#Amount of talking in option 2 depends

[melonymint753]

hades mopes on the bedroom floor/his garden hidey-hole and persephone asks if he wants to be left alone (blanket and cup of tea, nudge into a position that doesn't hurt his back, will check in again later), have company (similar ro prev but she stays with him) or stop feeling sad (garden upkeep)

[dwaekkicidal]

"Heats" with Bunny!Lee Know

˚ʚ♡ɞ˚ summary: Day 2 of my Bboki-Dwae collab with @bbokicidal <3

˚ʚ♡ɞ˚ word count: ~900

˚ʚ♡ɞ˚ warnings: gn!reader but theres pregnancy mentions in the last two quotes at the very very end of this post, constant mentions of breeding, 1 mention of a spank, overstimulation, some cum talk, using another person's clothes+scent to get off, this last one is marked with "⚠" but 1 mention of being forced down with a foot on ur head lol

DO NOT republish or translate+post my work!

❥ Has no real heat cycle, at least not an obvious one, since male rabbits are always ready to breed year-round.

❥ That being said, he will be very obsessive about breeding you from the very beginning of the year, usually February or March, all the way to September. You both quickly come to learn that it is because of rabbit's mating season! Which explains why he's constantly insatiable during this time frame and will usually want to go multiple rounds a day, every single day if you'll allow it.

❥ He cums super fast sometimes, so oral is not an option in his mind. He will taste you at least 3 times a day and he'll dig his nails into your thighs if you start trying to squirm away from overstimulation.

❥ Once he's got his fill and he's sure you've enjoyed yourself, he’s wasting no time to flip you onto your hands and knees. It’s his favorite position!! something something "Best for me to breed you thoroughly"

❥ He’s gonna keep your hole nice and stuffed while he roughs you around for as many rounds as he deems sufficient enough for his seed to take. (Spoiler: it's NEVER enough for him)

❥ And if he’s that deep in, that he’s giving in to his more 'primal' side, then you will be at it for hours before his mushy little brain pushes past the chants of “breed. breed. breed.” and remembers that you’re, in fact, a human and need a second to breathe.

❥ He quite literally does not care if you physically can not get pregnant... You not having the means to get pregnant or simply being on birth control will never stop him from talking or thinking about breeding you. If anything, he finds it even hotter because his minds convinces him that "If we try hard enough.."

❥ You don’t need lube when he has almost disgusting amounts of precum/cum leaking from his tip <3 So much so that you now have a towel drawer in your nightstand

❥ Much to his human side’s dismay, and to his rabbit side’s joy, he will cum buckets every 2nd time. Meaning that once that second round of the day is hitting, prepare to literally overflow due to the sheer amount of cum his heavy balls will pump into you.

❥ Oh, and don’t even think about letting any of it go to waste. The second a singular drop of his cum falls past the midpoint of your thigh, he is racing to shove it back inside where it belongs.

❥ Depending on how deep into this “headspace” he is he might even growl, which always comes out as a huff, and land a warning slap to your ass cheek. Loves to combine it with some crude comment (like the very first quote at the end of this post)

❥ If he’s reaally really into it he will mount you as best as he physically can: If you’re in a position similar to missionary, you’re getting shoved into a mating press and held in place. Or if you’re in a position similar to doggy style, you’re getting shoved flat into the sheets so he can straddle the backs of your thighs and spread your cheeks while he watches himself fuck into your tight hole <3

⚠ You didn't hear this from me but if he's particularly insatiable & has lost himself to his instincts, he may or may not hold you down with his foot on the back of your head while you're in downward doggy. This is so he can force you to sit still and fuck your brains out so that you stay pliant for him until he's ready to take a break <3 In this position, he fucks you soo much more aggressively/rougher than ever before so prepare to not be able to walk for a bit hehe

Now, let’s say he goes through one of these “mating season” fits while you’re nowhere near. Maybe in another country or state for whatever reason and there’s no possibility that you and him can reunite anytime soon.

❥ He WILL try to breed hump everything that smells like you. From using your towel(s) to tug one out all the way to humping your favorite spot on the couch until his dick is raw.

❥ This also means he will throw one of your clothes (cough 90% of the time is your worn underwear cough) onto a pillow and will rub his cock against it until he dirties it even more.

❥ But, he is a good boy. So he won’t be gross and leave his cum to seep into your clothes until you come home. He’ll be good and thoroughly clean whatever he lost his mind on and definitely will get horny again in the process

❥ You let him think he’s gotten away with it, but in reality? He cums so much that some stains just don’t go away…

Well... that and you leaving a semi-filled laundry basket just to come home to an empty basket and suspiciously clean clothes always gives him away.

“Tell this ungrateful, little hole to take what it's given and stop wasting.”

“Jagi- Fuck. Jagiya, stop wiggling so much. The deeper I am, the better I can breed you.”

"I need to cum- God, please, baby- you haveta' take it all. You owe me for being so fucking tight and wasting all my cum."

“If you keep spilling, I’ll have no choice but to fuck another couple of loads into you, Honey.”

"You're gonna be so fucking sexy, all nice and round with my kits in your tummy. Yeah? Right fucking here." As he puts his palm on your lower stomach 🥴

"Yeah? You're gonna give me a litter? Gonna have our babies runnin' around my parent's house while I stuff you full with even more of them."

Taglist:

@valkyriexo @lunearta @jabmastersupriseee @rylea08

@yaorzu-blog @amararosesblog @jiminssluttyminx @clemissleepy

@miss-daisy04 @kittyxnoa @dwaekkiiracha @bubblerizz

@mariteez

[redflagshipwriter]

Check Yes ch 9 part 2

masterpost

That whole detour took a depressing amount of their allotted Dick-free time frame. Danny sulked about it a bit as Jason caught up to him and bumped his shoulder. Jason fished his phone out and clearly made a call to a restaurant, giving them an ETA and asking them for the meal Danny had asked for.

Well… Danny untensed a bit. He was willing to look at Jason again by the time that the phone call finished. 

“Wanna talk strategy?” Jason coaxed. 

Danny pursed his lips. “Is anything off limits?” he asked with a shrug. He spread his hands out. “I can fly, go intangible– most of my powers are more martial but those are really applicable.”

“I can’t do either of those things,” Jason said, “So unless-”

“I will just pick you up,” Danny cut him off. He flicked a glance up and down the other guy. “You weigh nothing to me.”

Jason seemed to experience a 404 error. Once he had rebooted he cleared his throat and his voice still came out a little peaky. “I think those things are fair, but we don’t wanna clear Dick totally, it won’t be any fun unless he thinks he has a shot at some points.” He cleared his throat again.

‘....Does he want me to pick him up?’ Danny looked Jason over as sneakily as he could manage. ‘He didn’t let me carry him up the stairs, but maybe that was different because we were play-fighting.’

He filed that very interesting question away for later and took a little mercy on his date. “What strengths does he have, what tactics is he gonna use?”

Jason whistled a long breath out from between his teeth and opened a door for Danny. “We should call Barbie and beg for her neutrality. He won’t go to tech immediately, but tracking us by cameras is always an option.”

Danny snorted and tossed his hair. “Not a problem,” he boasted. “I can short out any cameras in my vicinity.”

There was a moment of silence. “That sounds like it would make it really easy to spot our current location.”

Oh. Well. Heck.

“...Is this the restaurant?” Danny pushed open the door without waiting for an answer, bell jingling overhead.  

A sharp-eyed waiter in black and white saw them enter and indicated the back area with a gloved hand. “Thanks, France,” Jason said easily. He pulled out a seat for Danny without a thought.

Danny shared a moment of eye contact with France. Danny was intending to communicate, ‘Do you see this shit, France?’ France was a cypher. There was no hint of what he thought about this.

…Danny sat. “Thank you,” he said, a little confused by the gesture but pretty certain that this was the best response. 

Jason seated himself and gave him a distracted smile in lieu of a verbal reply. Shit. Fuck. He was hot. Danny flashed internal alarms at this. “Are you still interested in red wine, or would you like something else?” 

“Uhhh.” Danny decided not to say that he had no idea, he was basically copying the romantic date from The Lady and the Tramp. “I’d like to start with a water.” 

“Of course.” Jason glanced over at France, who inclined his head and left in a frankly shocking burst of speed. “I think that Dick will try to leverage the date against me, to embarrass me,” he said thoughtfully. He picked up a saltshaker and started toying with it absentmindedly. “He’ll think that I won’t want the other guys bothering us.”

Danny cocked his head. 

