#Aziraphale and Crowley could maybe be the heart of it

[ineffable-endearments]

So what I'm wondering is if the Fall is going to be "You are free to go" writ large, with violence.

Basically, the Fall as Heaven being unwilling to accept any questioning and choosing to kick its people out instead of reasoning with them.

That also works in a metaphorical sense if you want to change the celestial order of things. If Aziraphale and Crowley are an eventual microcosm of Heaven and Hell, then their reconciliation of their philosophical differences could lead straight to the reconciliation of Heaven and Hell.

Obviously, if you're going to draw these massive parallels and then imply that things are different this time around, you need to demonstrate the differences, too. Like, OK, Heaven split into Heaven and Hell during the first Great War, so what's different this time? Why is reconciliation possible now?

And I think the difference is gonna come down to love. Specifically: messy, unhierarchical, free-will human-style love. Did humans "invent" it per se? Probably not; it seems like all beings are capable of feeling affection and concern for each other on equal terms. But it's a way of life here on Earth, and it survives here on Earth in a way that it simply could not in Heaven or Hell. This counts close friendships and familial relationships, too!

There will be other differences, too: Aziraphale, possibly Heaven's symbol, will have to learn to listen, REALLY listen, to Crowley, and everyone he considers "beneath" him in the hierarchy, and will have to learn to accept criticism and disagreement instead of stonewalling it.

BUT. I think his motivation for learning these things is going to be love. Love as the catalyst.

People say "love isn't enough" a lot about S2E6, and in one sense, that's absolutely true. Mere strength of emotion wasn't enough to keep them together at the end of Season 2. But maybe the point of love isn't always to stay together. Maybe love is a success in some way when it makes you grow or teaches you something or pushes your story forward. Maybe it's a kind of success if you're making a big decision and you remember your love for someone and how it's changed things. I'm literally desperate for Aziraphale and Crowley to end up together, and I think they will. But the time they're apart is a part of their relationship, too. Love isn't any more black and white than good and evil are; just because it doesn't always work as glue doesn't mean it isn't working in some other way.

[charcubed]

THERE'S NOTHING LIKE YOU & I a Good Omens season 2 playlist

Quiet, gentle, romantic, and a little bit devastating – roughly in story order. For being lonely together across 6,000 years and aching for the freedom to love.

On Spotify Here

(Previous editions: Soft To Be Strong – Good Omens season 1 | Crowley/Aziraphale upbeat song dump)

[justabunchofdragons]

watching good omens s2 & remembering how truly insane crowley makes me

[idreamofneonsheep]

On today's episode of:

Oops I have thoughts about things

Those things are good omens and whoopsie doodles I'm now talking about that

Aziraphale is a literary snob but only because he treats books as objects, so *of course* a first edition such and whatever from insert-an-old-year-here is gonna be better than that twilight novel he saw crowley making fun of

Also he's chronically nostalgic

And that's been today's episode of:

Oops I have thoughts about things

Turn in next wendsthursday for another brand-new episode

[hopefullyababe]

look im so excited for good omens2 too but i think. we should consider the possibility that were being queerbaited.

[madlyinlovewithwords]

Okay but I don't know how many people understand, but this whole time we were probably thinking that's it going to be Crowley who fell first in love n Aziraphale who fell the hardest, but NOOOOOO it's the EXACT OPPOSITE, like it's AZIRAPHALE who fell FIRST, but it's CROWLEY who fell the HARDEST as we see in the Eden scene

[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

[ennas-aesthetic]

You know what I just realized?

When Crowley said, "that's the point. No nightingales," I paused and went - huh. So both Aziraphale and Crowley KNEW about the actual nightingale bird that sang in Berkeley square? We as the audience are AWARE about it, of course, because God's narration told us so. We also know that, outside the mise en scène, Tori Amos' A Nightingale Sang in Berkeley Square plays as the end credits for season 1 roll.

But the s1 end credits song, I assumed, was non-diegetic. As in, like the soundtracks that permeate throughout most films, the song could only be heard by the AUDIENCE, and not by the characters. In addition, the characters THEMSELVES cannot hear what God says to the audience - and logically speaking both Crowley and Aziraphale could not have known about a singular, inconspicuous bird singing despite the noise of the traffic. Especially not when the Nightingale sings while they're currently dining at the Ritz.

