#Baby can do no wrong

[respectthepetty]

A public apology to Never Let Me Go's Chopper:

Sir, I'm sorry.

I'm so sorry that I mistook you for every other side character in a BL series who is jealous of the lead, manipulative to get what he wants, controlled by his father, and disingenuous to everyone. That's not you! You could NEVER! You're in a league with To Sir, With Love's Yang, and both of you will go into the BL Hall of Fame.

Just so you know how sincere I am about this apology, let me recount the ways I wrongly accused you of being an undercover red flag when you are actually the biggest green flag in these BL streets. Full disclosure - I misjudged you a lot.

You looked at Nueng at the conference and hesitated to follow your father when he left. 1a) You're always worried about your cousin and 1b) from the beginning have shown you don't align with your father's beliefs.

1a. When you found out Ben, who you knew couldn't reciprocate Nueng's feelings due to his homophobic father, was speaking to Nueng, you directly asked Ben what he wanted from your cousin.

Because you care about your cousin, and you want to actually spend time with him.

You let him know that even though your parents are beefing, you still love him.

You are genuinely happy to see him.

And when he asked you about Ben and why you are no longer friends (since the 10th grade *sob*), you warned him that Ben is distant, but encouraged both him and Ben to pursue their attraction AND asked follow-up questions on separate occasions because YOU CARE ABOUT THE PEOPLE YOU LOVE even if it kills you.

And that is why Nueng trusts only you unlike your father.

1b. You told your father from the beginning that you didn't want what he was offering nor did you cave to his expectations.

You also told him you weren't competing with your cousin because, once again, you actually love Nueng and don't resent him .

You looked away when your father wanted you to watch him punish someone.

You picked up the photo of Tanya and Nueng when your father threw it, and you directly asked him AND scolded him for ordering the hits.

I know you know how to use a gun, and I know you can aim very well. If you kill your father, I will light every candle and pray that you only know good sex for the rest of your life, that your bed is always the perfect temperature, and that your earrings never snag your clothing. Amen.

2. You have always been kind especially to Palm and Ben. You immediately went to Palm and made friends with him, speaking casually, and told him if he needed help, to ask you.

When you saw Palm at Nueng's house, you were happy to see him, and spoke to him. When you realized you offended him by telling him he didn't have to act like a servant in front of you, you quickly apologized.

You were also quick to apologize to Ben when you knew your words hurt him.

When you found out about the incident at school, you went to Ben and comforted him. You even grabbed his hands in public, looked him in the eyes, and told him he wasn't to blame (for being the victim of a public outing).

I truly thought YOU were behind this, but once again, you are the BEST BOY and put Kimlock Holmes to shame by solving the case. However, you stopped Ben from hurting Aun, and I think you even felt bad for Aun when you found out his reasoning for doing it.

You have shown that you don't condone violence but are willing to do what is necessary for the people you love (*whispers* please kill your dad) and will literally kick someone's ass.

4. You are aware you are gay.

I know this seems wild that I misjudged you for this mostly since this is a BL series, so everyone is queer until proven otherwise, but Chopper, you KNOW who you are. You aren't holding on to a secret. You aren't pining over Ben from a distance. No! You told him in the 10th GRADE that you liked him.

And when he rejected you, you kept your distance, but still encouraged him to find happiness with someone else because you want the people you love to be happy even if it was with each other.

You also complimented Palm on his body because, baby, YOU ARE A GAY MAN WITH EYES!

I can't apologize enough for not believing in you even when you showed me exactly who you were time and time again. You may be okay that Ben rejected you, but know that Ben now realizes the sun and the moon reside in your eyes.

The way he looked at you while you took the time to carefully go through your skincare routine when you said you weren't his type told everyone that this boy wants Nueng to come home safe, but he wants YOU to come to his home and make him feel safe.

Chopper, I love you. I don't even care that you are into cryptocurrency. Baby, your game is so fire, that you could tell me to shut up, and I do it. That's how much I love you.

If you pull a switcheroo in the final act, I'll forgive you. If you die in the final act, I will never speak of this show again. If you kill your father, I will never stop speaking about this show.

Stay kind. Stay sincere. Stay a confident gay.

And kill your father.

[percki]

‘why would zuko do that’ he is sixteen years old. ‘i don’t understand zuko’ are you or have you been sixteen years old. ‘zuko just makes bad decisions’ he is sixteen years old. ‘zuko burned down kyoshi island’ he’s literally sixteen years old. ‘zuko kidnapped a twelve year old and dragged him through the snow for hours’ yeah sure but he was sixteen years old. ‘zuko hired an assassin to capture aang, and said assassin went rogue and attempted to kill everyone’ yeah well he’s not good at critical thinking. he’s sixteen years old

[rosieyart]

some very specific headcanons with an experimental painting style

[starry-bi-sky]

danyal al ghul memes because i don't think i've done those yet for this au.

(the jason one is in reference to the fanon headcanon/au that Jason and Damian potentially knew each other and interacted while jason was in the league. I've thought about it before in context of this au, but haven't thought about it enough to feel inspired or motivated to make a post exploring the idea)

(diablito means, as you can guess, 'little devil'. while i'm neutral to latino jason, i think the nickname is cute as fuck and was danny's main nickname from Jason. i don't wanna touch that timeline so im not gonna decide how old they were when Jason was there.)

