#And I can't write argumentative

[weirdlesbian646o]

i've found that I'm better at writing when it's not under a deadline

Like

Something of my own free will, that I don't have to worry about

Looking much better than I can actually write for school work

also before anyone ask, this was on character AI

Some might not anyway but ehhhh I don carr!!!!11!

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[keferon]

Two Peas in a Pod: part 4/?

Hopefully the dialog isn't confusing.

______________________________

"Still dizzy?" 

"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 

But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 

"Kinda? He could have been talking in his sleep though." 

"Hm, there's a good chance he'll be up soon, then." 

Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 

"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 

The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 

"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 

"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 

"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 

He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 

"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 

Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 

"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 

Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 

"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 

Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 

Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 

"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 

All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 

"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 

"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 

It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 

"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 

— 

When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 

But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 

What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 

"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 

The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 

"Uh…" Yep, didn't understand any of that. 

Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 

"Are they still asleep?" Blaster asked, puzzled. 

"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 

"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 

When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 

A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 

The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 

"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 

Still the wild mer glared, unblinking and watching every little movement. 

"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 

"Ya, didn't you say he'd be freaking out?" 

"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 

Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 

Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 

He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 

{You're safe,} Jazz repeated. 

The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 

"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 

Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 

"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 

But Jazz hadn't given up yet. {Hungry?} He tried instead. 

More chirps and clicking that didn't translate. 

{Hungry? Yes? No?} 

The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 

"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 

"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 

"He fuckn' started it!" 

Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 

Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 

{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 

{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 

"What about me?" 

"He asked if you're safe and I told him you were. Relax a bit or something to show him." 

Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 

The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 

{Hungry? Yes? No?} Jazz tried again. 

There was a long pause, but they sighed and answered. {… yes.} 

"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 

"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 

The whole time the wild mer watching the exchange intensely. 

Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 

Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 

Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.

Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 

But both Jazz and Blaster let out a breath of relief as there had been no backlash. 

He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 

The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 

When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 

"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 

When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 

There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 

Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 

The gesture was reflected, {•၊||၊။} 

It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 

{•၊||၊။} they repeated, firmly correcting him. 

"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  

"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  

Jazz laughed, "I have no idea." 

______________________________

Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.

Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.

And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c

-GLC

𓆝 Previous 𓆟 Next

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Me looking in my inbox and seeing that there's two peas in a po

Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind

And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH

Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O

Aaannnndd I got excited and made some art hehe

[rexomi]

The god of lies retcon is really boring tbh

[sunnymainecoonx]

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

[pharawee]

What really gets me about PeteKenta this week (and by that I mean that it causes me emotional damage), much more so than in the episode before (or in the whole of season 1 even though the seeds were already there) is how emotionally careless Pete acts towards Kenta (and the mission against Tony but maybe that's for my PeteChrisWay post). And it's all such a mess -- their shared past, their individual traumas, their current preoccupation with second chances -- that I can't even blame Pete, even if I'm fully on Kenta's side here.

Pete treats (and, let's be honest here, this isn't even the first or fifth time) Kenta as an afterthought. I know he means well and that he's driven by trying to make amends for something that was never even his fault to begin with. I also understand that with the way things are right now in canon, his feelings for Kenta were always platonic (even though that makes the one kiss they shared kind of questionable in retrospect because at the very least he was acting very inquisitive, inviting even) which is fair enough. I wish they'd kept the whole "the one that got away" angle because it feels so much more realistic to me than the revelation that all this time Pete was himself secretly pining after Way.

(adding a sprinkle of gifs to this post because clearly I'm not suffering enough already)

The secret pining COULD however at least partially explain why Pete never put a stop to Kenta's one-sided pining either. Because he must always have known. He can repeat the "he thinks of me as a brother" line a hundred times, but he's a telepath. Kenta and he kissed, and every time they've since met and touched, Kenta's thoughts are very obviously all but screaming his longing at him.