“I was thinking about cutting that out from underneath him, at the last second,” Jason explained. “Dick’ll probably have a couple contingencies around siblings.”

“Yeah, control the flow of information,” Danny agreed. “Do you think you can turn any of them against him?”

Jason pursed his lips. “Yes, but not predictably. It’ll depend who sides with who first. It’s not a fun game if they all play on the same team, so some of them will be willing to fuck him over.” He blinked and lifted his hands as France returned with a pitcher of lemon water and a plate of appetizers. 

It was a very serious war council, for all that it happened to be about the tactics Birds and Bats would use in a game of tag. Danny caught himself leaning forward, elbows braced on the table, to breathe in every word out of Jason’s mouth. 

“Don’t worry about the big guy though,” Danny faintly understood. He was glazing out a little bit, just watching Jason’s mouth move. There was a little bit of stubble that hadn’t been there at the start of their date a few hours ago. Danny wanted to touch it. “No way will they invite him to play, he hasn’t been fun for a decade.”

“Whatever you say,” Danny managed. Unbidden, one hand started to come up off the tabletop, reaching toward Jason’s jawline. Touchy touch touch.

“What- oh, we should take a photo for the group chat.” Jason pushed the food slightly out of the way and rested an elbow on the table to support himself as he leaned basically into Danny’s space. He used that hand to grab the hand Danny had been inching across the table and he gave it a squeeze.

He was. He was holding Danny’s hand again. Danny swallowed, hard. Was his pulse too fast? Could Jason feel that?

“Lean in a bit?” Jason was checking how they looked in his phone camera. 

Danny leaned forward agreeably, brain screaming static at him. He didn’t even bother to think about how he looked in the photo. It must have been fine because Jason made an approving noise and put the phone back down on the table. “I’ll send it to the group chat in about 20 minutes,” he said.

“Ngah,” Danny said intelligently. 

Luckily, the pasta came then.

[mactiir]

sword misconceptions pt 1: longsword

Post series: shortsword | rapier | buckler | dagger | spear

so as I'm getting back into fantasy lit as a historical fencer, there are a lot of things I am noticing cropping up in swordfights that are inaccurate or flat out wrong. So i wanted to write a post for my fellow writers putting down a few things I've learned in 2.5 years of swinging the actual weapons around!

Disclaimer: i am not an expert. Additionally, many of the historical terms for weapons were not standardized (there was no "one" longsword/rapier/shortsword etc when we're talking about a weapon that existed for hundreds of years across an entire continent) so what I'm discussing under the cut is specific to the late medieval/early Renaissance European two-handed weapon with a simple hilt/crossguard and with a blade length around 3 feet -- what D&D calls the longsword, or in older editions the bastard sword (although if we want to get picky about it, bastard swords should have shorter handles than longswords -- but I wrote this post as a writing reference so names are beside the point. you can call the swords whatever you want in your story, anyway).

Misconception 1: longswords are heavy.

Older editions of D&D had these weapons at 6 pounds, which is about 2x too heavy. 5e has them at 3 pounds, which is exactly right. Your average longsword is between 2 and 4 pounds, and a well-made one will be balanced such that you barely feel it. Pound for pound, they are heavier than almost all one handed weapons (except some rapiers but we'll talk about that later), but between their balance and the fact you wield them in both hands, their weight is likely not going to be a prohibiting factor for most characters. Everyone who can pick up a wooden baseball bat can pick a longsword up and swing it. A weak or out of shape character will struggle for wielding it for lengths of time, though.

Misconception 2: longswords are slow.

You're 1) thinking of a zweihander and 2)zweihanders aren't slow, either, but we'll get to that later. Longswords, wielded properly in both hands, are lightning fast, with a skilled fencer that's opened their opponent's defense often able to land 2-4 hits before a director even registers the first hit and calls "halt". And there are two components to speed: actual velocity, and distance. Longswords are -- well, long. Even if you can't swing it as fast as a little knife, the fact that it's three feet long means you're closing to target much faster compared with a shorter weapon, because you don't have to do as much footwork to get into, or out of, striking range.

Misconception 3: you can wield a longsword in one or both hands.

I mean, you could. But a one-handed wield robs a longsword of a lot of its dexterity, grace, precision, and yes -- power. You want two hands on this thing. Your dominant hand goes closer to the crossguard and it's what generates your power and edge alignment. Your offhand on or near the pommel is where your dexterity and fine steering is. Switching or removing either of these hands feels weird and you are also way more likely to get disarmed just by trying to parry with one hand.

Misconception 4: swordfights are about dodging.

You have two realistic options when someone is swinging a longsword at you: parry or step out of range. You do not duck. You do not jump. You do not sway, roll, or do backbends. All of these things will 1) rob you of necessary structure to riposte, 2) leave you wide open for a renewed attack or remise, and 3) leave your most important tool for not getting hit -- your SWORD -- too far off target to help you. Yes, all of these things look super cool and may fit depending on your style and setting. But if you're going for realism, YOU PARRY.

Misconception 5: you can be fast or strong but not both.

Ok, this is more a pet peeve about martial arts in general but: you cannot be fast without a certain base amount of muscle. You CANNOT. Small people with no muscle are slow. They have to take huge, looping cuts to compensate for their lack of muscle and leave huge openings while they do it. Small people who do well at the sport are often very quick because they have to train the heck out of footwork to outwork bigger opponents, but that only comes with TRAINING. It's not a "small people are automatically dex builds" thing. And while big muscly guys are often slower, they also 1) have less distance to move to close to target, which makes them "faster" even if they are moving a tad slower and 2) they're also often fast as balls, so you can judge virtually nothing about an opponent based on their body type except for their reach. A good, big longsword fencer will often have really fast handwork because most don't do well in longsword fencing without speed.

Let me know if there are any lingering questions I missed! I may think of more later, but I hope this was helpful for now :)

[karniss-bg3]

The Tragedy of Faith

So between tumblr and twitter I've read various takes on Kar'niss and what draws people to him. For some it's the monster fucking appeal, for others it's the desire to fix a clearly broken individual. There are in-betweens and of course this is subjective and depends on the person. Act 2 spoilers ahead. Where my personal interest comes from is how good Larian communicated the tragedy of faith and what a cult can do to a person. Kar'niss is a creature that has been broken by not one God, but two. Lolth broke him physically, the Absolute broke him mentally. His entire identity has been lost to a deity to the point he raises her in his speech. Referring to her as "Majesty" and "Queen", two terms you don't really hear anyone else address her as, he has elevated her to his final savior and leader. He also often refers to himself as "we" and "us", cementing him as part of the hive mind rather than holding any individuality of his own. When he does refer to himself as "I", it's mostly to show further loyalty to the Absolute, to maintain a position of importance in his fractured mind. Cults are notorious for targeting the most vulnerable in society as they are the easiest to mold and manipulate to their doctrine. The fact that goblins are one of the main races that fall to the Absolute's influence is telling in that regard, as they are often dismissed by the other races. Kar'niss was ripe for the picking, an easy target to lure into her arms. No doubt he was found shortly after Lolth twisted him into a drider and banished him, he didn't stand a chance.

Not even taking those elements into account, Kar'niss came from a society that is infamous for cruelty and violence, especially toward males of their species. Drow greatest hits include, but are not limited to: -Killing their young if they are not aesthetically pleasing enough. In other words, ugly. -Sacrificing every third born son to Lolth.

-If a male finds the favor of two competing females, it often doesn't end well for the male. The rival woman will kill the male and chuck his dead body into his opponents bedchambers, just for the sake of being petty.

-Love and emotions of any sort are in short supply, if not outright unseen as a general rule. The nature of drow to backstab and seek to rise in the ranks makes it near impossible to be anything other than fierce and domineering.

With these things in mind, it's easy to assume that Kar'niss had a turbulent upbringing and likely suffered untold abuse from many around him. It's not to say that good or reasonable drow don't exist, it's just not commonplace in a Lolthite society. Unfortunately, the game doesn't give us a great deal to go on as far as his past. What little he reveals only happens after he's dead, and even then its really a cliffs notes version. What we do know is that his devotion is intense and unwavering. He's willing to die for the Absolute because in his mind the Absolute are the only ones who care about him. We even see fellow followers talk down to him, dismiss him, and verbally eye-roll the guy. To them, his fanaticism is over the top and they follow the same God he does.

All told, this leads me to the conclusion that Kar'niss has never, or rarely, known true compassion in his entire life. He's been used as a puppet for one deity or another, and likely mocked or cast aside even when he did everything right. It doesn't surprise me that there are folks who desire a romance option, or barring that a side venture to break him free of the Absolute's hold. We don't know if Kar'niss did terrible things in his past, or where his moral compass sits as his entire personality revolves around God. But I'd love to know, and I crave more background on him in one form or another.