Skulker: i am the ghost zone's greatest hunter! i capture and hunt creatures both rare and dangerous. Danyal: a poacher?? you're a poacher?? you poach animals??Skulker:...i sense i've made a mistake of some kind.

anyways that was the day that Skulker cemented himself as Danny's no.1 opp, and still remains there to this day even if he and Vlad are both viciously fighting for second. Out of everyone in the the AP rogues gallery, Skulker will be the first to be thrown under the bus in terms of 'o shit here comes phantom fucking RUN'.

[oifaaa]

I dont think we as a society do enough with the fact that in current dc continuity the original story of how Damian was born is canon and that technically includes the bit were Talia gives Damian up for adoption as she thought that would be what's best for him bc there's a lot that can be done with this

[tesco-finest-aromantics]

i feel like the queer community lost when we started policing labels and making sure everyone used the Correct™ labels instead of letting a person decide what feels right for them

[thisismisogynoir]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[arlo-rose]

The baby <3333

[a-story-teller]

Daenerys Stormborn of House Targaryen

The judge, the seer, the horse-queen

[radiocrypt-id]

I got- I can't!

Imagine being 15, you've grown up your whole life with this one belief in this one God and you were told you were Chosen by Him, for Him. And you're 15. You believe so fully in the spirit of your religion, not necessarily the word, that you want to go to a non-religious school to try and help other kids maybe find your God because you genuinely believe that could be helpful to some of them, because it's all you know, and it's helped other strangers (human trafficking victims she helped in the black pit before) so why not other kids her age? You're 15 and all you can think about is helping others. And you start thinking about your religion, and reading books, and asking questions and you come to the conclusion that maybe your God and His Father aren't actually all that great. Maybe the church you're in has done some really bad things that you can't possibly make up for. Maybe that church is still doing bad things. And then you find out your family is actually in a cult for that God, not just part of the normal church, and you suddenly have to undo all the cult shit in your brain you were raised with, while that cult stuff you know about is actually useful to your friends, like having that knowledge is helpful for them! You're 15 and you stop going home. You have no real adult supervision or carer, just your other 15 year old friends.

Imagine you're 16, you're gay and figuring that out on top of navigating your first full romantic relationship and being the sole creator and cleric to a new God that you honestly find to be very two dimensional and empty. You're on a quest to find an evil being and stop them. You nearly die. Your friends nearly die. You're 16. You're 16 and feel something calling out to you, you know it's divine because you've felt that sort of pull before, but you've never felt one like this. You find memories and hints and pieces and you figure out that the evil being you have to stop, isn't evil, she's just hurting. She's hurt and She's a God. She's your God, and she's so happy to see you, and she has so many ideas, and so many hopes.

You're 17. You've spent your rest time (summer vacation) tearing across the world chasing down and defeating another evil thing that you and your friends accidentally released in the first place. Your God is with you, you have no time for Her. No time for anything but trying to survive and stay sane. You know She's disappointed in you, but you're one person -ONE PERSON- and you're 17. You missed your birthday. again. You've saved the world; again. You're so fucking tired -like always. You're Chosen, and alone, and have no idea what to do with your life, let alone your God. You aren't very good at school, but you go to every class. You're drowning as you try to rewrite your understanding of the world from what you grew up with, having no idea how to do anything without a book and godly hand to guide you. You only ever followed before, your new God is demanding you Lead. You don't know how. You're only 17. You see your horrible, abusive parents spitting abuse and racist rhetoric at your baby brother, who you haven't seen in two years, on the front steps to your school and for the first time ever you are filled with righteous fury. Your God answers your call, not knowing what you need but so eager to help, eager for your attention, she starts talking to you but you're busy -why can't she understand that you're fucking busy? trying to not die, trying to be safe, trying to keep your friends alive, trying to navigate a world that hates you, you're 17 and you're busy goddammit just wait!- and she snaps back at you and flees. The next time you see Her, maybe an hour later, She's got a creature with Her that nearly destroyed you and your friends last year sitting in her lap, so smug to see you again.

You're 17- no, 16- no, 15 years old and you're expected to build and carry the world on your shoulders, Chosen from birth, raised a lamb to follow a Shepard, not to be followed behind. You have no one and nothing and everyone expects everything and you can't back up, you can't pause because if you do someone dies and doesn't come back. You have to be a hero, a chosen, a saint. The steps behind you crumble to dust with each step you take forward and the new one is already cracking under your weight. There are only wrong choices. There's no hand reaching for you. God, you were taught, will save and guide you. God knows best. Why is your God looking to you, a mortal human, to be saved, raised and guided? You're a child.

You're just a child.

You just want to go home, wherever that is. You thought it was your God, but She's not exactly helping you out either, is She? She's just disappointed. Like everyone else. Like you.

You're 17. You think it would have been better to never do any of this. It would have been easier to stay, blind and naive. Sometimes you think you should have stayed in heaven. Sometimes you think about the God you killed by not being good enough for it. Sometimes you lay on the floor and stare at the ceiling and pretend you don't exist for awhile. Sometimes you work your body so hard you forget it's there and your mind shuts up and you exist without being you. Sometimes you wish you never asked any questions or read any books. You're 17, but sometimes you wish you were 15, with no idea yet.

You're 17. You wish you were good enough.

[cosmicwhoreo]

the salty siblings- I just luv them so much

[bishicat]

I thought Mari deserved her own portrait :-)

[gedankenmoon]

This is how Miguel sees her btw

[five-flavor-soup]

This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.

In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 

But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 

That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 

Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 

Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:

Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.

(Added emphasis for my point)

Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 

By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.

And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 

In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:

The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.

And: 

I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.

I actually don’t have anything to add to this, lol. It’s succinct and well-worded.

Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 

There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.

[racesolar]

drifter is a terrible influence