And yet Pete has never said anything -- either to spare Kenta's feelings or (judging by how he handled his secret crush on Way) because he found the situation to be overwhelming. Again, I don't blame Pete in the slightest, it's not like he had an emotionally healthy childhood to learn how to approach these things. I don't even blame him for the third possibility: that Kenta's crush is a very useful thing for him to keep around, especially since in the past it's kept him out of Tony's reach (plus, feeling wanted when your own love is unrequited probably feels very nice too).

There's no way Kenta would have let him leave over and over again if it wasn't for his feelings (and remember, Kenta never extended the same courtesy to any of his other brothers until much later). Unrequited or not, not addressing the elephant in the room left Kenta in limbo for years. He's kidnapped children for Tony, probably even killed for Tony, yet as soon as Pete starts leaning into Kenta's longing for him, Kenta can't bring himself to stop Pete (much less harm him or rat him out to Tony) -- which is a really convenient secret weapon to have in a fight against someone as ruthless and powerful as Tony. It's not even deliberate manipulation but pure self-preservation. Babe and Jeff and Charlie and Way have all learned to survive on less than that. It's about time we see the damage that Tony caused in Pete.

And not only that. I think now we also get to see that Pete doesn't know or understand Kenta nearly as well enough as he believes. He literally asks the go-it-alone guy to not go it alone when that's kind of his whole thing (not to mention that OF COURSE Kenta will do the thing for him and not care for the consequences -- it's all he knows to do to earn appreciation). He's essentially leaving Kenta on stand-by, not like the brother he claims to be, but like a thing he can just pick back up whenever it's most convenient for him. And he deals out praise to Kim while openly reprimanding Kenta in the next sentence -- which ironically is such a Tony thing to do because it keeps Kenta small and loyal.

Pete is so willfully blind towards Kenta's feelings and to who Kenta is as a person that it makes him look like a total dick here. And the thing is, his defence doesn't even hold up: you wouldn't treat your brother like that either, someone you claim you share a bond with. Hell, if Pete treated Kim that way -- someone who's only marginally involved -- Kim would surely let him have a piece of his mind. But Kenta has learned to suffer in silence so why bother changing the status quo (and never mind that the status quo was Tony)?

As things are right now, Pete's allowed to have priorities (currently these priorities lie with neglecting everyone's safety by dicking down Chris on every imaginable surface in his condo while not even using a secure password on his private computer) while all Kenta is allowed to do (all that he KNOWS to do) is switch masters from Tony to... what? a very absent Pete?

I'll always love PeteKenta, and I'll always love the could-have-beens from Pit Babe Season 1, but with how things are playing out right now I either need Kim to put Pete in his place (good) or Kenta to walk away and leave Pete on read (even better).

[keydekyie]

:')

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[angelsdean]

siblings will get into math vs english fights. siblings will get into heated, emotionally charged debates abt math vs english. siblings will remember cain and abel and nearly commit acts of violence, over math vs english.

[gaywatch]

Excuse me one of my favorite creators cited a video from my first ever Youtube channel (The Ship's Closet) in a video she did making a case for why Kirk/Spock is canon I shall be face down screaming into a pillow for at least the next ten minutes

[youngster-monster]

You're gonna carry that weight

Cowboy Bebop | All These Things That I've Done, The Killers | On Earth We're Briefly Gorgeous, Ocean Vuong | Mattress Performance (Carry That Weight), Emma Sulkowicz | You're So Cool, Nicole Dollanganger | Every Day I Am Trying New Techniques To Make Myself Disappear, E.E Scott | Papyrus of Ani | Impossible Weight, Deep Sea Diver | The Gang Carries a Corpse Up a Mountain, It's Always Sunny In Philadelphia | an old poem about reflections, Grendel Menz | @jb-blunk | @intactics | The Glass Essay, Anne Carson (thank you @grapecaseschoices )| Henry V, Kenneth Branagh | I, Carrion (Icarian), Hozier | Carrying the Skeleton, Marina Abramović | Atlas, Serhii Hetmanchuk | Dark Knight questline, Final Fantasy XIV

(image descriptions in alt)

[thelonelyshore-if]

Oh Abraham is gonna have some choice words hearing "they never should have survived" if that's in relation to the drive bc

1. What the hell do you mean by that

2. Jay was with her and she already feels awful about Jay getting hurt. This is just salt in the wound

Hehehe I included the 'they never should have survived' specifically for the ambiguity. Because it is...not a very nice thing for someone to say. And could have so many different contexts, in-story. And I thought it'd be fun to leave you all with a bit of a (terrible) mystery <3

[derryallergy]

there is far too little lesbian reddie in the world i feel sick

[mechazushi]

God, you're dense [Affectionate].