So the 'No Nightingales' line WORKS for the audience - it's an incredible gut punch that leaves you weeping. But since we never heard or saw either Aziraphale and Crowley acknowledge the Nightingale, did that line have the same devastating impact to the both of them?

Oh, it absolutely did. Maybe even worse than we could ever imagine.

Because Crowley WASN'T just talking about that damn nightingale bird, was he? If you rewatch Season 1, Episode 6, you can see and hear VERY clearly that while Aziraphale and Crowley settle on their usual table at the Ritz, a pianist plays A Nightingale Sang in Berkeley Square inside the scene itself. Unlike the end credits, the piano version of the song is a DIEGETIC sound! That means both the Aziraphale and Crowley can hear it LOUD AS DAY.

And it's JUST - the heart-breaking contrast this has to Beelzebub and Gabriel's Everyday. When Crowley says 'No Nightingales," he implies that that was THEIR song. It's a specific reference enough to know that this became part of their history - of their rich plethora of inside jokes and shared memories. And judging by Aziraphale's shattered face, he KNEW the significance of the line. He KNEW that Crowley is throwing back THEIR song to his face. "If Gabriel and Beelzebub can do it, why can't we? Why can't we make the Nightingale a reality, the same way they made their Everyday come true?"

That A Nightingale Sang in Berkeley Square is Aziraphale and Crowley's Everyday becomes fact when Crowley turns the Bentley's radio on, only for it to play THIS song. THEIR song. Which SHOULD HAVE brought them together. It SHOULD HAVE. It worked for Gabriel and Beelzebub, didn't it?

Turns out, not every problem could be fixed by making that song yours.

[wordsinhaled]

thinking about how much crowley and aziraphale have been getting slammed for their poor communication and on the one hand... absolutely, i agree 100%. they have so much work to do in that department, they are always missing each other when it comes to seeing what they each want from the other and expressing it clearly. but on the other hand... like... encompassing six thousand years into a conversation? six thousand years of knowing each other. six thousand years of gravitating toward one another

like... the bit that really gets me, in crowley's confession, is - "...and we've spent our existence pretending that we aren't. i mean, the last few years, not really" - this implication that like... at least on crowley's part... since they saved the world together he's allowed himself to be more open in how he feels about aziraphale. that in his mind he's already long since chosen Their Side, they've chosen their side in their behavior towards each other, and they've talked about... our car, our shop, but even before that...

we see in the minisodes, the way they already act. they're a pair that shows rather than tells all the time and it's so abundantly clear that everyone around them can see it, is constantly asking about it, assuming it, reading it on them like they're an open book - with everyone but each other.

but like how do you put into clumsy human words how much love you feel for someone who stood next to you while you created the stars? who helped you create them? how do you say openly how you feel to the one person who understands you and your nature better than anyone else, who indulges your every whim because they want to see you happy while everyone else says you were built wrong, you're too indulgent, you're too soft but you're perfect for him, specifically, because you stood at the beginning of the universe together?

like how are they supposed to talk about that? especially when it's so forbidden to talk about that?

there are so few words that truly feel like they properly encompass what love truly and genuinely means? what loving someone TRULY means? how it's giving up your onliness and entrusting yourself into the hands of another, now you're not just you, now you're you but the world is brighter and sharper and more beautiful because of another? how we're all stuck on a spinning rock in the middle of space in the middle of the universe in the middle of the galaxy in the middle of eternity just little grains of sand and then there's another little grain of sand in the scheme of things, but it's the most important one ever created because of how happy it makes you?

but multiply that by six thousand years

so like of course you fucking cry and you stare at each other with tears in your eyes like you're absolutely ESSENTIAL to one another. but like how do you make it work in words when you don't know if there are even words for the prospect of existing without one another? and you have this absolutely incandescent and fragile thing between you that everyone understands to exist, you understand it to exist too, and sometimes it is scary as fuck to admit that you need someone. it is terrifying and uncomfortable and vulnerable and we're just people who live maybe 100 years on this earth? a blink of an eye compared to six thousand years of shared existence?

