I'm thinking again on the fact that so often comments, criticism and readings on Jack dwell a lot on how he is barely human/a person/doesn't have a personality at the point of the story and, while I somewhat understand these points, I find them so lacking. I find them... ableist? I'm always doubtful to use the word here because I'm not sure if it's applied in this kind (mental health) of context, but something like that. And I find them extremely simplistic.
However, honestly, a big part of the reason for these readings being so popular is that the manga itself words it that way. But that's one of the problems I find in the manga. When I say P.andora Hear.ts is very good but unfortunately it is very manga-like at times, besides the 2000s homojokes and the like, I'm usually thinking about things like this. I feel like often characters and situations that are (potentially) very intricate instead of getting insightful deep overviews often get screwed by the writing itself, which falls into very manga tropes a lot in a bad way (not that every manga has to fall into them, or that every manga trope has to be bad or written badly).
I don't know... For instance, I'd argue R.askolnikov's capacity for love in Cr.ime and Punishmen.t is debatable, but it's never treated as if it made him less of a person, a human being or made him not have a personality. I'd say not even Svidrigailo.v, who is as much a Bad Guy™ as a character can be, gets that treatment by the writing. I'd say that even him or Mikol.ka are written as fully fleshed human beings with their intricate internal lives and feelings. Svidrig.ailov's last scene with D.unya is fascinating for both characters and spins the whole dynamic and makes you question the entire narrative and veracity of not only those two characters, but brings to mind several other conversations among different characters and throws light (and doubt!) on the main plot between R.askolnikov and Porf.iry.
In similar situations, Jack's humanity, personhood and personality are debated, doubted and even full on accepted as vanished. No one reads Crim.e and Punishmen.t and comes to the same conclusions about Raskolni.kov, Svidrig.ailov, Sony.a or Razu.mikhin. The writing doesn't allow it. The writing doesn't allow you to forget that humanity is diverse and multifaceted, that it can be sad and cruel and loving and monstrous, even all at the same time, or that a person may struggle with feeling at all; and one is still a person.
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It actually makes so much sense that fanfic is becoming more popular as time passes. First, obviously because it's in people's nature to retell versions of the same story or come up with their own twists, we've been doing so for ages with folk tales.
But also the way entertainment for the last half a century has been about either rehashing an old story, or making variations upon it. Sometimes adding new characters, settings, time periods, messages. I mean, look at Shakespeare's work or Jane Austen's, and lots more I don't have the memory to write down. This is literally what people do. We just have a different means of expressing and showcasing it now.
And, of course, Hollywood's obnoxious insistence on beating a dead horse. Creating franchises out of everything. Specifically of the last two decades, which saw at least three separate Spider-men on the big screen, two separate sequels to Star Wars (each worse than the last), several reboots to many other franchises, and shows that wont end.
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I know it’s been a bit since this all happened but seeing people say, after having watched the second Shazam movie, that they wanted a Mary spin-off, and then finally actually watching the movie myself was so strange for me.
because I would have assumed that, as someone that’s already really invested in Mary but was also not expecting much of anything too substantial from these movies and was excited to see her depiction anyway, I would be the easiest person possible to please with her portrayal as long as she wasn’t characterized in a way that actively contradicted how I view her, which would then really bother me. but then I really didn’t care about her at all in the movie. it wasn’t that her usage in the story bothered me so much as that it didn’t really prompt a response from me in the first place.
because her problems exist in the beginning of the movie and then nothing specific happens with her regarding them for the rest of it, they only serve to prompt a specific reaction from Billy as a part of his arc, and for me that’s a situation that inherently cannot make her compelling as a character.
I know that part of this is that people went into the movie with specific expectations about how her character would be used from how she was used in the first movie, as well as that the existence of The New Champion of Shazam! (2022) has provided essentially evidence not much of that a spin-off where she goes to college is going to happen but of that it would be a good idea for it to happen, because that something happened in a comic book is often used to mean ergo it should be used in the live-action adaptation because it would be satisfying to see it made into live-action, regardless of how what’s already been done in live-action has or hasn’t set it up for that to be a satisfying direction for that story as a stand-alone work without the context of the comics.
and I do personally really want to see Mary’s life when she’s away at college actually fully realized in a story, but that’s because New Champion convinced me of the potential in that concept and then didn’t fully deliver on it, not the movies, and I don’t necessarily want to see that happen in the live-action format. I’d actually rather see it in the comic book format. which is all to say that I’m not bothered at all that it’s looking like we’re not going to be getting any more of these movies.
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Haven't turned my laptop on for anything work related for over 2 weeks now. I have 3 months of almost nothingness ahead of me and discovered that reading an actual book is indeed still great.
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