{a Kn8 short story}

Hoshina wasn't one to play games. Sure, he liked to have fun, but playing with people's emotions and perceptions wasn't something he could get into. He raised himself on the belief that being straight forward on something was the best course of action. If someone couldn't get on the same page as him, that was on them. He worked in a position where the best moves forward and anyone else that can't keep up with him were best left behind. Of course, much like most rules in life, there were exceptions to the rule. His biggest fault to everything he stood for was a tall, jolly, brute of a beast named Kafka. Kafka would be an exception to most everything he would die on a hill for. On the opposite end of the spectrum, however, was one person that he held to the highest accordance of his standards. His brother.

Hoshina made a point not to talk to his brother after he got accepted into the defense force. The restrictions on that got tighter after he got accepted as Mina's Vice Captain. Since before, he still showed up to family gatherings at the least to entertain his mother's concerns about his livelihood in the Third Division. Still, just because he didn't make attempts to contact his family, doesn't mean his family doesn't make attempts to contact him. It was always inevitable (because they don't tell him ahead of time) always with the supposed best of intentions (Because what quality road to hell isn't paved with them) and always at the most inconvenient times (an ability that seemed to be an inbred skill in every other family member). Between catching up on chores that should have been done yesterday, decaf in the communal coffee machine, and his third favorite pen breaking, Hoshina found he wasn't in the mood to talk. So obviously it was a perfect time to be visited by his least favorite person.

Walking down the hallway with a mountain of signed paperwork, his pace was intended to be brisk, but felt sluggish all the same. As he passed an intersection in hallways, he noticed the large frame of a burly friend catching up behind him. As Kafka slowed his pace to match his commander's, Hoshina tilted his face in his direction and flashed what was hoped to be a casual and respectful smile.

"Had a feeling you'd feel like that once I heard about the incident at the coffee machine. Here. Brought this for ya." Kafka said as he handed over a steaming mug of dark tan coffee.

"Oh, I already had coffee today." Hoshina tried to politely decline. he guessed his smile wasn't as bright as it should have been if Kafka could see he was feeling off.

"Yeah, but that was decaf." he insisted as he held the mug by its rim and pointed its handle temptingly toward its intended recipient.

Hoshina stiffed its steam heavily as it wafted under his nose. The smell of a caffeinated brew being much more rejuvenating than the bland swill he choked down this morning. He didn't think twice as he shifted the paper load more securely under his arm and took the offered mug greedily. There was a low, grateful moan as the hot, searing, and just lightly sweetened liquid burned pleasantly down the back of his throat.

'You might've just saved my mental state yet again, Kafka." Hoshina finally muttered after nearly downing half of the mug.

Kafka just chuckled as he walked in time with him, and after a while, held out a hand in an offer to carry the paperwork. Hoshina politely refused again, feeling genuinely better now that he had something more stimulating coursing throughout his system. Walking side by side, they engaged in pleasant idle chatter as they continued down the hallway. Without checking how far they had walked, they neared an area that had a lobby that was sparsely populated. As they got closer, an irritatingly familiar voice rang clear in the partially echoey room.

"Brother Dearest!" Soichiro Hoshina, Soshiro's older brother, was leaning against the desk in the back center of the lobby, relaxing like he deserved the space he was taking up.

"Oh God, why aren't I being delivered from evil like I ask every Shrine visit?" Soshiro muttered as soon as he realized who was occupying the open room with them.

"That's your brother?" Kafka asked as he laid eyes on the visitor.

"Unfortunately." Soshiro said with every letter somehow overflowing with distain and loudly enough to be heard by the other person.