like...? truthfully i don't think i could talk about it easily either because oh my god that's fucking terrifying. that six thousand years of your comfortable and beloved shared existence could go up in smoke with one misplaced word. like no fucking WONDER he can't get the words out. and no fucking wonder, it's easier to couch things in terms like group and team and everything when you're on the verge of falling apart into a million pieces because the other half of your soul wants to leave you behind. it's easier to say come with me, work with me, be my second in command, than to admit he's first in your heart and mind every second of every day since you saw him bringing light at the beginning of the universe???

just... you know? they need a fucking break. they need a vacation. they need a cottage in the south fucking downs

[goodomensafterdark]

Writers Guild Presents - Tethered - Ch 7 - Memories

Big thank you to @gleafer for accepting to let me use this piece as illustration to this chapter! Go support her on Patreon -we promise that your loins will catch on FIRE ;)

Written by NegotiationReal6508 on our subreddit!

Chapter 7 of work in progress

TW/CW: Angst, Discussion of attempted suicide, implied character death, panic attack, some light smut.

Summary:

Crowley wakes up in a mental hospital with no memory of how he got there. Without his demonic powers, neither the doctors, nor the people who claim to be his family will believe he is who he says he is. With the evidence against him mounting, his only lifeline to the real world is a cryptic note left by an unseen messenger. The longer he stays in this hospital, the harder it becomes to recall for sure, is Crowley really a demon of Hell? Or has his entire existence been nothing more than a delusion conjured by a grieving mind?

Excerpt:

Crowley stood in a noisy airport at the arrivals gate holding a bouquet of red roses, fidgeting nervously. All of his usual laidback swagger was buried under a blanket of anxiety, his spine was a solid metal rod. He was always a little bouncy when Aziraphale came to visit, but this time was different. Crowley hopped his feet up and down like the floor was burning hot sand. He juggled the little box in his jacket pocket as he stared at the sliding glass doors, willing the familiar head of blond hair to appear through them. Were the roses too cliché? Maybe he should have gotten the peonies instead. Too late now.

“There, I see him.” Crowley turned to the young man beside him. “Are you recording?”

“Yeah, it's on,” said Adam.

“Right, here he comes.” Crowley shook out his shoulders and trilled his lips. He knew he looked ridiculous, but it was an airport; no one ever looked their best at an airport. He moved towards the beacon that was Aziraphale’s gleaming smile. His heart thudded like hoofbeats in his chest. Breathe, he reminded himself. Breathing and walking, those were the two main requirements at the moment. He had no idea what his facial expression was, he just hoped he was smiling too. God, Aziraphale was so gorgeous, even after eight hours on a plane. How was that even possible?

“Hello, my darling!” Aziraphale greeted him.

“Hi,” said Crowley, because that was about as eloquent as he could manage. He unceremoniously handed the bouquet to Aziraphale.

“Oh my!” Aziraphale chuckled. “Flowers? What's the occasion?”

And there was Crowley’s opening. Aziraphale was reaching out his arms for an embrace but Crowley needed to do what he came to do first. He bent down on one knee, and pulled the little box from his pocket.

Continue reading on AO3

Or start from chapter 1 - Dies Lunae

Special thanks to my beautiful betas: u/KotiasCamorra, u/Paperclip_Ninja

[fuckyeahisawthat]

“I don’t think that is what God wants. And I don’t think you want it either.”

This line of Aziraphale’s in the Job minisode keeps sticking out to me. Because this is the heart of the problem, right? This is how Aziraphale can see Crowley so completely and also not at all.

Because yes they suck at open communication and yes it’s because they had to hide their relationship for thousands of years and have so so so much trauma and fear to work through. But ALSO they actually do have a profound difference in how they see the world that keeps coming between them, and it’s not just theoretical but deeply personal to both of them.

Because Aziraphale still wants to believe that God is good. He can’t let go of that because his whole identity is wrapped up in being an angel of the Lord, and if God’s not good then what has he been doing for his entire existence?

And so when bad things are happening he falls back on This cannot be what God wants. The whole of season one, he refuses to believe that God could really want the world to end—even though we now know he knew this was a possibility before the world even started. He keeps going up the chain of command, trying to find someone to intervene. “That’s why I’m going to have a word with the Almighty and then the Almighty will fix it.” As if God doesn’t have all the information or hasn’t been paying attention.