I've spent too much time thinking about different paths that could happen in-game. I also understand it's incredibly unlikely he'll ever become a companion. The sheer amount of time and resources needed to give a character a satisfying arc is likely more than Larian can do with other constraints, but maybe we'll be pleasantly surprised. So Kar'niss lovers, platonic, romantic, or everything in-between...I gotchu fam. We stan the spooder bby. Someone get that man a blanket and a nice mug of hot cocoa. And a cult de-programming kit, one of those would be good.

[theresattrpgforthat]

System Overview - LUMEN

This week has been a break from my regular recommendations to cover a few popular game systems and talk about what makes them tick. This week, we're covering the fast-paced combat-friendly LUMEN system. This is all the systems I'll be covering this week, but I hope to do some more system overviews in the future!

LUMEN is a game system originating from Spencer Campbell of GilaRPGs, for use in his game LIGHT. It has gained popularity over the past few years due to its ability to replicate fast, powerful combat, and a simple set of rules.

As a disclaimer, I haven’t played any LUMEN games yet (although I really really want to give NOVA a go). What I have seen is a consistent amount of high-quality, exciting games being released over the past few years using the LUMEN system. The SRD is only 13 pages long, and the pieces are simple enough to pick up, re-mix, and turn into something engaging, which makes LUMEN a great option for new game designers - especially since the designer really wants to see what people are making with this toolkit.

So, let’s talk about some of the pieces that make up this game.

Attributes as Approaches

LUMEN gives your characters 3 stats that define how they approach an obstacle, rather than defining a specific skill. You’ll have something for raw power, one for quickness and speed, and one for precision and details. Your characters are expected to be professionals, the best of the best. Of course they know how to fight - this a power fantasy, after all. By focusing on an approach rather than a list of skills, these stats are also flexible: if you are using your raw power, you could open a door, swing a sword, or pull someone back from a ledge.

Depending on the game you’re using, the names for your approaches may differ. In Hedge, your approaches include Might, Sleight and Bright. In LOOM, these are re-tooled into Passion, Fleetness and Serenity.

This way of building a character is very good for players who may not want to juggle a number of different values in their head, and keeps the table focused on what the battle looks like more than anything else. It also makes a statement on what kinds of actions your characters don’t need to bother rolling for. No perception checks, minimal social obstacles, and don’t bother doing a memory check in this system. In LUMEN, you’re here to kick ass.

Dice Pools & Staggered Success

The number attached to your selected approach determines how many dice you roll to do an action. The highest number rolled is the only result you need to focus on.

Similar to Blades in the Dark and Powered by the Apocalypse, LUMEN uses a series of staggered successes. However, unlike the previous two games, success is a little more likely - 2/3 of the time, you’ll succeed. On a 1-2, the action failed with a consequence. On a 3-4, the action succeeds with a complication. On a 5-6, the action succeeds, no problems in sight. The difference in probability compared to Blades is one decision that indicates how powerful your characters are; they’re less likely to fail on any given roll.

To add a layer of complexity, you can include specific scenarios that determine how many dice you roll. For example, in Apocalypse Frame, there is a difference between rolling while inside or outside of your mech. When outside of your mech, a character subtracts 1 dice from their dice pool, and when attacking with your mech, you use a number attached to your Armament, rather than your Attributes. There are also character class abilities that may give you extra dice, such as the Ancient Technique ability attached to the Ancient class in Deathless. These abilities will only give you extra dice in very specific situations.

Character Classes

One thing is common among all three of the systems that I’ve talked about this week and that’s pre-packaged character abilities. LUMEN doesn’t use playbooks though, possibly because the characters are so lightweight that they wouldn’t take up that much space on a piece of paper.

Your class will come with special moves, abilities or gear that sets you apart, and will likely also define your play style. In Black Hole Era, for example, you are spaceships with system arrays and weapon bays. A Warlord ship has powerful long-range particle beams, while an Inquisitor ship has the ability to teleport or turn invisible.

That being said, you don’t have to use character classes with this system. In Wild Duelist, the game presents the character options as either a static stat build, from which you choose a few different options, or a character life path, in which you roll randomly to determine your heritage, weapons, approach scores and special powers.

Your character powers will usually come with a few important pieces of information: how they affect the field of play, what their range is, and how much it will cost you to use them. You do not roll to use your powers: you are powerful characters, and when you choose to do something cool, it works. In some games, your powers can be get more powerful as your character advances, or have tags added to increase range or damage dealt. Because LUMEN is meant to replicate combat-heavy video games, it also is designed to replicate the ability to customize your character to match the combat style that you prefer.

Room to Add Complexity

The LUMEN system is quick and only has a few core pieces, but there’s plenty of room to add more complexity in order to incorporate factions, long campaigns, and special details.

In Emblems of Their Dying Breaths, characters dig into dungeons that are procedurally-generated using a deck of playing cards. .brawl centres its combat on a map, using miniatures to help your players strategize as they fight in a cyberpunk arena. Clean-Up Crew diversifies the resources needed to pay for special powers, making enemy drops more interesting - and more necessary, if you’re going to find the specific resource you need.

The original designer is also updating and re-designing LUMEN, with the plans to release a LUMEN 2.0 SRD that does away with dice, health, and a few other pieces. You can check out some of his design thoughts on his YouTube channel, and take a peek at how this new version of LUMEN will play out in his game DUSK.

Meanwhile, let’s talk about some more games in the LUMEN series that I have yet to highlight on this blog.

Brawl City is a Street-Fighter game, still in development.

Dust is a game about surviving in a post-apocalyptic world, inspired by works such as The Book of Eli, and 9.

Photon is a two-player game about fighting a Singularity trying to consume the world.

paktbound is inspired by Dishonored and shackles your characters to a Stranger who sends them on heists in a rotten world.

If you want to check out more LUMEN games, there's a compiled list of games kept by Spencer Campbell, as well as a LUMEN collection that I'm adding games to as I find them.

Do you have any favourite LUMEN games? What kind of video game do you think would work well for this system? Share them in the comments and tags!

[nerdykeppie]

Hello friends! A little curious about smth, so maybe you can help me.

Oftentimes, when small things go wrong with orders or frustrating shit happens, we issue gift cards for $5-10 as an apology or a 'well, this isn't anybody's fault per se, but it kinda sucks, so here, have this and feel better about it' kind of gesture, which is a common thing for companies, right? But I'm wondering: if you were a customer, would you rather get a gift certificate with a fixed amount, or would you rather get a discount code that could potentially amount to a larger amount saved?

I realized that an 18% discount code, for example, becomes more money than a $5 gift card at just under $28 -- so you'd be better off with the discount code if you're buying a t-shirt or more -- and more than a $10 gift card at just under $56, so you'd be better off if you wanted to, say, buy a dress or a pair of shoes.

But this is also a mental thing, too, so, assuming we're talking about small-to-medium things that went wrong with an order -- it took longer than expected because we had to buy more materials, something got held up at customs and it didn't make it by somebody's birthday, the print partner printed your item wrong and you got a replacement for the wrong item...

I'm only putting those 2 options because I really do want to see just those two things, thank youuuuu. :)

[valgeristik]

Ok so i know that rn is tough for everybody (talk about an understatement), but my paycheck is really NOT keeping up with the unavoidable expenses that have been hitting me recently (house bills, car repair, vet bills etc......)

So i'm opening commissions for this dress up doll thing i've been doing!

More examples: here, here and here

Contact me here, on discord (Valgeristik there also) or email (valgeristik@gmail.com) if you're interested! (also taking cheaper regular comms here)

I will be taking 3 slots for now :)

1. [open]

2. [open]

3. [open] less than a month wait time for commission completion guaranteed 👍(ok might be month+a couple of weeks if its complex)

As well as a little video example of how it works + some other technical details under the cut:

Basically, the format of the final product is going to be a PSD file.

Each piece of clothing is going to be on it's own layer, with possibly several options or "overlay" layers that will make sure the pieces work separately as well as with each other. The amount of those will depend on the complexity of the outfit.

The base body can include tattoos (though, depending on complexity, i might charge extra for those), scars, body hair, prosthetics etc etc.

As for the body itself, the default will be a sort of ken doll situation, but a more realistic base could be possible upon request and with an additional charge.

[carrymelikeimcute]

Lets talk about Izzy and why being in drag is (potentially) huge for his arc.