"Come on, brother! You had to have known that one of these visits was to have to happen soon? It's been, what, months since you've even sent at minimum a hello to Mother." Soichino's words were playful, a clear difference in demeanor to the attitude his younger brother was radiating. A second had passed as he clearly gave the plus one an interested once-over after he lifted his sunglasses off his face.

"Well, hello soldier. And who might you be?" A salacious smile slithered coolly over Soichiro's glossy, thin lips. His tongue flicked out and over his teeth teasingly as he continued to stare down Kafka with a darkened sense of interest. Kafka bowed deeply in greeting before he introduced himself.

"Kafka Hibino. Officer of the Third Division." was his militantly clipped response.

"Kafka... Kafka... Where have I heard that name before?" Soichiro drawled out as he shifted over to Kafka's side, poking his shoulder with the arm of his sunglasses with playful emphases.

"He's our Kaiju Number Eight, you salacious cur. Now what are you doing here?" Soshiro snarked as he took another sip of his coffee. His brother made no move to acknowledge the comment as he continued to speak directly to Kafka.

"Kaiju Number Eight, huh! So you're the beast on the battlefield. Is it too much for me to ask if you're a beast anywhere else?" That Cheshire smile never left his face as his eyes turned into a more evaluating gaze.

"Well, I'm the Division's only on call Kaiju. It's pretty safe to say that I'm always the beast when it's needed." Kafka smiled bashfully as a hand came up to scratch the back of his neck. Soichiro practically giggled as a hand came up to mischievously smack the other shoulder.

"Look at you! Making out to be something that strong and powerful as a humble brag!" the older brother seemed to slide in closer to Kafka's personal space, with Kafka playing it off as business as usual. Soshiro could feel the handle of the mug creaking under his tightened grip as he looked on at his brother's shameless display.

"Ya know, I had originally cleared out my schedule to take my brother out on a lunch date, but I've just realized he's been a horrible brother and hasn't shown me around the Third Division's main facilities not once!", Soichiro saddled up impossibly closer and even had the audacity to slip a hand around the back of Kafka's forearm, "Why don't I be a good Captain and help clear yours so you can show me around? I'm sure any tour by you would be far more interesting than what he could provide." Soshiro watched as he saw the offer being sealed with an obviously flirty wink.

"Well, I'd be happy to! That is, if it's alright with my Vice Captain?" Kafka asked as he looked innocently toward the younger brother, seemingly unaware or unaffected by the attention he was currently being given.

"No Kafka, that won't be necessary, If my brother is going to come out all this way to see me, then he's just going to have to settle for my company alone." Soshiro said as he placed his paperwork and his coffee mug on the abandoned reception desk.

"Yeah, that makes sense. Maybe some other time?" Kafka asked as he looked at the older Hoshina brother.

"Such a shame. Don't be surprised if I take you up on that offer." Soichiro tittered as he patted the other side of the forearm he was still holding onto. The two brothers watched intently as Kafka turned around and walked down the hallway. Soshiro waited until he was out of every possible hearing range before he decided to speak.

"Alright, you bottle-platinum harlot. What the hell was that display all about?" Soshiro made no attempts to restrain his irritation at his brother's expense. He had no idea what game his brother was trying to play with him, but he wouldn't stand for it since it seemed to involve a very close and personal friend of his.

"I don't know what you mean." Soichiro said as he kept tittering. His posture and demeanor revealing to his younger brother that there was a plan brewing behind those evil eyes.

"I will not have you seducing my strongest man over to your division while I'm here." Soshiro commanded as he leveled a piercing gaze at the other person.

"Excuse me, 'Your man'? I'm sorry, but I didn't see a ring on his finger." Soichiro teased as he turned to face his brother.

"That's not what I meant and you know it, you vile rake." Soshiro spat the words out in an attempt to dissuade any further conversation on the topic.

"So catty today, are we brother? I was simply taking in the local selection. I'm not surprised you're interested in him." Soichiro chatted as he teasingly bit on the arm of his sunglasses.

"I also see you've decided to take up slander as a hobby since last we met." Soshiro grumbled as he found himself forced into a position where he had to talk to his brother in person for more than a minute.