And really, the events of season one reinforce this worldview for him. Because if the Archangel Fucking Gabriel isn’t sure what God wants, then maybe God did want them to stop Armageddon. Maybe it was Aziraphale and Crowley who were doing God’s work after all.

He’s gotten as far as realizing that Heaven’s orders are not the same thing as God’s will, but he still hasn’t detached the concepts of Good and Right from God in his worldview.

Crowley is a good person who does the right thing so he must still be an angel deep down. “I know the angel you were.” The only way Aziraphale can conceptualize Crowley saving Job’s children is, “Come on, you’re a little bit on our [God’s] side.” So Crowley’s fall was a mistake; Crowley belongs in Heaven, where he was so happy before the Fall. Why wouldn’t he want to be an angel again? And yeah maybe Heaven sucks now but God is still good, so there’s hope that the system can be reformed with a change of leadership, and Heaven can be made to actually do good, the way God always intended.

But that’s not how Crowley sees the world at all. He is operating with an entirely different understanding of reality. Because he figured out a long time ago (at least by the time of the Job job, but probably long before that) that you can’t base your sense of morality on what you think God wants. Not just because you don’t know for sure, but because sometimes God’s plans are fucking awful. God in Good Omens is not kind to Her creations. She doesn’t tolerate questions or doubts or disobedience. She’s capricious, turning on the creatures She made and killing a bunch of them when She’s in a bad mood. She punishes indiscriminately and disproportionately. She wagers human lives like gambling chips. The kids were supposed to be dead no matter who won the bet.

I think it’s interesting that Crowley is the one who introduces the idea in season one of “What if the Almighty planned it like this all along? From the very beginning.” That’s probably a comforting thought to Aziraphale, soothing his anxieties about going against Heaven right when he is feeling acute distress at the idea of no longer having a side. (And, in that particular moment, no longer even having a bookshop.)

But it’s not a comforting thought to Crowley. Have you seen what happens when God has a plan for you? It fucking sucks. Woe betide you if you’re the Barbie God decides to play with today. (At bare minimum, you’re coming back with some burn marks and a weird haircut.)

I’ve brought up the line “There are no right people. There’s just God, moving in mysterious ways and not talking to any of us” before, and I tend to focus on the “there are no right people” part. But also, there’s just God.

Aziraphale tends to draw a distinction between God’s will and Heaven’s orders when it suits him, and collapse that distinction when it doesn’t. Crowley almost never differentiates between God and Heaven. There’s just God, and She’s not going to explain why this is happening or listen to pleas for mercy (although Crowley still tries). You can’t trust Heaven or Hell, and you can’t count on God to show up and make everything all right. Sometimes God is in fact the reason that things are not all right. You’re on your own.

(And. Look. Crowley is right on this one. There are certainly aspects of their relationship where they’re both equally responsible for things being a shitshow, but the text is pretty unambiguous about Crowley, a demon, having the most accurate read on the nature of God in the world of Good Omens out of any of the metaphysical characters.)

Crowley rebuilt his entire sense of self, alone, after the Fall. He created himself anew and developed his own moral compass and sense of identity independent of both Heaven and Hell. “The angel you knew is not me.” When Crowley does the right thing, that’s not his angel-ness shining through; that’s just Crowley.

And from a like, trauma recovery point of view, it’s actually very healthy for him to have the realization that sometimes God’s just kind of a dick. He didn’t do anything to deserve getting kicked out of Heaven. None of them did. Just God messing them about because She didn’t like being questioned, or She wanted to see what would happen, or She needed two sides for Reasons and didn’t much care who was on one or the other, or She’s playing some fucked up little game for Her own amusement. (And if there was some Great Plan that required Crowley to fall…well, that is also fucked up. Because it doesn’t matter if there was a reason. It still hurt.)

And while Crowley in general is extremely patient with Aziraphale and his slow, halting journey away from Heaven…it’s gotta sting, every time Aziraphale doesn’t want to believe that God could be cruel, when Crowley is standing right fucking there. It’s gotta hurt when Aziraphale refuses to see something that Crowley knows to be true through his own lived experience. Because it should be enough. What happened to him should be enough to make someone who loves him walk away from Heaven and never look back. And it isn’t.

