please please please.
pairings: charles leclerc x fem!popstar!reader.
warnings: requested by anon and not yet proof read.
in which you finally reveal your relationship in the most unexpected way.
yourusername
liked by charles_leclerc and 3,724,366 others
yourusername something special coming tomorrow night.
view 842,761 comments
user19 any f1 fans? charles in the likes? 👀
user2 probably just a fan of her, as he should be! don’t read into everything so much 🙄
user8 NEW SONG??
user52 IM SO READY
user9 going to be the hit of the summer
yourusername
liked by charles_leclerc, scuderiaferrari, and 2,737,862 others
yourusername please please please! link 🔗 in bio my loves. thanks for all the support, wouldn’t be able to create music without all of you.
view 1,623,995 comments
charles_leclerc love you 😍
yourusername my partner in crime
user19 excuse me??
user3 WHAT? THEY ARE ACTUALLY DATING?
user8 girl obviously 😭 the music video is the ultimate hard launch
user27 greatest hard launch of all time
user64 new favourite couple
user15 iconic for revealing the relationship like this
scuderiaferrari please please please come to the next race!
yourusername 😉😉
user7 OH??
user63 we’re getting y/n x charles content now 🫢 so ready
charles_leclerc
liked by yourusername, pierregasly, and 4,624,922 others
charles_leclerc stream ‘please please please’
view 1,636,877 comments
yourusername love you love you love you
charles_leclerc love you beautiful girl
user5 CRYING SO CUTE
user91 she got my man 😔😔 (happy for them though they’re adorable)
user0 NAH he got MY GIRL!!
pierregasly catchy song and cute music video ♥️
liked by charles_leclerc
yourusername thanks gasly 😻
landonorris watch out everyone, before you know it he’ll be leaving formula one to become a actor
charles_leclerc 🙄🙄
yourusername
liked by charles_leclerc and 2,727,861 others
yourusername who’s cuter? him or leo?
view 983,622 comments
charles_leclerc me?!
yourusername both of you are cute!
user93 leo for sure 😆
user18 going insane right now you guys are so cute together
user70 my favs 💞
user12 this photo ☺️☺️
408 notes
·
View notes
just found one of my favorite pieces of writing advice when it comes to interactive fiction, i think if you've read literally any of my work, it will be pretty obvious how much i use this in my own writing. i actually couldn't remember where i read this for the first time and on a whim i went through my twitter likes and found it in a thread. i'm going to transcribe it for ease of reading, but this is all coming from Alexander Freed (@/AlexanderMFreed on twitter)
he has a website here with other compiled writing advice about branching narratives and game design, though he never posted this there and hasn't really updated recently (but still check it out. there's some specific entries about writing romance, branching and linear & other game writing advice)
original twitter thread here
It's Tuesday night and I feel like teaching some of what I've learned in 15 years of branching narrative video game writing. Let's go in-depth about one incredibly specific subject: neutral / fallthrough / catchall response options!
Player ownership of the protagonist in choice-based branching narrative games (a la BioWare, Telltale, mobile narrative games, etc) is a vital aspect of the form.
The ability for the audience to shape a Player Character, to develop that character's inner life in their own mind, is unmatched in any other medium.
The Player determines the character's actions and THE MOTIVATIONS for those actions. The character's psychology can literally be as complex as the Player can imagine. However, this works best when there's enough space for the Player to develop those motivations. No game can offer enough options to support every interpretation imaginable; much of the character has to live in the Player's head, without necessarily appearing on the screen.
That's complicated. We're going to unpack it.
Generally, when presenting choices to a Player, we want those choices to be as interesting and compelling as possible.
But compelling, dramatic choices tend to be revealing of character. And no game can support hundreds of options at every choice point for every possible character motivation a Player might imagine.
This sort of narrative CANNOT maintain its integrity if the Player is forced to constantly "rewrite" their characterization of the Player Character on the fly. You want your Player to feel like they have more than enough viable options at any given moment.
At the simplest level of writing, this is where "fallthrough" responses come in.
In the examples above, each moment contains a response which furthers the story but doesn't imply a huge emotional choice for the Player. The Player is asked to choose A or B, agree or disagree, but can sidestep the issue altogether if desired.
These "neutral" responses are vital if both A and B don't appeal to the Player... or if, perhaps, the Player likes A but not the WAY A is being expressed. Milquetoast option C works for anyone; thus, the Player is never forced to break character because of a lack of options.
Questions work well for this sort of neutral option. Tacit agreement and dead silence also serve, in certain sorts of stories--as a Player, I know what's going on in my silent character's head and the game won't contradict it.
The important thing is that I'm never forced to take a path that's outright WRONG for my character. Even if other characters misinterpret the Player Character's motivation, my character's inner life remains internally consistent.
"Neutral" responses aren't the only ways to go, though. Some responses are appropriate for any character because they're tied to the base character concept.
Here, for example (from @/seankmckeever's X-Files), the Player is a marine on a mission. The Player can respond abrasively to her partner's fear or look into the issue (out of compassion or genuine belief), but our fallthrough is actually the TOP response.
There's no version of our marine who would absolutely break character by picking "Stay calm and on mission." It's not blandly neutral; rather, it reinforces aspects of the character we can be sure of and gives the Player an option if nothing else works.
Different sorts of narratives will use different sorts of fallthroughs. A comedy might treat the option to say something funny as a fallthrough, of sorts--it's entertaining and will never violate the characterization the Player has created.
In a quest-driven RPG, a fallthrough response can often boil down to "How do I move to the next step of this quest?"
That said, the strongest moments in a narrative will often have no "fallthrough" response at all. They'll work by creating multiple responses that, by overlapping, cover all reasonable Player Character actions while still leaving room for the Player to ascribe motivation.
495 notes
·
View notes