Head" Vol. 1 by Simon Furman (script) & Bryan Hitch (artwork). Marvel UK.

NOTE: I heavily cropped this panel from issue #10 of DH Vol. 1 #10. September, 1989.

INKER(S): Bryan Hitch

COLORIST(S): Euan Peters

LETTERER(S): Annie Parkhouse

Source: www.zipcomic.com/deaths-head-issue-10.

[browsethestacks]

Vintage House Ad - It's True... Hulk And Spider-Man Are Merging!

From Incredible Hulk Weekly #062 (May08th1980) (Marvel UK)

[vertigoartgore]

The Fury (Captain Britain's foe) by British artist Alan Davis (1982).

https://comics.ha.com/itm/original-comic-art/alan-davis-daredevils-10-the-fury-poster-pin-up-original-art-marvel-uk-1982-/a/7246-97099.s?ic4=GalleryView-ShortDescription-071515#

Heritage Auctions : "Alan Davis Daredevils #10 "The Fury" Poster Pin-Up Original Art (Marvel UK, 1982). This insert poster featured the villain from the Captain Britain story of this issue... "The Sound and the Fury"! Rich colors and gorgeous shadows make this a fine example of Alan Davis' work. The image was also featured as an inset image on the lower left of the issue's cover. Produced in opaque watercolor on illustration board with an image area of 12.25" x 17.5". There is a clear plastic overlay taped over the piece. Signed in the image area and in Excellent condition."

[randomvarious]

Today's compilation:

Acid House Disco 1988 House / Acid House

First of all, can we just marvel at and appreciate how amazing the art for this release is here? It's not everyday that you come across a comp with illustrations that are this cool, and regardless of the music that may or may not sit on this record itself, this has to be one of the greatest front-and-back covers that I've ever seen in my life 😍. I tried to scan the liner notes to see who might be responsible for them, but I couldn't find anything, so hats off to you, whoever you are!

And now for the music. Acid House Disco is a comp that was released in 1988 on Warlock Records, a New York-based label that ended up being a pretty important old school rap entity, but also put out dance releases as well, and ended up serving as a vital launching pad for house legend Todd Terry too. In fact, probably the greatest piece of 80s hip-house that was ever made was a product of Warlock's own synergy, when the best of their dance and hip hop wings teamed up to create The Jungle Brothers' "I'll House You"—produced by Terry himself.

But this ephemeral record, unfortunately, doesn't have any Todd Terry on it. What this appears to be instead is a mix of different things: one, it's partially a sampler that includes tunes from the catalog of Warlock's own sublabel, Idlers; two, it has a few exclusives on it; and three, it appears that it licensed some tracks from Gee Street as well, a similarly situated label in London that also released both hip hop and dance music.

And there's some sweet goodies on it, folks! A couple of which were made by notable people who were just operating under obscure aliases and group names. For example, the release's penultimate track, "I Love You," which really hits its stride when it finally drops in its speedy Latin piano riff, is by a duo called Drum and Bass, who only ever put out one release together. But guess who made up half of that group? Youth, aka Martin Glover, the bassist from the famous UK post-punk band Killing Joke! 😯

And the final track on the album, which is hands-down the best one, is by someone who went by Nebula. But Nebula was just a one-off alias that was used by a guy named DJ Cesare, who was in super successful UK rap group Stereo MC's back then too. And his track, "Deep Space," is the only one that comes close to matching the futuristic dance aesthetic that's painted on this album's back cover. A full and thick house tune with satisfying string pads and a constant, acid-zapped lead melody 😌. Terrific late 80s banger right there.

So, all in all, a pretty decent house comp here. There's definitely a good deal of disposability to it, but there's a few tracks that end up saving it from having its beautiful artwork wasted on something that might've been so lackluster. And some of its best tunes come courtesy of people that you might not expect, like Youth!

Highlights:

Zizi - "Give and Take" Drum and Bass - "I Love You" Nebula - "Deep Space"

[vinwarrican]

Star-Lord 1/12 scale Hasbro figure repaint & modify. I fondly remember being introduced to this original iteration of Star-Lord in the pages of Marvel Comics 'Star Wars Weekly/Monthly' in the UK during the late '70s early '80s. Simply had to purchase this Marvel Legends release by Hasbro, but slightly repaint the gold & yellow elements of the costume & modify the pistol appropriately.