But of course Crowley is one hundred percent not going to talk about this, if he is even fully self-aware about having these thoughts, because it’s far too painful and vulnerable. (He talks to plants, goats, God, and no one in a bar at the end of the world, but never to Aziraphale.) And so he says “Tell me you said no” and “I think I understand a lot better than you do” because he can’t say Choose me. Just this once, choose me and he can’t say Believe me.

And Aziraphale is not going to think about all this and work it out for himself, because he has a massive lump of denial centered around exactly this thing, that sometimes God hurts people who didn’t do anything to deserve it. I’m sure he’s thought about the Fall in abstract terms, enough to be afraid of it, but not in terms of this is a thing that happened to a person I love. And he has certainly not allowed himself to draw any conclusions about the nature of God from it, because that is far too scary a prospect.

And so they’re stuck. Until they can figure out how to remove this massive landmine from the center of their relationship, they are going to keep having the same fight over and over again, and they’re going to keep hurting each other without fully understanding why.

[very-normal-abt-this]

I want talk about how much love was nonverbally expressed *after* their last conversation in S2 Finale.

Yes, you heard right. AFTER.

Sure, they ended the conversation completely pissed at each other. Broken hearted. But, like in any solid relationship, they don't hold grudges. Only a few short moments later, all the anger is gone from Aziraphale's face, and the only emotions left are: love, longing, fear, regret. He can barely pay attention to Metatron, because he keeps looking out the window at Crowley. I think I counted 7 times of him turning his head to look. And of course, he is close to changing his mind several times. (BTW, I would *kill* to know what thoughts were going through his mind right before he committed to leaving, right before he said "nothing at all" with that fake smile)

And Crowley. Most humans, when they feel they've been rejected and/or abandoned - they slam the door and they leave in a huff! They don't look back, they get in their car, and drive away as fast they can, possibly with a middle finger pointed in the direction of the offending party. (Unless they're the type of person who would stand by the door, cry and beg them to stay, but obviously that behavior could never be exhibited by Crowley).

But Crowley does not leave. He does not even try to hide in his car. He stands there, intentionally on display, waiting and watching. Why? Because either A) He is not viewing this as a rejection and abandonment, but as a [huge] difference of opinion, so he is not reacting like someone who has just been rejected. Or B) he IS viewing it as rejection, but he loves Aziraphale so much that his main priority is still to make sure that the Angel is safe, regardless of their current relationship status. His love for Aziraphale is literally unconditional. Crowley wants to watch him walk into that elevator with his own eyes, and make sure that he's not doing so under duress. Or there is option C) He is standing there defiantly, to communicate his disapproval and disbelief at what Aziraphale is doing, like "I can't believe you're actually doing this, I have to see this shit with my own eyes to believe it." Or option D) He is hoping to influence Aziraphale to change his mind, because he knows that its incredibly hard for Aziraphale to leave him. Standing there to send a message of "I'm still here. Are you really sure you are okay with being separated?" Or maybe even E) A small part of him wondered if he (Crowley) might change his own mind about going, once he saw Aziraphale actually walking toward the elevator, once he saw that it's actually happening.

I don't think it's option C because of Crowley's facial expression and body language after Aziraphale gets in the elevator. I don't see any anger, frustration, disgust, or judgment there. All I see is...utter despondency, numbness, melancholy, hopelessness. So, I'm thinking its a combination of reasons A, B, and D. Maybe a little E.

And, I wondered the same about Aziraphale. As he is walking to the elevator, he is not acting as someone who is angry at their significant other. I imagine that a lot of people who feel angry after a fight, and feel their partner is completely in the wrong - they would walk into that elevator without looking back at the offending party. They might put on the happiest face and try to hide all traces of negative emotions, just to "stick it to them." But Aziraphale does look back at Crowley. And, this last nonverbal communication with his partner is also very intentional; he wants Crowley to know that he is looking at him on purpose (just as Crowley's behavior of standing by the Bentley and watching him leave is very intentional). Aziraphale stops and makes eye contact with Crowley, right before he walks into the elevator. Just as Crowley, he is trying to send a message with that pause and look. What message? A) "I can't believe you're not coming with me, I'm hurt and disappointed in you." B) "I want you to know that it's very hard for me to do this, I'm torn about it, and I'm thinking about you." C) "I just found out very bad news and you're in danger." Or option D) "I just found out very bad news and I'm definitely going to need your help. I'll be back."