The verdict on Izzy in S1 seems to be either 1. he's an angry, repressed queer guy with internalised homophobia or 2. he's an angry guy with homophobia. I would like to present to you - secret option number 3. Neither of the above (but a bit of 1).

I think he's an angry queer guy, who's terrified of the danger that lurks outside of appearing constantly masc and strong, and seeing other people apparently not realise or care how vulnerable they are, drives him absolutely spare. It's more complicated than simply internalising homophobia, it's misogyny and self-loathing and a response to being at sea for his entire life and struggling to survive - and we see what just a few months of that does to Lucius.

This is reflected in his talks with Ed in S1 - Ed's whimsy in the face of the approaching Spanish ship might get them all killed. Ed's public breakdown, if it got out, would destroy the reputation that protects Ed, Izzy and their entire crew. Stede is a pet, he's a weakness, and so he needs to be eliminated. That's how Izzy functions - he has like two bits of exposed skin, one outward emotion and he's lived for a long time like that - it works. It's the kind of strength he understands. He's convinced that him reining Ed in is what's keeping them alive.

BUT in S1 he sees that being open, being yourself, isn't a death sentence - and he HATES it. Because if that's true, look how much time he's wasted.

Ed and Stede's very whimsical lighthouse fuckery WORKS. Stede, in his frilly suits with his rec room and his fucking library, skates past death over and over again like he's scotch guarded from consequences. Ed and Stede make moon-eyes at each other and no one uses that against them - until Izzy does, because it's going to happen sometime (he thinks) so it's better it's him, because at least then Ed will survive.

Lucius is just hooking up with Pete in the galley while Wee John is right there - this is something that's an unspoken part of ship life, a shameful thing, and Izzy's the only one it bothers. Lucius uses flirtation to get out of scraping barnacles under armed guard, and uses it again to shut Izzy down. Lucius isn't ashamed of being flirtatious, seductive and femme - and Izzy loses to that tactic. He can't beat it with yelling and anger. It's a sort of strength he doesn't expect or understand - the strength that comes from knowing who you are. Of 'carrying yourself like you're cute' - because if you're confident, it'll work.

But he still has a huge amount of resentment for anyone who is allowed to be themselves - because he can't be. Especially in Ed's case - one of them has to be 'the strong one' and he thinks that's him.

Then, Season 2 happens.

In the space of a few episodes, Izzy learned that sharing your feelings is fucking difficult, painful and takes a lot of courage. He's had no choice but to be weak, spilling out all these ugly emotions and being physically dependant on others and in that weakness he wasn't destroyed - he was rebuilt. A little bit of that guard comes down and it doesn't kill him. So, he takes his shirt off and no one stabs him in the back. He's got a gold unicorn leg and he still absolutely wrecks shit up on a raid. He does something a little arty, opens up a tiny bit to Lucius, and he still doesn't die. It doesn't make things worse, it makes them better.

Enter, the drag episode. Suddenly, we've got Izzy in drag. A masculine style of drag, but still, drag. All that internal change, the shifting meaning of strength and masculinity, is externalised, but he's still himself - his face tattoo is redrawn as part of the makeup because it's still his face, if anything, it's MORE his than ever - AND THEN THE SHIP GETS ATTACKED, his worst nightmare - he's as far from hyper-masc as he can be, and now he's in danger.

BUT

In the teaser, we see Izzy telling people who are, presumably there to torture him and the crew, that it's just going to turn him on. He's using Lucius' technique of disarming people with flirty banter. I can't see S1 Izzy being able to do that.

He gets to dress in drag, be sassy and still win a fight because he's strong as shit and that doesn't go away just because he allows himself to be other things too.

[espionn]

HiveWing tribe sheet!

i know i dont talk about silkwings a whole lot in this one, but they're next so you'll hear plenty about them. have fun with my hivewing ideas!

Physical Appearance + Traits:

-HiveWings are the smallest and lightest tribe across the continents, with a distinct appearance resembling insects - specifically bees and wasps, but with some characteristics reminiscent of others. Their colors can range across the whole yellow-to-red spectrum, occasionally even crossing into green. They also can have a wide variety of black markings across their faces and bodies.

-HiveWings are said to be descended directly from Clearsight, crossbred between her and the ancient BeetleWings. It is possible that her foreign genes made some effect - some NightWing traits are visible in their faces, for example - but likely the majority of their adaptations, like the black scales, were caused by natural evolution and not by Clearsight. 

-Some HiveWings are born with an extra ability; this can be any out of a list of options. Some have a stinger, which can be located on their wrist or tail, or beside their claws. Their venom can sometimes just be painful, sometimes induce paralysis, and sometimes cause nausea and lightheadedness. Generally, black stripes across the body indicate the presence of stingers. Some also have fangs that can deliver any of the above forms of venom. A few also have other miscellaneous abilities, like an unpleasant and repelling scent.

-HiveWings have long, straight wings that resemble those of dragonflies or bees, with transparent and delicate membranes between them. Their wings are stiff and cannot be folded like other dragons; instead, they rest them horizontally on their backs. To fly, they vibrate them rapidly, creating a buzzing sound and lifting off the ground. They can fly quickly and with great maneuverability, but it takes a lot of energy.

-They have a generally slim and sharp appearance, with many spines across their bodies and a sharply narrowed underside. 

-The amount of black that HiveWings have across their bodies varies greatly, but the more there is the more desirable they’re considered. Nearly all-black HiveWings are seen as being the closest to Clearsight.

-Most HiveWings have black markings around their eyes, which, like SandWings and SkyWings, are used to mitigate the glaring sun across the flat, dry savanas they inhabit.

Life Cycle:

-HiveWings lay by far the largest clutches of eggs of any dragons, sometimes having more than twenty. However, the responsibility of raising dragonets is not on the parents; they are raised communally by each hive’s nursery. There are records of each family tree and what dragonets were hatched from what parents, but they don’t have any innate connection to their offspring, instead preferring loyalties for the entire hive. During Queen Wasp’s rule, close interpersonal bonds that might distract from the duties of the hives were actually discouraged.

-They develop very quickly, with incubation times of barely over 2 months; once hatched, their venom has not yet come in and they are unable to fly, but they can clumsily walk and understand basic gestures from other HiveWings. 

-Right away, they are extremely socially dependent dragons. HiveWings are hatched without the venom or repellents they might eventually obtain, and as generally small and defenseless dragonets that rely on their hive to protect them. This social dependence doesn’t go away, though. They live their entire lives as a unit with the rest of their tribe. They rarely hold grudges against each other, unless they feel that one of their own is in some way a danger to the rest.

-The education system is very structured and well-regulated; all dragonets are taught the basics of literacy and tribe life, and there are multiple branches of career education they can pursue, from arts to sciences to food preparation to construction and manufacturing. 

-HiveWings grow quickly after hatching, and then so slowly as to be unnoticeable once they’re adults. Their lifespans can vary wildly; depending on genetics, sometimes they can live 100 years or even more, and sometimes they die naturally at 50 or less (shorter than any other dragons). 

Society and Culture:

-HiveWings live in hives, massive structures made from wood-pulp like the nests of paper wasps. These are complex and beautifully designed, with each vertical level designating a different part of the hive. They are built and maintained by construction crews made up largely of SilkWings.

-The hives have a strict sense of authority; the queen has the ultimate power over the tribe, and the heads of each hive make the decisions about their hives. There are other dragons with positions of authority: guards, enforcers, teachers, etc. It is in the nature of HiveWings to act according to their position and not cause disruptions.

-There are varying levels of punishments for different misdemeanors, but because of HiveWings’ extremely social nature, the most severe is solitary confinement. It is considered by some an extremely cruel punishment, and it quickly alters and deteriorates the minds and behaviors of the dragons submitted to it. Usually it is utilized in small amounts; a few days, a few weeks, as a warning. (Sometimes teachers will use a mild version, where a misbehaving student will have to spend some time in an empty room.) It has only been a lifelong sentence in a few rare cases.

-The hive operates in a way completely unique to any other tribe: necessities, like food, shelter and education are provided simply by virtue of being a HiveWing. They are not paid for. The only thing that they need to spend money on is luxuries like sweets, decorations and accessories. (This does not usually apply to SilkWings, who need to pay to build their webs and for any level of higher education. Food is provided in theory, but it is usually not sufficient as it is not prepared with a SilkWing diet in mind. They often have to buy food of their own.)