"Oh, please! You know our family has a history of liking them sweet and dumb. How do you think Mother's marriage has lasted this long?" Soichiro continued as he leveled a knowing stare at him.

"If you're going to keep insinuating things that don't exist, I'm going to order you to cancel the lunch date and leave." the younger brother retorted as he turned around to drink the last sips from the coffee mug.

"What do you think I'm insinuating?" Soichiro purred as his sight never left his brother.

"Don't toy with me today, you troglodytic trollup. I am in no mood to bat around this string of yarn you're trying to spin here." Soshina kept snapping back as he took the opportunity to avoid eye contact as he shuffled around the stack of papers.

"Why all the denial, Brother Dearest? Especially since we're so far from Egypt. Besides, it's not slander saying you like a coworker as if your interactions weren't displayed all over the news two weeks ago." The grin broke into a full blown, toothy smile of superiority as the Captain of the Sixth Division draped himself over the desk's top next to Soshiro.

"What... interactions?" the Vice Captain hissed as he slowly turned his head to side-eye his brother

"Should I reenact it for you?" Soichiro giggled before flopping onto his back and dramatically fainting, "Oh! I seem to have taken a terrible fall and broken both of my legs! Oh, is there some dark, handsome, Knight in living armour that can princess-carry my oh so fragile body to the farthest fucking ambulance on scene and completely bypass three others that were unoccupied and were going to take me to the same fucking hospital!" It was clear that he was taking a massive amount of joy retelling his version of events that he saw on the news as his voice raised in volume with every reveal.

"I didn't break my legs, I dislocated my ankles! What would you have me do, walk?" Soshiro started to match his brother's volume and had now fully turned to him to confront this problem of point-of-views head on.

"The cameras clearly show you two having a conversation where it shows you convincing him to carry you!" The two of them were so close to each other's faces now their noses could touch.

"I was trying to convince him not to!" Soshiro returned.

"Because the cameras were rolling?" Soichiro asked.

"Yes!" his brother answered.

"AND BECAUSE YOU TWO ARE IN LOVE! Why else be camera shy about being carried around in public?" The eldest returned triumphantly as he poked him in the chest.

"NO." Soshiro shouted back as he shoved his brother backwards, "We are not in love! What part of this do you think it's okay to date someone like him?"

"Oh don't act like you can't because he's under your position. He makes his own precedent as he breathes! And you are the right type of rebellious, attention craving, delinquent punk that would absolutely fall for someone that is perfect for you in all the right ways, while also him being a human anomaly in every sense of the word! He turns into something our family has been training it's young to kill for centuries so of course you're going to deviate from the norm and be practically head over heels for him!" The Captain couldn't stop himself from cackling as his lungs quaked from talking for so long without breath.

There wasn't anything left on the matter that Soshiro could say to make his brother change his mind, so he decided to let his fists do the talking for him as he sent a vicious right hook. His fist connected to his brother's left eye and caught him off guard for a second. Before he could speak out against the assault, the younger brother wasted no time in jumping onto his brother and throwing his fists left and right. The two soon became a mass of tangled limbs and colorful curse words on the floor. It wasn't like this for long as two other people came across the fight and helped break up the fray.

"Alright, alright! Break it UP!" You two are grown up men, and Defense Force officers at that! ACT LIKE IT!" Okonogi reprimanded them as Aoi held them off the ground by their jacket collars.

"Yes, Okonogi." The brothers said in unison. As they were set back on the ground, they straightened their outfits and waited to see if their new company would leave. When they didn't, Soichiro decided to speak what was left on his mind anyway.

"The lunch date is still on, by the way. Mother's orders. How about I give us an hour to cool down and we try this whole 'conversation' thing again?" he tried to say with as much possible conviction in his smile. Soshiro just glared violently as he picked up the stack of papers from the desk.

"I do what I damn well please, you leporid bunk bunny." he said as he stormed off. Everyone watched as he walked away before his older brother spoke up again.

"He'll be fine."

 𓈒   𑁍 𓈒

It was a little after seven thirty before Hoshina felt fine enough to interact with anyone. Spending some time in the gym helped him feel better after dealing with the Lunch Date From Hell. It also helped that he got to meet his favorite punching bag for sparring.