My opinion is that its a combo of B, C, and D. I do not think its A, based on Aziraphale's behavior and emotions right after Crowley walked out.

So, to summarize the point I am making - despite their deficits in communicating with words, Aziraphale and Crowley continue communicating their feelings nonverbally. They remain committed to each other, even in the face of the biggest rift they've ever experienced in their relationship. Their behavior shows that their first priority in the relationship is not "to be right" or "to win the argument." Their priorities are - taking care of each other. Letting each other know that, "no matter what happens, I am here, and I'm thinking about you."

Thanks for reading! please leave a comment.

[neil-gaiman]

I have a question about the season 2 poster. How do the wings work? Like if they are attached to crowley and aziraphale one of them has a very weird joint and a very weird long bone in it. At least the black wing seems to be attached to crowley. Or can angle/demon wings just glitch through each other?

Did someone have thoughts about the logistics of the wing situation? I love the heart it makes but this has been in my brain since I first saw the poster and refuses to leave. Maybe there is something I'm missing and completely overlooked. In which case I would feel like a fool but at least I would have answers and could put the matter to bed.

I hope you are having a wonderful day!

The way it works is, Crowley and Aziraphale are standing together in human guise, without wings, and then there's an image of a heart made of wings behind them. (Otherwise a more important question to ask might be, why do they only have one wing each?)

[book-place]

Fears and Facing Them

Warnings: none (I think), let me know if I missed any :)

Pairings: Ineffable Husbands x daughter reader

Request: Crowley x Aziraphale x child reader (6 years old maybe), who caught Crowley in snake form and got scared because they have Ophidiophobia but after being comforted by Aziraphale, the child accepts it and actually likes to play with Crowley (crowley thinks the child is annoying but still loves the child) while he's in his snake form

Request by: @popfishjr

*not my gif*

Summary: You felt better about conquering your fear knowing it was just your father

A/N: Not proof read- I’m in a rush so I’ll do it later :)

Please don’t plagiarize my work, you may reblog if you like but I’m asking that you don’t steal my hard work

You hummed an off tune melody to yourself quietly as you stacked legos together from where you lay, sprawled out on your living room floor.

Your fathers were both upstairs, to your knowledge, but you were fine with that. Contempt in your own little world of play.

That was, until a small hissing sound rang out and reached your ears, so faint that you almost couldn’t hear it as you placed another lego piece together with another.

With that, you paused, head turning from side to side in confusion as you tried to locate the source of the noise. When you came up empty handed though, you simply shrugged and went back to your building blocks as if nothing had happened.

When the hiss sounded again though, you could no longer ignore it, your curiosity getting the better of you.

Quickly, you dropped your toys and rose to your feet, eyes narrowed as they scanned the room for any sign of where the noise was coming from.

That’s when your eyes landed on it- or him.

Crowley didn’t know what he was doing to be completely honest, he knew that you had a fear of snakes- or Ophidiophobia, as Aziraphel kept reminding him. But he hadn’t thought anything of it when he transformed into his reptile form, if not to simply have the feel of it again. He had thought you were in your room however, or he probably never would have done it.

As soon as your eyes latched onto your- unknown to you- father, you let out a horrible shriek and quickly scampered up onto the nearby couch, trying to put as much distance between you and the snake as possible.

Crowley paused, confusion overtaking his senses as he momentarily forgot about your fear for the animal, and just sat there, staring up at you.

There was a clatter behind him as Aziraphel rushed down the stairs in order to see what was going on.

“What ever is the matter, young one?” Your father asked, striding over and scooping you up into his warm hold.

“Snake, papa!” You cried, “Snake!”

The angels eyes drifted over to his husband for the first time since entering the room and the reality of the situation seemed to click in both of their heads at the same time.

Right away, Crowley transformed back, not wanting to frighten you more than he already had, watching as your eyes went wide.