-HiveWing technology, all-around, is the most advanced of any tribe, from their intricate glass and metalwork to their beautiful and efficient construction work. (Much of it would be impossible without flamesilks, and it is likely that they stole some of their technology, and credit for it, from the SilkWings during the tree wars.)

-Beauty standards for HiveWings tend to vary from hive to hive, and they’re often based on the head of the hive. Jewel hive residents, for instance, love jewelry and bright colors and over-the-top accessories, because that’s how Jewel chooses to look. Other hives like certain colors or body shapes. The only constant is that black scales are desirable.

-HiveWings worship Clearsight, their NightWing ancestor, much like a god; they pray to her, they leave letters and offerings for her, and they look to her as their guiding light. They see the times after she arrived as the only part of history worth telling. Though Pantalan dragons speak their own language, separate from Pyrrhian, they see and use Pyrrhian as a holy language, the language of Clearsight.

-They pride themselves on being non-superstitious, but rumors and hyperbole spread so quickly through the hives that they might as well be.

Diet: Omnivorous. HiveWings eat meat and insects, but also a number of plants. A good amount of their diet, alongside SilkWings, consists of sugar, which they can make into a wide variety of things (including honey). It helps give them enough energy to fly long distances.

[astridthevalkyrie]

Tbh my slight with Eloise is mostly that yeah not wanting to get married is understandable and I can see how it’s incredibly boring and isolating being the only one in the ton that feels that way so openly. But I just think that Eloise is privileged because she doesn’t have to get married, but the others livelihood solely depend on getting married. I’m definitely not debating I’m just curious because where I see Eloise hate, it’s mainly pointing out how she makes quips about others who don’t have the ability to voice their distaste for marriage. And also the fact that she wasn’t a great friend in the first place to Penelope, as she could never listen to her for more than 2 seconds. Which is why she never noticed pen was LW in the first place. I hope this doesn’t come off as picking a fight or anything like that haha I just really like these discussions and I’m curious to see your view on that.

hey! this isn't coming off picking a fight at all, thank you for the thoughts!

long analysis about bridgerton and specifically eloise below, please note i have rewatched it recently but i haven't watched it an insane amount of times or anything so if i say something that's not true, kindly let me know.

so i agree with you for the most part. eloise is privileged. she's richer than most and she can afford to become a spinster while everyone else can't. i would like to point out that it's not like she'll live easily and comfortably if she does that. as kate tells her, she won't have a good time. she's going to be outcast. she's going to be looked down on. she's going to risk shaming her younger sisters. she will not be homeless, but she will not be loved. eloise says in season 2 that reading LW is a reminder of how trapped she is, which means she doesn't actually see becoming a spinster a viable option. as far as she's concerned, she's going to get married whether she likes it or not.

in season 1, most of her slights are with daphne, who's in the same family as her, and yes, while being the eldest daughter does come with a hefty burden, daphne is not more or less privileged financially. she wants love and marriage, she's not getting married to survive. both their viewpoints are understandable, i think. eloise finds daphne's pursuits fruitless and daphne is frustrated with eloise for not seeing things from her point of view. the problem i have with that, though, is:

who ever sees things from eloise's point of view? why is she expected to work to understand her older sister when daphne can't do the same for her? daphne has understanding from her mother and every other woman who's out in society. eloise has penelope and that's it. her family snarks at her whenever she voices her opinions. her mother actively tries to change her. eloise thanks daphne for being perfect, eloise concedes in their argument and asks her to name her song, and eloise sits with her on the couch so that daphne doesn't have to sit with berbrooke (or at least tries to before violet makes her go). the only other person besides penelope who's there for eloise is maybe benedict, and he often only talks to her when he's going through something already. when all of society disagrees with you and says you should just shut up and conform, you're not exactly going to be eager to be empathetic and listen.

now, aside from her family and penelope, eloise barely interacts with other people, especially the other debutantes. so while she rants about her viewpoints, she's normally not doing it to working class women or women who will end up on the streets if they don't marry. and when she does rant, yes, there's sometimes rude statements about how other women only care about marriage or feminine things which can come off as patronizing (and she definitely has a superiority complex no doubt), but for the most part, eloise talks about how the system is unfair. she's not wholly disparaging women for wanting to marry to survive, she's disparaging society for having a system that requires them to do so. eloise is also the only character so far who's shown to actively try and learn more about the working class. of course she's not an intersectional feminist yet, she's barely had the resources to become a basic feminist. but she was willing to learn. she wanted to speak to theo more, to read more radical books.

and honestly, for eloise (with my own bias because i know what it feels like to feel like your accomplishments amount to nothing because marriage is somehow more important), i don't think it's just boring or isolating. it genuinely seems to make her panic. it seems like it makes her ill, the thought of conforming. her bit when she tells violet that she's not rebelling for attention, and that she knows she's a disappointment....that poor girl. and like i said, i've had that anxiety. i've had that terrifying moment where i'm like. holy shit. what if i wake up and i've lived half my life and i'm not me because all i am is someone else's. jesus christ that fear can do things to you.

which is what makes her transformation this season so depressing. she's given in. she's playing the part because she's tired of fighting. even though the thought of being submissive and docile and silent and married is still obviously paralyzing for her. and so far i actually don't think it's poor writing, or out of character, but i do think that they might just be toning her down now so that it doesn't seem too ooc when she settles with phillip or someone else. that, i think, will be character assasination. unless she ends up with theo (or penelope or cressida or marina 🙏🏽), her love match with some type of feminist tamer character will be really heartbreaking to watch and i sincerely hope they don't go down that route.

anyway, she's also apparently the only character who's not allowed to have problems because of her privilege. anthony in the beginning of season 2 pissed me off so much. even simon in the first season at times. oh these women can't string together a thought! oh they're so desperate! oh their mamas are so stupid and annoying for *checks notes* wanting them to marry well and live happily! it's so heartless. it's so cruel. mister capital r rake does not care for any of his annoying sister's feminist ramblings, but he himself would like an educated, motherly, soft, clever, beautiful woman. kate absolutely clocked him when she asked how he was sure such a perfect woman would want him. but the fandom doesn't completely pile on anthony for his stupid ass takes. if they get on him for anything, it's for how he handles the sharma sisters (which is completely valid, just not the only dumb shit he's done). but he's sad about his dad dying so it's okay! benedict wants to paint sooooooo bad 🥺 and colin........must discover himself for the third time in a row. these men treat their own problems so seriously and the fandom doesn't give them half the shit for it that eloise gets for talking about a very real problem that terrifies her and affects her life deeply.

i've watched s3 only once, so i don't remember every interaction she has with cressida. but as far as i do remember, she tries to help cressida with debling. she tells her that she can stay away if that's what her father wants. i also don't think she knows that cressida's facing financial abuse, because even cressida doesn't know that until her mom tells her. eloise should probably have a hint that cressida isn't in the mood for making jokes, yeah. she should work on that. i can forgive her because frankly i'm seeing that she's barely interacted with other debutantes before this and is socially awkward. not everyone can forgive her for that, that's cool. i just think fandoms (especially tiktok fandoms, ugh) have this way of seeing a female character, and especially a female character that comes off as feminist or annoying, and will absolutely refuse to understand her at all. think any female character tiktok hates. ginny from ginny and georgia. mary from young sheldon. hell, even marina. these characters are flawed. eloise is flawed. but while other characters can be understood or even excused, being an annoying woman is the absolute worst thing to be. a crime. you deserve no kind of deeper understanding at all.

now, onto her friendship with pen.

i've felt like penelope in so many of my friendships. actually, i don't think i can think of any friendship i've had where i didn't feel like i was playing supporting role to the main character. so i'll absolutely agree, eloise could stand to be a better friend to penelope. she talks over her and ignores her sometimes, she doesn't seem to truly know penelope at all, and she tends to talk about herself far more than she asks about pen.

but i truly, truly don't think any of it is malicious. eloise wants to find LW originally because she wants to get justice for the featheringtons. she embraces pen immediately when she comes crying even though they were in a fight. she compliments pen on being such a good friend twice in season 2. also in season 2, eloise loudly tells cressida she would rather die than join her instead of pen. eloise is not some popular girl who uses pen to make herself look better. eloise thinks the world of her.

and eloise! is! keeping! her! secret! i feel like not enough people are understanding how absolutely insane that is. she's so ridiculously mature about it. she doesn't tell anyone. she endures the fallout of the (false) things penelope wrote about her. penelope writes and attacks el's brother and yet she doesn't say anything. she doesn't even go to her and tell pen to stop writing about her family! she feels bad that she accidentally let slip what colin and pen were doing. she apologizes for it. she feels upset that pen had to write about herself which is far more understanding than most would show in that situation (awww, you "had" to write about yourself in the gossip sheet where you regularly insult other people, woe is you). she stops cressida from bullying pen.