"Look -huff- I get you -huff- don't like your brother -huff-, but did you really -huff- need to literally -huff- kick my ass?" Kafka's lungs heaved after spending what felt like hours defending himself from his Vice Captain's volley of blows.

"Ya snooze, ya loose Kafka. Intense training is for your own good." Hoshina quipped back as he walked over to his duffle for water bottles. Kafka shambled behind him slowly and sat down on the bench the bag was next to.

"Intense training, my entire bruised ass. That last chokehold felt personal." Kafka began to regulate his breathing by the time Hoshina made it over with the water bottles.

As Hoshina drank from his, he subtly tried to look at Kafka as he poured some of the bottle's contents onto himself. He watched as the water made his partner's bangs stick to his forehead at odd angles and made a swift attempt to cool his fiery red cheeks. Hoshina didn't let his imagination run too far away from him as he thought about Kafka looking worn out and sweaty for a different reason. Of course he denied everything that was said earlier that was concerning the situation between him and Kafka. Mainly because it all implied that Kafka felt the same way he did. Had it been a complete stranger talking to him this morning, it would have shocked everyone that knew him once they heard how different his answers would have been.

As Kafka finished rubbing the cool water into his face and straightened his back and arms out into an intense looking stretch, Hoshina forced himself to look away from the rippling of muscle and the straining of his tank top around said muscles. In moments like this, when he was sure no one would be looking or they were alone, Hoshina liked to play a little game with Kafka. It wasn't one that you could win with points or anything. Hell, some days it made Hoshina feel like all he did was lose by playing, but he couldn't deny that conniving little twitch that begged for him to play over and over again. All so he could see that dumb little smile.

"Still improving as slow as always." Hoshina said after a minute of relaxing on the bench.

"Hey, at least I am still improving, right?" Kafka returned as he looked back at his Vice Captain.

There was a smile, sure, but it wan't big. He could do better.

"Can't say I don't find you to be consistent at least 1% of the time." Hoshina offered as a response, deciding to bring up a well used joke between them. He turned back to look out at the empty gym in front of them.

"God, I still haven't gotten higher than that, haven't I?" Kafka chuckled out of the side of his mouth.

"It was a good thing we found out you were a kaiju when we did. Could you imagine what would have happened if you couldn't raise that percentage up high enough in three months?" Hoshina thought the comment sounded funnier in his head, but once he heard it out loud he wanted to smack himself for it. Everyone knew that it was a horrible thought, thinking about Kafka not being around anymore. Even that was something Hoshina couldn't bring himself to deny or joke about.

"I do every day." Kafka sighed heavily, "Everyday I wake up here." He closed his eyes for a second as he smiled softly, his head coming to rest against the back wall the bench was against.

Hoshina turned back to look at him, taking Kafka's moment of vulnerability to look at him fully this time. He thought about it too. A life in the Defense Force where he didn't get to see Kafka everyday. A life where he didn't bring him coffee or hear his laugh or have drinks with him after work hours. Hoshina could feel his heart squeeze at the thought of Kafka not being in the Defense Force, or worse, suddenly living at a different Division. Being close by technicality, but feeling oh so very far.

"Did you notice my brother was flirting with you at all?" Hoshina felt himself ask before he could take the words back. He felt himself brace for the answer in the brief moments in between his heartbeats.

"Wait... really?" Kafka asked with genuine interest. Hoshina could feel his face twist into something between curiosity and mild disgust. Kafka couldn't tell he was being flirted with? And was okay with it coming from his brother?

"Ye-yeah?" Hoshina returned hesitantly.

"You sure? 'Cuz I mean... wow. He's... actually interested? In me?" Kafka's smile grew bigger and more wonky as he processed what he was told.

"You're okay with this?" Hoshina questioned incredulously. He could not believe what he was seeing, and was actively praying that this wasn't the case.