“Hush, it’s alright, darling. There, there.” Aziraphel soothed, throwing Crowley an extremely rare harsh look as he rubbed up and down your back.

“D-dad?” You hiccuped, looking at the demon with wide eyes.

He hesitated before nodding, “Yes, it’s me, child.”

“W-why were you a-a sn-snake?” You stuttered out, resting your cheek against Aziraphels shoulder.

“It’s- that’s just something I can do.” He admitted, sounding meek for the first time in a long while.

“You’re just the snake?” You asked softly, “It’s not a scary monster?”

Crowley felt as if his heart melted when you unknowingly admitted that you didn’t think he was a scary monster- unlike the rest of the world.

A silence settled over your little family before you spoke up again, small bursts of confidence seeping into your question, “Can you turn back into a snake?”

Your father hesitated, looking to his husband, only to not be offered an answer. But after a moment, he did what you asked.

Instead of shrieking and cowering away like he had expected you to, you just stood there for a few seconds, blinking down at him, before slowly peeling yourself from your fathers hold and approaching the other one in snake form.

Then, without any sign of fear or hesitation, you reached over and patted the top of his head, “Hi, daddy.” You giggled.

It might have been hard to see, but snake-Crowley grinned oh so very bright in that moment.

Ineffable Husbands 😇- @popfishjr @etanordoesbullsh1t

[dalliancekay]

Why is our angel also kind of reluctant to be called good?

The little 'ehhh' incline of his head... We never saw what kind of assignments Aziraphale was given (and shared with Crowley) I hope they were nicer than 'bearing witness' to a Flood and a Crucifixion.

Perhaps he wasn't sure doing his job was really something he could call 'good' for himself. And maybe after the non-Armageddon he didn't want to be seen as doing good just cos he's supposed to, given he's a literal angel. So he sees this as selfish, not really good, good, since he got something out of the interaction.

Ugh, I want to speak to Aziraphale, anyone has his number? Email?

He's not too proud to be associated with them, is he?

They way Crowley looks at him here ... 'Angel? This one? What did he do this time? Anyway, my angel, hands off' I hope he's thinking. Anyways, I woke up and chose to think about how Aziraphale just wants to be Aziraphale, not an angel.

So all those takes that think he wants nothing more than turn Crowley back into an angel too can take a hike.

It's always about safety for Az when it comes to Crowley. Besides, he knows well that his demon has a good heart. He always knew.

[bluberryfields]

"David is very easy to fall in love with." - Michael Sheen

Hi. How are you? Good, I hope. Okay, so can we talk about just how fucking beautiful David Tennant is? And by “we” I mean “I” and by “talk” I mean “babble incoherently into the void”? Great! I’ll attempt to impose a bit of organization on this just to satisfy my pathological need to inflict structure on words (thanks college/job/brain), but I can’t promise much. Also, there will be A LOT of pictures and gifs. (you’re welcome?)

And this isn’t just because I am deep in the bottomless well of Good Omens fandom and that Crowley is basically the most breathtaking creature that has ever existed. Well, not just because of that.

*cue Aziraphale's "good lord" from 1793*

ANYWAY, like a lot of people, I became a fan of (i.e., fell deeply and irrevocably in love with) DT during his run as the 10th Doctor. He was young and bright and full of just about everything – joy, sorrow, wit – making him incredibly watchable. His look was also so charming: big bouncy rooster comb of hair, absurdly cheeky smile, expressive-as-fuck eyes and eyebrows, and a tall, lanky form that seemed to be made of rubber and the kind of granulated sugar that could only be found in candy from the 90s that are now banned in all first- and second-world countries.

So yeah, I was super into him and his Doctor’s adventures. And I continued to watch him in other projects and still swoon (looking at you, slutty Hamlet)

even at characters where that was not the desired reaction (fuck you, Kilgrave, you delicious monster).

I would also always become a bit (a lot) weak in the knees at his voice regardless of which accent he took on, though always preferring him doing any Scottish brogue because of fucking course.

Roll that tongue, you sexy beast.

But what I want to get into today is just how incredible he looks in the year of 2023.