whereas in the very very first episode, lady whistledown's first article talks about how she doesn't like that the bridgertons are named alphabetically. does she help daphne by publishing the stuff about berbrooke? sure, after violet spreads the gossip, but more importantly, after she calls daphne ineligible for marriage which made berbooke her only viable option in the first place before simon stepped in. what has daphne done to her? nothing at all. also, this isn't just printing out gossip that everyone else is saying anyway (which still wouldn't be okay btw). this was penelope making a statement that was LW's personal opinion, which already carried a lot of weight. this was penelope nearly sabotaging daphne's chances of marriage.

and all of this isn't meant to be anti penelope. i understand her and why she does what she does (i do, however, think marina and eloise both clocked her, she is immature and she does write as LW because she's too nervous to be herself and is jilted by society). my overall point is that while eloise thinks the world of penelope, penelope harbors a bitterness towards el and her family. it's not an unnatural bitterness, mind you! you have a friend who goes on and on and doesn't ask you about you and her family is oh so perfect while your family is the laughing stock of the ton and her mother is so loving and your mother is anything but. anyone would be bitter. i think pen loves eloise too. she changes what she writes in LW to please her. she clearly cares that eloise approves of what she writes. she misses her and feels guilty about their fight. but pen isn't honest with eloise. pen isn't trying to discreetly reveal she's LW, or that she has a crush on colin. the only person to know before s3 is marina. eloise isn't a bad friend for not picking up on things that penelope is actively hiding. penelope also lets herself fall into the role of sidekick, she doesn't try to insert herself more into the conversation.

i might be forgetting a scene, but i think pen talks the most during the episode where they run off and lay in the field of flowers together (closet's invisible btw) and eloise listens to her and then says "you don't have to pretend anymore, you like this, pen" with the softest most adoring smile on her face while pen giggles. i promise i'm not trying to write peneloise fanfiction that's just how the scene goes. when penelope truly wants to talk, el does listen.

but that's where i'd give eloise the least grace, because i truly do think she could stand to listen more and listen better and ask about pen from time to time instead of just jumping in to what she wants to talk about. she shouldn't be surprised when pen wants to get married because pen said she did in s1 (my only in canon explanation of that could be that eloise simply thought she was speaking in anger and wasn't serious). i also don't know for sure, but i heard in the books they agreed to be spinsters together. that's not in the show, so it's not canon, but eloise certainly seems to think her and pen are on the same page.

i think there will be a mutual apology. i think that's fine. they both have stuff to apologize for and i won't get into penelope's character right now. if they continue to keep her quiet and docile and she ends up settling for a man who teaches her yadda yadda you can have feminism and love, i'm gonna sink into my chair. eloise bridgerton you deserve better 2k24.

[cal-kestis]

HOW TO: Shuffle Text Effect

A long while back someone asked me for a tutorial on the text effects in this set and this set, and a friend recently asked me how I did my url change gif. So, I’m finally doing a tutorial! Disclaimer: This tutorial assumes you have a basic understanding of gif-making in Photoshop. I’ll be demonstrating this effect using Video Timeline, but it’s definitely possible to replicate in Frame Animation!

If you just want to learn about the shuffle step, skip to Phase 3!

PHASE 1: PREPARE YOUR BASE GIF

1.1 – Choosing your frames. The number of frames you use will depend on the number of characters in your final text. This is so you can have a decent amount of time at the end of your gif where the text isn’t shuffling! 

The way I do this effect, each “shuffle” lasts 2 frames (0.03 seconds in Timeline). A good rule of thumb is to follow this equation:

Minimum Total Number of Frames = 10 + ((Character Count - 1) x 2) + 20

10 = # of frames with shuffling text at the beginning of the gif before you start revealing letters

Character Count = # of characters in the final text (minus 1 because the final letter will not shuffle & multiplied by 2 since each shuffle lasts 2 frames)

20 = minimum # of additional frames at the end of the gif, without shuffling text. 20 frames or more so the word is static long enough to be readable.

For reference, the final text in this example will say ‘MANDALORE.’ My character count is 9. So the minimum total number of frames I would need is 46. 

But I chose to have a lot more end frames with static text. My final gif in this example is a total of 70 frames (26 shuffling, 44 static). If you’re more visual, here are what my final frames look like broken down:

1.2 – Crop, color, etc. as you would. If you’re new to gif-making, I have a basic tutorial here!

PHASE 2: ARRANGE YOUR TEXT

Before we get into shuffling, lay out all your text exactly how you want it to appear at the end of the shuffle.

2.1 – Choose a fixed-width font.  You can do this effect with any font, but if you want to do less work and get the smoothest animation, I recommend using a fixed-width font (aka a font where each character is the exact same width no matter what). This will ensure the random letters/numbers you use at the beginning of the shuffle are centered with the final text. Notice how even narrow characters like ‘I’ and ‘1’ stay centered with MANDALORE:

The font I used in this tutorial is called White Rabbit (although I squished it down so it’d be shorter and more square). For my Star Wars gifs, I typically use Aurebesh for the shuffle and Conthrax for the final text (also on dafont), which are not fixed-width fonts.

If you want to use a mixed-width font, I would recommend arranging the letters individually so they line up as close as possible.

2.2 – Arrange the text as you want it to appear after the shuffle. Do your typography as if you were doing any other gif. Here’s how I arranged mine:

2.3 – Optional Text Settings I typically do this effect for Star Wars gifs, so I like to set my text’s blending mode to Exclusion and apply a Gradient Overlay so it looks futuristic. Here are my settings for this gif:

I also like how this effect looks with a semi-transparent black background (60% opacity set to Multiply) and a glowing outer frame, so that’s typically what I do. On the frame, I use the same Exclusion and Gradient Overlay settings as my text and add Outer Glow:

You can let your text stand alone or add any other embellishments you want!

PHASE 3: SHUFFLE THE TEXT

3.1 – Break up your text Timeline into segments. Disclaimer: In step 1.1, I talked about these numbers in terms of Frames — where everything was doubled. Now we’re in Timeline, so we don’t have to multiply anything.

Count how many characters are in your final word. In this gif, I want ‘MANDALORE’ to shuffle — that’s 9 letters. I’m going to add 5 to that for a total of 14 segments. 13 of those segments will shuffle and the final segment will show the static final text.

Use the scissors tool to clip the Timeline at every 0.03 second. This duration will ensure we don’t get any duplicate frames. 

Before Segments:

After Segments:

Now I have thirteen 0.03-second clips and one long clip.

3.2 – Input random characters into the new broken up text segments. It’s time to take out your aggression on this set and KEYSMASH. Replace the text in the first 13 segments with random letters or numbers. Make sure they all have the same character count though! Since my final text is 9 characters, all of my random combinations will also be 9 characters.

3.3 – Reveal one letter per segment. Starting with the 6th segment, reveal one letter from your final text. You can either reveal the letters from left to right, like I did to ‘SHUFFLE’ in the preview gif, or reveal them completely randomly like I did in the examples I linked at the beginning and how I’m doing it in my final example (I prefer the way this looks!). The boxes are the “revealed” letters:

Note: Look at the 5th from the bottom, 4INJ5IDSL. Normally, I wouldn’t have a letter in the randomized text match the first letter I’m going to reveal (4INJ5IDSL, N is the first letter I reveal). Tbh, normally, I’m not even using English letters in the shuffle lol. It’s not a big deal, but it’s something to look out for if you notice your shuffle effect doesn’t move the way you want. In this case, it didn’t affect my final gif so I left it alone. But if it was affecting my gif, I’d just go and change that N to another letter or number.

3.4 – Finish with the full text. Your final segment should be the complete static text and it should be visible for a good chunk of your gif so people can read what it’s supposed to say.

If you look back at my other screenshots, you’ll see that the full ‘MANDALORE’ clip takes up more than half of the gif’s entire duration.

PHASE 4: EXPORT

That’s it!! Convert from Timeline back to Frames, export your gif, and here it is:

SHARING TIP: If you send links to your gifs to a Discord server or have followers who turn off auto-playing gifs, here’s how to make sure your gif preview shows the final word and not some random jumbled up text: re-arrange your frames so the last frame is first. Everything will still be in the same order, but anywhere your gif is paused, the final word will be displayed! 