"Are you kidding? Of course! You're brother is frickin' hot!" Kafka replied with joy, "Is he, like, still around? I mean, I know he's not here kinda around, but I mean, is he like, nearby? Like in a hotel or something? Nah, that would be creepy. Oh! Could you let me have his number?" Kafka prattled on as Hoshina continued to become more and more disgusted. Sure, he was a little happy to hear that Kafka was cool with being hit on by guys, (and clearly reciprocated the sentiment) but felt absolutely horrified at hearing Kafka wanting his brother's number. So much so that he immediately stood on the bench seat so he could get a good enough vantage to stomp on Kafka to stop his train of thought.

"You! Will! NOT! Be! Dating! My! BROTHER!" Hoshina shouted out between the stomping.

"Jesus! And here I thought you wouldn't be having a problem with me liking guys! Yah know, since you told me about it!" Kafka shouted back as he tried to defend himself from the onslaught.

"I don't have a problem with you dating guys! I have a problem with you dating my brother!" Hoshina said as he pressed his foot down firmly onto Kafka's hands that were protecting his head.

'Well then, who would you rather have me date?" Kafka returned rhetorically.

"Me for starters!" Hoshina finally admitted. Once he did, he let the pressure off of his foot and just stayed in the position for a hot minute, feeling as awkward as a school girl admitting to her first crush. Kafka just held onto the foot as he looked up at his commander with wide, unbelieving eyes. All Hoshina could bring himself to do was look away, his cheeks flushing hot and bright. Kafka helped lower the foot down as he got up from his seat to face him from the front.

"Have... have you been flirting with me too?" Kafka asked. Hoshina still couldn't look at him or answer, so his cheeks answered for him.

"How long have you been flirting with me?" Kafka asked again.

"Two... two years." Hoshina answered quietly.

"We've known each other for two years." Kafka responded. Hoshina still hadn't made a move, only crossed his arms defensively.

"YOU'VE BEEN FLIRTING WITH ME SINCE WE MET?" Kafka shouted as he made the realization.

"To be fair, I don't flirt like a normal person and you clearly can't read context clues." Hoshina said as he finally regained some control over his mouth. He just wished he had better control over what it said.

"Why didn't you say anything before now?" Kafka sounded incredulous at the thought of how he could have been dating the most amazing person on base before now, had be been able to read between the lines.

" I kept thinking it was funny?" Hoshina responded in a shy, quivering voice as more blood rushed to his face and made it redder.

"Okay, now I have to ask. What about me do you like? Do you think I'm handsome, or do you really just like to think I'm funny?" Kafka questioned as he waved his hands around animatedly.

"Honestly? I just really like that you're funny." Hoshina said as he relaxed and playfully shrugged. Now feeling better about having all of this out in the open.

" So, just, fuck my face then." Kafka said in a sarcastically irritated manner while turning around and waving his arms.

"I would if you'd stop talking." Hoshina accidentally let slip.

He wasn't ashamed of saying it, but probably should have found a better time to say it. It didn't seem to matter anyway as Kafka took a second to stop his flailing and slowly turned around to face his commander again. A sly smile tugged at the corner of his lips as his eyes darkened at the play on words they stumbled into.

"Well alright then." Kafka chuckled darkly as he strode over to where Hoshina was still standing. He grabbed his legs and threw him over his shoulder, holding onto Hoshina's calves for dear life as he carried his thrashing lover out of the gym.

"Wha-what do you think you're doing?" Hoshina cried as he tried to look back at his kidnapper. Kafka returned the most intensely flirtatious side-eye back at him as they walked out of the gym.

"Moving training to your place, so you can properly shut me up."

"Wha-what, no dinner first?" Hoshina stuttered nervously as he continued to be paraded down the hall on Kafka's shoulder. He got even more nervous as Okonogi slid past his line of sight and watched them walk away.

"You've been flirting with me for two years. Dinner can wait." Kafka growled as the other hand came up and audibly smacked Hoshina on the ass.

[abhainnwhump]

Whumper dancing with a defiant Whumpee who keeps trying to get away but every time they do Whumper pulls them back into another sweep. Meanwhile they're singing and getting too close and personal with Whumpee who just feels like a puppet on strings as they grow more embarrassed and hopeless-