He’s 52 years old and I am somehow even more attracted to him. Maybe it’s because I am myself older, and my tastes have matured alongside? I certainly do enjoy gray hair way more than I did 10 years ago.

He’s aged incredibly well, probably a combination of good genes and good health, and he’s clearly not clinging to the Hollywood idea of “youth”.

(insert obligatory grumble about the double standards of men being praised for aging and women being demonized…the potentially problematic nature of the term “aging well” in general…acknowledge this with my enlightened brain but ignore this with my slutty heart…fuck the patriarchy, etc. etc.)

He’s still tall and skinny, even gangly at times, all long arms and legs that can move in impossible directions with unfathomable grace.

His face is leaner, that incredible bone structure creating sharper edges that draw the eye. Speaking of the face, he’s got these creases on his forehead and at the corners of his eyes and mouth that are evidence of time spent well: smiling, laughing, living. Makes you want to trace your fingertips along each one.

Oh god that smile? Good lord. It’s weapons grade charm that can also be quite intimidating. Sweet, humble, silly, scary…full spectrum of options here! His shark smile is the definition of “irresistible” in my Dictionary of Delicious Dudes.

I am both proud of and grossed out by my own word choice.

Continuing with that face...the hawkish nose, the dimples you want to drown in, the big eyes, those motherfucking eyebrows...

I could seriously write a whole essay about those eyebrows, but I already give my therapist enough to worry about.

Oh those eyes. “Piercing” is a term usually reserved for blue eyes, but I would argue it applies to DT’s bottomless chocolate pools in that they slice through my heart every damn time.

Honorable mention does go to those Crowley snake eyes because they could have been distracting and diminishing to his overall look, but they absolutely are not.

Such a pretty shade of yellow.

Random tangent to swoon about his hands. For whatever reason, I like checking out a man’s hands, and DT’s got a set that drives me wild. I can’t even really explain why, but I just really like the way he articulates with them. Crowley is a perfect example, what with the miracle snaps, caressing globes, and holding whisky glasses. Yum.

Delicious demon digits

Fresh tangent: How does this fucker look good clean shaven, with stubble, and a goddamn beard? How is that allowed?

He's got a face that makes me wanna take up sculpting

Further, how is his fucking neck so hot? Like, seriously, show me the math. I can’t stop staring at it. And when it’s cloaked in a turtleneck? Please, sir, may I have some more?

Fuuuuuuuck

With no segue whatsoever, I am absolutely obsessed with his hair, across all contexts. Big, bold, blood-red Crowley coifs (especially in Season 2)? Check.

Proper gentleman side part? Check.

Side shave with cartoonishy springy 14th Doctor shock? Check.

Lockdown locks with and without headband? Check!

It’s a goddamn buffet of delicious options.

Oh damn speaking of that 14th Doctor look? Good fucking Christ on a buttery Ritz cracker. The whole DT collection is on display: the hair, the eyes, the bone structure, the smile, the clothes, and even the glasses!

To quote Pam on Archer, “I swear to god, you could drown a toddler in my panties right now! I mean, not that you would.”

Now that you (I) mention the clothes, I never cease to marvel at how he can wear pretty much anything and look amazing. Stripes, patterns, wild colors, etc. He just always looks…not exactly comfortable, but sort of at ease like the clothes were created with him in mind. And this goes across the spectrum of Casual to Costume to Promotional (e.g., interviews and premieres).

They are almost illegally cute together

We all know by now how ridiculously tight those Crowley pants are and how it influenced his signature serpentine swagger (thank you, Costume department, you’re the real heroes). That said, he and those slinky hips still looks so incredibly natural in them like they came from his actual closet.

Stupid sexy snek

And he pulls off the look of more ridiculous stuff like full Shakespearean costumes or that sad gray-hoodie-black-shorts-and-Wellington-boots combo from the first season of Staged. He somehow gives off the air of “whatever, they’re just clothes, man” while also looking like a damn model.

Georgia is a very lucky woman

Final thoughts: I know DT dislikes talking about how people think he’s so attractive because I’m sure it feels a bit icky if you just want to live your life and do your job. But my guy also clearly understands that he’s not some ghoul who has succeeded on incredible personality and acting chops alone. So, that said, maybe he'll forgive me for posting such a long, rambling, ode to him?