If you have specific questions about this tutorial, my ask box is open <3

[radioroxx]

*slides you $500 in monopoly money* spare deets about the isafrin kids? i love them soooooooo much and would love love love to know even more!!!

like!! how did they get wished into existence? were they just There one day as small kids, or did they come as babies? did aurore come first and then eile? and isafrin!!! they look different!!?!!?! love love love love postcanon designs and would love to hear your thoughts on them (and! their bonding earrings??)

I WROTE THIS OUT AND REALIZED HOW STUPID LONG IT IS SO. ITS GOING UNDER A CUT. WOWZERS

Ok first- WISH BABIES!!!

uh. uhm. uh

ahah. oops!!

though we did get to discussing a few options after getting this ask (more like. i. asked them. and they provided. im not the thinker in this group. hehe!)

(@chromatasia )

for context on this one- i believe a while ago we also talked about wishing involving sacrificing? the idea of givinf up a piece of yourself (sometimes physically, like hair) to help power a wish! or link yourself to it?

a second option (three whole screenshots…)

(@unregisteredskybox )

carve your own baby!! yay!

general idea for our fankids though is that yes, they were created super young. and as babies. so aurore wouldve been crafted a few years before eilé :)

so yea ur two options <3 pick i guess lol. i dont have a solid idea there.

the second half of your questions- yes!! isafrin! theyre older and different!! wahoo!

the older isafrin designs were moreso. i wanted to have a little fun and made them. lawl. but now i get an excuse to share anyway :) so here!!

numbered the details to make it a lil easier. also dont mind these r quick scribbles,,

1- general outfits and stuff. siffrins i wanted to keep mostly similar to how i usually draw them. sleeveless top, horrible and unnecessary amount of belts,, knowing that hes maybe not as eager to change as some others might be. they are comfortable in their style and thats what matters. for isabeau i wanted to keep a familiar vibe, but still change it up. i think he would still wear clothes that are flowy-er etc etc, buuut yeayeayea. not an outfits guy really so jfkf theyre pretty simple.

2- themb!! they look different! siffrins hair is longer obv obv, and no lightless dye anymore. they tie it back usually, but he still likes it long. also some facial hair. important to me. (you may also notice lack of eyepatch,, personal hc that siffrin gets more comfortable without it after making up with bonnie some more. that he maybe depending on it a lot because he thought it would make them uncomfortable, which theyyy dont have to worry about. anymore! so less eyepatch. sometimes still though). isa on the other hand looks mooostly the same! except. ofc. bigger beard. you guys should know i love my beards by now. lawl. other than that mostly the same,, physical pain in me trying to think of a different hairstyle for him… maybe in the future but for now he gets This.

3- new cloak-thing for sif! his regular cloak is probably much more well suited for the travelling lifestyle, much less the domestic stay-at-home lifestyle, soo they changed it up! (and totally not an excuse for isabeau to try out craft stitching nooo definitely not as practice for the future whaat who said that.) they will still wear the old cloak occasionally, buuut not as often as they used to.

4- finally! bonding earrings!!! yes! the designs themselves are pretty simple. squares and change symbols for the design sif made for isa, and a star with bits that go ding-ding that isa made for sif. more importantly, siffrin carved the earrings himself! it is. hard. to do that. a design that is so small. there were many failed attempts and scraped ideas but they got it done! and isa loves them very much. for isas design, the main star part is glass, and the dangling bits are carved gems (picture isabeau, panicking because this is siffrin hes making these for so it needs to be perfect. and he gets odile to help him, because despite all the teasing she is ofc very fond, and helps him out with that aspect of the design.)

ok thats all - bye bye bye

[copperbadge]

Hey Sam, I remember reading a post or response from you about how to give to charities anonymously, but now that I’m searching, I’m finding a few different responses but still have questions. Any chance you could do a round up post? Wondering about the following:

1. How to give cash

2. How to give small amounts anonymously (e.g., if you can’t set up a DAF)

3. How to opt out of being sent branded junk if you can’t give anonymously, because it will end up in the garbage (seriously, no more pens, stickers or magnets please)

4. In giving anonymously, how important is the tax receipt? I only take the standard deduction on my taxes… is there a reason to bother with tracking the receipts?

Appreciate your help!

Ah yeah, it's rough knowing how to do some of these things. I've written about some of them, probably most of them, but disparately over several posts, so let me see if I can answer succinctly and all in one place.

How to give cash: You are pretty much confined to two options, giving cash to a staffer in person or mailing cash in an envelope. If you have access to the office of the nonprofit you may be able to swing by and drop the cash off, but it's not super convenient and often not possible. If you're at an event you can hand it in an envelope to a staffer, and that's really the only way my organization gets cash donations, but that requires you to be at the event. And technically I can't recommend mailing cash since the risk of theft is a real one. Giving cash is fine legally, but nonprofits often aren't thrilled with it because it can put their staff at risk and also there's, well, there's no way to track that donation to a person. But yeah, throw them dollars between two thick sheets of paper and mail that in with a note saying "This is for the XYZ organization" so they know they can accept it.

2. Giving small amounts anonymously: It depends on how you're defining 'small'; I have a DAF (for the readers: a Donor Advised Fund -- I talk a little about them here but I've never gone indepth) which has no minimum deposit or minimum monthly contribution, but they do have a minimum donation amount of $20. To me that's not especially large, but I know to many people it can be. Pretty much the only way to give an amount smaller than $20 anonymously is to give online through the nonprofit's website using a cash giftcard (like a Visa gift debit card), and just not give an address. If you custom-order checks you can sometimes order checks without a home address, or with the bank's address, and pay with one of those, but I've never tried that.

If you do use a DAF (and I can recommend Charityvest, they've been mine for several years now) you can always set up to pay small amounts into it and just have them send all that money in a lump sum once or twice a year. I pay in $75/mo and from that they pay out three $20 donations a month, and at the end of the year the extra $180 that has just sat there becomes a nice extra donation. Always bearing in mind of course that once you pay into a DAF that money is gone, you can't claw it back even if you haven't "donated" it yet -- just putting money in a DAF is considered a donation. Readers, if you're curious about DAFs I recommend googling, lots of banks have "what is a DAF" pages, but if you're not finding what you want to know do feel free to come ask me.

3. Opting out of swag when not giving anonymously: I'm tempted to just say "Ya can't" because it's hard, especially with larger orgs. Even if you opt out, often you'll still get mailings that are considered "stewardship" (maintaining a relationship) rather than "solicitation" (asking for giving) and swag counts as stewardship. You can always start with sending the org a letter saying "Please put me on a Do Not Contact list, I will continue to give but don't want to get your swag". If that doesn't work, start returning mailings -- if you get something from the org don't even open it, just write "return to sender -- no longer resident" and drop it in the mail. This is not guaranteed effective; some places will either just change the name to 'resident' or retry every so often just in case. You can call the org and ask to speak to "records" or "data", and then just be super up front: "I want to keep supporting you but I really don't want the swag, how do I get that turned off?" They can help, but if you give to another similar org, a lot of times orgs will do "list exchanges" where they swap mailing lists, and if the org does that and you're on the other org's list, you get put right back on the "ok to mail" list for the first org.

I will say, swag is very, very cheap and gets results, so you can also look at this as "well, it was wasted on me, but the five cents this pen cost will get them $1 from someone, so in accepting it, I am still helping them to gain donations." This depends on your tolerance for waste, of course, which I'll talk more about in a minute.

(I personally like getting magnets, because I put stickers over top of whatever's printed on the magnet, cut it out to the shape of the sticker, and behold! I have a cool magnet!)

4. Tax receipting: I'm not a CPA or a tax lawyer and I fucked this up the last time I talked about it, so take this with a grain of salt, but there is an "above and beyond" deduction -- after the standard deduction I believe you can deduct an additional up-to-$300 for charitable giving, and if you were to be audited you'd need receipts to prove that. (As I said, if you're planning on this, fact-check first, I am not a strong source for this information.) (Edited to add: comments informed me this is no longer the case, so I'm glad I added in the disclaimer :D) If you give via a DAF, no problem; the DAF tracks where and when and how much you gave, so I could use my DAF's records as "receipts". You can also, if you lost or didn't get a receipt, contact the org and ask them for your giving record for the year. Here's the problem -- if you are giving in a way that allows you to avoid giving your address, there may be no way to get those receipts, since you can't prove their record with your name on it is you. So if you want receipts but want to give semi-anonymously definitely make sure they have your email address. If you're giving $300 a year, you probably want to take that deduction; if you're giving $20 a year, probably it isn't worth it. But yeah, to get a receipt you generally have to give them enough information for them to identify you, but you don't need giving receipts if all you take is the standard deduction.

All in all, the options are -- give cash and get no receipt, give via DAF or using a giftcard and get receipts to your email, give with your address attached and just hope they honor your request to be removed from swag mailing, or give however you want, put up with the swag, and bear in mind that them sending you the pen or magnet or keychain wasn't much of a problem or cost for them and will get them money from someone.

Honestly, option four isn't the least irritating, but it's probably the least labor-intensive for you. But it really is a question of what you want from your relationship to the nonprofits you support, and how passionately you feel about the "waste" status of swag they send. Only you can determine where your tolerance point is between "having to put in so much effort not to get this stuff" and "having to throw this stuff in a landfill". It's a regrettable part of being a donor and building a relationship with a nonprofit, but we in the nonprofit field do appreciate your giving and your tolerance :) While there are some outlier bad-actors in the space, trust me, for most nonprofits, nothing we do is gratuitous. Almost all of us are on such a thin wire that if something costs us money and doesn't get us more money, it gets binned very quickly.

[leftneb]

okay final thoughts on the collision because I've had time to think it over properly now

TLDR;

the contact itself was caused by max

they both had to be driving aggressively (=racing) for it to happen

stirring personal drama and/or refusing to admit to fault is ridiculous (and I'm including the media in this)

I. max moves off the racing line to block lando from taking the inside line

this move makes sense, max is trying to prevent an overtake

it also means that he's left the racing line open

II. lando takes the outside line in turn

it's important to consider WHY he does this here, lando at this point has 2 options

option 1 -> follow behind max on the inside this option makes no sense, no sensible racing driver would willingly file behind their opponent, that would be handing max the lead here, lando isn't about to roll over

option 2 -> stay on the outside with this he wouldn't neccessarily be able to overtake max, but he can keep the pace

natually lando went with the 2nd option. from then on (if max had kept the inside line, which was a sensible assumption to make considering their positions) I can imagine this going 2 ways

-> lando keeps off the breaks and runs wide he likely would not have made this mistake

-> lando takes the outside line, untimately stays behind or wheel-to-wheel with max this creates an opportunity for an overtake later on

with those possibilites in mind all lando has to do is: not fuck it up

he IS absolutely taking a risk here, but again, to run a good race you HAVE to take those risks, you HAVE to see the opportunities that are presented to you and HAVE to atleast try taking them. otherwise why race?

III. max takes an unusual line instead of staying on the inside

this is the direct cause of the collision

generally speaking when you take a line you're expected to stay on it

max here is driving almost erratically, he veers off the line he was taking a moment ago, even moving after he started breaking into the turn. this is almost completely illogical

it does NOT line up with what lando would have been expecting, if max had seen that lando was already at his side I highly doubt he would have drove off his line, but appearantly that wasn't the case

you could excuse this by saying that max just didn't see lando at this point (which I think might be true, though we can't know that for sure without a statement from him) but you have to consider just how WEIRD this move is

max blocked lando from taking the inside line - which leaves lando the outside - and then tried going back on the racing line - which lando already took (logically so)

this leaves lando to either run himself off the track to prevent the collision, or to not move at all. I think it would be within reason to assume lando could not have predicted max basically driving into him instead of staying on his line and (even more importantly) leaving lando the space

IV. they collide

max basically set them on the collision course, yes lando took a risk by the outside as quickly as he did, but not doing so would have left him out of the battle. the contact required both drivers to make risky decisions in the heat of the moment. but ultimately it was max who caused the incident, putting lando out of the race entirely

I also went over the other overtakes/attempts in my previous analysis

about their statements post-race

I've actually changed my mind (a bit) about this since yesterday

first of all, lando's statements are getting MASSIVELY exaggerated by the media and fans, often being paraphrased to implying he'd end his friendship with max outright

he did not say that. what he DID say was

"depends what he says. if he says he did nothing wrong then I lose a lot of respect for that. if he admits to being a bit stupid and running into me - being a little reckless in a way - then I'd have a small amount of respect for him."

even though the interviewer included the term "friendship" in their original question, lando wasn't talking about that

I'd also like to point out (and this is the most important bit IMO) that interviewers and the media in general try to stir up drama and conflict, partially through getting reactions out of the drivers, on purpose.

don't ever forget that they put these interviews right after races, when the tensions are still high and they haven't had a real opportunity to debrief yet. after getting his race ended (a race he could have WON, regardless of whether he was driving fair or reckless before) obviously he's going to be a bit pissed about it. I think he gave a relatively fair statement

I don't think conflating friendship with their on-track rivalry is particularly healthy (I don't think I have to elaborate on why we've all seen alpine) but that's obviously not my (or anyone's) place to say whether either lando or max is handling their interpersonal relationships right

as for max's denial of responsibility, I think he's just plain wrong. but again, he was interviewed at a time when he would have still been emotional (though this shows up differently for him than it does for lando, which is why people have such varying reactions to it) for max that means he's not yet thinking completely rationally, every driver denies their fault at first

KEEP IN MIND that this is all just my opinion and I am by no means a mind reader. and that I very likely missed some things or interpreted them in a way that was comfortable for me despite trying my best to stay unbiased.

[menhera-info-archieve]

Styling Menhera more "Masculinely"

Recently I've seen more interest in how to wear menhera and related styles if you typically present more masculine, so I'd like to address that today. This post will sort of be a continuation of this ask, but instead of discussing particular brands we'll focus on how to style your coords to have a more masculine feel to them.

Firstly though, a disclaimer: this post is not a set of rules to be followed, nor a statement on what men/masc people should or shouldn't wear. It's simply a list of ideas that might help if you want to present more traditionally (?) masculine for whatever reason. I think part of the appeal of menhera is nonconformity and NOT trying to fit into what society expects, so please don't misinterpret this post as trying to tell you what to do!

With that out of the way, it's worth noting that the tops you wear will largely be the same. Of course, avoiding tops with a large amount of bows, frills, etc also helps, but other than that I believe that most tops can be styled in a masculine way. So like in any menhera coord you'll have a top wth vent art on it. Often it will be oversized, but a regular fit is also okay.

sources: 1, 2, 3

I would say the biggest difference between feminine menhera styling and masculine menhera styling is the bottoms (and the impact this has on the overall silhouette). Where a feminine silhouette often uses short shorts/skirts/bloomers with OTKs and/or legwarmers, you’ll have an easier time going for a masculine look with longer shorts, joggers, other comfortable straight leg pants, or even jeans.

sources: 1, 2

The silhouette will change a lot depending on what type of bottom you choose. Experiment with whether you prefer an overall baggy look (baggy sweatpants with an oversize top) or a contrasting baggy top with a (comparatively) tighter straight leg bottom.

sources: 1, 2

While it's not necessary, some brands also make menhera print joggers/sweatpants if you feel left out of extra prints via OTKs. The ones pictured below are by SoftNGloomStyle on etsy

source: 1

here are a few more examples of different outfits using the same/similar tops.

sources: 1, 2

source: 1

You'll notice that I've mostly been using yamikawaii (dark color) examples. This is because it's a bit harder to make yumekawaii/pastels feel masculine. That doesn't mean you shouldn't try though!

source: 1

Regardless of how you feel about Ezaki Bisuko, he provides us good examples of pastels in a masculine silhouette (I don't think I've ever seen anyone else do menhera polo shirts before? But this could be replicated with a button up!)

source: 1

The pastels are more subtle on this one, but it still felt worth showing. Despite using a few more "feminine" accessories, this person balanced their outfit with the bottoms and layering for a more genderless feel.

source: 1

Including this one to show something a little different: this features a male seifuku top! Just to remind you not to feel like you can't mix elements.

Finally, the last thing I'll talk about is accessories. Most menhera coords should only have a couple accessories and I would say this goes doubly so if you're trying to present masculinely. Keep accessories few and impactful.

One accessory I feel is overlooked in menhera is hats! If you're avoiding hair accessories and bows, hats are a good way to tie together an outfit as well.

sources: 1, 2

hats should be a fairly accessible option as well because

redbubble semi recently started printing on hats, so many menhera designs can be put on them

they can be diy-ed by purchasing a fitting patch or pin and adding them on

you could go even further by making your own design with fabric marker/embroidery/etc. because of the size, hats are probably an easier project than making a shirt design this way

to briefly touch on other accessories: you can use most of them, but be cautious. Overall most masculine coords I have seen use much more simple types of jewelry on their necklaces/bracelets/chokers/etc such as leather, chord, and metal and don't often feature large or elaborate decorations. Still, feel free to experiment with what works!